0:00:02 > 0:00:04- RADIO:- # Ahhh - Ahhh
0:00:04 > 0:00:06# Ahhh
0:00:06 > 0:00:08# Ahhh... #
0:00:10 > 0:00:12- HE MOUTHS - # Bass
0:00:12 > 0:00:13# Ooh, white
0:00:13 > 0:00:15# White
0:00:15 > 0:00:19# Ooh, white lines
0:00:19 > 0:00:20# Vision dreams of passion
0:00:20 > 0:00:23# Blowing through my mind
0:00:23 > 0:00:25# And all the while I think of you
0:00:25 > 0:00:27# High price
0:00:27 > 0:00:29# A very strange reaction
0:00:29 > 0:00:31# For us to unwind
0:00:31 > 0:00:33# The more I see, the more I do
0:00:33 > 0:00:35- # Something like a phenomenon - Baby
0:00:35 > 0:00:37# Telling your body to come along
0:00:37 > 0:00:45# But white lines blow away
0:00:45 > 0:00:47# Blow!
0:00:47 > 0:00:48# Rock it!
0:00:48 > 0:00:49# Blow! #
0:00:51 > 0:00:54- RADIO:- 'Who Was In The Toaster is back tomorrow.
0:00:54 > 0:00:57'You know, spending time in my garden reminds me
0:00:57 > 0:01:01'of the cycle of life - birds, bees, butterflies, foxes.
0:01:01 > 0:01:03'Nothing lasts for ever.
0:01:03 > 0:01:06'And that's why I called Arthur Wheelan and Co.
0:01:06 > 0:01:09'It's not always easy, thinking about what will happen
0:01:09 > 0:01:13'after you're gone, but by paying just a small amount each month,
0:01:13 > 0:01:16'you can be assured of a lump sum to be enjoyed by your family
0:01:16 > 0:01:18'when you're just a photograph in a frame.
0:01:18 > 0:01:24'Call 08081 570 570 for a free no-obligation quote.
0:01:24 > 0:01:28'Arthur Wheelan - for when tomorrow DOESN'T come.
0:01:30 > 0:01:33'This is Forever FM.'
0:01:37 > 0:01:40So, what do I do with this?
0:01:40 > 0:01:43That's the card, Nan. You give that to them when they come.
0:01:43 > 0:01:47They'll ring the bell between now and six o'clock tonight,
0:01:47 > 0:01:49they'll give you a parcel, OK?
0:01:49 > 0:01:51There's quiche in the fridge, Sky's on,
0:01:51 > 0:01:52help yourself to whatever.
0:01:52 > 0:01:54Give me a call if you need me.
0:01:54 > 0:01:57- Love you. Listen for the bell. - I will.
0:01:57 > 0:01:59Ta-ra. See you.
0:02:03 > 0:02:05- Go in, you'll get starved.- OK.
0:02:05 > 0:02:06You get in.
0:02:06 > 0:02:08Ta-ra.
0:02:10 > 0:02:11Bye-bye. Bye.
0:02:16 > 0:02:18PHONE RINGS
0:02:18 > 0:02:20Hello?
0:02:20 > 0:02:23- 'John? They've been.' - Who's been?
0:02:23 > 0:02:26'The postman who's brought your parcel.'
0:02:26 > 0:02:27- Already?- 'Yes.'- When?
0:02:27 > 0:02:29'Just after you left.'
0:02:29 > 0:02:31You're joking? So soon?
0:02:31 > 0:02:33- 'Yes.'- Oh, my God.
0:02:33 > 0:02:36It's either famine or feast with these lads.
0:02:36 > 0:02:39- 'What do you want me to do now?' - Well, he's been, he's done.
0:02:39 > 0:02:43- I don't know. I'm on my way to work now. I can't come back.- 'Aw.'
0:02:43 > 0:02:46Eh... I won't be home till I've finished.
0:02:46 > 0:02:47'Oh, no...'
0:02:47 > 0:02:50But Sky's on.
0:02:50 > 0:02:52There's quiche in the fridge.
0:02:52 > 0:02:54There's a stack of ironing.
0:02:54 > 0:02:55'Oh, honestly.'
0:02:55 > 0:02:58You can run round with t'Ewbank if you're bored.
0:02:58 > 0:03:00- 'Oh.'- I don't...
0:03:00 > 0:03:03I'll ring you later. There's quiche in the fridge. OK?
0:03:03 > 0:03:05- 'All right.'- See you, Nan.
0:03:05 > 0:03:06- 'Bye.'- Bye.
0:03:06 > 0:03:07Bloody hell!
0:03:07 > 0:03:11- RADIO:- 'If you think that we sound a bit out of sorts this morning,
0:03:11 > 0:03:13'well, we are - we're in a different studio, aren't we, Katie?
0:03:13 > 0:03:16- 'Yes, we are. - Yes, we're in Studio B this morning.
