0:00:04 > 0:00:12This programme contains some strong language
0:00:30 > 0:00:32This is Mann Management,
0:00:32 > 0:00:36one of the UK's foremost celebrity talent agencies.
0:00:36 > 0:00:39Their illustrious client base is managed by agent to the stars,
0:00:39 > 0:00:41Vincent Mann.
0:00:41 > 0:00:43What does it take to be a great agent?
0:00:43 > 0:00:46Compassion with a firm hand.
0:00:47 > 0:00:48Compassion optional.
0:00:50 > 0:00:51In an unprecedented move,
0:00:51 > 0:00:55he has given our documentary crew unlimited access to both his agency
0:00:55 > 0:00:58and his superstar clients.
0:00:58 > 0:01:01One of Vincent's much-loved stars is EastEnders actress,
0:01:01 > 0:01:05Natalie Cassidy, who lives with her dad and sister, Kat.
0:01:06 > 0:01:09For Natalie, today is a very special day.
0:01:10 > 0:01:13Dad, have you got the number for Millennium Cabs?
0:01:13 > 0:01:16My phone's charging.
0:01:16 > 0:01:19Yeah, but I put the card in your leather jacket
0:01:19 > 0:01:21just in case you needed it, remember?
0:01:23 > 0:01:26Dad. What?
0:01:26 > 0:01:31Today is double exciting, because I'm only going to the NTAs tonight.
0:01:32 > 0:01:35That's the National Television Awards, to you and me.
0:01:35 > 0:01:37It's my one selfish day of the year.
0:01:37 > 0:01:39I've got it all worked out.
0:01:39 > 0:01:42Kat's going to have dad tonight, and I'll have him in the day.
0:01:42 > 0:01:45I thought I would take him to help me choose an outfit.
0:01:45 > 0:01:47Well, he knows what suits me and what don't, don't he?
0:01:48 > 0:01:50Dad!
0:01:52 > 0:01:54What are you shouting for?
0:01:54 > 0:01:57You'd be too hot in that up the Harlequin Centre.
0:01:57 > 0:01:59Why don't you put your leather jacket on?
0:01:59 > 0:02:02I don't wear me leather jacket up the Harlequin.
0:02:02 > 0:02:05I wear me leather jacket up the pictures.
0:02:05 > 0:02:09The pictures is up the Harlequin, you dozy mare.
0:02:10 > 0:02:13It's the biggest event of the calendar year at our house,
0:02:13 > 0:02:18after Christmas, especially when Enders is up for an award
0:02:18 > 0:02:20for Best Continuing Drama.
0:02:20 > 0:02:24It's a two-horse race again this year, against you know who!
0:02:25 > 0:02:28But, joking aside, may the best soap win.
0:02:30 > 0:02:32Actually, could I do that again?
0:02:32 > 0:02:34Thanks.
0:02:34 > 0:02:38But, joking aside, may the best continuing drama win.
0:02:42 > 0:02:45With an open door to Vincent's clients... Lads!
0:02:45 > 0:02:49..we were able to ask the stars some more pertinent questions
0:02:49 > 0:02:52about their celebrity. Oh, fuck it.
0:02:52 > 0:02:54What would I say to my 16-year-old self?
0:02:55 > 0:02:57I'd say, "Don't worry about how you look.
0:02:57 > 0:03:01"It's about what's inside that counts, and what's inside of you
0:03:01 > 0:03:03"is a voice box that will literally print more money
0:03:03 > 0:03:05"than you know exists, girl."
0:03:05 > 0:03:08We'd just tell them to keep on keeping on. And on and on.
0:03:08 > 0:03:12And on and on and on. And on and on and on and on and on.
0:03:12 > 0:03:16Until someone gives you a show about cake. Bingo.
0:03:16 > 0:03:20I'd say, "Put that WKD down, stop playing with your Hampton,
0:03:20 > 0:03:23"and listen to your old mum, cos basically,
0:03:23 > 0:03:26"you ain't got a ... Scooby, you little nugget,"
0:03:26 > 0:03:28and then I'd give him a whack around the ear hole.
0:03:28 > 0:03:31What would I say to my 16-year-old self?
0:03:31 > 0:03:34I'd say, "What the bloody hell are you doing here?"
0:03:35 > 0:03:39I'd probably say, "You look fricking amazing, Fernatron, mate."
0:03:39 > 0:03:42"Where did you get that top? Don't tell me, it's vintage, isn't it?
0:03:42 > 0:03:43"Doc Martens and Sooty are so then.
0:03:43 > 0:03:47"Great work, younger me. High-five!"
