0:00:02 > 0:00:09This programme contains some strong language.
0:00:09 > 0:00:11# Driving off the old cooling towers in Tinsley
0:00:11 > 0:00:14# Cos when you listen to my beats
0:00:14 > 0:00:17# You'll probably have to change your sheets... #
0:00:17 > 0:00:19No, scrap that.
0:00:19 > 0:00:22# I'm taking over Yorkshire Try to touch me, I'll scorch ya
0:00:22 > 0:00:26# I'm like the surface of Venus I'm ho-ho-ho-hotter than Jesus
0:00:26 > 0:00:30# I'm getting more fans than Bieber Rocking harder than David Guetta
0:00:30 > 0:00:34# I can shit all over Skrillex cos you know I'm just generally better
0:00:34 > 0:00:35# C-Bomb. #
0:00:37 > 0:00:39What's up, people?
0:00:39 > 0:00:41This is C-Bomb, godfather of the South Yorkshire dubstep scene.
0:00:41 > 0:00:46You probably know me from my 2008 hit single Rektal Dysfunktion.
0:00:46 > 0:00:47Now, I've been off-radar recently.
0:00:47 > 0:00:50You think I've just been off spending all the cash
0:00:50 > 0:00:53from the single. Well, yeah, I have. I spent it.
0:00:53 > 0:00:54The money's gone.
0:00:54 > 0:00:59But, no, I've actually been working on my live set. See?
0:00:59 > 0:01:01Of course, the "man" would have me churn out "content"
0:01:01 > 0:01:03as quick as "possible".
0:01:03 > 0:01:05The last bit didn't need the air quotes.
0:01:05 > 0:01:06< I'm back.
0:01:06 > 0:01:08Right, well, anyway, I thought
0:01:08 > 0:01:10I'd give you a sneak preview of the new track.
0:01:10 > 0:01:13Now, I don't want this leaked, so keep it under your hats.
0:01:13 > 0:01:14I mean, share it, by all means.
0:01:14 > 0:01:16Stick it on Facebook, Twitter, whatever.
0:01:16 > 0:01:19I just don't want this getting out there prematurely.
0:01:19 > 0:01:23OK, so, ladies and gentlemen, this is Toxic Medicine.
0:01:23 > 0:01:25SILENCE
0:01:25 > 0:01:26Just...
0:01:28 > 0:01:31Bastard hasn't saved it. Christ's sake.
0:01:31 > 0:01:34You should see what I got from work. >
0:01:34 > 0:01:36Right, people, the wait continues a few more weeks.
0:01:36 > 0:01:39Bed sheets. The hospital were just going to throw them out. >
0:01:39 > 0:01:42Smell them. They're virtually clean. >
0:01:42 > 0:01:44The voice your hearing there is my... Sheila.
0:01:44 > 0:01:46She kind of owns this whole place.
0:01:46 > 0:01:50Yeah, and does the cooking and cleaning. Like I'm his mum. >
0:01:50 > 0:01:54Cos I am his mum. Here, I want a word about money.
0:01:54 > 0:01:55Right, cut.
0:01:55 > 0:01:56That's another bloody blog ruined.
0:01:56 > 0:01:58At least you've got your clothes on this time.
0:01:58 > 0:02:01Sorry, love, but you're going to have to start chipping in or else
0:02:01 > 0:02:04- I'm going to have to rent out your bum shelter.- Bomb Shelter.
0:02:04 > 0:02:06Whoa, you can't rent out the Bomb Shelter.
0:02:06 > 0:02:08Where am I going to do my bloody web hangouts?
0:02:08 > 0:02:12You can hang your web out back in here with me. Or get your own place.
0:02:12 > 0:02:16- You're 25 years old, Charlie. - So? What's your problem?
0:02:16 > 0:02:17I've got three jobs.
0:02:17 > 0:02:19Four, if you count working as your cook and cleaner.
0:02:19 > 0:02:23Well, by that logic, that's five. It's not work.
0:02:23 > 0:02:26You make it sound like you're my personal slave or summat.
0:02:26 > 0:02:29- What's for tea? - Well, I got quite a big quiche.
0:02:29 > 0:02:33- I thought we'd invite Claire round. - What, have you asked her?
