0:00:22 > 0:00:25CHEERING AND APPLAUSE
0:00:33 > 0:00:38Hello. I'm Frank Skinner, and welcome to Room 101,
0:00:38 > 0:00:43the show where three guests explain what really winds them up,
0:00:43 > 0:00:45in the hope that I'll condemn said things
0:00:45 > 0:00:47to the grim environs of Room 101.
0:00:47 > 0:00:51Our guest choices have been sorted into categories and in
0:00:51 > 0:00:55each round, only one item can be chosen. The final decision is mine.
0:00:55 > 0:00:58Joining me tonight are Labour Party legend John Prescott,
0:00:58 > 0:01:01comedian Micky Flanagan and actress Rebecca Front.
0:01:01 > 0:01:03CHEERING AND APPLAUSE
0:01:06 > 0:01:10So, let's get the ball rolling, let's have our first category.
0:01:13 > 0:01:18It's Film & Television, and let's have a look at Rebecca's choice.
0:01:21 > 0:01:23It's audience participation.
0:01:23 > 0:01:24Ah.
0:01:24 > 0:01:26BOOING AND HISSING
0:01:26 > 0:01:30Oh! Boy, I'm really popular here!
0:01:30 > 0:01:33That's a very fine example, right there.
0:01:33 > 0:01:36When you're in the audience of a show and you're settling down
0:01:36 > 0:01:39and just at that point when they say,
0:01:39 > 0:01:42"I need a volunteer from the audience," I'm always that one
0:01:42 > 0:01:44who sinks down into my chair and thinks,
0:01:44 > 0:01:45"They won't notice me, it'll be fine."
0:01:45 > 0:01:48But they're like dogs, these audience participation people,
0:01:48 > 0:01:50they smell fear.
0:01:50 > 0:01:52So the more you sink down into your chair...
0:01:52 > 0:01:55I don't think it's fear, is it, that dogs smell?
0:01:55 > 0:01:59So the more you sit there and try and be invisible, the more likely you are to get picked.
0:01:59 > 0:02:01And it's always me, always me.
0:02:01 > 0:02:04- So have you been called up on stage? - Oh, loads of times. Honestly.
0:02:04 > 0:02:09There was a time when Al Murray and I took our respective families
0:02:09 > 0:02:14to a circus, and we both got pulled up on stage, by clowns.
0:02:14 > 0:02:16And it was hideous.
0:02:16 > 0:02:19He was trying to get us to enact some drama in which Al had to be
0:02:19 > 0:02:23a cowboy and had to shoot me and I was some floozy in a feather boa
0:02:23 > 0:02:26and I don't know what it was all about, I didn't understand it.
0:02:26 > 0:02:30At a given point, he handed Al this pistol and Al sort of went bang,
0:02:30 > 0:02:33and then he looked at me, this clown, and kind of went, "Urgh, urgh!"
0:02:33 > 0:02:35So I thought, "OK, I'm meant to die at this point."
0:02:35 > 0:02:39So I fell off the chair into the sawdust, which went all over my nice cardigan.
0:02:39 > 0:02:44- Oh, no.- And at that point... Thank you for your sympathy! - That's all right!
0:02:44 > 0:02:46I noticed my son, who at that stage was about,
0:02:46 > 0:02:49was a toddler, suddenly looking at us thinking,
0:02:49 > 0:02:53we came here to have a nice time and Uncle Al's just shot Mummy.
0:02:53 > 0:02:56You know, it was all wrong, it was a bad idea.
0:02:56 > 0:03:01I like it when the clowns run at you with the bucket of water and it's just glitter. That's great.
0:03:01 > 0:03:02No, it's not.
0:03:02 > 0:03:05The surprise, the fear. Oh, it's just glitter.
0:03:05 > 0:03:06LAUGHTER
0:03:06 > 0:03:10Admittedly, if your house is burning down, they're worse than useless.
0:03:12 > 0:03:16Panto would be downright dangerous, without audience participation.
0:03:16 > 0:03:19You'd have no idea if there was anything behind you or not.
0:03:21 > 0:03:24I think that's one of the sorry things in politics,
0:03:24 > 0:03:28that years ago, since I've been around for a few years, heckling
0:03:28 > 0:03:32at conferences, or indeed in audiences like this, was quite common.
0:03:32 > 0:03:35Now that's gone, largely because people like myself,
0:03:35 > 0:03:40if somebody makes a comment and heckles, I do my best to kick their head in before anybody else does.
0:03:40 > 0:03:42LAUGHTER
0:03:42 > 0:03:47Well, look, I know you're not a big fan of audience participation, John,
0:03:47 > 0:03:51because we've got a clip that proves exactly that.
0:03:51 > 0:03:53If you put together all of the numbers...
0:03:53 > 0:03:55WOMAN IN CROWD SHOUTS REPEATEDLY
0:03:55 > 0:03:58..and any of the others that come into a coalition deal,
0:03:58 > 0:03:59that only just gets you...
0:03:59 > 0:04:02Can you keep your mouth shut for a moment, love?
0:04:02 > 0:04:04LAUGHTER AND APPLAUSE
0:04:11 > 0:04:13OK, let's have a look at John's choice.
0:04:16 > 0:04:17LAUGHTER
0:04:19 > 0:04:20What is it, John?
0:04:21 > 0:04:25Well, it's pictures of me on television.
0:04:25 > 0:04:28For example, when I did that, I was at a rally and I was trying
0:04:28 > 0:04:32to bring home to people who were moaning that Gordon Brown is miserable,
0:04:32 > 0:04:35and I said, "I know he's miserable," and I pulled that face.
0:04:35 > 0:04:39The press then decide this is something they want as a story,
0:04:39 > 0:04:42and so they, probably wanting to make me look foolish,
0:04:42 > 0:04:45or the other one is you're looking aggressive and I think they think
0:04:45 > 0:04:48I'm aggressive, so they put that picture across.
0:04:48 > 0:04:50In this case, somebody came up to me a few weeks later
0:04:50 > 0:04:54and said, "Hello," he said, "I'd love to have your autograph."
0:04:54 > 0:04:59And I signed it and he said, "Thanks very much, Les."
0:04:59 > 0:05:00I said, "What do you mean, Les?"
0:05:00 > 0:05:02LAUGHTER
0:05:02 > 0:05:05Les Dawson was on in Blackpool, that's where it was,
0:05:05 > 0:05:07and they thought that was Les Dawson.
