0:00:02 > 0:00:09This programme contains scenes which some viewers may find disturbing.
0:00:09 > 0:00:11BIRD SQUAWKS
0:00:22 > 0:00:24Well, well...
0:00:24 > 0:00:26"Make yourself comfortable"?
0:00:28 > 0:00:30Is that supposed to be funny?
0:00:32 > 0:00:34BIRD SQUAWKS
0:00:36 > 0:00:38Oh...
0:00:38 > 0:00:40Hello.
0:00:40 > 0:00:42Are you all right?
0:00:42 > 0:00:45Don't mind me, I'm just being nosy.
0:00:45 > 0:00:48What do you reckon, eh? HE CHUCKLES
0:00:48 > 0:00:50I'm, erm... I'm working tonight.
0:00:50 > 0:00:52I'm a... I'm a chaperone.
0:00:52 > 0:00:55I don't know good art from a good fart, me! Ha-ha!
0:00:55 > 0:00:57Yeah, in't it?
0:00:57 > 0:01:00I'm Neil. I'm assisting one of the guests when they arrive.
0:01:00 > 0:01:01It's not you, is it?
0:01:01 > 0:01:04Visually impaired, yeah,
0:01:04 > 0:01:06and that's a good thing in here, what do you reckon?
0:01:06 > 0:01:08Have you seen the state of this thing?
0:01:08 > 0:01:09What's all that about, eh?
0:01:09 > 0:01:11Argh! FLESH SQUELCHES
0:01:14 > 0:01:15I've spilt me Ritz...
0:01:27 > 0:01:29BIRD SQUAWKS
0:01:33 > 0:01:36LIFT CLICKS AND WHIRS
0:01:51 > 0:01:57Excuse me, is this the private view for Fragments by Elliot Quinn?
0:01:57 > 0:01:59I don't know.
0:01:59 > 0:02:01If only there was a way of finding out(!)
0:02:03 > 0:02:06Oh, my God! It says it right there, doesn't it?
0:02:06 > 0:02:07What am I like?
0:02:07 > 0:02:11Would you like a glass of champagne, madam?
0:02:11 > 0:02:12I'll just have the one,
0:02:12 > 0:02:15cos I've got another opening to go to after this.
0:02:15 > 0:02:17I'm never usually the first to arrive.
0:02:17 > 0:02:19You're not. Someone else already went through.
0:02:19 > 0:02:22Oh, is it another celeb? Cos I might know them.
0:02:22 > 0:02:26Another celeb? The implication being...
0:02:26 > 0:02:28Yes, it is me -
0:02:28 > 0:02:31Carrie from BB8.
0:02:31 > 0:02:33Will there be any photographers coming, do you know?
0:02:33 > 0:02:36(No idea.)
0:02:36 > 0:02:37I don't mind.
0:02:37 > 0:02:39Although, I once got papped at a Narnia premiere
0:02:39 > 0:02:41with a massive sweat patch under my arm.
0:02:41 > 0:02:44I thought, "OMG, that's going straight into Heat magazine -
0:02:44 > 0:02:46"Circle Of Shame."
0:02:46 > 0:02:47They never used it, though.
0:02:47 > 0:02:49That is a shame(!)
0:02:55 > 0:02:57Ooh...
0:02:57 > 0:02:59LIFT CLICKS AND WHIRS
0:03:10 > 0:03:12Good evening.
0:03:12 > 0:03:13Maurice Wickham.
0:03:15 > 0:03:17You don't need to see my stiffie?
0:03:17 > 0:03:19I certainly don't.
0:03:19 > 0:03:21Well, I'll help myself to one of these, then, shall I?
0:03:21 > 0:03:24I've only got two hands.
0:03:24 > 0:03:26Two of everything, by the look of it.
0:03:26 > 0:03:28Don't bother, Grandad. I'm out of here in three hours.
0:03:28 > 0:03:30Well, at least you're keen.
0:03:30 > 0:03:32Are you an art lover?
0:03:32 > 0:03:34Nope.
0:03:34 > 0:03:35And yet you have...
0:03:35 > 0:03:37Tits?
0:03:37 > 0:03:41Tattoos. Body art is still art, after all.
0:03:41 > 0:03:43Yeah, and it's not for sale,
0:03:43 > 0:03:46so you can keep your little red dot away from me.
0:03:47 > 0:03:49Thanks for the drink.
0:03:50 > 0:03:52LIFT CLICKS
0:03:52 > 0:03:54- You're not...- I am, yeah.
