0:00:34 > 0:00:37SNIPPETS OF SINGING
0:00:39 > 0:00:43One simple dream, two million people
0:00:43 > 0:00:46and now, just three remain in tonight's final.
0:00:50 > 0:00:54I know I can win this for my family, especially our Gran.
0:00:57 > 0:01:01Singing has always been my life. I was born with the Pop Factor.
0:01:01 > 0:01:04That's why I can't lose this competition.
0:01:07 > 0:01:09We know we can win this.
0:01:09 > 0:01:12Britain has got the Pop Factor and you're looking at it.
0:01:12 > 0:01:18No acts are the same. Young and old are here for this, the final show.
0:01:18 > 0:01:21It's the talent show to end all talent shows
0:01:21 > 0:01:23and you choose who wins.
0:01:23 > 0:01:25A life-changing recording contract
0:01:25 > 0:01:29and a chance to skate into the lead role of an ice extravaganza!
0:01:29 > 0:01:35Tonight's the night. It's the final and it's up to you.
0:01:35 > 0:01:39Only you can decide who is crowned champion.
0:01:39 > 0:01:44The cameras are set, the phone lines are ready, the lights are rigged.
0:01:44 > 0:01:48It's time to prove that Britain has got the Pop Factor and possibly
0:01:48 > 0:01:52a new Celebrity Jesus Christ Soapstar Superstar Strictly On Ice!
0:02:05 > 0:02:08CROWD ROARS
0:02:13 > 0:02:15Prostitutes are rough in Amsterdam.
0:02:15 > 0:02:19The first one I went with made me wash me old man in the sink.
0:02:20 > 0:02:21You took your dad?!
0:02:24 > 0:02:28DRUNKEN SINGING
0:02:29 > 0:02:33Oh, oh, I hate match days. Look at this.
0:02:33 > 0:02:35CHEERING AND DRUNKEN SINGING
0:02:38 > 0:02:40How far away are they?
0:02:40 > 0:02:43# We're Bolton, we're barmy We're on the march tonight
0:02:43 > 0:02:47# We're Bolton, we're barmy We're on the piss tonight
0:02:47 > 0:02:51# We're Bolton, we're barmy We're on the road tonight
0:02:51 > 0:02:55# We're Bolton, we're barmy We're on the piss tonight... #
0:02:55 > 0:02:57Whoa! Enough, enough!
0:02:57 > 0:03:00Get back on the bus, you're not coming in.
0:03:00 > 0:03:02Hey, I'm getting married next week.
0:03:02 > 0:03:04I don't care, you're not coming in, all right?
0:03:04 > 0:03:06Come on, let him in, it's his stag night.
0:03:06 > 0:03:09Is it money you want, cos we've got money?
0:03:09 > 0:03:10We don't want it. Get back on the bus.
0:03:10 > 0:03:13SHOUTING
0:03:17 > 0:03:21Hey, what's up with this? Can't you read?
0:03:21 > 0:03:24Oi, Tattoo, get away from there!
0:03:24 > 0:03:27Who you calling Tattoo, you long streak of piss?
0:03:27 > 0:03:29I'm calling YOU Tattoo!
0:03:29 > 0:03:31SHOUTING
0:03:31 > 0:03:33SMASHING GLASS
0:03:33 > 0:03:36SHOUTING AND SMASHING GLASS
0:03:41 > 0:03:44DISTANT COMMOTION
0:03:49 > 0:03:52SHOUTING
0:03:58 > 0:04:01LAUGHTER
0:04:01 > 0:04:05I tell you what, you're laughing, but we'll end up like our parents.
0:04:05 > 0:04:09It's inevitable. We will, I'm telling you. Mm.
0:04:09 > 0:04:11LAUGHTER Oh, ay. 40 years from now,
0:04:11 > 0:04:15we'll be there. Oh, I tell you, you don't know you're born, you.
0:04:15 > 0:04:17LAUGHTER
0:04:17 > 0:04:19All me and your mam used to have in the evenings was Sky Digital...
0:04:19 > 0:04:23LAUGHTER Oh, ay, PlayStation.
0:04:23 > 0:04:25All we had in the evenings, you know.