0:05:07 > 0:05:10You love it really, don't you?
0:05:10 > 0:05:12I mean, the Two Jags, how did that thing happen?
0:05:12 > 0:05:14Did you just buy two Jags?
0:05:14 > 0:05:16- No, I just had one. - So what happened?
0:05:16 > 0:05:18Did you park it next to a mirror?
0:05:19 > 0:05:23I had one, it was an old XJS, I've still got it, and the Government
0:05:23 > 0:05:25came along and gave us another car.
0:05:25 > 0:05:29I became "Two Jags" in the paper, because that's the image they want.
0:05:29 > 0:05:33Just think if you'd have had Rolls-Royces, you'd have been known as Two Rolls.
0:05:33 > 0:05:34LAUGHTER
0:05:36 > 0:05:40I think they still call you that in Greggs.
0:05:42 > 0:05:43That's another picture they like.
0:05:43 > 0:05:48If they see you eating, fish and chips or whatever, that's the picture they put across,
0:05:48 > 0:05:51because it feeds that image... as if I'm fat.
0:05:51 > 0:05:53LAUGHTER
0:05:54 > 0:05:56The guy who you hit, did he ever sell his story?
0:05:56 > 0:05:59- What happened to him?- Yeah, he got about 20,000 from the Mail.
0:05:59 > 0:06:02That can't be right, can it? Hold on a minute.
0:06:05 > 0:06:06LAUGHTER
0:06:09 > 0:06:11APPLAUSE
0:06:15 > 0:06:17OK, let's have a look at Micky's choice.
0:06:20 > 0:06:22What is it, Mick?
0:06:22 > 0:06:25Well, it's actually celebrity chefs.
0:06:25 > 0:06:27Ah, OK.
0:06:27 > 0:06:31I think they're over-valued, every time I turn on TV there's another one.
0:06:31 > 0:06:34They just keep appearing, they've all got their own little thing.
0:06:34 > 0:06:38Gordon's very angry, aggressive, crazy.
0:06:38 > 0:06:41I understand that, he's ended up doing a lady's job.
0:06:41 > 0:06:43LAUGHTER AND GROANING
0:06:48 > 0:06:51I'm joking! I'm joking.
0:06:51 > 0:06:53Most women can't cook nowadays.
0:06:55 > 0:06:57So, but it's no-one's job.
0:06:57 > 0:07:02But it's basically, it's this overblown idea
0:07:02 > 0:07:06of themselves as being really talented, and it's just cooking.
0:07:06 > 0:07:09All they've done is got organised. They've just got organised
0:07:09 > 0:07:11and they've got more time than everybody else.
0:07:11 > 0:07:14They're just saying, "I wasn't really any good at anything,
0:07:14 > 0:07:17"so I'll do a bit of dinner. Is that all right?"
0:07:17 > 0:07:19And you all have to go, "Wow! Crazy, man!
0:07:19 > 0:07:23"Look, he's using Sicilian lemons, wow!"
0:07:23 > 0:07:25LAUGHTER
0:07:25 > 0:07:28The British have had a very healthy attitude to food.
0:07:28 > 0:07:30It's generally there to line the stomach,
0:07:30 > 0:07:32that's generally what we use it for.
0:07:32 > 0:07:37The sensible people are going, "I'm going out at the weekend for 48 hours, drinking.
0:07:37 > 0:07:41"I'll have a jacket potato and a glass of milk, I'll be fine."
0:07:42 > 0:07:45Yeah, but I like... I don't cook,
0:07:45 > 0:07:48but I like the idea of eating new things that I've never...
0:07:48 > 0:07:51like when I first heard of mange tout,
0:07:51 > 0:07:52that was the...
0:07:52 > 0:07:54LAUGHTER
0:07:54 > 0:07:58..that was a discovery for me, and much better than the original Mange.
0:07:58 > 0:07:59LAUGHTER
0:07:59 > 0:08:02Whereas, when they got to Mange Three,
0:08:02 > 0:08:04I thought they'd run out of ideas.
0:08:04 > 0:08:07I enjoyed Mange The Early Years, that was a good one.
0:08:07 > 0:08:09You know, when I was growing up,
0:08:09 > 0:08:12cookery on telly was, there was a woman called Fanny Cradock.
0:08:12 > 0:08:16- Oh, yeah.- Yeah, and she'd come in and she'd say, "Hello.
0:08:16 > 0:08:18"I'm going to cook a pie."
0:08:18 > 0:08:21And my dad would say, "Turn that over, will you?"
0:08:21 > 0:08:22And we'd turn it over.
0:08:24 > 0:08:26LAUGHTER
0:08:27 > 0:08:30And that was it, you know. Have you ever tried it, though?
0:08:30 > 0:08:35Have you ever tried, have you ever had an inspirational moment when you're sitting there watching it,
0:08:35 > 0:08:38you go, "That's it, I'm doing this"?
0:08:38 > 0:08:40"I'm doing it for her."
0:08:40 > 0:08:42I've tried to make, I've got down the book
0:08:42 > 0:08:45and it said, "Pumpkin risotto."
0:08:45 > 0:08:48I thought, "She'll like that. I'm making that, for my wife."
0:08:48 > 0:08:52And it said, "Take one medium-sized pumpkin."
0:08:52 > 0:08:54I thought, "I'll give that a miss, then."
0:08:54 > 0:08:56LAUGHTER
0:08:57 > 0:09:00What were you expecting the ingredients to be?
0:09:00 > 0:09:02But who's got a pumpkin?
0:09:02 > 0:09:03No, you're right.
0:09:05 > 0:09:09- You know, it wasn't Halloween.- Yeah, it's a seasonal dish, really.- Yeah.
0:09:09 > 0:09:11Or am I supposed to be like Jamie?
0:09:11 > 0:09:14"I'm just going to pop down the market and get a pumpkin.
0:09:14 > 0:09:17"All right, Shirl, any pumpkins?" "You all right, Jamie?
0:09:17 > 0:09:19"What sort of pumpkin do you want?"
0:09:19 > 0:09:23"A round one." "Oh, all right, we've got that for you. Catch, Jamie."
0:09:23 > 0:09:25"Cheers! Thanks, babe, wey-hey!"
0:09:26 > 0:09:27OK, well...
0:09:27 > 0:09:29LAUGHTER
0:09:30 > 0:09:33So, look, that's the end of that category and...