0:03:54 > 0:03:56- WOMAN LAUGHS - You're not...
0:03:56 > 0:03:57Oh, that is classic.
0:03:57 > 0:03:59Oh, good God, that is classic.
0:03:59 > 0:04:00You'll never guess what his name is.
0:04:00 > 0:04:01Rumpelstiltskin?
0:04:01 > 0:04:04No. No, no. Go on, go on, go on, tell her.
0:04:04 > 0:04:05Kenneth Williams.
0:04:08 > 0:04:11Do you know, he has never seen any of the Carry On films?
0:04:11 > 0:04:12Really?
0:04:12 > 0:04:15Yeah, I don't watch comedy - got no interest in it -
0:04:15 > 0:04:18and, from a health and safety perspective, most of it's a joke.
0:04:18 > 0:04:21We... We're not together, you know, by the way. We just...
0:04:21 > 0:04:24- PHONE BEEPS - We just met in the lift on the way down, didn't we?
0:04:24 > 0:04:26Mm, yeah, erm, there's no signal down here, is there?
0:04:26 > 0:04:28No, because we're in a basement.
0:04:28 > 0:04:30No, it's because the arsehole contractors can't be bothered
0:04:30 > 0:04:32putting a signal booster in the Cat-5 webbing.
0:04:32 > 0:04:34Pisses me off!
0:04:35 > 0:04:37Well, he's a laugh a minute(!)
0:04:40 > 0:04:41Oh, right, thanks. Cheers.
0:04:43 > 0:04:45EERIE VOICES WHISPER
0:04:52 > 0:04:56Is there, like, a set amount of time you're meant to look at each thing
0:04:56 > 0:04:57before you move on?
0:04:59 > 0:05:00Not necessarily.
0:05:00 > 0:05:03It depends on the piece and what it says to you.
0:05:03 > 0:05:07For example, what this piece is saying to me is...
0:05:08 > 0:05:10..gas explosion at Debenhams.
0:05:11 > 0:05:14Right.
0:05:14 > 0:05:17And do you know all this cos you teach art in a collage?
0:05:20 > 0:05:21No. No, no.
0:05:21 > 0:05:24I teach art in a college,
0:05:24 > 0:05:27but one of the disciplines in art is collage -
0:05:27 > 0:05:32the assemblage of disparate elements which together create a new whole.
0:05:33 > 0:05:35Oh, that is like me with my chillies.
0:05:35 > 0:05:37I chuck everything in.
0:05:37 > 0:05:39I'm known for it.
0:05:39 > 0:05:41On BB8 I put bananas in,
0:05:41 > 0:05:45and on BB-BOTS they were all like, "What is she like?!"
0:05:45 > 0:05:48I'm sorry, you've lost me. What's BB8?
0:05:48 > 0:05:51Big Brother 8 - I was one of the contestants.
0:05:51 > 0:05:54It was the year when Trevor and Viveca had the row about
0:05:54 > 0:05:58the rice cakes and had sex in the secret bunker.
0:05:58 > 0:06:00Oh, well, I didn't see it, I'm afraid.
0:06:00 > 0:06:03Oh, you should. It's a classic year.
0:06:03 > 0:06:04I got down to the last six.
0:06:04 > 0:06:07- LIFT CLANKS - Hello!
0:06:07 > 0:06:11Is someone there?
0:06:11 > 0:06:14Can I have some assistance, please?
0:06:14 > 0:06:17I'm visually impaired.
0:06:17 > 0:06:19Yes?
0:06:19 > 0:06:21Are you all right? Do you need a hand?
0:06:21 > 0:06:24They said someone would be here to meet me, is that you?
0:06:24 > 0:06:25No, there's a man here - I'll take you to him.
0:06:25 > 0:06:28Oh, are you blind?
0:06:28 > 0:06:29What?
0:06:29 > 0:06:32I take your arm - you do not take mine.
0:06:32 > 0:06:34Jesus. At £8 an hour, is it worth it?
0:06:34 > 0:06:37I'd like a drink first, if that's not too much trouble.
0:06:37 > 0:06:38Course.
0:06:40 > 0:06:44Hey, Kenneth. I think I've seen it all now.
0:06:44 > 0:06:45Look over there.
0:06:46 > 0:06:48Unbelievable.
0:06:48 > 0:06:52I don't want to be funny, but what is she going to get out of it?
0:06:52 > 0:06:54Perhaps she's going to feel her way round.
0:06:54 > 0:06:57No, galleries do that now, you know - touch tours.
