0:00:02 > 0:00:06This programme contains strong language
0:00:06 > 0:00:08MUSIC FADES IN
0:00:08 > 0:00:11- And you're locked into the sounds of the legendary...- Yes!- ..Kurupt FM.
0:00:11 > 0:00:14The Phone Line Crew inside, yeah?
0:00:14 > 0:00:19Phone line number to get you through once again is 07050 030 108.9.
0:00:19 > 0:00:22Why are Kurupt FM so big in the area?
0:00:23 > 0:00:25That's because we're killing it.
0:00:25 > 0:00:27- Exactly.- And if you kill it, you get the respect of others.
0:00:27 > 0:00:31You're now listening to the best MC in the galaxy right now, yeah.
0:00:31 > 0:00:34You don't see Richard Branstone sitting there like,
0:00:34 > 0:00:37- "Er, I think I might start a plane company." He went and done it.- Yeah.
0:00:37 > 0:00:40- People respect him now. - He started off with the pickle jars.
0:00:40 > 0:00:42- Bang.- Bang, to the plane company.
0:00:42 > 0:00:43Inside. Bit of baseline pressure.
0:00:43 > 0:00:45DJ Fantasy rolling through.
0:00:45 > 0:00:47And we are the next Branstone.
0:00:47 > 0:00:49Exactly. Kurupt FM the brand.
0:00:49 > 0:00:53- I Am Kurupt.- And then we're gonna have I Am Kurupt trains.
0:00:53 > 0:00:55- I Am Kurupt planes.- No, you don't have to do exactly what he done.
0:00:55 > 0:00:57That's not the point, is it?
0:00:57 > 0:00:59Out to the Brentford man. Out to Alfie Danger,
0:00:59 > 0:01:01out to Albatross.
0:01:01 > 0:01:02Out to Wilfy D.
0:01:02 > 0:01:05These guys are the best kept secret in Brentford right now, yeah?
0:01:05 > 0:01:07It's not a secret. People do know about us.
0:01:07 > 0:01:09- Yeah, not enough people. - We have a TV crew.
0:01:09 > 0:01:11But, you know, we're in our prime right now.
0:01:11 > 0:01:13- We're young.- Exactly. Exactly.
0:01:13 > 0:01:15There's time. We're young, we're good-looking.
0:01:15 > 0:01:18Make sure you're locked in this time tomorrow as well,
0:01:18 > 0:01:22cos we're gonna be playing the most anticipated track of 2016.
0:01:22 > 0:01:26Exactly. New Kurupt slammer, instant classic on the streets,
0:01:26 > 0:01:29will be coming straight out studio tomorrow.
0:01:29 > 0:01:31Yeah, cos we're going studio.
0:01:36 > 0:01:38There's two types of studio, actually.
0:01:38 > 0:01:39Radio studio.
0:01:39 > 0:01:41- Yeah.- And there's music studio.
0:01:41 > 0:01:43Yeah, exactly.
0:01:43 > 0:01:45- Studio!- Just down here.- Studio! - Just down here, yeah.
0:01:45 > 0:01:49- Studio!- Yeah, also, going studio, it sounds good.
0:01:49 > 0:01:52Press the buzzer, mate. I can't get my hands dirty, I'm about to MC.
0:01:52 > 0:01:54Do you know what I mean? When someone calls you, or, like,
0:01:54 > 0:01:57your girl's like, "What you doing today?" You just be like, "Studio."
0:01:57 > 0:02:00- Hello, mate.- What's your name?
0:02:00 > 0:02:03No need for that. MC Grindah, CEO of Kurupt FM.
0:02:03 > 0:02:04Oh, mate.
0:02:05 > 0:02:09- We're back.- We're back. Beats and Grindah back at it.- And Beats.
0:02:09 > 0:02:11- That's what I said, Beats and Grindah.- Yeah, yeah, sorry.
0:02:11 > 0:02:13Oh, sick, a chair. STEVES PLAYS PIANO
0:02:13 > 0:02:14- Oh, I love chairs. - That is a great chair.
0:02:14 > 0:02:16- It looks really good on you, as well.- Thank you.
0:02:16 > 0:02:18Steves, stop touching things.
0:02:18 > 0:02:20- Get it back on me.- All right, let me know if you need anything.
0:02:20 > 0:02:22- You'll be done in an hour, do you think?- Erm...
0:02:22 > 0:02:25- You can't rush these things, mate. - Yeah. Music is an art form, mate,
0:02:25 > 0:02:27yeah. It takes as long as it takes.
0:02:27 > 0:02:30Oh, right. Your manager's only booked an hour.
0:02:30 > 0:02:33Is not gonna take an hour, is it? It's a four-minute track, mate.
0:02:33 > 0:02:34- He ain't got a clue, has he?- Nah.
0:02:34 > 0:02:37- Do you want me to talk you through the equipment?- Yeah...
0:02:37 > 0:02:39Nah, nah, we're all good. We know exactly what we're doing.
0:02:39 > 0:02:40- Sure?- Yes, I'm sure.
0:02:40 > 0:02:43Look, it's none of your little rock 'n' roll bollocks, mate.
0:02:43 > 0:02:46It's real music. You wouldn't have a clue about it. Pop yourself off.
0:02:46 > 0:02:49- Come on, real men don't read instruction manuals, mate.- Yeah!
0:02:49 > 0:02:51Decoy, you know what you're doing though, right?
0:02:51 > 0:02:55- Turn it all on, Decoy.- All wires. - Take a look at this. Look.
0:02:56 > 0:02:59- Ah, they're all moving.- That's real technology, mate.- See, all at once.
0:02:59 > 0:03:02They all move at once. Push me in the chair. Push me in the chair.
0:03:02 > 0:03:03- OK, cool.- Where is it?
0:03:03 > 0:03:07- Spin him around.- Spin me round.- Spin him around.- No, don't. No, don't.
0:03:07 > 0:03:09- Because I'll fall off. - Spin him round!
0:03:09 > 0:03:11See, I've fell off now.
0:03:12 > 0:03:13HEAVY BREATHING
0:03:20 > 0:03:22Do you wish you were at the studio?
0:03:22 > 0:03:23The thing is, I'm busy tonight.
0:03:23 > 0:03:26You know, I've actually got a date, so I'm getting ready for that.
0:03:26 > 0:03:30You know? Mentally, spiritually, and obviously physically.
0:03:31 > 0:03:33Obviously when you hear the name Chabuddy G,
0:03:33 > 0:03:36certain emotions come to your mind, you know? What do you think?
