0:00:09 > 0:00:12BEATS BEATBOXES
0:00:12 > 0:00:15MC SNIPER RAPS GIBBERISH
0:00:17 > 0:00:20It's bare fast and that, know what I mean? You lot are used to taking it more relaxed.
0:00:20 > 0:00:22Obviously you're a bit older and that.
0:00:22 > 0:00:26We're like the younger generation - fast-paced, do you know what I mean?
0:00:26 > 0:00:29- Quick.- Just bosh it out.- Yeah. You play a tune for, like, five minutes,
0:00:29 > 0:00:33- we're like two minutes in - bang - next one.- Mixing.- Mix it. Yeah.
0:00:39 > 0:00:42There he is. Sniper there.
0:00:42 > 0:00:44Sniper. My MC.
0:00:44 > 0:00:47- Bit of colour in his face now. - What's going on, boys?
0:00:47 > 0:00:52- See you later, guv. - It's good to see you and all that. - What's all this about then?
0:00:52 > 0:00:57It's the BBC come to do a documentary about pirate radio.
0:00:57 > 0:00:59Yeah, you all right, boys? You all right, yeah?
0:01:03 > 0:01:08MC Sniper, Kurupt FM head honcho/general.
0:01:08 > 0:01:11I suppose what's special about Sniper is his lyrical capabilities.
0:01:11 > 0:01:14Like, he can do fast flow, ragga rap, singing rap.
0:01:14 > 0:01:16Like, he's got them all covered. All angles.
0:01:16 > 0:01:19HE RAPS INDISTINCTLY
0:01:19 > 0:01:21Kurupt FM is, like...
0:01:21 > 0:01:24It's more than just a radio station, do you know what I mean?
0:01:24 > 0:01:26It's in our blood. It's the lifestyle.
0:01:26 > 0:01:31Without Kurupt FM it would be like having no blood. Like, just skin.
0:01:31 > 0:01:34What? Is it legal? Of course not, mate, of course not.
0:01:34 > 0:01:37They wouldn't let you play that real stuff legitimately,
0:01:37 > 0:01:38do you know what I mean?
0:01:38 > 0:01:42- How long were you actually in prison?- Two stretch, yeah.
0:01:42 > 0:01:45- So what does that mean?- Two stretch.
0:01:45 > 0:01:49What, ain't you seen films? Two stretch.
0:01:49 > 0:01:51Well, it's two weeks.
0:01:51 > 0:01:55We had a little operation where we was banging out knocked-off Ralph Lauren T-shirts.
0:01:55 > 0:01:57It was good, but the feds came and ruined everything.
0:01:57 > 0:02:00Yeah, as per, mate. As per. Dirty filth.
0:02:00 > 0:02:04Jail is a minor these days though. It's like an all-inclusive hotel.
0:02:04 > 0:02:07Like, gym, TVs, DVD's, porno...
0:02:07 > 0:02:10Don't, don't... Listen, don't act like you've been in jail, mate, yeah?
0:02:10 > 0:02:12You wouldn't last two seconds in there.
0:02:12 > 0:02:16Yeah, but if I did go to jail then I would just keep my head down.
0:02:16 > 0:02:19Like, become a Muslim or something.
0:02:24 > 0:02:27Do you like them? Muffins? 'Yeah, like...'
0:02:27 > 0:02:29He does get into trouble quite a bit,
0:02:29 > 0:02:33but, like, it's only silly little things like...
0:02:33 > 0:02:36Like fraud or dealing or, like, hate crime.
0:02:36 > 0:02:39Just little things like that.
0:02:39 > 0:02:43'Well, I was out in the town centre and he was in a van,'
0:02:43 > 0:02:45like, with his mates and he shouted at me
0:02:45 > 0:02:50and I gave him my number and that was it really.
0:02:50 > 0:02:53Like, back then, it was really romantic, like.
0:02:53 > 0:02:58Like, he'd buy me clothes and stuff. Cos he didn't like what I wore.
0:02:58 > 0:02:59'Michelle.'
0:02:59 > 0:03:04She used to be gorgeous when I first met her. She's, like... I love her,
0:03:04 > 0:03:05but don't tell her because you tell them
0:03:05 > 0:03:09and they're all, "Ah!" Like you're a mug and that, do you know what I mean, like?