0:04:25 > 0:04:28We used to have to manage with a car each!
0:04:28 > 0:04:32A car each! LAUGHTER
0:04:32 > 0:04:34Your mam had a dishwasher. You don't remember them.
0:04:34 > 0:04:38Look at her face. She don't remember them. A dishwasher!
0:04:38 > 0:04:41She used to have to go over, take all the plates,
0:04:41 > 0:04:46open it up, load them in by hand on her own, turn it on...
0:04:46 > 0:04:48LAUGHTER
0:04:48 > 0:04:50I'm telling you now, you don't know you're born.
0:04:50 > 0:04:52Didn't have any of them hoverboards.
0:04:52 > 0:04:54They were just pipe dreams then, son.
0:04:54 > 0:04:58Turn that music off. It's crap. Get a bit of Basement Jaxx on.
0:04:58 > 0:05:00Put a bit of Basement Jaxx on. LAUGHTER
0:05:00 > 0:05:03Bit of decent music, come on. Bit of drum'n'bass.
0:05:03 > 0:05:06Put a bit of Prodigy on for your mam. She loves that.
0:05:06 > 0:05:09Look at her. Smack Your Bitch Up, go on. She'll love that.
0:05:09 > 0:05:13Put a bit of that on. LAUGHTER AND APPLAUSE
0:05:13 > 0:05:16Come on, son. Look, it's Hammertime. It's Hammertime, come on.
0:05:16 > 0:05:19LAUGHTER
0:05:19 > 0:05:21Flat top. Can't touch this, son.
0:05:21 > 0:05:25Go on, it's Hammertime. Crank it up. LAUGHTER
0:05:25 > 0:05:29RADIO: ..Fixings at a steal. Plus gutter pipes to die for.
0:05:29 > 0:05:32And more ladders than you could shake a stick at.
0:05:32 > 0:05:35Planning on a bit of soldering? We've got soldering wire...
0:05:35 > 0:05:37What's your favourite colour? Blue.
0:05:39 > 0:05:42What's yours? Yellow.
0:05:43 > 0:05:45That just about sums us up.
0:05:47 > 0:05:52RADIO: Another great song on Forever FM. Timeless hits now and forever.
0:05:52 > 0:05:54Richard Marx and Hazard.
0:05:54 > 0:05:57Ah! Oh, I don't need this.
0:05:57 > 0:06:01I do not need this. Beautiful song.
0:06:01 > 0:06:05This is horrific. What they playing this for?
0:06:05 > 0:06:09It's about you. You're a hazard. I'm not backwards. What?
0:06:09 > 0:06:12He's backwards, the lad in this song.
0:06:12 > 0:06:15He's not playing with a full deck. Listen.
0:06:16 > 0:06:20# My mother called me Hazard when I was just seven
0:06:20 > 0:06:27# Even then the folks in town said with prejudiced eyes
0:06:27 > 0:06:30# That boy's not right... #
0:06:30 > 0:06:33Oh, I thought it just meant he was naughty. No, he's not right.
0:06:33 > 0:06:36# ..when I came to know Mary... # He think this is his girl, look.
0:06:36 > 0:06:39# The first time that someone looked
0:06:39 > 0:06:42# Beyond the rumours and the lies
0:06:42 > 0:06:45# Saw the man inside... #
0:06:45 > 0:06:46Bloody bleak, this.
0:06:46 > 0:06:52# We used to walk down by the river
0:06:54 > 0:06:59# She loved to watch the sun go down... #
0:06:59 > 0:07:04Then he kills her. Serial killer.
0:07:05 > 0:07:07What do you reckon?
0:07:07 > 0:07:09Oh, get a grip!
0:07:09 > 0:07:12You're not crying at Hazard, are you?
0:07:12 > 0:07:17It's just so sad. You're having a laugh! She's dead!
0:07:18 > 0:07:22Live, it's the final of all finals.
0:07:22 > 0:07:26Will you finally welcome your host for the final time?
0:07:26 > 0:07:28Cat Deeley!
0:07:28 > 0:07:31CHEERING AND APPLAUSE
0:07:38 > 0:07:40Hello! Hello, nice to see you again.
0:07:41 > 0:07:43Good evening.