0:03:37 > 0:03:39Sex symbol. That's a taken.
0:03:39 > 0:03:42But then if you go further into that,
0:03:42 > 0:03:44Chabuddy G -
0:03:44 > 0:03:46style icon. This is not by accident.
0:03:46 > 0:03:49People ask me, "What does the G stand for?"
0:03:49 > 0:03:50I tell them.
0:03:50 > 0:03:51Gucci, girls, girth.
0:03:53 > 0:03:54Hi, Chabuddy G.
0:03:56 > 0:03:59Smouldering. I mean, what woman can resist that?
0:04:00 > 0:04:03I look a bit Japanese when I do that, innit?
0:04:04 > 0:04:06Arigatou. Isn't it?
0:04:06 > 0:04:07These rather beautiful gardens,
0:04:07 > 0:04:09of course, were the inspiration...
0:04:09 > 0:04:12- And this is the house. - Oh, my God.
0:04:12 > 0:04:15- Speaks for itself, doesn't it? - It does. It says, " 'ello.
0:04:15 > 0:04:17" 'Ello, Miche."
0:04:17 > 0:04:20- So, er...- Let's go. Let's get up there.
0:04:20 > 0:04:21This is your bride.
0:04:21 > 0:04:23I'll be like this at the top.
0:04:23 > 0:04:26- Oh, yes.- I'll, like, jump out from here and I'll just walk down.
0:04:26 > 0:04:27Get some photos.
0:04:27 > 0:04:29'Yeah, so Grindah's letting me handle
0:04:29 > 0:04:31'all the decisions for the wedding.
0:04:31 > 0:04:33- 'It's actually really romantic of him, you know?- Yeah.'
0:04:33 > 0:04:35- Here behind us, is our wedding wall.- Yeah.
0:04:35 > 0:04:37That we've been working on.
0:04:37 > 0:04:39So it's just like a big sort of collage, isn't it, of our big day?
0:04:39 > 0:04:41A little bit terrifying.
0:04:41 > 0:04:43It's like a horror film.
0:04:43 > 0:04:46Like there's something wrong with you.
0:04:46 > 0:04:48He's saying that because sometimes he...
0:04:48 > 0:04:50Stop putting so much on there, and she keeps putting more.
0:04:50 > 0:04:53It's partly just to remind us both that we are getting married.
0:04:53 > 0:04:56- Well, I can't forget with that in the background, can I?- I know.
0:04:56 > 0:04:59Loving this. Do you know what? I just love all the white.
0:04:59 > 0:05:02- Me too.- What's your policy on ponies?
0:05:02 > 0:05:04Ponies?
0:05:04 > 0:05:07Well, I'd have to check on that for you.
0:05:07 > 0:05:09- Of course. - It is a protected building.
0:05:09 > 0:05:11Protected? Oh, that's great actually,
0:05:11 > 0:05:13because we're gonna to need some security on the day
0:05:13 > 0:05:16because my fiance is actually famous, so it's ideal.
0:05:17 > 0:05:19What do you reckon of this, boys?
0:05:19 > 0:05:21BEAT PLAYS
0:05:21 > 0:05:22- What you thinking?- Hmm...
0:05:26 > 0:05:28- Turn it up.- Turn it up. Yeah, that's what I was thinking too.
0:05:28 > 0:05:30Yeah, turn it up. Yeah, yeah.
0:05:30 > 0:05:32That's already much better, innit?
0:05:32 > 0:05:35- Yeah, yeah.- Yeah.- Do you think it's better?- I think it's better, yeah.
0:05:35 > 0:05:37Still quite repetitive, to be honest.
0:05:37 > 0:05:40- It does need something more.- What about something from next door?
0:05:40 > 0:05:43- There's loads of shit.- Yeah, cool, I'll come have a look with you.
0:05:43 > 0:05:45That's quite good, innit? DEEP KEYBOARD NOTE
0:05:45 > 0:05:46Decoy.
0:05:46 > 0:05:48'My role in studio is kind of the...'
0:05:49 > 0:05:54Like, the provider of the inspiration.
0:05:54 > 0:05:56'I'm like a muse.
0:05:56 > 0:05:58'Yeah, I'm an ideas man.'
0:05:59 > 0:06:01Oh, for...
0:06:01 > 0:06:03Actually, that sounded quite sick.
0:06:03 > 0:06:04- Yeah, yeah.- Do that again.
0:06:04 > 0:06:06When the mic's on, Steve.
0:06:08 > 0:06:10Are you ready, Decoy?
0:06:10 > 0:06:12GLASS SMASHES
0:06:12 > 0:06:14- Oi! That's the one.- That felt good, yeah.- That's the one.
0:06:14 > 0:06:15That felt great.
0:06:15 > 0:06:18I dunno know, man. I still reckon I could do better.
0:06:19 > 0:06:21Perfect. That'll do.
0:06:21 > 0:06:23Can I show you something really special?
0:06:23 > 0:06:26Now, this is where the actual ceremony will take place.
0:06:26 > 0:06:28- SHE GASPS - Wow. Fuck off.
0:06:28 > 0:06:31- Fucking hell, Miche. Look at that.- That is well posh.
0:06:31 > 0:06:34And the dome, as you can see, the very famous dome.
0:06:34 > 0:06:36Fucking love the dome.
0:06:36 > 0:06:39- Mental.- Yeah.
0:06:39 > 0:06:41He looks a bit like Dad, don't it?
0:06:41 > 0:06:42- Poor sod.- Yeah.
0:06:44 > 0:06:47Ooh, while I think of it, could you do thrones as well?
0:06:47 > 0:06:49Thrones? Yes, that'd be a nice touch,
0:06:49 > 0:06:51I'm sure we could come up with a price
0:06:51 > 0:06:52to accommodate thrones for you.
0:06:52 > 0:06:54- Good.- Oh, thank you.
0:06:54 > 0:06:57- We'll definitely be taking the pillars.- Yes.- So that's great.- Six.
0:06:57 > 0:06:59- Thank you.- We'll have six. - Well, they are a permanent fixture.
0:06:59 > 0:07:01So, listen, darling.
0:07:01 > 0:07:04What we looking at? What price we looking at here, yeah?
0:07:04 > 0:07:07Well, with everything we've discussed this morning,
0:07:07 > 0:07:12I'd say we're looking in the region of say 15,000 to 19,000.
0:07:14 > 0:07:16- We better jog on, Miche. - No, I mean, that's the...
