The Graveyard Shift

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0:00:02 > 0:00:05This programme contains some strong language and some scenes which some viewers may find upsetting.

0:00:05 > 0:00:07- She's going to save the world. - Remove your weapon.

0:00:07 > 0:00:09- Who sent you here? - Move in here!

0:00:09 > 0:00:11Are you somehow drunk?

0:00:11 > 0:00:12Griffin's dead.

0:00:12 > 0:00:15We seriously need to sort our shit out before the Old Ones arrive.

0:00:15 > 0:00:17What we need now is fists and fangs.

0:00:17 > 0:00:18The other guy?

0:00:18 > 0:00:20He called him Hal.

0:00:20 > 0:00:22He called him what?

0:00:24 > 0:00:28WOMAN SCREAMS AND WHIMPERS

0:00:31 > 0:00:34Look, I'm not going to kill you.

0:00:34 > 0:00:36I want to, but he won't let me.

0:00:36 > 0:00:38He says it's protocol.

0:00:43 > 0:00:48Ah! It's not that I don't have a stomach for killing.

0:00:48 > 0:00:53Believe me, I've killed a truly astonishing number of people.

0:00:53 > 0:00:56Me and my friend have cut a swathe across Europe.

0:00:56 > 0:00:58We're like a plague.

0:00:58 > 0:01:02And then the bloody war came along and ballsed it all up.

0:01:02 > 0:01:04HE LAUGHS

0:01:05 > 0:01:08Ah, well. Please yourself.

0:01:10 > 0:01:13MATCH FLARES

0:01:30 > 0:01:33Sorry about the mess. We're home on leave.

0:01:33 > 0:01:36We couldn't be bothered to get the coach all the way to Richmond,

0:01:36 > 0:01:38and thought we liked the look of this place.

0:01:39 > 0:01:42My friend can get a bit carnal.

0:01:42 > 0:01:46Pretty girls bring out the beast in him, you see.

0:01:47 > 0:01:49Shall I tell you a secret?

0:01:51 > 0:01:54I think the others are scared of him.

0:01:55 > 0:01:59Ivan, Wyndham, Jacob. Even Hettie.

0:01:59 > 0:02:02Not Mr Snow, obviously.

0:02:02 > 0:02:05Sometimes, I think the only demon worse than him

0:02:05 > 0:02:09must be the one he's fleeing from. But I'm not scared of him.

0:02:10 > 0:02:14- Don't tell him I said that. - Don't tell him you said what?

0:02:20 > 0:02:23Christ, not another one.

0:02:23 > 0:02:24FERGUS LAUGHS

0:02:24 > 0:02:28How may servants does this house have?

0:02:28 > 0:02:31Anything over 20 for a house this size is just showing off.

0:02:33 > 0:02:34I'll leave you to her.

0:02:34 > 0:02:36Pop down to the cellar.

0:02:38 > 0:02:42A little something for you - one of the daughters.

0:02:43 > 0:02:45- You shouldn't have.- Leave.

0:03:06 > 0:03:08SHE SCREAMS

0:03:13 > 0:03:17# ELBOW: Grounds For Divorce

0:03:28 > 0:03:30Let's go shopping.

0:03:33 > 0:03:36Eat you right up.

0:03:36 > 0:03:38Hey, couldn't I?

0:03:38 > 0:03:41Aren't you just a darling, aren't you?

0:03:41 > 0:03:45Aren't you? I could just eat you up.

0:04:05 > 0:04:07So, is Mum at work?

0:04:07 > 0:04:08No, she's dead.

0:04:08 > 0:04:12Oh! I'm so sorry.

0:04:12 > 0:04:15That's really brave of you bringing her up on your own.

0:04:15 > 0:04:17Really brave. Being a single dad.

0:04:17 > 0:04:19No, I'm not her dad. He's dead and all.

0:04:19 > 0:04:23So, what happened? Was it a car crash? Did you adopt her?

0:04:23 > 0:04:25No, they were killed by some bad men and, well, my dad was, as well,

0:04:25 > 0:04:28so we're looking after her.

0:04:28 > 0:04:30That's good of you.

0:04:30 > 0:04:33Well, she ain't got no-one else, and we're worried the bad men

0:04:33 > 0:04:36might come and kill her, but we're doing all right, so...

0:04:36 > 0:04:39Well, that's something.

0:04:44 > 0:04:46Ooh, dear me!

0:04:47 > 0:04:50Well, nice chatting to you. See you later.

0:04:53 > 0:04:56Can't believe that I'm a thief now. Common criminal.

0:04:56 > 0:04:58I feel sick. Can I even be sick?

0:04:58 > 0:05:00It's not stealing if it's a big shop, McNair said.

0:05:00 > 0:05:03I used to blush when I took a free sample. What's happened to me?

0:05:03 > 0:05:06She needed food.

0:05:06 > 0:05:09Yes, I know she did. It's just... It feels so wrong.

0:05:09 > 0:05:12HARPSICHORD MUSIC

0:05:31 > 0:05:33MUSIC STOPS

0:05:33 > 0:05:36- You need to get a job. - I'm sorry?

0:05:36 > 0:05:38Um, we need money for Eve, Hal. We can't go on like this.

0:05:38 > 0:05:41Swanning around on your backside all day.

0:05:41 > 0:05:43Think I'm relaxing?

0:05:43 > 0:05:46This is me holding on by my fingernails.

0:05:46 > 0:05:50And going to work? Out of the question.

0:05:50 > 0:05:53MUSIC STARTS AGAIN

0:05:53 > 0:05:55- OK. Erm... - MUSIC STOPS

0:05:55 > 0:05:58Um, I do understand that this might be difficult for you, Hal,

0:05:58 > 0:06:01but you can't really expect to stay here for nothing.

0:06:02 > 0:06:05Why aren't you loaded, anyway?

0:06:05 > 0:06:07Vampires live for ever. Even with a basic bank account,

0:06:07 > 0:06:09your compound interest would be through the roof.

0:06:11 > 0:06:13McNair said.

0:06:13 > 0:06:16A series of unwise investments before the crash.

0:06:16 > 0:06:19- Look, on my list, it clearly states...- Oh, stuff your list.

0:06:19 > 0:06:21If you want to carry on living here, you've got to pay your way.

0:06:21 > 0:06:23Annie?

0:06:24 > 0:06:25Please.

0:06:26 > 0:06:30Keeping away from people is part of how I manage my condition.

0:06:32 > 0:06:34Yes, Hal, but you have been dry for over 50 years.

0:06:34 > 0:06:39So, surely you can manage just a couple of weeks out there in the real world.

0:06:39 > 0:06:42If you do start eating people, we'll just have to try something else.

0:06:42 > 0:06:45Where? Hmm?

0:06:45 > 0:06:49Where will I work? Jobs don't just fall off trees, you know?

0:06:51 > 0:06:52Kill me.

0:06:53 > 0:06:58Seriously, kill me now. You can tell Annie I attacked you, or something.

0:06:58 > 0:07:00Maybe later, if you work really hard.

0:07:00 > 0:07:04Right. So, the fat collects here and drips into that there.

0:07:04 > 0:07:06I want you to scrape it up using this...

0:07:08 > 0:07:09..and put it in that bucket.

0:07:14 > 0:07:17Tom, are you sure you haven't killed me already? It feels a lot like hell.

