0:00:02 > 0:00:04Contains some scenes which some viewers may find upsetting.
0:00:04 > 0:00:07- I thought I heard the door. - Or did you hear my heart begin to beat faster?
0:00:07 > 0:00:12- Catch you later, sweet cheeks. - If we let you walk out of here, we're putting people's lives at risk.
0:00:12 > 0:00:14Maybe. Or maybe I'm better than you think.
0:00:14 > 0:00:19There are good vampires out there. Hope you'll give me a call. I'm a friend when you need one.
0:00:19 > 0:00:21The Nemesis has a burnt arm.
0:00:21 > 0:00:22What, and that's it?
0:00:22 > 0:00:24Perhaps the myth is wrong.
0:00:24 > 0:00:26This person with the burn, perhaps they don't pose a threat after all.
0:00:28 > 0:00:30(SHIVERS)
0:00:33 > 0:00:37BELL TOLLS
0:01:23 > 0:01:24Oh, my gosh!
0:01:24 > 0:01:28We are so totally going to get busted.
0:01:28 > 0:01:31Can you imagine Daddy's face if they expel me? OMG.
0:01:31 > 0:01:33Like, I could hardly show my face at Henley.
0:01:33 > 0:01:35Sorry.
0:01:37 > 0:01:39It's so romantic.
0:01:39 > 0:01:42Break into my school grounds. Most boys don't really notice me,
0:01:42 > 0:01:45but I'm getting contacts next month, unless you prefer me like this.
0:01:46 > 0:01:49Adam, am I prettier in glasses or contacts?
0:01:49 > 0:01:51Er...your face is a poem.
0:01:51 > 0:01:54Your voice is wine and your eyes are a symphony.
0:01:54 > 0:01:58So... And you have spectacular jubblies. Can I just...?
0:01:58 > 0:01:59I'm not putting out here.
0:01:59 > 0:02:02God, Annabella Royston-Howe got caught in the chapel
0:02:02 > 0:02:04with Jonny Powell from St Edmund's,
0:02:04 > 0:02:06which means she's been banished to Switzerland,
0:02:06 > 0:02:09- there's no way she'll not the May Ball.- Neither will you.
0:02:09 > 0:02:10I'm sorry?
0:02:10 > 0:02:13I'm sorry, I can't...I can't keep doing this, I can't keep it together...
0:02:13 > 0:02:18OK, if you promise not to tell anybody, I'll give you a quick tug.
0:02:18 > 0:02:21But only if you promise not to cry afterwards, like Harry Crosby.
0:02:21 > 0:02:24It's not what I need. (HISSES)
0:02:24 > 0:02:28Henrietta Marshall-Parker, straight back to the dorm, thank you very much.
0:02:28 > 0:02:31And you, young man, are in a great deal of trouble.
0:02:31 > 0:02:33Well, hello!
0:02:33 > 0:02:35PEACOCK CRIES
0:02:37 > 0:02:40# When your world around is crumbling down
0:02:40 > 0:02:44# Darlin', reach out
0:02:44 > 0:02:48# Reach out... #
0:02:48 > 0:02:50MIMICS DRUMS
0:02:50 > 0:02:53# I'll be there
0:02:53 > 0:02:55# With a love.... #
0:02:57 > 0:03:00Could you take Eve for a minute, cos I need to warm up some milk?
0:03:00 > 0:03:03Marigolds. Sorry.
0:03:03 > 0:03:04KNOCKING AT DOOR
0:03:04 > 0:03:06DOORBELL RINGING
0:03:07 > 0:03:08EVE GURGLES
0:03:08 > 0:03:10KNOCKING CONTINUES
0:03:12 > 0:03:14What's going on?
0:03:15 > 0:03:17Nina, George, anyone in?
0:03:18 > 0:03:20- Who's that? - Mitchell, Annie?
0:03:20 > 0:03:22I recognise that voice.
0:03:22 > 0:03:25I am chicka-chicka back.
0:03:25 > 0:03:27And I've brought with me one sexy motherf... Ah!
0:03:27 > 0:03:30Oh, God!
0:03:30 > 0:03:32Can someone please let me in?
0:03:32 > 0:03:33Go on, it's fine, let him in.
0:03:33 > 0:03:36It's definitely not The Nemesis.
0:03:36 > 0:03:38He's way too much of a knob for that.
0:03:40 > 0:03:42Who the hell are you?
0:03:42 > 0:03:45- Who the bloody hell are you? - For goodness' sake, Adam!
0:03:45 > 0:03:49Yvonne Bradshaw. Apologies for the intrusion.
0:03:49 > 0:03:50Bit of bother.
0:03:50 > 0:03:52Marigolds. Sorry.
0:03:52 > 0:03:55Oh, right you are.
0:03:55 > 0:03:58Oh, put some clothes on, man, this isn't The Jungle Book!
0:03:58 > 0:04:00Oh, yes, sorry.
0:04:00 > 0:04:02Yvonne, your friend.
0:04:02 > 0:04:04Does she have a burn on her body?
0:04:04 > 0:04:07Hell, no. Believe me, I've licked every inch of that real estate.
0:04:07 > 0:04:10You know what I'm talking about, brother.
0:04:10 > 0:04:13- EVE GURGLES - Yvonne Bradshaw.
0:04:13 > 0:04:14How do you do?
0:04:14 > 0:04:16Huh...
0:04:16 > 0:04:18Adam, your friend can see me.
0:04:18 > 0:04:20Should I not?
0:04:20 > 0:04:22A baby - how lovely!
0:04:22 > 0:04:24- Is this the father?- No.
0:04:24 > 0:04:26No. No, no, definitely not, no.
0:04:26 > 0:04:29The naked fellow, then?
0:04:29 > 0:04:30It's complicated.
0:04:30 > 0:04:34Ah, yes. Adam warned me you were different.
0:04:34 > 0:04:38But never let it be said that Yvonne Bradshaw isn't "open minded".
0:04:38 > 0:04:43Our head of French is a member of Amnesty, so I know the drill.
0:04:43 > 0:04:46So where's George and the others?
0:04:49 > 0:04:51I'm afraid they died.
0:04:53 > 0:04:58- Oh, Annie, I'm so sorry. Are you OK? - No. No, not really. Um...
0:04:59 > 0:05:01But thank you. Thanks.
0:05:01 > 0:05:02Adam...
0:05:02 > 0:05:04would you like us to go?
0:05:04 > 0:05:08Regardless of what is waiting for us out there, we can go if you prefer.
0:05:11 > 0:05:12Brave soldier.
0:05:14 > 0:05:17Now, sorry for imposing on you all like this
0:05:17 > 0:05:20and apologies too for the other trouble that's bound to follow.
0:05:20 > 0:05:21What trouble?
0:05:21 > 0:05:23You, dear. Men, dear.
0:05:23 > 0:05:28- Very sorry about that. Tom McNair, nice to meet you.- Yvonne Bradshaw.
0:05:34 > 0:05:37Oh... All right, Littlest Hobo, drop.
0:05:37 > 0:05:39What can we do for you, Yvonne?
0:05:39 > 0:05:41Straight to the point, very good.
0:05:41 > 0:05:44Er, I believe, in modern parlance, one might say we are...
0:05:44 > 0:05:46on the run.
0:05:46 > 0:05:48Hoo-hoo-hoo!
0:05:48 > 0:05:50W-Why? What have you done?
0:05:50 > 0:05:52- Her.- Adam.
0:05:52 > 0:05:54Oh, all right, sorry, miss.
0:05:54 > 0:05:57Adam and I are in love.
0:05:57 > 0:05:59LAUGHING
0:05:59 > 0:06:01You're in love?
0:06:01 > 0:06:02Mm-hm.
0:06:02 > 0:06:04Like, I see you, baby.
0:06:04 > 0:06:07And there's nothing going on down there.
0:06:07 > 0:06:09What do you think of that?
0:06:09 > 0:06:12- EVE GURGLES - I'd rather not.
