0:00:02 > 0:00:05Hi, I'm James Corden. You're joining me on the set of Gavin And Stacey.
0:00:05 > 0:00:06Let's see what we've got.
0:00:06 > 0:00:09This is 361, take two.
0:00:09 > 0:00:10Do you mean that?
0:00:10 > 0:00:13I...I can't remember my line.
0:00:13 > 0:00:161014, take two.
0:00:18 > 0:00:20Oh, thanks a lot th...thithy!
0:00:22 > 0:00:23Bring her in here!
0:00:25 > 0:00:29# Bada-boo, bada... #
0:00:29 > 0:00:31Oh, come on.
0:00:31 > 0:00:37785, take two, starring Ruth Jones and Joanna Page.
0:00:38 > 0:00:42- Mister.- You've got your whole...
0:00:42 > 0:00:45Sorry about that.
0:00:45 > 0:00:47Do not start, Mick, please.
0:00:47 > 0:00:50Mick, Mike, sorry, I'm doing this in a really loud voice.
0:00:50 > 0:00:52I'm supposed to be hush tone.
0:00:52 > 0:00:54We need to look into that, don't we?
0:00:56 > 0:00:59- Sorry.- Quiet please... And, action!
0:00:59 > 0:01:06This programme contains strong language.
0:01:14 > 0:01:17The best thing with the whole show is that we've been doing it
0:01:17 > 0:01:20for three, four years now?
0:01:20 > 0:01:24And I think at every point...
0:01:24 > 0:01:26it's become more fun.
0:01:26 > 0:01:31All of those moments in-between the takes
0:01:31 > 0:01:34become all the more precious and meaningful, really,
0:01:34 > 0:01:37cos you're suddenly doing them with your friends
0:01:37 > 0:01:42and not just a group of actors, but there's been lots of silliness.
0:01:42 > 0:01:43I'm gonna sneeze.
0:01:45 > 0:01:48Like that, there you go. There's an out-take right there.
0:01:48 > 0:01:52An out-take within the out-takes video and may I be the first to say, bless you?
0:01:52 > 0:01:54Thank you.
0:01:54 > 0:01:57And I saw her,
0:01:57 > 0:01:58and, um...
0:01:58 > 0:02:00She, um...
0:02:00 > 0:02:02Oh, should we be acting now?
0:02:02 > 0:02:03- We're shooting now.- OK, sorry.
0:02:03 > 0:02:07Now, you're sure you don't want to come in for a coffee?
0:02:08 > 0:02:09Cut!
0:02:09 > 0:02:11HE MOUTHS AS DOG BARKS
0:02:20 > 0:02:22Hiya... Fuck!
0:02:22 > 0:02:24THEY LAUGH
0:02:25 > 0:02:27I need to put it in reverse when I come in.
0:02:27 > 0:02:29Oh, Dave,
0:02:29 > 0:02:33I've got DVD, VHS and some lovely stuff on...
0:02:33 > 0:02:36On... Fucking hell, Betamax.
0:02:40 > 0:02:44Now what about a bra, do you want something comfy or sluttish?
0:02:44 > 0:02:47- I honestly don't know.- Well, do you want to uplift them, like this?
0:02:47 > 0:02:49Or, push them in, like this?
0:02:58 > 0:03:00Relaxed?
0:03:00 > 0:03:02Tense.
0:03:02 > 0:03:04Relaxed. Tense.
0:03:04 > 0:03:06OK? Soft.
0:03:06 > 0:03:07- Hard.- No!
0:03:21 > 0:03:24Sling your hook, you pervert, or I'll break your arm.
0:03:29 > 0:03:32This is a rehearsal, isn't it, because I haven't got 50p in my pocket.
0:03:33 > 0:03:39Props are, for me personally, always a bit of a nightmare,
0:03:39 > 0:03:43because I am not very good at doing two things at the same time.
0:03:47 > 0:03:49- All right, Stace?- No, no, I'm not.
0:03:49 > 0:03:52It's Gav, I think he's finished with me.
0:03:52 > 0:03:53You'd better get in that kiosk.
0:03:57 > 0:03:58There's your gift.