0:02:33 > 0:02:37No, I thought you could. What's the matter? Don't you like her?
0:02:37 > 0:02:40- Yeah, I bloody like her. - Well, it's no good telling me, is it?
0:02:40 > 0:02:44You need to go round, you need to look her in the eye
0:02:44 > 0:02:46and you need to say those magic words.
0:02:46 > 0:02:48Claire...
0:02:48 > 0:02:50- do you want to come round for your tea?- All right.
0:02:50 > 0:02:53I'll bloody do it then. I told you before though.
0:02:53 > 0:02:55I can't start relationships that interfere with my music.
0:02:55 > 0:02:57It might stop you interfering with yourself so much.
0:02:57 > 0:03:04# C-Bomb, C-Bomb, C-Bomb, C-Bomb C-Bomb, C-Bomb, C-Bomb, C-Bomb. #
0:03:21 > 0:03:23So, here we are in the Bomb Shelter,
0:03:23 > 0:03:27AKA The Lab, AKA where the magic happens, AKA the...
0:03:27 > 0:03:30- Charlie, who you talking to? - Oh, I didn't see you there, Claire.
0:03:30 > 0:03:33This is Claire, everyone. I'm just addressing the people.
0:03:33 > 0:03:37- Are we on Skype?- No, it could be anyone.- Chatroulette?
0:03:37 > 0:03:39No, it's not Chatroulette.
0:03:39 > 0:03:41I do these videos and stick them online for my followers.
0:03:41 > 0:03:46- So, like a terrorist. - Yeah, like a cultural terrorist.
0:03:46 > 0:03:50- So, how many followers have you got? - I don't know. I lost count.
0:03:50 > 0:03:52Thousands, millions.
0:03:52 > 0:03:54You could probably see by just clicking on that.
0:03:54 > 0:03:57Well, I'm not interested in specific numbers, Claire.
0:03:57 > 0:04:00- Well, I am.- I'd really rather you didn't. Please, don't touch it.
0:04:00 > 0:04:03Do not... You've nearly broke it there.
0:04:03 > 0:04:05Anyway, what's with the flatscreen on the buggy?
0:04:05 > 0:04:08- Have you been on Pimp My Pram? - No, I'm selling it.
0:04:08 > 0:04:11You're selling your telly? What are you going to watch telly on?
0:04:11 > 0:04:12Dexter needs braces.
0:04:12 > 0:04:15He looks like a donkey in a little school uniform, bless him.
0:04:15 > 0:04:18Where'll he get his knowledge of the world?
0:04:18 > 0:04:22- I've got to have 100 quid by tomorrow.- I'll pay it.- What?- Yeah.
0:04:22 > 0:04:26- I mean, I would do, like, if I had the money.- Oh. Well, thanks.
0:04:26 > 0:04:27That's nice.
0:04:29 > 0:04:30But...
0:04:30 > 0:04:34- Claire, I wanted to ask you something, actually.- Yeah, me too.
0:04:35 > 0:04:39Can your mum babysit Dexter tonight? I've got a date.
0:04:39 > 0:04:40Oh, well,
0:04:40 > 0:04:43just ask her yourself.
0:04:43 > 0:04:46I don't live with my mum, Claire. I live in Sheila's garage,
0:04:46 > 0:04:49which I've converted into the Bomb Shelter, AKA The Lab...
0:04:49 > 0:04:51LOUD SLAP SHE LAUGHS
0:04:51 > 0:04:54All right, babe? Are we off then?
0:04:54 > 0:04:55What's with t'camera?
0:04:55 > 0:04:58Are you filming my girlfriend for your private collection,
0:04:58 > 0:04:59you cheeky little perv?
0:05:01 > 0:05:05- I'm only messing with you, love. - This is Jordan.
0:05:05 > 0:05:08- He works at the pub with me. He's really nice.- Yeah.
0:05:08 > 0:05:11She gets to see this ugly mug every day at work
0:05:11 > 0:05:15and she gets it on her nights off and in t' mornings too.
0:05:15 > 0:05:18You've got to feel sorry for her, haven't you, mate?
0:05:18 > 0:05:20Yeah.
0:05:20 > 0:05:23- I didn't quite catch your name. - C-Bomb.