0:07:16 > 0:07:18Yeah, that's the sort of, the mid to the sort of top range
0:07:18 > 0:07:22that I had in mind in my range sort of thoughts, so.
0:07:22 > 0:07:25Is that something we'd have to pay all at once,
0:07:25 > 0:07:26or, you know, could we do it on credit?
0:07:26 > 0:07:28You know, like when you buy a new sofa?
0:07:28 > 0:07:32Listen, we'll get back to you, yeah?
0:07:32 > 0:07:33- GLASS SMASHING ON TRACK - Oh, sick,
0:07:33 > 0:07:35there's free Wi-Fi in here.
0:07:35 > 0:07:37Type in "Tupac still alive in Cuba."
0:07:37 > 0:07:40No, no, no, no, no. None of that weird Steve shit.
0:07:40 > 0:07:42Boys, we need to finish this track, yeah? We ain't got time.
0:07:42 > 0:07:44Ssh! Decoy, you got no clue sometimes.
0:07:44 > 0:07:47Inspiration is a very important part of the creative process, so...
0:07:47 > 0:07:52What about "Jean-Claude Van Damme fight sequences all in one montage"?
0:07:52 > 0:07:53Perfect.
0:07:53 > 0:07:54- Ooh.- Ooh.
0:07:54 > 0:07:57- Move it here a bit. - I love bad guys with scars.
0:07:57 > 0:07:59- Yeah.- Look, he punches him.
0:08:00 > 0:08:02I can't believe he's French.
0:08:02 > 0:08:04You would've thought he was English or American.
0:08:04 > 0:08:06- He seems normal, don't he?- Yeah.
0:08:08 > 0:08:10Oh, yeah.
0:08:10 > 0:08:11Oof! Very pungent, you know?
0:08:11 > 0:08:14There's a few stains and that. It's fine, it adds character.
0:08:14 > 0:08:15So, erm...
0:08:18 > 0:08:21I'm actually really excited about the date tonight, you know?
0:08:21 > 0:08:23I think... I think it could go really well.
0:08:23 > 0:08:25So, yeah.
0:08:27 > 0:08:30Let's just hope she doesn't break my heart or steal all my stuff again.
0:08:30 > 0:08:31HE LAUGHS
0:08:32 > 0:08:34HE WHEEZES AND COUGHS
0:08:38 > 0:08:40- What do you think? - Look at it. Yeah, lovely.
0:08:40 > 0:08:42I like the windows.
0:08:42 > 0:08:43- Here we go.- Oh, have a word.
0:08:43 > 0:08:45- World-class.- World-class.
0:08:45 > 0:08:47That's us. That's what they'll call us.
0:08:47 > 0:08:49- Look at this.- I like it. - God, this is out of this world.
0:08:49 > 0:08:51- I really like them. - They've got pillars.
0:08:51 > 0:08:53Light-up pillars with bubbles.
0:08:53 > 0:08:56- Bish, bash, bosh.- I love the Buddha. - I do, I do.- Proper spiritual, that.
0:08:56 > 0:08:59What's important from a wedding venue?
0:08:59 > 0:09:02Got to be a big size, you know, got to have a dance floor in there.
0:09:02 > 0:09:04I think one of the big things that's important for me is,
0:09:04 > 0:09:07- would you call it? Ambi... Ambiu... - Ambulant.- Ambu...
0:09:07 > 0:09:09- Ambion.- Don't, you got me at it now. - Yeah.- That anyway.
0:09:09 > 0:09:11- The vibe.- The vibe of it.
0:09:11 > 0:09:13Look, they've got air conditioning unit.
0:09:13 > 0:09:15Yeah, we have fully functioning air conditioning.
0:09:15 > 0:09:18- They didn't have that in the last place.- No, it didn't actually.
0:09:18 > 0:09:20- I like the chairs, Miche. - Ah, and you have a buffet.
0:09:21 > 0:09:25- And so I presume there'll be food in here on the day?- Yeah.
0:09:25 > 0:09:27- INTERVIEWER:- So are you going to take his surname?
0:09:27 > 0:09:30Recently I've been thinking long and hard about
0:09:30 > 0:09:31whether to change my name.
0:09:31 > 0:09:35But I am definitely going to becoming Mrs Zagos...
0:09:35 > 0:09:37- Zagrofoss?- Zagrofoff.
0:09:37 > 0:09:40- It's a strong Greek name. - Mr and Mrs Zagrofoss.
0:09:40 > 0:09:42- Foff.- Foff.- Yeah.
0:09:42 > 0:09:47- Zagrofoff. Zagrofoff?- Yeah. It's just how my family say it.
0:09:47 > 0:09:49How do other families say it?
0:09:49 > 0:09:52Don't know, I've never met another Zagrofoff.
0:09:52 > 0:09:55I really like it. What do you think that the ponies
0:09:55 > 0:09:57- just going down the middle there? - Yes!
0:09:57 > 0:10:00There will be four, three or four ponies.
0:10:00 > 0:10:02- Two, probably.- Ponies?- Yeah.
0:10:02 > 0:10:05Yeah, we're not gonna be able to do that, I'm afraid,
0:10:05 > 0:10:07because it's a restaurant and the premises...
0:10:07 > 0:10:09- I mean...- We're not gonna eat them.
0:10:09 > 0:10:13No, no, I didn't think you were gonna eat them.
0:10:14 > 0:10:16OK, yeah, listening.
0:10:16 > 0:10:19# Said I'm kicking man like Van Damme
0:10:19 > 0:10:21# Who's on the mic with a rough slang... #
0:10:21 > 0:10:23Ah, no. It was all right but...
0:10:23 > 0:10:27- You want it a bit more... - Yeah, a bit tougher.- OK. All right.
0:10:27 > 0:10:29- But you're doing well though, mate. - Cheers, mate.
0:10:29 > 0:10:31# Said I'm kicking man like Van Damme... #
0:10:31 > 0:10:33No, no, no, no!
0:10:33 > 0:10:35That wasn't it!
0:10:35 > 0:10:39Really doing well, but if we could just try it again
0:10:39 > 0:10:42- in a different way, like.- Need to speed this up as well, please.
0:10:42 > 0:10:44Shut up.
0:10:44 > 0:10:46# Said I'm kicking man like Van Damme
0:10:46 > 0:10:47# Who's on the mic with a rough slang?
0:10:47 > 0:10:49# Kick to the cheek just like I'm Jet Li
0:10:49 > 0:10:51# And I triple-backflip off a jet ski. #
0:10:51 > 0:10:53That's it! That's it! Done it! Sweet!
