0:00:02 > 0:00:06This programme contains strong language
0:00:06 > 0:00:08K to the U to the R, U to the P to the T! Kurupt family!
0:00:08 > 0:00:11Then it's like you can spell things out, you...
0:00:11 > 0:00:13It's... You use your mouth, predominantly.
0:00:13 > 0:00:15- DIRECTOR:- What are the hand things?
0:00:15 > 0:00:18Er, just Kurupt FM. K is like...
0:00:18 > 0:00:20Just throw your Ks up.
0:00:20 > 0:00:23Kurupt FM, innit, the rest are irrelevant, like.
0:00:23 > 0:00:24- That's a slogan.- It is.
0:00:24 > 0:00:28Don't need to say it's the slogan, just let them hear us
0:00:28 > 0:00:30saying it all the time, then they'll get it.
0:00:30 > 0:00:33We used to say Kurupt FM, like it or just lump it, basically.
0:00:33 > 0:00:35Yeah, but then I came up with a more...
0:00:35 > 0:00:37One that rhymes, you know what I mean?
0:00:37 > 0:00:39Rolls off the tongue better.
0:00:39 > 0:00:40Aerodynamic.
0:00:42 > 0:00:45# I said it's time for action Boom, boom, boom, shake, shake... #
0:00:45 > 0:00:48What is Kurupt FM?
0:00:48 > 0:00:52Simple, it's an urban powerhouse/ radio station/family unit,
0:00:52 > 0:00:54do you know what I mean?
0:00:54 > 0:00:57The biggest and baddest pirate radio station in the land,
0:00:57 > 0:01:02AKA Kurupt, like, best believe, 180.9 in your dial, yeah?
0:01:02 > 0:01:04The phone line is popping off right now.
0:01:04 > 0:01:08Big out to 384. Isleworth Mercy!
0:01:08 > 0:01:10We transmit throughout the whole of West London.
0:01:10 > 0:01:14Obviously, once you get to Shepherd's Bush it...
0:01:14 > 0:01:15- It gets a bit... - It gets a bit, yeah,
0:01:15 > 0:01:18white-noisy, but we've still got a lot of fans down Bush, White City.
0:01:18 > 0:01:21I reckon there's quite a lot of people that drive
0:01:21 > 0:01:23closer to the transmitter in the car...
0:01:23 > 0:01:26- Yeah, yeah.- ..and maybe set up a recording.- Bring a picnic.
0:01:28 > 0:01:30- Yeah, so. - Let's show 'em round, innit, like?
0:01:30 > 0:01:32Yeah, show 'em round the manor, like.
0:01:32 > 0:01:34Obviously, you've got the blocks there and that.
0:01:34 > 0:01:36And you see here we've got the garage, yeah,
0:01:36 > 0:01:39- if you need Rizla any time of day, bosh.- Boom, like.
0:01:39 > 0:01:41'My philosophy on life, yeah,'
0:01:41 > 0:01:45is just, like, sort of just do whatever, basically.
0:01:45 > 0:01:48Bring up a lot of problems, money issues and that,
0:01:48 > 0:01:50but it's better that way, innit?
0:01:50 > 0:01:52Yeah.
0:01:52 > 0:01:55Over there we've got the world-famous Crack D's.
0:01:55 > 0:01:57Cracka Demus & Pliers!
0:01:57 > 0:02:00Beautiful little burgers, actually, they do there, don't they?
0:02:00 > 0:02:01- Yeah, whoa.- What else?
0:02:03 > 0:02:05And then just up here you've got the station.
0:02:05 > 0:02:07Yeah.... No, don't show them the...
0:02:07 > 0:02:09No, it's not the station, we're just...
0:02:09 > 0:02:13You're not meant to know where... where it all is and all that, so.
0:02:13 > 0:02:14Maybe I shouldn't...
0:02:14 > 0:02:16We shouldn't have taken them on a tour of Brentford.
0:02:16 > 0:02:19- Yeah, well, just don't fucking... - It's kind of ...
0:02:19 > 0:02:21Sh! It's, er... We're not actually...
0:02:21 > 0:02:23Just cos we're going round Brentford
0:02:23 > 0:02:26doesn't mean we're actually... the station's in Brentford.
0:02:26 > 0:02:28It's a... It's a little radio trick
0:02:28 > 0:02:30we call throwing them off the scent, so...
0:02:30 > 0:02:31Yeah, we could be anywhere right now,
0:02:31 > 0:02:34- we could actually be in Brentlee. - Exactly.
0:02:35 > 0:02:37- DIRECTOR:- So, is this all illegal, then?
0:02:37 > 0:02:40Course it's illegal, mate, it's part of the beauty of it.
0:02:40 > 0:02:42'If you keep a secret location,
0:02:42 > 0:02:44'you don't have to do any moving around,
0:02:44 > 0:02:47'it's just like the dotty Babylon, the filth,
0:02:47 > 0:02:49'do you know what I mean? And the DTI
0:02:49 > 0:02:51'that have to do all the running about, like,
0:02:51 > 0:02:53'do you know what I mean? And never find us.'
0:02:53 > 0:02:55- Stop filming!- 'They don't know that we're down here,'
0:02:55 > 0:02:58dropping the finest in UK garage and drum 'n' bass, like.
0:03:00 > 0:03:01Fucking amateurs.
0:03:01 > 0:03:03Come on, mate, keep it down now.
0:03:03 > 0:03:05Hurry up, Decoy, I need a piss.
0:03:05 > 0:03:07Just hold it down, though, yeah, just keep it literally...
0:03:07 > 0:03:10- Yeah, hold that shit down. - Don't get the faces.
0:03:10 > 0:03:14Here we are, boys. Do you want to...? You can take that off now, yeah?