0:06:57 > 0:07:00And don't get me started on ramps.
0:07:00 > 0:07:02Well, she'll have no trouble smelling them -
0:07:02 > 0:07:05- they are crap. - HE SNORTS AND CHUCKLES
0:07:11 > 0:07:13METAL SCREECHING
0:07:17 > 0:07:19MACHINE HUMS
0:07:24 > 0:07:26Welcome, everybody.
0:07:26 > 0:07:28Welcome to my exhibition.
0:07:29 > 0:07:33I'm Elliot Quinn, and three years ago, I died.
0:07:34 > 0:07:36Don't be alarmed.
0:07:36 > 0:07:38I knew it was going to happen,
0:07:38 > 0:07:42and it made me think about my life and my work
0:07:42 > 0:07:44and how I wanted to be remembered,
0:07:44 > 0:07:47so I set about creating this installation.
0:07:49 > 0:07:54"Fragments" is an immersive work that seeks to answer those
0:07:54 > 0:07:55big important questions -
0:07:55 > 0:07:59"Who are we?", "How did we come to be here?",
0:07:59 > 0:08:04and, "If all the world's a stage, then where does the audience sit?"
0:08:04 > 0:08:09All of you have been hand-picked to attend this evening.
0:08:09 > 0:08:12It's a very exclusive private view.
0:08:13 > 0:08:16I hope, by the end, you know why.
0:08:16 > 0:08:17Enjoy.
0:08:17 > 0:08:19MACHINE WHIRS
0:08:21 > 0:08:24Hang on a minute. So, Elliot Quim is dead?
0:08:24 > 0:08:26- Quinn. - That's what he said.
0:08:26 > 0:08:28I wanted to meet him.
0:08:28 > 0:08:30We've got space for a mural at that pocket park in Goole Street,
0:08:30 > 0:08:32and I wanted to get a freebie.
0:08:32 > 0:08:35Sorry, I work for the council - Kenneth Williams.
0:08:35 > 0:08:37Oh, my God! I've heard of you.
0:08:37 > 0:08:38Are you famous?
0:08:38 > 0:08:40- AS KENNETH WILLIAMS:- Ooh, Matron!
0:08:40 > 0:08:42Yeah, yeah. I've heard it all before.
0:08:42 > 0:08:44"Frying tonight." "Stop messing about."
0:08:44 > 0:08:46No, I'm not that Kenneth Williams.
0:08:46 > 0:08:48I'm not famous.
0:08:48 > 0:08:51I'm Mr Dull Boring Ordinary Health-and-Safety Nobody.
0:08:51 > 0:08:54Oh, but, I bet, underneath it all, when people get to know you,
0:08:54 > 0:08:57you're a really interesting character.
0:08:57 > 0:08:59No.
0:08:59 > 0:09:00No, I'm not.
0:09:02 > 0:09:03I'll just go and get a top-up.
0:09:07 > 0:09:10Sorry, sir, you're not allowed to smoke down here.
0:09:10 > 0:09:11It's battery.
0:09:11 > 0:09:15Under UK law, I'm permitted to use it in any public space that
0:09:15 > 0:09:17has not been fitted with a vape alarm.
0:09:17 > 0:09:20Oh, I had one of them, but it kept on going off in Argos.
0:09:20 > 0:09:23Excuse me, I seem to have been parked here.
0:09:23 > 0:09:25I was promised a drink at some point -
0:09:25 > 0:09:27I presumed they meant the same evening.
0:09:27 > 0:09:28Yeah, won't be a sec.
0:09:28 > 0:09:31Here, you can have mine. I'm not really enjoying it.
0:09:31 > 0:09:34It just creases me up, champagne. It really burns.
0:09:34 > 0:09:35Thank you.
0:09:35 > 0:09:38- MAURICE:- Why have we all been "hand-picked", do you think?
0:09:38 > 0:09:40We none of us know each other.
0:09:40 > 0:09:42It appears we have very little in common...
0:09:42 > 0:09:44Well, I'd never heard of this Elliot Quinn till I got the invite.
0:09:44 > 0:09:46I don't know anything about art.
0:09:46 > 0:09:48Well, my neighbour does have a Citroen Picasso.
0:09:48 > 0:09:52The name rings a bell. Has he ever brought out a book?
0:09:52 > 0:09:53My neighbour?
0:09:53 > 0:09:56Elliot Quinn. I'm in publishing, perhaps that's the connection.
0:09:56 > 0:09:58Judging by the first few pieces,
0:09:58 > 0:10:01perhaps it's some form of endurance test.
