Episode 7

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0:00:03 > 0:00:10THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE

0:00:20 > 0:00:24CHEERING AND APPLAUSE

0:00:31 > 0:00:35Yes, and welcome to Never Mind The Buzzcocks

0:00:35 > 0:00:38with the kingpin of the car game, the big dog pitbull,

0:00:38 > 0:00:40your boy, Westwood.

0:00:40 > 0:00:42CHEERING AND APPLAUSE

0:00:42 > 0:00:48Now I'm going to pimp the Buzzcocks Westwood style.

0:00:48 > 0:00:51DRUM MACHINE

0:00:52 > 0:00:54Thank you.

0:00:55 > 0:00:59Now, riding out on Uncle Phill's team tonight...

0:00:59 > 0:01:03He can't do backflips like Aston,

0:01:03 > 0:01:06but he's the tallest one in JLS.

0:01:06 > 0:01:09Tall enough to reach the top shelf at a service station.

0:01:09 > 0:01:15He's JLS porn provider, my man Marvin.

0:01:19 > 0:01:22She's an end-of-the-pier comedienne.

0:01:22 > 0:01:25In fact, so far at the end, she fell off and broke her arm.

0:01:25 > 0:01:30It's the finalist bird and comedienne, Holly Walsh.

0:01:32 > 0:01:34And in Dr Noel's team...

0:01:34 > 0:01:37He's the godfather of grime,

0:01:37 > 0:01:43he's seen more grime than Amy Winehouse's downstairs flannel.

0:01:43 > 0:01:47And that's nasty. It's my man Wiley. What's up? Good to have you here.

0:01:50 > 0:01:57From the opera scene, where they don't rap the words, they sing them

0:01:57 > 0:02:00like someone's grabbing their nutsack.

0:02:00 > 0:02:06It's crazy, it'll never take off, here's Russell "The Voice" Watson!

0:02:06 > 0:02:08APPLAUSE

0:02:08 > 0:02:13So let's get it cracking with Round One.

0:02:13 > 0:02:15# Woo! Woo! That's the sound of the police! #

0:02:15 > 0:02:18You still here, Wiley? Now...

0:02:19 > 0:02:20Uncle Phill...

0:02:20 > 0:02:24Marvin and Holly, I want you to check this out.

0:02:24 > 0:02:27# Baby, I like it The way you move on the floor

0:02:27 > 0:02:31# Baby, I like it Come on and give me some more

0:02:31 > 0:02:34# Oh, yes, I like it... #

0:02:34 > 0:02:38Enrique Iglesias with I Like It.

0:02:38 > 0:02:44But how did some water-skis get him in trouble with the Miami police?

0:02:44 > 0:02:48Now, Uncle Phill, I know you've got Marvin here

0:02:48 > 0:02:51and he is definitely in the top four of JLS.

0:02:51 > 0:02:54But to be honest, he's not the full package.

0:02:54 > 0:02:59So what we've got is a sub bench full of JLS.

0:02:59 > 0:03:01Ladies, please!

0:03:01 > 0:03:03CHEERING AND APPLAUSE

0:03:03 > 0:03:04Fantastic.

0:03:04 > 0:03:07Now what's going to happen, when you hear this noise...

0:03:07 > 0:03:09KLAXON

0:03:09 > 0:03:12..there's going to be a substitution, not out of your choice.

0:03:12 > 0:03:15Got to swap musical chairs, that's what's going to happen.

0:03:15 > 0:03:18What happens if one of us sustains a serious injury?

0:03:18 > 0:03:22- Do we get to sub with a member of JLS?- Like falling off the end of a pier, love?

0:03:22 > 0:03:26- How is your arm?- It's a bit bent. - A bit bent?- Yeah.

0:03:26 > 0:03:27Is it metal now?

0:03:27 > 0:03:29It's largely metal, yeah.

0:03:29 > 0:03:31You should have got a claw.

0:03:31 > 0:03:35That's the NHS for you. If I'd gone private, I would have had a drill on my arm.

0:03:35 > 0:03:41- That would be wicked.- What actually happened to you? I don't understand. Were you pushed?

0:03:41 > 0:03:45You know this Worthing Birdman Festival? People try and fly. I tried to do that.

0:03:45 > 0:03:48- I was in a homemade helicopter... - Unsuccessful?

0:03:48 > 0:03:50Did not work out.

0:03:50 > 0:03:53Do you know what, Wiley? The homemade ones usually are.

0:03:56 > 0:04:00- Mr Iglesias. Know anything about him?- I think he's quite attractive. - What?!

0:04:00 > 0:04:01I think he's quite attractive.