0:03:16 > 0:03:18So, just whack it up there.
0:03:18 > 0:03:20- Welcome to Kurupt FM!- Welcome.
0:03:20 > 0:03:22Yeah. Mu casa su casa.
0:03:22 > 0:03:24Sorry about all the hoods and all that, but, er, it's just like
0:03:24 > 0:03:27something you have to do in pirate radio, secret location and all that.
0:03:27 > 0:03:29Yeah, we even took the number off the door,
0:03:29 > 0:03:31so we don't even know what number it is.
0:03:31 > 0:03:33- Come through, come through.- Enter.
0:03:33 > 0:03:38So, this is...the main studio area, yeah, got the...
0:03:38 > 0:03:42the main hub, yeah, that keeps everything going, this does.
0:03:42 > 0:03:44Er, got Steves over there...
0:03:44 > 0:03:46- Yeah.- ..doing a little morning clean-up and that.
0:03:46 > 0:03:49Yeah, Steves spruces up the studio for us,
0:03:49 > 0:03:51we let him keep any little zoot ends or coins and that.
0:03:51 > 0:03:56Steves. Steves, mate, listen. Clean your bedding, please, mate,
0:03:56 > 0:03:59- cos we've got the BBC here, do you know what I mean?- Sorry.
0:04:00 > 0:04:03Grindah as an MC? I don't know how to describe him.
0:04:03 > 0:04:04We'll put the mic inside the arena
0:04:04 > 0:04:06A bad boy for the business similar
0:04:06 > 0:04:08With the BBC crew inside it every year!
0:04:08 > 0:04:11- Ha-ha! Freestyle as well, mate. - That sort of thing really.
0:04:11 > 0:04:13Ah, he's nuts.
0:04:13 > 0:04:15Right, er, it's actually better with the music,
0:04:15 > 0:04:17so let's talk you through the equipment.
0:04:17 > 0:04:19So, you've got the... So... So you've got the...
0:04:19 > 0:04:21Right, this is your amp, yeah.
0:04:21 > 0:04:23- Yeah, amp, that's the amp. - Connected to the speakers.
0:04:23 > 0:04:26- Yeah.- Your transmitter here, be careful with that.
0:04:26 > 0:04:27- Listen...- Two mics. - ..never mind all that.
0:04:27 > 0:04:30Do you want to whack it on, we'll show him how it's done?
0:04:30 > 0:04:31Oh, yeah, yeah, yeah.
0:04:31 > 0:04:33So, this goes, one, two! One, two!
0:04:33 > 0:04:36E-Even better with the mic, innit? Mental, like.
0:04:36 > 0:04:37All right, let's go.
0:04:37 > 0:04:39Who's ready? Who's ready?
0:04:39 > 0:04:42Who's ready? Who's ready? Who's ready?
0:04:42 > 0:04:43Who's ready?
0:04:43 > 0:04:45One, two, three, four, five
0:04:45 > 0:04:46Once I caught the fish alive
0:04:46 > 0:04:48One, two, three, four, five
0:04:48 > 0:04:50Once I picked up with the garage vibe
0:04:50 > 0:04:52My side, their side
0:04:52 > 0:04:54And you get a side like inside
0:04:54 > 0:04:56Step on the microphone Ready to ride...
0:04:58 > 0:05:00I've been with Grindah for about six years now.
0:05:00 > 0:05:03Like, when we first got together we used to do a lot of, you know,
0:05:03 > 0:05:07sort of romantic sort of things, like he'd buy me clothes
0:05:07 > 0:05:10and that, just, you know, cos he didn't like what I wore.
0:05:10 > 0:05:12- DIRECTOR:- So, how did you two meet?
0:05:12 > 0:05:15It was actually really sweet, like, it was in a car park.
0:05:15 > 0:05:17I was just sort of, you know, walking along
0:05:17 > 0:05:20and he shouted something at me from a van and, yeah,
0:05:20 > 0:05:22it just all went from there really.
0:05:22 > 0:05:24So, what was Miche like when you first met her?
0:05:24 > 0:05:27Ah, she was beautiful when I first met her.
0:05:27 > 0:05:29It's mad to think, like.
0:05:32 > 0:05:34But, yeah, I still like her and that, so...
0:05:34 > 0:05:37So, has he ever been in trouble with the law?
0:05:37 > 0:05:38Yeah, he's been in trouble a few times,
0:05:38 > 0:05:41but it's always been like, you know, silly little things
0:05:41 > 0:05:44like, I don't know, dealing, GBH, hate crimes, you know,
0:05:44 > 0:05:45just silly little things like that.
0:05:47 > 0:05:50No, I think we've spent enough now.
0:05:50 > 0:05:52Who's on the mic and ready to ride?
0:05:52 > 0:05:54Inside, at their side...
0:05:54 > 0:05:56- BANGING AT DOOR - Grindah. Grindah.
0:05:56 > 0:05:58- What?! - Someone banging on the door, bruv.
0:05:58 > 0:06:00Oh, is it? Oh, turn everything off.
0:06:00 > 0:06:02Turn it off, turn it off, turn it off.
0:06:02 > 0:06:04Sh. Steves, shut up.
0:06:04 > 0:06:07BANGING CONTINUES
0:06:09 > 0:06:12- Hello, mate.- How many times have I told you, bruv?
0:06:12 > 0:06:15- Huh? I know.- This is turning into a joke.- I... I'm sorry, mate.
0:06:15 > 0:06:16- I've asked you nicely...- I know.
0:06:16 > 0:06:19I've written letters, yeah? You lot are mugging me off, man.
0:06:19 > 0:06:21No, I... I can assure you we're not, mate, please, like...
0:06:21 > 0:06:23- Just turn it down. - I keep telling 'em,
0:06:23 > 0:06:26but we've got problems with the volume thing.