0:06:14 > 0:06:18Oh, I know what you're thinking. I know what you're all thinking.
0:06:18 > 0:06:21What can a super-fox like that see in this?
0:06:21 > 0:06:22Answer.
0:06:22 > 0:06:25- Perseverance.- Stuck at it.
0:06:26 > 0:06:29Stuck at it. And believe me, I'd stick it...
0:06:29 > 0:06:32Adam Jacobs! There is a staircase in that hallway,
0:06:32 > 0:06:36and on that staircase there will be a naughty step. Do I make myself clear?
0:06:36 > 0:06:37Yeah. Yeah, and I'm sorry.
0:06:37 > 0:06:39Sorry, miss.
0:06:39 > 0:06:41He can be rather boisterous.
0:06:42 > 0:06:44But rather adorable too.
0:06:44 > 0:06:48I have to admit, I was less than impressed at first.
0:06:48 > 0:06:50You see, I get so much unwanted attention.
0:06:50 > 0:06:54Single, married, engaged - I don't get a moment's peace.
0:06:54 > 0:06:56Really?
0:06:56 > 0:06:59They calm down eventually. But it can be damn tiresome.
0:06:59 > 0:07:02Last parents' evening, the police had to be called.
0:07:02 > 0:07:06And that Brad Pitt guy, he was all over you like a rash, wasn't he? Tell 'em.
0:07:06 > 0:07:08He was filming in the school chapel.
0:07:08 > 0:07:11We were introduced, and...
0:07:12 > 0:07:15...well, all I can say is... he has a lovely trailer.
0:07:16 > 0:07:18Oh, and surprisingly small hands.
0:07:18 > 0:07:23But what impressed me about Adam was his level of application.
0:07:23 > 0:07:26I'm well aware he's in the first flush of youth and...
0:07:26 > 0:07:28- I'm... - Approaching your prime.
0:07:28 > 0:07:31But don't be fooled by everything he says and does.
0:07:31 > 0:07:33He's mature beyond his years.
0:07:35 > 0:07:37EVE GURGLES
0:07:37 > 0:07:40She doesn't know what you are, does she?
0:07:40 > 0:07:42My point is, I do.
0:07:42 > 0:07:44Age is merely a number.
0:07:44 > 0:07:47And what matters lies in the heart.
0:07:48 > 0:07:51Sadly, the press didn't see it that way, and the headlines have been
0:07:51 > 0:07:53- positively purple.- Yeah.
0:07:53 > 0:07:56"Sordid Schoolmistress Seduces Student."
0:07:56 > 0:07:59If one of my girls had used sloppy alliteration like that in an essay,
0:07:59 > 0:08:01I'd be speaking to the parents.
0:08:01 > 0:08:03Oi, teacher, leave that kid alone.
0:08:03 > 0:08:06Technically inaccurate, as I was never actually his teacher.
0:08:06 > 0:08:08Likes the virgin.
0:08:08 > 0:08:11Again, inaccurate, because I am a legendary swordsman.
0:08:11 > 0:08:13I wanted to stand our ground.
0:08:13 > 0:08:17Answer their blasted questions, pose for a couple of pictures,
0:08:17 > 0:08:19and donate the cheque to a dog shelter.
0:08:19 > 0:08:22But Adam came over all camera shy.
0:08:22 > 0:08:24- Ah, funny, that. - And now you're on the run.
0:08:24 > 0:08:27We were but it's cool, thanks to my manoeuvres and shit.
0:08:27 > 0:08:30Why is there people outside with cameras and microphones?
0:08:34 > 0:08:37Tom, shut the curtains. Tom, shut the bloody curtains. Jesus,
0:08:37 > 0:08:39tell me you didn't lead the press to our door.
0:08:39 > 0:08:41Well, they might not be anything to do with us.
0:08:41 > 0:08:43DOORBELL RINGING, BANGING
0:08:43 > 0:08:46MAN: Adam, come on, I know you're in there.
0:08:46 > 0:08:48- KNOCKING - Might be a different Adam.
0:08:48 > 0:08:51MAN: Adam Jacobs. No point hiding, mate.
0:08:51 > 0:08:54Oh, for f...karking hell!
0:08:54 > 0:08:56How did they find us, huh?
0:08:56 > 0:08:59MAN: That is your car parked outside, isn't it?
0:08:59 > 0:09:04Hey, Adam, I heard she tied you down with her sports bra.
0:09:04 > 0:09:06Oh, this is too much.
0:09:06 > 0:09:10It's one thing harassing us, it's quite another inconveniencing you.
0:09:10 > 0:09:13Besides, I will not tolerate grubby talk in the presence of an infant.
0:09:13 > 0:09:17Come on, Adam, we're going out there together. Print and be damned.
0:09:17 > 0:09:20- They can't take your photo. - I appreciate your concern.
0:09:20 > 0:09:22No, really. They can't.
0:09:22 > 0:09:25But as Thomas Kempis said, "Love feels no burden,
0:09:25 > 0:09:28- "thinks nothing of trouble..." - Wouldn't go out there, if I were you.
0:09:28 > 0:09:30"...attempts what is above its strength..."
0:09:30 > 0:09:34- For God's sake, Adam, they've got cameras.- "...pleads no excuse of impossibility.
0:09:34 > 0:09:38"for it thinks all things lawful for itself, and all things possible."
0:09:38 > 0:09:40Right, darling...
0:09:40 > 0:09:43- let's show our faces to the world. - ALL: No! No, no, no!
0:09:46 > 0:09:47OK.
0:09:47 > 0:09:49She's been odd since I got here.
0:09:49 > 0:09:53Now you're all at it. What on earth is going on?
0:10:01 > 0:10:07GRUNTS AND PANTS
0:10:17 > 0:10:19You're a vampire?
0:10:19 > 0:10:20So's he.
0:10:20 > 0:10:25And Thomas is a werewolf and Annie is a ghost.
0:10:26 > 0:10:28And you're actually 47.
0:10:28 > 0:10:31Mm-hm. For my 12th birthday, I got an Etch A Sketch.
0:10:31 > 0:10:35Our school gym was opened by Suzi Quatro.
0:10:35 > 0:10:37Adam, if you wish to terminate our relationship,
0:10:37 > 0:10:42please just say so, rather than insult my intelligence with this...bunkum.
0:10:42 > 0:10:44- No, it's not. - I've abandoned everything for you.
0:10:45 > 0:10:49My job, my home, my reputation.
0:10:49 > 0:10:52I implore you, do not repay me with this.
0:10:52 > 0:10:55Why else wouldn't I want my photo taken?
0:10:55 > 0:10:57Why would I deprive the world of this?
0:10:57 > 0:10:58Look at me.
0:11:00 > 0:11:02It's partly why I brought you here.
0:11:02 > 0:11:05It's so I could break the news to you.
0:11:05 > 0:11:07Please, don't bin me.
0:11:07 > 0:11:11I know I'm not worthy of you and I know you've turned down thousands of men.
0:11:11 > 0:11:14I know what a nightmare it's been with the hassling and the dying...
0:11:14 > 0:11:17Dying? W-What?
0:11:17 > 0:11:21Despite all the attention, I've actually only had two consorts.
0:11:22 > 0:11:25They both died. Terribly tragic. Rather put me off the whole thing.
0:11:25 > 0:11:28Yeah, but I'm already dead.
0:11:28 > 0:11:29I'm perfect for you.
0:11:29 > 0:11:32I knew when I first saw you...
0:11:32 > 0:11:35Actually, I was after the other girl.
0:11:35 > 0:11:37And then you came and you threw me out.
0:11:37 > 0:11:41And then you came to me in a dream, and since then you're all I can think of.
0:11:44 > 0:11:46Yvonne, I need you. I'm begging you, please.
0:11:48 > 0:11:50Adam...
0:11:52 > 0:11:54...you're clearly troubled.
0:11:55 > 0:11:57That beautiful noggin is playing tricks on you.
