0:00:21 > 0:00:26APPLAUSE AND CHEERING
0:00:31 > 0:00:35Hello, I'm Frank Skinner and welcome to Room 101.
0:00:35 > 0:00:38The show where three guests compete to get their pet hates
0:00:38 > 0:00:42exiled for ever to the dark vault that is Room 101.
0:00:42 > 0:00:44They'll have to argue their case well
0:00:44 > 0:00:46because, in each round, only one item can be chosen.
0:00:46 > 0:00:48The final decision is mine.
0:00:48 > 0:00:49Let's meet this week's guests.
0:00:49 > 0:00:52Joining me tonight are remarkable man, Nigel Havers,
0:00:52 > 0:00:54remarkable nan, Catherine Tate,
0:00:54 > 0:00:56and remarkable tan, Rylan Clark-Neal.
0:00:56 > 0:00:58CHEERING
0:01:00 > 0:01:01I'll take it.
0:01:01 > 0:01:04I'll take that.
0:01:04 > 0:01:05BELL DINGS
0:01:05 > 0:01:07Let's get ready to grumble. LAUGHTER
0:01:07 > 0:01:09And let's see what's winding up Catherine.
0:01:13 > 0:01:14Yes.
0:01:17 > 0:01:21Minimiser bras. Now, look, I've got quite big boobs,
0:01:21 > 0:01:25and it's very difficult to find bras that are...
0:01:25 > 0:01:30sort of, nice and sexy looking, when they're holding up boulders.
0:01:31 > 0:01:35And when the Wonderbra sensation came out,
0:01:35 > 0:01:38the ladies with the opposite problem got this great invention,
0:01:38 > 0:01:41Wonderbra, because Wonderbras get your boobs,
0:01:41 > 0:01:43push them up - like this -
0:01:43 > 0:01:46and, aptly named,
0:01:46 > 0:01:48because I tried one on...
0:01:48 > 0:01:49I did wonder.
0:01:51 > 0:01:53I wondered where my face had gone, for a start.
0:01:56 > 0:01:58Now, someone's had the temerity...
0:01:59 > 0:02:02..to bring out a bra that says to ladies with big boobs,
0:02:02 > 0:02:05"Not only have you got to diminish them,
0:02:05 > 0:02:08"we're going to make them... this piece of underwear
0:02:08 > 0:02:09"so unattractive...
0:02:09 > 0:02:13"you're very unlikely to find a partner, anyway.
0:02:13 > 0:02:16"And if you do, it'd be much better if you kept your anorak on."
0:02:16 > 0:02:18And the way they do it,
0:02:18 > 0:02:20I don't think they've quite worked it through,
0:02:20 > 0:02:21is they've obviously gone,
0:02:21 > 0:02:24"Look, what we'll do is... get your boobs,
0:02:24 > 0:02:26"shove them under your arms."
0:02:28 > 0:02:30- And that's how they work. - APPLAUSE
0:02:33 > 0:02:36So although one could argue
0:02:36 > 0:02:39you get a slightly flatter profile,
0:02:39 > 0:02:41makes it very difficult to wave!
0:02:41 > 0:02:44Cos your boobs are, like, under there!
0:02:44 > 0:02:46Like, "Hi, how are you?"
0:02:46 > 0:02:48I'll be honest with you now.
0:02:48 > 0:02:50Did you not know they existed?
0:02:50 > 0:02:51I did not know they existed.
0:02:51 > 0:02:55So I've researched the minimiser bra.
0:02:55 > 0:02:58I have some bullet points, but, um...
0:02:58 > 0:03:00I dare say it'll flatten those out.
0:03:01 > 0:03:04"A minimiser bra does not reduce the size of your breasts -
0:03:04 > 0:03:07"it minimises your breast projection.
0:03:07 > 0:03:08"Instead of pointed breasts,
0:03:08 > 0:03:13"the minimiser bra changes the breast shape to a more firmly held mound."
0:03:14 > 0:03:16Yes - under your arms!
0:03:16 > 0:03:20Yes. Isn't that what President Kennedy was shot from?
0:03:23 > 0:03:27"The cup shape is designed with a wider diameter
0:03:27 > 0:03:29"and a shorter projection,
0:03:29 > 0:03:32"your malleable breast tissue is flattened
0:03:32 > 0:03:34"and moved more under your arms,
0:03:34 > 0:03:36"towards your centre cleavage,
0:03:36 > 0:03:40"up your chest and down towards your waist."
0:03:40 > 0:03:41It's, sort of, the...
0:03:43 > 0:03:47It's the socialist ideal of the redistribution of assets.
0:03:47 > 0:03:49Yes.
0:03:49 > 0:03:52- We have a picture of you on the town, just...- Don't.
0:03:52 > 0:03:54- ..just to illustrate. - What do you mean?