0:06:26 > 0:06:27Mate, I don't give a shit, just turn it down.
0:06:27 > 0:06:29Well, just... All right, I'm sorry.
0:06:29 > 0:06:31That's what I'm trying to say, though, yeah,
0:06:31 > 0:06:33cos if it was in the streets, yeah,
0:06:33 > 0:06:35it'd be a different story, do you know what I mean?
0:06:35 > 0:06:37- Be the end of his story. - End of his story, that's right,
0:06:37 > 0:06:40cos I'd just be like, bang, upwards, you know what I mean?
0:06:40 > 0:06:42He's on the floor, like, feeling dizzy,
0:06:42 > 0:06:44do you know what I mean? At the time and that, like.
0:06:44 > 0:06:47But the thing is, yeah, when you do run an illegal radio station,
0:06:47 > 0:06:50yeah, you cannot run the risk of DTI coming through, innit?
0:06:50 > 0:06:53- No.- He's like, "I sent a letter," do you know what I mean? A letter.
0:06:53 > 0:06:55Who's in charge of post?
0:06:55 > 0:06:56Huh?
0:06:56 > 0:06:58I was doing recycling.
0:07:01 > 0:07:03- Me, I... I sometimes... - Yeah, well...
0:07:03 > 0:07:05I just put them over here, like, cos...
0:07:05 > 0:07:07I didn't think people would send us letters
0:07:07 > 0:07:09- cos of the door number and that. - Just...
0:07:12 > 0:07:14"To WHOM it may concern..."
0:07:14 > 0:07:18He hasn't even spelled "who" right for a start, like.
0:07:18 > 0:07:19"Whawm!"
0:07:19 > 0:07:22- Meh! "Your music's so loud!"- Meh!
0:07:22 > 0:07:24Meh! "I've got kids that need to sleep..."
0:07:24 > 0:07:25Meh!
0:07:25 > 0:07:28"..and I need to get up early for work."
0:07:28 > 0:07:31Meh! "If you don't keep it down,
0:07:31 > 0:07:35"I will be forced to involve the council," like, meh!
0:07:35 > 0:07:40What? "If you do keep it...then I'll be forced to involve the council?"
0:07:40 > 0:07:42Call the council out, man, don't give a fuck, bruv!
0:07:42 > 0:07:44No, dude, we do give a fuck. Don't put that, cos...
0:07:44 > 0:07:47No, cos the government work for the council,
0:07:47 > 0:07:49then we're going to have the government on our case.
0:07:49 > 0:07:50Oh, is it?
0:07:50 > 0:07:52Oh, for f... That's what I... That's all I need!
0:07:52 > 0:07:53That's all I need.
0:07:53 > 0:07:56We cannot run the risk of the government
0:07:56 > 0:07:58booting our doors off, bruv.
0:07:58 > 0:08:00So, what shall we do?
0:08:00 > 0:08:01"What shall we do?"
0:08:01 > 0:08:04If you weren't the one constantly turning it up, yeah,
0:08:04 > 0:08:08- we wouldn't be in this mess, so you sort it out, yeah?- Yeah.
0:08:08 > 0:08:10'I think when, like, Grindah's at the station,'
0:08:10 > 0:08:14he has to be quite tough cos obviously he's in charge, but, like,
0:08:14 > 0:08:17when he's with me, he definitely has a more, like, softer side.
0:08:17 > 0:08:20Like, these are some pictures of him actually before he was famous.
0:08:20 > 0:08:24This one's, erm, of him at a petting zoo holding a rabbit,
0:08:24 > 0:08:26like they... they're doing the same expression.
0:08:26 > 0:08:29Actually, this one's a good one.
0:08:29 > 0:08:32This was taken when I was pregnant.
0:08:32 > 0:08:35Like, obviously we've both lost a bit of weight since then,
0:08:35 > 0:08:37like Grindah went on Slim-Fast.
0:08:38 > 0:08:42The kind of concept behind it was that we're in heaven because, like,
0:08:42 > 0:08:45that's just what it felt like at that time, like,
0:08:45 > 0:08:46but the cloud's not actually there,
0:08:46 > 0:08:49that's just like, you know, like camera trickery.
0:08:49 > 0:08:52What if we gave the neighbour a knock and just gave him
0:08:52 > 0:08:55some headphones or earplugs, or even took requests?
0:08:55 > 0:08:57- Requests?- Yeah.
0:08:57 > 0:09:01Right, you lot are a joke, I've got to call Chabuds, mate,
0:09:01 > 0:09:03- sort this out.- Yeah, call Chabuds.
0:09:03 > 0:09:04Chabsy!
0:09:06 > 0:09:09My name's Chabuddy G, AKA Chabuds,
0:09:09 > 0:09:12AKA The Rig Doctor, AKA the Mayor of Hounslow.
0:09:12 > 0:09:14I'm not actually a doctor or a mayor,
0:09:14 > 0:09:16but I can get you the certificates
0:09:16 > 0:09:19as part of a 36-month T-Mobile contract
0:09:19 > 0:09:21that you will not be able to get out of.
0:09:21 > 0:09:24This is my internet cafe. Come through, come through.
0:09:24 > 0:09:27And here she is, in all her wonder,
0:09:27 > 0:09:30Chabuddy's Worldwide Internet Cabin Cafe.
0:09:31 > 0:09:33That's Abdi, a bloody regular.
0:09:33 > 0:09:36So, come through here, come through, I'll show you everything.
0:09:36 > 0:09:41So, this is also my home, which I share with my lovely wife, Aldona.
0:09:41 > 0:09:44Aldona, say hello, darling, we've got a camera crew here, look.
0:09:44 > 0:09:46BBC and that, camera crew.
