The Brothel

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0:00:02 > 0:00:07This programme contains some strong language

0:00:07 > 0:00:13This programme contains some scenes of a sexual nature

0:00:28 > 0:00:31I'm glad you're dealing again, Moz.

0:00:31 > 0:00:33The original and the best is back.

0:00:33 > 0:00:39And I intend to surf the recession on a never-ending wave of weed.

0:00:39 > 0:00:40And nobody is going to stop me.

0:00:40 > 0:00:42Thank you, Nicki.

0:00:42 > 0:00:46That is the most powerful smoke around.

0:00:46 > 0:00:50And pretty soon, it'll be the only smoke around.

0:00:50 > 0:00:51BUZZING

0:01:19 > 0:01:22So how's your plans for world domination shaping up?

0:01:22 > 0:01:25Jason's nearly massive, aren't you?

0:01:25 > 0:01:30Yeah. I mean, y'know, when I say massive I don't mean totally massive.

0:01:30 > 0:01:33I mean, y'know...modestly massive.

0:01:33 > 0:01:36Only the English would dream of being humble about their massiveness.

0:01:36 > 0:01:39I still think of myself as an everyman, though.

0:01:39 > 0:01:41In that outfit? You're not even every other man.

0:01:41 > 0:01:44Keeping in touch with me roots.

0:01:44 > 0:01:45Get 'em done once a week, don't we?

0:01:45 > 0:01:47We do.

0:01:47 > 0:01:51I've got afghani or old-school white widow.

0:01:51 > 0:01:55- You want a quarter of white widow, don't you?- Yeah.

0:01:55 > 0:01:57A quarter of white widow, please.

0:01:57 > 0:01:59Tell him that'll be 60 notes, ta.

0:01:59 > 0:02:01Whoa! Nicki's doing it for 55.

0:02:01 > 0:02:04- Is she?- He's right. She is.

0:02:04 > 0:02:07Right. Well, this'll be...

0:02:07 > 0:02:10£54.25, please.

0:02:10 > 0:02:14That's a very competitive price. Do you need a manager?

0:02:14 > 0:02:16- No.- You thinking about retiring?

0:02:16 > 0:02:19No. I'll be dealing when I'm 50.

0:02:19 > 0:02:22Might even still be dealing on my 100th birthday.

0:02:22 > 0:02:25£195, please.

0:02:25 > 0:02:28Unless you'd prefer the expensive one?

0:02:28 > 0:02:32Think I'll skin one up now.

0:02:32 > 0:02:35So you managed to sort out your funeral arrangements?

0:02:35 > 0:02:36Yeah.

0:02:38 > 0:02:40I'm on for a cremation.

0:02:40 > 0:02:44Nicki's doing special offers.

0:02:44 > 0:02:46So? I'm not going to be undercut

0:02:46 > 0:02:51- by Torchwood next door. This is total war.- Cool.

0:02:51 > 0:02:53I'm introducing loyalty cards.

0:02:53 > 0:02:56A free 32nd with every 100th eighth.

0:02:59 > 0:03:02I might have added that up wrong.

0:03:02 > 0:03:04You do SO need a manager.

0:03:04 > 0:03:07Back off, Deborah Meaden!

0:03:14 > 0:03:15SHE MOANS

0:03:24 > 0:03:27I'm Jake.

0:03:40 > 0:03:41Nice to see you.

0:03:41 > 0:03:44- And you. Bye.- Bye.

0:03:55 > 0:03:57Somebody obviously likes you.

0:03:57 > 0:03:59- Third visit this week?- Fourth.

0:03:59 > 0:04:01Jake is sweet.

0:04:01 > 0:04:03But he doesn't really know his way around the bedroom.

0:04:03 > 0:04:06No imagination, no forward planning.

0:04:06 > 0:04:09Hmm, in sex, forward planning is everything.

0:04:09 > 0:04:12He who travels without Vaseline is crusin' for a bruisin'.

0:04:18 > 0:04:22Don't forget to text me as soon as you're massive.