0:04:01 > 0:04:04And also he's who I model my fringe on.

0:04:04 > 0:04:11He actually sounded like he'd been sucking on helium before he did the performance.

0:04:11 > 0:04:16- That's a specific tip a lot of pop stars use. That's right, yeah? - Remarkable.

0:04:16 > 0:04:21Performance-enhancing drugs amongst the pop music world is mainly helium and kick in the balls.

0:04:21 > 0:04:25I go for the simple nut crush, it's much easier.

0:04:25 > 0:04:29- Do you crush your own or do you have a roadie? - I have an official nut crusher.

0:04:31 > 0:04:34Do you know what's funny about this video? I don't know if you saw,

0:04:34 > 0:04:37but there's a girl in this video in a pink bikini.

0:04:37 > 0:04:39Oh, right. Her?

0:04:39 > 0:04:42- Yes.- She seems to be having a lovely time.

0:04:42 > 0:04:44That girl there...

0:04:44 > 0:04:47She was in our video, The Club Is Alive.

0:04:47 > 0:04:53- There were loads of girls there and we had this professional pole-dancing girl, right?- Where's this going now?

0:04:53 > 0:04:57Director was like, "Any girls here that want to jump up on the pole..."

0:04:57 > 0:04:59You've never seen someone move...

0:04:59 > 0:05:01Maybe she just wants to be a fireman.

0:05:01 > 0:05:09- JLS, I really respect your game at the moment, you've put out a range of condoms.- Yes.

0:05:09 > 0:05:14We launched our own charity, the JLS Foundation, so for us, young role models,

0:05:14 > 0:05:19our demographic is between 16 and 24 so we thought we'd do something good and spread a good message.

0:05:19 > 0:05:23So for a lot of young guys, when they lose their virginity,

0:05:23 > 0:05:25the last face they see is yours.

0:05:27 > 0:05:30I mean, I have my own range, you know I have my own range of condoms.

0:05:30 > 0:05:32Of... OK.

0:05:32 > 0:05:34Slap it up, there.

0:05:38 > 0:05:43Do you know what? I think seeing your face is the best form of contraception.

0:05:43 > 0:05:45LAUGHTER AND APPLAUSE

0:05:45 > 0:05:47Thank you.

0:05:48 > 0:05:51Marvin, your girlfriend is Rochelle from The Saturdays.

0:05:51 > 0:05:56- It is indeed.- Have you ever had sex with an Aston condom on to give him a chance?

0:05:58 > 0:06:02- Aston can create his own chances quite easily.- With your girlfriend.

0:06:03 > 0:06:06That'd be wrong, man.

0:06:06 > 0:06:09There's enough Saturdays anyway, so Aston can...

0:06:09 > 0:06:11That's the way to look at it!

0:06:11 > 0:06:15They're like buses, another one will be along in a minute.

0:06:15 > 0:06:20So what happened with Enrique Iglesias? Why did he get in trouble?

0:06:20 > 0:06:24OK, so, Enrique Iglesias, obviously Spanish, during the World Cup,

0:06:24 > 0:06:27made a bet with all of his mates in Miami and said,

0:06:27 > 0:06:31"If Spain win the World Cup, I'll go on a Jet Ski naked...

0:06:31 > 0:06:34- Yeah?- "..through the beach in Miami."

0:06:34 > 0:06:39Obviously Spain won the World Cup, police found out and then they said to him he couldn't do it.

0:06:39 > 0:06:43And that is the right answer. Can we have a round of applause, please?

0:06:43 > 0:06:45APPLAUSE

0:06:45 > 0:06:52Enrique water-skied butt naked in celebration of Spain's World Cup win.

0:06:52 > 0:06:56Back in 2008, Enrique appeared on Loose Women.

0:06:56 > 0:07:01The women found it very moving - there wasn't a dry seat in the house.

0:07:04 > 0:07:05KLAXON

0:07:05 > 0:07:06Substitution change!

0:07:06 > 0:07:10APPLAUSE

0:07:13 > 0:07:16- Dr Noel...- Hello. - ..Russell and my good man Wiley.

0:07:16 > 0:07:18I want you to check this out.

0:07:18 > 0:07:20# Papa's got a brand new bag... #

0:07:20 > 0:07:26Since his death, his gutsy funk is now stronger than ever.

0:07:26 > 0:07:29It's that dead soul guy, James Brown.

0:07:34 > 0:07:37# Papa's got a brand new bag. #

0:07:40 > 0:07:43James Brown with Papa's Got A Brand New Bag.

0:07:43 > 0:07:47But what I want to know is why did he get in trouble with the law

0:07:47 > 0:07:51at an insurance seminar back in 1988?