0:03:58 > 0:04:02Actually, Ness, he's not eligible for the gift, he only paid £1.
0:04:03 > 0:04:04Oh, bollocks.
0:04:06 > 0:04:09One of the really annoying ones was in the Christmas Special.
0:04:09 > 0:04:13I naturally did this quite funny move with a cigarette, didn't I?
0:04:13 > 0:04:17- Yeah, I remember thinking it was hilarious.- I smoked, and the box...
0:04:17 > 0:04:21I put the cigarette in my mouth, picked up the present, gave it to Gav,
0:04:21 > 0:04:25was told he hadn't paid his £1 so he wasn't eligible.
0:04:26 > 0:04:28He only paid £1.
0:04:28 > 0:04:31No, no, no, right, let's do it again.
0:04:31 > 0:04:33- Just do it again.- Still running.
0:04:33 > 0:04:35And I missed out a line, as well.
0:04:35 > 0:04:36Er, OK.
0:04:38 > 0:04:40And took the present back...
0:04:40 > 0:04:42- And it was that move. - Yeah, it was that.
0:04:42 > 0:04:45I did it naturally the first time - perfectly.
0:04:45 > 0:04:47Could I remember it after that? No.
0:04:47 > 0:04:51Putting the present in my mouth probably and giving him the cigarette.
0:04:51 > 0:04:52It was awful.
0:04:52 > 0:04:56Actually, Ness, he's not eligible for the gift, he only paid £1.
0:04:56 > 0:04:57Right,
0:04:59 > 0:05:00Well...
0:05:00 > 0:05:02THEY ALL LAUGH
0:05:03 > 0:05:06The rhythm was perfect.
0:05:06 > 0:05:09That was really good, Ruth. It's still rolling.
0:05:09 > 0:05:12Sweetheart, will you please phone me?
0:05:12 > 0:05:15I'll explain...
0:05:15 > 0:05:18Cigarettes and drinking are particularly difficult ones
0:05:18 > 0:05:21because if you're not really with it that day, you've had it.
0:05:21 > 0:05:23Any more bombshells you want to drop before I go?
0:05:23 > 0:05:26- At least finish your beer. - What, that?
0:05:30 > 0:05:34- It's bound to happen at some point. - It's gonna happen!
0:05:34 > 0:05:36Just the four of you then, is it?
0:05:36 > 0:05:38- Yeah.- Go on, then, in you go.
0:05:38 > 0:05:40Right... Oh!
0:05:40 > 0:05:41Fuck!
0:05:42 > 0:05:44Thanks, bye.
0:05:44 > 0:05:46673, take two A and B.
0:05:46 > 0:05:49And you're sure you just want a conservatory?
0:05:49 > 0:05:50Look, we've been through this.
0:05:50 > 0:05:52I know, just hear me out...
0:05:52 > 0:05:55Oh, I'm so sorry. I'm so sorry!
0:05:55 > 0:05:56I'm so sorry!
0:05:56 > 0:05:58There you go.
0:05:58 > 0:05:59I'm so sorry!
0:05:59 > 0:06:02Good job it didn't go down that!
0:06:02 > 0:06:04Can you pick it up? I'm sorry.
0:06:05 > 0:06:08There's a scene in series one where I, um...
0:06:08 > 0:06:13spray breath freshener in Matt's, in Gavin's mouth.
0:06:19 > 0:06:21ALL: Oi, oi!
0:06:21 > 0:06:23It was just set wrong.
0:06:23 > 0:06:25It couldn't have been more perfect.
0:06:25 > 0:06:27It literally just went, bang, right in his eye.
0:06:28 > 0:06:30ALL: Oi, oi!
0:06:32 > 0:06:34All the boys, Budgie and Fingers,
0:06:34 > 0:06:37had to come round and go, Way-hey! And Matt's in agony,
0:06:37 > 0:06:41And I was going, no, no, no, and they were just carrying on,
0:06:41 > 0:06:43not knowing.
0:06:47 > 0:06:49- Just put it there. - Well, put it there.
0:06:59 > 0:07:01Oh, there go the decs.
0:07:05 > 0:07:06Fuck! Sorry!
0:07:11 > 0:07:13I'm going over here. Sorry.