0:07:43 > 0:07:45OK, this is it, Britain.
0:07:45 > 0:07:47We've made it. We're here.
0:07:47 > 0:07:50It's what everybody is talking about.
0:07:50 > 0:07:54It's the highlight of the television year. It's the final!
0:07:54 > 0:07:58CHEERING AND APPLAUSE
0:07:58 > 0:08:00OK, lock the front door and strap yourselves in
0:08:00 > 0:08:03because have we got a packed show for you tonight?
0:08:03 > 0:08:07Not only will the winner receive a life-changing record contract
0:08:07 > 0:08:11but they'll also qualify for the chance to compete in a new show
0:08:11 > 0:08:13that starts next week on this very channel -
0:08:13 > 0:08:17Celebrity Jesus Christ Soapstar Superstar Strictly On Ice!
0:08:17 > 0:08:20CHEERING
0:08:25 > 0:08:28Featuring Sally Lindsay as Mary, Louis Emerick as Joseph
0:08:28 > 0:08:31and Todd Carty as Jesus H Christ,
0:08:31 > 0:08:32next Wednesday at eight,
0:08:32 > 0:08:35except Border Tyne Tees.
0:08:35 > 0:08:38Doesn't that look great? It looks great. I can't wait!
0:08:38 > 0:08:39CHEERING
0:08:39 > 0:08:44A record-breaking 2.6 million applied to appear on the show.
0:08:44 > 0:08:49After 15 unforgettable weeks, just three final acts remain.
0:08:49 > 0:08:53The pressure is enormous and they're nervously waiting backstage.
0:08:53 > 0:08:56So, let's welcome them one last time.
0:08:56 > 0:08:59Ladies and gentlemen, your finalists.
0:08:59 > 0:09:03MUSIC: O Fortuna from Carmina Burana by Carl Orff
0:09:11 > 0:09:12R Wayne.
0:09:14 > 0:09:16Geraldine.
0:09:16 > 0:09:18And 2 Up 2 Down.
0:09:18 > 0:09:21CHEERING
0:09:41 > 0:09:44Manchester Evening News Arena is Europe's largest multipurpose
0:09:44 > 0:09:47indoor entertainment and sports venue.
0:09:47 > 0:09:49Security training for the staff
0:09:49 > 0:09:51is provided by specialist company Live Sec
0:09:51 > 0:09:55and their representatives Chris Choi and Shaun Ballen.
0:09:55 > 0:09:57Welcome back to your third and final day of training.
0:09:57 > 0:09:59Hope you all slept well.
0:09:59 > 0:10:02And those of you who didn't, I hope you didn't sleep at all.
0:10:02 > 0:10:04Seriously, today, we're going to look
0:10:04 > 0:10:06at your relationship with the public
0:10:06 > 0:10:08and how to conduct a thorough and complete body search. Chris.
0:10:08 > 0:10:11Thank you, Shaun. Now, anal probes.
0:10:11 > 0:10:13Where and how to use them in a crowd situation.
0:10:13 > 0:10:17Are we on now? Chris came out of prison in '85.
0:10:17 > 0:10:20Mm, well, I didn't come out of prison. Sounds terrible, that.
0:10:20 > 0:10:22Well, I DID come out of prison, but I hadn't done anything. No.
0:10:22 > 0:10:26I was a prison officer, so I hadn't actually committed a crime.
0:10:26 > 0:10:29I used to box, flyweight, till I did my knee.
0:10:29 > 0:10:33What we do is cover the first initial stages of training.
0:10:33 > 0:10:35We touch base with the stewards,
0:10:35 > 0:10:36then we up sticks to the next port of call.
0:10:36 > 0:10:39Next week, we're in...Berlin. Berlin. Berlin.
0:10:39 > 0:10:41It's an international contract. We go all over,
0:10:41 > 0:10:43work in many different arenas, different venues,
0:10:43 > 0:10:46with all the top names, all the artists.
0:10:46 > 0:10:48You name them, we've worked with them over the years.
0:10:48 > 0:10:51Meat Loaf. Yeah. Madonna. Yeah. U2. U2. Cast. Worked with them all.