0:04:22 > 0:04:24We're looking at months, not years.

0:04:29 > 0:04:31All right?

0:04:31 > 0:04:36- What you up to? - Doing a duet with Lily Allen, doing three gigs in Madrid.

0:04:36 > 0:04:38You?

0:04:38 > 0:04:42- Night shift at Londis. - That's nowt to be ashamed of.

0:04:42 > 0:04:46Whereas doing a song with Lily Allen is borderline.

0:04:46 > 0:04:49- This is Tania, me manager. - We spoke on the phone.

0:04:49 > 0:04:52I threatened to sue you.

0:04:52 > 0:04:53Oh, yeah.

0:04:53 > 0:04:55How did that work out?

0:04:55 > 0:04:59You agreed to my terms.

0:04:59 > 0:05:01That's right. How are you, Moz?

0:05:01 > 0:05:03Me? I'm smashin', ta, Lee.

0:05:03 > 0:05:07- Good.- I'll drop a copy of the album round.

0:05:07 > 0:05:11Should I pop one into Londis, too?

0:05:11 > 0:05:13Yeah, that'd be great. Thanks.

0:05:13 > 0:05:16See you, Moz.

0:05:16 > 0:05:18See you, Lee.

0:05:22 > 0:05:26Can you see what a knobhead you used to be now?

0:05:33 > 0:05:36I'll take an eighth of the black.

0:05:37 > 0:05:4030, ta.

0:05:40 > 0:05:42Nicki's doing it for 28.

0:05:42 > 0:05:44Give us 27 then.

0:05:46 > 0:05:48Thank you.

0:05:50 > 0:05:52It's really weird, seeing Jason like that.

0:05:52 > 0:05:55Not seen him since Silicon Valets split up.

0:05:55 > 0:05:59How come he got custody of the career?

0:05:59 > 0:06:03Shouldn't you be the one cowering on the cover of Chat magazine?

0:06:03 > 0:06:06His manager's a very shrewd businesswoman.

0:06:06 > 0:06:09I got to keep the Silicone Valets name and...

0:06:09 > 0:06:11he got everything else.

0:06:15 > 0:06:17Listen, Lee,

0:06:17 > 0:06:20Jason might have an album in the charts.

0:06:20 > 0:06:22He might have fame and fortune

0:06:22 > 0:06:27and be travelling the world with a glamorous girlfriend.

0:06:27 > 0:06:30But you've got to ask yourself...

0:06:30 > 0:06:32is he happier than you?

0:06:35 > 0:06:38- He seemed happier.- Yeah. He did, didn't he?- I think he is happier.

0:06:38 > 0:06:43Yeah. I'm not surprised. With all the fame and fortune and that.

0:06:43 > 0:06:45Bound to make you happier, really.

0:06:45 > 0:06:47I don't care.

0:06:47 > 0:06:50I'm going to be a big star again one day.

0:06:50 > 0:06:54- That's what me line manager says. - And if he doesn't know, who does?

0:06:54 > 0:06:57- I'm still writing songs.- Good.

0:06:57 > 0:06:59I suppose.

0:06:59 > 0:07:01That's the great thing about shelf-stacking -

0:07:01 > 0:07:05gives you plenty of head space to think about other stuff. So I wrote a song.

0:07:05 > 0:07:07What's it called?

0:07:07 > 0:07:09Shelf Stackin'.

0:07:09 > 0:07:11It's about stacking shelves.

0:07:11 > 0:07:13Interesting.

0:07:13 > 0:07:15No, wait, what's the opposite?

0:07:15 > 0:07:17Not interesting.

0:07:17 > 0:07:18# I stack and I stack

0:07:18 > 0:07:20# And I stack and I stack

0:07:20 > 0:07:23# From shelf one to shelf two

0:07:23 > 0:07:28# To shelf 50 and ba-a-a-ack

0:07:28 > 0:07:29# I stack and I stack

0:07:29 > 0:07:31# And he stacks and he stacks... #

0:07:31 > 0:07:32It's the backing singers.