0:07:13 > 0:07:14So sorry!
0:07:14 > 0:07:17- Can we do it again, please? - Still rolling, reset!
0:07:17 > 0:07:18How long has that one been?
0:07:18 > 0:07:2323.5, that's just under a couple of minutes less than last time.
0:07:23 > 0:07:26So, at least we are going in the right direction, eh, Ness?
0:07:26 > 0:07:29Is there time for...one more?
0:07:29 > 0:07:31- Very difficult move, for me... - Very difficult.
0:07:31 > 0:07:33- For the young actor.- Cut.
0:07:35 > 0:07:37Get me anything?
0:07:38 > 0:07:41I was thinking that you could have some of my apple pie.
0:07:44 > 0:07:45Thanks, Bryn.
0:07:48 > 0:07:50Give it a minute.
0:07:50 > 0:07:54- I will need to put it to my mouth to eat it, won't I? I imagine.- Yes.
0:07:54 > 0:07:57- Give it a minute. - We haven't really got a minute, Rob.
0:07:57 > 0:07:59- Can you hand the pie over? > - Have you got the pie?
0:07:59 > 0:08:02Is the pie on your possession? In your...
0:08:02 > 0:08:03That's not a pie, Rob.
0:08:07 > 0:08:08Cut there.
0:08:08 > 0:08:12I remember when we were filming at the driving range,
0:08:12 > 0:08:17a mile away, in the next field, there was a herd of cows
0:08:17 > 0:08:21and for some reason they started, not even mooing, just like...
0:08:21 > 0:08:23Uhh!
0:08:23 > 0:08:27It wasn't even that, it was like, uhh-uhh, uhh-uhh!
0:08:27 > 0:08:31And it happened in these really poignant moments.
0:08:33 > 0:08:36It's not your fault, I just didn't know what to say, really.
0:08:36 > 0:08:38It's OK.
0:08:38 > 0:08:39How you feeling, all right?
0:08:39 > 0:08:41COW MOOS
0:08:41 > 0:08:42Fucking better than him!
0:08:45 > 0:08:46Fucking hell!
0:08:47 > 0:08:51There are certain people who are prone to giggling.
0:08:51 > 0:08:53Like, Joanna Page is a massive giggler.
0:08:53 > 0:08:56- But Alison Steadman... - Oh, she's the best.
0:08:56 > 0:08:58She gets this real, whoo-hoo, whoo-hoo.
0:08:58 > 0:09:00- Julia...- Julia Davis.
0:09:00 > 0:09:02So the combination between Steadman and Davis...
0:09:02 > 0:09:05- And then you chuck Scarborough in the mix.- Oh...
0:09:05 > 0:09:09I've got Beaches, Breakfast at Tiffany's and Doubt.
0:09:09 > 0:09:13- Doubt, never heard of that.- You will have done. Meryl Streep's this nun
0:09:13 > 0:09:17and the big, strawberry blonde fellow from Patch Adams is this priest.
0:09:17 > 0:09:18I'm so sorry.
0:09:22 > 0:09:23- Oh, shit.- Oh, dear.
0:09:23 > 0:09:25- Cut!- I'm so sorry.
0:09:25 > 0:09:27They just had this line,
0:09:27 > 0:09:29the strawberry blonde fellow from Patch Adams.
0:09:29 > 0:09:32It's obviously Philip Seymour Hoffman
0:09:32 > 0:09:35and for Alison, it was the idea of dismissing this man's work
0:09:35 > 0:09:39with the strawberry blonde fellow from Patch Adams.
0:09:39 > 0:09:42- Doubt, never heard of that. - Oh, yeah, you will have done.
0:09:42 > 0:09:46Meryl Streep's this nun and the big, strawberry blonde fellow from Patch Adams...
0:09:47 > 0:09:49I'm sorry.
0:09:58 > 0:10:00- Are you all right, Julia?- Mmm.
0:10:00 > 0:10:05Julia loves being on the edge of that...
0:10:05 > 0:10:08She has said that she thinks, for her...
0:10:08 > 0:10:11Cos I know when we did Nighty Night, she always used to say,
0:10:11 > 0:10:14if I'm having to fight laughing, I know it's funny.