0:10:51 > 0:10:55I've seen Cher's arse. That was a dancer. No, it wasn't. It was Cher.
0:10:55 > 0:10:59It was a... Whatever. Chris, it was a dancer. Whatever.
0:10:59 > 0:11:01Please will you welcome, Mr Peter Kay!
0:11:01 > 0:11:03CHEERING AND APPLAUSE
0:11:03 > 0:11:06# It's all about you
0:11:06 > 0:11:09# It's all about you, darling
0:11:09 > 0:11:13# It's all about you
0:11:13 > 0:11:19# It's all about you, baby, ooh... #
0:11:19 > 0:11:24Hey! CHEERING AND APPLAUSE
0:11:24 > 0:11:26What does that mean?
0:11:26 > 0:11:30Hey! CHEERING AND APPLAUSE
0:11:33 > 0:11:38Do we sing something? What shall we sing? Can we sing something?
0:11:38 > 0:11:41No, you BLEEP can't! Come on, Jonathan!
0:11:41 > 0:11:43Come over here and join us!
0:11:43 > 0:11:47Come on! What are you going to sing?
0:11:47 > 0:11:50I don't remember the words to songs.
0:11:50 > 0:11:53Come on, Jonathan! I haven't got a talent for songs.
0:11:53 > 0:11:55What about Tina Charles, Are We Full Of Joy?
0:11:55 > 0:11:58# I love to love... # Yeah, hang on.
0:11:58 > 0:12:00# My baby just loves to dance
0:12:00 > 0:12:03# She loves to dance She wants to dance
0:12:03 > 0:12:06# She needs to dance Oh, I love to love
0:12:06 > 0:12:10# But my baby, she just loves to dance
0:12:10 > 0:12:13# Stop, she's spinning like a top
0:12:13 > 0:12:15# We'll dance until we drop
0:12:15 > 0:12:19# We'll dance the night away
0:12:19 > 0:12:22# Ba, ba... LAUGHTER
0:12:22 > 0:12:25There's no such word as "Ba"!
0:12:25 > 0:12:28# Da, da, da night away
0:12:28 > 0:12:30# I love to love
0:12:30 > 0:12:33# But my baby just loves to dance
0:12:33 > 0:12:36# Yes, she does... #
0:12:37 > 0:12:41It's the part-time dinner lady, full-time diva.
0:12:41 > 0:12:43It's the fabulous Geraldine.
0:12:46 > 0:12:50It was drawing to the end of the auditions in London
0:12:50 > 0:12:52and last to arrive was Geraldine,
0:12:52 > 0:12:55who'd travelled all the way from Northern Ireland.
0:12:55 > 0:12:58# I'm going to make a change
0:12:58 > 0:13:01# For once in my life
0:13:01 > 0:13:03# A summer's disregard
0:13:03 > 0:13:05# A broken bottle top
0:13:05 > 0:13:08# And a one man's soul
0:13:08 > 0:13:11# They follow each other on the wind, you know
0:13:11 > 0:13:14# Cos they got nowhere to go
0:13:14 > 0:13:17# That's why I want you to know
0:13:17 > 0:13:20# I'm starting with the man in the mirror
0:13:20 > 0:13:22# If you want to make the world a better place
0:13:22 > 0:13:25# Take a look at yourself and make a change. #
0:13:25 > 0:13:28And once Geraldine was through to the weekly live shows,
0:13:28 > 0:13:30there was no stopping her.
0:13:30 > 0:13:32We've still got terrorism
0:13:32 > 0:13:35But we've still got terrorists here living
0:13:35 > 0:13:38In the USA, the big CIA
0:13:38 > 0:13:40The Bloods and The Crips and the KKK...
0:13:40 > 0:13:46And from then on, Geraldine kept her performances smokin'!
0:13:46 > 0:13:53# What's she going to look like with a chimney on her?
0:13:53 > 0:13:56DISTORTED: # What's she going to look like
0:13:56 > 0:14:01# With a chimney on her? #
0:14:01 > 0:14:06Even though things were going well in the show, behind the scenes,
0:14:06 > 0:14:09the press were about to unearth a shocking secret.