0:03:47 > 0:03:51If I met my 16-year-old self today, I wouldn't say anything to her.
0:03:51 > 0:03:53I'd just give her a list of husbands to avoid.
0:03:53 > 0:03:58I'd say, "Natalie, you may be sold into acting in EastEnders now,
0:03:58 > 0:04:01"but in years to come, things could be very different.
0:04:03 > 0:04:05"Or they could just be exactly the same."
0:04:07 > 0:04:11Following the unprecedented success of her sitcom, Miranda,
0:04:11 > 0:04:14Miranda Hart is keen to cast aside her slapstick persona.
0:04:14 > 0:04:16Well, hello there.
0:04:16 > 0:04:20What a veritable thrill it is to see you again, my what I call...
0:04:20 > 0:04:22Oh, my God!
0:04:24 > 0:04:26Hello, Miranda. I'm fine.
0:04:26 > 0:04:29I'm fine. I do not do that any more, so, erm...
0:04:29 > 0:04:31'I'm not Miranda.'
0:04:31 > 0:04:35Miranda is just a character I played in that show whose name shall not be
0:04:35 > 0:04:40mentioned, and now I've moved on from playing Miranda in that show,
0:04:40 > 0:04:43I can unveil the real Miranda.
0:04:43 > 0:04:46The grown-up, serious Miranda.
0:04:46 > 0:04:49So, what have you got for me?
0:04:49 > 0:04:51Is it a film? Is it the new James Bond?
0:04:51 > 0:04:53Am I going to be a Bond girl?
0:04:53 > 0:04:55Oh, Brillo pads.
0:04:55 > 0:04:58I'll say things like, "007, is that your penis?"
0:04:58 > 0:05:00And then we'll do it in a helicopter,
0:05:00 > 0:05:02but then I'll betray him and he'll shoot me in the boobs,
0:05:02 > 0:05:03is that it?
0:05:03 > 0:05:05No, it's not a film.
0:05:05 > 0:05:07OK, not a film.
0:05:08 > 0:05:10Have Game Of Thrones not got back?
0:05:10 > 0:05:13No, it's still not Game Of Thrones, but it is television.
0:05:13 > 0:05:18Great, just as long as it is not any more of you know what.
0:05:18 > 0:05:21Miranda. Yes, Vincent?
0:05:21 > 0:05:24No, that's what it is. A new series of Miranda.
0:05:24 > 0:05:27Look, Vincent, if you can't move me on to the next stage of my career,
0:05:27 > 0:05:30then maybe I will find someone who can.
0:05:31 > 0:05:34I have got other offers for you. Name one.
0:05:35 > 0:05:37West End. Sorry?
0:05:37 > 0:05:40I've had an offer in for a very highbrow play in the West End.
0:05:40 > 0:05:42Really? Is it very serious?
0:05:44 > 0:05:46Yes, very. Oh, such fun!
0:05:46 > 0:05:47I'll take it!
0:05:47 > 0:05:49I'll go home right away,
0:05:49 > 0:05:52put on my black polo neck, and practise my no laughing face.
0:05:52 > 0:05:53Oh, what a wheeze!
0:05:55 > 0:05:58CRASH Oh!
0:05:58 > 0:06:01Absolutely fine, because I don't do that any more, so...
0:06:08 > 0:06:10For the 21st consecutive year,
0:06:10 > 0:06:12EastEnders are nominated for a prestigious
0:06:12 > 0:06:17National Television Award. Natalie Cassidy is shopping for a dress.
0:06:17 > 0:06:20What do you think, Dad? Is this too Hollywood?
0:06:20 > 0:06:22It don't suit you, Nat. I don't like it.
0:06:22 > 0:06:23Take it off.
0:06:24 > 0:06:26I told you he was good.
0:06:26 > 0:06:29He knows exactly what suits me and what don't, don't he?
0:06:29 > 0:06:31What are you wearing trainers for?
0:06:31 > 0:06:33I'm not going to wear trainers tonight, am I?
0:06:33 > 0:06:36I'm just keeping me feet warm, because the floor's cold.
0:06:38 > 0:06:42'I can't lie. I secretly hope Enders does pick up an award tonight.'
0:06:42 > 0:06:47For an actor, there is nothing quite like the unique feeling
0:06:47 > 0:06:51of standing on that stage, with 30 or 40 other actors,
0:06:51 > 0:06:53all the producers and the editors,
0:06:53 > 0:06:57while someone picks up an award and does a speech.
0:06:57 > 0:07:00I think even Kieran from the catering van got up last year.
0:07:00 > 0:07:03Well, it's a team effort, ain't it, the Square?