0:09:35 > 0:09:38I am a big fan of audience participation,
0:09:38 > 0:09:40so I'm loathed to put that in.
0:09:40 > 0:09:43And, John, I think you probably are slightly victimised
0:09:43 > 0:09:47by the media as to be made to look a bit like the Gruffalo.
0:09:49 > 0:09:51But you love it as well, I think.
0:09:51 > 0:09:55But you're right, I'm sick of watching cookery programmes on the telly,
0:09:55 > 0:09:57so I'm going to put TV chefs into Room 101.
0:09:57 > 0:09:58APPLAUSE
0:10:00 > 0:10:02Look at that.
0:10:03 > 0:10:04Job done.
0:10:08 > 0:10:11OK, so let's have our next category.
0:10:16 > 0:10:19Modern Life. Let's see what winds up
0:10:19 > 0:10:21John Prescott about modern life.
0:10:27 > 0:10:29LAUGHTER
0:10:29 > 0:10:30Hold on, John, you'll love this.
0:10:32 > 0:10:33CREAKING
0:10:33 > 0:10:34LAUGHTER
0:10:34 > 0:10:37Amazing.
0:10:37 > 0:10:38So what is it, John?
0:10:38 > 0:10:40It's goal celebrations.
0:10:40 > 0:10:43Well, you sit down and you watch football, I'm a director
0:10:43 > 0:10:47of a rugby team in Hull, and I notice the difference when there's a score.
0:10:47 > 0:10:51When there's a goal in football, they all start running over
0:10:51 > 0:10:55to each other and kissing each other and throwing their hands around.
0:10:55 > 0:10:59Years ago, when it was Stanley Matthews and he scored, he just walked away, didn't he, you know?
0:10:59 > 0:11:02And they all played more. Now they get down on their knees,
0:11:02 > 0:11:05pull their shirts out and go, "Wow!"
0:11:05 > 0:11:07And wait for the kiss.
0:11:07 > 0:11:08CHEERING AND APPLAUSE
0:11:08 > 0:11:10I mean, what's that got to do with football?
0:11:10 > 0:11:11AUDIENCE: Get 'em off!
0:11:14 > 0:11:17Footballers are generally much more pansy-ish now than
0:11:17 > 0:11:19they used to be, you know.
0:11:19 > 0:11:21APPLAUSE
0:11:21 > 0:11:23Well, I can't...
0:11:23 > 0:11:26When I was growing up, in the game there was a thing called a fair barge.
0:11:26 > 0:11:28Do you remember the fair barge, Frank?
0:11:28 > 0:11:31- Shoulder to shoulder? - Bosh, get out of the way.
0:11:31 > 0:11:34John's been using it in the chip shop for years.
0:11:35 > 0:11:39No, but I think people always say this about, you know,
0:11:39 > 0:11:42players, they're all millionaires and all that kind of,
0:11:42 > 0:11:45but, you know, these are massively skilled professionals
0:11:45 > 0:11:48and I think that those goal celebrations are the closest
0:11:48 > 0:11:51the working classes get to contemporary dance.
0:11:51 > 0:11:56The working classes! The working class don't act like that in football, it's these guys.
0:11:56 > 0:11:58Some of them come from that background,
0:11:58 > 0:12:03but in the real top teams, where a lot of goals are going on - I agree that in West Brom
0:12:03 > 0:12:06it doesn't happen very often, so you probably don't get many of these...
0:12:06 > 0:12:08AUDIENCE: Boo!
0:12:08 > 0:12:11I understand, I can't actually remember...
0:12:11 > 0:12:13I can't remember what goal celebration we do.
0:12:13 > 0:12:16No, that's fair enough.
0:12:16 > 0:12:20You know that thing when players have something written on a T-shirt under the shirt?
0:12:20 > 0:12:25I always worry that players have had one for years and never scored.
0:12:25 > 0:12:27A bloke scored at the Albion about two months ago
0:12:27 > 0:12:29and the T-shirt said, "Who shot JR?"
0:12:29 > 0:12:31LAUGHTER
0:12:35 > 0:12:36But the trouble is...
0:12:38 > 0:12:41The best one is when the celebrations go wrong.
0:12:41 > 0:12:44This is a Coventry player, right, and I really love this,
0:12:44 > 0:12:49as a post-goal celebration that doesn't quite make the grade.
0:12:49 > 0:12:53And Robbie Simpson ghosting into the box there and picking out
0:12:53 > 0:12:57the far corner, and that should be that for Coventry City.
0:12:57 > 0:12:58LAUGHTER AND APPLAUSE
0:13:05 > 0:13:07You're supposed to slide, is the idea.
0:13:07 > 0:13:11Let's find out what annoys Rebecca about modern life.
0:13:15 > 0:13:17It's other people's music.
0:13:17 > 0:13:18Ah.
0:13:18 > 0:13:21SCATTERED APPLAUSE
0:13:21 > 0:13:25Because when I was growing up, Muzak was the thing that everybody hated,
0:13:25 > 0:13:29you know, and people would complain about it all the time, piped music.
0:13:29 > 0:13:31Then they invented Walkmans and iPods
0:13:31 > 0:13:34and so you could listen to whatever awful music you wanted to
0:13:34 > 0:13:37listen to and nobody else would be bothered by it.
0:13:37 > 0:13:40And still you have it inflicted on you.
0:13:40 > 0:13:42And I think I have a particular problem with this
0:13:42 > 0:13:46because I am terribly kind of British and I'm very bad at speaking my mind.
0:13:46 > 0:13:50So when I get into the back of a taxi and they've got music radio on,
0:13:50 > 0:13:53I find it actually physically impossible to say,
0:13:53 > 0:13:56"I'm so sorry, could you turn the music off?" I just can't do it.
0:13:56 > 0:14:01About halfway through the journey, they'll say, "Sorry, is this music bothering you?"
0:14:01 > 0:14:05And by that time I'm so knotted up by having had to listen to power ballads
0:14:05 > 0:14:08for an hour and a half, that I'll just sort of go, "No, it's fine."
0:14:08 > 0:14:10So it's power ballads, that's the...
0:14:10 > 0:14:14- Power ballads, I'm not big on power ballads.- Even this one?
0:14:14 > 0:14:15# Mandy
0:14:15 > 0:14:19# You came and you gave without taking
0:14:19 > 0:14:22# But I sent you away... #
0:14:22 > 0:14:26- Yeah, even that one. - John, you must have sung that to Peter Mandelson.