0:07:32 > 0:07:35We do a call-and-response thing.

0:07:35 > 0:07:38- You've not heard the bit with the harpsichord.- Don't need to!

0:07:44 > 0:07:47Is it safe to come over?

0:07:47 > 0:07:50OK. I'll see you in about 20 minutes.

0:07:50 > 0:07:52I'll come through the back way.

0:07:52 > 0:07:56Duh. Because I don't want anybody to know we're seeing each other.

0:07:56 > 0:07:59OK. I'll see you soon.

0:08:30 > 0:08:35- Ah, the Osbournes.- Hi, Moz. Sorry.- Cartoon Head, Judith.

0:08:35 > 0:08:36MOBILE BEEPS

0:08:40 > 0:08:42Do you have to go right now?

0:08:42 > 0:08:44I'll see you at tea time.

0:08:44 > 0:08:47How about honey-roast squid?

0:08:47 > 0:08:49Bye, then. Enjoy your tentacles.

0:09:21 > 0:09:26So, looks like me and me ex are goin' head-to-head in the marketplace.

0:09:26 > 0:09:29Cartoon Head says Nicki's very business-minded.

0:09:29 > 0:09:31The gang's never been more organised.

0:09:31 > 0:09:36I keep expecting Psycho Paul and CH to turn up with laminated name tags.

0:09:36 > 0:09:40Cartoon Head's frightened about something. He keeps talking in his sleep.

0:09:40 > 0:09:42He's probably frightened of the Red Mist.

0:09:44 > 0:09:47The Red Mist? That's a myth.

0:09:48 > 0:09:54Carrot and cranberry breath-freshener that makes your tongue fall out? Of course it's a myth.

0:09:54 > 0:09:55They're a deadly gang of gingers.

0:09:55 > 0:09:59If you ask me, he does well to be frightened.

0:09:59 > 0:10:02There were a big gang over Wythenshawe.

0:10:02 > 0:10:04Called themselves The Kingsized Microbes.

0:10:04 > 0:10:10In the last week, all five of 'em 'have died under Red Mist-erious circumstances.

0:10:10 > 0:10:13One fell and broke his neck in the shower,

0:10:13 > 0:10:16one drowned in the canal,

0:10:16 > 0:10:21one died of a gas leak at his house, one was killed in a hit-and-run.

0:10:21 > 0:10:28And one was found with his head cut off and 32 Kit Kats stuffed in his neck stump.

0:10:28 > 0:10:31And we're talking about the Chunky Kit Kats.

0:10:31 > 0:10:34Is that a Red Mist trademark?

0:10:34 > 0:10:35The Kit Kat thing?

0:10:35 > 0:10:37I don't know.

0:10:37 > 0:10:39Might be.

0:10:39 > 0:10:46But combine it with the four other deaths and to me it says Red Mist.

0:10:46 > 0:10:49If was just a solo decapitation and Kit-Katting

0:10:49 > 0:10:54it wouldn't be particularly suspicious, but, y'know...

0:10:54 > 0:10:56What a world to bring a child into.

0:10:58 > 0:11:01How is young master Plastic Face?

0:11:01 > 0:11:05Breast feeding's been difficult. And he doesn't seem to need any sleep.

0:11:05 > 0:11:07Sometimes it feels like he's in charge.

0:11:07 > 0:11:09Whaaa.

0:11:09 > 0:11:12Sorry.

0:11:28 > 0:11:31MUFFLED MOANS

0:11:39 > 0:11:41Do you want another coffee?

0:11:41 > 0:11:43Oh, yes, thank you. Sorry.

0:11:43 > 0:11:45I apologise about the noise.

0:11:45 > 0:11:49I think we might have an infestation of sex mice.

0:11:49 > 0:11:53It can be quite romantic.

0:11:53 > 0:11:56Last night all three of us came at the same time.

0:11:56 > 0:12:00- Is it, erm... Is it Nicki? - I wouldn't say so.