0:07:51 > 0:07:54- Papa's got a brand new bag. - He was early in the game.

0:07:54 > 0:07:57We've got bags for life now, we don't need James Brown's.

0:07:59 > 0:08:04He's unbelievable, isn't he? He wears capes, I love that, I like to wear a cape.

0:08:04 > 0:08:08He's got pointy shoes. I think I might be trying to be the white James Brown.

0:08:08 > 0:08:12- You've got the same hairstyle as James Brown as well. Back in the day. - Who? Me?

0:08:12 > 0:08:14- Yeah, you.- That is a liberty.

0:08:16 > 0:08:20That's like an auntie's hair, what are you on about?

0:08:21 > 0:08:24I was out the other week, about a month ago,

0:08:24 > 0:08:27and Noel Gallagher came up to me and went... I had a cape on and he went,

0:08:27 > 0:08:33"It's not the fact you've got a fucking cape on, mate, it's the fact it's a Tuesday."

0:08:36 > 0:08:40- If you look at us as a group of individuals, it's quite bizarre, really.- Yeah.

0:08:40 > 0:08:44- Yeah.- You mean where would these people ever have met?- Exactly!

0:08:44 > 0:08:48I know. It's quite weird, it's like we're different decades.

0:08:48 > 0:08:50Different lifetimes!

0:08:50 > 0:08:53- You look like my accountant. - Thank you.

0:08:53 > 0:08:55And his solicitor.

0:08:55 > 0:08:59Can I say one thing? He looks like my lawyer.

0:08:59 > 0:09:00Without fail.

0:09:00 > 0:09:03You've got the same suit. Different tie.

0:09:03 > 0:09:05You look like my mum.

0:09:11 > 0:09:13His mum IS hot, shut your mouth.

0:09:14 > 0:09:18Wiley, I heard you're scared of foxes, is this true?

0:09:18 > 0:09:23- Oh, my God...- You had a video, Wearing My Rolex, you didn't turn up cos there was foxes in it.

0:09:23 > 0:09:27Do you know what it was, Tim? I actually saw the foxes

0:09:27 > 0:09:31and I thought, "You know what? I'm going leave here and let the foxes do the video for me."

0:09:31 > 0:09:34They looked better than me that day, they actually...

0:09:34 > 0:09:37got styled better than I looked, so I let them do it for me.

0:09:37 > 0:09:40Has that ever happened to you, JLS?

0:09:40 > 0:09:43Has Louis ever made you do something that you didn't want to do?

0:09:51 > 0:09:53- How did James Brown... - I think I know this.

0:09:53 > 0:09:57I think what happened was James Brown tried to do

0:09:57 > 0:10:00an insurance job on his own place.

0:10:00 > 0:10:03Set fire to his own cape and boots.

0:10:03 > 0:10:09- Tried to get the money back on the insurance.- That's what he's tried to do. He's sped off

0:10:09 > 0:10:11- and he's on the chase.- Yes?

0:10:11 > 0:10:14- And then the police have shot his tyres out.- Interesting.

0:10:14 > 0:10:19- And they've gone on him. They went on him.- Interesting Wiley thought of that one,

0:10:19 > 0:10:20cos that's entirely wrong.

0:10:20 > 0:10:23You got any ideas?

0:10:23 > 0:10:25No. As his lawyer, I deny that accusation.

0:10:27 > 0:10:29Was there a firearm involved in it?

0:10:29 > 0:10:31Did he shoot a fox?

0:10:31 > 0:10:34I'm going to have to tell you.

0:10:34 > 0:10:38James Brown stormed out of the insurance seminar with a pistol and a shotgun,

0:10:38 > 0:10:42complaining that someone had used his toilet without permission.

0:10:42 > 0:10:44I don't blame him.

0:10:44 > 0:10:46Stay off my throne, you suckers.

0:10:46 > 0:10:48SILENCE

0:10:48 > 0:10:50No-one's laughing, I don't understand.

0:10:50 > 0:10:51LAUGHTER

0:10:51 > 0:10:56- Am I losing my touch?- I think they thought there was going to be an extra nugget on the end.

0:10:56 > 0:11:00That was the fucking nugget...

0:11:00 > 0:11:03If you put a sound effect on the end, we'd know it was the end,

0:11:03 > 0:11:04and they'd just go for it.

0:11:04 > 0:11:06It's because you've got off-beat timing.

0:11:06 > 0:11:08In what way?

0:11:08 > 0:11:11Just like normal comedians go, da-da-da-da-da-da...DA-DA!