0:10:01 > 0:10:03See you at the other end.
0:10:06 > 0:10:09Why don't you and I chum up?
0:10:09 > 0:10:13You see, I had a great aunt, and she was blind,
0:10:13 > 0:10:14so I know what I'm doing.
0:10:14 > 0:10:18I'm not blind - I'm visually impaired.
0:10:20 > 0:10:22Oh, she's gone.
0:10:22 > 0:10:24Right, well, I'm just going to have a look round -
0:10:24 > 0:10:26see if I can spot any fire hazards.
0:10:26 > 0:10:27Sounds like fun(!)
0:10:27 > 0:10:30There's nothing funny about being trapped in a fire, Miss.
0:10:30 > 0:10:31I know there isn't.
0:10:34 > 0:10:36Right, well, I'm just going to and, erm...
0:10:36 > 0:10:38Carry on?
0:10:38 > 0:10:39Yeah.
0:10:39 > 0:10:41BIRD SQUAWKS
0:10:50 > 0:10:52SQUAWKING CONTINUES
0:10:54 > 0:10:56THUNDER RUMBLES
0:11:00 > 0:11:02BIRD SQUAWKS
0:11:08 > 0:11:10FLY BUZZES
0:11:16 > 0:11:17Creepy!
0:11:17 > 0:11:19Oh, my God!
0:11:19 > 0:11:20You made me jump.
0:11:20 > 0:11:22A bit derivative of Ron Mueck,
0:11:22 > 0:11:25but I like the idea of a blood mirror.
0:11:25 > 0:11:28A little like Wilson's oil at the Saatchi.
0:11:28 > 0:11:31- It's horrible. What's it called? - BIRD SQUAWKS
0:11:31 > 0:11:34He's got a thing round his neck...
0:11:34 > 0:11:36No, I wouldn't touch the exhibit if I were you.
0:11:36 > 0:11:38BIRD SQUAWKS
0:11:45 > 0:11:47SHE SCREAMS
0:11:47 > 0:11:49Good God!
0:11:49 > 0:11:51He's been stabbed!
0:11:51 > 0:11:52All right...
0:11:52 > 0:11:54This could be part of the installation.
0:11:57 > 0:12:00Come on, old chap! Get up!
0:12:00 > 0:12:02You've got to reset for the next lot coming in.
0:12:02 > 0:12:06Stop kicking him, he's dead! He's a big, fat, dead man!
0:12:06 > 0:12:09Jesus Christ! What's going on here?
0:12:09 > 0:12:12Oh, he was just sitting there. I thought he was a dummy.
0:12:12 > 0:12:16- SHE PANTS - I can't be here. I cannot be here!
0:12:16 > 0:12:19I'm meant to be at Edwina Currie's perfume launch at 9 o'clock.
0:12:19 > 0:12:21I think they'll want to interview you.
0:12:21 > 0:12:22I know, for Grazia.
0:12:22 > 0:12:25I meant the police.
0:12:25 > 0:12:26I haven't done anything!
0:12:26 > 0:12:27Here's a good one, now, Pat.
0:12:27 > 0:12:29Look there, because they're all gathered round.
0:12:29 > 0:12:31- It's Patricia!- Right.
0:12:31 > 0:12:34And why do I smell blood?
0:12:34 > 0:12:36There's been an incident, Miss.
0:12:36 > 0:12:37Does anyone know where I can find some cones?
0:12:37 > 0:12:39I need to ring-fence off this entire area.
0:12:39 > 0:12:41Why? What's happened?
0:12:41 > 0:12:44Oh, well, we're not sure, but it does look like foul play.
0:12:44 > 0:12:46Someone's been stabbed in the back -
0:12:46 > 0:12:48nothing new in the art world, of course.
0:12:48 > 0:12:50Who's been stabbed?
0:12:50 > 0:12:54Neil Francis. He's a...male nurse.
0:12:54 > 0:12:58Oh, we have a dinner lady at school who's a man.
0:12:58 > 0:12:59Right, well, there's no signal down here,
0:12:59 > 0:13:01not even for a triple-nine.
0:13:01 > 0:13:02I'm going to have to go upstairs.
0:13:02 > 0:13:04Miss, do you want to come with me?
0:13:04 > 0:13:07No, I'll wait here, and see no-one touches anything.
0:13:07 > 0:13:08Good call.
0:13:12 > 0:13:15You see, that's the trouble with these Andersons -
0:13:15 > 0:13:18if they get called by multiple users, the pull system freezes.