0:12:00 > 0:12:06No, from memory, Nicki sounds more like a pigeon that's slightly out of breath.

0:12:07 > 0:12:13- I'd guess it's Nicki's sister, Jess.- Oh. Right.

0:12:13 > 0:12:16She's just moved to Manchester.

0:12:16 > 0:12:19Sounds like she's happy here.

0:12:19 > 0:12:20I used to be happy.

0:12:20 > 0:12:24Cartoon Head used to make me very happy.

0:12:24 > 0:12:26- THAT happy?- Yeah! Sorry.

0:12:28 > 0:12:30Is everything not so good, then?

0:12:30 > 0:12:32I don't know who she is,

0:12:32 > 0:12:34but he's been having another affair.

0:12:34 > 0:12:36How can you be sure?

0:12:36 > 0:12:37He told me he was.

0:12:37 > 0:12:42Then he gave me a schedule showing me the nights he was going to be sleeping with her.

0:12:42 > 0:12:44Right. It's probably...

0:12:44 > 0:12:47I mean, you're probably... I mean...

0:12:49 > 0:12:51I'm trying to put a positive spin on that.

0:12:51 > 0:12:53- But...y'know.- I know.

0:12:55 > 0:12:57I'll get them coffees.

0:12:57 > 0:12:58Thanks.

0:13:02 > 0:13:03PLASTIC FACE GURGLES

0:13:03 > 0:13:05What?

0:13:07 > 0:13:10What? Do you mean...

0:13:14 > 0:13:18No. No, no, Plastic Face, I won't.

0:13:29 > 0:13:31Please...

0:13:35 > 0:13:37Here you go.

0:13:37 > 0:13:40- You don't take sugar, do you?- No, thank you.

0:13:40 > 0:13:44What am I doing leaving scissors out when there's a baby present?

0:13:46 > 0:13:49MUFFLED SCREAMS/SPRINGS SQUEAKING

0:13:49 > 0:13:53SILENCE

0:13:54 > 0:13:58MUFFLED MOANS/SQUEAKING

0:14:03 > 0:14:08I've never met anybody like you before. You really know what a woman needs, don't you?

0:14:10 > 0:14:13What about your girlfriend? Do you know what she needs?

0:14:16 > 0:14:19Oh, well. I don't suppose she'll be around forever.

0:14:25 > 0:14:28- We've come outside! - And we can talk!

0:14:28 > 0:14:32# Inside my face You can't see me blinking

0:14:32 > 0:14:36# Inside my face Inside my face

0:14:36 > 0:14:40# Inside my face I do all of my thinking

0:14:40 > 0:14:46# Inside my face Inside my, inside my face... #

0:14:46 > 0:14:50'We've Come Outside And We Can Talk - The debut album from The Cosmonauts Three.

0:14:50 > 0:14:52- KNOCK ON DOOR - 'Includes the single Inside My F...'

0:14:54 > 0:14:59- Hi, hi.- I'm looking for Carmel. - You've come to the right place.

0:15:06 > 0:15:10It's 50 quid for half an hour, 100 for an hour.

0:15:10 > 0:15:13You can negotiate if it's, er...

0:15:13 > 0:15:15- longer.- Just let me see her.

0:15:15 > 0:15:18Certainly. Carmel?

0:15:22 > 0:15:24- Enrique.- Si.

0:15:26 > 0:15:29It's OK, Brian, you can go out for five minutes.

0:15:29 > 0:15:31As you wish, senorita.

0:15:34 > 0:15:36Have a jolly finish.

0:15:40 > 0:15:42I heard you were back in business.

0:15:42 > 0:15:44- Business is good. - Is he your manager?

0:15:44 > 0:15:47Or your fairy godmother?

0:15:47 > 0:15:50He's a friend. I can manage myself.

0:15:52 > 0:15:53Is that a fact?

0:15:58 > 0:16:03What say, you let me take care of your business. Huh?

0:16:03 > 0:16:06You and me? We were a great team.