0:03:09 > 0:03:12But I do love her and that, do you know what I mean? Nearly as much as radio.
0:03:17 > 0:03:21Oh, it's good to get back in the car. They ain't even got cars in jails.
0:03:21 > 0:03:25What? Why is you moving it back? What, who's been in the front then?
0:03:25 > 0:03:28Sorry, I was sitting in there when you were in jail.
0:03:30 > 0:03:33Kurupt FM official Jamaican/driver.
0:03:33 > 0:03:35He don't say much though, do you?
0:03:36 > 0:03:39He's not really one of them loud ones, like.
0:03:39 > 0:03:43- No, he's a lot more restrained than your average Rasta.- I ain't a Rasta.
0:03:44 > 0:03:48Course you are, mate. Just cos you ain't got all that hair and that
0:03:48 > 0:03:50don't mean you're not proper Jamaican.
0:03:50 > 0:03:52Anyway, let's show these boys Kurupt FM.
0:03:52 > 0:03:55- This is what we was telling you about.- Let me show you.
0:03:55 > 0:03:56Obviously just an average day with us,
0:03:56 > 0:03:58chilling, blazing a little zooty and that.
0:03:58 > 0:04:01RADIO PLAYS POP MUSIC Usually have Kurupt FM playing, like,
0:04:01 > 0:04:03wait till you lot hear this, like. This is proper music.
0:04:03 > 0:04:07RADIO PLAYS EASY LISTENING None of that funky house and dubstep, do you know what I mean?
0:04:07 > 0:04:11Strictly jungle drum and bass. That's what 108.9's about. Kurupt.
0:04:11 > 0:04:15- I think your radio's wigging out a bit.- Sort it out.
0:04:15 > 0:04:18- I think it's the radio. - Mate, it ain't the radio, yeah?
0:04:18 > 0:04:22- Well, it's not Kurupt, so it's your radio, mate.- Why are we not on air?
0:04:22 > 0:04:25- I don't know, like, it's just... - You don't know, like?
0:04:25 > 0:04:27- What do you mean, like? - Calm down for a minute, bruv.
0:04:27 > 0:04:29Let me call Weapon X. I'll try and sort this out now.
0:04:29 > 0:04:31Well, the phone line's working.
0:04:31 > 0:04:34What, the phone line's...? All right, how many texts have we had?
0:04:34 > 0:04:37I don't know. I can really tell you, like, cos I thought it was quiet cos at Easter...
0:04:37 > 0:04:41- Why would Easter be a quiet time? - I don't know, like.
0:04:41 > 0:04:44Cos people are out, like, getting chicken,
0:04:44 > 0:04:46chocolate and turkeys and that.
0:04:46 > 0:04:49That ain't even Easter, bruv.
0:04:49 > 0:04:52Yeah, but... Stranger things have happened though.
0:04:52 > 0:04:56- Right, get out the car. - You serious?- Get out!
0:04:56 > 0:04:59- Sure, like.- Do you know what I mean though, like?
0:05:00 > 0:05:04- Innit, though? Like, am I wrong?- No.
0:05:04 > 0:05:06Do you know what I mean?
0:05:14 > 0:05:15Now get back in.
0:05:24 > 0:05:27I mean, everyone needs a strong inspirational figure, like.
0:05:27 > 0:05:30I mean, you can't lead the blind into water.
0:05:32 > 0:05:38I mean, you got leaders, you got Jesus. Mandela. EZ.
0:05:38 > 0:05:41Ray Winstone.
0:05:41 > 0:05:42Yeah.
0:05:42 > 0:05:46Well, this photo we got done at one of those proper, like, professional places.
0:05:46 > 0:05:50The idea of the picture is that we're in heaven but, like,
0:05:50 > 0:05:54cos we really liked each other then, so it was, sort of, magical,
0:05:54 > 0:05:57but, like, the clouds weren't actually there when it was taken.
0:05:57 > 0:06:00That's, like, camera trickery they do afterwards kind of thing.
0:06:00 > 0:06:05Sorry about the mess. I'm not really one for cleaning or being domestic, really.
0:06:05 > 0:06:09Hello, Angel. Hello, Angel.