0:05:23 > 0:05:26- Yeah, me and Claire went to school together.- Oh, hey, hang on.
0:05:26 > 0:05:28Is that him who does rapping, like?
0:05:28 > 0:05:32Largely dubstep, actually, but I do incorporate elements of rap.
0:05:32 > 0:05:36- A bloke on Twitter said I'd got a pretty sick flow.- Go on then, mate.
0:05:36 > 0:05:39Go on. Give us a freestyle. Come on, it'd be funny. Come on.
0:05:39 > 0:05:42No, I need to see it in the right frame of mind to do
0:05:42 > 0:05:44- something like that.- I thought you said you had a sick flow.
0:05:44 > 0:05:46- Well, I do but...- Fucking do it.
0:05:46 > 0:05:47All right.
0:05:47 > 0:05:49# C-Bomb comin' at ya
0:05:49 > 0:05:52# I'm doper than a badger
0:05:52 > 0:05:54# Got more rhymes than Margaret Thatcher
0:05:54 > 0:05:56# Thatcher, she got no rhymes
0:05:56 > 0:05:59# She shut down all the mines
0:05:59 > 0:06:02# Where they used to take down a little canary in a basket
0:06:02 > 0:06:04# I'm spouting lyrics...
0:06:04 > 0:06:08# I'm spouting prose like Terry Pratchett. #
0:06:08 > 0:06:09The author.
0:06:09 > 0:06:12Jordan, leave him.
0:06:12 > 0:06:13Bloody damn right.
0:06:13 > 0:06:15# I'm C-Bomb comin' at ya
0:06:15 > 0:06:17# I AM doper than a badger
0:06:17 > 0:06:18# I'm at the top of my game
0:06:18 > 0:06:20# If I were bread I'd be focaccia
0:06:20 > 0:06:22# You'd be a doughnut
0:06:22 > 0:06:24# Lacking summat between your ears
0:06:24 > 0:06:26# Oh, yeah, the Jim Henson Company phoned
0:06:26 > 0:06:28# They're looking for new puppeteers... #
0:06:28 > 0:06:30I'm implying you're a muppet.
0:06:30 > 0:06:31# So why haven't you stepped up
0:06:31 > 0:06:34# To try and fix her poor little lad's knackered teeth?
0:06:34 > 0:06:35# You'd rather just sit back
0:06:35 > 0:06:37# And let her lose her bloody great 42-inch plasma screen
0:06:37 > 0:06:39# Bullshit
0:06:39 > 0:06:41# Lucky she knows someone who's watching her back
0:06:41 > 0:06:45# He's a musical legend and he's making a comeback
0:06:45 > 0:06:48# I could help you, little lady
0:06:48 > 0:06:49# Cos soon I'm gonna be
0:06:49 > 0:06:53# Seriously making lots of money on the live scene
0:06:53 > 0:06:55# Listen, little lady
0:06:55 > 0:06:58# Soon I'll be raking it in so please don't sell your telly
0:06:58 > 0:07:00# Sitting round your mobile phone It's not the same
0:07:00 > 0:07:02# Uh, uh, uh
0:07:02 > 0:07:04# Uh, uh
0:07:04 > 0:07:06# Listen, well, just do one thing for me
0:07:06 > 0:07:08# Let me do this for you
0:07:08 > 0:07:10# I can make all your dreams come true
0:07:10 > 0:07:13# Just got to push things forward to the next phase
0:07:13 > 0:07:15# And I could pay for Dexter's braces
0:07:15 > 0:07:17# And you and me can finally be... #
0:07:17 > 0:07:18Charlie?
0:07:18 > 0:07:21Hm? Yeah, I was just thinking,
0:07:21 > 0:07:23if I can be of any assistance with anything...
0:07:23 > 0:07:27You're all right, Dappy, she's got me looking after her now, mate.
0:07:27 > 0:07:29Oh, you're paying for Dexter's braces then, are you?
0:07:29 > 0:07:32It's not my kid, mate. It's not my problem.
0:07:32 > 0:07:35Wow, it's good to know where you stand.
0:07:35 > 0:07:37Oh, come on, babe, I'm only being truthful.
0:07:37 > 0:07:39What do you think, Charlie?
0:07:39 > 0:07:43- I thought it was the bloke from the Morrisons meat counter.- Right.