0:07:17 > 0:07:19You've got two choices, mate -

0:07:19 > 0:07:22you can either scrape up the fat or mop up the bogs. It's up to you.

0:07:22 > 0:07:25- Fat it is.- OK.

0:07:26 > 0:07:29- HE BREATHES HEAVILY - Steeper than it looks.

0:07:29 > 0:07:32- What are you doing here? - What are YOU doing here?

0:07:32 > 0:07:36I can't believe you're still in Barry. I can't believe you're still in Wales.

0:07:36 > 0:07:40- God, the risks I took for you people.- Do they still want her?

0:07:40 > 0:07:45They don't want her because they think she's dead. I told them I killed her.

0:07:45 > 0:07:47Oh, thank you.

0:07:47 > 0:07:50But if they find out I didn't,

0:07:50 > 0:07:54say they spotted you shopping with her in bloody Aldi,

0:07:54 > 0:07:57then they'd come for her again, and I would get a wooden enema.

0:07:57 > 0:08:01Sorry about that. We'll try and keep more of a low profile, OK?

0:08:01 > 0:08:06This is not just about the fangs. I found something else in the prophecy.

0:08:06 > 0:08:08Something is coming for her.

0:08:08 > 0:08:12- That's very nice. Thank you. Goodbye.- Listen, this is serious.

0:08:12 > 0:08:16No, this is prophecy, and I know a thing or two about prophecies.

0:08:16 > 0:08:17They're bullshit and mind games.

0:08:17 > 0:08:21Seems to me that they only get dangerous when you actually start believing in them.

0:08:21 > 0:08:24So, if you've come to tell me about real things in the real world,

0:08:24 > 0:08:26then, yes, go on, tell me.

0:08:26 > 0:08:29But if this is more Saviour nonsense, I think we're done here.

0:08:29 > 0:08:31- Thank you.- I just need to...

0:08:31 > 0:08:37Look, if you are serious about the wellbeing of that child,

0:08:37 > 0:08:39you will listen to me!

0:08:41 > 0:08:43She is in danger.

0:08:44 > 0:08:48God, I don't know why I bother!

0:08:52 > 0:08:55Egg and chips? It'll be about five minutes.

0:08:55 > 0:08:57If you just take a seat. Cheers, boss. What's that?

0:08:59 > 0:09:01Toad in the hole? That's going to be a while yet

0:09:01 > 0:09:06cos I've still got a few more on. I'm really sorry. Obviously...

0:09:11 > 0:09:13It's a journal.

0:09:15 > 0:09:16Sorry?

0:09:16 > 0:09:19What you were going to ask. I'm just writing a journal.

0:09:19 > 0:09:24Yeah. Thoughts, feelings, lyrics.

0:09:25 > 0:09:29- Good. - Yeah, but it's kind of private.

0:09:29 > 0:09:33It's a lot of my private thoughts and ideas.

0:09:36 > 0:09:37But I didn't actually ask...

0:09:37 > 0:09:41Oh, OK! Just one.

0:09:41 > 0:09:42Twisted my arm.

0:09:42 > 0:09:46Like, we have this idea

0:09:46 > 0:09:51that you could make a skull

0:09:51 > 0:09:54with the top sliced off that you could drink from.

0:09:54 > 0:09:56What do you think?

0:09:56 > 0:10:00It's pretty dark, isn't it?

0:10:01 > 0:10:06Wouldn't the drink leak out of the eye sockets where the, um,

0:10:06 > 0:10:07the optic nerve goes in?

0:10:07 > 0:10:10SHE SCOFFS

0:10:10 > 0:10:12It's not a real skull!

0:10:12 > 0:10:17Anyway, just the sort of thing I think about, you know, all the time.

0:10:17 > 0:10:20I bet you think I'm really weird.

0:10:20 > 0:10:24You still doing that? We've got orders in, Hal.

0:10:32 > 0:10:38Do you ever just picture the streets full of bones? Like after a war.

0:10:39 > 0:10:44And everybody's dead but you.

0:10:53 > 0:10:57And the big, bad pig blew and blew and blew,

0:10:57 > 0:11:02and the three wolves were very scared inside their little brick house.

0:11:03 > 0:11:06SHE GASPS

0:11:06 > 0:11:08THUNDER RUMBLES

0:11:08 > 0:11:12Well, well, well. Wasn't that idiot Regus supposed to have killed her?

0:11:12 > 0:11:16What happened? Did she overpower him?

0:11:20 > 0:11:23Can be little buggers, babies, can't they?

0:11:23 > 0:11:26Cry like crazy in the house, then you take two steps outside -

0:11:26 > 0:11:27boom, off like a light.

0:11:29 > 0:11:33Um, do you have any yourself?

0:11:33 > 0:11:37Yeah, two boys. Little smashers.

0:11:38 > 0:11:44They both died of old age a long time ago, but they had kids who had kids, and so on.

0:11:44 > 0:11:46Yeah, I check in occasionally.

0:11:46 > 0:11:49See how my genes are getting on.

0:11:49 > 0:11:53Might even take the odd one. You know, thin the herd.

0:11:59 > 0:12:01Oh!

0:12:01 > 0:12:05It's funny. All the others are terrified of this little lady -

0:12:05 > 0:12:08the War Child.

0:12:08 > 0:12:12They think if you threaten her, a safe will fall on your head, or something.

0:12:12 > 0:12:13But not me.

0:12:13 > 0:12:17I see her as opportunity.

0:12:17 > 0:12:19Just imagine how grateful the Old Ones are going to be

0:12:19 > 0:12:21when I give them her head as a welcoming present.

0:12:24 > 0:12:26It's your lucky day today.

0:12:26 > 0:12:29This is a bit too public, even for me.

0:12:31 > 0:12:32I'll be seeing you.

0:12:35 > 0:12:39Why can't you just leave her alone? She's just a normal baby!

0:12:41 > 0:12:45Do you really believe that, or is this just desperation?

0:12:47 > 0:12:50- Which one keeps her alive? - Neither, I'm afraid.

0:12:58 > 0:13:02Bloke at table four gets free teas all day. He's a builder. He gave me this.

0:13:02 > 0:13:04- What is it?- Muriatic acid.

0:13:04 > 0:13:07What?

0:13:07 > 0:13:10Yeah, it's for cleaning my swimming pool.

0:13:10 > 0:13:12That don't have to be perfect, Hal. We've got people waiting.

0:13:12 > 0:13:14I'm doing them a favour.

0:13:14 > 0:13:17I'm granting them five more minutes without food poisoning.

0:13:17 > 0:13:20Get out of the way, I'll do it. Move.

0:13:20 > 0:13:24Fine. Think I've gone as high as I possibly could

0:13:24 > 0:13:27in the thrilling world of lettuce chopping, anyway.

0:13:36 > 0:13:37What was that?

0:13:37 > 0:13:40- It's a stake, Hal. - What the hell's it doing here?

0:13:40 > 0:13:43Must have had it with me in my trouser pocket when I was protecting Eve.

0:13:43 > 0:13:45- Then I came here. Forgot I even had it.- Tom, you promised Annie...

0:13:45 > 0:13:47I know. I told you, I forgot I even had it.

0:13:47 > 0:13:49Anyway, it's good that I've got it anyway, just in case.

0:13:49 > 0:13:51In case of what?