0:06:09 > 0:06:13- All right?- There's a lot of football and...it's quite a boyish room.
0:06:13 > 0:06:17Yeah, that's cos Sniper was convinced that it was going to be a boy.
0:06:17 > 0:06:22Like, even when she was born he wasn't sure cos of her short hair and that.
0:06:22 > 0:06:24Like, it added to all the confusion.
0:06:24 > 0:06:26And, like, we already had the room ready,
0:06:26 > 0:06:30so I think Sniper was just a bit angry about the fact that he didn't have a son.
0:06:32 > 0:06:37- Right, so there's the mixer there. Amp there, like.- Yes...
0:06:37 > 0:06:40And then this little thing there, like. So yeah.
0:06:40 > 0:06:43- It looks like it's running it to me. - "Yeah, it all looks like..."
0:06:43 > 0:06:46What are you talking about? The transmitter light's not on.
0:06:46 > 0:06:49Oh, right, yeah. Well, the light's not on, yeah, so if you flip that...
0:06:49 > 0:06:52Yeah, the transmitter's not working.
0:06:52 > 0:06:55- I'm going to ring Chabuds now.- Yeah, you ring Chabuds and sort it out.
0:06:55 > 0:06:57- Yeah, you shut up and smoke this, yeah?- All right.
0:06:57 > 0:07:00Showing off and that.
0:07:00 > 0:07:05What...who's... Who's written this? No si...
0:07:05 > 0:07:09- "No shitting in the toilet," like? - Oh, yeah.- Is that a joke?
0:07:09 > 0:07:13Cos the other day someone done a shit in the toilet, like,
0:07:13 > 0:07:15that was so big it looked like an arm.
0:07:15 > 0:07:17Steves nearly fainted when he saw it.
0:07:17 > 0:07:19I thought it was reaching for me, bruv.
0:07:19 > 0:07:21Nah, nah, listen, listen, yeah?
0:07:21 > 0:07:26- Don't add rules to radio unless it's in my handwriting, yeah?- Yeah.- Yeah?
0:07:26 > 0:07:28Chabuds?
0:07:29 > 0:07:32My name's Chabuddy G, aka Chabuds, aka The Mayor of Hounslow,
0:07:32 > 0:07:37aka the Rig Doctor, aka the Brown Casanova.
0:07:37 > 0:07:40You know, I'm not actually a doctor or a mayor,
0:07:40 > 0:07:42but if you want those kinds of certificates
0:07:42 > 0:07:46I can get you that as part of a 24-month T-Mobile contract
0:07:46 > 0:07:48that you will not be able to get out of.
0:07:48 > 0:07:50And who's the...?
0:07:50 > 0:07:53Oh, this is my beautiful, beautiful wife, Aldona.
0:07:53 > 0:07:56- Say hello, darling. Sweetie.- Sh.
0:07:56 > 0:07:58She's a bit shy today,
0:07:58 > 0:08:03but normally we have a very, very sexual, intimate relationship.
0:08:03 > 0:08:05You know, we, uh...
0:08:05 > 0:08:09We pretty much do everything it is possible to do sexually.
0:08:09 > 0:08:11Apart from entry.
0:08:12 > 0:08:16Hello, Angel. What's that? Shall we show him your picture?
0:08:16 > 0:08:20Hold that up for them. We're actually quite a creative family.
0:08:20 > 0:08:23Like, Angel does a lot of artwork and this kind of thing
0:08:23 > 0:08:25and what else we've done, look - I've made him this.
0:08:25 > 0:08:28it's like a massive spliff for him, and it's meant to be,
0:08:28 > 0:08:31like, a microphone because of his MCing and stuff,
0:08:31 > 0:08:33so, yeah, got him the whole package really.
0:08:33 > 0:08:35A little Daddy's "welcome home" party.
0:08:40 > 0:08:43HE TAPS ON KEYBOARD
0:08:46 > 0:08:48Mm, tonight is impossible, boss.
0:08:48 > 0:08:51I've got to deliver 400 crates of energy drink tonight.
0:08:51 > 0:08:55That's what I was saying on the phone. It's got to be today, it's my comeback set.
0:08:55 > 0:08:59I know, boss, but, you know, the thing is, yeah, I've got to go to Bradford tonight, yeah?