0:03:16 > 0:03:20'The Forever FM engineers are giving Studio A, where we usually are,
0:03:20 > 0:03:23'a well-needed revamp, and they're there through the window.
0:03:23 > 0:03:25- 'Morning, guys! - They can't hear you!
0:03:25 > 0:03:28- 'Which is the talkback button? Morning, guys.- Not that one!
0:03:28 > 0:03:31'We don't really know what does what in here, do we?'
0:03:31 > 0:03:33PHONE RINGS
0:03:33 > 0:03:35You coming, or what?
0:03:35 > 0:03:37'I can't, I'm locked in.'
0:03:37 > 0:03:40- Come again? What? - 'I'm locked in.'
0:03:40 > 0:03:41You're joking?
0:03:41 > 0:03:43'Look, behind the blinds.'
0:03:45 > 0:03:46What are you doing?
0:03:46 > 0:03:48Everyone's gone out and I'm locked in.
0:03:48 > 0:03:50- Where's your key?- I don't know. I can't find it.
0:03:50 > 0:03:52One of them must have had it.
0:03:52 > 0:03:54Have you looked for it properly?
0:03:54 > 0:03:57I've turned the place upside down, John.
0:03:57 > 0:03:59- I'm in a right flap, here. - Where did you leave it?
0:03:59 > 0:04:01I don't know!
0:04:01 > 0:04:03Oh, bollocks. Hang on.
0:04:03 > 0:04:05SHE SIGHS
0:04:06 > 0:04:09Are you sure you've looked everywhere?
0:04:09 > 0:04:12Yes, course I have. I even emptied the bins.
0:04:12 > 0:04:14And have you not got a spare?
0:04:14 > 0:04:16- Mine is the spare.- What?!
0:04:16 > 0:04:18Mine is the spare!
0:04:18 > 0:04:19Bloody hell.
0:04:19 > 0:04:21And have you phoned your Mandy?
0:04:21 > 0:04:23Yes, course I have.
0:04:23 > 0:04:25What about Steve?
0:04:25 > 0:04:27- He hasn't got a phone.- What?!
0:04:27 > 0:04:29He hasn't got a phone.
0:04:29 > 0:04:31He hasn't got a phone? Why?
0:04:31 > 0:04:34I don't know! He doesn't believe in them!
0:04:34 > 0:04:35He don't believe in them?!
0:04:35 > 0:04:38How do you get hold of him if there's an emergency?
0:04:38 > 0:04:40Well, he's always outside doing his bike.
0:04:40 > 0:04:42Except now.
0:04:42 > 0:04:44When there is an emergency.
0:04:44 > 0:04:46What time is it now?
0:04:47 > 0:04:50- Twenty-five to. - Shit, I've got to get in.
0:04:50 > 0:04:53I'm on a conference call with Chester at half-nine.
0:04:53 > 0:04:54- Chester who?- What?
0:04:54 > 0:04:56Who's Chester?
0:04:56 > 0:04:59- The city, you clown!- All right!
0:04:59 > 0:05:01It's not my fault. You go, I'll be fine.
0:05:01 > 0:05:04- Shut up.- I'm not going to leave you, am I?
0:05:04 > 0:05:07Have the neighbours not got a key?
0:05:07 > 0:05:09That side's deaf...or dead,
0:05:09 > 0:05:12cos I've been banging on the wall for 20 minutes,
0:05:12 > 0:05:15and that side's gone glamping in Cockermouth.
0:05:15 > 0:05:18- Back door? Have you tried the back door?- No key.
0:05:18 > 0:05:20It's got a cat-flap.
0:05:20 > 0:05:23Well, can you not fit through it?
0:05:23 > 0:05:24I'm not a Borrower, John.
0:05:25 > 0:05:27What am I going to do?
0:05:29 > 0:05:31Hairpin! Have you got an hairpin?
0:05:31 > 0:05:33Do I look rough?
0:05:33 > 0:05:35To try and pick the lock, smartarse!
0:05:42 > 0:05:44Come on, you frigger.
0:05:44 > 0:05:45Any joy?
0:05:45 > 0:05:47Hang on! I'm doing me bloody best!
0:05:47 > 0:05:49Have you straightened it out?
0:05:49 > 0:05:51I've got to dabby it.
0:05:53 > 0:05:55Any joy?
0:05:55 > 0:05:59All right! All right! I'm not the pissing Dynamo!
0:05:59 > 0:06:01I've never done this sort of shit.
0:06:03 > 0:06:06No, it's no good. You're going to have to ring a locksmith.
0:06:06 > 0:06:07A locksmith?! To do what?
0:06:07 > 0:06:09Clean out your guttering(!) What do you reckon?
0:06:09 > 0:06:11Change your lock, so you can get out.
0:06:11 > 0:06:13Oh, no. They cost a fortune.
0:06:13 > 0:06:16- Our Mandy'll go mad.- How are you going to get out, then?
0:06:16 > 0:06:18I don't know. There's got to be a way.