0:14:09 > 0:14:11They revealed that, prior to the competition,
0:14:11 > 0:14:16Geraldine had, in fact, been a man called Gerry King,
0:14:16 > 0:14:19a popular pianist on the Irish ferry circuit.
0:14:19 > 0:14:21With relentless media attention,
0:14:21 > 0:14:25Geraldine felt she had no choice but to defend herself publicly.
0:14:30 > 0:14:33With a four-year waiting list on the NHS,
0:14:33 > 0:14:37Geraldine's quest for surgery led her to a Bangkok hospital.
0:14:39 > 0:14:42One night in Bangkok? Try three months.
0:14:42 > 0:14:45Fiona, I've never known pain like it.
0:14:45 > 0:14:47I owe everything to Dr Fung Me Wow.
0:14:47 > 0:14:51He certainly knew his onions and now he's got mine.
0:14:52 > 0:14:54See, I've always spent my life trapped,
0:14:54 > 0:14:57ashamed when I've absolutely nothing to be ashamed of.
0:14:57 > 0:14:59The problem is society dictates.
0:14:59 > 0:15:01It shouldn't be about who I am or what I am.
0:15:01 > 0:15:04It should be about my contribution to the world.
0:15:04 > 0:15:08This is just a shell, this body, a vessel for my voice.
0:15:08 > 0:15:11Real talent always shines through in the end.
0:15:13 > 0:15:15It's a cup.
0:15:17 > 0:15:18Let's go, girls!
0:15:18 > 0:15:21After her open and honest appearance,
0:15:21 > 0:15:23the British public quickly took her to their hearts.
0:15:23 > 0:15:25# I'm going out tonight
0:15:25 > 0:15:27# I'm feeling all right
0:15:27 > 0:15:31# Going to let it all hang out
0:15:31 > 0:15:35# The best thing about being a woman
0:15:35 > 0:15:39# Is the prerogative to have a little fun
0:15:39 > 0:15:41# Whoa-oa-oa
0:15:41 > 0:15:43# Go totally crazy
0:15:43 > 0:15:45# Forget I'm a lady... #
0:15:45 > 0:15:48I've spent my whole life dreaming of a chance like this
0:15:48 > 0:15:51and now I'm here, I really don't want it to end.
0:15:51 > 0:15:53Please, Britain, let me live my dream.
0:15:54 > 0:15:57# Man, I feel like a woman! #
0:16:02 > 0:16:04MUSIC: Hazard by Richard Marx
0:16:04 > 0:16:08# No-one understood what I felt for Mary
0:16:08 > 0:16:11# No-one cared until the night
0:16:11 > 0:16:15# She went out walking all alone
0:16:15 > 0:16:17# And never came home... #
0:16:17 > 0:16:19That's cos he killed her, put her in a wheelie bin!
0:16:19 > 0:16:22# Man with a badge came knocking next morning... #
0:16:22 > 0:16:24Police are here now.
0:16:24 > 0:16:29Gets the blame. Yeah, cos he's killed her. But he didn't do it!
0:16:30 > 0:16:32He DID do it!
0:16:34 > 0:16:39# I swear I left her by the river... #
0:16:39 > 0:16:41It's his last image of her, by the river.
0:16:41 > 0:16:43It's his alibi to the police.
0:16:43 > 0:16:47# I swear I left her safe and sound... #
0:16:47 > 0:16:49Get a grip!
0:16:49 > 0:16:53So, that's cameras and recording equipment to suite 21,
0:16:53 > 0:16:58and no food and no beverages, unless it's on proven medical grounds.
0:16:58 > 0:16:59Shaun. Thanks, Chris.
0:16:59 > 0:17:01You know what the biggest enemy is in this business?
0:17:01 > 0:17:06Public enemy number one. Tell them, Chris. Flash photography.
0:17:06 > 0:17:08People might think we're being over the top
0:17:08 > 0:17:10when we talk about the public taking photographs
0:17:10 > 0:17:12but the repercussions can be enormous. Huge.
0:17:12 > 0:17:14Someone tries to take a photograph at a concert -
0:17:14 > 0:17:17a husband, a lover, whatever... Bang, it's like that!
0:17:17 > 0:17:20All hell breaks loose, doesn't it? We did Elton John in Stockholm.