0:09:47 > 0:09:50This is the bed where we do our "sleeping", if you can call it that.
0:09:50 > 0:09:53IN HER OWN LANGUAGE:
0:09:53 > 0:09:55Actually, Aldona, can you give us a minute? See that?
0:09:55 > 0:09:59She walked out instantly. Obedience, very sexy in a woman.
0:09:59 > 0:10:01You see that? Look at that mirror.
0:10:01 > 0:10:04CHABUDDY LAUGHS
0:10:04 > 0:10:06I like to watch.
0:10:06 > 0:10:07'Chabuds!'
0:10:07 > 0:10:09He's one of them ultra-preneur characters,
0:10:09 > 0:10:12like, he can literally get you anything.
0:10:12 > 0:10:15Not drugs, though, cos we get them from Decoy's uncle.
0:10:18 > 0:10:21Can you...? Can we start that again?
0:10:21 > 0:10:23Don't put that bit in because...
0:10:23 > 0:10:25That's probably 90 degrees, I'd say.
0:10:28 > 0:10:31I don't have to do all of it, just run it across there.
0:10:35 > 0:10:38I'm just waiting for the echo, it actually indicates the densities.
0:10:40 > 0:10:42Er, don't, don't bang, come on, just get down,
0:10:42 > 0:10:44don't bang on the wall, mate.
0:10:44 > 0:10:47So, as I thought, er, no echo, so...
0:10:49 > 0:10:51Do you need it soundproofed today, boss?
0:10:51 > 0:10:53We've got a set at 8pm, yeah,
0:10:53 > 0:10:57- so we need it done before 8pm, ASAP, innit?- Yeah.
0:10:57 > 0:10:59Yeah, cos the last time we missed a set,
0:10:59 > 0:11:00the London riots happened, didn't it?
0:11:00 > 0:11:02- Yeah. Well...- Exactly.
0:11:02 > 0:11:05So, it's not something you really want on your mind, is it, mate?
0:11:05 > 0:11:07- I don't want that.- It's quite heavy, do you know what I mean?
0:11:07 > 0:11:09Mm. OK, what we're going to have to do, boss,
0:11:09 > 0:11:12this wall, I'm going to have to rip it down, yeah?
0:11:12 > 0:11:15We're looking at a full studio revamp here, boss.
0:11:16 > 0:11:19Probably going to cost you about a grand, I'd say.
0:11:19 > 0:11:22Don't like the sound of that, do not like the sound of that.
0:11:22 > 0:11:25Right, OK, well, if you wanted the cheaper option...
0:11:25 > 0:11:26Er, what's...? Which is?
0:11:27 > 0:11:29Egg boxes.
0:11:30 > 0:11:33- DIRECTOR:- Have you ever soundproofed anything before?
0:11:33 > 0:11:36I tell you what, I was actually going to soundproof this place up
0:11:36 > 0:11:38because sometimes me and Aldona...
0:11:38 > 0:11:42It's fucking loud, man - screaming, crying.
0:11:42 > 0:11:45No crying, screaming. Um...
0:11:45 > 0:11:46Let me do some equations quickly.
0:11:46 > 0:11:49So we've got to do the... Obviously carry that three...
0:11:49 > 0:11:52The decibel sound is up at 70db.
0:11:52 > 0:11:55Add the power of the A to the Z... Betamax...
0:11:55 > 0:11:57- You're looking at about 200 boxes. - 200, isn't it? Yeah.- 200, I'd say.
0:11:57 > 0:11:59What I'll do, I can do the technical part...
0:11:59 > 0:12:02- Yeah.- I'll do installation. - Yeah.- No problem.
0:12:02 > 0:12:03Um, I'll need you fellas to get me
0:12:03 > 0:12:05the actual egg boxes themselves cos I need to get my tools.
0:12:05 > 0:12:08- So, like the muscles of the operation.- Yeah.- Yeah, yeah.
0:12:08 > 0:12:10- Yeah, minor, minor.- Yeah, yeah. Of course we can, yeah.
0:12:10 > 0:12:14- OK.- So, um, what are we talking for this then, Chabsy?
0:12:14 > 0:12:17- We're just chatting, just talking. - No, no, I'm talking damage.
0:12:17 > 0:12:19What's the collat? What's the collateral damage?
0:12:19 > 0:12:20I will be... I assure you,
0:12:20 > 0:12:22there will be no damage, I'll clean it up, I'll hoover...
0:12:22 > 0:12:25- No, mate, listen, how much is it going to cost?- Oh, well, OK.
0:12:25 > 0:12:28- I have this shipment, OK, that I need to get rid of.- Yeah.
0:12:28 > 0:12:30So, how about I help you with the soundproofing material...
0:12:30 > 0:12:35- OK?- ..you help me by playing a new advert for my product on Kurupt FM?
0:12:35 > 0:12:36You tickle me, I tickle you.
0:12:36 > 0:12:38But, no, we don't do adverts on there, sorry, mate.
0:12:38 > 0:12:40- Oh.- We're... We're strictly about the music.
0:12:40 > 0:12:44- Strictly, yeah.- Tell... Tell us more money-wise, cash.
0:12:44 > 0:12:4650 big ones, I'd say.
0:12:46 > 0:12:4950? Ooph! No, squeeze the advert in, can't we?
0:12:49 > 0:12:51- Yeah, you've got it on cassette, yeah?- Always.
0:12:51 > 0:12:53Ah, no danger, no danger, yeah, yeah.
0:12:53 > 0:12:57- It ain't nothing weird, yeah? - Oh, no, no worries.- Dealio! Sweet!
0:12:57 > 0:12:59'You know that bit of dust at the end of peanuts, yeah?'
0:12:59 > 0:13:04Basically, that's the best part, everybody loves that bit, OK?