0:16:06 > 0:16:09- In seriously?- Sure.

0:16:09 > 0:16:11It could be like the good old days.

0:16:15 > 0:16:18The old days were not good.

0:16:18 > 0:16:20They were shit.

0:16:20 > 0:16:24The new days, without you, have been good.

0:16:35 > 0:16:38HE COUGHS

0:16:42 > 0:16:44So, you over Carmel yet?

0:16:44 > 0:16:47No. I've no intention of getting over her.

0:16:47 > 0:16:51Anyway, there's no need for me to get over her, cos we'll be back together soon.

0:16:51 > 0:16:56- You've been saying that for months. Where's yer evidence? - I can see it in her eye.

0:16:56 > 0:17:00- When she's telling you to fuck off? - We're destined to be together forever.

0:17:00 > 0:17:02Like...

0:17:02 > 0:17:06- Jordan and Peter Andre. - They're not together!

0:17:06 > 0:17:09So why do they keep renewing their marriage vows, then?

0:17:09 > 0:17:10Col, you've got to move on.

0:17:10 > 0:17:13I've moved on. I've moved forward.

0:17:13 > 0:17:16What? So you've moved forward by going back to being a dealer?

0:17:18 > 0:17:22- Yeah.- I get it. Life is a ring.

0:17:22 > 0:17:24You're a ring.

0:17:24 > 0:17:30I just wish I didn't know that she was across your landing having sex with a parade of strangers.

0:17:30 > 0:17:33You do tend to get that with a prostitute.

0:17:33 > 0:17:35I just...

0:17:35 > 0:17:38I just feel like I really need to...

0:17:38 > 0:17:39protect her.

0:17:39 > 0:17:42Didn't I take good care of you?

0:17:43 > 0:17:46No. You didn't.

0:17:46 > 0:17:50You stole money from me, you crashed my car

0:17:50 > 0:17:54and you tried to drown me in a foot spa.

0:17:54 > 0:17:56So goodbye.

0:17:59 > 0:18:01Carmel, you'll regret this.

0:18:01 > 0:18:03I don't think so.

0:18:03 > 0:18:05Now, please go.

0:18:05 > 0:18:08A Place In The Sun is about to commence.

0:19:18 > 0:19:21You are going to die the worst possible gay death.

0:19:21 > 0:19:25This is going to be a walk in the park.

0:19:30 > 0:19:32Oh! Ain't he scary?

0:19:32 > 0:19:35Bastardo!

0:19:35 > 0:19:39- We've killed a man. I remember reading that's bad luck.- He's not dead.

0:19:39 > 0:19:41Quick, we've got to tie him up!

0:19:55 > 0:19:56Puta!

0:20:00 > 0:20:06- Eat her shorts. Normally we'd charge for that. - We have to get rid of him.

0:20:06 > 0:20:10- Don't worry. We will.- We can't have a man bound and gagged in here.

0:20:10 > 0:20:12It will upset the customers.

0:20:12 > 0:20:13Well, not all of them. But some of them.

0:20:15 > 0:20:18BREATHLESSLY: Hi, hi. It's Brian.

0:20:18 > 0:20:20No, I've not been wanking.

0:20:20 > 0:20:22Listen, you've got to come round.

0:20:22 > 0:20:26- I've got some very nice skunk at the moment.- No, ta, Moz, I'm sorted.

0:20:26 > 0:20:28What do you mean, you're sorted?

0:20:28 > 0:20:30I got an eighth of weed off Nicki.

0:20:30 > 0:20:32What?

0:20:32 > 0:20:33Why didn't you buy off me?

0:20:33 > 0:20:36I'll buy off you next time.

0:20:36 > 0:20:38- I'm your mate.- You're both me mates.

0:20:38 > 0:20:41I'll buy off you next time.

0:20:41 > 0:20:46But surely the man/man mate link is stronger than the man/woman mate link.

0:20:46 > 0:20:49I will buy off you next time.

0:20:56 > 0:20:58You're not going to make me feel guilty.