0:14:26 > 0:14:27LAUGHTER
0:14:27 > 0:14:31There's that moment on a power ballad where they think,
0:14:31 > 0:14:36"To hell with the melody, I'm just going to shout any note I like." Listen, she goes crazy.
0:14:36 > 0:14:38# All by myself... #
0:14:38 > 0:14:41At this moment you think, "All By Myself, I quite like this one, it's fine."
0:14:41 > 0:14:44But no, she's not happy with this.
0:14:44 > 0:14:46She's thinking, "No, I'm singing it."
0:14:46 > 0:14:48# ..All by mySELF!
0:14:48 > 0:14:53# ANY MO-O-O-ORE... #
0:14:53 > 0:14:55THUNDERING DRUMS AS SINGER CONTINUES
0:14:55 > 0:14:56MUSIC STOPS
0:14:56 > 0:14:58APPLAUSE
0:15:00 > 0:15:02What about car horns?
0:15:02 > 0:15:06- No, that's all right, it's a quick blast, that's a warning.- No, no.
0:15:06 > 0:15:08Do you remember the ones you used to get in the '70s?
0:15:08 > 0:15:10CAR HORN PLAYS JAUNTY TUNE
0:15:10 > 0:15:12- Oh, I love that!- Bugattis.
0:15:12 > 0:15:15I bet you had one of those, Mick, am I right?
0:15:15 > 0:15:16I dreamed.
0:15:16 > 0:15:20And sometimes you used to get the cheap, the sort of home-made ones.
0:15:20 > 0:15:22Here is an example.
0:15:22 > 0:15:25CAR HORN PLAYS DISTORTED TUNE
0:15:25 > 0:15:27That sounds like a front-door bell.
0:15:27 > 0:15:29There is actually an explanation for that one.
0:15:29 > 0:15:33DISTORTED HORN PLAYS AGAIN
0:15:33 > 0:15:35LAUGHTER
0:15:35 > 0:15:36APPLAUSE
0:15:38 > 0:15:42Let's see what Micky doesn't like about modern life.
0:15:46 > 0:15:48Americanisms.
0:15:48 > 0:15:50AUDIENCE: Yeah!
0:15:50 > 0:15:51APPLAUSE
0:15:53 > 0:15:56You can put it back down now, Frank.
0:15:56 > 0:15:57LAUGHTER
0:15:57 > 0:16:01Don't get me wrong, I like America, I've been there many times,
0:16:01 > 0:16:06but when I go there I'm doing my best to communicate with the people.
0:16:06 > 0:16:09If I want chips, I'll say, "Can I have some fries?", you know.
0:16:09 > 0:16:12If I want crisps, I'll say, "Can I have some chips?"
0:16:12 > 0:16:14You know, I'll accommodate.
0:16:14 > 0:16:15Yeah.
0:16:15 > 0:16:18So when they come here, you've got to join in.
0:16:18 > 0:16:21I don't like the way we're sort of cheapening the British language
0:16:21 > 0:16:24by continually slowly Americanising it.
0:16:24 > 0:16:29I was in a restaurant the other day and the toilets were the restrooms.
0:16:30 > 0:16:32Are you resting in there, are you?
0:16:33 > 0:16:37Excuse me, how much longer will you be resting?
0:16:38 > 0:16:41"It's quite a big rest I've got to get out here, mate!"
0:16:41 > 0:16:43LAUGHTER
0:16:44 > 0:16:47Some of the Americanisms are brilliant.
0:16:47 > 0:16:52You know when you get extras in TV, like those people that play darts in the Rovers Return?
0:16:52 > 0:16:56We call them extras. In America they call them "atmosphere".
0:16:56 > 0:16:57LAUGHTER
0:16:57 > 0:16:59I love that.
0:16:59 > 0:17:01"Where's the atmosphere? Come on!"
0:17:03 > 0:17:06It can lead to terrible misunderstandings
0:17:06 > 0:17:08in the sexual area as well.
0:17:08 > 0:17:11Where is the sexual area?
0:17:13 > 0:17:16When I lived in America, I had an American girlfriend
0:17:16 > 0:17:19and was badgering her for sex that night.
0:17:19 > 0:17:22She said, "Micky, we are not gonna to make love tonight. Period."
0:17:26 > 0:17:29I said, "Well, that's fair enough, love."
0:17:34 > 0:17:38A friend of mine - this creeps into everyday language - a friend of mine
0:17:38 > 0:17:42phoned me up the other day and we were going for a curry and a couple of pints,
0:17:42 > 0:17:44and I said, "What time do you think you'll get there?"
0:17:44 > 0:17:47He said, "Oh, I'll probably rock up at about half eight."
0:17:47 > 0:17:50I said "Rock up?"
0:17:50 > 0:17:52I said, "You're 52...
0:17:52 > 0:17:54LAUGHTER
0:17:54 > 0:17:56"..you've got an hearing aid,
0:17:56 > 0:18:01"and last week you put your back out wringing out a flannel.
0:18:02 > 0:18:04"You're not rocking up anywhere, mate.
0:18:04 > 0:18:07"You'll get there about half eight."
0:18:07 > 0:18:10You know, it's this constant dressing-up
0:18:10 > 0:18:14and trying to make things more exciting by using American language. It just drives me up the wall.
0:18:14 > 0:18:16Yeah, whatever.
0:18:16 > 0:18:17LAUGHTER
0:18:17 > 0:18:19APPLAUSE
0:18:23 > 0:18:30Well, they're all beautifully argued and I like Americanisms,
0:18:30 > 0:18:33because I like the way that language moves and grows.
0:18:33 > 0:18:36And I think celebrations of any kind in recession-hit Britain
0:18:36 > 0:18:38are a thing to be happy about.
0:18:38 > 0:18:41But I must admit, as bigoted as it may be, I do hate
0:18:41 > 0:18:43other people's music,
0:18:43 > 0:18:46so I'm going to put other people's music into Room 101.
0:18:46 > 0:18:49APPLAUSE
0:18:51 > 0:18:55Oh, let us have the next category, please.
0:19:00 > 0:19:02OK, People is the category.
0:19:02 > 0:19:05What kind of people wind up John Prescott?
0:19:11 > 0:19:13People who shout on their mobiles.