0:10:53 > 0:10:57- Smashed it, brother. Come through. - Am I done?- Yeah, yeah.- Sick.
0:10:57 > 0:11:00- Is that all right, yeah? - Yeah. Done really well, mate.
0:11:00 > 0:11:01- Wicked.- Yeah, killed it.
0:11:01 > 0:11:05- Nice one.- All right, I've got to go to hospital and that now, so...
0:11:05 > 0:11:07- I have to go.- All right, mate. Good luck with it all, yeah.
0:11:07 > 0:11:09And I'm still hoping it's a false alarm, so...
0:11:09 > 0:11:11- Yeah.- Yeah.- I'll let you know how it goes.
0:11:11 > 0:11:13All right, mate. Nice one. Cool, mate.
0:11:13 > 0:11:15All right, see you fannies in a bit, yeah.
0:11:15 > 0:11:17- Keep it Kurupt, yeah? - Always do, mate.
0:11:18 > 0:11:20Play it back.
0:11:21 > 0:11:25So, does it have to be on a Saturday, because...
0:11:25 > 0:11:26- Yeah.- Yeah, it's a wedding.
0:11:28 > 0:11:29- Yeah, OK.- When did you get married?
0:11:29 > 0:11:31- Well...- On a fucking Tuesday?
0:11:31 > 0:11:33The only reason I say that is because
0:11:33 > 0:11:37we've got an 18-month waiting list if you want to do it on a Saturday.
0:11:37 > 0:11:40- 18 months?- Babe, we'll have to have it down the working men's club.
0:11:40 > 0:11:42I get that special discount for wedding parties
0:11:42 > 0:11:43because I had my last two there.
0:11:43 > 0:11:44No, Mum, I'm not having it there.
0:11:44 > 0:11:46They haven't got pink lighting or Buddhas.
0:11:46 > 0:11:48It's not the same.
0:11:48 > 0:11:51So, do you want me to pop you down on the waiting list then?
0:11:51 > 0:11:53Well, I'll have to check with my fiance, won't I?
0:11:53 > 0:11:56He might not be up for waiting that long.
0:11:56 > 0:11:57I said I'm in the studio.
0:11:57 > 0:12:00I'm in the studio. I can't talk now.
0:12:00 > 0:12:01Oh, signal.
0:12:01 > 0:12:04So are you excited about the wedding then, Grindah?
0:12:04 > 0:12:08Yeah, like, obviously if she's happy I'm happy, right?
0:12:08 > 0:12:09Obviously everyone keeps going, like,
0:12:09 > 0:12:12"You was fucked out your head when you proposed to her",
0:12:12 > 0:12:14but I wasn't even that fucked.
0:12:14 > 0:12:16And anyway, they say when you're fucked,
0:12:16 > 0:12:18that's when the truth comes out, so...
0:12:18 > 0:12:21I reckon it's what I wanted deep down.
0:12:21 > 0:12:23- Probably.- Aw.
0:12:25 > 0:12:27- Hello?- 'Hi, babe.'- Yeah, I had no signal, you know,
0:12:27 > 0:12:29because I'm at studio. Yeah, studio, yeah.
0:12:29 > 0:12:31- What you saying? - 'I found an amazing venue.
0:12:31 > 0:12:34'Like, you're gonna absolutely love it.'
0:12:34 > 0:12:36But there's an 18-month waiting list.
0:12:36 > 0:12:38- Oh, really?- It just seems a bit mental to wait that long
0:12:38 > 0:12:41- but I mean it is...- Although... - ..literally the dream.
0:12:41 > 0:12:44- I'd say we should just wait it out. - Are you sure? It's like a long time.
0:12:44 > 0:12:47You know what, you've said it's your dream place.
0:12:47 > 0:12:49I think that it's probably my dream place as well.
0:12:49 > 0:12:51Yeah, you would absolutely love it.
0:12:51 > 0:12:53So it's probably best that we wait, I think, yeah.
0:12:53 > 0:12:56- All right, bye. - All right, in a bit, bye.
0:12:56 > 0:12:57Oh...
0:13:00 > 0:13:02That's a shame, innit?
0:13:02 > 0:13:04Do you believe in marriage?
0:13:04 > 0:13:05To be honest, I'm married to the music,
0:13:05 > 0:13:07do you know what I mean, like?
0:13:07 > 0:13:09It's more for her, innit? It's like a prestige thing.
0:13:09 > 0:13:13"I've married one of the top MCs in the game," which I get.
0:13:13 > 0:13:16It don't really mean nothing to me.
0:13:16 > 0:13:18- Hello, mate. - All right. You've got five minutes.
0:13:18 > 0:13:21What do you mean, five minutes? I ain't even done the lyrics yet.
0:13:21 > 0:13:23I know, but you've only paid for an hour, so...
0:13:23 > 0:13:25Yeah, but come on, this is your place, so...
0:13:25 > 0:13:26Give us a little bit of extra time.
0:13:26 > 0:13:29- Come on, I'll make you part of musical history.- No.
0:13:29 > 0:13:31I wouldn't know anything about real music, would I?
0:13:31 > 0:13:33You've got five minutes.
0:13:33 > 0:13:35- I've got five minutes(!) - You've got four minutes now.
0:13:35 > 0:13:37Yeah? I'm going to do it in three minutes then.
0:13:37 > 0:13:40And then I'll be expecting my mate's money back then.
0:13:41 > 0:13:44Decoy, we've got four minutes left.
0:13:44 > 0:13:46As soon I get in there, start recording.
0:13:46 > 0:13:48Just one second, yeah?
0:13:50 > 0:13:53Mate, you know we're not gonna do this in, like, four minutes?
0:13:53 > 0:13:55Do you know what? Fuck this.
0:13:55 > 0:13:59The little prick thinks he can tighten me, yeah.
0:13:59 > 0:14:02I'm locking us in. Steve, blockade the door.
0:14:02 > 0:14:03You're blockading the door?
0:14:03 > 0:14:06- Yes, mate. - Decoy, we're blockading the door.
0:14:06 > 0:14:08Bruv, get a piano.
0:14:08 > 0:14:10- Block it properly. - The Clavinova or the P80?
0:14:10 > 0:14:13Just get any of them. Grab everything you can get.
0:14:14 > 0:14:17Get some more shit. Hurry up. Hurry up!
0:14:18 > 0:14:22Leads. Do you reckon I should lock it as well?
0:14:22 > 0:14:24Yeah, do that as well.
0:14:25 > 0:14:29As soon as I lock myself in there, you start doing that, all right?