0:11:11 > 0:11:13You go, ba-do-di-ba-da-bo-da!

0:11:19 > 0:11:22Next up, it's the Intros round!

0:11:22 > 0:11:27Uncle Phill, I'm here to pimp your team, so I need the whole of JLS

0:11:27 > 0:11:28to help you out, come up, guys.

0:11:28 > 0:11:30I'm having my team pimped.

0:11:30 > 0:11:33APPLAUSE

0:11:33 > 0:11:35Good luck, guys.

0:11:37 > 0:11:38That's for Phill.

0:11:38 > 0:11:42Thank you. I have here a piece of paper from Tim Westwood.

0:11:42 > 0:11:44You got enough help with you, have you?

0:11:44 > 0:11:47Look at you, you're like Fagin up there.

0:11:49 > 0:11:51- OK?- Yep.

0:11:51 > 0:11:531, 2, 3, 4...

0:11:53 > 0:11:561... On 4!

0:11:56 > 0:12:02I thought you were going to start with the bass. All right!

0:12:02 > 0:12:05Yeah, yeah, yeah! (Fucking idiots!)

0:12:09 > 0:12:10Here we go.

0:12:10 > 0:12:13# Doo-di-di-doo di-di-doo-di-di-doo-di-di-doo...

0:12:13 > 0:12:15# 1, 2, 3, 4!

0:12:15 > 0:12:17- MIMICS TRUMPET - # Do-do-do-do-do-do-do-do

0:12:17 > 0:12:19# Do-do-do-do-do-do-do-do

0:12:19 > 0:12:21# Do-do-do-do-do-do-do-do

0:12:21 > 0:12:24# Do-do-do-do-do-do-do-do

0:12:24 > 0:12:27# Do...do...do-do-do-do-do-do... #

0:12:30 > 0:12:32I have no idea what Marvin's contribution to that was.

0:12:32 > 0:12:34I was bass with Phil!

0:12:34 > 0:12:36- I dunno.- Oh, really?- Yeah.

0:12:36 > 0:12:38NOEL: Oh. I think I do know.

0:12:38 > 0:12:40Shall I throw it over?

0:12:40 > 0:12:45I know what it is but I can't remember what it's called.

0:12:45 > 0:12:47It's Paolo Nutini, right?

0:12:47 > 0:12:48Yeah?

0:12:48 > 0:12:49SINGLE DRUMBEAT

0:12:51 > 0:12:53It's about stationery.

0:12:53 > 0:12:56Lead In My Pencil.

0:12:56 > 0:12:58Exactly.

0:12:58 > 0:13:00Lead In My Pencil.

0:13:00 > 0:13:02I'm back in the game!

0:13:02 > 0:13:04Here's how it should have sounded.

0:13:04 > 0:13:07INTRO "Lead In My Pencil" by Paolo Nutini

0:13:14 > 0:13:15The next intro, please!

0:13:15 > 0:13:171, 2, 3, 4...

0:13:17 > 0:13:19# Ba-bom ba-ba-bom

0:13:19 > 0:13:22# Ba-bom ba-ba-bom

0:13:22 > 0:13:25- HIGH-PITCHED, ASCENDING: - # Da-da-da-da-da-da-da-da...

0:13:25 > 0:13:27# ..bom-bom-bom...

0:13:27 > 0:13:29- HIGH-PITCHED, DESCENDING: - # Da-da-da-da-da-da-da-da...

0:13:29 > 0:13:31# ..bom ba-bom-bom... #

0:13:31 > 0:13:33Is it...erm...

0:13:33 > 0:13:36Is it Grace Jones?

0:13:36 > 0:13:37Is it pardon?

0:13:37 > 0:13:39Is it Grace Jones?

0:13:39 > 0:13:40N-n-not as such.

0:13:40 > 0:13:43Oh, it's not, um... OK, it's not, then.

0:13:43 > 0:13:44We're throwing it over.

0:13:44 > 0:13:46It's Grandmaster Flash.

0:13:46 > 0:13:49It's either The Message or Rapper's Delight.

0:13:49 > 0:13:50So good!

0:13:50 > 0:13:52DRUM BEATS

0:13:52 > 0:13:55Here's how it should have sounded.

0:13:55 > 0:13:58INTRO "The Message" by Grandmaster Flash

0:14:06 > 0:14:09So that was Grandmaster Flash with The Message.

0:14:09 > 0:14:12Grandmaster Flash is the reason I got into hip-hop.

0:14:12 > 0:14:17If it wasn't for him, I could have been an assistant manager in a bank in Norwich.

0:14:17 > 0:14:19I'd probably have a company car by now.