0:13:04 > 0:13:07There was a manufacturing fault where all the bags
0:13:07 > 0:13:09were filled with nothing but peanut dust.
0:13:09 > 0:13:14My uncle managed to get like 3,000 boxes of it, yeah,
0:13:14 > 0:13:17smuggled to the UK by smuggling himself inside a bloody crate.
0:13:17 > 0:13:18He's mental!
0:13:18 > 0:13:22Um, he got deported, unfortunately, but the boxes stayed with me.
0:13:22 > 0:13:25I call it Peanut Dust.
0:13:27 > 0:13:29It's a bit like doing Cribs, isn't it?
0:13:29 > 0:13:31So, this is the...the bedroom,
0:13:31 > 0:13:35like, this is where, like, all the magic happens.
0:13:35 > 0:13:39Got a hi-fi up there, so I can lie in bed listening to Kurupt.
0:13:39 > 0:13:41It's good cos it kind of keeps me and Grindah together
0:13:41 > 0:13:45cos obviously he works like late nights and that kind of thing,
0:13:45 > 0:13:47so I can lie in bed and listen to him
0:13:47 > 0:13:48and it'll feel like we're together.
0:13:48 > 0:13:51Got the view, as you can see, there's Brentford out there,
0:13:51 > 0:13:54like, it's amazing, it's kind of like when I'm in here
0:13:54 > 0:13:56and it's night-time, look out, see the lights,
0:13:56 > 0:13:58it's like being in, you know, like Sex In The City
0:13:58 > 0:14:00- or something like that. - JACKHAMMER BANGS
0:14:00 > 0:14:03Right, get as many egg boxes as you can, yeah?
0:14:03 > 0:14:06Back here for seven o'clock, no fucking around.
0:14:06 > 0:14:09Steves, take them, mate, you really need to wake up.
0:14:09 > 0:14:11Right, basically what you need to do, yeah, is get the car,
0:14:11 > 0:14:14spin it round the back, yeah, cos if you go round the front
0:14:14 > 0:14:16obviously the council might be there, yeah, all right?
0:14:16 > 0:14:18Come on, quick as you can, yeah? Got to lay low, bruv.
0:14:18 > 0:14:21Yeah. I was going to say, actually, we could lie on the back seat,
0:14:21 > 0:14:23so then they can't see us.
0:14:23 > 0:14:26Good idea, I'll do that. You walk, create a diversion, yeah?
0:14:26 > 0:14:27- Oh, is it?- Steves, come on!
0:14:27 > 0:14:29- Steves! Steves! - Come on, Steves. Steves, come on!
0:14:29 > 0:14:32- Doing my zip.- Come on! - Do I really have to walk?
0:14:32 > 0:14:35Keep dodge, yeah? See you boys in a bit.
0:14:48 > 0:14:50I'm a born leader, yeah?
0:14:50 > 0:14:53When I was in jail, I used to make Beats have to ring me
0:14:53 > 0:14:55before any decision was made.
0:14:55 > 0:14:57- DIRECTOR:- Have you been to prison?
0:14:57 > 0:15:00Yeah, of course I've been in prison, banged out a two-stretch.
0:15:00 > 0:15:03Two-stretch? Is that...?
0:15:03 > 0:15:05Two-stretch, innit! Don't...
0:15:05 > 0:15:07Ain't you seen films? Two-stretch!
0:15:09 > 0:15:11It's two weeks, innit?
0:15:15 > 0:15:18You usually find whatever you need in these bins, like,
0:15:18 > 0:15:20found loads of stuff in here before, so...
0:15:25 > 0:15:28Straightaway, free range. It's nice, yeah.
0:15:31 > 0:15:36Trick is to just keep your brain happy
0:15:36 > 0:15:39because pills release positive endorphins
0:15:39 > 0:15:43that basically means that you're never getting
0:15:43 > 0:15:45any negative side effects, like.
0:15:45 > 0:15:48My brain thanks me, like, it says, like, "Thank you,"
0:15:48 > 0:15:49like...
0:15:51 > 0:15:54And it's got the same voice as me, it's quite weird.
0:15:54 > 0:15:56Yes!
0:15:56 > 0:15:58Sick!
0:16:01 > 0:16:05Double box, brilliant. Exactly what we need.
0:16:05 > 0:16:09Right, I'm just going to take these all out, so then I can take that...
0:16:09 > 0:16:11Uh, fuck's sakes!
0:16:11 > 0:16:16That's what I mean about fucking eggs, like, fucking unpredictable!
0:16:16 > 0:16:18All over my Classics as well.
0:16:22 > 0:16:25Right, let me look in here.
0:16:25 > 0:16:28Just going to make a little wall of carrots to keep them in
0:16:28 > 0:16:30so that they don't, like, roll off the fridge
0:16:30 > 0:16:33and smash all over the place, like.
0:16:33 > 0:16:34Hiya!
0:16:34 > 0:16:36Don't come in the kitchen!
0:16:36 > 0:16:38Well, that's a nice welcome home, innit?
0:16:38 > 0:16:40Yeah, I'm doing work stuff.
0:16:43 > 0:16:45What are you doing?
0:16:45 > 0:16:48Look, Roche, I'm stressed out at the moment, like,
0:16:48 > 0:16:51I don't want to mix up radio with pleasure.
0:16:51 > 0:16:53Business, pleasure, don't mix.
0:16:53 > 0:16:55- Oh, so this is your business, is it? - Yeah.
0:16:55 > 0:16:59Messing about, smashing Craig's eggs on the floor while this lot film ya?
0:16:59 > 0:17:02Kevin's been living with us for a few months now,
0:17:02 > 0:17:03a couple of months.
0:17:03 > 0:17:05Er, I like having him around.