0:11:57 > 0:11:59A mirror. Get me a mirror
0:11:59 > 0:12:03- and I'll prove it to you. - No... I mean, there's no need.
0:12:03 > 0:12:07You're suffering from a delusion. As are your friends.
0:12:07 > 0:12:09Let's just leave it at that.
0:12:09 > 0:12:12It doesn't change the extraordinary boy you are.
0:12:12 > 0:12:16Nor my love for him, not one jot.
0:12:16 > 0:12:20- Oh, my... - Adam...one step at a time.
0:12:22 > 0:12:26Now, what are we going to do about those infernal reporters?
0:12:26 > 0:12:29Do you want me to go and shoo them off?
0:12:29 > 0:12:32I'm afraid that might make matters worse.
0:12:32 > 0:12:33Yes, you're probably right.
0:12:33 > 0:12:37Maybe if we just lay low for a few days, they'll get bored.
0:12:37 > 0:12:40I'm afraid you're going to be stuck with us.
0:12:40 > 0:12:41Right.
0:12:41 > 0:12:42Brilliant.
0:12:42 > 0:12:46Sorted. Do you mind if I have a quick nap?
0:12:46 > 0:12:49I'm just absolutely cream crackered. Full moon last night.
0:12:51 > 0:12:52Well, quite.
0:12:55 > 0:12:58Tom, don't forget you've got Eve at three.
0:13:02 > 0:13:05Now...where's the guest bedroom?
0:13:05 > 0:13:08And, er, do you have clean sheets and a flannel?
0:13:11 > 0:13:14SQUELCHING
0:13:56 > 0:13:57Hello.
0:13:57 > 0:14:00We need to take your statement down for an affidavit.
0:14:00 > 0:14:01I'm sorry?
0:14:01 > 0:14:04Judge wants to see me in his chambers in ten minutes.
0:14:04 > 0:14:08So we need to habeas corpus, in mens rea, mutatis mutandis and whatnot.
0:14:08 > 0:14:10Eh?
0:14:10 > 0:14:13Well? What are we going to tell the judge?
0:14:15 > 0:14:17I didn't know you was a barrister.
0:14:19 > 0:14:21I love barristers.
0:14:22 > 0:14:24Now...
0:14:24 > 0:14:26how shall we plead?
0:14:26 > 0:14:27Guilty?
0:14:29 > 0:14:32I certainly feel guilty.
0:14:32 > 0:14:35I'll be as guilty as you want.
0:14:36 > 0:14:39I'll defend you.
0:14:39 > 0:14:41Onus probandi, my love.
0:14:41 > 0:14:44Subpoena duces tecum.
0:14:46 > 0:14:48Now, undress me,
0:14:48 > 0:14:51ad infinitum, ad libitum.
0:14:51 > 0:14:53After all...
0:14:53 > 0:14:58degustibus non est disputandum.
0:14:59 > 0:15:03HEAVY BREATHING
0:15:10 > 0:15:12EVE GURGLES
0:15:40 > 0:15:41What's up, dude?
0:15:43 > 0:15:45So I hear you're an Old One.
0:15:45 > 0:15:48Colour me impressed. It's like meeting the Queen.
0:15:48 > 0:15:51Shouldn't you be looking after your girlfriend?
0:15:51 > 0:15:53No, she wanted some quiet time, so she's off reading the Dick.
0:15:53 > 0:15:56The Dick Francis. She thinks we're nuts.
0:15:56 > 0:15:59We've shattered her entire belief system. Let her process that
0:15:59 > 0:16:01- in the way she chooses.- Hmm.
0:16:03 > 0:16:05A domino.
0:16:08 > 0:16:10It's yours, right.
0:16:10 > 0:16:13So, have you had much luck, recently, any action on the ladies?
0:16:13 > 0:16:16I bet you have. You're quite a...
0:16:16 > 0:16:19I know what it's like to unleash the beast,
0:16:19 > 0:16:21the beast inside the trousers.
0:16:21 > 0:16:23You know what I'm talking about.
0:16:24 > 0:16:27Just, er, watch yourself with my Yvonne.
0:16:28 > 0:16:30Cos I will kill you.
0:16:30 > 0:16:32I have no interest in her.
0:16:32 > 0:16:34Yeah, you'd better not.
0:16:37 > 0:16:40It's boring in here. D'you wanna...
0:16:40 > 0:16:41smoke?
0:16:41 > 0:16:43EVE GURGLES
0:16:44 > 0:16:46Forgot. What are you gonna do with her?
0:16:46 > 0:16:48What do you mean?
0:16:48 > 0:16:50Well, how do you entertain a blob?
0:16:50 > 0:16:52Ah, um...
0:16:52 > 0:16:54I thought I'd read her some poetry.
0:16:54 > 0:16:55Wow!
0:16:55 > 0:16:58You know, it's like the last days of Rome in here.
0:16:59 > 0:17:01See you later.
0:17:02 > 0:17:04Hey.
0:17:04 > 0:17:06Don't go outside.
0:17:06 > 0:17:07Oh, give me some credit.
0:17:16 > 0:17:17Have you seen Yvonne?
0:17:19 > 0:17:21I think she's reading in her room.
0:17:21 > 0:17:24Oh, brilliant. I can use these
0:17:24 > 0:17:26to control the jets in my swimming pool.
0:17:26 > 0:17:28Swimming pool?
0:17:28 > 0:17:30Yes, naturally. Did you want something, Tom?
0:17:32 > 0:17:36That Yvonne's dead clever, i'nt she? D'you think she'd like some flowers?
0:17:36 > 0:17:39Cos her room's dead dull and pretty girls like flowers.
0:17:39 > 0:17:41She's a guest and she needs looking after.
0:17:41 > 0:17:44And I'd quite like to...look after her.
0:17:48 > 0:17:49EVE GURGLES
0:18:03 > 0:18:05Oi-oi!
0:18:05 > 0:18:06SHUTTER CLICKING
0:18:06 > 0:18:07Ha-ha! Gotcha!
0:18:07 > 0:18:08CHUCKLING
0:18:10 > 0:18:11Yeah.
0:18:11 > 0:18:12SNIFFS
0:18:21 > 0:18:24There was about five of 'em, but I weren't scared. I just staked 'em all.
0:18:24 > 0:18:27Bam-bam, one after the other. Took those bloodsuckers down.
0:18:27 > 0:18:29- Crumbs.- I wouldn't do anything to Adam.
0:18:29 > 0:18:30Unless you want me to.
0:18:30 > 0:18:32Trust me and my guns.
0:18:32 > 0:18:34- And so it begins.- What?
0:18:36 > 0:18:37Nothing, dear.
0:18:37 > 0:18:39Are you guys OK?
0:18:39 > 0:18:41Of course, I'm looking after her.
0:18:41 > 0:18:44Yes, he's being very attentive.
0:18:44 > 0:18:46I could show you the cellar!
0:18:46 > 0:18:48Adam, we have to go.
0:18:48 > 0:18:49Why, what's the matter?
0:18:49 > 0:18:53It's happening with Tom, the old trouble.
0:18:53 > 0:18:57Oh, really? Well, that's fine. If he tries anything, I'll just knee him in the trouser department.
0:18:57 > 0:18:59KNOCKING MAN: Come on, guys,
0:18:59 > 0:19:01this is ridiculous. Talk to me.
0:19:01 > 0:19:03No-one's in!
0:19:05 > 0:19:08MAN: Hey, Yvonne, answer this.
0:19:08 > 0:19:12Why do weird things happen when I try to take a photo of your boyfriend?
0:19:14 > 0:19:15Have you been outside?
0:19:15 > 0:19:20- What? No. When?- MAN: I'll show you the photos if you'd like.
0:19:21 > 0:19:24Yeah, I went out the back from there.
0:19:24 > 0:19:26- Why?- Were you smoking?
0:19:26 > 0:19:30- No.- I bet he was. Dirty, filthy habit.