0:06:18 > 0:06:21- Come on, shuffle forward. - I AM shuffling forward!
0:06:21 > 0:06:23- I can't move.- You can move. - I've dropped me shoe.
0:06:23 > 0:06:26Bugger your shoe. Shuffle forward!
0:06:26 > 0:06:28- I'm stuck!- Are you balls stuck!
0:06:28 > 0:06:31Come on! Come on...
0:06:31 > 0:06:33Ow! You're giving me a wedgie!
0:06:34 > 0:06:36How do, love? Morning.
0:06:37 > 0:06:40We're going to be on bloody Crimewatch at this rate. Come on.
0:06:40 > 0:06:44- On three...- I can't, John, I can't. - Three...- John, no!- ..two...- No!
0:06:44 > 0:06:46SHE SHRIEKS
0:06:46 > 0:06:48HOARSELY: Fuck a duck.
0:06:53 > 0:06:55Yeah. No bother, yeah. OK. Thanks.
0:06:55 > 0:06:58OK. See you in a bit. Ta-ra. Bye.
0:06:58 > 0:07:01Locksmith said he'll be here soon as he can.
0:07:01 > 0:07:03And did he say how much?
0:07:03 > 0:07:06- 140.- What?! You're joking?!
0:07:06 > 0:07:08Standard call-out charge.
0:07:08 > 0:07:09I can't afford that.
0:07:09 > 0:07:11What am I going to do?
0:07:13 > 0:07:15It's all right. I'll stick it on my card.
0:07:15 > 0:07:17Aw... Thank you.
0:07:19 > 0:07:22- I'll pay you back at the end of the month.- I know you will.
0:07:23 > 0:07:25Did you hurt yourself?
0:07:26 > 0:07:29Just me pride.
0:07:29 > 0:07:31And me back.
0:07:31 > 0:07:33And the top of me thigh.
0:07:34 > 0:07:37Hey, what time is it? What about your conference call?
0:07:37 > 0:07:40It's all right. I texted Kath Hilton before.
0:07:40 > 0:07:42- Told her I was dropping me nan off. - Oh, good.
0:07:42 > 0:07:45And you did drop your nan off so it's only a white lie.
0:07:45 > 0:07:46So you're not really lying.
0:07:46 > 0:07:48How is your nana?
0:07:48 > 0:07:50She's all right.
0:07:50 > 0:07:54- Bloody parcel came five minutes after I left her.- You're joking?!
0:07:54 > 0:07:56No! She's got to sit in all day now.
0:07:57 > 0:08:01Sky's on, and there's some quiche in the fridge.
0:08:03 > 0:08:06Christ Almighty! How much sugar have you put in this?
0:08:06 > 0:08:09- I put loads in.- Why?- For shock.
0:08:09 > 0:08:13Sho... Shock? I'll be in a diabetic coma in a minute.
0:08:14 > 0:08:17Apparently, food's good for shock.
0:08:17 > 0:08:20- Ah?- Yeah.
0:08:20 > 0:08:22HE SNIFFS Can I smell bacon?
0:08:22 > 0:08:24SHE LAUGHS
0:08:24 > 0:08:25Cheeky!
0:08:27 > 0:08:29- There you go.- Thank you!
0:08:29 > 0:08:31- Are you not having one?- Oh, no.
0:08:31 > 0:08:35I can't eat when I'm stressed up. I get acid reflux.
0:08:35 > 0:08:37- You must have mice, then(!) - Sorry.
0:08:37 > 0:08:41- I was just checking it was cooked. - You've got sauce on your face.- Oh.
0:08:41 > 0:08:43Got it.
0:08:46 > 0:08:48- So...- So...
0:08:49 > 0:08:51Only you could get locked in.
0:08:51 > 0:08:53VEHICLE APPROACHES
0:08:53 > 0:08:54Hey up!
0:09:04 > 0:09:06I've stuck a Fortress deadlock on there.
0:09:06 > 0:09:09That bastard'll last longer than the door.
0:09:09 > 0:09:11Fair enough.
0:09:11 > 0:09:12Here, take me card.
0:09:12 > 0:09:14You should have rung me direct.
0:09:14 > 0:09:16Much cheaper if you call me in person.
0:09:16 > 0:09:19Well, I...I will do next time.
0:09:19 > 0:09:22- Do you take credit cards?- All major.
0:09:22 > 0:09:24- I'll just get my swiper.- All right.
0:09:25 > 0:09:28- Fortress deadlock.- Hmm. - There you go.
0:09:28 > 0:09:30£140.
0:09:30 > 0:09:32Only got one key.
0:09:32 > 0:09:34How's anyone else supposed to get in?
0:09:34 > 0:09:35I didn't think of that.
0:09:35 > 0:09:37I'll have to get another one cut at work.
0:09:37 > 0:09:41Yeah. But how are they going to get in if they get home before you?
0:09:41 > 0:09:42I don't know.