0:07:04 > 0:07:06I quite like this one, Dad, what do you reckon?
0:07:06 > 0:07:08It don't suit you, Nat. I don't like it.
0:07:08 > 0:07:10Take it off. You're not even looking, Dad!
0:07:10 > 0:07:12I'm charging me phone!
0:07:12 > 0:07:15I can't choose one if you don't look up, can I?
0:07:16 > 0:07:17It don't suit you, Nat.
0:07:17 > 0:07:20I don't like it. Take it off.
0:07:20 > 0:07:22All right. I'll try the canary yellow one on.
0:07:24 > 0:07:25Nat. What?
0:07:25 > 0:07:28Me phone's at 100%. When are we having chips?
0:07:30 > 0:07:33'I love a bit of glamour, me. What girl doesn't?'
0:07:33 > 0:07:36Vincent, my agent, says it's important
0:07:36 > 0:07:40to set the right tone. You know, for the red carpet photographers.
0:07:40 > 0:07:42What is it he says?
0:07:42 > 0:07:45Boobs on display, minty tucked away.
0:07:45 > 0:07:47You can't put a price on that sort of advice.
0:07:47 > 0:07:50Although he does - 20% of all my earnings.
0:07:53 > 0:07:55I'm a great believer in keeping things simple,
0:07:55 > 0:07:58which is why I love Gregg Wallace.
0:07:58 > 0:08:01He knows what he likes, and he knows what he doesn't like.
0:08:01 > 0:08:02That is it.
0:08:02 > 0:08:04And the great British public lap it up.
0:08:05 > 0:08:08So now, we're launching a new range of sauces.
0:08:08 > 0:08:10Move over, Paul Newman, we're going to show you
0:08:10 > 0:08:12the real colour of money.
0:08:13 > 0:08:16You've got two minutes.
0:08:16 > 0:08:18I'm running out of time,
0:08:18 > 0:08:21and tasting sauces does not get tougher than this.
0:08:21 > 0:08:23Mr Wallace, it's an honour to meet you.
0:08:23 > 0:08:26Can I just say...? No. I've got a thousand other things
0:08:26 > 0:08:29I need to like and not like today. I can't afford to be over time.
0:08:29 > 0:08:32I can afford to be just in the nick of time.
0:08:32 > 0:08:33Come on.
0:08:34 > 0:08:37OK. Well, this first sauce is a blend of lime, ginger...
0:08:37 > 0:08:39I like it.
0:08:39 > 0:08:40Sauce number two is...
0:08:40 > 0:08:43I like it. Number three is...
0:08:43 > 0:08:44I don't like it.
0:08:44 > 0:08:46Number four here, you've got the sweet and sour...
0:08:46 > 0:08:48I like it.
0:08:48 > 0:08:51In some ways, Gregg is the perfect celebrity.
0:08:51 > 0:08:52I like it.
0:08:52 > 0:08:55I don't like it.
0:08:55 > 0:08:56Obviously, in lots of other ways,
0:08:56 > 0:08:59he's just a bloke who likes and doesn't like things.
0:08:59 > 0:09:02I like it. That is a taste explosion.
0:09:03 > 0:09:05Wow. I don't know how you could tell after all those.
0:09:05 > 0:09:08Do what? I don't know how you could taste anything
0:09:08 > 0:09:10after trying all those sauces.
0:09:10 > 0:09:13I think you understand lab coats and clipboards.
0:09:13 > 0:09:15I don't think you understand
0:09:15 > 0:09:18that liking and not liking things is what I do.
0:09:18 > 0:09:21Come on! It's time to start plating up.
0:09:24 > 0:09:28I am lucky in that I'm basically famous for being happy.
0:09:28 > 0:09:29So I've got the lot.
0:09:31 > 0:09:33Life doesn't get easier than this.
0:09:36 > 0:09:38After calling in a few expensive favours,
0:09:38 > 0:09:41Vincent has managed to come good on his promise to Miranda
0:09:41 > 0:09:44by finding her a serious part in a West End play.
0:09:44 > 0:09:48I think the thing to keep in mind is that the play is
0:09:48 > 0:09:52essentially Pinter-esque. It's raw, stripped back.
0:09:52 > 0:09:56Don't be afraid to really play the silence.
0:09:56 > 0:09:58It's all there on the page. Is that OK, Jeremy?
0:09:58 > 0:10:00Yeah, yeah. That totally makes sense.
0:10:00 > 0:10:01And how about you, Miranda?
0:10:01 > 0:10:05Yes, of course, definato. Raw, stripped back.
0:10:05 > 0:10:07On the page. Oh, what japes!