0:14:31 > 0:14:33Oh, mate. This takes me back.
0:14:33 > 0:14:35The old squat party days.
0:14:36 > 0:14:38- All right, Decoy.- Yeah.
0:14:38 > 0:14:40- It's my time.- All right.
0:14:41 > 0:14:44BEAT PLAYS
0:14:51 > 0:14:54- All right, sorry I'm late. - Where have you been?
0:14:54 > 0:14:56Studio.
0:14:56 > 0:14:59'I've got a very, very special announcement to make.'
0:14:59 > 0:15:01Me and Roche are pregnant.
0:15:03 > 0:15:06Well, her mainly, but I was there when it happened.
0:15:06 > 0:15:09Yeah. It's amazing actually because it's our first baby together.
0:15:09 > 0:15:11Hello, mate.
0:15:11 > 0:15:14I wasn't there when she made Craig. But apparently it was a great night.
0:15:16 > 0:15:18Was it a great night with this one as well?
0:15:18 > 0:15:22Well, actually, to be honest, it wasn't one of them special nights.
0:15:22 > 0:15:26It was more just four strokes and done type of thing.
0:15:26 > 0:15:28Is that your date of birth?
0:15:28 > 0:15:31- Yes.- You're officially a cougar.
0:15:32 > 0:15:33SHE LAUGHS
0:15:33 > 0:15:35Yeah.
0:15:35 > 0:15:39- I quite like that.- Yeah, I did some research on the internet.
0:15:39 > 0:15:41- Oh.- Craig showed me this thing.
0:15:41 > 0:15:44- It's pretty sick.- I don't want to know about that.
0:15:44 > 0:15:47It's got a weird name. It sounds like a hamster but it's not.
0:15:58 > 0:16:00What are you doing?
0:16:00 > 0:16:03I'm actually applying my own facemask.
0:16:04 > 0:16:10It's my own blend of yoghurt, avocado and chilli which, you know,
0:16:10 > 0:16:11waters the eyes.
0:16:11 > 0:16:14It makes them water and it also cleans them out.
0:16:14 > 0:16:17It also gives a red rouge effect to the skin, you know.
0:16:17 > 0:16:20So, very smouldering.
0:16:20 > 0:16:22MOBILE PHONE RINGS
0:16:26 > 0:16:28Hi, Chabuddy G.
0:16:29 > 0:16:32Yeah, manager of Kurupt FM.
0:16:32 > 0:16:33So is Chabuddy your manager?
0:16:33 > 0:16:35Yes.
0:16:35 > 0:16:37Well, technically he said he'd pay for studio
0:16:37 > 0:16:39if he could be our manager,
0:16:39 > 0:16:42- so we just said yeah.- Mhm. - So he is your manager?- Yeah.
0:16:42 > 0:16:45Yeah, he's our manager, if you say so, mate.
0:16:46 > 0:16:47But, I mean, we all say so.
0:16:47 > 0:16:50It's been said.
0:16:50 > 0:16:52They want me to come down to the studio?
0:16:53 > 0:16:54Oh, right.
0:16:56 > 0:16:58No, no, no.
0:16:58 > 0:17:00No police, no police, no.
0:17:00 > 0:17:02OK, no, please no, don't call police, don't call police.
0:17:02 > 0:17:04OK, I'm coming down now. OK. OK.
0:17:04 > 0:17:08Fucking bad, man. Get the wet wipes.
0:17:08 > 0:17:10Fucking...
0:17:10 > 0:17:12Oh, the chilli in my eye, bastard.
0:17:12 > 0:17:13Oh!
0:17:13 > 0:17:15Ugh!
0:17:17 > 0:17:18I can't see anything.
0:17:20 > 0:17:21BANGING
0:17:21 > 0:17:24That's fucking ridic... What, you think you can lock me out?
0:17:24 > 0:17:27Grindah, I can see him. He's getting in, bruv.
0:17:27 > 0:17:29- He must have had a spare key. - Fucking hell.
0:17:29 > 0:17:31He's through the first barricade.
0:17:31 > 0:17:33GRINDAH RAPPING: # Bang, hurry up.... #
0:17:33 > 0:17:36This is it! He's coming!
0:17:36 > 0:17:38You ain't getting in, bruv.
0:17:38 > 0:17:39What are you doing?
0:17:39 > 0:17:41You are not getting in today, rude boy.
0:17:41 > 0:17:43Mate, you're dealing with a seasoned pro.
0:17:43 > 0:17:46Idiot! You fucking idiots.
0:17:46 > 0:17:49- Get out now!- I'm doing my lyric. I will win.
0:17:49 > 0:17:50STEVES LAUGHS
0:17:50 > 0:17:51Get out now!
0:17:51 > 0:17:52Fucking moron.
0:17:55 > 0:17:58- Get out the booth!- Oi, listen!- Hey! You're interrupting my flow.
0:17:58 > 0:18:01Get off me! My lyrics. Someone's jealous of my lyrics!
0:18:01 > 0:18:03Listen! Listen! He's gonna call the police.
0:18:03 > 0:18:05- It's just lyrics, mate! - Listen to me, I understand.
0:18:05 > 0:18:07- I asked normally!- What's the damage?
0:18:07 > 0:18:09- What's the damage? - Look at the damage, you idiot.
0:18:09 > 0:18:11No, look, that was like that before we got here.
0:18:11 > 0:18:13- Are you fucking mad?- That was like that before they got...
0:18:13 > 0:18:15They told me there was broken glass there.
0:18:15 > 0:18:17There's your little girl's arm.
0:18:17 > 0:18:18- Can you see it?- Yeah.
0:18:18 > 0:18:20And then there's the other one.
0:18:20 > 0:18:21Wow.
0:18:21 > 0:18:25That is mad. I didn't realise it would have arms this early on.
0:18:25 > 0:18:28- What?- It looks a bit like a wasp.
0:18:28 > 0:18:29It doesn't look like a wasp.
0:18:29 > 0:18:31It looks like a baby.
0:18:31 > 0:18:33What are your hopes and dreams for the baby?
0:18:33 > 0:18:37I just want it to have teeth and fingers and that first.
0:18:37 > 0:18:41- And then...- Well, it won't have teeth straight away.
0:18:41 > 0:18:43But don't get freaked out about that.
0:18:43 > 0:18:45It'll have teeth later.
0:18:45 > 0:18:47- OK.- Yeah.- So how does it eat?
0:18:47 > 0:18:49Well, it just drinks to start with, doesn't it?