0:03:54 > 0:03:56- You what?- Looking glamorous.
0:03:56 > 0:03:59Oh, my God!
0:03:59 > 0:04:01WOLF WHISTLES FROM CROWD
0:04:01 > 0:04:03CHEERING AND APPLAUSE
0:04:03 > 0:04:05- Take it off!- You look great.
0:04:05 > 0:04:06Take it off!
0:04:06 > 0:04:09- Take it down!- OK, take it down.
0:04:09 > 0:04:11I think you look... I think it looks fantastic.
0:04:11 > 0:04:13I think it looks fantastic.
0:04:13 > 0:04:16This is the thing - most men think that women should dress like that...
0:04:16 > 0:04:17going to Sainsbury's. Don't you?
0:04:18 > 0:04:22- Yes.- If that photograph of me is a good thing,
0:04:22 > 0:04:25cos I was definitely not wearing in minimiser bra in that shot.
0:04:25 > 0:04:27- You weren't.- No, I wasn't.
0:04:27 > 0:04:30But, the worrying thing was, I wasn't wearing a Wonderbra.
0:04:31 > 0:04:33What were you wearing?
0:04:33 > 0:04:36There was just two very short men stood underneath me,
0:04:36 > 0:04:38holding them up, that they've cropped out of the top.
0:04:40 > 0:04:42I'm not condemning anyone who wears a minimiser -
0:04:42 > 0:04:44I wear minimiser pants.
0:04:46 > 0:04:48I...
0:04:50 > 0:04:52I don't. I don't, actually.
0:04:52 > 0:04:53I do.
0:04:56 > 0:05:00Do you remember, about a year ago, there was this mad phase of the...?
0:05:00 > 0:05:04It was called the "pen boob challenge," on the internet.
0:05:04 > 0:05:06Is it, you have to put your boob up
0:05:06 > 0:05:08and, if you can hold...?
0:05:08 > 0:05:11- A pen.- Yeah, a pen or a pencil under it.
0:05:11 > 0:05:14I'll give you a fairly...
0:05:14 > 0:05:16- There's...- What?!
0:05:16 > 0:05:18That's quite a daring photo for you to put up there.
0:05:18 > 0:05:20- It is.- Another one of mine.
0:05:20 > 0:05:21THEY LAUGH
0:05:22 > 0:05:26This woman just took it a tad further.
0:05:30 > 0:05:33APPLAUSE
0:05:35 > 0:05:37Another one of yours?
0:05:39 > 0:05:42It's like a Dyson Halloween campaign.
0:05:46 > 0:05:48Anyway...
0:05:48 > 0:05:51what's winding up Nigel?
0:05:54 > 0:05:56CHEERING AND JEERING
0:05:56 > 0:06:00APPLAUSE
0:06:00 > 0:06:01Ooh!
0:06:02 > 0:06:04It's, of course, nothing personal.
0:06:04 > 0:06:06- Oh, no(!)- No.
0:06:06 > 0:06:08He represents a lot of politicians
0:06:08 > 0:06:10who pretend to be one thing...
0:06:10 > 0:06:12And he's the worst offender at this, in my book...
0:06:12 > 0:06:14He pretends to be one thing, when, in fact,
0:06:14 > 0:06:16he's something completely different.
0:06:16 > 0:06:18He says he's a Labour...you know...
0:06:18 > 0:06:20but, in fact, he's a Marxist.
0:06:20 > 0:06:21- We know that.- A what?
0:06:21 > 0:06:23A Marxist.
0:06:23 > 0:06:25I'll explain what it is after the show.
0:06:26 > 0:06:28For instance, he doesn't agree with sugar,
0:06:28 > 0:06:30but he makes jam.
0:06:32 > 0:06:34How's it going so far?
0:06:36 > 0:06:38He said, "I'm going to be new, I'm going to have...
0:06:38 > 0:06:41"I'm going to lead the party, it's the end of...
0:06:41 > 0:06:43"of politics as we know it.
0:06:43 > 0:06:45"It'll be kind politics."
0:06:45 > 0:06:48Kind politics? Have you seen the party he runs?
0:06:48 > 0:06:50- It's in ruins at the moment... - Well, I think it's...
0:06:50 > 0:06:53..and I'm a Labour supporter, in many ways.
0:06:53 > 0:06:54- Seriously.- Sorry?
0:06:57 > 0:06:59BELL DINGS
0:07:01 > 0:07:04- Are you all right? - Don't send me a curveball, Nigel.
0:07:05 > 0:07:09However many people say, "You're not fit to run this party,"
0:07:09 > 0:07:11he's not going to move aside,
0:07:11 > 0:07:13which I think is a little selfish of him.
0:07:13 > 0:07:15Well, he does keep getting voted in
0:07:15 > 0:07:18by an enormous majority of the membership.