0:09:42 > 0:09:44I could leave a message with our Mandy
0:09:44 > 0:09:45and then hide the key here.
0:09:45 > 0:09:47You're brave, in this day and age.
0:09:47 > 0:09:50It'll be all right. At least they'll have a key.
0:09:52 > 0:09:53Oh, John.
0:09:53 > 0:09:55What?
0:09:55 > 0:09:57Spare key.
0:10:03 > 0:10:06- RADIO:- 'I hope you're well. Justin in with you...'
0:10:06 > 0:10:09You're on your arse! Under the plant pot?!
0:10:09 > 0:10:12- How obvious!- Well, you didn't think of looking there!
0:10:12 > 0:10:14140 quid!
0:10:14 > 0:10:15Up the swanny!
0:10:15 > 0:10:17Don't, John, I could cry.
0:10:17 > 0:10:19HE SIGHS
0:10:19 > 0:10:21OK...
0:10:22 > 0:10:25RADIO PLAYS: I Won't Let You Down by Ph.D.
0:10:40 > 0:10:44# I won't let you down
0:10:44 > 0:10:46# Won't let you down... #
0:10:46 > 0:10:48- RADIO:- 'Forever FM playing timeless hits...'
0:10:48 > 0:10:50Oh, I've seen it all now.
0:10:51 > 0:10:53You can only see her eyes.
0:10:53 > 0:10:56RADIO PLAYS: Buffalo Stance by Neneh Cherry
0:10:58 > 0:11:00Oh, I love this. Do you?
0:11:02 > 0:11:05- SHE SINGS ALONG - # Who's that gigolo on the street
0:11:05 > 0:11:07# With his hands in his pockets and his crocodile feet?
0:11:07 > 0:11:09# Hanging off the kerb Looking all disturbed
0:11:09 > 0:11:11# And the boys from home They all came running
0:11:11 > 0:11:13# They were making noise Manhandling toys
0:11:13 > 0:11:15# That's the girls on the block with the nasty curls
0:11:15 > 0:11:18# Wearing padded bras Sucking beers through straws
0:11:18 > 0:11:20# Dropping down their drawers Where did you get yours?
0:11:20 > 0:11:23- # Gigolo - Huh, sucker
0:11:23 > 0:11:25# Gigolo
0:11:25 > 0:11:27- # Gigolo - Huh, sucker
0:11:27 > 0:11:29# Gigolo
0:11:29 > 0:11:31# Who's looking good today?
0:11:31 > 0:11:34# Who's looking good in every way?
0:11:34 > 0:11:36# No style rookie
0:11:36 > 0:11:38# You better watch Don't mess with me
0:11:40 > 0:11:44# No money man can win my love
0:11:44 > 0:11:48# It's sweetness that I'm thinking of
0:11:48 > 0:11:52# We always hang in a buffalo stance
0:11:52 > 0:11:54# We do the dive every time we dance
0:11:54 > 0:11:56# I'll give you love, baby Not romance
0:11:56 > 0:11:59# I'll make a move Nothing left to chance
0:11:59 > 0:12:01# So don't you get fresh with me... #
0:12:01 > 0:12:03Neneh Cherry, '89.
0:12:03 > 0:12:06She was so cool, wasn't she?
0:12:06 > 0:12:08I used to love her and Michael Jackson.
0:12:08 > 0:12:11- I still can't believe he's gone. - Aw...
0:12:11 > 0:12:13One of the best.
0:12:13 > 0:12:16Never mind one of the best, THE best.
0:12:16 > 0:12:19Everybody had Bad when I was at school.
0:12:19 > 0:12:22Yeah. It was Thriller for me.
0:12:22 > 0:12:25I'm just that little bit older.
0:12:25 > 0:12:27I crapped my pants when I first saw that.
0:12:27 > 0:12:29- Come again?- It's too scary.
0:12:29 > 0:12:30Oh, it still is.
0:12:30 > 0:12:33That bit at the beginning when he's got them yellow eyes, he looks up,
0:12:33 > 0:12:36"Go away!" There's no need for that, is there?
0:12:36 > 0:12:40And when it came out on video and everyone wanted to see it,
0:12:40 > 0:12:43there was about a two-month waiting list for it at our video shop.
0:12:43 > 0:12:45Oh, God, yeah. Video shops.
0:12:45 > 0:12:47You forget about them now, don't you?
0:12:47 > 0:12:49It's mad when you think about hiring videos.
0:12:49 > 0:12:53- You can download them to your bloody phone now.- Hmm.
0:12:54 > 0:12:57Remember when you used to have them back before seven o'clock
0:12:57 > 0:12:58or you got fined?
0:12:58 > 0:13:01If they weren't rewound, they used to fine you
0:13:01 > 0:13:02at Bolton Video Centre.
0:13:02 > 0:13:04- Oh, really?- Yeah.
0:13:04 > 0:13:06I was banned from our video shop. It wasn't even a video shop.