0:17:05 > 0:17:07I did think it was going to be
0:17:07 > 0:17:09more like having a man in the house,
0:17:09 > 0:17:12but, er, it's not, it's more like having another kid.
0:17:12 > 0:17:14Shall I say to Craig about the eggs?
0:17:14 > 0:17:15Well, I'm not going to.
0:17:15 > 0:17:16He's a right nightmare
0:17:16 > 0:17:19when he hasn't had his dippy eggs and soldiers.
0:17:19 > 0:17:22Craig's quite mature for his age...
0:17:22 > 0:17:24apart from the tantrums.
0:17:24 > 0:17:25I don't know if you've heard,
0:17:25 > 0:17:29he can really kick off, like proper tantrums.
0:17:29 > 0:17:31- DIRECTOR:- What's it like having a stepson?
0:17:31 > 0:17:33It's hard work cos he's actually a human,
0:17:33 > 0:17:35do you know what I mean? He's got feelings and that.
0:17:35 > 0:17:38It's not like, "Wha-hey! There's my son!" like,
0:17:38 > 0:17:43it's like I've got to care about him and if he's upset, I'm fuming.
0:17:46 > 0:17:50Here he is, little Craig. So, he's...he's my son, stepson.
0:17:53 > 0:17:55Same smoky eyes, though, innit?
0:17:58 > 0:18:00Yeah, and the T-shirt as well.
0:18:00 > 0:18:04"Bringing sexy back," likes a bit of Justin.
0:18:04 > 0:18:07What's this, Craig? What are you playing?
0:18:07 > 0:18:09Looks like GoldenEye or something.
0:18:11 > 0:18:15I'm more a Fifa 98 man myself, do you know what I mean?
0:18:15 > 0:18:19One of the best games ever made, I'd say, so...
0:18:19 > 0:18:20Use the grenades!
0:18:22 > 0:18:25Funny story, actually, um,
0:18:25 > 0:18:28I once had a lighter shaped like a grenade,
0:18:28 > 0:18:31yeah, back in the day, yeah.
0:18:32 > 0:18:34I'll see if I can fish it out for ya,
0:18:34 > 0:18:37you might... you might appreciate it.
0:18:37 > 0:18:39You got any good lighters at the minute, or...?
0:18:42 > 0:18:44Mm.
0:18:47 > 0:18:50All right, Craig, mate, I'll see you in a bit, yeah?
0:18:50 > 0:18:52Double - bang.
0:18:53 > 0:18:55A few little bits in there still.
0:18:56 > 0:18:59Ugh! Ah, fuck!
0:19:00 > 0:19:03All my stuff's fallen out of my pockets.
0:19:03 > 0:19:05Skunk pocket's empty.
0:19:05 > 0:19:07SIREN WAILS
0:19:07 > 0:19:09There's another one. See what I mean?
0:19:09 > 0:19:12It's cool, man, it's just an ambulance, innit?
0:19:12 > 0:19:15Well, they're going to need an ambulance if it all kicks off, so...
0:19:15 > 0:19:16Who's going to need an ambulance?
0:19:16 > 0:19:21No-one's going to. Here she is! My, er, better half.
0:19:21 > 0:19:23Er, not better, but... I don't know why people say that, do you?
0:19:23 > 0:19:26- It's mad.- Who's going to need an ambulance? Like, are you all right?
0:19:26 > 0:19:28- What's wrong?- No-one. I'm not ill, I'm fine.
0:19:28 > 0:19:31Some little mugs are trying it, do you know what I mean?
0:19:31 > 0:19:33Like, have to go through me first, so...
0:19:33 > 0:19:35- She knows what I'm like. - Please don't get arrested again,
0:19:35 > 0:19:37- you know what happened last time. - I won't.
0:19:37 > 0:19:40I couldn't watch any telly, I don't know how to use it without you.
0:19:40 > 0:19:41It was stuck on Dave the whole time.
0:19:41 > 0:19:43- I d... I know.- I missed everything.
0:19:43 > 0:19:47I know. OK, listen, all right, I'm not going anywhere, all right?
0:19:47 > 0:19:49- OK.- Yeah?- Yeah.
0:19:49 > 0:19:51I've got radio to think about, all right?
0:19:51 > 0:19:52Mm-hm.
0:19:52 > 0:19:55Oh, and her. Angel, here she is.
0:19:55 > 0:19:59Ah, look, look at her! Aaaargh!
0:19:59 > 0:20:01She can talk and everything. I know what you're thinking, actually,
0:20:01 > 0:20:03she's a little bit darker than I am,
0:20:03 > 0:20:06but that's because, um, my great-grandad
0:20:06 > 0:20:08on my mother's side was a quarter Cypriot,
0:20:08 > 0:20:11so we've all got a sort of exotic twist, haven't we?
0:20:11 > 0:20:13Yeah, yeah, like, and I used a lot of fake tan
0:20:13 > 0:20:17when I was pregnant, so I think it filtered through the skin onto her.
0:20:17 > 0:20:18Exactly. Side effects.
0:20:18 > 0:20:20Yeah.
0:20:20 > 0:20:22Yeah. Here she is.
0:20:22 > 0:20:24I'm just going to go get some egg boxes, yeah?
0:20:24 > 0:20:26Yeah, cool.
0:20:26 > 0:20:29- Do that thing where you blow Mummy's head off.- Aah!
0:20:30 > 0:20:33Looking for a really good adhesive, you know, something really strong.
0:20:33 > 0:20:36I think gaffer tape will do the job, you know.
0:20:36 > 0:20:40Um, probably go for that one, it's a standard one,
0:20:40 > 0:20:42One times 48 "muh-muh"...
0:20:42 > 0:20:44- mmm, oh, millimetres. - PHONE RINGS
0:20:44 > 0:20:46Hold on.