0:07:18 > 0:07:19CHEERING AND APPLAUSE
0:07:19 > 0:07:23Can I just say, my mum said I would never end up on Newsnight
0:07:23 > 0:07:24but, Mum, I'm really close!
0:07:26 > 0:07:28So close.
0:07:28 > 0:07:31I can imagine you ending up on Newsnight as a topic.
0:07:34 > 0:07:37I mean, I'm not massively shocked
0:07:37 > 0:07:39- that you've chosen Jeremy Corbyn. - Really?
0:07:39 > 0:07:42- Well, you know, you're Nigel Havers, for goodness' sake.- Yeah.
0:07:42 > 0:07:45If you'd chosen cravats, I would have been gobsmacked.
0:07:47 > 0:07:49He doesn't preach what he says.
0:07:49 > 0:07:51You can't say, "I'm home making jam,"
0:07:51 > 0:07:53then you say, "I don't agree with sugar."
0:07:53 > 0:07:54What the hell is that all about?
0:07:54 > 0:07:57I'm surprised this is the policy you've picked on.
0:07:59 > 0:08:01Let's bring us all in,
0:08:01 > 0:08:04because I've got another thing that makes me love Jeremy Corbyn.
0:08:04 > 0:08:05And this is a...
0:08:05 > 0:08:07I mean, they love a photo opportunity,
0:08:07 > 0:08:09don't they, politicians? That's one of their things.
0:08:09 > 0:08:11They're holding a child,
0:08:11 > 0:08:13they're standing next to some...
0:08:13 > 0:08:17But this is one of my favourite politician photo opportunities.
0:08:20 > 0:08:22- That's one of my favourites an' all.- Yeah.
0:08:24 > 0:08:26- He's got your vote.- I mean...
0:08:28 > 0:08:31He's not gone, "No, I'm not going to...
0:08:31 > 0:08:33"I'm not going to not expose myself...!"
0:08:33 > 0:08:34Well...
0:08:36 > 0:08:40He said, "I'm not going to not take this photo."
0:08:40 > 0:08:42If you look at that, that is the face of a man
0:08:42 > 0:08:46who's aware of 200 years of British comedy tradition.
0:08:46 > 0:08:50He knows he's holding comedy in his hands there.
0:08:50 > 0:08:53This is what he said about this photo opportunity
0:08:53 > 0:08:54when asked about it.
0:08:54 > 0:08:55He said...
0:09:00 > 0:09:01"His was a pathetic little banana,
0:09:01 > 0:09:03"and I have got a massive marrow."
0:09:05 > 0:09:07APPLAUSE
0:09:10 > 0:09:12Well, one thing I like about him
0:09:12 > 0:09:14is he's spent a lot of his time, I think,
0:09:14 > 0:09:18in smoky rooms, in council buildings and stuff like that,
0:09:18 > 0:09:20and now, suddenly, he's been thrust on the main stage,
0:09:20 > 0:09:24and he isn't always as slick and professional as he could be.
0:09:24 > 0:09:27On one of his first major speeches, for example,
0:09:27 > 0:09:29they read from an Autocue,
0:09:29 > 0:09:32so they have the speech going up on a screen,
0:09:32 > 0:09:37and you get the occasional stage direction on there
0:09:37 > 0:09:40and the idea is that you're not supposed to read those out.
0:09:41 > 0:09:43Here's Jeremy.
0:09:43 > 0:09:46We need to be investing in skills,
0:09:46 > 0:09:48investing in our young people,
0:09:48 > 0:09:51and, strong message here...
0:09:51 > 0:09:54- LAUGHTER - ..not cutting student numbers.
0:09:54 > 0:09:57APPLAUSE
0:09:57 > 0:10:01- Actually, I find that quite endearing, actually.- Yeah, me, too.
0:10:01 > 0:10:06- I do, I have to say.- There's been so many flashy, slick politicians,
0:10:06 > 0:10:08I like the fact that he wears sandals and socks.
0:10:08 > 0:10:12He's like... Well, he's probably not a breath of fresh air, but...
0:10:12 > 0:10:14We have a picture of him in his...
0:10:16 > 0:10:18There's the sandals.
0:10:18 > 0:10:20It did make me think though,
0:10:20 > 0:10:22he's got sandals, like Jesus,
0:10:22 > 0:10:23he's got a beard, like Jesus,
0:10:23 > 0:10:26he's got the same initials as Jesus...
0:10:27 > 0:10:30..and, like Jesus, his friends call him Jezza.
0:10:31 > 0:10:33- It's only the jam thing that separates them.- It is.
0:10:36 > 0:10:39Let's find out what is winding up Rylan.
0:10:45 > 0:10:49APPLAUSE
0:10:49 > 0:10:51Low ceilings, Frank.
0:10:52 > 0:10:55As a man...