0:18:49 > 0:18:53It drinks milk and then you mush all its food up.
0:18:54 > 0:18:56Yeah, cos that's what RoboCop eats.
0:18:56 > 0:18:59Yep, it's gonna be like RoboCop.
0:19:00 > 0:19:03- Call the police! Call the police! - No, don't call the police! Don't!
0:19:03 > 0:19:05Just... Fuck, shut up! Don't call the police.
0:19:05 > 0:19:08Don't call the police. Don't call the police.
0:19:08 > 0:19:10- What about them ones?- Just get out! - That's six grand right there.
0:19:10 > 0:19:12Just take that. Don't even worry about it.
0:19:12 > 0:19:15- I don't want your watch.- Take my watch!- I don't want your watch!
0:19:15 > 0:19:16Take it! Listen, mate.
0:19:16 > 0:19:18Listen. You're trying to hustle a hustler here.
0:19:18 > 0:19:20- I'm not trying to hustle anyone. - I'm gonna hustle you.
0:19:20 > 0:19:22Mate, you brought a bunch of morons into my studio.
0:19:22 > 0:19:25- They're artists. Them artists. They're artistes.- Morons, mate.
0:19:25 > 0:19:27- Creative artists. - Shut up and get out.
0:19:27 > 0:19:29- No, no, we'll do it, OK? - How much is there?
0:19:29 > 0:19:31Let me do some counting here, OK?
0:19:31 > 0:19:32It's our manager to the rescue.
0:19:32 > 0:19:34That's what they're there for, innit?
0:19:34 > 0:19:37- So I'm definitely your manager then? - Yes. Just keep paying him.
0:19:37 > 0:19:38Keep paying the man.
0:19:38 > 0:19:40Definitely manager!
0:19:40 > 0:19:43Yeah, just, come on, keep paying.
0:19:43 > 0:19:44All right, mate.
0:19:45 > 0:19:48Grindah, I stole a cable.
0:19:48 > 0:19:51Whoo! They ain't gonna be seeing that again.
0:19:51 > 0:19:53So, well, listen, boys, the track went well, yeah?
0:19:53 > 0:19:55- Can I have a listen?- No, it ain't even finished yet.
0:19:55 > 0:19:57You can do it all on laptop these days.
0:19:57 > 0:20:00- Decoy'll finish it off.- What? You can do it all on your laptop?
0:20:00 > 0:20:02Oh, yeah. You don't need any of that bollocks.
0:20:02 > 0:20:04Well, why did I pay all that money for you to go to studio then?
0:20:04 > 0:20:07Well, you said you'd pay for it. Plus it's quite a good day out.
0:20:07 > 0:20:09Little blaze, go to studio, it sounds good, don't it?
0:20:09 > 0:20:11- It's a laugh, innit? - Yeah, yeah, yeah.
0:20:11 > 0:20:14Catch, catch, catch, catch, catch. Oi, oi!
0:20:16 > 0:20:21Here you are then. Let's have a little toast to the...venue.
0:20:21 > 0:20:24- Cheers.- And the bride. - And the mother of the bride as well.
0:20:24 > 0:20:28- That's you.- Yeah, who'd have thought?
0:20:28 > 0:20:32I'm gonna move along my wedding timeline to dress shopping.
0:20:32 > 0:20:33Oh, yeah, nice.
0:20:33 > 0:20:36- Exciting.- All right, that's that dress I was talking about.
0:20:36 > 0:20:38Have a look. Look, Mick loved it.
0:20:38 > 0:20:40Aw, bless him. Mickles was so sweet.
0:20:40 > 0:20:42Weren't he just?
0:20:42 > 0:20:43Not sure on the dress, though.
0:20:43 > 0:20:46- It hasn't really got that regal vibe I was after.- Really?
0:20:46 > 0:20:48I'll keep it in mind, though. In case I get really desperate.
0:20:48 > 0:20:50I love that.
0:20:51 > 0:20:53Ho-ho...
0:20:53 > 0:20:55There she is. She looks just like her profile picture.
0:20:57 > 0:20:58I bloody don't.
0:20:58 > 0:21:00Hey, jump in, baby.
0:21:00 > 0:21:01HE CHUCKLES
0:21:01 > 0:21:04- Sorry...- Yeah, sorry, I'm just joking.
0:21:04 > 0:21:05Let me just park up. Sorry, one second.
0:21:05 > 0:21:07'Ladies love the van.
0:21:07 > 0:21:09'It's very roomy, very spacious.
0:21:09 > 0:21:10'So, put the seats down,'
0:21:10 > 0:21:12we can have a bloody, you know, sauna.
0:21:12 > 0:21:15Champagne Steam Rooms in there, mate.
0:21:15 > 0:21:17- You know what I mean?- But you haven't had any ladies in there yet?
0:21:17 > 0:21:19No ladies in at the moment.
0:21:19 > 0:21:22But once I do it's going to be like that bloody scene from Titanic.
0:21:22 > 0:21:24You know when she puts her hand...
0:21:24 > 0:21:26It will bloody be like that, mate, I tell you what, mate.
0:21:26 > 0:21:28- Hi. Lisa, right?- Yeah.
0:21:28 > 0:21:29Yeah, sorry I was a bit busy.
0:21:29 > 0:21:30I was back at the studio
0:21:30 > 0:21:33with some artists I'm managing at the moment, so...
0:21:33 > 0:21:36- Hi, Chabuddy.- Sounds exciting.
0:21:36 > 0:21:39Not really, they're bloody bankrupting me, the bastards.
0:21:41 > 0:21:43'Chabuddy G's an entrepreneur, yeah?
0:21:43 > 0:21:47'So, I've decided to transform my club, the Champagne Steam Rooms,
0:21:47 > 0:21:50'into a classy, elegant cocktail bar.
0:21:50 > 0:21:53'The Champagne Steam Bar.
0:21:54 > 0:21:55'Think about it.
0:21:55 > 0:21:57'If I've got my own cocktail bar,
0:21:57 > 0:21:58'the ladies are gonna come to me, mate.
0:21:58 > 0:22:02'You know what I mean? I've created the honey pot and now all the bees
0:22:02 > 0:22:05'are coming for a taste of the sweet nectar. Yeah?'
0:22:05 > 0:22:07Build it and they will come.
0:22:07 > 0:22:09Literally.
0:22:12 > 0:22:13URBAN DANCE TRACK PLAYS
0:22:13 > 0:22:16Should have put a flash on cos it's well dark.
0:22:16 > 0:22:18Yeah, it just wouldn't fit up there.