0:13:18 > 0:13:20Oh, right.
0:13:20 > 0:13:21Whatever.
0:13:21 > 0:13:23Could someone come and give me a hand, please?!
0:13:23 > 0:13:26I'm going to have to force this door!
0:13:26 > 0:13:27Yeah, I'm coming.
0:13:27 > 0:13:30I'm going to let go of your arm now, Patricia,
0:13:30 > 0:13:32but you'll be all right, because you'll be with, erm...
0:13:32 > 0:13:34- What's your name again, love? - Carrie.
0:13:34 > 0:13:36Carrie, like in the film.
0:13:36 > 0:13:38Yes, I'm not deaf!
0:13:38 > 0:13:43She is impartially sighted, but she doesn't have a blue badge.
0:13:43 > 0:13:45I won't be a sec.
0:13:45 > 0:13:47Carrie...
0:13:47 > 0:13:51Didn't your boob pop out in the Jacuzzi?
0:13:51 > 0:13:52Sorry?
0:13:52 > 0:13:53Big Brother 8.
0:13:55 > 0:13:56Yes...
0:13:57 > 0:14:01GRUNTING That's it, now. That's it!
0:14:01 > 0:14:03It was just after my op.
0:14:03 > 0:14:08I had 20-20 vision for a year before it failed again.
0:14:08 > 0:14:13Well, it's just so lucky that my boob managed to fall into that...
0:14:13 > 0:14:14little chink.
0:14:14 > 0:14:16Yes.
0:14:16 > 0:14:18See if you can get your fingers in the crack.
0:14:18 > 0:14:20- SHE LAUGHS - Oh, Kenneth!
0:14:20 > 0:14:21That's a proper Carry On line!
0:14:21 > 0:14:24This is serious! I'm trying to get us out of here, OK?
0:14:24 > 0:14:26I'm sorry. You know, I... I think I must be in shock.
0:14:26 > 0:14:28It makes me go a bit daft.
0:14:28 > 0:14:31Here, use my phone - see if you can get it in for me.
0:14:31 > 0:14:35"Infamy! Infamy! They've all got it in..." I'm sorry!
0:14:35 > 0:14:41CORK POPS So, how many books have you actually written?
0:14:41 > 0:14:44I've done one a year for the past 15 years.
0:14:44 > 0:14:46God, so that's, like, 12 books.
0:14:46 > 0:14:49Hmm... Something like that, yes.
0:14:49 > 0:14:52The first few were pretty soft-core -
0:14:52 > 0:14:55swooning nurses, "the hardness in his breeches",
0:14:55 > 0:14:56that sort of thing -
0:14:56 > 0:15:00but, after that 50 Shades nonsense, I had to up my game.
0:15:00 > 0:15:03The scenarios became more and more outrageous -
0:15:03 > 0:15:07people having sex in the most extraordinary places.
0:15:07 > 0:15:09Like up the bum?
0:15:09 > 0:15:11I was thinking more of locations,
0:15:11 > 0:15:15but, yes, I have lowered myself once or twice.
0:15:15 > 0:15:17Yeah, that is the best way to do it -
0:15:17 > 0:15:19it doesn't hurt as much.
0:15:19 > 0:15:21That's it! HE GROANS
0:15:21 > 0:15:24Yeah, I can feel it coming...
0:15:24 > 0:15:26And pull!
0:15:26 > 0:15:28ELECTRICITY CRACKLES
0:15:32 > 0:15:34Jesus.
0:15:36 > 0:15:38SHE SCREAMS
0:15:40 > 0:15:42What's happening?
0:15:42 > 0:15:44Oh, my God. Not another one...
0:15:44 > 0:15:46What is it? What's happening?
0:15:46 > 0:15:48Well, it's just this lovely young waitress -
0:15:48 > 0:15:49she's just dead in the lift.
0:15:49 > 0:15:51This is too much of a coincidence.
0:15:51 > 0:15:53Who was the last person to see her?
0:15:53 > 0:15:54I was...
0:15:56 > 0:15:58..but I left her tidying up.
0:15:58 > 0:16:01Oh, come on, come on, come on. Why isn't it working?!
0:16:01 > 0:16:04I'm a celebrity, get me out of here!
0:16:04 > 0:16:06There's got to be a...a fire escape somewhere. Let me think.
0:16:06 > 0:16:08How did she die?
0:16:08 > 0:16:10Well, I'm not Murder She Wrote,
0:16:10 > 0:16:13but I would say she's been strangulated, wouldn't you?