0:10:07 > 0:10:09OK. Let's go from the top of page four.
0:10:12 > 0:10:14You mean you told him the truth?
0:10:14 > 0:10:18I had to. You mean you told him the truth,
0:10:18 > 0:10:20about us? I had to.
0:10:25 > 0:10:27Awkward! OK.
0:10:27 > 0:10:30Hold it there for a second. I agree, yeah.
0:10:30 > 0:10:35Miranda, that word hasn't been added to your script, has it?
0:10:35 > 0:10:37Which word? "Awkward".
0:10:37 > 0:10:39No, but it is a bit, though, isn't it?
0:10:39 > 0:10:41Yes. It's Pinter-esque.
0:10:44 > 0:10:46Oh, oh, I see.
0:10:46 > 0:10:48Clever. He's clever, isn't he?
0:10:48 > 0:10:50OK, right, yeah, got it.
0:10:50 > 0:10:51OK. Let's go again.
0:10:51 > 0:10:52Same cue.
0:10:54 > 0:10:55You mean you told him the truth?
0:10:57 > 0:10:59I had to.
0:10:59 > 0:11:02You mean, you told him the truth,
0:11:02 > 0:11:05about us? I had to.
0:11:18 > 0:11:19Mm...
0:11:21 > 0:11:26Awkward! Oh, oops, sorry. I didn't mean to, I just...
0:11:26 > 0:11:28Oh, awkward! Ignore me.
0:11:28 > 0:11:31Awkward. Oh!
0:11:36 > 0:11:37Come on, that's funny.
0:11:37 > 0:11:39Tell your face.
0:11:39 > 0:11:40No?
0:11:41 > 0:11:42What about this?
0:11:43 > 0:11:45No?
0:11:45 > 0:11:47Let's take a break. I concur.
0:11:48 > 0:11:49# Get down!
0:11:54 > 0:11:55# Paid the cost to be the boss... #
0:11:56 > 0:11:59When soap actor, Danny Dyer, isn't on set,
0:11:59 > 0:12:03he likes nothing more than spending some quality time alone.
0:12:03 > 0:12:07# Look at me, you know what you see
0:12:08 > 0:12:10# You see a bad mutha. #
0:12:13 > 0:12:17A geezer needs his own space, especially me.
0:12:17 > 0:12:21Sometimes I need to get away from the old bag for life and the kids,
0:12:21 > 0:12:24so I cleared some of the woods out of me garden.
0:12:26 > 0:12:27Built this.
0:12:29 > 0:12:32That is a fucking man shed.
0:12:38 > 0:12:41Danny's man shed is where he does his thinking.
0:12:41 > 0:12:46His latest idea is a diversification into the literary world.
0:12:46 > 0:12:51People know me as a hard man, but I'm also a businessman.
0:12:51 > 0:12:53Now, I've noticed that a lot of celebrities have been banging out
0:12:53 > 0:12:55the old captain cooks for the nippers,
0:12:55 > 0:12:59making proper bunce out of it and all, so I'm doing some research.
0:13:17 > 0:13:21Stroll on! The geezer was a butterfly all along?
0:13:21 > 0:13:24Straight up, he's been shovelling food down his Gregory Peck
0:13:24 > 0:13:26all the way through, but I thought he was just
0:13:26 > 0:13:27a Hank Marvin caterpillar.
0:13:27 > 0:13:29Last page, big twist.
0:13:29 > 0:13:31He goes and does that!
0:13:32 > 0:13:35That has done my loaf right in, that has.
0:13:35 > 0:13:36Did not see that coming.
0:13:36 > 0:13:38You know this is a kids' area, right?
0:13:38 > 0:13:40What you saying, geez?
0:13:41 > 0:13:43You think I can't read?
0:13:43 > 0:13:44I'm all over it, bruv.
0:13:44 > 0:13:47I'm writing a book for all you mob, ain't I?
0:13:47 > 0:13:50I'm hoping to have a little Dickie Bird with a couple of...
0:13:50 > 0:13:52What's rhyming slang for publishers? Do you know?
0:14:01 > 0:14:04They say write about what you know,
0:14:04 > 0:14:06but I'm an old shit-kicker from Canning Town
0:14:06 > 0:14:10who's no stranger to booze, a bit of devil's dandruff, and a tear up,
0:14:10 > 0:14:13but we're talking kids' books, so I'm going to have to make it about
0:14:13 > 0:14:17a little bear called Danny who likes a drink, a sniff, and a row,
0:14:17 > 0:14:19but who lives in a shoe or something.
0:14:19 > 0:14:20How many fingers do bears have?