0:14:19 > 0:14:22- Dr Noel.- Hello.

0:14:22 > 0:14:25Because Uncle Phill had JLS,

0:14:25 > 0:14:27I've got something even better.

0:14:27 > 0:14:29I've got Pat Sharp!

0:14:29 > 0:14:31APPLAUSE AND CHEERING

0:14:34 > 0:14:36Russell!

0:14:39 > 0:14:40What happened to the mullet?!

0:14:40 > 0:14:43It was all business at the front and all party at the back!

0:14:43 > 0:14:46- Now it's all business! - DRUM BEATS

0:14:50 > 0:14:52Pat's here to help you with the intros.

0:14:52 > 0:14:55- Come on, Pat. - Here is your intros.- Thank you.

0:14:55 > 0:14:57My pleasure.

0:14:57 > 0:14:59You ready?

0:14:59 > 0:15:011, 2, 3, 4...

0:15:01 > 0:15:03# Bloum, bloum

0:15:03 > 0:15:06# Bloum-bloum-bloum-bloum

0:15:06 > 0:15:12# Ahhhhhhhhhhh Ahhhhh-ah-ah-ah-ahhhhhhh

0:15:12 > 0:15:17- # Wak-wa-wa Wa-wa-waaa... - Mm-mm-mm... #

0:15:17 > 0:15:18Pat!

0:15:18 > 0:15:24# Ahhhhhhhhhhh Ahhhhh-ah-ah-ah-ahhhhhhh... #

0:15:24 > 0:15:27Come on, Pat, join in, man! It's your last chance to save your career!

0:15:27 > 0:15:32- # Waaaaa-wa-wa-wa-wa... - MM-MM-MM-MM-MM-MM-MM! #

0:15:32 > 0:15:33Oh, wow. Sorry.

0:15:33 > 0:15:35# Ahhhhhhhhhhh Ahhhhh-ah-ah-ah-ahhhhhhh... #

0:15:35 > 0:15:39- That was a joke, Pat. - SINGLE DRUMBEAT

0:15:39 > 0:15:41- I'm lost. I'm lost. - Are we throwing it over?

0:15:41 > 0:15:44- Let him have a guess! - Let me have one guess.

0:15:44 > 0:15:45Let's Get Ready To Rumble!

0:15:46 > 0:15:48Walsh knows.

0:15:48 > 0:15:50I think it's The Specials.

0:15:50 > 0:15:52Ghost Town?

0:15:52 > 0:15:53Yes! Oh, she's good!

0:15:53 > 0:15:55She is good.

0:15:55 > 0:15:58This is how it should have sounded.

0:15:58 > 0:16:01INTRO "Ghost Town" by The Specials

0:16:05 > 0:16:09- I should've known that, shouldn't I? - Listen...

0:16:09 > 0:16:12# MM-MM-MM-MM-MM-MM-MM! #

0:16:14 > 0:16:17Can we have the next intro, please?

0:16:17 > 0:16:22- There you go.- Thank you. - You look like you're about to do a best man's speech.

0:16:22 > 0:16:23I'm ready.

0:16:23 > 0:16:251, 2, 3, 4.

0:16:25 > 0:16:29I'd like to thank you all for coming this afternoon, specially the bride,

0:16:29 > 0:16:35and the bridegroom, it's been an incredible day. We're all pissed and we're going home now. Thanks, bye.

0:16:41 > 0:16:431, 2, 3, 4.

0:16:43 > 0:16:46- # Boo-boo-chh! Boo-boo-chh! - BEEP!

0:16:46 > 0:16:49- # Boo-boo-chh! Boo-boo-chh!- BEEP!

0:16:49 > 0:16:51- # Boo-boo-chh! Boo-boo-chh! - BEEP!

0:16:51 > 0:16:54- # Boo-boo-chh! Boo-boo-chh!- BEEP!

0:16:54 > 0:16:56- # Boo-boo-chh! Boo-boo-chh! - BEEP!

0:16:56 > 0:16:59- # Boo-boo-chh! Boo-boo-chh!- BEEP! #

0:16:59 > 0:17:02- Bass! - # Mak-mak-ma!

0:17:03 > 0:17:05It's not We Will Rock You, is it?

0:17:05 > 0:17:08No. It could be in another lifetime.

0:17:09 > 0:17:13We have got the three stages of Freddie Mercury here.

0:17:13 > 0:17:17Hmmm... It's not Ant And Dec, is it?

0:17:19 > 0:17:22OK. Are we going to pass it over?

0:17:22 > 0:17:23We are passing it over.

0:17:23 > 0:17:26Is it Cypress Hill?