0:17:20 > 0:17:23Yeah, Sheraton. That night, he wasn't.
0:17:23 > 0:17:26He were right in the middle of Candle In The Wind
0:17:26 > 0:17:29and the flash hit him. Bang, like that, weren't it? Quicker than that.
0:17:29 > 0:17:31Flash! And he was gone, you know.
0:17:31 > 0:17:33One woman, one flash and he was all over the place.
0:17:33 > 0:17:37He went straight into Nikita. He was lost. He was dazzled.
0:17:37 > 0:17:38We had Rocket Man, Sad Songs.
0:17:38 > 0:17:42He was all over the place, like a headless chicken. And for what?
0:17:42 > 0:17:46A selfish snapshot. Luckily the band jumped in and jammed along with him.
0:17:46 > 0:17:49That's right. The audience just thought it was a medley, you know.
0:17:49 > 0:17:52Yeah, yeah. But he found his way back in the end.
0:17:52 > 0:17:55True professional, Elton. If that had been somebody else...
0:17:55 > 0:17:57If that had been, er...
0:17:57 > 0:18:00Curtis Stigers. Frightening.
0:18:02 > 0:18:06Come on, Mum, time to go. Go? Go where?
0:18:06 > 0:18:09The old people's home. They'll look after you now.
0:18:09 > 0:18:12It's for the best. Are you mad? I'm 55!
0:18:12 > 0:18:15I know, but I've had a word with them. They'll take you. Come on.
0:18:15 > 0:18:19Get off! Why should I go and live in an old people's home?
0:18:19 > 0:18:21Because I want to put a snooker table in your bedroom
0:18:21 > 0:18:23and the kids are frightened of your moustache.
0:18:23 > 0:18:24Now, come on! Avanti!
0:18:24 > 0:18:27LAUGHTER
0:18:30 > 0:18:33Slimming World red and green days. Who goes to Slimming World?
0:18:33 > 0:18:36SOME AUDIENCE MEMBERS SHOUT OUT
0:18:36 > 0:18:38Slimming World. I went once.
0:18:39 > 0:18:41If you don't know what Slimming World is,
0:18:41 > 0:18:44it's like Weight Watchers but it's a quid cheaper.
0:18:44 > 0:18:46LAUGHTER
0:18:46 > 0:18:48Red and green days.
0:18:48 > 0:18:52I went once. Methodist church hall in Bolton, Thursday night,
0:18:52 > 0:18:55all women sat round in a semicircle.
0:18:55 > 0:18:57Let's have a look at you girls now.
0:18:57 > 0:18:59Big round of applause for Debbie.
0:18:59 > 0:19:02This week, she's lost a pound.
0:19:02 > 0:19:05I said, "I shit a pound. What's that?"
0:19:05 > 0:19:09One pound! Big deal! LAUGHTER
0:19:09 > 0:19:13Cost me ?3.50 to get in. What's a pound? Sh, sh!
0:19:13 > 0:19:16LAUGHTER
0:19:16 > 0:19:20Joan, at the back. Any problems this week, Joan, love?
0:19:20 > 0:19:23Yeah, I can't poo.
0:19:23 > 0:19:26LAUGHTER Too much information, Joan.
0:19:26 > 0:19:28We didn't need to know that.
0:19:28 > 0:19:31I'm eating a Nutri-Grain here. Dirty bitch.
0:19:31 > 0:19:32Do you want that? Do you want that?
0:19:32 > 0:19:35LAUGHTER
0:19:35 > 0:19:39Carol, at the back. What's happened here, love? What's happened here?
0:19:39 > 0:19:42You were doing really well, really well.
0:19:42 > 0:19:44You nearly had your half-stone sticker.
0:19:44 > 0:19:47LAUGHTER
0:19:47 > 0:19:50What's going on, love? I'm looking here now...at my hand...
0:19:50 > 0:19:53LAUGHTER
0:19:53 > 0:19:56..and I'm worried. What happened?
0:19:56 > 0:20:00I were doing really well and it got to Wednesday...
0:20:02 > 0:20:06..and I don't know. I just...
0:20:06 > 0:20:09Come on tell us, share it with the group. Come on.