0:13:51 > 0:13:54We're hardly likely to be overrun by vampires in a cafe.

0:13:58 > 0:14:01- Jesus, that's for me, isn't it?! - No, of course not.

0:14:01 > 0:14:03Just in case I fell off the wagon, hm?

0:14:03 > 0:14:05Just in case I dealt with complaints the old-fashioned way?

0:14:05 > 0:14:09How was that going to work, Tom? Were you even going to warn me?

0:14:09 > 0:14:11Or was it just going to be a swift stake in the back

0:14:11 > 0:14:13- the next time I looked at someone funny?- Tell me I'm wrong.

0:14:13 > 0:14:16Look me in the eye now and tell me there's not a chance at all that you'll crack.

0:14:16 > 0:14:19Nothing to worry about, and I swear to God, I'll bin the thing myself.

0:14:19 > 0:14:23It would be nice if I thought you really were worried about me falling off the wagon,

0:14:23 > 0:14:24but I think you're hoping I will

0:14:24 > 0:14:26because that'll give you the perfect excuse.

0:14:26 > 0:14:29- Now, you tell me- I'm- wrong.

0:14:29 > 0:14:31BELL RINGS

0:14:42 > 0:14:43What happened to your face?

0:14:43 > 0:14:46My lunch fought back.

0:14:47 > 0:14:49I'd rather not talk about it.

0:14:49 > 0:14:52But who takes a crowbar with them when they walk the dog? I mean, who does?

0:14:52 > 0:14:54That's just weird.

0:14:54 > 0:14:58No, no, first, I want to know why you're helping us.

0:14:58 > 0:15:00Why you're helping her.

0:15:00 > 0:15:02- I'm all heart.- No, you're not.

0:15:02 > 0:15:06And the prophecy says that she will be the doom of the vampire race, or something,

0:15:06 > 0:15:09which I don't believe for a second, but I know that you do,

0:15:09 > 0:15:11so why would you want to save her?

0:15:11 > 0:15:16You love a doorstep row, don't you? You really want to go into this right now?

0:15:16 > 0:15:19Before I bring the baby into the weird vampire's house? Yes.

0:15:19 > 0:15:22Right.

0:15:22 > 0:15:24For 400 years,

0:15:24 > 0:15:28I've been collecting and cataloguing vampire history, myths and legends.

0:15:28 > 0:15:30400 years.

0:15:30 > 0:15:35In dark rooms, libraries and cellars. Poring over scrolls, manuscripts,

0:15:35 > 0:15:40books covered in mildew cos you can't Google this stuff, you know?

0:15:40 > 0:15:44I've got asthma. Actual asthma. Vampires don't get asthma.

0:15:44 > 0:15:48And no-one wanted to know about my work.

0:15:48 > 0:15:53They just laughed and ate another virgin, so that has to be worth something.

0:15:53 > 0:15:56If it's not true, if that baby doesn't mean the end of the vampires,

0:15:56 > 0:15:59then what have I been doing for all those years?

0:15:59 > 0:16:04It will have meant nothing! Do you understand?

0:16:05 > 0:16:07Yes.

0:16:14 > 0:16:17- He came to the house?- No, no.

0:16:19 > 0:16:21We were in the park...

0:16:21 > 0:16:24The park?! After everything I told you?

0:16:24 > 0:16:29Well, she wouldn't stop crying, so I just thought a walk in the park would, you know, calm her down.

0:16:29 > 0:16:33Oh, yeah, a walk in the park with the most important baby on the planet.

0:16:33 > 0:16:36- You know I don't believe that. - Then, why exactly are you here?

0:16:36 > 0:16:39Because I'm scared.

0:16:39 > 0:16:43The Old Ones? Is that who you were trying to warn me about?

0:16:43 > 0:16:46Oh, come on! You couldn't wait to tell me before.

0:16:46 > 0:16:50That was before. Before the door in the face,

0:16:50 > 0:16:52before you nearly got her killed. Now it's going to cost you.

0:16:52 > 0:16:53What?

0:16:53 > 0:16:58My price has just gone up from nothing to something.

0:17:00 > 0:17:04I think you need to be taught a lesson. I think you need to feed me.

0:17:04 > 0:17:08You do know I'm dead, huh? So, you can try biting me,

0:17:08 > 0:17:10but all you're going to get is an ice-cream headache.

0:17:10 > 0:17:15Who said anything about blood? I'm more interested in your other charms.

0:17:18 > 0:17:19No.

0:17:19 > 0:17:21I assume you know how to taste.

0:17:21 > 0:17:24That's what I want. Only in reverse.

0:17:26 > 0:17:30We are never touching.

0:17:30 > 0:17:34I will tell you everything you need to know to save the life of that baby

0:17:34 > 0:17:37and, believe me, you need to know.

0:17:48 > 0:17:51Put your hand on my head.

0:17:58 > 0:18:01Right, think about the first time you had sex.

0:18:07 > 0:18:08So, where are we, then?

0:18:10 > 0:18:16Well, um, we are in the spot where I first...

0:18:16 > 0:18:19You know.

0:18:19 > 0:18:21So, who's the lucky fella?

0:18:21 > 0:18:24Um, his name was Dave.

0:18:26 > 0:18:29Great! So, what time's kick-off?

0:18:29 > 0:18:32He'll be here in a minute.

0:18:32 > 0:18:36Oh, God. This is so weird! Weird and sick. I feel sick!

0:18:36 > 0:18:39So uncomfortable. Why are you making me do this?

0:18:39 > 0:18:42You've seen my life.

0:18:42 > 0:18:44Food that fights back.

0:18:44 > 0:18:46Sharing a bathroom with 14 Polish builders.

0:18:46 > 0:18:50And someone like me would never stand a chance with someone like you otherwise.

0:18:50 > 0:18:54So, I'll take what I can get. Even if it is a second-hand shag.

0:18:54 > 0:18:55Oh!

0:18:55 > 0:18:58Hey! Pretend I'm not here. Don't mind me.

0:19:05 > 0:19:08Right. What's he doing?

0:19:09 > 0:19:13Oh, well, I... I get it.

0:19:13 > 0:19:18Well, these are my memories, so I guess the only way you can experience them is...

0:19:20 > 0:19:21Is as me.

0:19:21 > 0:19:23Ah! Get off.

0:19:23 > 0:19:27Don't worry. You know what? He was surprisingly gentle.

0:19:27 > 0:19:29Get off! Get off!

0:19:31 > 0:19:34Maybe I should leave you guys to it. Just...

0:19:34 > 0:19:36- No, I don't like it! - ZIPPER RASPS

0:19:36 > 0:19:41- Don't worry, he didn't last that long.- Make it stop! Make it stop!

0:19:41 > 0:19:43Oh, my God! That's disgusting.

0:19:43 > 0:19:45HE GASPS

0:19:50 > 0:19:54Maybe we could leave the sex memories for a while.

0:19:54 > 0:19:57Are you sure? Cos I have some great stuff for you.

0:19:57 > 0:19:59No, no, it's fine. I'll tell you what you need to know.

0:19:59 > 0:20:00Thank you.

0:20:02 > 0:20:04I just need a minute.

0:20:04 > 0:20:06I feel a bit vulnerable.

0:20:06 > 0:20:10Oh, sure. Sure. I understand. You just take your time.