0:07:43 > 0:07:47Are you going to help me get this to Cash Converters?
0:07:52 > 0:07:55I will not shirk from that endeavour of helping you, Claire.
0:07:55 > 0:07:58I will not rest until I've got you that cash.
0:07:58 > 0:08:01I swear on my mum...on Sheila's grave...
0:08:01 > 0:08:04Well, obviously, she's not dead. Quite good health.
0:08:04 > 0:08:06- SHEILA: Tea's ready!- Coming.
0:08:11 > 0:08:14Yeah, I know exactly which type of adapter you need to make this
0:08:14 > 0:08:19work but we are closing in five minute and it's on a high shelf.
0:08:20 > 0:08:21Sorry.
0:08:23 > 0:08:26Don't let anyone else in, Dawn.
0:08:26 > 0:08:28- All right. - One at a time, please, people.
0:08:28 > 0:08:32I'm kidding. I'm not stopping. I'm just passing through.
0:08:32 > 0:08:35- You can't go that way. That's staff only.- C-Bomb!
0:08:35 > 0:08:38Have you still got that board advertising all the DJ jobs?
0:08:38 > 0:08:40No, I took it down, remember?
0:08:40 > 0:08:42You said it were like taking the beautiful lady of music
0:08:42 > 0:08:45and whoring her out to commercial gang rape.
0:08:45 > 0:08:47I did say that, didn't I?
0:08:49 > 0:08:51Got to be this then.
0:08:51 > 0:08:55- Seen one of these before, Jonno? - A VX9 Smackbox?- Smackbox Pro.
0:08:55 > 0:08:59And it's yours for just 100 dollars!
0:08:59 > 0:09:01What's that in pounds?
0:09:01 > 0:09:05- Well, it's 1.56 on the pound at the minute.- No, I meant pounds.
0:09:05 > 0:09:08I meant English pounds. £100.
0:09:08 > 0:09:11And I need that money today, ideally.
0:09:11 > 0:09:13ASAP, DYKWIM?
0:09:13 > 0:09:14DYKWIM?
0:09:14 > 0:09:16Yeah, DYKWIM.
0:09:16 > 0:09:18- Do you know what I mean?- No.
0:09:19 > 0:09:23Look, I need that money
0:09:23 > 0:09:26to get my way into a certain lady's affections.
0:09:26 > 0:09:28Your mum. Has she asked you for rent?
0:09:28 > 0:09:30Well, yeah, she is but it's beside the point.
0:09:30 > 0:09:31I could nick my mum's cash card.
0:09:31 > 0:09:33I'll just say I'm having another episode.
0:09:33 > 0:09:36# Some people think I'm bonkers. #
0:09:36 > 0:09:38Stupid therapist.
0:09:38 > 0:09:41Dizzee Rascal? I gigged with him back in '07, actually.
0:09:41 > 0:09:45- Before he went mainstream, like. - I knew about you and Dizzee.- Yeah.
0:09:45 > 0:09:49I've been following you for years. Career-wise, obviously.
0:09:49 > 0:09:51Not like as a stalker.
0:09:52 > 0:09:54DOOR OPENS
0:09:54 > 0:09:57Hey, look, Twats-R-Us.
0:09:57 > 0:10:01Now then, I'm looking for a DJ at the New Inn tonight. 200 quid.
0:10:01 > 0:10:04'# I could help you, little lady. #'
0:10:04 > 0:10:07We need the best DJ in town.
0:10:07 > 0:10:10- So I was wondering...- Yeah. - ..if you knew anyone to recommend.
0:10:10 > 0:10:12Oh, ho-ho-ho(!)
0:10:12 > 0:10:13I knew he would do that joke.
0:10:13 > 0:10:16- Seriously, though, do you know anyone?- Yeah, I'll do it.
0:10:16 > 0:10:19No, mate, I think we are all right for dick-step, thanks.
0:10:19 > 0:10:22We want some chart music, pop and a bit of cheese.
0:10:22 > 0:10:25You want chart, go to Fearne Cotton.
0:10:25 > 0:10:26You want pop, go to Londis.
0:10:26 > 0:10:28You want cheese, go to...
0:10:28 > 0:10:31- Londis.- Cheshire.- Whatever.