0:16:13 > 0:16:15Right, I've got it. Erm, there should be a fire door
0:16:15 > 0:16:16that leads out onto Duke Street.
0:16:16 > 0:16:17I'll come with you, love,
0:16:17 > 0:16:19because I want to see the other rooms anyway.
0:16:19 > 0:16:21You know, I haven't been around it all yet.
0:16:21 > 0:16:23Keep an eye on her.
0:16:24 > 0:16:26I will.
0:16:29 > 0:16:32It's handy, you knowing your way around these buildings, isn't it?
0:16:32 > 0:16:34I can barely find my way around Asda.
0:16:34 > 0:16:36Yeah, well, it's my job.
0:16:36 > 0:16:39I am a dinner lady at St Michael's.
0:16:39 > 0:16:41"Chips or mash?" That's me.
0:16:41 > 0:16:43I love the kids, though.
0:16:43 > 0:16:45I don't want kids - too many hazards.
0:16:45 > 0:16:47I know, that is the worry. I could barely keep mine in one piece.
0:16:47 > 0:16:49No, I meant the kids are the hazards -
0:16:49 > 0:16:51look at Charlie And The Chocolate Factory.
0:16:51 > 0:16:53- Oh.- Jesus.
0:16:53 > 0:16:55There you are. Police on their way?
0:16:55 > 0:16:57No, we couldn't get out.
0:16:57 > 0:16:59- The lift was blocked. - Oh, for goodness' sake!
0:16:59 > 0:17:01Well, couldn't that waitress girl call the manager or something?
0:17:01 > 0:17:02She's dead.
0:17:04 > 0:17:07This is all a bit Agatha Christie, isn't it?
0:17:07 > 0:17:09None of us know each other,
0:17:09 > 0:17:11we've all been invited by somebody we've never met,
0:17:11 > 0:17:14and now it seems we're being picked off one by one.
0:17:14 > 0:17:16Oh, don't...
0:17:16 > 0:17:19It's just like Big Brother all over again.
0:17:19 > 0:17:21I hope I don't get booed when I leave.
0:17:21 > 0:17:23If you leave.
0:17:23 > 0:17:26At least this time I've made it to the final five.
0:17:26 > 0:17:29I once tried to write a murder mystery,
0:17:29 > 0:17:31but it's much harder than it seems.
0:17:31 > 0:17:35It's so easy to get oneself knee-deep in cliches.
0:17:35 > 0:17:38The trouble with the genre nowadays -
0:17:38 > 0:17:41too much murder, not enough mystery.
0:17:41 > 0:17:43SHE GAGS AND SMOKE HISSES
0:17:52 > 0:17:55CHAIN CLATTERS
0:17:55 > 0:17:57Chained from the outside.
0:17:57 > 0:17:59Illegal. I shall be reporting this!
0:17:59 > 0:18:00But how are we going to get out now?
0:18:00 > 0:18:04Surely we're like fish in a basket.
0:18:04 > 0:18:05Barrel.
0:18:05 > 0:18:07Sorry. I...I was thinking of scampi.
0:18:09 > 0:18:10Is anyone else hungry?
0:18:10 > 0:18:12We've got other things on our plate at the moment.
0:18:12 > 0:18:14Well, I don't have a plate, and that's what I'm saying -
0:18:14 > 0:18:15I thought there'd be nibbles.
0:18:15 > 0:18:17But, look, we are in an art installation
0:18:17 > 0:18:19surrounded by wire and metal -
0:18:19 > 0:18:23there has to be a pair of pliers or bolt-cutters around here somewhere!
0:18:23 > 0:18:27You know, I was in Homebase only this morning.
0:18:27 > 0:18:28Yes?
0:18:28 > 0:18:30No. I...I was in for a paint match.
0:18:30 > 0:18:34I just can't make up my mind between Elephant's Breath
0:18:34 > 0:18:35and Clown's Pocket.
0:18:36 > 0:18:37Clown's Pocket?!
0:18:37 > 0:18:40Right, can I just suggest we split up? It'll be quicker that way.
0:18:40 > 0:18:43Fine, well, let's meet back here in 15 minutes.
0:18:43 > 0:18:44No, no, no...
0:18:44 > 0:18:47It was Deep Cavern.
0:18:47 > 0:18:50And then, of course, they all split up,
0:18:50 > 0:18:53which is something you would never do in that situation,
0:18:53 > 0:18:56and, before you know it, there's another one gone.
0:18:58 > 0:19:00Are you still there, darling?