0:20:09 > 0:20:11Come on, we're all nosy bitches. Tell us.
0:20:11 > 0:20:13LAUGHTER
0:20:13 > 0:20:20Um, it got to Wednesday and I broke one of my nails and I had a fry-up.
0:20:20 > 0:20:21LAUGHTER
0:20:21 > 0:20:24We've all been there, girls, we've all been there!
0:20:24 > 0:20:27Give Carol a round of applause anyway for trying.
0:20:27 > 0:20:31For trying what? Cooking oil? Fat bitch! What's she tried?
0:20:31 > 0:20:33What's she tried? Don't clap her!
0:20:33 > 0:20:36LAUGHTER
0:20:36 > 0:20:39Carol, take the "C" off "chips". What do you get?
0:20:39 > 0:20:42LAUGHTER It's up to you, love.
0:20:43 > 0:20:45I can't do it for you.
0:20:45 > 0:20:47Men search men, women search women.
0:20:47 > 0:20:49I know there's a lot of fellows in here
0:20:49 > 0:20:52who'd like it the other way round but, hey... TOGETHER: Hands off.
0:20:53 > 0:20:55Get them to open their bags and have a good look inside
0:20:55 > 0:20:58but whatever you do, don't just stick your hand in there.
0:20:58 > 0:21:01There could be anything in there. Hypodermic needles, anything. Shaun.
0:21:01 > 0:21:03Thanks very much, Chris. When we frisk people
0:21:03 > 0:21:07when they're coming into the arena, what, primarily, are we looking for?
0:21:07 > 0:21:10Knives. I don't think so, mate.
0:21:10 > 0:21:13We're going to be doing a lot of Disney On Ice, Hercules,
0:21:13 > 0:21:16Beauty And The Beast, 911, family events, you know.
0:21:16 > 0:21:19But you are the representatives of Live Sec.
0:21:19 > 0:21:21You make the difference between what the public see on the door
0:21:21 > 0:21:24and what they see on the stage. It's you that's in between.
0:21:24 > 0:21:26You make the difference. Chris. Shaun's right.
0:21:26 > 0:21:29You've got to learn to build up a relationship with the public.
0:21:29 > 0:21:32Talk to them, let them get to trust you. Ask them questions.
0:21:32 > 0:21:35Who's your favourite player? Who's your favourite singer?
0:21:35 > 0:21:38Show them the magic thumb trick, you know.
0:21:38 > 0:21:41Like that, look. Can you see at the back? Do it for us.
0:21:41 > 0:21:44He does it better than me. Look at that, look.
0:21:44 > 0:21:47Now, I guarantee you, they may not remember who they saw that night,
0:21:47 > 0:21:51but they'll remember the magic thumb trick for the rest of their lives.
0:21:51 > 0:21:56Basically, what we're asking for is 100%, 8 days a week, 24/7.
0:21:56 > 0:21:59It's not easy, it's a hard job. No. We're not denying that.
0:21:59 > 0:22:03But it'll probably be the most rewarding job you'll ever have
0:22:03 > 0:22:05and a lot of fun as well. Chris. Thanks, Shaun.
0:22:05 > 0:22:07And I know that, if we work together,
0:22:07 > 0:22:10we can have a great future together.
0:22:10 > 0:22:12Anybody any questions?
0:22:12 > 0:22:13Can you frisk children?
0:22:18 > 0:22:23MUSIC: Hazard by Richard Marx
0:22:30 > 0:22:32SHE SNIFFS
0:22:32 > 0:22:36# I swear I left her by the river... # It's too much.
0:22:36 > 0:22:39Don't YOU start. Honest to God...
0:22:39 > 0:22:41HE SOBS # I swear
0:22:41 > 0:22:46# I left her safe and sound... # See, you're crying now!
0:22:46 > 0:22:52# Oh, I need to make it to the river... # Awful story!
0:22:52 > 0:22:57It's awful. Shouldn't be playing this when you're driving to work.
0:22:57 > 0:23:01# And leave this old Nebraska town... #
0:23:01 > 0:23:03HE SOBS
0:23:03 > 0:23:06There's always a diet going round work as well.
0:23:06 > 0:23:08There's always some girl... This is the diet, right.