0:14:27 > 0:14:30Two Ns in Danny, you know that!
0:14:31 > 0:14:33This is absolute torture, this.
0:14:33 > 0:14:36No wonder so many writers top themselves.
0:14:43 > 0:14:45Vinnie. Speak.
0:14:45 > 0:14:46Vincent, it's me.
0:14:47 > 0:14:50Just wondering if Game Of Thrones have got back yet?
0:14:50 > 0:14:54Not yet, Miranda. Honestly, you'll be the first to know.
0:14:54 > 0:14:57How's it going there? Well, not very well, actually.
0:14:58 > 0:15:00You see, I don't think the other actor's up to the part.
0:15:00 > 0:15:04He seems to be leaving, as is the director.
0:15:04 > 0:15:07NORMAL VOICE: Nice to see you, to see you nice, chaps.
0:15:07 > 0:15:10That's what I call my Brucie voice.
0:15:10 > 0:15:13Well, look, don't worry about it, you've still got your dignity.
0:15:13 > 0:15:15Walk out of there with your head held high.
0:15:15 > 0:15:17Yeah, you're right.
0:15:17 > 0:15:18Thank you, Vincent.
0:15:26 > 0:15:29CRASH Oh, awkward.
0:15:32 > 0:15:36With her outfit selected for the NTAs, Natalie Cassidy is ready,
0:15:36 > 0:15:39and hoping to make both dad and sister Kat proud.
0:15:39 > 0:15:42Thanks, Dad. I think we made the right decision, don't you?
0:15:42 > 0:15:45Not enough vinegar on these.
0:15:45 > 0:15:49So I decided to go for the canary yellow cocktail dress.
0:15:49 > 0:15:53Well, I'll need to stand out with that many people on stage, won't I?
0:15:53 > 0:15:54So Dad and Kat can see me at home.
0:15:56 > 0:15:58Here, what do you think about my dress? Blinding, ain't it?
0:15:58 > 0:16:00I don't care, Natalie.
0:16:00 > 0:16:02Can't you see I'm heartbroken?
0:16:02 > 0:16:04Oh, you're not, are you? Who is it this time?
0:16:04 > 0:16:05Jason Karaoke.
0:16:05 > 0:16:07I thought you dumped Jason Karaoke.
0:16:07 > 0:16:10I did, Nat, but now he's been spotted in the George,
0:16:10 > 0:16:14singing Opposites Attract with that pet shop Carly.
0:16:14 > 0:16:16But they ain't got nothing in common.
0:16:16 > 0:16:19That is what the whole song is about, Natalie.
0:16:19 > 0:16:20Oh, dear.
0:16:20 > 0:16:22Well, there's a portion of chips on a low oven in there.
0:16:22 > 0:16:25I can't eat, Natalie.
0:16:25 > 0:16:27God, you're insensitive, ain't you?
0:16:27 > 0:16:29I'm going to me bedroom to do me crying.
0:16:29 > 0:16:31Oh, babe. Well, I'll be in in a bit, because...
0:16:31 > 0:16:35Yeah. Yeah, I know, it's the NTAs tonight.
0:16:35 > 0:16:36How could we forget?
0:16:38 > 0:16:41Is it the NTAs tonight?
0:16:41 > 0:16:45I must admit, I will feel bad going up the red carpet
0:16:45 > 0:16:48if Kat don't stop crying before the taxi gets here.
0:16:48 > 0:16:51I would take her with me, but you only get the one ticket.
0:16:53 > 0:16:56Kat, it's Nat.
0:16:56 > 0:16:58What do you want?
0:16:58 > 0:17:00I've left dad's casserole out on the side.
0:17:00 > 0:17:02Whatever. OK, well,
0:17:02 > 0:17:06I'm just going to go and tong me hair, then I'll be off.
0:17:06 > 0:17:07I won't be late.
0:17:07 > 0:17:10Be as late as you like, Nat.
0:17:10 > 0:17:13That tart from the pet shop has made a mockery out of me.
0:17:13 > 0:17:17I can't show my face up karaoke ever again.
0:17:17 > 0:17:20Oh, don't say that, Kat. It's all right for you.
0:17:20 > 0:17:25You've got Lesbian Sonia, and the NTAs. Oh, Kat.
0:17:26 > 0:17:30If you really feel that bad, I mean...
0:17:32 > 0:17:38I am double looking forward to it, and I never go out, do I? But...
0:17:40 > 0:17:43..you could go instead of me, if you really want.
0:17:43 > 0:17:46All right, then, thanks, Nat, if you're sure.
0:17:46 > 0:17:48I'm not sitting next to Perry Fenwick, am I?