0:13:06 > 0:13:10- It was just a wall at the back of an offie.- We had one of them!
0:13:10 > 0:13:15Just 30 videos on a spinning carousel at the newsagent's.
0:13:15 > 0:13:17What were you banned for?
0:13:17 > 0:13:20We hired Dirty Dancing and never took it back.
0:13:20 > 0:13:23- Little thief!- We'd practically paid for it anyway,
0:13:23 > 0:13:25we'd hired it out that many times.
0:13:25 > 0:13:27Why did you hire it out at all?
0:13:27 > 0:13:30Uh, cos I love it. It's me favourite film.
0:13:30 > 0:13:32It's such a cliche.
0:13:32 > 0:13:34What? I love that film.
0:13:34 > 0:13:37- It's a chick flick. - Exactly! I'm a chick.
0:13:37 > 0:13:39Aye.
0:13:39 > 0:13:41Well, I never got it.
0:13:41 > 0:13:43They were showing it on Channel 5.
0:13:43 > 0:13:45That bit at the end, where they're in the ballroom.
0:13:45 > 0:13:48Yeah, Kellerman's end-of-season talent show, grand hall.
0:13:48 > 0:13:49Yeah, whatever.
0:13:49 > 0:13:52- I know every single bit of that film, John.- Yeah.
0:13:52 > 0:13:54- And he says something to her. What does he say?- What?
0:13:54 > 0:13:56He called her a baby, or something.
0:13:56 > 0:13:59- What's all that about? - You are joking me.
0:13:59 > 0:14:02Everybody knows that. "Nobody puts Baby in the corner."
0:14:02 > 0:14:05- Yeah. What does that mean?! - It means he loves her!
0:14:05 > 0:14:08He's telling her he loves her. That is THE moment of the film.
0:14:08 > 0:14:11Why doesn't he just tell her instead of talking in bloody riddles?
0:14:11 > 0:14:14Best bit after that is when he goes up on stage,
0:14:14 > 0:14:17holds up a record like he's going to put it on.
0:14:17 > 0:14:20Time Of Your Life, Bill Medley and Jennifer Warnes, belting song,
0:14:20 > 0:14:23clearly got synthesisers in it, right,
0:14:23 > 0:14:24and it's 1950s.
0:14:24 > 0:14:25That's 1980s.
0:14:25 > 0:14:28It's supposed to be set in the '50s, so what's all that about?
0:14:28 > 0:14:32I have seen that film about 174 times,
0:14:32 > 0:14:35and I have never, ever thought that, ever.
0:14:35 > 0:14:38Well, it completely ruined it for me, that.
0:14:38 > 0:14:40Well, I've never noticed,
0:14:40 > 0:14:42cos I'm too busy watching the Swayze.
0:14:42 > 0:14:44He's gone, and all.
0:14:44 > 0:14:47- Oh, my God, yeah. It makes it even more sad.- Hmm.
0:14:47 > 0:14:50Then he gets up on stage and says, "This is for Frances Houseman."
0:14:50 > 0:14:52It's when he uses her name in full.
0:14:52 > 0:14:56Oh, my God! And then he does that dance down the aisle.
0:14:56 > 0:15:00They do the lift. That one everyone used to do in the swimming baths.
0:15:00 > 0:15:01Except you.
0:15:01 > 0:15:03What do you mean "except me"?
0:15:03 > 0:15:05You're aquaphobic, aren't you?
0:15:05 > 0:15:08Aww, you remembered.
0:15:08 > 0:15:10How could I forget?
0:15:10 > 0:15:11I've still got to get half the car washed.
0:15:13 > 0:15:15I love that you know all those things about me.
0:15:15 > 0:15:18I tell you more than I tell anyone else.
0:15:18 > 0:15:22Well, that's car sharing for you.
0:15:22 > 0:15:25- I don't know whether that's good or bad.- Sure.
0:15:25 > 0:15:29# We'll always be together
0:15:29 > 0:15:36# Together in electric dreams... #
0:15:42 > 0:15:47MUSIC: Body Talk by Imagination
0:15:49 > 0:15:52We've missed the golden hour anyway.
0:15:52 > 0:15:53Oh, no, we haven't.
0:15:53 > 0:15:55# Body talk
0:15:56 > 0:16:00# Body talk... #
0:16:00 > 0:16:02He's a good licker.
0:16:02 > 0:16:04Ooft, I'll give him that.
0:16:04 > 0:16:07# As it overflows, pleasure grows... #
0:16:07 > 0:16:10Should try doing a lick of work.
0:16:10 > 0:16:14# Ooh, your lips in my eyes and gentle sighs... #
0:16:14 > 0:16:16Oh, fucky lake.
0:16:16 > 0:16:17What?
0:16:17 > 0:16:19Lucky flake.
0:16:19 > 0:16:20# Body talk... #
0:16:20 > 0:16:22HE GRUMBLES
0:16:27 > 0:16:30John, John, you've got mud all over your pants. Come here.