0:19:30 > 0:19:33MAN: It's fine, guys, I mean I'm sure someone in there can give me
0:19:33 > 0:19:35a perfectly reasonably explanation.
0:19:35 > 0:19:39- What are we going to do? - Don't be scared. I'm here.
0:19:39 > 0:19:40Oi, back off!
0:19:40 > 0:19:43- KNOCKING AT DOOR - We need to defuse the situation.
0:19:43 > 0:19:47I can't talk to him in case he takes my picture. If Yvonne or Adam go out there,
0:19:47 > 0:19:48it'll make things even worse.
0:19:48 > 0:19:50OK. So...
0:19:50 > 0:19:52we need to...confuse them.
0:19:54 > 0:19:55Yes.
0:19:56 > 0:19:59SHUTTERS CLICKING
0:20:00 > 0:20:03- I was hoping to speak to Adam or Yvonne.- They don't wanna talk to you, mate.
0:20:03 > 0:20:06- So they are here. - No. Maybe they are.
0:20:06 > 0:20:08- Who are you?- Tom McNair.
0:20:08 > 0:20:14- Um...no comment.- Look, mate, all this stuff about Adam and Yvonne, frankly I couldn't give a toss.
0:20:14 > 0:20:18- Good luck to them, I say.- Good. - I'm more interested
0:20:18 > 0:20:21- in the photos I took of little Adam round the back.- Uh-oh!
0:20:21 > 0:20:24I thought getting a shot of him with a fag might be worth some cash,
0:20:24 > 0:20:26illustrating how he's already been corrupted, blah-blah-blah.
0:20:26 > 0:20:28But then I looked at my camera.
0:20:28 > 0:20:32What would you say if I told you that he didn't show up on any of the photos?
0:20:32 > 0:20:34- Piss sticks!- Piss sticks!
0:20:34 > 0:20:37Now I'm starting to think the real story is something else entirely.
0:20:37 > 0:20:39- Like what?- Like what?
0:20:39 > 0:20:43Maybe young Adam isn't as innocent as everyone thinks.
0:20:45 > 0:20:49- Tom, come inside and shut the door. - I'm going inside and shutting the door.
0:20:49 > 0:20:51I'm staying at the Hemmington Hotel, room 906.
0:20:51 > 0:20:54If you have anything you want to get off your chest, come and find me?
0:20:57 > 0:21:01Oh, you...! You guys are going to want to hear this.
0:21:01 > 0:21:04Yeah. Adam...was smoking.
0:21:05 > 0:21:08- What?- He's a filthy liar and you should dump him straight away.
0:21:08 > 0:21:14No, the journalist has taken a picture of Adam and now he is suspicious.
0:21:14 > 0:21:15How could you trust somebody
0:21:15 > 0:21:18- who lies to you like that? - Hal, you'll have to go after him.
0:21:18 > 0:21:19And do what?
0:21:19 > 0:21:22Don't think I don't know what you're doing, trying to make me look bad
0:21:22 > 0:21:24so you can move in on her. I see right through you.
0:21:24 > 0:21:26Anybody hear that, then, that sort of whining?
0:21:26 > 0:21:30Just...threaten him or something and find out what else he knows.
0:21:30 > 0:21:32I'm not your bloody henchman.
0:21:32 > 0:21:34No, but if he's suspicious, then we have to do something.
0:21:34 > 0:21:37Listen, Fred Basset, I will take you down!
0:21:37 > 0:21:38There it is again. Did anybody hear it at all?
0:21:38 > 0:21:41Even so, to access that part of me right now is too risky. I'm sorry.
0:21:41 > 0:21:45I'm sorry, we're creating such a muddle, aren't we?
0:21:48 > 0:21:51Would you excuse me for a moment?
0:21:55 > 0:21:57Oh, what the hell is wrong with you two?
0:21:57 > 0:21:59- Nothing.- Nothing.
0:22:07 > 0:22:09KNOCK AT DOOR
0:22:09 > 0:22:11Mr Cutler, Pete Travis. Could I have two minutes?
0:22:11 > 0:22:13Sorry, I've got to be in court in literally...
0:22:13 > 0:22:15I'd like to talk to you about Tom McNair.
0:22:15 > 0:22:17Here's a thing. I'm a journalist.
0:22:17 > 0:22:20I've got this habit. It's just something I do
0:22:20 > 0:22:23whenever I meet someone. I do a little digging.
0:22:23 > 0:22:25You know, just the headlines.
0:22:25 > 0:22:27But with Tom...
0:22:27 > 0:22:31there's nothing. Bit of an information vacuum, you could say.
0:22:31 > 0:22:33Until last week,
0:22:33 > 0:22:36when someone with that name was arrested on suspicion of ABH
0:22:36 > 0:22:38and then released by, um...
0:22:40 > 0:22:42Oh, look at that. It was you.
0:22:42 > 0:22:43Ha.
0:22:44 > 0:22:48Funny case, this one, mate, cos when they looked at the CCTV footage,
0:22:48 > 0:22:51he appears to be kicking the crap out of thin air.
0:22:51 > 0:22:55I mean, the poor arresting officer has had the piss ripped out of him ever since.
0:22:55 > 0:22:58His mates...have even made copies of the DVD.
0:22:58 > 0:23:02And would you believe it? One of those copies has reached me.
0:23:03 > 0:23:05I've got loads of stuff like this.
0:23:05 > 0:23:09CCTV, home movies, people being attacked by invisible men.
0:23:09 > 0:23:12Objects floating in thin air.
0:23:12 > 0:23:14And then there's the affidavits.
0:23:16 > 0:23:18Police files, postmortem reports.
0:23:18 > 0:23:20When you know where to look...
0:23:20 > 0:23:25and there are cases like this going back hundreds of years.
0:23:25 > 0:23:29And the only way something like that could stay hidden for so long is if someone
0:23:29 > 0:23:31is covering this up.
0:23:31 > 0:23:35Husbands, fathers, wives, sons, daughters, judges, police...
0:23:35 > 0:23:37solicitors...
0:23:40 > 0:23:42You're right.
0:23:43 > 0:23:44What?
0:23:44 > 0:23:48I know what you're saying... and you're right.
0:23:48 > 0:23:51Tom McNair was kicking the crap out of a vampire.
0:23:52 > 0:23:55Well, isn't that what you wanted to hear?
0:23:55 > 0:23:57Now, the thing is, Pete...
0:23:57 > 0:23:59now, they aren't the real problem.
0:23:59 > 0:24:01Some of them are predators, sure,
0:24:01 > 0:24:04but most, they lead normal lives,
0:24:04 > 0:24:07manage their condition, live anonymously, no harm done.
0:24:07 > 0:24:11No, the ones you wanna be scared of are the werewolves.
0:24:11 > 0:24:14- Shut up.- Hey, if you have as much evidence as you say,
0:24:14 > 0:24:17then somewhere you'll hear whisper about werewolves.
0:24:19 > 0:24:20Yeah, I just...
0:24:21 > 0:24:23...I didn't believe it.
0:24:23 > 0:24:24So...
0:24:25 > 0:24:27...vampires are fine.
0:24:28 > 0:24:30But werewolves are stretching it a bit.
0:24:32 > 0:24:33That's your story, Pete.
0:24:33 > 0:24:37That's what the public need to hear because the threat's growing
0:24:37 > 0:24:38and no-one can see it.
0:24:38 > 0:24:39No.
0:24:39 > 0:24:42I hear stories about...vampires.
0:24:42 > 0:24:44Maybe it could be about both.
0:24:44 > 0:24:48I've been trying to get my story out there for years, but what can I do?
0:24:48 > 0:24:52I'm a duty solicitor in bloody Trumpton.
0:24:52 > 0:24:53What if...
0:24:53 > 0:24:55we pooled our resources.
0:24:56 > 0:25:01Now, where you're staying, I'd love to see all the research you've done. It sounds fascinating.