0:20:24 > 0:20:26I know who you are.

0:20:28 > 0:20:30I don't know who you think I am...

0:20:32 > 0:20:33..but you've got the wrong man.

0:20:33 > 0:20:38Before I ripped his throat out, that bloke in the pawn shop said your name.

0:20:38 > 0:20:42I thought, "No, it can't be." But it is.

0:20:43 > 0:20:45It really is you.

0:20:50 > 0:20:52My Lord.

0:20:56 > 0:20:59You have the wrong man!

0:20:59 > 0:21:01Jesus, you weren't joking, were you?

0:21:03 > 0:21:04Don't panic.

0:21:06 > 0:21:09I'm still loyal.

0:21:11 > 0:21:14HE GULPS

0:21:14 > 0:21:16Then forget you saw me.

0:21:19 > 0:21:24I couldn't believe it when I found you working here with a dog.

0:21:24 > 0:21:26I mean, you don't have to work anywhere.

0:21:27 > 0:21:31Look, there's a boat of Old Ones on the way, but until they get here,

0:21:31 > 0:21:34it's just me and this mouthy little dicksplash.

0:21:34 > 0:21:38But an Old One like you? You could walk in and take over, like that.

0:21:40 > 0:21:41I'm not interested.

0:21:41 > 0:21:44Oh, come on. Come back, huh?

0:21:44 > 0:21:46Like the old days? Me and you?

0:21:46 > 0:21:50Girl on each arm, one tied up in the boot, huh?

0:21:50 > 0:21:52You remember, don't you?

0:21:52 > 0:21:55I try to forget. That's not who I am any more.

0:21:55 > 0:21:58What, and this is?

0:21:58 > 0:22:00Working in a greasy spoon with a lyco?

0:22:02 > 0:22:05He's been a busy boy, you know. He's got a target on his head.

0:22:07 > 0:22:09Not when he's with me, he doesn't.

0:22:09 > 0:22:12Look, you're either an Old One or you're a nobody.

0:22:13 > 0:22:15And we're all over nobodies every day.

0:22:15 > 0:22:18See, this visit here today is only really a recce.

0:22:18 > 0:22:21Tomorrow, we're going to come back all tooled up about ten o'clock.

0:22:21 > 0:22:24Teach your little doggie to play dead.

0:22:24 > 0:22:27He's not my dog. He's not my anything.

0:22:27 > 0:22:32Fine. You won't mind stepping aside, then.

0:22:45 > 0:22:47Got you!

0:22:49 > 0:22:51It's just a bit dead, so I thought I'd ambush you.

0:22:51 > 0:22:55What have you been doing, anyway? Counting the rubbish?

0:22:55 > 0:22:57Yes, I was counting the rubbish.

0:22:57 > 0:23:00Oh, yeah. Someone's left something on one of the tables.

0:23:00 > 0:23:02God, not more sick.

0:23:02 > 0:23:04Do you want it, then?

0:23:05 > 0:23:07Why would I want it? You have it.

0:23:07 > 0:23:09I don't want it. It's demeaning to women.

0:23:11 > 0:23:13We should throw it away.

0:23:27 > 0:23:30- What must their mothers think? - What?

0:23:30 > 0:23:33Those ladies on the cover, showing everything to everyone.

0:23:33 > 0:23:35No-one'll want to court them.

0:23:36 > 0:23:39- Sorry, court them? - You know what I mean.

0:23:39 > 0:23:42Only because I was around during the Coronation.

0:23:42 > 0:23:44No-one says "court" any more.

0:23:44 > 0:23:46I know. They use "chatting up".

0:23:46 > 0:23:49We don't say that because it's disrespectful to the lady,

0:23:49 > 0:23:52even if they are in the nuddy. What do you call it?

0:23:52 > 0:23:54I don't call it anything because I don't do it.

0:23:54 > 0:23:56Is that because you can't do it?

0:23:57 > 0:24:00Let's just say it's not good for my condition

0:24:00 > 0:24:03- to play in that arena. - Very convenient.

0:24:03 > 0:24:04What?

0:24:04 > 0:24:07"Oh, I can't chat them up cos I might kill them!"

0:24:07 > 0:24:08You can't do it, can you?

0:24:08 > 0:24:13- Have you ever even been with a woman?- I'm waiting for the right woman.

0:24:13 > 0:24:17Virginity is like a flower - you don't just pluck it for anyone.

0:24:21 > 0:24:22Well said.

0:24:22 > 0:24:24I still don't reckon you can chat up.

0:24:24 > 0:24:28Are we still on with this? Look, I told you, I don't NEED to chat up.

0:24:28 > 0:24:30I have charm and wit.

0:24:30 > 0:24:33- Prove it.- What?

0:24:33 > 0:24:37Chat up the next woman what comes in here. Don't worry, I won't let you kill her.

0:24:37 > 0:24:39I'm not the one with something to prove here.

0:24:39 > 0:24:42I'll do it with you. First one to get her number wins.

0:24:42 > 0:24:45Unless you can't do it.

0:24:45 > 0:24:48First one to get her number, whoever she is?

0:24:48 > 0:24:49You're on.

0:24:49 > 0:24:50Fine.

0:24:55 > 0:24:58- But we're not going to ring it? - No.- No.

0:24:58 > 0:25:00We'll burn it, or something, as soon as we get it.

0:25:00 > 0:25:02Obviously.

0:25:17 > 0:25:19BELL JANGLES

0:25:28 > 0:25:29SHE SIGHS

0:25:34 > 0:25:39These runes describe the coming of a man - "the enemy of the Saviour".

0:25:39 > 0:25:43The nearest translation to this rune is "nemesis", arch enemy.

0:25:43 > 0:25:46Like Lex Luthor to Superman or Green Goblin to Spider-Man.

0:25:46 > 0:25:48Yeah, yeah. No, I get that.

0:25:48 > 0:25:52OK, this is a description of the man.

0:25:52 > 0:25:57This rune means "fire", but this is past tense, and this means "arm".

0:25:58 > 0:25:59And what does that mean?

0:25:59 > 0:26:03"The nemesis has a burnt arm".

0:26:03 > 0:26:05What, and that's it?

0:26:05 > 0:26:07What do you want? An e-mail address?!

0:26:07 > 0:26:10Look, if you see a scary man with a burnt arm, run away!

0:26:10 > 0:26:13It's pretty specific. You need to get out of town.

0:26:13 > 0:26:16Especially now they know that she's alive.

0:26:16 > 0:26:19You've got to go and hide somewhere in the middle of nowhere.

0:26:19 > 0:26:24- Go to Bangor.- What if the nemesis is waiting in Bangor?

0:26:24 > 0:26:28And besides, I've got my two boys guarding the door.

0:26:28 > 0:26:31- Hmm.- What?

0:26:33 > 0:26:34Something leaked out.

0:26:36 > 0:26:39You don't trust them. Not quite. Not yet.

0:26:39 > 0:26:43Well, I trust them a lot more than I trust you.

0:26:43 > 0:26:47Maybe, in most areas. But never with her.

0:27:02 > 0:27:04So, are you having a nice evening?

0:27:04 > 0:27:08JK Rowling used to write in a cafe, you know.

0:27:08 > 0:27:12- Did he? - I never used to understand why.

0:27:12 > 0:27:15But I get it now. Finally.