0:17:48 > 0:17:52'I can't say I wasn't a little bit surprised that Kat took me ticket,'
0:17:52 > 0:17:54but then I did offer, didn't I? Like a silly moo.
0:17:54 > 0:17:58Well, I suppose that's what sisters are for, ain't it?
0:17:58 > 0:18:01I'm sure she'll do the same for me, one day.
0:18:05 > 0:18:09Having been firmly off the radar writing his children's book,
0:18:09 > 0:18:13Danny Dyer has made a surprise visit to the Mann Management offices.
0:18:13 > 0:18:14What's going on, Dan?
0:18:14 > 0:18:15I've had EastEnders on the phone.
0:18:15 > 0:18:18You're turning up late, not learning your lines.
0:18:18 > 0:18:20Have you had a little visit from your inner demons again?
0:18:20 > 0:18:24No, Vin, this is why, my greatest achievement.
0:18:24 > 0:18:26It's me magnum opus.
0:18:26 > 0:18:28Your what? It's a kids' book.
0:18:28 > 0:18:31I ain't finished it yet, I need an ending, but I'm so close.
0:18:31 > 0:18:33How long have you been working on this?
0:18:33 > 0:18:35You stink. When was the last time you had a bath?
0:18:35 > 0:18:38It's been weeks. The main character, Danny the bear,
0:18:38 > 0:18:41I want to play the geezer when they make a movie out of it.
0:18:41 > 0:18:44Why is it all damp? Tears, Vin.
0:18:44 > 0:18:46I put me heart and soul into it.
0:18:46 > 0:18:49I need you to get me a gig on the old CBeebies bedtime.
0:18:49 > 0:18:50Proper get this out there.
0:18:50 > 0:18:53Crack on. Well, I'll make the call,
0:18:53 > 0:18:56but they're all having a go at the children's books at the moment.
0:18:56 > 0:18:58Help me get my story out there, Vin.
0:18:58 > 0:19:00I need to read this to the old dustbin lids on the box.
0:19:00 > 0:19:02Proper bang their heads.
0:19:02 > 0:19:04Get a bit of bunce in the house, and all.
0:19:04 > 0:19:06All right, go and have a bath, and get down EastEnders.
0:19:06 > 0:19:09I'll see what I can do. Cheers, Vin.
0:19:10 > 0:19:13Oh, any voice-over work about?
0:19:13 > 0:19:17Oh, can you say, "Wickes - it's got our name on it"?
0:19:18 > 0:19:21Wickes - it's got your name on it. Er...
0:19:21 > 0:19:23Winks - it's got no name on it.
0:19:23 > 0:19:25Your name's got on it.
0:19:25 > 0:19:28Ah, no, I can't, can I, Vin? Na.
0:19:28 > 0:19:30Cheers anyway, mate. I'll see you later.
0:19:39 > 0:19:43The stupidest of the stupid questions we're asked is,
0:19:43 > 0:19:47do you... Mel and Sue... BOTH: actually live together?
0:19:47 > 0:19:50And the answer to that is a resounding yes, my love.
0:19:54 > 0:19:56There's us, Mel and Sue.
0:19:56 > 0:19:58My cat, Arthur C Clarke.
0:19:58 > 0:20:00Our two goldfish, Mel and Sue.
0:20:00 > 0:20:03No relation, ROFL. Our precious wormery.
0:20:03 > 0:20:06Wentworth. It's a can of worms.
0:20:06 > 0:20:08Oh, was that a bit of worm play there, mate?
0:20:11 > 0:20:14Oh, and Tim, my husband.
0:20:14 > 0:20:15Hello. I'm Tim.
0:20:15 > 0:20:18I'm Mel's husband, and I live with Mel.
0:20:20 > 0:20:21And Sue.
0:20:29 > 0:20:31It's good this, isn't it? Yeah. Yeah.
0:20:31 > 0:20:33Have we got something lined up for after this?
0:20:33 > 0:20:36I keep hearing really good things about Transparent.
0:20:36 > 0:20:40Is that on Netflix? Right, who wants a game of Connect Four?
0:20:40 > 0:20:42Oh, yeah, yeah, yeah, yeah, me!
0:20:42 > 0:20:44Turn around, touch the ground, bagsy not blue. Oh, you blew me.
0:20:44 > 0:20:46Oo-er! The counters are red and yellow.
0:20:46 > 0:20:49Yeah, but, "You yellowed me," doesn't work, does it, Tim?
0:20:49 > 0:20:51Actually, Sue, we were going to watch Transparent.
0:20:51 > 0:20:55Yeah, we were. Yeah, but then I mentioned Connect Four.