0:19:00 > 0:19:02I've not bored you to death, have I?
0:19:06 > 0:19:07Carrie?
0:19:07 > 0:19:09- SMOKE HISSES - Hello?
0:19:13 > 0:19:15Carrie?
0:19:15 > 0:19:18Carrie...
0:19:18 > 0:19:20Oh!
0:19:20 > 0:19:21Oh...
0:19:23 > 0:19:25Oh, dear God!
0:19:25 > 0:19:27Help!
0:19:27 > 0:19:29Someone, please!
0:19:29 > 0:19:32We need help!
0:19:32 > 0:19:34METAL CLATTERS
0:19:35 > 0:19:36Is someone there?
0:19:38 > 0:19:39Oh...
0:19:47 > 0:19:49Oh, oh...
0:19:51 > 0:19:52Oh...
0:20:07 > 0:20:08I'm sorry, that stinks.
0:20:24 > 0:20:26DOOR CREAKS
0:20:30 > 0:20:32FOOTSTEPS THUMP
0:21:12 > 0:21:14- ROBOT VOICE FROM PHONE: - Let me check that.
0:21:14 > 0:21:17Here's what I found on the web for "how to use a stiletto as a weapon".
0:21:21 > 0:21:22Is that you, Pat?
0:21:30 > 0:21:33Jesus Christ, not another one.
0:21:33 > 0:21:36It's worse than a public information film.
0:21:43 > 0:21:45METAL CLANGS
0:21:56 > 0:21:58SHE SCREAMS
0:22:09 > 0:22:11What is it? What's happened?
0:22:11 > 0:22:12It's in there.
0:22:12 > 0:22:14It's horrible.
0:22:14 > 0:22:17Well, flush it away!
0:22:17 > 0:22:20It's Pat. She's dead.
0:22:42 > 0:22:44Good God...
0:22:44 > 0:22:47What's happened to her eyes?
0:22:47 > 0:22:48What's going on?
0:22:48 > 0:22:50You don't want to know.
0:22:50 > 0:22:52It's Pat.
0:22:52 > 0:22:54SHE SOBS
0:22:54 > 0:22:57Let's get out of here. I found these, look!
0:23:00 > 0:23:03Whatever happens, stay close to me.
0:23:06 > 0:23:09Right, this should do it.
0:23:09 > 0:23:12I found these, by the way.
0:23:12 > 0:23:13They've got your name on.
0:23:13 > 0:23:16Oh, thank you. It's my...my heart medication.
0:23:16 > 0:23:18Heart medication?
0:23:18 > 0:23:20Tacrolimus, yes, it's an anti-rejection drug -
0:23:20 > 0:23:22I've had a heart transplant.
0:23:22 > 0:23:23When was this?
0:23:23 > 0:23:25Ah, three years ago now.
0:23:25 > 0:23:27I'm doing fine, touch wood.
0:23:27 > 0:23:29I had a lung transplant three years ago -
0:23:29 > 0:23:31it saved my life.
0:23:31 > 0:23:35And Patricia had her eyes done - two new Cornettos.
0:23:35 > 0:23:38That waitress, she had some kind of skin graft...
0:23:38 > 0:23:42Yes, well, let's get out of here first, and we can ponder that later.
0:23:42 > 0:23:43I've nearly got it!
0:23:45 > 0:23:48Oh, my God! He's got a heart condition!
0:23:48 > 0:23:51Those pills - I found them in Carrie's hand.
0:23:51 > 0:23:53She's dead as well.
0:23:54 > 0:23:56Oh, my goodness.
0:23:56 > 0:23:59We're all dropping like flies.
0:23:59 > 0:24:00That must be the link -
0:24:00 > 0:24:02we've all had some kind of transplant -
0:24:02 > 0:24:04but why would he want to kill us?
0:24:06 > 0:24:07What have we done wrong?
0:24:07 > 0:24:12Well, you shouldn't be smoking, Kenneth,
0:24:12 > 0:24:13for a start...
0:24:13 > 0:24:15HE GAGS
0:24:17 > 0:24:19MUFFLED SCREAMING
0:24:29 > 0:24:33And it made me think about my life and my work,
0:24:33 > 0:24:35and how I wanted to be remembered,
0:24:35 > 0:24:38so I set about creating this installation.
0:24:40 > 0:24:44"Fragments" is an immersive work that seeks to answer those
0:24:44 > 0:24:46big important questions -
0:24:46 > 0:24:50"Who are we?", "How did we come to be here?",
0:24:50 > 0:24:54and, "If all the world's a stage, then where does the audience sit?"