0:08:59 > 0:09:02I've got to bloody drive a lorry, which I haven't even done before, yeah?
0:09:02 > 0:09:06- It's choc-a-block, mate. - Easy. Steves can sort it.
0:09:08 > 0:09:11- What, that geezer can drive? - Yeah, yeah. He's a sick driver.
0:09:11 > 0:09:14He used to have a moped back in the day that he writ off. Steves?
0:09:14 > 0:09:19Yeah, he's just a sort of wiggy, sort of, drug-induced mess. I'd say.
0:09:19 > 0:09:23All right, it sounds all right, but it still leaves the issue of payment for Chabuddy G.
0:09:23 > 0:09:26Easy. You've got them brand-new Ralph shirts, mate.
0:09:26 > 0:09:28They're the ones with the enlarged jockey.
0:09:28 > 0:09:32The jockey, yeah, is bigger than the horse, like. Proper.
0:09:32 > 0:09:35- Yeah, fresh out of China, mate, hand made.- All right, I tell you what.
0:09:35 > 0:09:37Most people, this job would take two or three days.
0:09:37 > 0:09:40I'll do it much quicker than that. How many shirts have you got?
0:09:40 > 0:09:42About two or three or something.
0:09:42 > 0:09:44No, we got a whole box back at Michelle's.
0:09:44 > 0:09:47Shut up and stop negotiating.
0:09:47 > 0:09:49End of the day, mate, every minute we're down
0:09:49 > 0:09:52we're losing listeners, mate, so this needs to be sorted.
0:09:52 > 0:09:54Boss - I completely understand. You're a busy man, I'm a busy man.
0:09:54 > 0:09:56I mean, look at this, yeah?
0:09:56 > 0:09:59I've got bloody 15 calls on hold right now, yeah?
0:09:59 > 0:10:00They all want bloody new contracts.
0:10:00 > 0:10:03Some of them have been listening to that banjo Jay Sean
0:10:03 > 0:10:06for more than two hours and they all want a bit of Chabuddy G action.
0:10:06 > 0:10:10Listen, I'll give you the whole box, yeah, but this needs to be done now.
0:10:10 > 0:10:12No problem. No problem.
0:10:12 > 0:10:16Aldona? Get my tool box. Aldona?
0:10:17 > 0:10:22- Steves?- Yes, bruv.- There you go. You're driving out to Bradford.
0:10:22 > 0:10:24- Bradford?- Yeah, Bradford.
0:10:24 > 0:10:27Just drive out of here and ask someone on the way, yeah?
0:10:27 > 0:10:31- With this?- There's a load of energy drinks in the back or something.
0:10:31 > 0:10:34- Have a couple. All right? - Sick, sick, sick.
0:10:34 > 0:10:36- See you tomorrow.- All right.
0:10:36 > 0:10:40'People say that they do bad things to your head, like,'
0:10:40 > 0:10:43that they ruin your mind or whatever,
0:10:43 > 0:10:46but anyone who's done pills knows that actually...
0:10:48 > 0:10:51..it helps you get a better understanding of life.
0:10:52 > 0:10:55MOANING AND GRUNTING
0:11:04 > 0:11:07Oh, Beats.
0:11:07 > 0:11:09You like pornos, yeah?
0:11:09 > 0:11:11I can get you all of that stuff, mate.
0:11:11 > 0:11:14Any DVD you want in the whole bloody entire world.
0:11:14 > 0:11:16People having sex with cars and animals.
0:11:16 > 0:11:18I'm not saying you're into that, I'm not saying I'm into that,
0:11:18 > 0:11:20but we're grown men having a chat so let's talk.
0:11:20 > 0:11:25Chabuddy rule of thumb - if the dog's tail is wagging,
0:11:25 > 0:11:27then technically it's not rape.
0:11:32 > 0:11:35Oi-oi! Daddy's back! There they are! There's my girls!
0:11:35 > 0:11:38- How are you doing? You all right? - Yeah, are you all right?
0:11:38 > 0:11:41Yeah, all good. Look at you, in your little tracksuit!
0:11:41 > 0:11:45- Angel made you a picture. - What's that?- She missed you.
0:11:45 > 0:11:48Pasta? By the way, I know what you're thinking, yeah?