0:10:14 > 0:10:17She doesn't like it if she's not on the edge, laughing.
0:10:17 > 0:10:20Meryl Streep's this nun and the big, strawberry blonde fellow
0:10:20 > 0:10:24from Patch Adams is the priest and he's been fiddling...
0:10:26 > 0:10:28And, cut.
0:10:28 > 0:10:32I think Alison just gets quite guilty, doesn't she?
0:10:32 > 0:10:36- Yeah.- She feels she ought not to be laughing. She's very apologetic.
0:10:38 > 0:10:40- I've got Beaches...- I love that.
0:10:40 > 0:10:42Breakfast At Tiffany's and Doubt...
0:10:42 > 0:10:47- Oh, I'm sorry, this is terrible, it's like a disease. I'm so sorry.- Cut.
0:10:47 > 0:10:51Once that grips you, that hysteria,
0:10:51 > 0:10:55you're absolutely ruined. You can't get beyond it.
0:11:00 > 0:11:02I'm sorry. Right.
0:11:08 > 0:11:10Where shall I go from?
0:11:10 > 0:11:12Please, tell me.
0:11:14 > 0:11:16Take seven, please.
0:11:17 > 0:11:19I've forgot what my line is.
0:11:19 > 0:11:22- OK.- BLEEP- See you in a bit...
0:11:24 > 0:11:26I can't feel a thing.
0:11:29 > 0:11:31I haven't got a clue
0:11:31 > 0:11:35cos I can't work out what's wrong unless you tell... Sorry.
0:11:38 > 0:11:41Let me eat my dinner in peace,
0:11:41 > 0:11:44the way Jesus would have wanted me to on his birthday.
0:11:47 > 0:11:48Cut!
0:11:48 > 0:11:51I've completely blown it, I'm really sorry.
0:11:55 > 0:11:56It's your line.
0:11:56 > 0:11:58Owain said it's best to start from ten feet tall...
0:12:02 > 0:12:07- The time I felt for you the most was with Matt Lucas.- Oh, Matt.
0:12:07 > 0:12:11- Because it was just relentless. - One word...
0:12:12 > 0:12:15Two words...
0:12:15 > 0:12:16One more word.
0:12:16 > 0:12:17Nutter!
0:12:17 > 0:12:20That's the worst I've ever been.
0:12:20 > 0:12:22I've never been like that.
0:12:22 > 0:12:25I've never, ever been like that in my life.
0:12:25 > 0:12:27This one's on me.
0:12:27 > 0:12:29A lager.
0:12:29 > 0:12:31Like it.
0:12:35 > 0:12:38I'm so sorry, it's gone out of me head.
0:12:38 > 0:12:41I was pinching myself.
0:12:41 > 0:12:46I thought, if I can counter-balance this with sheer pain,
0:12:46 > 0:12:47I won't be able to laugh.
0:12:47 > 0:12:50My name's Chris, but you can call me Jammy.
0:12:53 > 0:12:57- Can I do a pick-up? - The screen's going nuts now!
0:12:57 > 0:13:00- It was when he went like this to you.- Oh...
0:13:00 > 0:13:01He grabbed his face.
0:13:01 > 0:13:03I know what you want better than you do.
0:13:08 > 0:13:09- Come on!- Come on!
0:13:13 > 0:13:16I'm so sorry.
0:13:20 > 0:13:23- That's all right, I got it then, didn't I?- You didn't.
0:13:23 > 0:13:24Didn't I? Oh.
0:13:24 > 0:13:27He was going, "Does he have to be here?"
0:13:27 > 0:13:31And they were like, "Yeah, he's in the shot." We both went, "Oh, God!"
0:13:31 > 0:13:34This... James!
0:13:37 > 0:13:40- Is he in shot?- You can cut there.
0:13:40 > 0:13:42It was a tough day, that one.
0:13:42 > 0:13:46- Fun though, I wouldn't swap it for anything.- No.
0:13:46 > 0:13:49High five. You know what, forget that, big tens.
0:13:56 > 0:13:58Larry, can you do your planned?
0:13:58 > 0:14:00- Yeah, I had a mouthful of peas, darling.- Ah.