0:17:26 > 0:17:28You are so good, Holly, baby.

0:17:28 > 0:17:30Insane In The Membrane.

0:17:30 > 0:17:32Oh! She is so good! Here's how it should have sounded.

0:17:32 > 0:17:34Make some noise for Holly!

0:17:34 > 0:17:37INTRO "Insane In The Brain" by Cypress Hill

0:17:37 > 0:17:41- # BEEP! # - She's good if she got that. I'm not going to lie, she's good.

0:17:41 > 0:17:43I'd like to say thank you to Pat Sharp.

0:17:43 > 0:17:45APPLAUSE AND CHEERING

0:17:45 > 0:17:47Really good to see you, man.

0:17:49 > 0:17:54- Good work.- So that was Cypress Hill with Insane In The Brain.

0:17:54 > 0:17:56We also heard Ghost Town by The Specials.

0:17:56 > 0:17:58The band is still very relevant today.

0:17:58 > 0:18:01Just ask Chris Moyles.

0:18:01 > 0:18:03He loves hearing The Specials.

0:18:03 > 0:18:07But then again, he loves most things on the menu.

0:18:07 > 0:18:10LAUGHTER

0:18:10 > 0:18:12NOEL: I like that joke.

0:18:12 > 0:18:14No button for me.

0:18:14 > 0:18:16I like Chris.

0:18:16 > 0:18:19Really? SINGLE DRUMBEAT

0:18:24 > 0:18:29- At the end of that round, Uncle Phill's team - 3! - SINGLE DRUMBEAT

0:18:29 > 0:18:32Dr Noel's team - 3!

0:18:32 > 0:18:35APPLAUSE AND CHEERING

0:18:40 > 0:18:44Round Three is the Identity Parade. Uncle Phill,

0:18:44 > 0:18:49what about some '70s progressive rock? For the audience only,

0:18:49 > 0:18:52here is the Gordon Giltrap Band.

0:19:15 > 0:19:19That was the Gordon Giltrap Band with Fear Of The Dark.

0:19:19 > 0:19:23But which of our line-up is Gordon Giltrap?

0:19:23 > 0:19:26Is it number one - Giltrap?

0:19:26 > 0:19:30Number two - bear trap?

0:19:30 > 0:19:33Number three - clap trap?

0:19:34 > 0:19:36Number four - Von Trapp?

0:19:38 > 0:19:42Or number five - shut your trap, I'm doing the ID Parade!

0:19:45 > 0:19:47It's like a line-up for God!

0:19:49 > 0:19:50KLAXON BLARES

0:19:50 > 0:19:52Substitution, substitution, substitution!

0:19:52 > 0:19:55CHEERING AND APPLAUSE

0:19:59 > 0:20:02I think they look like a line-up of Father Christmases.

0:20:02 > 0:20:05If you got number three, you would feel ripped off!

0:20:06 > 0:20:11- I think it's...- You look like Luna from the Harry Potter books, "Hello!"

0:20:11 > 0:20:15- Luna Lovegood? - You read Harry Potter? - I read the Harry Potter books.

0:20:15 > 0:20:18- Do all of you?- Just JB!

0:20:18 > 0:20:20Can we throw it to JB to identify...

0:20:20 > 0:20:23He can only identify number two. He is obsessed with Harry Potter.

0:20:23 > 0:20:26This is the thing I wasn't expecting to find out,

0:20:26 > 0:20:31that he, when he's supposed to be using his own brand of condoms to pleasure the groupies

0:20:31 > 0:20:35is actually going, "Oh, no! Dumbledore, I can't believe you did that!"

0:20:39 > 0:20:42Number one is just staring me out.

0:20:43 > 0:20:46It's just straight at me, he hasn't blinked once.

0:20:49 > 0:20:51I'm going to try and take him off you.

0:20:53 > 0:20:56Let's... Sub in, sub in! Sub in the stare!

0:20:56 > 0:21:00- I think we've got him. I think it's five.- Yeah, I think it's five.

0:21:00 > 0:21:05- Five actually...- He looks like he's made a lot of money and had a lot of prosperity and wealth.

0:21:05 > 0:21:07Well, number five, even if it's not you, sir,

0:21:07 > 0:21:09those young men think highly of you!

0:21:10 > 0:21:12Number five please, big dog.

0:21:12 > 0:21:18Let's find out - would the real Gordon Giltrap please step forwards?

0:21:18 > 0:21:20Yes! CHEERING AND APPLAUSE

0:21:24 > 0:21:27With a joint album with Rick Wakeman out now,

0:21:27 > 0:21:29Gordon Giltrap, ladies and gentlemen!