0:25:11 > 0:25:13Jesus!
0:25:13 > 0:25:15I didn't see you come in.
0:25:15 > 0:25:18Er...you must excuse...
0:25:18 > 0:25:21Does it scare you?
0:25:22 > 0:25:23The burn?
0:25:23 > 0:25:26Yes, of course it does.
0:25:26 > 0:25:27Oh, it shouldn't.
0:25:27 > 0:25:29It's a badge of honour.
0:25:29 > 0:25:31A sign of your greatness.
0:25:31 > 0:25:33Who sent you? Why are you here?
0:25:33 > 0:25:36It reminds you of who you really are...
0:25:37 > 0:25:40...how extraordinary you can be.
0:25:40 > 0:25:42Have your place in history.
0:25:42 > 0:25:44I don't want to be that man again.
0:25:44 > 0:25:45Yes, you do.
0:25:45 > 0:25:48Deep down, you know you do.
0:25:50 > 0:25:53Aren't you hungry, Hal?
0:25:54 > 0:25:55I'm always hungry.
0:25:55 > 0:25:57Would you like to feast?
0:26:00 > 0:26:02You can't deny what you are.
0:26:03 > 0:26:05You must embrace it.
0:26:06 > 0:26:07Enjoy it.
0:26:08 > 0:26:10Enjoy the lust.
0:26:10 > 0:26:13Embrace the pleasure.
0:26:13 > 0:26:14Yes!
0:26:14 > 0:26:17Yes! Do it!
0:26:17 > 0:26:19Do it!
0:26:19 > 0:26:20GASPS
0:26:27 > 0:26:31Bloody stairs. We're not allowed to do anything spooky
0:26:31 > 0:26:32in case we freak Yvonne out.
0:26:32 > 0:26:36Is it me, or is there something... very strange about her?
0:26:36 > 0:26:39Besides the fact that she's completely delusional?
0:26:39 > 0:26:43All that stuff about, "Kriss Akabusi chased me round Morrisons."
0:26:43 > 0:26:46Please! You know, when I was 16, a photographer told me
0:26:46 > 0:26:48I was pretty enough to be in a catalogue.
0:26:48 > 0:26:50Yeah, a catalogue, Hal.
0:26:50 > 0:26:52You don't hear me going on about it.
0:26:52 > 0:26:55I've only been here a few weeks, you've already told me twice.
0:26:55 > 0:26:59And another thing. How come she can see me?
0:27:00 > 0:27:01Hal?
0:27:02 > 0:27:04Oh...
0:27:04 > 0:27:06Sausage, bacon, two eggs, tomatoes, fried bread?
0:27:06 > 0:27:08What are you trying to do - give her a heart attack?
0:27:08 > 0:27:10Banana yoghurt. Right, my love?
0:27:10 > 0:27:13- I know all her needs.- Or I could do you boily eggy soldiers?
0:27:13 > 0:27:14Just a cup of tea, please.
0:27:14 > 0:27:17- Coming right up.- No, I'll get it. - I've started it...
0:27:20 > 0:27:21Boys.
0:27:22 > 0:27:25Won't you sit down?
0:27:30 > 0:27:32Did you sleep well?
0:27:33 > 0:27:37Well...you know what it's like - new bed, new surroundings.
0:27:37 > 0:27:39Maybe it's the company you keep.
0:27:39 > 0:27:41Maybe you need to find an alternative...
0:27:43 > 0:27:45Here we go.
0:27:46 > 0:27:49- Oi, what you saying? - Oh, it's nothing, dear.
0:27:49 > 0:27:52Listen, Count Dracula, don't think you'll get anywhere with her. She's mine.
0:27:52 > 0:27:55Our bedroom was like the Discovery Channel last night. Tell him.
0:27:55 > 0:27:58I wouldn't touch it, if I were you. He's not washed his mug properly or anything.
0:27:58 > 0:28:00Look at you both.
0:28:00 > 0:28:02This is a woman of culture....
0:28:02 > 0:28:03of learning.
0:28:03 > 0:28:08You know, you remind me of a conquest back in Madrid in 1784.
0:28:08 > 0:28:11I wooed her with a thousand tulips.
0:28:12 > 0:28:16Oh, just... well, that'd be your first mistake.
0:28:16 > 0:28:18You have awful hay fever, don't you?
0:28:18 > 0:28:20It's true, I'm a martyr to it.
0:28:20 > 0:28:22I could show you me stakes. I've named 'em.
0:28:22 > 0:28:24Thor, Beowulf, Conan, Duncan...
0:28:24 > 0:28:26And I'm sure they're absolutely charming.
0:28:26 > 0:28:30Yes, run along and play with your toys, child.
0:28:30 > 0:28:33Right, enough of this. I brought her here, so she's sodding well mine.
0:28:33 > 0:28:35Finders keepers, losers weepers. Double baggies,
0:28:35 > 0:28:38no fingers crossed. Come on, Yvonne, let's go upstairs and suck face.
0:28:38 > 0:28:41She is no longer interested in you.
0:28:47 > 0:28:50I have been astonished that men could die...
0:28:50 > 0:28:54martyrs for their religion. I have shuddered at it.
0:28:56 > 0:28:57I shudder no more.
0:28:58 > 0:29:02Oh, Keats. That's lovely, dear.
0:29:02 > 0:29:04Now, if you'll excuse me, I...
0:29:04 > 0:29:06I could be martyred for my religion.
0:29:06 > 0:29:10Love is my religion and I could die for that.
0:29:12 > 0:29:14I could die for you.
0:29:15 > 0:29:18Oh...now, er...
0:29:18 > 0:29:19EXHALING
0:29:19 > 0:29:22# There once was a girl from south China
0:29:22 > 0:29:24# Who had a capacious va... #
0:29:24 > 0:29:27You really are a foul-mouthed little oik, you know that?
0:29:28 > 0:29:29Adam...
0:29:29 > 0:29:31Leave her alone.
0:29:31 > 0:29:33Mm, let me think about it.
0:29:33 > 0:29:35- I've thought about it.- No.
0:29:35 > 0:29:37- Well, think again. - Ha, what's this?
0:29:37 > 0:29:40- Does the hound want another whipping?- Try it.
0:29:40 > 0:29:42Not me favourite, but Duncan'll do the job.
0:29:42 > 0:29:43No, no, please.
0:29:43 > 0:29:47- Yes, please do it, stake him. - Good morning, everyone. So...
0:29:47 > 0:29:51I was thinking about getting Eve a new pram.
0:29:51 > 0:29:55Something really fancy. I don't want her to feel left behind.
0:29:55 > 0:29:58And I don't want her growing up with an image problem. Tea, anyone?
0:30:01 > 0:30:03Tom, kill.
0:30:17 > 0:30:18SQUELCHING
0:30:24 > 0:30:27I will destroy all those who get in my way.
0:30:27 > 0:30:30The streets will run with blood.
0:30:33 > 0:30:34Yeah...you can have her.
0:31:00 > 0:31:02My champion.
0:31:04 > 0:31:05You've killed the boy.
0:31:07 > 0:31:09Now kill the baby.
0:31:09 > 0:31:11Realise your potential.
0:31:13 > 0:31:14Kill the baby...
0:31:15 > 0:31:17...then drain me dry.
0:31:19 > 0:31:21You are unleashed.
0:31:25 > 0:31:28EVE GRIZZLES
0:31:32 > 0:31:34(WHISPERS) Do it.
0:31:36 > 0:31:37Do it.
0:31:40 > 0:31:41(LOUDER) Do it!
0:31:51 > 0:31:52Ughh!
0:31:56 > 0:31:57KNOCKING
0:31:57 > 0:31:59Oh, good, you're awake.
0:31:59 > 0:32:02Listen, I think we really need to talk about that reporter guy
0:32:02 > 0:32:06because when Mitchell got his photograph taken, it caused no end of...
0:32:06 > 0:32:07- Hit me.- What?
0:32:07 > 0:32:09- Around the face.- Why?