0:11:48 > 0:11:50She is a little bit dark, but, like,
0:11:50 > 0:11:53my granddad on my mother's side, I believe,
0:11:53 > 0:11:54was quarter Cypriot, innit?
0:11:54 > 0:11:58- Yeah.- Yeah. Like, we've all got the olive skin, do you know what I mean?
0:11:58 > 0:12:01She's a bit like Decoy, look at him.
0:12:01 > 0:12:04'Most people round here don't even have a dad,
0:12:04 > 0:12:08'let alone someone that's, like, a well-respected garage MC,'
0:12:08 > 0:12:12do you know what I mean? And I'm strong and I'm handsome.
0:12:12 > 0:12:15I mean, I've got all the attributes of a father, like, someone to look up to.
0:12:15 > 0:12:18You don't even need to be around to be a good parent.
0:12:18 > 0:12:22These days, with parenting, less is more. So...
0:12:22 > 0:12:24al dente.
0:12:24 > 0:12:27Over here. Do you remember those polo shirts I left here a while back?
0:12:27 > 0:12:29Oh, I thought you said you were going to stop selling them.
0:12:29 > 0:12:33I'm not selling them, am I? I'm using them as an exchange with Chabuds.
0:12:33 > 0:12:35Promise me you're not going to get in more trouble.
0:12:35 > 0:12:39I can't be a single mum any more. You know that. Look, I can't do the telly without you.
0:12:39 > 0:12:42It's been stuck on Dave the whole time, like, I'm missing everything.
0:12:42 > 0:12:47Easy, easy. Listen, listen. I'll sort it out. Oi, Decoy?
0:12:47 > 0:12:51Go sort out the telly. It's probably the SCART or something. Go on.
0:12:53 > 0:12:56What's this? It's a cocktail. It's a cocktail mate.
0:12:56 > 0:12:59It's lemon haze and blue cheese.
0:12:59 > 0:13:01Yeah. It sort of lifts you up,
0:13:01 > 0:13:04but it can also bring you down depending on your vibe.
0:13:04 > 0:13:07Chabuds, did you watch that Jason Statham yesterday?
0:13:07 > 0:13:09- It's an action movie, yeah?- Yeah.
0:13:09 > 0:13:12I don't watch action movies, mate - my life is an action movie.
0:13:12 > 0:13:15Let me show you a move. Let me show you a move. Balls, kick, head butt.
0:13:15 > 0:13:17Jokes, jokes, jokes. I've got a move, I've got a move.
0:13:17 > 0:13:21Right, say you were a bit Jason Statham-esque.
0:13:21 > 0:13:24Come at me, because they normally come... Whoa!
0:13:24 > 0:13:26Upper hand, much slower.
0:13:27 > 0:13:31Blocked. Bring both hands round. OK, leaving all of this open for me.
0:13:31 > 0:13:33Now, with the other hand I'll close that down.
0:13:33 > 0:13:36All right, then I'll go up. Seagal, yeah?
0:13:36 > 0:13:38Come back, face and neck shot.
0:13:38 > 0:13:42I mean, that's good and that. That's more like Hollywood stuff, isn't it?
0:13:42 > 0:13:45I'm more of a jungle jujitsu specialist. I'll grab your arm.
0:13:45 > 0:13:47- Now you've got two options, yeah? - Yeah?
0:13:47 > 0:13:51You either tap or snap, or I do a reversal Cinderella spin,
0:13:51 > 0:13:54- grab your throat, put you down. - Yeah.- Now I've got you down,
0:13:54 > 0:13:58now you've got another two options. You either tap or nap.
0:13:58 > 0:14:00- WHEEZING:- I'm tapping, I'm tapping!
0:14:03 > 0:14:07There's a lot of people try to mug you off and it's better to think like that.
0:14:07 > 0:14:11It's better to always be aware, because otherwise you get caught slipping, like.
0:14:11 > 0:14:14A man don't get caught slipping in the manor, like. Do you know what I mean?
0:14:14 > 0:14:16If you're from the street, like,
0:14:16 > 0:14:19you can't be found caught, like, slipping and that, like...
0:14:19 > 0:14:21Cos that's it. Ground zero.
0:14:21 > 0:14:24Yeah. Delta.