0:14:01 > 0:14:03- The director told me I had to eat.- Yeah.
0:14:05 > 0:14:08My mum said, "Don't talk while you're eating."
0:14:08 > 0:14:11I'm getting a bit fucking confused here.
0:14:11 > 0:14:13EVERYONE LAUGHS
0:14:13 > 0:14:17The curry scene in episode two of series three,
0:14:17 > 0:14:21I had to eat this curry with my left hand and with my fingers as well.
0:14:21 > 0:14:23What?
0:14:25 > 0:14:26I made it...
0:14:28 > 0:14:31I just took too much meat.
0:14:31 > 0:14:34I did at one point, I just took too much food.
0:14:34 > 0:14:36I over-gauged it.
0:14:36 > 0:14:37Shall I rewind, or...?
0:14:38 > 0:14:42- What do you want?- Pick it up, Ruth, it's still rolling.
0:14:42 > 0:14:45You have to think small, small mouthfuls when you're eating on TV.
0:14:45 > 0:14:49- That's the secret to it. - You can always add a bigger chew. - Yeah, a bigger chew.
0:14:49 > 0:14:52- But you can never take away...- No. - ..the sustenance.
0:14:52 > 0:14:53I made it sexual, Pam.
0:14:55 > 0:14:57Hang on, it's nearly there.
0:14:59 > 0:15:02There, OK.
0:15:02 > 0:15:05I tell you the one thing I never minded eating a lot -
0:15:05 > 0:15:08and I had to actually even rein it in a bit - the omelettes.
0:15:08 > 0:15:12- You loved the omelettes. - I loved the omelettes.
0:15:12 > 0:15:16- I remember talking to you and you were polishing one off in-between takes.- That's true.
0:15:16 > 0:15:20That's it, we've just got to sit and wait now.
0:15:23 > 0:15:24You... Sorry!
0:15:29 > 0:15:31It got stuck in my throat.
0:15:33 > 0:15:34Cut there, thank you.
0:15:40 > 0:15:41Pam! What are you doing?
0:15:43 > 0:15:45Oh, my Christ... I just...
0:15:54 > 0:15:57The other day, your mum's, firewood up in the garden.
0:15:57 > 0:16:00For lunch, a couple of sausages, a bit of bread, lovely.
0:16:01 > 0:16:04Cut the sausages...oh. Firewood up the...oh...
0:16:04 > 0:16:07The other day, at your mum's, in the garden... Fire...oh!
0:16:07 > 0:16:10The other day, at your mum's, firewood up in the garden.
0:16:10 > 0:16:14For lunch, a couple of sausages, a bit of bread, lovely...
0:16:14 > 0:16:17- You're having too much fun now. - Hang on.- Still rolling.
0:16:19 > 0:16:21HE SPEAKS WELSH
0:16:24 > 0:16:27Kebabs... Oh, twat.
0:16:27 > 0:16:31- You've got twat in there as well? - I have, yeah. 10p a pound.
0:16:31 > 0:16:33- We'll have some twat then. - Yeah, love it.
0:16:45 > 0:16:47Oh, I'm sorry.
0:16:47 > 0:16:49I forgot the hello.
0:16:52 > 0:16:54Wow! All right, Ness?
0:16:54 > 0:16:56Don't come too close, Grav... Grav?
0:16:57 > 0:16:58Still rolling, please.
0:16:58 > 0:17:02I had a particularly attractive pink dressing gown
0:17:02 > 0:17:05that I wore in the second series
0:17:05 > 0:17:09which Mat Horne came face-to-face with on one occasion
0:17:09 > 0:17:10and that threw him.
0:17:10 > 0:17:13I think it threw everybody. It threw me.
0:17:13 > 0:17:15It was quite a piece.
0:17:17 > 0:17:20- Wow!- Don't come too close.
0:17:20 > 0:17:22Keep rolling.
0:17:24 > 0:17:26Wow! All right, Ness?
0:17:26 > 0:17:29- Don't come too close, Gav, my breath is rank.- Nice.
0:17:29 > 0:17:32No, seriously, it reeks.
0:17:32 > 0:17:34What are you laughing at?