0:32:09 > 0:32:10Do it!
0:32:11 > 0:32:12Again, harder.
0:32:13 > 0:32:15- Oh!- Ah! I'm sorry.
0:32:15 > 0:32:17- God, that hurt. - What's wrong with you?
0:32:17 > 0:32:19Yvonne.
0:32:20 > 0:32:22She's a succubus.
0:32:22 > 0:32:23A what?
0:32:23 > 0:32:25A succubus.
0:32:25 > 0:32:27The daughter of a demon and a human.
0:32:29 > 0:32:32According to Hal, they infect men through touch
0:32:32 > 0:32:35and appear to them in their dreams.
0:32:35 > 0:32:39Men fall in love with them and they stay that way as long as they're near them.
0:32:39 > 0:32:41And, um...
0:32:41 > 0:32:43when they...
0:32:43 > 0:32:47you know, when they have, um... (MOUTHS)
0:32:47 > 0:32:49...they suck the life out of them.
0:32:52 > 0:32:53Poppycock!
0:32:53 > 0:32:56But look at how Tom has acted ever since you arrived.
0:32:56 > 0:32:59And Hal is so scared he's locked himself in his room.
0:32:59 > 0:33:02You said it yourself, it happens all the time.
0:33:02 > 0:33:06There's nothing heretical about that, just rotten luck.
0:33:07 > 0:33:10What about your lovers?
0:33:10 > 0:33:12You... You said they died.
0:33:14 > 0:33:15Tragic accident.
0:33:15 > 0:33:17Did they die during...
0:33:18 > 0:33:19...sex?
0:33:21 > 0:33:23But Adam and I have...
0:33:25 > 0:33:27...been intimate for weeks now
0:33:27 > 0:33:29and he seems perfectly fine to me.
0:33:29 > 0:33:33Yes, but, um, he's already dead. Don't you see?
0:33:33 > 0:33:38It's because he's a vampire and you're a ghost and...
0:33:38 > 0:33:41I do know that it's a lot to get your head around.
0:33:41 > 0:33:47I can't...believe it, Annie. If I accept that, then I have to accept what I am too.
0:33:53 > 0:33:56Mother hardly spoke about my father.
0:33:58 > 0:34:00Simply said that he was...
0:34:01 > 0:34:02...beautiful...
0:34:05 > 0:34:06...and cruel.
0:34:11 > 0:34:14A demon, you say?
0:34:19 > 0:34:21So...
0:34:22 > 0:34:24...all these men, who pursue me...
0:34:26 > 0:34:28...they don't actually like me?
0:34:28 > 0:34:30They're just under some damn silly spell?
0:34:32 > 0:34:33Even...
0:34:35 > 0:34:37...even Adam.
0:34:37 > 0:34:39Probably, yeah.
0:34:39 > 0:34:40But I love him.
0:34:42 > 0:34:44I really do.
0:34:45 > 0:34:50For the first time in my life, I genuinely love someone.
0:34:52 > 0:34:55He's sweet and kind and...
0:34:56 > 0:34:59...we look after each other and he's...
0:35:03 > 0:35:05I was about to say...
0:35:05 > 0:35:07he's my soul mate, but then...
0:35:08 > 0:35:10...perhaps I don't even possess a soul.
0:35:11 > 0:35:13Does he really...
0:35:15 > 0:35:17...not feel anything?
0:35:17 > 0:35:19As long as he's near you...
0:35:20 > 0:35:22...he's under your spell.
0:35:22 > 0:35:24Then...
0:35:25 > 0:35:29...would you be so kind as to take him out of the house,
0:35:29 > 0:35:31just to find out what he really feels?
0:35:36 > 0:35:37I'm sure he loves me.
0:35:39 > 0:35:41He knows I'm not a monster.
0:35:41 > 0:35:43The way he talks...
0:35:45 > 0:35:47...the way we laugh...
0:35:48 > 0:35:50...that can't all be a lie.
0:35:55 > 0:35:57Can it?
0:35:57 > 0:35:59Oh, no, don't push. I'm not leaving her on her own,
0:35:59 > 0:36:02not with that dog cocking his leg all over the place.
0:36:02 > 0:36:06- Wolf, not dog. Wolf cocking its leg. - Tom, get back in your room. And please,
0:36:06 > 0:36:09- stay away from Yvonne, OK? - Yes, stay away from my lady.
0:36:09 > 0:36:13- What if the house catches on fire? - Then yes, yes, of course. - What if baby Eve starts crying?
0:36:13 > 0:36:16Yes, if baby Eve starts crying or the house catches on fire.
0:36:16 > 0:36:19Otherwise you stay in your room and away from Yvonne. Now, promise me.
0:36:19 > 0:36:21Fine, I promise.
0:36:21 > 0:36:22Right.
0:36:22 > 0:36:26- Good. Right, let's get you out of here.- What about the reporters?
0:36:26 > 0:36:29Thought of that. We're going to swaddle.
0:36:34 > 0:36:35- ADAM:- Can they not see my legs?
0:36:35 > 0:36:38- ANNIE: Not if we move quickly. - Hey, I'm in no hurry,
0:36:38 > 0:36:42you know what they say, "What happens under the jumper stays under the jumper."
0:36:42 > 0:36:44Hey, can you feel that?
0:36:45 > 0:36:48Adam! Shut up!
0:36:48 > 0:36:51- Oh, Hal was right. - What do you mean?
0:36:51 > 0:36:53The spell's worn off already.
0:36:54 > 0:36:55Holy shit!
0:36:56 > 0:36:58She really does love you.
0:36:58 > 0:37:02Yeah. She loves me so much she'd have killed me if I wasn't already dead.
0:37:02 > 0:37:06- Adam...- And you really think I would have gone off with her
0:37:06 > 0:37:10if she hadn't screwed with my head? Come on, I'm into blondes...
0:37:10 > 0:37:13with low self-esteem and a perfect rack.
0:37:13 > 0:37:15It's not her fault. She didn't do it on purpose.
0:37:15 > 0:37:17It's just... It's just what she is.
0:37:17 > 0:37:20Yeah, I just thought, with her, I'd cracked it.
0:37:20 > 0:37:23You know, I haven't thought about blood for six months?
0:37:23 > 0:37:27For six months I haven't stared at a girl's neck and imagined tearing into her.
0:37:27 > 0:37:30I haven't followed anyone home and thought about killing them.
0:37:30 > 0:37:34I thought I'd beaten it, I thought I was free.
0:37:34 > 0:37:36You know, we used to dance together.
0:37:36 > 0:37:38We did the foxtrot naked.
0:37:38 > 0:37:40And that's not even a euphemism.
0:37:40 > 0:37:42I thought it was wonderful.
0:37:44 > 0:37:45How sad is that?
0:37:48 > 0:37:49Where are you going?
0:37:49 > 0:37:52Somewhere to think about things and get wasted.
0:37:59 > 0:38:01Well?
0:38:06 > 0:38:08I see.
0:38:08 > 0:38:10Look, he's just angry.
0:38:10 > 0:38:11And that's just...
0:38:11 > 0:38:13Adam.
0:38:14 > 0:38:17Maybe he'll come to his senses. Is that what you're saying?
0:38:20 > 0:38:24It was quite ludicrous, when you think about it.
0:38:24 > 0:38:26A woman my age with him.
0:38:28 > 0:38:33And...who'd want someone who can only get a man by tricking him?
0:38:36 > 0:38:37No.
0:38:40 > 0:38:42Lucky boy.
0:38:43 > 0:38:45Got out just in time.
0:38:50 > 0:38:52Would you excuse me, please?
0:38:59 > 0:39:03WOMAN: Yvonne, what do you have to add to the papers' claims?
0:39:03 > 0:39:05Is it true you're having it off with Adam Jacobs?
0:39:05 > 0:39:07I wish to make a statement.
0:39:10 > 0:39:12My name is Yvonne Bradshaw.