0:21:30 > 0:21:33Rock on, dude!

0:21:35 > 0:21:37- Dr Noel.- Hello.

0:21:37 > 0:21:40How about some '90s R&B?

0:21:40 > 0:21:44For the audience only, here is Innocence.

0:21:44 > 0:21:46# A natural thing

0:21:46 > 0:21:48# I don't have to prove it

0:21:48 > 0:21:51# A natural thing

0:21:51 > 0:21:53# We're making out, we know we're right

0:21:53 > 0:21:55# A natural thing

0:21:55 > 0:21:58# Time is on our side

0:21:58 > 0:22:03- # Coming on - Keep coming on so strong. #

0:22:03 > 0:22:05That was Innocence with Natural Thing.

0:22:05 > 0:22:10But which of our line-up is singer Gee Morris?

0:22:10 > 0:22:13Is it number one - Gee Morris?

0:22:13 > 0:22:16Is it number two - F off.

0:22:16 > 0:22:20Is it number three - Z-list?

0:22:20 > 0:22:23Is it number four - C sharp?

0:22:23 > 0:22:26Or is it number five - see Pat Sharp!

0:22:26 > 0:22:28APPLAUSE

0:22:32 > 0:22:35We've got to be sensible here, lads.

0:22:35 > 0:22:38What do you mean - not pick number five?

0:22:40 > 0:22:43It feels so right, though, to pick number five.

0:22:43 > 0:22:47No matter what anyone says, I am going to say it's number five.

0:22:48 > 0:22:52Russell, you've done plenty of duets in your time, haven't you?

0:22:52 > 0:22:56- Yes, yes.- Have you ever thought about teaming up with the king of grime?

0:22:56 > 0:22:58- Yes.- Dizzee Rascal.- Yes.

0:22:58 > 0:23:00AUDIENCE: Oooh!

0:23:00 > 0:23:02Oooh!

0:23:02 > 0:23:04SINGLE DRUMBEAT

0:23:04 > 0:23:07- Would you do a... - Four or two, it could be.

0:23:07 > 0:23:10- What do you think? - I think it's number five.

0:23:10 > 0:23:11Would you do...

0:23:13 > 0:23:19Believe it or not, back in 1999, I did a duet with Sean Ryder.

0:23:19 > 0:23:21- Really?- That was quite an experience.

0:23:21 > 0:23:27I shouldn't say this, but I do occasionally do impersonations and...

0:23:27 > 0:23:30- You do a Ryder?- We actually... Yeah.

0:23:30 > 0:23:32We actually struggled to get certain bits from him

0:23:32 > 0:23:38so I did the vocals and his manager came up to us afterwards and he says,

0:23:38 > 0:23:43"Tell you what - that's the best our Sean's sounded for about 10 years!"

0:23:45 > 0:23:47Do Nessun Dorma as Sean Ryder.

0:23:47 > 0:23:48I'll be Bez.

0:23:55 > 0:23:56So it'll be something like -

0:23:56 > 0:24:02- MANCUNIAN ACCENT: - # Nessun dorma, nessun dorma

0:24:02 > 0:24:07# Tu pure, o Principessa

0:24:07 > 0:24:11# Nella tua fredda stanza. #

0:24:11 > 0:24:13CHEERING AND APPLAUSE

0:24:16 > 0:24:17Fantastic.

0:24:18 > 0:24:22- Can we make a positive decision here?- Five.

0:24:22 > 0:24:25Are you... No, that weren't positive.

0:24:26 > 0:24:28- Let's be sensible.- All right.

0:24:28 > 0:24:31- It's either four or two.- Or five.

0:24:34 > 0:24:37- Can I just remind you of the scores at this stage? - Yeah, what are the scores?

0:24:37 > 0:24:39- You are one behind.- Really?

0:24:39 > 0:24:41OK, number five.

0:24:43 > 0:24:45It's what we call in the business an insistent gag.

0:24:47 > 0:24:49It needs your button.

0:24:49 > 0:24:50SINGLE DRUMBEAT

0:24:50 > 0:24:52Number four!

0:24:52 > 0:24:54- Are we saying four?- Yeah, we are.

0:24:54 > 0:25:00Let's find out. Would the real Gee Morris please put her best foot forward?

0:25:02 > 0:25:04Go on, Pat!

0:25:04 > 0:25:05Go on, Pat!

0:25:06 > 0:25:09CHEERING AND APPLAUSE

0:25:12 > 0:25:15And we're all looking forward to her new material -

0:25:15 > 0:25:16out soon, probably next year.

0:25:16 > 0:25:18Gee Morris, ladies and gentlemen.