0:27:15 > 0:27:20You know, from here, you can see all the passing warp

0:27:20 > 0:27:23and woof of humanity...

0:27:25 > 0:27:30..in all its glory and its despair.

0:27:33 > 0:27:37Maybe, one day, years from now, people will ask you

0:27:37 > 0:27:41- which table I used to sit at. - That's quite a thought.

0:27:41 > 0:27:42Isn't it?

0:27:42 > 0:27:46Yes, me still here in a year. Anyway...

0:27:53 > 0:27:56That's a really nice look you've got going on there.

0:27:58 > 0:28:01- Nice?- Sorry.

0:28:02 > 0:28:05This is one of those things when negative is positive, isn't it?

0:28:05 > 0:28:07Hang on. I know this one.

0:28:10 > 0:28:12It's really bad.

0:28:12 > 0:28:15Get you, Vanilla Ice(!)

0:28:17 > 0:28:20Look, whatever the word is to compliment it, pretend I just said it.

0:28:22 > 0:28:25Don't you have, like, floors to mop, or something?

0:28:25 > 0:28:27(Please.)

0:28:27 > 0:28:30Yes! Anything else?

0:28:46 > 0:28:50Er, I like your tights. You look like a bee, and I like bees.

0:28:54 > 0:28:58- Are you coming on to me?- I don't know. Is that like chatting up?

0:28:58 > 0:29:01Urgh, no offence, but, like,

0:29:01 > 0:29:06I'm into guys that are just a little bit more edgy.

0:29:06 > 0:29:09You know, a little bit more darkness about them.

0:29:09 > 0:29:12BOTH LAUGH

0:29:12 > 0:29:15Are you laughing at me? You'd better not be laughing at me.

0:29:15 > 0:29:16No, we weren't, honestly.

0:29:16 > 0:29:19Sorry, it's just, um, a private joke, you see.

0:29:19 > 0:29:22We're actually both quite dark in our own little ways.

0:29:22 > 0:29:24Well, he's darker than me. I'm dark occasionally.

0:29:24 > 0:29:27Are you simple, or something?

0:29:28 > 0:29:30Here's an idea.

0:29:30 > 0:29:32Order something or get out!

0:29:32 > 0:29:36Fine. Then I guess I'm leaving.

0:29:41 > 0:29:44I didn't like her. I don't think I even want her number.

0:29:49 > 0:29:52FRONT DOOR BANGS

0:29:55 > 0:29:58And how are my two bestest working boys, hmm?

0:29:58 > 0:30:00How did it go?

0:30:03 > 0:30:06- Went well, then? - We did all right, I suppose.

0:30:06 > 0:30:10I think that's the first honest day's work he's done in his life.

0:30:10 > 0:30:11Oh, you are so wrong.

0:30:11 > 0:30:15If, by honest day's work, you mean mindless drudgery, then let me tell you,

0:30:15 > 0:30:17I've drudged with the best of them.

0:30:17 > 0:30:19Live as long as I have, sometimes you just can't avoid it.

0:30:19 > 0:30:21What crappy jobs have you done? I bet I've done crapper.

0:30:21 > 0:30:24Pulling a cart through the streets collecting refuse in barrels.

0:30:24 > 0:30:25Binman.

0:30:25 > 0:30:29These were the days before flushing toilets.

0:30:29 > 0:30:32It wasn't exactly rubbish we were collecting, if you get my drift.

0:30:32 > 0:30:36Grave digger. Sometimes, you'd dig through an old grave, unmarked like,

0:30:36 > 0:30:38right through a dead body, and it stunk.

0:30:38 > 0:30:42Child's play. Try digging plague pits with the bodies piled three deep around you.

0:30:42 > 0:30:45Um, I worked in a bar once.

0:30:45 > 0:30:48Yeah, and this guy came in to chat me up and later,

0:30:48 > 0:30:51he got drunk and crashed his car and died

0:30:51 > 0:30:54and he tried to drag me through death's door into purgatory.

0:30:54 > 0:30:58Dog food factory. Shifting huge lumps of frozen sheep's lung.

0:30:58 > 0:31:02Melted blood all sploshing about on the floor and the gaffer, well, he was...

0:31:02 > 0:31:04Annie! How was your day?

0:31:04 > 0:31:07Oh, thank you. Thank you for asking, because it was a bit weird.

0:31:07 > 0:31:11I got stalked by a vampire in the park and then I pushed my sex memories

0:31:11 > 0:31:15into another vampire's sad little vampire brain.

0:31:15 > 0:31:17Ooh, that is weird, Annie.

0:31:17 > 0:31:19Yes, I know. Thank you for asking.

0:31:21 > 0:31:24Is there something you'd like to tell us, Annie?

0:31:25 > 0:31:28She's just a baby, Annie.

0:31:28 > 0:31:31- This is all just a story. - And what about the Old Ones?

0:31:31 > 0:31:34Is that just a story, too, hmm? What happens when they get here?

0:31:34 > 0:31:36Let them come. We can take them.

0:31:36 > 0:31:38You were the one who said we should just run.

0:31:38 > 0:31:40And you were the one saying there's no point.

0:31:40 > 0:31:43Well, I think we should run and go and live in a barn.

0:31:46 > 0:31:49- A barn? - Or a caravan or a tent or something.

0:31:49 > 0:31:51You said we were strong here.

0:31:51 > 0:31:53- You said we could face them. - Well, I've changed my mind.

0:31:53 > 0:32:00I cannot sleep in a barn or a tent or a caravan or anywhere

0:32:00 > 0:32:02without central heating, carpets and Radio 4.

0:32:02 > 0:32:04That should be on my list.

0:32:04 > 0:32:08Really, it should. You make me do that, I won't be responsible for my actions.

0:32:08 > 0:32:09And what about the Old Ones?

0:32:09 > 0:32:12If the Old Ones are coming, then it is better that I am here to greet them.

0:32:12 > 0:32:13Greet them?

0:32:15 > 0:32:17I mean face them. Confront them.

0:32:17 > 0:32:20I ain't running. I'm going to fight 'em.

0:32:21 > 0:32:26Look, I just... I just think we have enemies coming at us from every angle.

0:32:26 > 0:32:28First, the Old Ones and now, this nemesis.

0:32:28 > 0:32:29Jesus, Annie!

0:32:33 > 0:32:36We've both had a really hard day at work.

0:32:36 > 0:32:39- Oh, and I haven't? - That's not what I meant.

0:32:41 > 0:32:45Look, I'm not sure what you were used to

0:32:45 > 0:32:50when George and, er, Tina were around, but...

0:32:50 > 0:32:55Their names were Nina, George and Mitchell,

0:32:55 > 0:32:57and this was their home

0:32:57 > 0:33:00and they were my friends

0:33:00 > 0:33:03and they would have listened to me.

0:33:07 > 0:33:10- Thanks, mate. - Thanks very much.

0:33:11 > 0:33:13BELL RINGS

0:33:23 > 0:33:25Can I have a...

0:33:27 > 0:33:30..cheeseburger, please?

0:33:37 > 0:33:381.50.

0:33:42 > 0:33:44SHE CLEARS HER THROAT

0:33:44 > 0:33:48"The cloak of the reaper blocks the sun over me

0:33:48 > 0:33:50("Over me)

0:33:50 > 0:33:53"But the beak of the crow pecks at the flesh of my enemy

0:33:53 > 0:33:54("Enemy)

0:33:54 > 0:33:59"I may be gone, but I'm still here

0:33:59 > 0:34:01"Remember me, remember me."