0:22:18 > 0:22:21"Oh, look at me, I'm having a baby."
0:22:21 > 0:22:23Everyone has a baby. It's no big deal.
0:22:24 > 0:22:26Decoy, what's the track saying?
0:22:26 > 0:22:29Oh, yeah, I actually had a sick idea at the hospital.
0:22:29 > 0:22:31- I had a brainwave.- About what?
0:22:31 > 0:22:33- About the track.- Finally!
0:22:33 > 0:22:35Fucking hell! What is it?
0:22:35 > 0:22:39OK, I tell you what, I'm going to go for a sex on the beach au bar.
0:22:39 > 0:22:42- OK.- And... - Can I have a...?- I'll tell you what,
0:22:42 > 0:22:44I'll order for you. I know what you want.
0:22:44 > 0:22:46Get her a Peanutini.
0:22:46 > 0:22:49It's actually one that I designed myself.
0:22:49 > 0:22:53It's like a martini but with peanut dust just around the rim, so,
0:22:53 > 0:22:54crusty rim.
0:22:55 > 0:22:58Do I believe in love? You know, does it exist?
0:22:58 > 0:23:00We don't know. It's like oxygen.
0:23:00 > 0:23:02You can't see it but it's there.
0:23:02 > 0:23:04Is it a feeling? You know?
0:23:04 > 0:23:05Is it a sensation?
0:23:05 > 0:23:08Is it a vibe? We don't know.
0:23:08 > 0:23:10- Oh, yeah.- Can I have your cherry?
0:23:10 > 0:23:13Oh! Yes, take my cherry.
0:23:13 > 0:23:15Thanks. Get the taste out of my mouth.
0:23:15 > 0:23:18Yeah! Be gentle, it's my first time.
0:23:18 > 0:23:20No, I'm not a virgin, though.
0:23:22 > 0:23:23I've had loads of sex.
0:23:28 > 0:23:31What do you think about, like, walking down the aisle?
0:23:32 > 0:23:33Ask Mick to walk you down the aisle.
0:23:33 > 0:23:36- Really?- Yeah, why not?
0:23:36 > 0:23:38It sort of makes sense actually, doesn't it?
0:23:38 > 0:23:40Cos obviously, legally he's my dad.
0:23:40 > 0:23:43- Yeah, yeah.- Aw.- Exactly.
0:23:43 > 0:23:44I never thought of it like that.
0:23:44 > 0:23:46I mean, technically I'm older than him,
0:23:46 > 0:23:48- but that doesn't matter, does it? - PHONE PINGS
0:23:48 > 0:23:50It's probably Grindah worrying about the wedding.
0:23:50 > 0:23:53- What's that plum want now? - He just says,
0:23:53 > 0:23:55"Listen Kurupt, new track now."
0:23:55 > 0:23:58Thank God he let us know, otherwise you might have missed it(!)
0:23:58 > 0:24:01- 'Who's ready? Who's ready? - I'm ready! I'm ready!'
0:24:01 > 0:24:02- Who's ready?!- I'm ready!
0:24:02 > 0:24:05Ladies, open up your ears. Mandem too.
0:24:05 > 0:24:07We are about to drop the new instant classic.
0:24:07 > 0:24:10- Decoy, run that!- Run that...
0:24:10 > 0:24:12Play it, Decoy. Sh!
0:24:12 > 0:24:15- TRACK:- 'Raw... There's a dead MC on the floor.'- Sample.
0:24:15 > 0:24:17'Who's that standing above him?' BEEPING
0:24:17 > 0:24:19Can you lot hear the hospital sound?
0:24:19 > 0:24:21That was from my trip to the hospital.
0:24:21 > 0:24:22Then this bit's me as well.
0:24:22 > 0:24:25'I think it might be MC Grindah.' This bit coming up. It's louder...
0:24:25 > 0:24:27- It's the heart monitor. - This is my bit.
0:24:27 > 0:24:29'MC Griiiindah...'
0:24:29 > 0:24:31# Bang! Lyrical blow to the jaw
0:24:31 > 0:24:33# Bang! Lyrical blow to the jaw
0:24:33 > 0:24:35# Bang! Lyrical blow to the jaw leaving every MC
0:24:35 > 0:24:37# Down on the floor Bang!
0:24:37 > 0:24:38# Lyrical blow to the jaw Bang!
0:24:38 > 0:24:40# Lyrical blow to the jaw, Bang!
0:24:40 > 0:24:42# Lyrical blow to the jaw
0:24:42 > 0:24:43# Leaving every MC down on the floor
0:24:43 > 0:24:47# Bang, bang, bang, it's an emergency... #
0:24:47 > 0:24:49I tell you what... this is shit.
0:24:49 > 0:24:52I think you might be a little jealous sometimes.
0:24:52 > 0:24:53Yeah, maybe.
0:24:53 > 0:24:56You're a good singer too. I've heard you at karaoke.
0:24:57 > 0:24:59# I'm kicking man like Van Damme
0:24:59 > 0:25:01# Who's at the mic with the rough slang?
0:25:01 > 0:25:02# Flying kicks I learned from Jet Li
0:25:02 > 0:25:04# With a triple-backflip off a jet ski
0:25:04 > 0:25:06# Word to the technical ninjas here
0:25:06 > 0:25:08# Lyrical karate mixed with kung fu
0:25:08 > 0:25:10# What you gonna say now? What you gonna do?
0:25:10 > 0:25:12# When Beats and Grindah are coming for you
0:25:12 > 0:25:13# We're bandaged up with the victim
0:25:13 > 0:25:15# Leaving every MC up on their arse
0:25:15 > 0:25:17# Lyrical dragon fight, so damn fast
0:25:17 > 0:25:19# Leave your head spinning for more of my bars
0:25:19 > 0:25:20# Beats and Grindah up on the track
0:25:20 > 0:25:22# Guess you could call that double impact
0:25:22 > 0:25:23# Why are we so lyrically big?
0:25:23 > 0:25:26# Cos we've been training, punching a tree for a week. #
0:25:26 > 0:25:28RECORD RELOADS
0:25:28 > 0:25:31That's mine, yeah, I invented that, midpoint reload, it's called.
0:25:31 > 0:25:34- It's a great little reference to the garage sound.- Exactly.
0:25:34 > 0:25:36Also, it saves the DJ from having to reload it.
0:25:36 > 0:25:38Yeah.
0:25:38 > 0:25:41Plus, we didn't have much time to finish it from studio so it's only
0:25:41 > 0:25:44a minute and half long. So now it's three minutes,
0:25:44 > 0:25:46so a tightly wrapped track.