0:10:31 > 0:10:33The point is, you book C-Bomb, you get C-Bomb.
0:10:33 > 0:10:36Someone who is going to break down your preconceptions about what
0:10:36 > 0:10:38music is and build up brand-new ones.
0:10:38 > 0:10:41Make you feel like a new baby, freshly born,
0:10:41 > 0:10:45hearing for the first time, wondering, "What is that sound?
0:10:45 > 0:10:49- "How can it make me feel that way?" - 100 is £64.87.- 65 quid?
0:10:49 > 0:10:52Conversation's moved on, guys. Why, have you got 65 quid?
0:10:52 > 0:10:55- No.- Conversation's moved on, mate.
0:10:55 > 0:10:56200 dib-dabs, was it?
0:10:57 > 0:11:01Enough to pay for Dexter's braces and keep Sheila off my back.
0:11:01 > 0:11:02It's a double win.
0:11:02 > 0:11:04I'm going to get a right bollocking off t'landlord
0:11:04 > 0:11:08but this is going to be chuffing priceless. You're on, Arse-Bomb.
0:11:08 > 0:11:12- Be there for 7:30 and bring your own PA.- Well, I'll already be there.
0:11:12 > 0:11:17- What?- I'm his PA.- You're not my PA, Dawn. He means speakers.
0:11:17 > 0:11:20Right, I'll get the PR machine started.
0:11:20 > 0:11:22Invite some industry faces.
0:11:22 > 0:11:25- Jesus Christ.- I'm not Jesus, mate.
0:11:25 > 0:11:29Jesus died for our sins. I just give our sins a soundtrack.
0:11:29 > 0:11:30HE BLOWS
0:11:32 > 0:11:34You're such a prick.
0:11:36 > 0:11:40For one night only, lock up your lower bass frequencies,
0:11:40 > 0:11:42C-Bomb is back.
0:11:42 > 0:11:43- Yes!- Sweet.
0:11:49 > 0:11:53I've got a gig, Claire...eh, Mum...Sheila. A bloody gig, woman.
0:11:53 > 0:11:56I'm back. I'm like a dark angel raining down the fattest beats this
0:11:56 > 0:11:59- side of Dronfield.- Very nice. Does it pay?- It does indeed.
0:11:59 > 0:12:02- I am looking at two large for this.- £2,000?- No, 200.
0:12:02 > 0:12:04- I thought large were 1,000. - It is.- So why did you say it?
0:12:04 > 0:12:06I didn't know you knew what it meant.
0:12:06 > 0:12:09I just... People say it, don't they? It sounded good.
0:12:09 > 0:12:10Still, 200 quid.
0:12:10 > 0:12:14I can give you some rent and help Claire out with the braces.
0:12:14 > 0:12:17Sorry about Claire. She told me about this Jordan bloke.
0:12:17 > 0:12:20- She won't bother with him long. - She seemed keen to me, Charlie.
0:12:20 > 0:12:24- I could hear wedding bells. - Bell-ends more like. Guy's a dick.
0:12:24 > 0:12:27You know what girls are like with the bad boys.
0:12:27 > 0:12:29Yeah, they are quite drawn to us.
0:12:30 > 0:12:33Anyway, love, I'd better get ready for work.
0:12:33 > 0:12:37You're not going to work are you again, Mum? Mum?
0:12:37 > 0:12:39How am I going to get my PA to the gig?
0:12:45 > 0:12:46Yippee-ki-yay, motherf...
0:13:03 > 0:13:05- Thanks, love.- OK.
0:13:05 > 0:13:07Charlie, are you the DJ?
0:13:07 > 0:13:09No, I'm the bloke who restocks the condom machine.
0:13:12 > 0:13:16- Yeah, I'm the DJ, yeah. - Oh, you star. That's amazing.
0:13:16 > 0:13:18That was such a nice thing to do, babe.
0:13:18 > 0:13:21- Helping Charlie and his mum like that.- What can I say, love?
0:13:21 > 0:13:25I've just got a little bit of a soft spot for hopeless cases, you know.
0:13:28 > 0:13:31- That's the biggest Tannoy I've ever seen.- It's a PA, not a Tannoy.