0:20:58 > 0:20:59KNOCK ON DOOR

0:21:01 > 0:21:05Do you want to get that? Or should I buttle?

0:21:05 > 0:21:09You buttle. I think you owe me that much at least.

0:21:13 > 0:21:15Unbelievable behaviour.

0:21:15 > 0:21:17I'll buy off you next time!

0:21:18 > 0:21:20A'right, feller. How's it going?

0:21:20 > 0:21:23- I think I'm about to be thrown into the sarlacc pit.- Eh?

0:21:23 > 0:21:26I've just made Jabba angry. "Ooh, ooh, ooh, ohh."

0:21:26 > 0:21:27Ah.

0:21:41 > 0:21:44The Red Mist is closing in.

0:21:44 > 0:21:46What do you mean?

0:21:46 > 0:21:49They're taking over the whole city, Nicki.

0:21:49 > 0:21:52Absorbing everything.

0:21:52 > 0:21:58All the big dealing set-ups, all the protection rackets, the NCP on Chorlton Street.

0:21:58 > 0:22:00Everythi-i-i-ing.

0:22:00 > 0:22:04Most of the big gangland bosses have been killed to death.

0:22:04 > 0:22:07- It'll be you next.- But...

0:22:07 > 0:22:10But I'm...a girl.

0:22:10 > 0:22:13Cartoon Head has been banging on about how you've made yourself very visible,

0:22:13 > 0:22:15having all these people working for you.

0:22:15 > 0:22:18But I've only been dealing for eight months.

0:22:18 > 0:22:21Moz has been at it so long he's eligible for a carriage clock!

0:22:21 > 0:22:24But he's just a one-man operation.

0:22:24 > 0:22:28Yeah, Morris probably doesn't show up on their radar.

0:22:28 > 0:22:31They've got a radar?

0:22:31 > 0:22:33Wow.

0:22:33 > 0:22:39- They are so cool.- But what if we put Moz on their radar?

0:22:39 > 0:22:44What if the Red Mist thought that Moz was the boss of our whole operation

0:22:44 > 0:22:47and we were just minions?

0:22:47 > 0:22:53- Then they'd take him out and leave us alone.- Exactly.

0:22:53 > 0:22:57- But he's your ex.- The perfect crime.

0:23:03 > 0:23:05Couple of weight of pollen.

0:23:05 > 0:23:09Very nice stuff. Just smoked a Yul Brynner in me Panda.

0:23:09 > 0:23:15We'll, I'll try and sell it, but business is definitely slacking off.

0:23:15 > 0:23:19- Really? - When I started dealing again, I thought I'd be coining it in.

0:23:19 > 0:23:25- But, turns out me profit margins are being nibbled to death by bleeding Walmart next door.- Nicki?

0:23:25 > 0:23:27She's undercutting me.

0:23:27 > 0:23:29She's stealing me customers.

0:23:29 > 0:23:32I will buy off you next time.

0:23:32 > 0:23:36You know she's got a hydroponics set up at this house in Broadbottom?

0:23:36 > 0:23:40Proper ganja factory. About 300 plants.

0:23:40 > 0:23:47What chance does a humble tradesman like myself have against a... a multinational!?

0:23:47 > 0:23:49Hey.

0:23:49 > 0:23:51I could always bust her.

0:23:56 > 0:23:58Hey, you could, couldn't you?

0:24:00 > 0:24:04Well, that'd be a bit...mean.

0:24:04 > 0:24:06The police are supposed to be mean.

0:24:06 > 0:24:09Listen, fella, there's no way you and me are ever going to make any

0:24:09 > 0:24:12real money out of this as long as Nicki's still in business.

0:24:12 > 0:24:15I couldn't bust her personally, like.

0:24:15 > 0:24:19- But you could get some people with your fashion sense to bust her. - Oh, easily. Yeah.

0:24:19 > 0:24:23- But she's your ex.- I know.

0:24:23 > 0:24:25And she's your ex, an' all.