0:23:08 > 0:23:10If you want to lose weight and you want to lose weight quick,
0:23:10 > 0:23:12you've got to get on this.
0:23:12 > 0:23:16Me mate, she's a nurse, she got it photocopied. I tell you now...
0:23:16 > 0:23:20I swear to God, I'm not shitting you. This is the diet, right.
0:23:20 > 0:23:21This is the diet, right.
0:23:21 > 0:23:24You have one Tuc cracker and a cup of beetroot, right.
0:23:24 > 0:23:27You drink your own piss, you drink your own piss.
0:23:27 > 0:23:32It's detox. It detoxes your body. Detox. Tracy's on it, right.
0:23:32 > 0:23:34She lost 14st in a day.
0:23:34 > 0:23:3814st in a day, I tell you now. One day. She's here now.
0:23:38 > 0:23:42LAUGHTER
0:23:52 > 0:23:56She's fell over. She's fell over her drip. You OK, love?
0:23:56 > 0:23:59LAUGHTER 14st in a day.
0:24:19 > 0:24:22# I think that you're the one
0:24:22 > 0:24:25# When every time you call me lady
0:24:28 > 0:24:30# I don't know what it is
0:24:30 > 0:24:35# It makes me feel like this just lately, yeah
0:24:37 > 0:24:39# Those heavenly calls
0:24:39 > 0:24:44# You knew I was on my own
0:24:46 > 0:24:48# Those heavenly calls
0:24:48 > 0:24:53# We stepped into the unknown
0:24:53 > 0:24:57# Let me sleep
0:24:57 > 0:25:00# So I can dream of you
0:25:02 > 0:25:06# Let me sleep
0:25:06 > 0:25:09# So I can be with you
0:25:12 > 0:25:14# What's a girl to do
0:25:14 > 0:25:18# When she's alone with you Don't tell me
0:25:21 > 0:25:23# And here we are again
0:25:23 > 0:25:27# Yeah, acting like we're friends Now help me
0:25:29 > 0:25:32# Those heavenly calls
0:25:32 > 0:25:37# You knew I was on my own
0:25:38 > 0:25:41# Those heavenly calls
0:25:41 > 0:25:45# We stepped into the unknown
0:25:46 > 0:25:49# Let me sleep
0:25:49 > 0:25:52# So I can dream of you
0:25:55 > 0:25:58# Let me sleep
0:25:58 > 0:26:02# So I can be with you
0:26:04 > 0:26:07# Let me sleep
0:26:07 > 0:26:10# So I can dream of you
0:26:12 > 0:26:15# Let me sleep
0:26:15 > 0:26:19# So I can be with you
0:26:40 > 0:26:42# Hold me close
0:26:42 > 0:26:45# Let me be with you
0:26:48 > 0:26:50# At least tonight
0:26:50 > 0:26:54# We'll be misunderstood
0:26:56 > 0:26:59# Let me sleep
0:26:59 > 0:27:02# So I can dream of you
0:27:05 > 0:27:08# Let me sleep
0:27:08 > 0:27:11# So I can be with you
0:27:13 > 0:27:17# Let me sleep What's a girl to do
0:27:17 > 0:27:20# So I can dream of you When she's alone with you, don't tell me
0:27:22 > 0:27:25# Let me sleep And here we are again
0:27:25 > 0:27:29# So I can be with you Yeah, acting like we're friends, now help me
0:27:30 > 0:27:33# And let me sleep
0:27:34 > 0:27:38# Oh, let me sleep
0:27:39 > 0:27:43# Let me sleep
0:27:43 > 0:27:47# So I can dream of you
0:27:48 > 0:27:51# Let me sleep, yeah
0:27:51 > 0:27:55# So I can be with you. #
0:27:58 > 0:28:02MUSIC PLAYS ON TV
0:28:02 > 0:28:04DOG BARKS
0:28:33 > 0:28:35Your future is taken care of.
0:28:35 > 0:28:38You'll be surprised what you'll find.
0:28:39 > 0:28:40I need to see more.
0:28:40 > 0:28:42# I know, with you
0:28:42 > 0:28:45# Tonight could be amazing
0:28:45 > 0:28:47# Be amazing... #