0:19:13 > 0:19:18I think everyone of us has got a mobile, I'm not against that
0:19:18 > 0:19:19but particularly on trains,
0:19:19 > 0:19:23now they say you can do it only on certain parts of the trains,
0:19:23 > 0:19:26but you're sitting in the coach, people are using it
0:19:26 > 0:19:29and then you get some who want to shout about everything, right?
0:19:29 > 0:19:34They say, "Hello, it's Jimmy. Yeah, are we going out tomorrow night?
0:19:34 > 0:19:37"Yeah, where will we be? We'll go down that pub down in Hull, OK?
0:19:37 > 0:19:40"Will you be there? Yeah. Will you tell Mary too?"
0:19:40 > 0:19:41I usually shout out,
0:19:41 > 0:19:45"Anybody else want to go on this thing to the pub in Hull?
0:19:45 > 0:19:47That usually quietens them down a bit.
0:19:47 > 0:19:51- You really do that?- Yeah. He said, "Are you always this offensive?"
0:19:51 > 0:19:52"Yeah, only to buggers like you."
0:19:52 > 0:19:55LAUGHTER
0:19:55 > 0:19:57I love the idea of someone on the phone saying,
0:19:57 > 0:19:59"Sorry if I sound a bit trembly.
0:19:59 > 0:20:04"John Prescott is trying to turn the whole carriage against me."
0:20:05 > 0:20:07Why don't you just punch them, John?
0:20:09 > 0:20:13You have to talk though, on the trains, it's part of your job.
0:20:13 > 0:20:16No, I've got no problem about people talking normally on the phone,
0:20:16 > 0:20:20I find that quite acceptable, I'll use it myself sometimes.
0:20:20 > 0:20:23It's the shouting that everybody hears in the coach
0:20:23 > 0:20:26and I can't help but sometimes think they do it deliberately,
0:20:26 > 0:20:29it's like emphasising a kind of importance,
0:20:29 > 0:20:32who they're ringing and what they're doing. That is inconsiderate.
0:20:32 > 0:20:35I must admit I have enjoyed it.
0:20:35 > 0:20:38It takes all the strain out of eavesdropping.
0:20:38 > 0:20:42Don't you think, Frank, if they are going to have the conversation
0:20:42 > 0:20:45they should put it on speaker, so you can hear the other side?
0:20:45 > 0:20:48There's nothing worse than going, "I can't listen properly."
0:20:51 > 0:20:54That's the other thing, laptops - when people watch a film.
0:20:54 > 0:20:58Have you seen this one? People will watch a film on their laptop.
0:20:58 > 0:21:00I had a woman got on the train the other day
0:21:00 > 0:21:04and she sat her kid behind me, she went and sat about five seats away,
0:21:04 > 0:21:08put the laptop on and put Chuggington on for the kid.
0:21:08 > 0:21:10I'm sitting there,
0:21:10 > 0:21:13# Chuggington! Chugga, chugga, chugga, chugga... #
0:21:13 > 0:21:16LAUGHTER
0:21:16 > 0:21:18What do you do?
0:21:18 > 0:21:20I just went and sat with the kid.
0:21:20 > 0:21:23I went, "This is quite a good one actually."
0:21:23 > 0:21:27OK, what kind of people does Rebecca not like?
0:21:35 > 0:21:37Whatever happened to my shoulders?
0:21:37 > 0:21:40That speaks for itself.
0:21:40 > 0:21:44People who come up and give you an unwanted massage.
0:21:45 > 0:21:48I've got a theory that this might be something that
0:21:48 > 0:21:52- annoys women more than it annoys men.- I think you're right.
0:21:52 > 0:21:54I have a suspicion that most men,
0:21:54 > 0:21:58if they were given an unexpected massage, might be relatively quite pleased,
0:21:58 > 0:22:02but there is a type of man, it's usually men,
0:22:02 > 0:22:05it's quite often young men, a lot of young actors do it.
0:22:05 > 0:22:08It's usually rather charming,
0:22:08 > 0:22:11metrosexual guys who want to show that they're touchy-feely
0:22:11 > 0:22:13and non-threatening and so they'll come up to you
0:22:13 > 0:22:16first thing in the morning in a rehearsal say,
0:22:16 > 0:22:19and they'll just kind of go, "Hi. How are you doing?
0:22:19 > 0:22:21"Feeling a bit tense today."
0:22:21 > 0:22:25Are they behind you or in front of you?
0:22:25 > 0:22:28- Behind you.- But they don't ask?
0:22:28 > 0:22:30No, no. It's a very common thing.
0:22:30 > 0:22:34They come up and massage your shoulders.
0:22:34 > 0:22:37Also, I am quite a tense person quite a lot of the time
0:22:37 > 0:22:41and I relish my right to remain tense for as long as I choose to be.
0:22:41 > 0:22:44If I wish to stop being tense, I will go and see a physiotherapist
0:22:44 > 0:22:46and get unknotted professionally.
0:22:46 > 0:22:50I don't want some young person coming up and doing it for me.
0:22:50 > 0:22:53I tell you what, it works with pigeons. I think...
0:22:57 > 0:23:01- ..my advice is that you get one of these.- That's brilliant.
0:23:01 > 0:23:04Can I have that? That's really, really useful.
0:23:04 > 0:23:07Someone comes up with a quick massage and obviously they're in
0:23:07 > 0:23:10a considerable amount of pain quite early on.
0:23:10 > 0:23:13I mean, they're rubbish for pirates, obviously.
0:23:15 > 0:23:18Also I'd keep bills paid and unpaid.
0:23:20 > 0:23:24But the problem is, Frank, it's not just shoulders
0:23:24 > 0:23:27- because you now get...- What? - When you go to the hairdressers,
0:23:27 > 0:23:30you know when they wash your hair at the backwash thing?
0:23:30 > 0:23:32It's the most uncomfortable thing.
0:23:32 > 0:23:34You're lying with your neck in a ceramic vice
0:23:34 > 0:23:38and your eyeballs are being seared by some kind of recessed spotlight.
0:23:38 > 0:23:42You're lying there thinking, "I just want this bit to be over as quickly as possible."
0:23:42 > 0:23:44Then they start to massage your head!
0:23:44 > 0:23:48- As if that's going to be relaxing. - Horrible.- It's vile.
0:23:48 > 0:23:52I hate having my hair washed by someone else.
0:23:52 > 0:23:55You know that sink you lean back on,
0:23:55 > 0:23:57I always imagine they are looking at my neck thinking,
0:23:57 > 0:23:59"Oh, I'd love to chop his Adam's apple."