0:16:30 > 0:16:33Christ, it'll be all right, leave it.
0:16:33 > 0:16:36- Got spit on them now, haven't I?! - Hold on, hold on, hold on.
0:16:37 > 0:16:38Barry.
0:16:41 > 0:16:43Leave it, I'll get if off in the bogs. Animal.
0:16:58 > 0:17:00CAR DOOR OPENS All right?
0:17:00 > 0:17:03I thought you said you'd only be five minutes.
0:17:03 > 0:17:04I came as quick as I could.
0:17:04 > 0:17:06Late in, late out.
0:17:06 > 0:17:08Whose fault were that?
0:17:08 > 0:17:10Buggering about with your lock.
0:17:10 > 0:17:12Did you speak to your Mandy? Was she happy?
0:17:12 > 0:17:15- She was all right, Steve's not happy.- Why?
0:17:15 > 0:17:18Came home from work early and thought she'd chucked him out.
0:17:18 > 0:17:20Met her at work with flowers.
0:17:20 > 0:17:23Well, if he had a phone, he could've rung her. Mm.
0:17:23 > 0:17:25- RADIO:- 'But then I heard about Weightstoppers.
0:17:25 > 0:17:28'The menus are great, I can have all my favourite food,
0:17:28 > 0:17:31'as long as I cut out anything that makes me fat.
0:17:31 > 0:17:34'Visit weightstoppers.co.uk today.'
0:17:36 > 0:17:38'Forever FM.'
0:17:38 > 0:17:40RADIO: Red Light by Billy Ocean
0:17:40 > 0:17:43- Oh, this is a song, this. - Oh! I love this.- Yeah, classic.
0:17:47 > 0:17:49This is what you want when you're driving home.
0:17:49 > 0:17:54# Red light spells danger
0:17:54 > 0:17:57- # Can't hold out... # - What a voice!
0:17:57 > 0:17:59# Much longer... #
0:17:59 > 0:18:01- Who, me?- No, Billy Ocean.
0:18:01 > 0:18:04- # You took my heart and turned me on - Spells danger
0:18:04 > 0:18:07- # And now the danger sign is on - Can't hold out
0:18:07 > 0:18:10- # You got me on a ball and chain - I'm burning
0:18:10 > 0:18:13# Doin' things that I don't want to
0:18:13 > 0:18:15- # I can't stop running to you - Ahhh
0:18:15 > 0:18:18- # I feel love coming through you - Ahhh
0:18:18 > 0:18:21- # Girl, with you beside me - Ahhh
0:18:21 > 0:18:24# Hold on, heaven guide me
0:18:24 > 0:18:27- # Red light - Feel the red light
0:18:27 > 0:18:30- # Spells danger - Oh, it's a danger warning
0:18:30 > 0:18:33- # Can't hold out - Can't hold out
0:18:33 > 0:18:34# Much longer... #
0:18:34 > 0:18:36- 'This is Forever FM playing...' - No, no, no.
0:18:36 > 0:18:38- You can't cut that off!- No!
0:18:38 > 0:18:40Oh, that's bang out of order. What's all that about?
0:18:40 > 0:18:43- Why have they done that?- You can't cut a song like that off mid-song,
0:18:43 > 0:18:46that's just bad programming, Forever FM, shower of shit!
0:18:46 > 0:18:49- I was enjoying that.- Oh, me too.
0:18:49 > 0:18:52Oh, I love this. I love it!
0:18:52 > 0:18:56- What?- This, us driving, singing.
0:18:56 > 0:18:57I love it too.
0:18:59 > 0:19:02It's going to be great working on Christmas team together.
0:19:02 > 0:19:04Yeah.
0:19:04 > 0:19:05What?
0:19:05 > 0:19:07Yeah, it is. It will be.
0:19:10 > 0:19:13- You don't seem arsed about it, though.- I am.
0:19:15 > 0:19:18I can't work you out, I thought you loved Christmas.
0:19:18 > 0:19:20I do love Christmas.
0:19:20 > 0:19:24And I'm glad to be working on the Christmas team, it's just that...
0:19:26 > 0:19:27What?
0:19:27 > 0:19:29There's other things I want as well.
0:19:29 > 0:19:31- Like what?- Well, you just said it.
0:19:31 > 0:19:34You said that you loved this, that you loved us but...
0:19:34 > 0:19:37What is this? Is there an us?
0:19:38 > 0:19:40I don't know. I just...
0:19:40 > 0:19:42I just take each day as it comes.
0:19:42 > 0:19:44It's you - why do you have to always know everything,
0:19:44 > 0:19:45give everything a label?
0:19:45 > 0:19:47Cos I do.
0:19:47 > 0:19:49But why do you have to define it?
0:19:49 > 0:19:51Cos I do.
0:19:52 > 0:19:55- Are you not happy the way things are?- Yes.
0:19:55 > 0:19:58I don't know. Yeah.