0:13:31 > 0:13:35- I'm not doing announcements. - You are if you want to get paid.
0:13:35 > 0:13:38You have to tell them when last orders is and do the meat raffle.
0:13:38 > 0:13:42The thing is, I'm not an MC. I'm more of a...
0:13:42 > 0:13:45Right, you lot, listen up. The turn's about to start.
0:13:49 > 0:13:51OK, Charles...
0:13:51 > 0:13:53- OVER PA:- ..let's lick this puppy on the balls.
0:13:57 > 0:14:00LOUD BASS-HEAVY INTRO
0:14:03 > 0:14:05Sheffield,
0:14:05 > 0:14:09or more specifically the suburb of Gleadless, are you ready?
0:14:10 > 0:14:13I said, "Are you ready?"
0:14:14 > 0:14:17Then make some bloody noise!
0:14:17 > 0:14:20DUBSTEP PLAYS
0:14:23 > 0:14:25Yes. I'm back.
0:14:25 > 0:14:26# Feel the bass hit your face
0:14:26 > 0:14:29# Got subs deep as the ocean... #
0:14:29 > 0:14:30I'll give you an example.
0:14:30 > 0:14:31BASS RESONATES
0:14:31 > 0:14:33# Feel the stitch of my garb
0:14:33 > 0:14:36# This shit is satin, hand-woven
0:14:38 > 0:14:41# I don't need no record contract No, I don't wear contacts
0:14:41 > 0:14:45# I'm lactating swagger juice I've got it on tap
0:14:45 > 0:14:48# I got it dripping off my arms off my legs
0:14:48 > 0:14:51# Off my shoulders, off my head It's made a right bloody mess. #
0:14:51 > 0:14:52MUSIC DIES
0:14:52 > 0:14:54Whoa, whoa, what's this shite?
0:14:54 > 0:14:57It's my music, isn't it? It's kind of like my life's work.
0:14:57 > 0:14:59Your life's work?!
0:14:59 > 0:15:02It's a wonder you haven't topped yourself, listening to that racket.
0:15:02 > 0:15:06He only took t'gig to pay for Claire's son's stupid braces.
0:15:06 > 0:15:08She keeps saying the little shit looks like...
0:15:08 > 0:15:11- MOCKING:- ..a little donkey in a school uniform.
0:15:12 > 0:15:14"Little shit"?
0:15:17 > 0:15:20I'm just having a laugh, babe. You know how it is, don't you?
0:15:20 > 0:15:23- I love little Fletcher. - Dexter.- Him as well.
0:15:23 > 0:15:26Maybe Charlie should give the money to you. For your nose-job.
0:15:26 > 0:15:28What nose-job? Perfect, lads, isn't it?
0:15:28 > 0:15:30- CRUNCH! - Oof!
0:15:30 > 0:15:33By the way, he's got a three-inch dinger and he cries when he comes.
0:15:33 > 0:15:34Turn it up, Charlie.
0:15:34 > 0:15:37MUSIC RESTARTS
0:15:39 > 0:15:40Hang on, mate.
0:15:40 > 0:15:43If he thinks I'm paying good money for this shit, he can think again.
0:15:43 > 0:15:46If you won't, allow me.
0:15:49 > 0:15:51Just listen.
0:15:55 > 0:15:58- DAWN:- C-Bomb! C-Bomb! C-Bomb!
0:15:58 > 0:16:01Thank you, Gleadless. Good night.
0:16:01 > 0:16:04Great set, mate. Just great.
0:16:04 > 0:16:06Yeah, no probs. You want summat signing? What's your name?
0:16:06 > 0:16:09Kelvin Peters. Tough Temper Records.
0:16:09 > 0:16:12- Your PA emailed me.- She's not my PA.
0:16:13 > 0:16:16We're putting together a dubstep tour.
0:16:16 > 0:16:18This lady said you might be interested.
0:16:18 > 0:16:20Oh, that'd be Dawn, my PA.
0:16:20 > 0:16:22I'm going to cut straight to it.
0:16:22 > 0:16:25We're going to get a load of acts, on a tour bus,
0:16:25 > 0:16:27gigging all over the UK.
0:16:27 > 0:16:29- You fancy it?- Fuck off!
0:16:29 > 0:16:31Well, sounds do-able.