0:25:23 > 0:25:26So we end with Next Lines.

0:25:26 > 0:25:29Noel's team, you are first!

0:25:29 > 0:25:30SINGLE DRUMBEAT

0:25:30 > 0:25:33And your time starts now.

0:25:33 > 0:25:38Here's a little song I wrote.

0:25:35 > 0:25:38You might want to sing it note for note.

0:25:38 > 0:25:42Insane in the membrane.

0:25:40 > 0:25:42Insane in the brain.

0:25:42 > 0:25:45Interview on the TV, I'm laughing.

0:25:45 > 0:25:47WILEY MUMBLES QUIETLY

0:25:49 > 0:25:50Is this one yours?

0:25:50 > 0:25:53All right. Interview on the TV, I'm laughing...

0:25:53 > 0:25:56Interview on the TV, I'm laughing.

0:25:56 > 0:25:59Might see me...uh...

0:25:59 > 0:26:02I missed my own song, you're... Killing Me Softly!

0:26:02 > 0:26:04- Never Mind The Buzzcocks.- Yes!

0:26:04 > 0:26:09- I'll make your...- I'll make your household laugh when I do my casting.

0:26:09 > 0:26:12Wiley with MJ Cole From The Drop.

0:26:12 > 0:26:16Barcelona!

0:26:13 > 0:26:16It was the first time that we met.

0:26:16 > 0:26:18Number five, Pat Sharp.

0:26:18 > 0:26:20END-OF-ROUND JINGLE

0:26:21 > 0:26:24Phill's team, you need four points to win,

0:26:24 > 0:26:28three points to draw or two points to lose.

0:26:28 > 0:26:34OK. Thanks for doing that. I'm going to play two subs now.

0:26:34 > 0:26:36- KLAXON BLARES - Can I sit in the middle?

0:26:40 > 0:26:42I'm really shit at this, by the way.

0:26:43 > 0:26:45Your time starts now.

0:26:45 > 0:26:48- Is that your thing, to wear the hat? - Yeah, do you like it?

0:26:48 > 0:26:51- Yeah, I just didn't realise that was a thing.- Oh, yeah.

0:26:51 > 0:26:54- You know, it just gets me girls, you know?- Really?

0:26:54 > 0:26:56- WILEY:- What's going on over there?

0:26:56 > 0:26:58This is like every bus stop I was ever in.

0:27:06 > 0:27:09I said, a hip-hop.

0:27:08 > 0:27:09- ALL:- Hip-hop.

0:27:09 > 0:27:11The hippie to the hip, hip-hop.

0:27:11 > 0:27:13You don't stop, you rock it to the bang bang...

0:27:13 > 0:27:15Sugarhill Gang, Rapper's Delight.

0:27:15 > 0:27:20Do you remember the good old days?

0:27:18 > 0:27:20No.

0:27:21 > 0:27:23The Specials, Ghost Town.

0:27:23 > 0:27:26Day two, I can't help but think of you.

0:27:26 > 0:27:30- Day two, can't... - Was the same as day two. Day four, I fell in love with you.

0:27:30 > 0:27:34- Thank you. But what happened to day three?- Day three was the same as day two.

0:27:34 > 0:27:37Oh, I though you were just saying that. JLS, Love You More.

0:27:37 > 0:27:42Day four, I fell in love with you.

0:27:40 > 0:27:42Day five, you spent it with me.

0:27:42 > 0:27:44Sixth day, knocked me off my feet. Day seven...

0:27:44 > 0:27:47You're taking my questions! JLS, Love You More.

0:27:47 > 0:27:49- KLAXON BLARES - Oh, change over. Sub, sub, sub!

0:27:49 > 0:27:52CHEERING AND APPLAUSE

0:27:53 > 0:27:56- END-OF-ROUND JINGLE - Let's go, team. Oh!

0:28:00 > 0:28:01The final scores -

0:28:01 > 0:28:05- Uncle Phill's team - eight, sir. - Thank you.

0:28:07 > 0:28:09Dr Noel's team -

0:28:09 > 0:28:11- seven.- Oh, no!

0:28:11 > 0:28:14CHEERING AND APPLAUSE

0:28:17 > 0:28:19Thanks to Uncle Phill, Holly and JLS.

0:28:23 > 0:28:26Not forgetting Dr Noel, Russell and my man, Wiley.

0:28:26 > 0:28:29And, of course, number five - Pat Sharp!

0:28:32 > 0:28:34This has been Never Mind The Buzzcocks.

0:28:34 > 0:28:36We're out of here. One.

0:29:00 > 0:29:03Subtitles by Red Bee Media Ltd