0:19:58 > 0:20:00Yeah, kind of.
0:20:00 > 0:20:03This is... You know, we've got a good thing here. Why ruin it?
0:20:03 > 0:20:05Ruin it? Ruin it how?
0:20:05 > 0:20:08By poking bloody holes in it, overanalysing it all the time.
0:20:08 > 0:20:11- I'm not.- You are!- How am I?
0:20:11 > 0:20:15By asking what is it all about, that's why!
0:20:15 > 0:20:17Just let it be.
0:20:17 > 0:20:19There now, bloody Beatles.
0:20:22 > 0:20:24- RADIO:- 'The car fire between junction 20 and 21
0:20:24 > 0:20:28'is causing problems so traffic is very slow
0:20:28 > 0:20:29'and building up all around there.'
0:20:29 > 0:20:31BEEPING
0:20:36 > 0:20:37But what are we?
0:20:39 > 0:20:40What?
0:20:40 > 0:20:42Well, what are we?
0:20:43 > 0:20:44Here you go again.
0:20:44 > 0:20:46We're friends, aren't we?
0:20:46 > 0:20:50We're...car share buddies.
0:20:50 > 0:20:52I just thought we were more than that.
0:20:56 > 0:20:59See, you're not even bothered.
0:20:59 > 0:21:00I'm not bothered?
0:21:00 > 0:21:04I drive an extra 90 minutes out of my way every day.
0:21:04 > 0:21:06Think I'd do that if I weren't bothered?
0:21:06 > 0:21:08Well, why don't you tell me you're bothered?
0:21:08 > 0:21:10Look, I'm not good at these sort of things, all right?
0:21:12 > 0:21:15The traffic's bad on here tonight, isn't it?
0:21:16 > 0:21:20I mean, do you think it would be nice if we saw more of each other?
0:21:23 > 0:21:24What, other than every day?
0:21:26 > 0:21:27I mean, not in a work way.
0:21:30 > 0:21:32I don't know. What's this prick doing up here?
0:21:33 > 0:21:36I just...
0:21:36 > 0:21:39I think that... Don't you think that...?
0:21:41 > 0:21:43Forgot what I was going to say now, I've lost my thread,
0:21:43 > 0:21:44you're sat there texting.
0:21:44 > 0:21:46I'm not, I'm not texting.
0:21:46 > 0:21:48You're not even listening to what I'm saying!
0:21:48 > 0:21:50I am.
0:21:50 > 0:21:52Well, why are you texting?
0:21:52 > 0:21:55I'm just trying to sort something, OK?
0:21:55 > 0:21:57Look, you've got my full attention, I'm listening.
0:21:57 > 0:21:59- God, my life's not my own. - Oh, forget it.
0:21:59 > 0:22:02What? I can't bloody win with you!
0:22:02 > 0:22:03- Forget it.- Oh, my God.
0:22:08 > 0:22:10He's another one that's gone.
0:22:10 > 0:22:12RADIO: Praying For Time by George Michael
0:22:12 > 0:22:14Belting song, this.
0:22:22 > 0:22:23So...
0:22:25 > 0:22:29Gave you a CD, you never said anything.
0:22:29 > 0:22:31I did. I said thanks.
0:22:31 > 0:22:33You never said you played the song.
0:22:34 > 0:22:37Well, maybe I didn't feel the need to say anything.
0:22:39 > 0:22:40TURNS RADIO UP
0:22:40 > 0:22:42TURNS RADIO DOWN
0:22:43 > 0:22:46I thought we shared things.
0:22:46 > 0:22:47We do - a car.
0:22:49 > 0:22:50Is that it, is it?
0:22:52 > 0:22:53Is that all I am?
0:22:53 > 0:22:55Look, I don't know what you want me to say!
0:22:55 > 0:22:58I want you to tell me how you feel for once.
0:23:00 > 0:23:02What is it you want me to say?
0:23:02 > 0:23:04That I was completely overwhelmed by the CD?
0:23:04 > 0:23:07That I'd never been given anything like that before in my life?
0:23:07 > 0:23:09That it scared the shit out of me?
0:23:09 > 0:23:11Well, why did it?
0:23:11 > 0:23:13Because it did. Because I didn't...
0:23:13 > 0:23:15I didn't know how to react.
0:23:16 > 0:23:20It made me feel things I haven't felt for ages now and it...
0:23:20 > 0:23:22TURNS RADIO UP
0:23:22 > 0:23:24TURNS RADIO DOWN
0:23:24 > 0:23:25Go on, tell me.
0:23:29 > 0:23:31Because I've been hurt before, haven't I?
0:23:31 > 0:23:33I've been hurt before with Charlotte.
0:23:33 > 0:23:36But you wanted Charlotte to leave.
0:23:36 > 0:23:37I know I...
0:23:37 > 0:23:39I did, but it still bloody hurt me.
0:23:41 > 0:23:42I've told you, I just...