0:39:12 > 0:39:16I've been the headmistress at St Hilda's for the past five years
0:39:16 > 0:39:20and a proud and professional teacher of young women throughout my entire career.
0:39:22 > 0:39:24Or so I would have you think.
0:39:27 > 0:39:29I stole a boy's innocence...
0:39:29 > 0:39:33just like you wrote, because I could.
0:39:33 > 0:39:36I did it...because I hate you all.
0:39:36 > 0:39:39Because I'm a monster
0:39:39 > 0:39:42and you all deserve my contempt and my wrath.
0:39:42 > 0:39:44There.
0:39:44 > 0:39:46Happy now?
0:39:46 > 0:39:48What else do you want?
0:39:48 > 0:39:51Aren't I disgusting enough?
0:39:52 > 0:39:54Well?
0:39:56 > 0:39:57Well?
0:40:01 > 0:40:02Just one more thing, Yvonne.
0:40:02 > 0:40:04Do you know what Adam is yet?
0:40:15 > 0:40:16What's going on?
0:40:16 > 0:40:18Everyone knows everything.
0:40:18 > 0:40:21Adam's gone off in a huff and Yvonne has had a meltdown
0:40:21 > 0:40:23- on the local news. - Where is she now?
0:40:23 > 0:40:27Downstairs in a bit of a state, but we've got a bigger problem.
0:40:27 > 0:40:28The journalist.
0:40:28 > 0:40:30What do you propose we do?
0:40:30 > 0:40:32Silence him.
0:40:32 > 0:40:33Just a bit.
0:40:33 > 0:40:36He's a danger to the house, Hal.
0:40:38 > 0:40:40Let's do it.
0:40:52 > 0:40:54Hi.
0:40:54 > 0:40:55Sorry, mate.
0:40:56 > 0:40:58You came. Brilliant.
0:40:58 > 0:41:02Why wouldn't I? Sounds like you've got some amazing things to show me.
0:41:02 > 0:41:03You show me yours, I'll show you mine.
0:41:12 > 0:41:13Well, come in then.
0:41:26 > 0:41:29STREET NOISE AND LAUGHING
0:42:11 > 0:42:13Do you want my professional opinion?
0:42:14 > 0:42:16This is weak.
0:42:16 > 0:42:22Pictures of empty rooms. No, what you have here at best is corroborating evidence
0:42:22 > 0:42:24There's a difference between that and actual proof.
0:42:24 > 0:42:26Like a vampire.
0:42:26 > 0:42:27In person.
0:42:29 > 0:42:32Like that kid I saw at that house.
0:42:32 > 0:42:33Yeah.
0:42:34 > 0:42:36Why is this so important to you anyway?
0:42:36 > 0:42:38I was 12.
0:42:38 > 0:42:40Um...
0:42:40 > 0:42:42Mum had a new boyfriend.
0:42:43 > 0:42:45Told me all about him.
0:42:45 > 0:42:50Said, if we were lucky, if she played her cards right,
0:42:50 > 0:42:53we'd get out of our poxy one-bedroom flat above the Chinese.
0:42:55 > 0:42:57She let him in with his mates.
0:42:59 > 0:43:01So polite at first.
0:43:02 > 0:43:03So polite.
0:43:07 > 0:43:09They couldn't stop laughing as they did it.
0:43:11 > 0:43:15I've been following them ever since. Using my work to chase leads.
0:43:15 > 0:43:18I didn't care what stories I covered, I just wanted to find them.
0:43:19 > 0:43:22And I'd get so close...you know.
0:43:23 > 0:43:26A photograph without an image...
0:43:26 > 0:43:31a story of a body found drained of blood, always so close.
0:43:35 > 0:43:38But you're right, mate, you're right. Without something tangible,
0:43:38 > 0:43:41it really is just a load of pictures of empty rooms.
0:43:41 > 0:43:42Hey...
0:43:42 > 0:43:44keep looking.
0:43:44 > 0:43:47Keep digging, you'll find it one day.
0:43:48 > 0:43:49Thank you.
0:43:54 > 0:43:56Here's a funny thing.
0:43:56 > 0:44:00You couldn't come into my room until I invited you.
0:44:01 > 0:44:03Why was that, Mr Cutler?
0:44:08 > 0:44:10Gotcha.
0:44:42 > 0:44:43FLOORBOARDS CREAKING
0:44:43 > 0:44:44Hello?
0:44:44 > 0:44:48Yvonne, if that's you, I'm not allowed out.
0:44:57 > 0:44:59CREAKING
0:44:59 > 0:45:02I'm not quite sure I feel the same about you any more.
0:45:03 > 0:45:05Hope you don't mind.
0:45:07 > 0:45:09What do you want?
0:45:09 > 0:45:11To expose you, of course.
0:45:11 > 0:45:12Show you to the world.
0:45:12 > 0:45:16I can't let that happen, Pete, you understand that, don't you?
0:45:16 > 0:45:17Well...
0:45:17 > 0:45:20you know where the door is.
0:45:20 > 0:45:21Oh!
0:45:21 > 0:45:22Ha-ha-ha.
0:45:24 > 0:45:26Oh!
0:45:26 > 0:45:29So... So we're going to be spending some time together, are we, Pete?
0:45:29 > 0:45:31For a while.
0:45:31 > 0:45:33And then my friends are coming.
0:45:34 > 0:45:36My journalist friends.
0:45:36 > 0:45:39And my police friends.
0:45:39 > 0:45:40With cameras.
0:45:40 > 0:45:42Oh...
0:45:47 > 0:45:49Ha!
0:45:49 > 0:45:51SNARLING
0:46:11 > 0:46:13You can kill me if you want.
0:46:13 > 0:46:16Kill me and drink me.
0:46:16 > 0:46:17But you can't get out.
0:46:19 > 0:46:20And they'll come.
0:46:20 > 0:46:22And they'll see what you are.
0:46:22 > 0:46:25And the truth will finally be out.
0:46:36 > 0:46:38HISSING
0:46:54 > 0:47:00Mate, turn the TV up. Turn the volume up. Up. Any time today would be brilliant.
0:47:01 > 0:47:04I stole a boy's innocence, just like you wrote,
0:47:04 > 0:47:06because I could.
0:47:06 > 0:47:11I did it...because I hate you all.
0:47:11 > 0:47:13Because I'm a monster
0:47:13 > 0:47:16and you all deserve my contempt and my wrath.
0:47:16 > 0:47:18There.
0:47:18 > 0:47:19Happy now?
0:47:19 > 0:47:22- Have you been following me? - What else do you want?
0:47:24 > 0:47:25Aren't I disgusting enough?
0:47:26 > 0:47:28Well?
0:47:29 > 0:47:31- No.- Well?
0:47:34 > 0:47:37What's it going to be? Good cop, bad cop?
0:47:37 > 0:47:41I could be good cop, suddenly turned crazy, psycho ghost cop.
0:47:41 > 0:47:42What do you think?
0:47:58 > 0:48:01Hal, cover your eyes. There's a cross.
0:48:01 > 0:48:04I'm an Old One, crosses don't affect us.
0:48:04 > 0:48:08About 300 years ago, I ended up in a monastery in Budapest.
0:48:10 > 0:48:11The monks...
0:48:12 > 0:48:15...lured me into a cell, pinned crucifixes to every wall. I was trapped...
0:48:16 > 0:48:18...for nine months.
0:48:20 > 0:48:23Then one of them came and asked if I would repent of all my sins. I killed him.
0:48:25 > 0:48:29I draped his body over mine and then I used it as a shield to approach the door.
0:48:33 > 0:48:38He had a vampire in here, trapped in just the same way.
0:48:40 > 0:48:42And it looked like he had the same idea.
0:48:42 > 0:48:45Or they'd heard my story.
0:48:45 > 0:48:48OK, you need to get out of here.
0:48:48 > 0:48:51Hal...
0:48:53 > 0:48:55Hal!