0:34:07 > 0:34:09I think you've forgotten to pay.

0:34:09 > 0:34:12Er, I think I just did.

0:34:12 > 0:34:15That's one of my poems, so...

0:34:15 > 0:34:18- Now you've got to pay with money. - Oh, God.

0:34:19 > 0:34:23I don't think you quite understand.

0:34:23 > 0:34:29One day, you're going to be able to buy this place with that piece of paper, OK?

0:34:29 > 0:34:33That's an original Michaela Thompson.

0:34:33 > 0:34:35We'd rather have the money.

0:34:36 > 0:34:42Look, I don't carry the currency of this so-called society.

0:34:42 > 0:34:43I pay with my art.

0:34:43 > 0:34:44Not here, you don't.

0:34:44 > 0:34:48You either pay or you give it back, so I'll have that back, thank you.

0:34:49 > 0:34:53Look, I just told you, I don't have any money.

0:34:53 > 0:34:55So, you know, what are you going to do about it?

0:34:55 > 0:34:59Lock you in and call the police. Try me.

0:35:09 > 0:35:11Right, you can stop that now.

0:35:11 > 0:35:16What? This is what you wanted, isn't it? I'm paying, aren't I?

0:35:22 > 0:35:24I used to ride a horse once.

0:35:24 > 0:35:28- What? What's that got to do with it? - I had a sword, I was respected.

0:35:28 > 0:35:29Better than that, I was feared.

0:35:29 > 0:35:32Peasants had their backs flayed for looking at me funny.

0:35:32 > 0:35:34- Are you all right, Hal? - It was brutal, but it worked.

0:35:34 > 0:35:37We had order, we had respect and now, we have this.

0:35:37 > 0:35:41OK, then, mate. Let's go in the back and have a bit of a chat, shall we? Come on.

0:35:41 > 0:35:45- And I had a shield. A red one. - Is he all right?

0:35:45 > 0:35:47You are not a very nice young lady, are you?

0:35:56 > 0:35:57You did well back there, mate.

0:35:57 > 0:35:59HE SCOFFS Really?

0:35:59 > 0:36:02Because I didn't just leap across the counter and rip her throat out,

0:36:02 > 0:36:05because, instead, I just babbled like a lunatic.

0:36:05 > 0:36:07Yeah, but babbling's better than leaping.

0:36:07 > 0:36:09God, look at me.

0:36:09 > 0:36:12Hiding from a little girl in a burger bar.

0:36:12 > 0:36:14You're not hiding, you're keeping her alive.

0:36:14 > 0:36:16It was always much harder for me...

0:36:18 > 0:36:19..with women.

0:36:20 > 0:36:21So many times...

0:36:23 > 0:36:26..I couldn't stop myself.

0:36:26 > 0:36:28- I leapt rather than babbled. - Yeah, but not now, though, eh?

0:36:30 > 0:36:33No. No, not now.

0:36:43 > 0:36:45I don't think we need this any more.

0:36:46 > 0:36:49I've got your back, mate.

0:36:53 > 0:36:56Do you know what? We should close up early tonight.

0:36:56 > 0:36:58- Really?- Yeah.

0:36:58 > 0:37:01Yeah, no, we should go.

0:37:03 > 0:37:06Have a pint or something.

0:37:06 > 0:37:07OK.

0:37:18 > 0:37:19Come in.

0:37:22 > 0:37:25I've got to say, I was surprised to get your message.

0:37:27 > 0:37:29You sure about this?

0:37:29 > 0:37:32No, but we're going to do it anyway. I just keep thinking,

0:37:32 > 0:37:35"What would George and Nina do if they thought trouble was on its way?"

0:37:35 > 0:37:36So, we leave tonight.

0:37:52 > 0:37:54HE CLAPS

0:37:55 > 0:37:57Closing early. Sorry.

0:37:59 > 0:38:00We found a...

0:38:02 > 0:38:07We found a dead dog in the oven. Health and safety.

0:38:33 > 0:38:36Vampires. Kill the lights.

0:38:47 > 0:38:49- How many?- I counted four.

0:38:49 > 0:38:51Probably after me.

0:38:51 > 0:38:54I had been a bit busy, you know, before, like.

0:38:54 > 0:38:55Yeah, probably.

0:38:57 > 0:38:58You had more stakes?

0:38:58 > 0:39:01- Bet you're glad now, though, aren't you?- That's not the point!

0:39:15 > 0:39:19Oh, Lord Hal! Are you in there, Lord Hal?

0:39:19 > 0:39:22- Do you know him? - It's complicated.

0:39:22 > 0:39:25Is the doggie ready for his walkies?

0:39:25 > 0:39:28Have you planned this? Were you just going to hand me over?

0:39:28 > 0:39:30Not exactly hand you over.

0:39:30 > 0:39:32More just step aside, but I changed my mind.

0:39:32 > 0:39:34How do I know that?!

0:39:34 > 0:39:38I don't know, maybe because we are whispering in the dark behind a counter!

0:39:38 > 0:39:41Besides, don't take the moral high ground - you kept a pile of stakes.

0:39:41 > 0:39:43I can't believe you were going to hand me over to them.

0:39:43 > 0:39:46- I told you, I changed my mind. - Well, what if you changed it back?

0:39:46 > 0:39:49No, you're right. If only you had some way to defend yourself.

0:39:49 > 0:39:50Oh, wait. Hang on a minute. You kept a pile of stakes!

0:39:52 > 0:39:54DOOR OPENS

0:39:54 > 0:39:56Ow! Hello? Anyone?

0:40:00 > 0:40:02Listen! Listen to me very carefully.

0:40:02 > 0:40:04Outside, there are some...

0:40:06 > 0:40:09..some very bad men who want to hurt us, so you have to keep quiet.

0:40:09 > 0:40:11Do you understand?

0:40:11 > 0:40:12- MUFFLED:- Mm.

0:40:13 > 0:40:15Go, go, go, go, go!

0:40:34 > 0:40:35Right, you two.

0:40:49 > 0:40:51They are good people.

0:40:51 > 0:40:54But, you know, it's like they're just lodging here.

0:40:54 > 0:40:58You know, this isn't their home and we're not a family.

0:40:58 > 0:40:59Not like it was before.

0:40:59 > 0:41:03So, you run away with the creepy vampire you've just met?

0:41:05 > 0:41:10No, but I promised George that I would do whatever it takes to keep her safe.

0:41:11 > 0:41:14And I guess this is what it takes.

0:41:20 > 0:41:22SHE BREATHES DEEPLY

0:41:22 > 0:41:24Oh, my God! Oh, my God! Who are they?

0:41:24 > 0:41:28- Why are they chasing us?- I cannot believe we have to save her.

0:41:28 > 0:41:30I cannot believe we've got to save you.

0:41:30 > 0:41:32Tom, I'm sorry. And I did change my mind.

0:41:32 > 0:41:34Trying to close up early - I was trying to get you out of there.

0:41:34 > 0:41:36I can't believe I binned my big stake for you.

0:41:36 > 0:41:39A stake! You binned A stake, Tom.

0:41:39 > 0:41:41- Give me my phone back. - We've got to keep moving.