0:24:54 > 0:24:59All of you have been hand-picked to attend this evening.
0:24:59 > 0:25:02It's a very exclusive private view.
0:25:02 > 0:25:05I hope, by the end, you know why.
0:25:05 > 0:25:06Enjoy.
0:25:06 > 0:25:08SHE CHUCKLES
0:25:10 > 0:25:12SHE GROANS
0:25:20 > 0:25:22That was my son.
0:25:24 > 0:25:26He died three years ago of a brain tumour.
0:25:28 > 0:25:33Nothing else wrong with him apart from that,
0:25:33 > 0:25:37so he decided to donate himself -
0:25:37 > 0:25:40every organ -
0:25:40 > 0:25:44and he told me to keep tabs on all the people he helped,
0:25:44 > 0:25:48and to, erm, gather them together.
0:25:48 > 0:25:51You were to be the art -
0:25:51 > 0:25:55a living exhibition -
0:25:55 > 0:25:58a celebration of him,
0:25:58 > 0:26:04and how his life gave others a wonderful opportunity.
0:26:08 > 0:26:10But it didn't work out like that, did it?
0:26:12 > 0:26:14I don't know what you mean.
0:26:14 > 0:26:17You squandered him!
0:26:18 > 0:26:21He was wasted on all of you!
0:26:22 > 0:26:27Like this fat pig, Neil Francis -
0:26:27 > 0:26:31a new kidney, and still he gave himself diabetes by eating too much.
0:26:33 > 0:26:37And that waitress, she burnt her skin off in a fire
0:26:37 > 0:26:41she started herself in some pathetic attempt at attention-seeking.
0:26:41 > 0:26:44She had a piece of my son, and still she sullied his flesh
0:26:44 > 0:26:46with self-pitying tattoos.
0:26:46 > 0:26:48I don't understand...
0:26:48 > 0:26:52And then there's that talentless nonentity,
0:26:52 > 0:26:56just drinking like a fish in some television reality show,
0:26:56 > 0:26:59despite having my son's liver.
0:27:02 > 0:27:04And then there's Patricia,
0:27:04 > 0:27:07spending her days squinting at her pornographic writings
0:27:07 > 0:27:11through the corneas of my son's eyes.
0:27:11 > 0:27:13And there's Kenneth Williams -
0:27:13 > 0:27:14still smoking,
0:27:14 > 0:27:20despite having the gift of Elliot's right lung inside him.
0:27:21 > 0:27:23It was an e-cigarette.
0:27:24 > 0:27:25Still...
0:27:27 > 0:27:30And then there's you, Maurice.
0:27:30 > 0:27:33You were lucky enough to get my son's heart.
0:27:35 > 0:27:38Yes. Yes, and I've looked after it.
0:27:38 > 0:27:41I exercise, I watch what I eat...
0:27:41 > 0:27:45It still hasn't stopped you becoming a heartless critic, though, has it?
0:27:45 > 0:27:47Oh, that's a bit of a stretch.
0:27:47 > 0:27:49I'm a lecturer, not a critic!
0:27:50 > 0:27:51Doesn't matter.
0:27:53 > 0:27:55You're undeserving,
0:27:55 > 0:27:57just like the others.
0:27:58 > 0:28:02Yeah, you've looked after Elliot's heart well enough...
0:28:04 > 0:28:07..but I'd like it back now, please.
0:28:12 > 0:28:19It's time to complete Elliot's masterpiece.
0:28:23 > 0:28:25MAURICE WHIMPERS
0:28:25 > 0:28:27HE SCREAMS
0:28:31 > 0:28:35Well, it's been described by some as "ghoulish" and "in poor taste",
0:28:35 > 0:28:37but the installation behind me last night scooped
0:28:37 > 0:28:40the £40,000 Turner Prize,
0:28:40 > 0:28:42and has broken all box-office records
0:28:42 > 0:28:45here at the Nine Gallery in east London.
0:28:45 > 0:28:47Well, the artist behind this extraordinary sculpture,
0:28:47 > 0:28:50who's seemingly come from nowhere to take the art world by storm,
0:28:50 > 0:28:52joins me now.
0:28:52 > 0:28:54Maurice Wickham, congratulations.
0:28:54 > 0:28:55Thank you.
0:28:55 > 0:28:57Now, talk us through this exhibition,
0:28:57 > 0:28:59because you've obviously put your heart into it.
0:28:59 > 0:29:01Well, not quite.