0:48:55 > 0:48:56Hm?
0:48:58 > 0:48:59Fine.
0:48:59 > 0:49:01I'm fine!
0:49:03 > 0:49:05But, you're right, we should go.
0:49:15 > 0:49:16CLICK
0:49:22 > 0:49:24I'm sorry, Miss, I don't mean to be rude...
0:49:24 > 0:49:26Then don't be.
0:49:27 > 0:49:29Don't look at me like that. I promised.
0:49:29 > 0:49:31I understand.
0:49:33 > 0:49:35Let's shake hands and say no more about it.
0:49:37 > 0:49:39Tom?
0:49:40 > 0:49:41It's just a handshake.
0:49:49 > 0:49:50There.
0:49:50 > 0:49:53That wasn't so bad, was it?
0:49:54 > 0:49:57You can't blame me for wanting love, can you?
0:49:57 > 0:49:59I can give you all the love you need.
0:49:59 > 0:50:01You get so lonely.
0:50:01 > 0:50:03So miserable.
0:50:03 > 0:50:07So...desperate for some affection.
0:50:08 > 0:50:09Here I am.
0:50:12 > 0:50:16- Please don't blame me. - I won't blame you for anything.
0:50:16 > 0:50:20I'm going to kill you tonight, dear Tom.
0:50:20 > 0:50:21I have to.
0:50:21 > 0:50:23It's what I am.
0:50:23 > 0:50:25That's what I love about you.
0:50:25 > 0:50:26You're sweet.
0:50:26 > 0:50:27And you're gorgeous.
0:50:28 > 0:50:30Close your eyes.
0:50:30 > 0:50:33Don't look at me. Close your eyes.
0:50:33 > 0:50:35It'll all be over soon.
0:50:37 > 0:50:39- DOOR SLAMS - ADAM: Yvonne? Yvonne!
0:50:39 > 0:50:40Adam?
0:50:41 > 0:50:43Oh, no!
0:50:43 > 0:50:44Adam!
0:50:45 > 0:50:47Adam?
0:50:47 > 0:50:48Don't... Don't!
0:50:50 > 0:50:52- You came back! - Don't open the bloody door.
0:50:52 > 0:50:54Don't!
0:50:54 > 0:50:56I'll be under your spell again.
0:50:56 > 0:50:59I just want to talk to you straight. OK?
0:51:01 > 0:51:02Yes.
0:51:04 > 0:51:06Tell me straight.
0:51:06 > 0:51:07I saw you on telly.
0:51:08 > 0:51:11- You looked lush. - That's just the spell talking.
0:51:12 > 0:51:14I saw what you said. You're not a monster.
0:51:14 > 0:51:16But I am.
0:51:16 > 0:51:19No, you're not. You're lonely.
0:51:19 > 0:51:21I was lonely, before I met you.
0:51:22 > 0:51:24I tricked you, Adam.
0:51:24 > 0:51:27Yeah, but not on purpose. It wasn't on purpose.
0:51:28 > 0:51:30You know I nearly did something terrible?
0:51:32 > 0:51:33So did I.
0:51:33 > 0:51:36A moment of madness. That's all.
0:51:36 > 0:51:38That's all it takes, isn't it?
0:51:39 > 0:51:41I hate being a vampire.
0:51:41 > 0:51:44I hate being a succubus.
0:51:44 > 0:51:45We're both trapped.
0:51:47 > 0:51:49We should be trapped together.
0:51:50 > 0:51:53You know, I honestly think you're ace. I really do.
0:51:54 > 0:51:56And I know I'm an idiot.
0:51:56 > 0:51:58I know. And I know I say stupid things.
0:51:58 > 0:51:59And I'm bloody irritating.
0:51:59 > 0:52:02But you're not, my love, you're none of those things!
0:52:02 > 0:52:03With you, I felt safe.
0:52:03 > 0:52:06All the hunger and the anger went away.
0:52:07 > 0:52:10I felt loved and...I loved you.
0:52:10 > 0:52:12That was just a spell.
0:52:12 > 0:52:16Yeah, but, look, now there's no magic and I still love you.
0:52:18 > 0:52:20We're just afraid of being alone.
0:52:23 > 0:52:25Yeah, well, maybe that's what love is.
0:52:27 > 0:52:30Just because we're a bit rubbish and we're cursed because of what we are
0:52:30 > 0:52:32doesn't mean we can't be happy.
0:52:32 > 0:52:33I don't deserve you.
0:52:36 > 0:52:37I love you.
0:52:38 > 0:52:41But you don't, Adam, not really.
0:52:41 > 0:52:42I really do.
0:52:42 > 0:52:45- And I'm coming in to prove it. - No, no!
0:52:45 > 0:52:47I can't let you do this!
0:52:47 > 0:52:49Well, bloody run away, then, go on, run. Cos I'll just come after you.
0:52:50 > 0:52:53It doesn't matter how many thousands of miles we are apart,
0:52:53 > 0:52:55I'll still be under your spell.
0:53:20 > 0:53:23We should get there some time the following afternoon.
0:53:23 > 0:53:26Ah, the Isle of Grimsay.
0:53:28 > 0:53:29Beautiful.
0:53:29 > 0:53:31Have you been there?
0:53:31 > 0:53:36- He's been everywhere. - Come on, Yvonne. If we're not there by seven, my cock will explode.
0:53:36 > 0:53:39Adam Jacobs, am I going to have to wash your mouth out with soap?
0:53:42 > 0:53:45Irresistible, isn't he? CAR DOOR CLOSES
0:53:45 > 0:53:47Would you say goodbye to Tom for us?
0:53:47 > 0:53:50Er, yes. And he's really sorry that he couldn't be here.
0:53:50 > 0:53:54He just thought it would be better if he...
0:53:54 > 0:53:56hid.
0:54:14 > 0:54:15Adam...
0:54:16 > 0:54:17Little twat.
0:54:18 > 0:54:21- I'm really going to miss him. - CAR HORN BEEPS
0:54:23 > 0:54:27You do know Tom's planning to build a swimming pool in the back garden?
0:54:27 > 0:54:28Er, yes!
0:54:29 > 0:54:32- You're in denial about it, aren't you?- Yes.
0:54:32 > 0:54:35- It's brilliant.- Annie?
0:54:37 > 0:54:40I really was going to hurt that journalist.
0:54:41 > 0:54:45And I wanted you to. It's why I dragged you along with me.
0:54:46 > 0:54:49Ever since I killed Kirby, I've...
0:54:50 > 0:54:52...wanted to do it again.
0:54:53 > 0:54:55It's like a drug, isn't it?
0:54:56 > 0:54:58But you didn't.
0:54:58 > 0:55:02And you didn't drink blood. You're stronger than that.
0:55:03 > 0:55:05I suppose I must be.
0:55:07 > 0:55:09I really can control myself.
0:55:12 > 0:55:14Um, I need to give Eve her dinner.
0:55:14 > 0:55:16I'll do it.
0:55:17 > 0:55:18- Oh...- I can do it!
0:55:19 > 0:55:21OK.
0:55:26 > 0:55:29TAPPING OF KEYSTROKES
0:55:48 > 0:55:52Thomas, You're about to become very, very famous.
0:55:55 > 0:55:57SCREAMING We're both werewolves!
0:55:57 > 0:56:00- SCREAMING STOPS - I'm Allison, by the way.- Tom.
0:56:00 > 0:56:03- It's had over a million hits. - It was a trap by the vampires.
0:56:03 > 0:56:07Tom said you might be the man to explain how this stuff is getting out there.
0:56:07 > 0:56:09This is actually the first I've heard about it.
0:56:09 > 0:56:10Argh!
0:56:10 > 0:56:14ANNIE: I'm going to help you solve your unfinished business.
0:56:14 > 0:56:17- I expect some decent compo out of this.- Alex! Hello!
0:56:17 > 0:56:20You seem a little bit...mental.
0:56:21 > 0:56:25HEARTBEATS