0:17:34 > 0:17:38There was a time when we were shooting in a bowling alley, and for some reason,
0:17:38 > 0:17:41I don't know quite what was happening to me that day,
0:17:41 > 0:17:44I came in going, Gavinder, jia, jia.
0:17:44 > 0:17:47And then I remember looking at Matt and Matt was looking at me
0:17:47 > 0:17:50with a face that said, "What are you doing?"
0:17:50 > 0:17:52I was like, "I don't know."
0:17:52 > 0:17:54Gavinder, jia, jia...
0:17:54 > 0:17:56All right, Smith.
0:17:56 > 0:17:58- Nessa. - All right, Gav, how's it going?
0:17:58 > 0:18:01How's... Oh, there's no point in it!
0:18:01 > 0:18:02BLEEP
0:18:02 > 0:18:05It was just getting bigger and bigger every take.
0:18:05 > 0:18:07Gavlar!
0:18:07 > 0:18:09Gavinder, jia, jia!
0:18:09 > 0:18:14Then by the end it was like, Gavinder, jia, jia!
0:18:14 > 0:18:16Like, it was so silly.
0:18:16 > 0:18:17You went down then, after that.
0:18:17 > 0:18:19I crashed, yeah.
0:18:19 > 0:18:21Gavinder, jia, jia!
0:18:25 > 0:18:28- Fucking hell, What was that? - I don't know!- BLEEP- Cut there!
0:18:35 > 0:18:39- I don't think there's anyone in the cast that looks to... - Make you laugh?
0:18:39 > 0:18:42- Brydon, a touch.- Brydon is... - If it's anyone, it's Brydon.
0:18:44 > 0:18:46- 185, take...- Oh, shit!
0:18:46 > 0:18:49What are you doing, idiot!
0:18:49 > 0:18:53- I'm sorry, Mr Brydon. - I'm joking, everybody. Joke...
0:18:53 > 0:18:54Alison...
0:18:58 > 0:19:00Me ald cack an' a sporro!
0:19:05 > 0:19:07Why have I got to look like a dick?
0:19:07 > 0:19:10Well, I don't think you do look like a dick, Ness.
0:19:16 > 0:19:18What's a "dickness"?
0:19:18 > 0:19:22He's sitting in our house, eating our food, drinking our squash,
0:19:22 > 0:19:25driving us to bingo on his bus.
0:19:25 > 0:19:27I am freaking out!
0:19:27 > 0:19:30I can't take it and I've gone completely wrong.
0:19:30 > 0:19:33I've missed a big bit out earlier from a speech
0:19:33 > 0:19:36and we haven't got time, this is costing us dearly!
0:19:36 > 0:19:38He's in love!
0:19:38 > 0:19:41And there ain't nothing you can do about it.
0:19:46 > 0:19:48I love you, Brynlar.
0:19:48 > 0:19:49I do...
0:19:52 > 0:19:54So sorry.
0:19:57 > 0:19:59I'm pregnant.
0:19:59 > 0:20:01Oh, my God!
0:20:01 > 0:20:04- And you're the father.- Oh, my God!
0:20:06 > 0:20:09- HE LAUGHS - So sorry.
0:20:09 > 0:20:11All that pouring is wasted.
0:20:12 > 0:20:16# Deny my place in time
0:20:16 > 0:20:17# You've wandered... #
0:20:17 > 0:20:19HE BLOWS A RASPBERRY
0:20:19 > 0:20:22Who... Shall I just...?
0:20:22 > 0:20:26I've noticed more recently he laughs a lot more on set.
0:20:26 > 0:20:28I think he's just happy to be in a hit.
0:20:31 > 0:20:34He gets this little glint in his eye.
0:20:34 > 0:20:36He can't believe his luck.
0:20:36 > 0:20:39He thinks, wow, it's come back round again.
0:20:39 > 0:20:40I'm joking!
0:20:40 > 0:20:42Action.
0:20:42 > 0:20:44HE FARTS
0:20:44 > 0:20:45Was that you, Rob?
0:20:48 > 0:20:50THEY ALL LAUGH
0:20:52 > 0:20:54On action as well! That's not bad, is it?