0:20:46 > 0:20:49Oh, the old wifey.
0:20:49 > 0:20:51Hello, sweetie pie, are you missing me?
0:20:51 > 0:20:53- 'The boxes are out in the rain.'- Huh?
0:20:53 > 0:20:56No. No, no, no, listen, they can't be outside.
0:20:56 > 0:20:57They can't be outside, darling.
0:20:57 > 0:21:00No, listen, they're going to get wet, baby.
0:21:00 > 0:21:02Sweetheart!
0:21:02 > 0:21:05SHE SHOUTS IN HER OWN LANGUAGE
0:21:05 > 0:21:08Just a little emergency at home, she'll be fine.
0:21:11 > 0:21:12Come on, service!
0:21:12 > 0:21:15Come on, you, tiny man child, serve me.
0:21:15 > 0:21:17Double time, double time, man.
0:21:17 > 0:21:19Say hello to Uncle Bobby.
0:21:22 > 0:21:25Do you reckon we've got enough egg boxes, like, bruv?
0:21:25 > 0:21:28- Sh, I think it's quite good.- Is it?
0:21:30 > 0:21:32Should I say something or...?
0:21:32 > 0:21:36- Ah...- Yes, say something! Say it to this square here, yeah?
0:21:36 > 0:21:39Yeah. Check one, two, one, two.
0:21:39 > 0:21:41- Ah. I heard that, did you? - Yeah, of course I heard it.
0:21:41 > 0:21:42Yeah, we definitely need more.
0:21:42 > 0:21:44All right, well, how many have we got so far?
0:21:44 > 0:21:47About eight, and one of them is flattened.
0:21:47 > 0:21:50Fuck's sake, we've got an hour left as well, like.
0:21:53 > 0:21:55No, no, no, no, no, no, not the Peanut Dust.
0:21:56 > 0:21:58Aldona!
0:22:02 > 0:22:05THEY ARGUE IN THEIR OWN LANGUAGE
0:22:11 > 0:22:13Stupid girl, man!
0:22:16 > 0:22:19- PHONE RINGS - Hello, mate.
0:22:19 > 0:22:21- ALDONA CONTINUES SHOUTING 'Hello?'- Yeah.- 'Hi, Chabsy?'
0:22:21 > 0:22:24- Yeah, just getting there, mate, yeah.- 'Turn the telly down.
0:22:24 > 0:22:26'Have you got any extra egg boxes you can bring as well?'
0:22:26 > 0:22:28Yeah, we're getting there, mate, no problem, mate.
0:22:28 > 0:22:30'No, listen, we need more egg boxes.
0:22:30 > 0:22:33'Plus it'll take ages to stick 'em on the walls, innit?'
0:22:33 > 0:22:35Yeah, you know what? I've got some specialist
0:22:35 > 0:22:38adhesive materials for you, mate, it's going to be really good.
0:22:38 > 0:22:39'We need more egg boxes!'
0:22:39 > 0:22:41Listen, just grab whatever you've got and come down now,
0:22:41 > 0:22:43'there's no time, all right?'
0:22:43 > 0:22:45GAFFER TAPE UNWINDS
0:22:47 > 0:22:49Fucking hell, that looks nuts.
0:22:50 > 0:22:52Is that soundproofing, yeah?
0:22:52 > 0:22:53It's proper, mate.
0:23:01 > 0:23:04Yeah, good, I'm just getting an even distribution.
0:23:04 > 0:23:06One, two, one, two.
0:23:08 > 0:23:10One, two, one, two.
0:23:10 > 0:23:12This... Is this definitely going to work, yeah?
0:23:12 > 0:23:14Yeah. That now, boss, is fully soundproofed.
0:23:14 > 0:23:17Um, went for the triple-layered approach,
0:23:17 > 0:23:19um, with just a layer of insulation dust
0:23:19 > 0:23:21- in there as well for ya. - Sweet.- Yeah.
0:23:21 > 0:23:24Let's hope it does work, for all our sakes, cos if not,
0:23:24 > 0:23:26bluefoot are going to be knocking the door off the hinges, like,
0:23:26 > 0:23:27and we'll all be fucked,
0:23:27 > 0:23:30especially Beats when he's got to hand himself in, do you know what I
0:23:30 > 0:23:33- mean?- What?- Well, one of us is going to have to, do you know what I mean?
0:23:33 > 0:23:35- But you're the main one.- Exactly.
0:23:35 > 0:23:38The main one CAN'T get caught, that's the whole point, innit?
0:23:38 > 0:23:41This is me. It's all mine.
0:23:41 > 0:23:43- DIRECTOR:- So, how far does Kurupt FM reach?
0:23:43 > 0:23:46As far as the eye can see, mate, yeah?
0:23:47 > 0:23:51Actually, no, not on that side, just mainly on this estate
0:23:51 > 0:23:54and a little bit further, probably to Isleworth, but...
0:23:56 > 0:23:58- Right, come on, come on, out of the room.- Ready.
0:24:00 > 0:24:03Obviously edit all this bit out, yeah, and then just get me
0:24:03 > 0:24:05when I'm bursting in the room, right?
0:24:05 > 0:24:08This is literally what fucking radio is about, man.
0:24:08 > 0:24:09Beats, run the rhythm!
0:24:10 > 0:24:12What, right now?
0:24:12 > 0:24:14When I say that, then do it.
0:24:14 > 0:24:15All right, cool.
0:24:18 > 0:24:19Beats, run that!