0:41:41 > 0:41:48No! I am not going another step until you tell me why they're trying to kill us.

0:41:48 > 0:41:50Because they're vampires.

0:41:50 > 0:41:52Oh, yeah.

0:41:52 > 0:41:55Ha-ha, hilarious(!) Mock the Gothic weirdo girl.

0:41:57 > 0:41:59Give me my phone back. I'm calling the police.

0:41:59 > 0:42:01Hal, do the eyes and the teeth or whatever you do.

0:42:01 > 0:42:03- That thing.- What? I am not a performing monkey.

0:42:03 > 0:42:05Hal, stop being such a wally.

0:42:10 > 0:42:11HISSING

0:42:14 > 0:42:18I am a vampire, he is a werewolf. Any questions?

0:42:18 > 0:42:21Er... Are you seeing anyone at the moment?

0:42:21 > 0:42:23Can I have your number?

0:42:23 > 0:42:26- What? We never said that was over. - Oh, for God's sake.

0:42:26 > 0:42:29Go and check the street. Go!

0:42:36 > 0:42:37Ooh!

0:42:39 > 0:42:42Are you feeling weak?

0:42:44 > 0:42:46(Do you need to feed?)

0:42:46 > 0:42:51Because I wouldn't mind if you need a bit to keep you going, actually.

0:42:51 > 0:42:53- What?- Would it leave a scar?

0:42:53 > 0:42:58Or could you do it somewhere else on my body?

0:42:58 > 0:43:00You don't know...

0:43:02 > 0:43:05- ..what you're asking.- Hal?

0:43:05 > 0:43:08Hal?! I said I've got your back, mate, but don't push it.

0:43:22 > 0:43:26- BABY GURGLES - Holiday's over, I guess.

0:43:27 > 0:43:31Yeah, well, just think of it as a new type of holiday.

0:43:31 > 0:43:35With lots of running, terror and sleeping in ditches.

0:43:38 > 0:43:41- Oh, my God! You! - Regus?- What's he doing here?

0:43:41 > 0:43:46Nothing that requires woody, pointy things, Tom.

0:43:48 > 0:43:49What's happened?

0:43:49 > 0:43:51- Vampires. - Yeah, they attacked the cafe.

0:43:51 > 0:43:54Completely unexpected. Not planned at all, was it?

0:43:54 > 0:43:58Oh, give it a rest! Annie, first-aid kit - where is it?

0:43:58 > 0:44:00It's in the kitchen. I'll go and get it.

0:44:00 > 0:44:01Um, who's she?

0:44:01 > 0:44:04A bloody nightmare that we had to rescue.

0:44:06 > 0:44:07Who are you talking to?

0:44:10 > 0:44:13Annie's a ghost. You can't see her, but we can.

0:44:13 > 0:44:16Because you're a werewolf. Have I got that right?

0:44:16 > 0:44:18Yeah.

0:44:18 > 0:44:21- You're one of the good guys now? - It would appear so.

0:44:21 > 0:44:23Yeah, I think I am, too.

0:44:23 > 0:44:25It's fun, isn't it?

0:44:25 > 0:44:28Yes. Sometimes, it leaves me positively giddy.

0:44:30 > 0:44:32This is so deep.

0:44:32 > 0:44:36Annie, why are there piles of Eve's clothes in a suitcase?

0:44:36 > 0:44:39Um, can we talk about this later?

0:44:39 > 0:44:42I think they need to know.

0:44:44 > 0:44:50Um, well... Well, we were thinking that we would take baby Eve

0:44:50 > 0:44:53somewhere a little, um, safer.

0:44:53 > 0:44:56"We"? Who's "we"?

0:44:56 > 0:44:57You and this bloke here?

0:44:57 > 0:44:58Um...

0:45:00 > 0:45:04House meeting. Yes, I would like a house meeting, please. A house meeting.

0:45:04 > 0:45:06Can you just...?

0:45:15 > 0:45:19Are you going for ever? Have we done something to upset you?

0:45:20 > 0:45:23So, are you a vampire, as well?

0:45:23 > 0:45:27- Cos you're not showing up on my camera.- Take a wild guess.

0:45:31 > 0:45:33I assume you're taking the piss.

0:45:35 > 0:45:38- Well, they started it. - SHE LAUGHS

0:45:38 > 0:45:40You're a funny vampire.

0:45:44 > 0:45:49So, um, what's your story, then? How did you end up in all this?

0:45:49 > 0:45:52I was texting in the bogs when they attacked the cafe.

0:45:52 > 0:45:55- Ah, wrong place, wrong time?- No!

0:45:56 > 0:45:58I think it was meant to happen.

0:45:58 > 0:46:02Don't you believe in fate? Destiny?

0:46:02 > 0:46:07- More than anything.- Then you'll know there are no accidents.

0:46:09 > 0:46:14I've spent years dreaming about a world like this and now I'm here,

0:46:14 > 0:46:17talking to people with no reflections who will live for ever.

0:46:17 > 0:46:19But we can protect her. All of us can.

0:46:19 > 0:46:22No, not all the time. What about when you're both working?

0:46:22 > 0:46:26- BOTH: Where are you going? To change.- But this is important.

0:46:26 > 0:46:28I have to change my clothes.

0:46:31 > 0:46:34It feels like I'm circling the drain of a world

0:46:34 > 0:46:37I've spent the past 55 years trying to avoid.

0:46:37 > 0:46:40The more I engage with this,

0:46:40 > 0:46:42the greater the danger of being sucked in.

0:46:42 > 0:46:45Look, I need some space, OK?

0:46:45 > 0:46:47To think.

0:46:47 > 0:46:49To breathe!

0:46:51 > 0:46:55Sorry. I'm really very sorry.

0:47:06 > 0:47:08BANGING

0:47:08 > 0:47:09GIRL MOANS

0:47:11 > 0:47:12Annie?

0:47:16 > 0:47:17Tom?

0:47:36 > 0:47:39HE GROANS

0:47:42 > 0:47:45Good evening, my Lord. Apologies for the intrusion.

0:47:45 > 0:47:49Fergus, I don't remember asking you in.

0:47:49 > 0:47:53He was invited in a week ago, when he took Eve.

0:47:54 > 0:47:57It's amazing how these things stick.

0:47:57 > 0:48:00And then I just invited some of my friends.

0:48:00 > 0:48:03- You don't mind, do you? - Not at all.

0:48:04 > 0:48:07But is there really any need for the knife?

0:48:07 > 0:48:08It's a little crude.

0:48:08 > 0:48:13Is that an order, my Lord? The offer's still on the table.

0:48:13 > 0:48:16There's a throne with your name on it, if you want.

0:48:16 > 0:48:19- What's he talking about, Hal? - Oh, he didn't mention it, did he?

0:48:19 > 0:48:22Our Lord Harry is an Old One.

0:48:22 > 0:48:24At least, he was.

0:48:25 > 0:48:27Pretty high up.

0:48:28 > 0:48:32You can be again, Hal. All you've got to do is let us kill the dog.

0:48:34 > 0:48:37And you can come back in. All is forgiven.

0:48:39 > 0:48:40And the rest live?

0:48:41 > 0:48:45I'll be honest with you - probably not.

0:48:45 > 0:48:48The fact that that baby's still alive is my secret weapon.