0:14:24 > 0:14:25Boys.
0:14:27 > 0:14:31What's going on, boys? How's it going? All sorted, yeah?
0:14:31 > 0:14:34You can always rely on Chabuddy G, yeah? Always rely on Chabuddy G.
0:14:34 > 0:14:37I mean, think about it. How do you think I got here?
0:14:37 > 0:14:40I came here in '93 with nothing but £5 and my brother's passport...
0:14:40 > 0:14:42My passport. So...
0:14:42 > 0:14:46I've just got to plug that in like that.
0:14:46 > 0:14:48Give that a go.
0:14:48 > 0:14:51Yes. Red light. We're on, we're rolling.
0:14:51 > 0:14:54- Nice, nice, nice, nice. Smashed it, brother.- No problem.
0:14:54 > 0:14:58I knew that it was just a little glitch. Like, we are back, do you know what I mean, like?
0:14:58 > 0:15:01They can't hold us down, down, down, down.
0:15:01 > 0:15:04- Down, down, down, down. - Down, down, down, down.
0:15:04 > 0:15:06No-one can hold us down, do you know what I mean?
0:15:06 > 0:15:10Kurupt FM is back, baby!
0:15:10 > 0:15:12Um... Is that...?
0:15:12 > 0:15:15Yeah, that's all in. The mic's over there.
0:15:15 > 0:15:20Well, I'm going to go anyway, yeah? I'll see you lot later, yeah?
0:15:27 > 0:15:32Dreams, like, do I have dreams? Dreams can come true.
0:15:32 > 0:15:35Gimme the mic and let me check, one-two. Nah, jokes.
0:15:35 > 0:15:37Yeah, like, I do have dreams and that.
0:15:37 > 0:15:39Course, like, we all dream, do you know what I mean?
0:15:39 > 0:15:42Probably like to have a nice yard, like, do you know what I mean?
0:15:42 > 0:15:46A big house. Do raves, like, just move the raves, like,
0:15:46 > 0:15:50not from just here in Eastbourne and that. Move them abroad.
0:15:50 > 0:15:56Like, try and do them in Napa, 'Biza, Kavos, Zante...
0:15:56 > 0:15:59Zhurope. Do you know what I mean? Like, expand it.
0:15:59 > 0:16:03- Zhurope?- Eu-rope. Europe.
0:16:03 > 0:16:07- Yeah.- Right, you lot got this on me, yeah?
0:16:07 > 0:16:11Right, obviously cut all this bit out, but just get me when I'm bursting in.
0:16:11 > 0:16:14Like, trust me, comeback set right now, boys.
0:16:14 > 0:16:17I'm hyped right now. Beats?
0:16:19 > 0:16:22Beats? Beats? I'm shouting your name.
0:16:22 > 0:16:25- What?- I'm shouting your name. I'm ready.
0:16:25 > 0:16:28- Sorry, bruv, I'm just doing the adverts now. I'm ready to go. - Well, turn the adverts off.
0:16:28 > 0:16:30- I'm coming now.- Yeah, it's ready.
0:16:30 > 0:16:33Right, let's do that again. Let's go, yeah? Ready.
0:16:35 > 0:16:39- # Get out the way, get out the way Someone's getting got. #- Bang.
0:16:39 > 0:16:42- # Get out the way, get out the way Funky's getting shot. #- Who?
0:16:42 > 0:16:46- # Get out the way, get out of the way Someone's getting got. #- Yeah.
0:16:46 > 0:16:49# Get out the way, get out the way Funky's getting shot. #
0:16:49 > 0:16:52- Bang, bang, bang, bang. - Big up, west side, yeah? I sees ya!
0:16:53 > 0:16:56Darling? Do these look a bit small to you?
0:17:00 > 0:17:04- What do you think?- Looks nice.
0:17:04 > 0:17:07Actually it's got pretty good definition on my shoulders.
0:17:07 > 0:17:09Can you see that?
0:17:09 > 0:17:13I look pretty punk. Mm.
0:17:17 > 0:17:22Baby, you know I would kill a man with my bare hands for your love.
0:17:22 > 0:17:25Jungle jujitsu.
0:17:27 > 0:17:34- Coming live and direct inside tonight.- He shot some people inside.