0:24:02 > 0:24:06And once you get that in your mind, you cannot relax.
0:24:08 > 0:24:11I'm a firm believer that men can't be pampered.
0:24:11 > 0:24:15It just doesn't exist, pampering for men.
0:24:17 > 0:24:21The minute anyone gets near a man and starts rubbing them...
0:24:23 > 0:24:27..you start thinking sexual thoughts.
0:24:27 > 0:24:31You're thinking, "I shouldn't be doing this in the barber's."
0:24:31 > 0:24:33LAUGHTER AND APPLAUSE
0:24:36 > 0:24:41I've always assumed that's why they've put that cloth over you.
0:24:41 > 0:24:44LAUGHTER
0:24:44 > 0:24:47I always think of that as my privacy blanket.
0:24:48 > 0:24:51What about that kind of modern relaxation that
0:24:51 > 0:24:53I experienced a little while ago,
0:24:53 > 0:24:56putting your feet in a bucket with fish.
0:24:56 > 0:25:00- You haven't tried that?- I have. - I don't like the sound of that.
0:25:00 > 0:25:02I bet you had chips in it as well.
0:25:02 > 0:25:03LAUGHTER
0:25:08 > 0:25:12Let's see what Micky doesn't like about people.
0:25:16 > 0:25:19It's people who pay by card in pubs.
0:25:19 > 0:25:22APPLAUSE
0:25:24 > 0:25:29Absolutely infuriating. I mean, we've not got the greatest service record
0:25:29 > 0:25:33in the UK anyway, you tend to have to wait quite a while to get served,
0:25:33 > 0:25:36you're there, waving your tenner around like you're the king or something.
0:25:36 > 0:25:40Then a bloke orders couple of drinks and I'm like, "Get some cash out, mate!
0:25:40 > 0:25:45"You knew you were coming to the pub or did you fall through the door accidentally?
0:25:45 > 0:25:49"Get some cash out. Why are you wasting my time? You knew you were coming here.
0:25:49 > 0:25:53I just think it's people who are really tight, selfish, inconsiderate,
0:25:53 > 0:25:56thinking, "Nah, I don't want to have any money on me.
0:25:56 > 0:25:58"Oh no, I'll use my chip and pin.
0:25:58 > 0:26:01"You're earning interest on every penny, 24 hours a day."
0:26:01 > 0:26:04We have cash, we have this thing called cash. Get some out!
0:26:04 > 0:26:06Spend it, you tightwad!
0:26:06 > 0:26:10This is progress, though. isn't it, Micky?
0:26:10 > 0:26:12What, taking 20 minutes to buy half a lager?!
0:26:12 > 0:26:16I was on the train the other day, I went through to the buffet car,
0:26:16 > 0:26:18sign on the thing, it said,
0:26:18 > 0:26:22"We do not accept debit or credit cards. However, we will accept cash."
0:26:22 > 0:26:24Christ, there's a breakthrough.
0:26:24 > 0:26:28What were they using the bartering system yesterday?
0:26:28 > 0:26:29Geezer walks up, "Excuse me, mate,
0:26:29 > 0:26:32"if my wife shows you her tits, can I have a Kit-Kat?"
0:26:37 > 0:26:40But it's progress. When I was a heavy drinker,
0:26:40 > 0:26:43the thing that stopped me drinking even more
0:26:43 > 0:26:45was I used to run out of money.
0:26:45 > 0:26:49Whereas, a credit card is like a fabulous, bottomless pit.
0:26:49 > 0:26:53The only thing that ruins your night is unconsciousness.
0:26:54 > 0:26:57That old spoilsport.
0:26:57 > 0:27:01I think you're out of date, Micky Flanagan.
0:27:01 > 0:27:04This is cos you don't drink any more.
0:27:04 > 0:27:07Yeah, I just got fed up of waiting to be served.
0:27:12 > 0:27:14No, I think you're being a Luddite.
0:27:14 > 0:27:18I think money will disappear and cards are the future, that's what I think.
0:27:18 > 0:27:23And, Rebecca, I'm very tempted by your unwanted massage,
0:27:23 > 0:27:28but I think some of these men, I think probably are trying to be nice
0:27:28 > 0:27:33and do you a favour, so... And relax you and all that,
0:27:33 > 0:27:36but I can see no justification for people who are shouting
0:27:36 > 0:27:38their heads off on trains on mobile phones.
0:27:38 > 0:27:43So, I'm going to put people who shout on mobile phones into Room 101.
0:27:43 > 0:27:45CHEERING AND APPLAUSE
0:27:49 > 0:27:51OK, next category, please.
0:27:54 > 0:27:58Ah, it's the Wildcard round. This time there's no restraints.
0:27:58 > 0:28:01We're not asking you to work within a category,
0:28:01 > 0:28:05just pick anything you don't like, it's as simple as that.
0:28:05 > 0:28:07So what is Rebecca Front's wildcard?
0:28:12 > 0:28:14- Beautiful.- Air fresheners.
0:28:14 > 0:28:15Really?
0:28:15 > 0:28:19There are few smells in the world that can't be made worse
0:28:19 > 0:28:23by trying to cover them up with an air freshener, in my view.
0:28:23 > 0:28:24And we all know, you know,
0:28:24 > 0:28:29there are some unpleasant stenches around, but, as an example,
0:28:29 > 0:28:32many years ago, when my daughter was a toddler,
0:28:32 > 0:28:37we'd just hit the motorway on the way to, you know, a long three-hour drive, and she was sick.
0:28:37 > 0:28:41So we pulled into the first service station that we found
0:28:41 > 0:28:44and we took the car-seat out and we scrubbed it clean.
0:28:44 > 0:28:50I'm saying "we", I mean my husband, and then we bought an air freshener, because that's sort of what you do.
0:28:50 > 0:28:53We didn't know what else to do, so we got an air freshener,
0:28:53 > 0:28:57and the whole way there, for three hours, the car stank of vomit and apple.
0:28:57 > 0:28:58LAUGHTER
0:28:58 > 0:29:01It was absolutely vile and it really,
0:29:01 > 0:29:03it kind of clings to the back of your throat.
0:29:03 > 0:29:06It's a horrible chemically generated smell.
0:29:06 > 0:29:08Whenever you go to someone else's house,
0:29:08 > 0:29:11and if I go into the toilet in someone else's house
0:29:11 > 0:29:14and there's air freshener, I always think, "Is this always here?"