0:20:55 > 0:20:56Oh, yeah, she did.
0:20:56 > 0:20:59But before that, we talked about... I know how we can sort this out.
0:20:59 > 0:21:01Why don't we take a vote?
0:21:01 > 0:21:05It's only fair. All of those who want to play a nail-biting game
0:21:05 > 0:21:08of the '80s classic, raise your hands.
0:21:09 > 0:21:13All of those in favour of Timberlina's boring box-set bonanza.
0:21:14 > 0:21:18The retro-tastic vertical strategy game for ages six and up, it is.
0:21:18 > 0:21:21Clickety clack. Who's dropping first? Oo-er, boom, tsh!
0:21:23 > 0:21:25Would you believe me if I told you it's always like this?
0:21:28 > 0:21:33Boomshakalak. Mr Boombastic. Boom. Tick. Tick. Tick. Tick. Boom!
0:21:34 > 0:21:37Fancy a go, Tim? Come on, Tim.
0:21:37 > 0:21:39Come on, Tim!
0:21:39 > 0:21:41Henmaniac, classic!
0:21:41 > 0:21:43Come on, play me, Tim. Hey, Tim.
0:21:43 > 0:21:45Tim. Hey, Tim. Tim. Timmo.
0:21:45 > 0:21:48Tim-Tam. Tim-Tam. Tim-Tam. Tim-Tam. Bam-alang-bam-alang-a-ding-dong.
0:21:50 > 0:21:51Yeah, I might just go to bed.
0:21:51 > 0:21:53A cup of Mr T, if you're getting up.
0:21:53 > 0:21:56I pity the fool who doesn't bring me a Hobnob.
0:21:57 > 0:22:00Ooh, yeah. That's three in a row, there, mate, be careful.
0:22:00 > 0:22:02Keep your eyes peeled. SUE WHISTLES
0:22:04 > 0:22:05Bear with!
0:22:05 > 0:22:07Having gained the trust of Vincent's clients,
0:22:07 > 0:22:10we were able to garner a candid insight into
0:22:10 > 0:22:13what it's really like to be famous.
0:22:13 > 0:22:14Stop it. I'm having a moment.
0:22:16 > 0:22:18What's the best thing about fame?
0:22:18 > 0:22:20I don't have to bunk it on the bus no more.
0:22:20 > 0:22:22The best thing about fame, erm...
0:22:22 > 0:22:26Probably the straight up banter you have with the greatest musicians
0:22:26 > 0:22:30in the world. Hashtag Snow Patrol, hashtag they're my mates, they are.
0:22:30 > 0:22:34I don't even get on the bus no more, which is sad, really.
0:22:34 > 0:22:37I was on always on the 349 from Edmonton, back seat,
0:22:37 > 0:22:39Chicken Cottage, sneaky Benson out of the window.
0:22:39 > 0:22:42Can't do that now. Too mega-famous.
0:22:42 > 0:22:44The great thing about fame is all the lovely people
0:22:44 > 0:22:46who stop you in the street for a chat.
0:22:48 > 0:22:51I say stop for a chat - most just drive by and shout,
0:22:51 > 0:22:53"Oi, Sonia, where's your trumpet?"
0:22:55 > 0:22:58I don't know where it is. It's just a prop.
0:22:58 > 0:23:01I suppose I could buy me own bus and fill it with extras,
0:23:01 > 0:23:03and drive it through Edmonton.
0:23:03 > 0:23:06Actually, that is the best thing about fame -
0:23:06 > 0:23:08being able to buy a bus and fill it with a load of people,
0:23:08 > 0:23:10if that's what you fancy doing.
0:23:10 > 0:23:13The best thing about fame is when a hunky chap-a-rino
0:23:13 > 0:23:15throws himself at your feet and says,
0:23:15 > 0:23:18"Do with me what you will Mirandy-pants,
0:23:18 > 0:23:20"I'm yours for the sexing."
0:23:21 > 0:23:24That happens to me all the time.
0:23:24 > 0:23:28The best thing about fame is the happiness it brings to me life.
0:23:28 > 0:23:30Well, it happened to me once.
0:23:30 > 0:23:33OK, so he tripped over, and he didn't actually speak to me,
0:23:33 > 0:23:35but he did land on my feet,
0:23:35 > 0:23:38Although it was hard for him not to - they are size 13.
0:23:48 > 0:23:52All right, kids? I'm Danny Dyer.
0:23:52 > 0:23:54I've met some of the hardest geezers in the world,
0:23:54 > 0:23:58and I've lived to tell the tale. Now I want to tell you mob a tale.