0:20:56 > 0:20:59You don't know how long I was hanging on to that.
0:20:59 > 0:21:01THEY ALL LAUGH
0:21:06 > 0:21:09Like that? Which way?
0:21:09 > 0:21:11- Upside down.- OK.
0:21:13 > 0:21:16In series two, we see Nessa driving a truck.
0:21:16 > 0:21:18- She helps... - You loved that truck, didn't you?
0:21:18 > 0:21:19I loved the truck.
0:21:26 > 0:21:29Going up and down the dual carriageway and, you know,
0:21:29 > 0:21:32passing bin lorries and they'd be doing double-takes at me.
0:21:32 > 0:21:35"Look at that woman driving that truck!"
0:21:39 > 0:21:42Anyway, so, I got a little bit cocky by the end
0:21:42 > 0:21:44and the very last shot I had to do
0:21:44 > 0:21:47was me driving away from Pam and Mick's house.
0:21:47 > 0:21:51Easy, I can handle that. I've been driving a few weeks now in this.
0:21:51 > 0:21:53And I pull out,
0:21:53 > 0:21:57just miss Bryn's Picasso.
0:22:04 > 0:22:07Carry on up the road.
0:22:12 > 0:22:15And I just heard this sort of noise. I looked in my wing mirror
0:22:15 > 0:22:20and I realised I had just scraped all along the side of this car.
0:22:20 > 0:22:24It was this orange car, wasn't it? It was bouncing like that.
0:22:27 > 0:22:31Larry stood just in front of me and I just remember him going,
0:22:31 > 0:22:33"She's hit the car.
0:22:33 > 0:22:36"She's hit the bloody car!"
0:22:36 > 0:22:38Like that. And I was like...
0:22:43 > 0:22:46- What did she hit?- That car!
0:22:46 > 0:22:49And, of course, it was awful for the man whose car it was.
0:22:49 > 0:22:53I'd like to take this opportunity to apologise for doing that to your car.
0:23:04 > 0:23:09Everybody saw you swap the cards over so that you can sit, like some lecherous...
0:23:09 > 0:23:11..Yacking on, talking a bit too loud.
0:23:11 > 0:23:15You're sitting there, looking down her top, like a paedophile.
0:23:15 > 0:23:17Don't talk to her like that.
0:23:17 > 0:23:19She's wearing a perfectly respectable dress.
0:23:25 > 0:23:29Julia and Adrian are two of the best actors
0:23:29 > 0:23:31you could ever wish to work with.
0:23:31 > 0:23:34They've both got this, what we call, like, a glint in their eye,
0:23:34 > 0:23:39where they love a laugh and there's been so many times like,
0:23:39 > 0:23:42the line where she calls him a pre-op...
0:23:42 > 0:23:44in the field when he just loses it.
0:23:44 > 0:23:48- You're an embarrassment.- I'm an embarrassment! I'm an embarrassment?
0:23:48 > 0:23:50Take a look in the mirror, you pre-op.
0:23:50 > 0:23:52Dawn, there's no need for that.
0:23:52 > 0:23:54Come on, you two.
0:23:58 > 0:24:00- You bought this?- Yeah.
0:24:00 > 0:24:03So there's no money for me to play golf on Sunday,
0:24:03 > 0:24:06but there's money for you to splash out on champagne?
0:24:06 > 0:24:09- Don't be... - I've got a crisp stuck in my gullet!
0:24:13 > 0:24:14The wedding vows.
0:24:14 > 0:24:17Oh, when we were writing that, we couldn't wait,
0:24:17 > 0:24:19we were just savouring it so much.
0:24:19 > 0:24:25The thought of those two using the lyrics from Michael Jackson's Ben...
0:24:25 > 0:24:26Oh!
0:24:26 > 0:24:29- ..to reaffirm their love for each other.- So perfect!
0:24:29 > 0:24:33With a friend to call my own, I'll never be alone.
0:24:33 > 0:24:37And you my friend will see, you've got a friend in me.
0:24:39 > 0:24:42Pete, you're always running here and there.
0:24:44 > 0:24:47SHE LAUGHS Sorry!
0:24:49 > 0:24:51Sorry!