0:29:16 > 0:29:20Or is this, "Oh, Frank's coming round, we'd better get some air freshener."
0:29:20 > 0:29:21LAUGHTER
0:29:22 > 0:29:24But this is, without doubt,
0:29:24 > 0:29:27the worst-smelling air freshener I have ever smelt.
0:29:27 > 0:29:30This is macaroni cheese.
0:29:32 > 0:29:35Can you just pass that on, because if anyone likes that,
0:29:35 > 0:29:37I will be stunned. Just try that.
0:29:37 > 0:29:42Oh! That's absolutely disgusting.
0:29:42 > 0:29:45Is that one of the worst things that... Oh, John!
0:29:45 > 0:29:47LAUGHTER AND APPLAUSE
0:29:48 > 0:29:50I don't know how much you're doing to break down
0:29:50 > 0:29:52your stereotypical image tonight, John.
0:29:55 > 0:30:00These are weird things, these are rose-scented moustaches.
0:30:00 > 0:30:01LAUGHTER
0:30:01 > 0:30:04And the idea is that you stick them on your side window,
0:30:04 > 0:30:09I think is the normal place to put it, and I think the idea is,
0:30:09 > 0:30:12if you're involved in road rage, they don't spot you afterwards.
0:30:13 > 0:30:16So, if you're going...
0:30:16 > 0:30:18Let's imagine I'm out driving
0:30:18 > 0:30:21and somebody cuts me up, I'm driving, someone cuts me up, right,
0:30:21 > 0:30:24so what I do is, I get the air freshener.
0:30:24 > 0:30:28So you put that, you put the air freshener on the window and go...
0:30:28 > 0:30:30HE MOUTHS SILENTLY
0:30:30 > 0:30:31LAUGHTER AND APPLAUSE
0:30:37 > 0:30:40Who would have thought of moustache air fresheners?
0:30:40 > 0:30:43It doesn't make any sense at all.
0:30:43 > 0:30:45OK, let's have a look at John's choice.
0:30:50 > 0:30:52It's the old school tie.
0:30:52 > 0:30:56This tie, it communicates to people in our society, doesn't it,
0:30:56 > 0:30:58which school you went to.
0:30:58 > 0:31:01You can have an ordinary tie, but for the people who use it
0:31:01 > 0:31:04to identify that they're of higher status than you
0:31:04 > 0:31:08because I went to a certain school, or a certain university.
0:31:08 > 0:31:10And it's the tie that indicates that.
0:31:10 > 0:31:15But we go much further. I was filming for the BBC on class and I went to Henley, the boating weekend,
0:31:15 > 0:31:17to watch it and observe it, and when you
0:31:17 > 0:31:21see guys about 65, 70, going around with a Just William hat on
0:31:21 > 0:31:25of a certain colour, a blazer with God knows how many different colours in it,
0:31:25 > 0:31:27but the indication is the school you went to.
0:31:27 > 0:31:29The class you belong to.
0:31:29 > 0:31:33And in Britain, probably more than anywhere else, we do that.
0:31:33 > 0:31:35And this is a symbol of that. I hate it.
0:31:35 > 0:31:37OK, well, I suppose I've always,
0:31:37 > 0:31:41I mean, I come from a working-class background, John, and I've always been...
0:31:41 > 0:31:45I suppose, slightly envious of the old public school education.
0:31:45 > 0:31:49You know what I mean? I'd like to have had a go at Quidditch.
0:31:49 > 0:31:50LAUGHTER
0:31:51 > 0:31:55I'll never know if I could have been good at that.
0:31:55 > 0:31:58No, I suppose my point is, John, that it's very tempting, isn't it,
0:31:58 > 0:32:02if you're from a working-class background to just hate the posh.
0:32:02 > 0:32:03And I like to think, you know,
0:32:03 > 0:32:06to try and find if they, you know, if there's something
0:32:06 > 0:32:10lovable about them, not to just be dismissive, not to...
0:32:10 > 0:32:15Well, just to take a serious point, 7% of our kids go to independent schools.
0:32:15 > 0:32:19They take 60% of all the top jobs, that's because you've got the right tie.
0:32:19 > 0:32:20Now that's not right, is it?
0:32:20 > 0:32:24OK, well, I think, rather than despising the posh,
0:32:24 > 0:32:27we should see them as figures of ridicule and fun.
0:32:27 > 0:32:28LAUGHTER
0:32:28 > 0:32:30You do need a way, though, Frank,
0:32:30 > 0:32:32to pick out your old school friends, don't you?
0:32:32 > 0:32:36If I'm at a party and I look around and I see people in overalls
0:32:36 > 0:32:39and prison uniforms, I think they might have gone to my school.
0:32:39 > 0:32:44On the subject of ties, by the way, this is a tie,
0:32:44 > 0:32:47this is commercially available, this tie.
0:32:47 > 0:32:54It has an inflatable section on the end and the idea is that if you're
0:32:54 > 0:32:58on a journey and you get a bit tired, you can use it as a pillow.
0:33:01 > 0:33:04Something fabulously practical about that.
0:33:04 > 0:33:07OK, let's have a look at Micky Flanagan's wildcard.
0:33:12 > 0:33:13The countryside.
0:33:13 > 0:33:15LAUGHTER
0:33:19 > 0:33:20I hate the countryside.
0:33:21 > 0:33:24It's just, what do you do there?
0:33:25 > 0:33:27People waffle on about it,
0:33:27 > 0:33:29"Oh, you should spend some time in the countryside."
0:33:29 > 0:33:32Why? What, to walk about?
0:33:32 > 0:33:34I don't feel like murdering anything.
0:33:34 > 0:33:37You know, and the people there,
0:33:37 > 0:33:39they're always waffling on about traditions
0:33:39 > 0:33:43and how the city people don't understand their way of life.
0:33:43 > 0:33:46"Oh, you don't understand the land." Oh, don't I?
0:33:46 > 0:33:48Oh, you plant things, things grow,
0:33:48 > 0:33:51you cut them down and then we eat 'em.
0:33:51 > 0:33:54Oh, I think I might have cracked it, hold on a minute.
0:33:54 > 0:33:55LAUGHTER
0:33:55 > 0:33:59You know, and it's just, and it stinks and all.
0:34:01 > 0:34:05I go for long walks in the country and I like the fact you can just go
0:34:05 > 0:34:08to the toilet when you want to go to the toilet.