0:23:58 > 0:24:03So sit down, shut your cake holes, open your lug holes, bosh. Right.
0:24:04 > 0:24:09Once upon a time, there was a little bear called Danny.
0:24:09 > 0:24:13Now, Danny had a mate who was a little mug called John.
0:24:18 > 0:24:21"You got that monkey you owe me, John?"
0:24:21 > 0:24:24"Yeah. I've got it right here. It's in my sky rocket."
0:24:27 > 0:24:28Who done these pictures?
0:24:30 > 0:24:35Proper bold as brass like that, and brave Danny stared
0:24:35 > 0:24:38right into his boat, right into his mince pies.
0:24:39 > 0:24:43Right, hang on, right - what soppy bollocks has done these pictures?
0:24:43 > 0:24:46Are you having a bubble? It's undermining the drama!
0:24:49 > 0:24:52Anyway, Danny's gone,
0:24:52 > 0:24:56"Hello, you getting lairy because you're on the old Bob Marley,
0:24:56 > 0:24:59"the Gianluca Vialli, sniffing the old Salvador Dali?"
0:24:59 > 0:25:03Hey, leave it out, these geezers ain't in the story.
0:25:03 > 0:25:06I'm talking about Charlie, nosebag, a bit of ching.
0:25:06 > 0:25:09You're ruining this for the kids.
0:25:09 > 0:25:10Ah, this is bollocks.
0:25:10 > 0:25:13Right, blah-blah-blah, and then Danny jumped up and he
0:25:13 > 0:25:16turned into a beautiful butterfly, and did one.
0:25:16 > 0:25:18Oh, you get that one right!
0:25:18 > 0:25:19I'm out of here.
0:25:21 > 0:25:22Good night, kids. Be lucky.
0:25:24 > 0:25:25Where's me bees and honey?
0:25:25 > 0:25:28That's money, by the way.
0:25:28 > 0:25:30GRAHAM NORTON: The National Television Award for
0:25:30 > 0:25:33entertainment presenter goes to Ant and Dec, everybody!
0:25:33 > 0:25:35Oh, you're double kidding!
0:25:35 > 0:25:36Ant and Dec's won, Dad.
0:25:36 > 0:25:38They always win it.
0:25:38 > 0:25:40I don't know why I put myself through it.
0:25:44 > 0:25:46You ought to be there, Nat.
0:25:46 > 0:25:49Here, why don't you go along? No, it's too late, Dad.
0:25:49 > 0:25:51When's Best Continuing Drama?
0:25:51 > 0:25:53It's at the end. It's a big one.
0:25:53 > 0:25:56Well, that's not for another two and a half hours.
0:25:56 > 0:25:59Give Millennium Cabs a call. You'll be there in an hour.
0:25:59 > 0:26:01I gave Kat me ticket, Dad.
0:26:01 > 0:26:04Your face is your ticket, girl.
0:26:04 > 0:26:08You're Natalie Cassidy, from EastEnders and The Health Lottery.
0:26:08 > 0:26:10But what about your casserole?
0:26:10 > 0:26:12I can't leave you to do your own dinner.
0:26:12 > 0:26:14Just stick it in a pan for me.
0:26:14 > 0:26:16I'll be all right once, won't I?
0:26:23 > 0:26:24Thanks, Dad.
0:26:24 > 0:26:26I better go and get me slutty shoes on.
0:26:29 > 0:26:32The thing is, it's not really about awards, is it?
0:26:32 > 0:26:36It's about being part of a family and that's what Enders is,
0:26:36 > 0:26:38a big family.
0:26:42 > 0:26:45Hiya, Mary. NTAs!
0:26:47 > 0:26:49Thank you.
0:26:54 > 0:26:57And, you see, family sticks together, don't it?
0:27:06 > 0:27:09Excuse me, mate. Could we turn round, please?
0:27:09 > 0:27:10I need to go home.
0:27:14 > 0:27:18'That's why I knew the rest of the team would understand.'
0:27:18 > 0:27:21Do you think you'd get that with the Coronation Street lot?
0:27:21 > 0:27:23You're dreaming, mate.
0:27:28 > 0:27:30Dad!
0:27:35 > 0:27:38DAD COUGHS Oh, no!
0:27:38 > 0:27:41Anyway, there's always next year, ain't there?
0:27:41 > 0:27:42All going well.
0:28:22 > 0:28:24Oddly, the other one's come undone. Has it? Ow! I can't believe it.
0:28:24 > 0:28:27This is astonishing. Come on, man. What's wrong with you?
0:28:27 > 0:28:29These shoes undo very easily. I've got wide feet,