0:24:19 > 0:24:22MUSIC PLAYS
0:24:24 > 0:24:26# Get out the way Get out the way
0:24:26 > 0:24:27# Someone's getting got
0:24:27 > 0:24:29# Get out the way Get out the way
0:24:29 > 0:24:31# Funky's getting shot
0:24:31 > 0:24:33# Get out the way Get out the way
0:24:33 > 0:24:34# Someone's getting got
0:24:34 > 0:24:36# Get out the way Get out the way
0:24:36 > 0:24:38# Funky's getting shot... #
0:24:38 > 0:24:41HE RAPS
0:24:45 > 0:24:48RAPPING FROM NEXT DOOR
0:24:52 > 0:24:54Is Angel allowed to listen?
0:24:54 > 0:24:58Yeah, yeah, we listen to it together, don't we, Ange?
0:24:58 > 0:24:59Yeah.
0:24:59 > 0:25:03I let her stay up late if it's one of Daddy's sets but, to be honest,
0:25:03 > 0:25:06she doesn't really have a bedtime cos she can't read time yet
0:25:06 > 0:25:09but she seems to know when to go to sleep cos she just does it.
0:25:09 > 0:25:10It's amazing.
0:25:10 > 0:25:14Chabuddy's loving it. Yeah! Yeah!
0:25:14 > 0:25:17# I'm the best around, nothing's going to lyrically beat me... #
0:25:17 > 0:25:19- My bit's coming up in a bit.- What?
0:25:19 > 0:25:22No, I was just saying it's crazy cos my...
0:25:22 > 0:25:23my bit's coming up in a bit.
0:25:23 > 0:25:25Right, take it down, take it down, take it down.
0:25:25 > 0:25:26Take it down, yeah?
0:25:26 > 0:25:28Fuck it, just put his one on, go on, put his thing on.
0:25:28 > 0:25:29Now, yeah? Should I do the intro?
0:25:29 > 0:25:31Huh? Just... No, let me.
0:25:31 > 0:25:32Oh, yeah, cool, cool.
0:25:32 > 0:25:34Out to all the crew inside, yeah?
0:25:34 > 0:25:36Yeah, we love each and every one of you.
0:25:36 > 0:25:41This is a little word from MC Grindah with a little word from one of our,
0:25:41 > 0:25:45not sponsor but, like, someone that helped us and we owed him a favour.
0:25:45 > 0:25:47Now put it on.
0:25:51 > 0:25:54- RECORDING PLAYS:- # Peanut Dust Perfect for peckish
0:25:54 > 0:25:57# Peanut Dust Perfect for your wife
0:25:57 > 0:26:00# Peanut Dust Perfect for your daughter
0:26:00 > 0:26:05# Peanut Dust, even if you're in a rush, rush, rush, rush
0:26:05 > 0:26:09# Peanut Dust Coming in your family's mouth. #
0:26:09 > 0:26:11Peanut Dust may contain nuts and glass.
0:26:13 > 0:26:17All right. Sorry about that, there is cross wires.
0:26:20 > 0:26:22There's some kind of sound wave crashed over
0:26:22 > 0:26:24somewhere from another continent.
0:26:24 > 0:26:28'End of the day, like, yeah, like, all that matters is that'
0:26:28 > 0:26:31we're reaching our music out to the fans, dem, do you know what I mean?
0:26:31 > 0:26:33Like, providing a service.
0:26:33 > 0:26:34Like priests.
0:26:34 > 0:26:37Well, not priests cos they only do it once a week, we...
0:26:37 > 0:26:41Kurupt FM is more like a full-time religious experience if anything.
0:26:41 > 0:26:43# Ready to ride Step on the mic... #
0:26:43 > 0:26:46HE RAPS INCOHERENTLY
0:26:51 > 0:26:52# He's on the right. #
0:26:52 > 0:26:54Er, no, he's on the left, I mean.
0:26:54 > 0:26:56# It doesn't matter Roll with the team. #
0:26:56 > 0:26:58Cos garage music is our god, like.
0:26:58 > 0:27:01Well, I'd probably be the god if anything, so...
0:27:01 > 0:27:03If you're God, does that make me Jesus?
0:27:03 > 0:27:05Yeah, if you want.
0:27:05 > 0:27:09Sick, I'll just be like floating above, man, just invisible,
0:27:09 > 0:27:13just making sure that everything's all right, feeding them bear fish...
0:27:13 > 0:27:16Feeding them garage, if anything, and I'd be above that,
0:27:16 > 0:27:19just like, "I'm above everyone, even Jesus," just like, "Aah,"
0:27:19 > 0:27:23thunderbolting you, going, "Obey my command and play White Boys next!"
0:27:23 > 0:27:24like...
0:27:24 > 0:27:26# Monday is the day that we roll
0:27:26 > 0:27:28# Tuesday, we take total control... #
0:27:28 > 0:27:31THEY RAP INCOHERENTLY
0:27:34 > 0:27:36BANGING ON THE DOOR
0:27:36 > 0:27:38Turn it down, turn it down, turn it down.
0:27:38 > 0:27:40Down, down, off, down.
0:27:40 > 0:27:43What the fuck? They said it was all sorted!
0:27:44 > 0:27:46Bruv, come on, answer the door.
0:27:46 > 0:27:47I can't. He knows you.
0:27:47 > 0:27:48That's the problem, it's a trap!
0:27:48 > 0:27:51Everyone skulk down, everyone skulk down!
0:27:51 > 0:27:52Just get down!
0:27:55 > 0:27:57- BANGING ON THE DOOR - (Alfie, turn out the lights.)
0:27:57 > 0:27:58It's too late to turn the lights down.
0:27:58 > 0:28:00I really don't want to go to jail.
0:28:00 > 0:28:02Nor do I, mate. Fucking hell!
0:28:02 > 0:28:03BANGING ON THE DOOR
0:28:03 > 0:28:05Fuck's sake!
0:28:05 > 0:28:07Fantasy, turn the light off!