0:48:48 > 0:48:50My ace in the hole.

0:48:50 > 0:48:54Won't impress the Old Ones if it's still breathing.

0:48:54 > 0:48:56- Tom.- You'll have to get through me first.

0:48:56 > 0:48:58Me, too.

0:48:58 > 0:49:00I think we just did come through you, didn't we?

0:49:00 > 0:49:02I'm sure you will again.

0:49:03 > 0:49:05It's the thought that counts.

0:49:08 > 0:49:10OK.

0:49:10 > 0:49:12OK, what?

0:49:12 > 0:49:13I'm back in.

0:49:15 > 0:49:18I'll come lead your merry band.

0:49:18 > 0:49:21For richer or poorer. Mostly richer.

0:49:21 > 0:49:23What, just like that?

0:49:23 > 0:49:29You know me, Fergus. You've known me for years.

0:49:31 > 0:49:36Did you really think I was going to ally myself with these freaks and traitors

0:49:36 > 0:49:38when there's an offer like that on the table?

0:49:38 > 0:49:41It'll be just like coming home.

0:49:44 > 0:49:48OK? Now, go get the dog.

0:49:49 > 0:49:51I'll deal with the girl.

0:49:51 > 0:49:53No, Hal.

0:50:48 > 0:50:50HE BREATHES HEAVILY

0:50:50 > 0:50:52He got her. I didn't even see.

0:50:52 > 0:50:56He must have nicked the jugular. Oh, shit!

0:50:57 > 0:51:00Michaela? Michaela, talk to me.

0:51:15 > 0:51:16Who was she?

0:51:17 > 0:51:20Just a silly little girl who walked into the wrong cafe.

0:51:20 > 0:51:23Who thought that there was more to this world than she could see.

0:51:23 > 0:51:25Who thought vampires were cool.

0:51:25 > 0:51:28And werewolves. She thought werewolves were cool and all.

0:51:28 > 0:51:30And werewolves.

0:51:32 > 0:51:35Um, are you finished?

0:51:35 > 0:51:38I think I missed a few bits of them under the sofa.

0:51:38 > 0:51:41Oh, don't worry. I'll get them later. Thank you very much.

0:51:41 > 0:51:45I still think you should come with me. It's not safe out there.

0:51:45 > 0:51:50Yeah, I know. It's just that I feel strong here. Stronger than I've ever felt.

0:51:50 > 0:51:52Right now, I feel like I could take on a whole army.

0:51:52 > 0:51:55You know, with Tom and Lord Harry by my side.

0:51:55 > 0:51:57Lord Harry!

0:51:57 > 0:51:59Don't.

0:51:59 > 0:52:02- Seriously, don't.- Lord Harry!

0:52:05 > 0:52:08Trust us to look after the baby now, do you?

0:52:09 > 0:52:12Maybe that's the way it should have been from the start.

0:52:12 > 0:52:15The War Child protected by you and the lodgers.

0:52:15 > 0:52:19Ah, no. They're not lodgers. They are my friends.

0:52:19 > 0:52:23Hmm. Yeah, well, most of my friends are arseholes.

0:52:23 > 0:52:26There's a couple of them in the Hoover.

0:52:26 > 0:52:29Well, maybe you should get yourself some new friends.

0:52:29 > 0:52:31SHE INHALES

0:52:34 > 0:52:37ELECTRICITY SPARKS

0:52:49 > 0:52:50That's the plan.

0:52:54 > 0:52:58For what it's worth, I'm really sorry for the way things went.

0:52:58 > 0:53:01What are you talking about? I've got everything I've ever wanted.

0:53:01 > 0:53:04I mean, I'm going to live for ever.

0:53:04 > 0:53:11Reborn into this dark infinity with crimson fuel and eyes of ebony.

0:53:11 > 0:53:15Good at poetry. Really good. It nearly rhymes and everything.

0:53:15 > 0:53:18I think people might listen to them now, somehow.

0:53:18 > 0:53:23I just... I really like the idea of my work being the final thing they hear.

0:53:23 > 0:53:24It could be so beautiful.

0:53:24 > 0:53:29When you stop thinking that, and you will, remember I'm sorry.

0:53:29 > 0:53:32You're not very good at being a vampire, are you?

0:53:32 > 0:53:36- I try not to be.- Ignore him. He's never happy unless he's miserable.

0:53:36 > 0:53:37And what will you do now?

0:53:37 > 0:53:41Keep moving. See the world. Try not to end up in a Hoover bag.

0:53:43 > 0:53:44Thank you.

0:53:44 > 0:53:47It's for him. Just in case.

0:53:47 > 0:53:53But he is my maker, my creator, the granter of this dark gift.

0:53:53 > 0:53:55We're going to make poetry of our own.

0:53:56 > 0:54:01Skin will be our parchment, blood will be our ink.

0:54:01 > 0:54:04Yeah. And then we're going to have sex.

0:54:16 > 0:54:18Did you ever meet Ivan and Daisy?

0:54:18 > 0:54:21Hmm, now, there's a lovely thought.

0:54:25 > 0:54:28- What we watching?- I don't know.

0:54:28 > 0:54:31Something about con men.

0:54:33 > 0:54:35Anything else on?

0:54:40 > 0:54:42TV: ...And had a look at it.

0:54:42 > 0:54:47The plumber said, "Oh, it'll probably turn out to be a Lalique". I turned it over

0:54:47 > 0:54:49and that's exactly what it was, stamped on the bottom.

0:54:49 > 0:54:53What do you reckon? A couple of grand?

0:54:53 > 0:54:55No, I'm going to go with a grand.

0:54:56 > 0:54:58What do you think, Annie?

0:55:00 > 0:55:01Um...

0:55:03 > 0:55:05I don't know. Let me have a look.

0:55:07 > 0:55:11Um, yeah, a couple of grand, probably.

0:55:15 > 0:55:20TV: Together, combined with this wonderful blue opalescence is just...

0:55:20 > 0:55:23It just screams Lalique and is a really, really pretty thing.

0:55:23 > 0:55:27He had a brilliant understanding of glass moulding.

0:55:27 > 0:55:30This is a moulded piece of glass, this is all moulded

0:55:30 > 0:55:34and then stained in to enhance the depth of the design.

0:55:35 > 0:55:36DOOR OPENS

0:55:58 > 0:56:01HE INHALES

0:56:01 > 0:56:03It's good to be back.

0:56:06 > 0:56:09- Nina sent me.- Nina? - Said you were doing great, Annie,

0:56:09 > 0:56:11but thought you could do with an extra pair of hands.

0:56:11 > 0:56:12She has a temperature.

0:56:12 > 0:56:14They couldn't find any record of the baby on our entire system.

0:56:14 > 0:56:17There are things I need to check.

0:56:17 > 0:56:19The paper says the Box Tunnel murderer's stomach contained human flesh.

0:56:19 > 0:56:21Dr Wilson, why did you lie?

0:56:21 > 0:56:23- What did Hal say? - Oh, he didn't mean it.

0:56:23 > 0:56:25You're a nice guy, but I need to know.

0:56:25 > 0:56:27He doesn't want you growing up.

0:56:29 > 0:56:33- What do you want?- I just want us to be a happy family.

0:56:33 > 0:56:35Annie deserves that, doesn't she?

0:56:49 > 0:56:52Subtitles by Red Bee Media Ltd