0:23:42 > 0:23:44I just think it's easier to stay away from it all.
0:23:44 > 0:23:47From all what?
0:23:47 > 0:23:48You know what.
0:23:51 > 0:23:55I've told you, you can't live your life in fear, John, on your own.
0:23:55 > 0:23:57What, and because you say those things they're true?
0:23:57 > 0:24:01I'm not like you, you know. I don't live my life in a bloody fairy tale.
0:24:01 > 0:24:05I don't live in a fairy tale, John. I just want to be happy.
0:24:05 > 0:24:07And we are happy, aren't we?
0:24:07 > 0:24:10- RADIO:- '..between junction 20 and 21 is still causing problems.'
0:24:10 > 0:24:12- Ugh! How infuriating. - TURNS RADIO DOWN
0:24:12 > 0:24:15- I just can't... - SEAT BELT UNCLICKS
0:24:15 > 0:24:17- I can't do this any more. - What are you doing?
0:24:17 > 0:24:19Where you going? What...? You can't do what?
0:24:19 > 0:24:22I can't waste any more time, John. I've told you.
0:24:22 > 0:24:24I haven't got time to waste.
0:24:24 > 0:24:28- What are you doing? - I'm going. I'm getting out.
0:24:28 > 0:24:30- Getting out where?- Of your car.
0:24:30 > 0:24:31Of your life.
0:24:31 > 0:24:33Why?
0:24:33 > 0:24:35Because I love you, that's why.
0:24:36 > 0:24:39And it's killing me that you don't feel the same.
0:24:40 > 0:24:43What are you doing?
0:24:43 > 0:24:44Fucking hell.
0:24:47 > 0:24:49Get back in!
0:24:49 > 0:24:52- RADIO:- 'Got a text here from John, who's stuck in gridlock on the A...'
0:24:52 > 0:24:55You're missing this! You listen, you're missing it!
0:24:55 > 0:24:56'And he's also cryptically added
0:24:56 > 0:24:59' "Nobody puts Kayleigh in the corner." '
0:24:59 > 0:25:01- You're being stupid.- 'Does that mean anything to anybody out there?
0:25:01 > 0:25:03'That's almost a classic line from Dirty Dancing
0:25:03 > 0:25:06- 'which, of course, you'd expect to play a song from.'- Jesus.
0:25:06 > 0:25:08'But here's a classic from Marillion instead.
0:25:08 > 0:25:11'Here's Kayleigh on the big, big drive home. Forever FM.'
0:25:14 > 0:25:16BEEPING Yeah, yeah, yeah.
0:25:16 > 0:25:17BEEPING
0:25:17 > 0:25:22RADIO: Kayleigh by Marillion
0:25:44 > 0:25:47# Do you remember
0:25:47 > 0:25:50# Chalk hearts melting on a playground wall?
0:25:50 > 0:25:54# Do you remember dawn escapes from moon-washed college halls...? #
0:25:54 > 0:25:56Hey!
0:25:56 > 0:25:59# Do you remember the cherry blossom in the market square?
0:25:59 > 0:26:03# Do you remember I thought it was confetti in our hair?
0:26:03 > 0:26:09# By the way, didn't I break my heart...? #
0:26:09 > 0:26:10Oh!
0:26:10 > 0:26:13# I never meant to break your heart
0:26:13 > 0:26:17# So sorry, I never meant to break your heart... #
0:26:17 > 0:26:18Oi!
0:26:18 > 0:26:21# But you broke mine
0:26:21 > 0:26:23# Kayleigh
0:26:23 > 0:26:25# Oh, I never thought I'd miss you
0:26:25 > 0:26:30# And, Kayleigh, I thought that we'd always be friends
0:26:30 > 0:26:33# We said our love would last forever... #
0:26:33 > 0:26:34I love you too.
0:26:34 > 0:26:37# How did it come to this bitter end? #
0:26:37 > 0:26:39PHONE RINGS
0:26:41 > 0:26:42Hello?
0:26:42 > 0:26:43'John, it's me.
0:26:43 > 0:26:46'Where did you say that quiche was?'
0:26:46 > 0:26:49Erm...it's in the fridge.
0:26:50 > 0:26:51'Are you done?'
0:26:53 > 0:26:54Yeah, I'm done.
0:26:54 > 0:26:55# Kayleigh
0:26:55 > 0:26:58# I just wanna say I'm sorry
0:26:58 > 0:27:02# But, Kayleigh, I'm too scared to pick up the phone
0:27:02 > 0:27:07# To hear you've found another lover
0:27:07 > 0:27:12# To patch up our broken home
0:27:12 > 0:27:13# Kayleigh
0:27:13 > 0:27:16# I'm still trying to write that love song
0:27:16 > 0:27:21# Kayleigh, it's more important to me now you're gone
0:27:21 > 0:27:24# Maybe it will prove that we were right
0:27:24 > 0:27:29# Or it'll prove that I was wrong. #