0:17:34 > 0:17:36Yeah. Trust me.
0:17:36 > 0:17:38SNIPER RAPS GIBBERISH
0:17:38 > 0:17:39BEATS RAPS GIBBERISH
0:17:39 > 0:17:41SNIPER RAPS GIBBERISH
0:17:41 > 0:17:43BEATS RAPS GIBBERISH
0:17:43 > 0:17:45SNIPER RAPS GIBBERISH
0:17:45 > 0:17:46BEATS RAPS GIBBERISH
0:17:46 > 0:17:50SNIPER RAPS GIBBERISH
0:17:50 > 0:17:53# Monday is the day that we roll Tuesday, we take total control
0:17:53 > 0:17:55- # Wednesday - Take back the track
0:17:55 > 0:17:57- # Thursday - Sit back relax
0:17:57 > 0:18:00- # Friday - Put down the M-I-C and go raving... #
0:18:00 > 0:18:05'How many people are listening to Kurupt? Thousands, mate, thousands.'
0:18:05 > 0:18:09Tell you the truth, I've lost count. I ain't got enough fingers, do you know what I mean?
0:18:09 > 0:18:13You're on the bus and people look at you, you look away. I know what they're thinking.
0:18:13 > 0:18:18"There's MC Sniper, general of Kurupt FM." Best believe, like.
0:18:18 > 0:18:19We are making history tonight.
0:18:19 > 0:18:23This is Biggie and Tupac on the same stage, '96.
0:18:23 > 0:18:28One nation, '97. Heartless Crew versus Pay As You Go, 2003.
0:18:28 > 0:18:31Can you hear Daddy on the radio, Angel?
0:18:31 > 0:18:34He's going to sing you to sleep tonight.
0:18:34 > 0:18:37We are time travellers tonight. Doctor who? Me.
0:18:37 > 0:18:40CAN CLATTERS Make sure you're taping this one
0:18:40 > 0:18:44cos this is going to be a road block affair.
0:18:44 > 0:18:45It's a slammer, it's a slammer.
0:18:45 > 0:18:47Kurupt FM, bigger than...
0:18:47 > 0:18:49- RADIO LOSES SIGNAL - What?
0:18:51 > 0:18:55I'm tougher and rougher and bigger than ever before, yeah?
0:18:55 > 0:18:59Whatever doesn't kill you can only make me stronger.
0:18:59 > 0:19:03We are back. We cannot be stopped. PHONE RINGS
0:19:03 > 0:19:07- Hello?- Beats? It's Michelle.
0:19:07 > 0:19:10- Your radio's not working. - Yeah. All right, thank you.
0:19:10 > 0:19:12All right, bye, bye.
0:19:12 > 0:19:15- Was that Chabuds?- Huh? - Was that Chabuds?- Yeah.
0:19:15 > 0:19:19- No, it was Shanique from Epsom. - Epsom? We don't even reach that far.
0:19:19 > 0:19:21We do now, cos of the transmitter.
0:19:21 > 0:19:25Chabuds, mate, he's smashed it, in't he? What'd I tell you, boys?
0:19:25 > 0:19:29Kurupt FM, we are back. Do you know what I mean?
0:19:29 > 0:19:31ENGINE REVS
0:19:34 > 0:19:38People are always at us, like,
0:19:38 > 0:19:40- "Oh, stop signing on. Get a job," all this.- Blah, blah, blah.
0:19:40 > 0:19:44I've got a job, do you know what I mean? Your job's nine to five.
0:19:44 > 0:19:46Mine is, like, 24/7...
0:19:50 > 0:19:52..seven days a week...
0:19:52 > 0:19:57- 360, like, whatever days a year it is.- Yeah.
0:20:07 > 0:20:13Official diss tune. Big track. This is the warning.
0:20:13 > 0:20:16- # Get out the way, get out the way Someone's getting got. #- Bang.
0:20:16 > 0:20:20- # Get out the way, get out the way Funky's getting shot. #- Move.
0:20:20 > 0:20:23- # Get out the way, get out the way Someone's getting got. #- Who?
0:20:23 > 0:20:28- # Get out the way, get out the way Funky's getting shot. #- Bang.
0:20:28 > 0:20:30Kurupt FM is back, baby!