0:34:08 > 0:34:12You have to wait till it's dark in the city to do that.
0:34:14 > 0:34:17It gives you a fabulous dog-like freedom.
0:34:17 > 0:34:19I was on a walk in the Lake District, this is true,
0:34:19 > 0:34:22and I saw a thing called an "honesty box".
0:34:22 > 0:34:26What it was, it was a table with a box on it and in the box
0:34:26 > 0:34:29there was things like cans of pop, chocolate bars, crisps
0:34:29 > 0:34:34and you took them out and you just left the money in a tin on the side.
0:34:34 > 0:34:37Can you imagine trying that in London?
0:34:37 > 0:34:41No, because you'd be standing there with your chip and pin.
0:34:41 > 0:34:43LAUGHTER
0:34:47 > 0:34:50OK. Well, look, the best way of deciding this country dispute,
0:34:50 > 0:34:53because I think there's something special and different and mystical
0:34:53 > 0:34:57about the country, I thought we'd have some representatives
0:34:57 > 0:35:02of the country and you can compete with them at what they do best.
0:35:02 > 0:35:07I'd like to bring on Joe and Ben, who are two members of the Shin Kicking Association.
0:35:07 > 0:35:10Please welcome Joe and Ben.
0:35:11 > 0:35:13APPLAUSE
0:35:20 > 0:35:22Hi, guys, you are shin kickers?
0:35:22 > 0:35:23Yes.
0:35:23 > 0:35:27And I believe, Joe, you're the world champion shin kicker?
0:35:27 > 0:35:29- That's right, yes.- That's...
0:35:29 > 0:35:31Are you on shin kicker's list?
0:35:31 > 0:35:32I might be, yes.
0:35:32 > 0:35:33LAUGHTER
0:35:34 > 0:35:38So could you, could you give us
0:35:38 > 0:35:41a quick demonstration on how does shin kicking work?
0:35:41 > 0:35:42- OK.- Right.- Right.
0:35:44 > 0:35:46The idea is to get your opponent to the ground...
0:35:46 > 0:35:49- OK.- ..by kicking his shins away, as hard as you can.
0:35:49 > 0:35:52- OK.- Do your worst.- Ow!
0:35:52 > 0:35:55So you kick from side to side. And to the front.
0:35:55 > 0:35:57And Ben can have a go as well if he wants.
0:35:57 > 0:35:58I'm all right.
0:35:58 > 0:36:00LAUGHTER
0:36:06 > 0:36:08You have a bit, you have... I hate to stop you,
0:36:08 > 0:36:12but you have a bit of straw down there, don't you, so...
0:36:12 > 0:36:14We have a bit of protection these days, yeah.
0:36:14 > 0:36:19Yeah, so, Micky, we've prepared you some, some straw shin pads.
0:36:19 > 0:36:22So if you'd like to slip...
0:36:22 > 0:36:24BROAD ACCENT: "Arh, let me put them on."
0:36:24 > 0:36:25LAUGHTER
0:36:25 > 0:36:28You're just winding them up, you know that, don't you?
0:36:28 > 0:36:31- There you go. - "Good you on, Frank."
0:36:35 > 0:36:37Are you sure about this approach, Mick?
0:36:37 > 0:36:41Someone get in touch with Injury Lawyers For You a bit later on.
0:36:41 > 0:36:45I'm going to get bundles out of this. I'll show you boys how to operate.
0:36:47 > 0:36:51I have been to the countryside, I really helped your economy out once.
0:36:51 > 0:36:53Oh, no, look...
0:36:53 > 0:36:55No, I did, I bought a cream tea for £17.50.
0:36:55 > 0:36:58LAUGHTER AND APPLAUSE
0:37:05 > 0:37:07- So right, OK. - Grip the shoulders like that.
0:37:07 > 0:37:09You have a free few hits so you get used to it.
0:37:09 > 0:37:12- Then you're going to kick me up in the air.- Well, if you want to.
0:37:14 > 0:37:16Oh, come on, do it properly, man.
0:37:16 > 0:37:19Now see, I don't think that's right!
0:37:19 > 0:37:21Come on!
0:37:22 > 0:37:25- Want me to show you how to do it properly?- Please.- Right.
0:37:28 > 0:37:29Ow!
0:37:29 > 0:37:33- Then with the left.- It's all right, yeah, he's proved his point.
0:37:33 > 0:37:35LAUGHTER AND APPLAUSE
0:37:39 > 0:37:42Well, what about a big hand for Joe and Ben?
0:37:42 > 0:37:43CHEERING
0:37:50 > 0:37:53So, Micky, I can't, I'm not going to let the countryside in,
0:37:53 > 0:37:56because I think it is a mystical and wondrous place.
0:37:56 > 0:38:00And I must admit, Rebecca, I am against air fresheners,
0:38:00 > 0:38:03but I don't think it would be quite fair to say that
0:38:03 > 0:38:06I'm more against them than I am against social inequality.
0:38:06 > 0:38:07LAUGHTER
0:38:08 > 0:38:11So I'm going to put the old school ties into Room 101.
0:38:11 > 0:38:12APPLAUSE
0:38:21 > 0:38:23OK, that brings us to the end of the show.
0:38:23 > 0:38:28Well done, John, you were the most persuasive guest, so you are this week's winner.
0:38:28 > 0:38:29CHEERING AND APPLAUSE
0:38:34 > 0:38:36And, as you've won,
0:38:36 > 0:38:40you get to put one choice completely unchallenged into Room 101.
0:38:40 > 0:38:41So what will that be?
0:38:41 > 0:38:44End the title "Lord",
0:38:44 > 0:38:47chuck it into 101 and let's be finished with it and just be
0:38:47 > 0:38:50called "Mr," along with the other names you might get as well.
0:38:50 > 0:38:53- So you'll never be called Lord again?- No, get rid of it.- OK.
0:38:53 > 0:38:56- Are you still all right with Gruffalo?- Gruffalo...
0:38:56 > 0:38:58LAUGHTER
0:38:58 > 0:39:00OK, "Lord" goes straight into Room 101.
0:39:00 > 0:39:01APPLAUSE
0:39:04 > 0:39:08So, thank you very much, Micky Flanagan, John Prescott and Rebecca Front,
0:39:08 > 0:39:09and thank you, goodnight.
0:39:26 > 0:39:28Subtitles by Red Bee Media Ltd