0:16:31 > 0:16:33So, what do you say?
0:16:33 > 0:16:35Shit the bed! Count me the hell in.
0:16:35 > 0:16:37- Can I come?- No.
0:16:37 > 0:16:40Got your money. Landlord was a bit of a dick about it so it's only half.
0:16:40 > 0:16:41100 quid.
0:16:41 > 0:16:44'# I could help you little lady. #'
0:16:44 > 0:16:47Claire, I want you to keep that money for Dexter's braces.
0:16:47 > 0:16:49Charlie, you legend.
0:16:53 > 0:16:55- That's right, darling. You can kiss him goodbye.- What?
0:16:55 > 0:16:57- Are you going away?- Yeah, I'm...
0:17:00 > 0:17:03- No, I'm staying in Sheffield. - You what?
0:17:03 > 0:17:09- Yeah, I've got reasons to stay here. - Yeah, he has.- Yeah.
0:17:09 > 0:17:12- I mean, his mum's here. - And his fans are here.
0:17:12 > 0:17:15It's... Well, it's where he lives.
0:17:15 > 0:17:20Yeah, my mum and my fans and...just them, love?
0:17:21 > 0:17:24So, yeah, you can shove your tour, mate.
0:17:24 > 0:17:25Well, I'm gutted.
0:17:27 > 0:17:30- But I understand.- Yeah, I know.
0:17:33 > 0:17:35- Listen up... - MIC FEEDS BACK
0:17:35 > 0:17:36Listen up, people.
0:17:36 > 0:17:40I'd just like to say that bloke over there has just offered me
0:17:40 > 0:17:45a bloody brilliant opportunity but I've turned down. Why?
0:17:45 > 0:17:46Cos this is where I belong.
0:17:46 > 0:17:49- MAN: What, in Gleadless? - No... In the real world.
0:17:49 > 0:17:51If things are going to happen for me,
0:17:51 > 0:17:54they're going to happen for me here. Music is a wild beast. Untameable.
0:17:54 > 0:17:57If you try to put her in your house of capitalism,
0:17:57 > 0:17:59she'll do a shit on your money carpet.
0:17:59 > 0:18:02The beat will not be held captive.
0:18:02 > 0:18:03I'm stopping in Sheffield.
0:18:03 > 0:18:04MIC TURNS OFF
0:18:11 > 0:18:15So, you did your concert, you got paid but I still get nothing.
0:18:15 > 0:18:17Yeah, Claire needed that money.
0:18:17 > 0:18:21- It was a random act of orthodontic philanthropy.- You what?
0:18:21 > 0:18:23Yeah, I mean, technically she had already got the braces
0:18:23 > 0:18:26but she needed the money to get her telly back from Cash Converters.
0:18:26 > 0:18:29- It's the same principle. - You and your bloody principles.
0:18:29 > 0:18:31She is on her own trying to raise a little kid who,
0:18:31 > 0:18:33let's be honest, is a bit special.
0:18:33 > 0:18:35You have no idea how tough that is.
0:18:37 > 0:18:40Well, I'm off to bed.
0:18:40 > 0:18:43Got to be at work at four. Love you.
0:18:43 > 0:18:45Oh. Night, Sheila.
0:18:45 > 0:18:47Mum.
0:18:49 > 0:18:51LOUD DUBSTEP
0:18:54 > 0:18:55# C-Bomb
0:18:58 > 0:18:59# Bass
0:19:01 > 0:19:03# Toxic medicine
0:19:03 > 0:19:06# Is the best medicine
0:19:06 > 0:19:08# What you gonna do now you're all addicted?
0:19:08 > 0:19:10# I'm running through your veins like I'm a kind of liquid
0:19:10 > 0:19:12# Every single one of you's afflicted
0:19:12 > 0:19:13# Uh, just like I predicted
0:19:13 > 0:19:15# I'll blow your mind to the fourth dimension
0:19:15 > 0:19:18# I'll make you hot and steamy like a traction engine
0:19:18 > 0:19:20# I'll introduce strings to increase the tension... #
0:19:20 > 0:19:23- STRINGS PLAY - # That's my toxic medicine. #
0:19:23 > 0:19:25- COMPUTER ERROR BEEP - Oh, for...