0:25:46 > 0:25:48- That's Steves. - Hear the hospital sound, though.
0:25:48 > 0:25:50BEEPING
0:25:50 > 0:25:53Yeah, that's quite good. But also my lyrics are sick.
0:25:53 > 0:25:54And then you hear it again.
0:25:54 > 0:25:56The whole track again.
0:25:56 > 0:25:58'MC Griiiindah.'
0:25:58 > 0:25:59Love that.
0:25:59 > 0:26:01# Bang! Lyrical blow to the jaw
0:26:01 > 0:26:04# Bang! Lyrical blow to the jaw... #
0:26:04 > 0:26:06He's started from the beginning again.
0:26:06 > 0:26:09- Yeah.- He's just repeating himself.
0:26:09 > 0:26:12- Oi, oi!- Go on, son, celebrate, innit?
0:26:12 > 0:26:14"Emergency. Killed an MC."
0:26:14 > 0:26:16Yeah. Ooh, look at that.
0:26:16 > 0:26:19Even the booze is getting excited.
0:26:19 > 0:26:21You've just witnessed musical history,
0:26:21 > 0:26:22do you know what I mean, like?
0:26:22 > 0:26:24That is a beautiful little drop.
0:26:24 > 0:26:27You light it for me, mate. I've done enough work.
0:26:30 > 0:26:33Then she ended up bloody taking all my stuff, robbing me clean,
0:26:33 > 0:26:35breaking my heart and bloody pissing off.
0:26:35 > 0:26:37HE LAUGHS
0:26:37 > 0:26:38There you go, guys.
0:26:38 > 0:26:39Oh, thank you, dear.
0:26:40 > 0:26:42No, no, please. Allow me.
0:26:42 > 0:26:45I have a calculator on my phone.
0:26:45 > 0:26:49You had two cocktails, you had the olives as well, didn't you?
0:26:49 > 0:26:52So add that, and there's a service charge as well.
0:26:52 > 0:26:54Sorry, isn't this your place?
0:26:54 > 0:26:57- Yeah.- Can't you just..?- Well, no, I mean I won't have to pay my half.
0:26:57 > 0:27:00You just...pay yours, isn't it? £15.
0:27:00 > 0:27:02- Seriously?- I'm running a business here, baby.
0:27:04 > 0:27:06It's not including service charge as well.
0:27:06 > 0:27:08So, leave a little tip as well.
0:27:08 > 0:27:10Thank you.
0:27:13 > 0:27:17'The best advice I'd give to people who are seeking love.'
0:27:17 > 0:27:21Ladies like power, wealth, status.
0:27:21 > 0:27:25- Can we go?- You want to..?- Yeah. - You wanna get out of here?- Sure.
0:27:25 > 0:27:27'I mean, I'm the most, you know,
0:27:27 > 0:27:29'the most official bachelor in Hounslow at the moment.
0:27:29 > 0:27:31'And, you know,'
0:27:31 > 0:27:33I'm a great catch.
0:27:33 > 0:27:35Ladies, come on, you know?
0:27:36 > 0:27:37Their loss.
0:27:39 > 0:27:41- Call me.- Yeah(!)
0:27:47 > 0:27:48See you, guys.
0:27:51 > 0:27:53TRACK PLAYS
0:27:54 > 0:27:56Bang, lyrical blow to the jaw.
0:27:56 > 0:27:58Bang.
0:27:58 > 0:28:00This one's gonna be your inheritance, mate.
0:28:00 > 0:28:02This one's you, baba. Trust me.
0:28:04 > 0:28:06It's that bit, is Daddy killing it?
0:28:06 > 0:28:08MOBILE PHONE VIBRATES
0:28:08 > 0:28:10- Oh, my God, it's the wedding venue. - What you doing?
0:28:10 > 0:28:12- Tell them you'll call them back. - Hello.- This is the best bit.
0:28:12 > 0:28:15- This is the best bit! - Yeah, yeah, sure, sure, sure.
0:28:15 > 0:28:17Hang on. It's the venue from yesterday.
0:28:17 > 0:28:20Tell them I'm fuming at them, making us wait 18 months.
0:28:20 > 0:28:21God, yeah, that's brilliant news.
0:28:21 > 0:28:24Amazing. Will you just hang on a second?
0:28:24 > 0:28:26They're saying they've got a space in five months.
0:28:26 > 0:28:28You know, at your favourite venue?
0:28:28 > 0:28:29- Yeah.- The one you wanted to hold out for.
0:28:29 > 0:28:31- Yeah, yeah. - So we're going a bit sooner.
0:28:31 > 0:28:33OK, so, when could I come in to look round again?
0:28:33 > 0:28:37Tell them that's good, but tell them we got options.
0:28:37 > 0:28:40- OK.- Don't.- Well, throw in the bespoke food and we will take it.
0:28:40 > 0:28:42- Don't say take it.- OK.
0:28:42 > 0:28:45- Brilliant. All right.- I haven't checked my calendar.- It's a deal.
0:28:45 > 0:28:46Thank you so much.
0:28:46 > 0:28:50- Miche, I haven't checked my calendar.- Aw, thank you.
0:28:50 > 0:28:51- We've still got to have a... - Oh, my God,
0:28:51 > 0:28:53we're getting bloody married.
0:28:55 > 0:28:57- We're gonna get bloody married.- Yeah.
0:29:01 > 0:29:03# Bang! Lyrical blow to the jaw
0:29:03 > 0:29:05# Bang! Lyrical blow to the jaw
0:29:05 > 0:29:06# Bang! Lyrical blow to the jaw
0:29:06 > 0:29:08# Leaving every MC down on the floor
0:29:08 > 0:29:10# Bang! Lyrical blow to the jaw
0:29:10 > 0:29:12# Bang! Lyrical blow to the jaw
0:29:12 > 0:29:13# Bang! Lyrical blow to the jaw
0:29:13 > 0:29:15# Leaving every MC down on the floor
0:29:15 > 0:29:17# Call 999, it's an emergency
0:29:17 > 0:29:19# Beats and Grindah killed an MC
0:29:19 > 0:29:20# Someone take him to A&E
0:29:20 > 0:29:22# And perform some lyrical surgery
0:29:22 > 0:29:24# Call 999, it's an emergency
0:29:24 > 0:29:26# Beats and Grindah killed an MC
0:29:26 > 0:29:28# Someone take him to A&E
0:29:28 > 0:29:30# And perform some lyrical surgery. #