0:24:25 > 0:24:27- I know.- Oh, I see.

0:24:27 > 0:24:30You've both shagged her, so now you're going to shaft her?

0:24:30 > 0:24:32Perfect crime.

0:24:35 > 0:24:37How did you meet this charmer, then?

0:24:39 > 0:24:42Mm. I can't remember.

0:24:42 > 0:24:45- Did we meet through Carolina? - HE MUMBLES

0:24:45 > 0:24:48- Ah! Was it through Leonor? - HE MUMBLES

0:24:48 > 0:24:50Oh.

0:24:51 > 0:24:57Ah! I remember, Marc introduced you to me at Suzy and Aldo's wedding reception. Remember?

0:24:57 > 0:24:59HE MUMBLES

0:24:59 > 0:25:02Must be lovely for you two to have a little catch-up.

0:25:02 > 0:25:03KNOCK ON DOOR

0:25:04 > 0:25:07Hi, hi. Thanks for comin'.

0:25:07 > 0:25:11- What you been up to?- I ain't sayin'.

0:25:14 > 0:25:17Carmel, this is Blackball.

0:25:17 > 0:25:19Hi.

0:25:19 > 0:25:22So, are you the kind of guy who can help us get rid of this bastard?

0:25:22 > 0:25:26- And teach him a lesson?- Huh?

0:25:26 > 0:25:29Hang on, what's this about lessons being taught?

0:25:29 > 0:25:34I don't mind you driving him out to a roundabout near Chorley and abandoning him.

0:25:34 > 0:25:39- Like you would an ugly kitten. - I don't want this bastard back in my life again.

0:25:39 > 0:25:41Ever.

0:25:41 > 0:25:44Can you make this happen?

0:25:48 > 0:25:50What you going to do to him?

0:25:50 > 0:25:51I ain't sayin'.

0:26:00 > 0:26:02I owe you one.

0:26:17 > 0:26:19Thanks.

0:26:22 > 0:26:25A'right, Blackball?

0:26:25 > 0:26:29How's it going, feller? I ain't seen you since you left the force.

0:26:29 > 0:26:32Having a spot of bother?

0:26:32 > 0:26:34He just tried to kill me.

0:26:34 > 0:26:36Did he? Let me at him!

0:26:38 > 0:26:40I handled it.

0:26:40 > 0:26:41We both handled it.

0:26:41 > 0:26:44I was actually very Bruce Willis about the whole thing.

0:26:44 > 0:26:46All right, Die Soft.

0:26:46 > 0:26:49Do you want me to give you a hand?

0:26:49 > 0:26:51Come on, you, you little tinker.

0:26:51 > 0:26:53You're coming with us.

0:26:53 > 0:26:55- Where we going?- I ain't sayin'.

0:26:57 > 0:26:58You can keep the boa!

0:27:00 > 0:27:02Everything is fine.

0:27:02 > 0:27:05We should probably get back to work.

0:27:05 > 0:27:08Sure. Goodbye, Moz.

0:27:08 > 0:27:11Goodbye, Colin.

0:27:17 > 0:27:20Come on, mate. It could be worse.

0:27:20 > 0:27:23- How?- Lets see who can come up with the worst possible thing

0:27:23 > 0:27:26that could be happening, then we'll be glad it's not happening.

0:27:26 > 0:27:28I'm upset.

0:27:28 > 0:27:32- I know what'd cheer you up. - What?- Buying some weed.

0:27:32 > 0:27:34Off ME.

0:27:36 > 0:27:37These are the times of exile.

0:27:37 > 0:27:40She's going to be engulfed by a Red Mist.

0:27:40 > 0:27:41Are you saying murdered?

0:27:41 > 0:27:46- Who says I'm going to die first? - I love hallucinating, I just don't like seeing stuff that isn't there.

0:27:46 > 0:27:48She...is...gorgeous.

0:27:48 > 0:27:51You are pretty fucking real, Moz.

0:27:51 > 0:27:54- I am going to die on Friday. - No compromi-i-i-ise.