0:24:51 > 0:24:55There's one where you just see Adrian's face
0:24:55 > 0:24:58and it's that kind of beautiful agony.
0:24:58 > 0:25:00He just... He can't...
0:25:00 > 0:25:02He wants to so much.
0:25:02 > 0:25:06He so wants to hold it together and it just goes. It goes.
0:25:07 > 0:25:10Pete, most people would turn you away.
0:25:11 > 0:25:15I don't listen to a word they say.
0:25:15 > 0:25:18They don't see you...
0:25:18 > 0:25:21SHE LAUGHS As I do.
0:25:22 > 0:25:23You look ridiculous.
0:25:23 > 0:25:25I'm sorry.
0:25:28 > 0:25:30You may now seal your views...
0:25:30 > 0:25:31vows of renewal.
0:25:36 > 0:25:38Just pick it up. Still rolling!
0:25:39 > 0:25:40Oh, my God!
0:25:40 > 0:25:42Better get my quiches in.
0:25:42 > 0:25:45You'd better get those quee-shays in there, Pamelar.
0:25:45 > 0:25:46Go, go, go!
0:25:49 > 0:25:52What do you think I've been doing? I've been...
0:25:53 > 0:25:56- What's with all them signs in the window?- Oh, hello, my little Prince!
0:25:56 > 0:25:58It's your mother and her campaign.
0:25:58 > 0:26:00THEY ALL LAUGH
0:26:02 > 0:26:04- Come in!- I'm sorry.
0:26:05 > 0:26:09You've got the show in a box and that's one thing.
0:26:09 > 0:26:12The best thing about something like this
0:26:12 > 0:26:14is that they're the bits in-between.
0:26:14 > 0:26:16They are the moments that show you...
0:26:16 > 0:26:20what it was like producing that in a box.
0:26:20 > 0:26:21You've got Lucy. What about Lucy?
0:26:21 > 0:26:25She's on some student exchange thing dicking round the Dordogne.
0:26:27 > 0:26:29HE LAUGHS
0:26:30 > 0:26:32Stop laughing, darling!
0:26:32 > 0:26:33OK, thanks, Pamela.
0:26:33 > 0:26:36- It's not funny, darling. - I know, Pamela.
0:26:36 > 0:26:37- Still rolling.- All right. Go on.
0:26:41 > 0:26:43- Sorry. Go on.- That's so childish.
0:26:43 > 0:26:46We just had a huge amount of fun.
0:26:46 > 0:26:48So, seeing the out-takes
0:26:48 > 0:26:51just reminds me of the fun that we all had.
0:26:51 > 0:26:54I'll let you in for a pound if you're leaving the gift.
0:27:00 > 0:27:02Sorry. Just do it again.
0:27:02 > 0:27:04Can I have a word?
0:27:06 > 0:27:08Have you got any johnnies?
0:27:08 > 0:27:10I ain't going in there bareback.
0:27:10 > 0:27:12- We'll have to stop off... - Oh, come on!
0:27:12 > 0:27:14- Come on!- Sorry. Let's do it.
0:27:14 > 0:27:18The best thing about out-takes is you just get to see a glimpse
0:27:18 > 0:27:20of what it's like all day.
0:27:20 > 0:27:25They all just remind me of how great it was making this show, you know?
0:27:25 > 0:27:29So, yeah, that's it. But, er...
0:27:29 > 0:27:31Yeah. What's happening with you?
0:27:35 > 0:27:36We've got there.
0:27:36 > 0:27:38- Ooh!- Cut! That was brilliant.
0:27:50 > 0:27:51Right.
0:27:51 > 0:27:53THEY ALL LAUGH
0:27:55 > 0:27:58- Cut.- It's funny though, isn't it? It's funny.
0:27:58 > 0:28:00# Sometimes it seems
0:28:00 > 0:28:02# The going is just too rough
0:28:02 > 0:28:06# And things go wrong no matter what I do
0:28:07 > 0:28:11# Now and then it seems like life it just too much... #
0:28:11 > 0:28:14Subtitles by Red Bee Media Ltd
0:28:14 > 0:28:17E-mail subtitling@bbc.co.uk