0:10:56 > 0:10:58..I am six foot three, six foot four,
0:10:58 > 0:11:00- depending on what boots I've got on...- OK.
0:11:00 > 0:11:04..and every day is a struggle for me.
0:11:04 > 0:11:07Whether I'll be, you know, walking along the road,
0:11:07 > 0:11:09there could be a branch.
0:11:09 > 0:11:12Whether I'm on a plane...
0:11:12 > 0:11:15That is a self-portrait, of myself, on the screen now.
0:11:15 > 0:11:17But, more importantly,
0:11:17 > 0:11:22I feel that I have a constant groove in the top of my head
0:11:22 > 0:11:24from doorframes.
0:11:24 > 0:11:27I've had to have the doorframes in my house raised.
0:11:27 > 0:11:29- Really?- Yeah.- Wow. - Because it just don't work.
0:11:29 > 0:11:31Especially when the hair's up.
0:11:33 > 0:11:34Have you considered...
0:11:34 > 0:11:36ducking?
0:11:38 > 0:11:39Frank, I don't consider it,
0:11:39 > 0:11:42- I am a professional ducker!- OK.
0:11:43 > 0:11:47APPLAUSE
0:11:47 > 0:11:50I duck morning, noon and night.
0:11:51 > 0:11:52Respect.
0:11:52 > 0:11:54But I don't enjoy it.
0:11:54 > 0:11:56I just... I don't.
0:11:56 > 0:11:59And the worst one, as much as I love meeting people,
0:11:59 > 0:12:01but it's when people ask you for the photo.
0:12:01 > 0:12:05- Hm.- Because I stand up, and they're there.
0:12:05 > 0:12:09And their accomplice, who takes the photo,
0:12:09 > 0:12:10is also there.
0:12:11 > 0:12:15So, to not look like this in a photo...
0:12:17 > 0:12:21..I have invented the lean and dip,
0:12:21 > 0:12:23which is...
0:12:23 > 0:12:25Catherine, can I borrow you a second?
0:12:25 > 0:12:28So, if you come over... See, you're not too bad, actually.
0:12:28 > 0:12:29If you come here for me...
0:12:29 > 0:12:31and I'll come this side and I'll do this.
0:12:31 > 0:12:35This leg goes to the left and I'll do that out the shot.
0:12:38 > 0:12:40So, it looks like...
0:12:40 > 0:12:42we're friends,
0:12:42 > 0:12:44but I have to lean out,
0:12:44 > 0:12:47and you can vouch - you have to take my body weight.
0:12:47 > 0:12:48Yes!
0:12:48 > 0:12:52Yeah, so they've got to do their core strength.
0:12:52 > 0:12:53It's every day.
0:12:53 > 0:12:55It's beautifully done, that, I must say.
0:12:55 > 0:12:57Thank you. I've practised for a while now.
0:12:57 > 0:12:59Just the geometry of it, I enjoyed.
0:12:59 > 0:13:02I mean, could you just add more gel?
0:13:02 > 0:13:07- It's not...- Like...the top deck of a bus.
0:13:07 > 0:13:09Let's talk about the top deck of a bus.
0:13:09 > 0:13:12It all goes on on the top deck of a bus.
0:13:12 > 0:13:14That's where you want to be on a bus, you know?
0:13:14 > 0:13:16- LAUGHTER - You do.
0:13:16 > 0:13:19- You're right, though. You're right. - Do you know what I mean?
0:13:19 > 0:13:22I mean, I'm not going to lie, I've not been on a bus for years.
0:13:22 > 0:13:23- But... - LAUGHTER
0:13:25 > 0:13:27I'm being serious.
0:13:27 > 0:13:30If I wanted to get on a bus, I'd want to get on the top deck...
0:13:31 > 0:13:33..but I'll get up them stairs,
0:13:33 > 0:13:35and I'll probably be three away from the top,
0:13:35 > 0:13:36and that's it.
0:13:36 > 0:13:38So, the next step is that.
0:13:40 > 0:13:42The step before the actual floor is that.
0:13:44 > 0:13:47And then, when I'm actually on the top deck, I'm like that.
0:13:47 > 0:13:51LAUGHTER
0:13:51 > 0:13:53APPLAUSE
0:13:58 > 0:13:59It's hard. It's tough.
0:13:59 > 0:14:02APPLAUSE
0:14:02 > 0:14:05You try doing that when it's moving.
0:14:05 > 0:14:07I mean, I've give half of London lap dances,
0:14:07 > 0:14:10I really have.
0:14:10 > 0:14:12What you really need is a tourist bus,
0:14:12 > 0:14:14then you can stand fully.
0:14:14 > 0:14:18Yeah, but then it rains, then the hair. Oh, it's a drama.
0:14:18 > 0:14:21- You don't want your face to run.- No.
0:14:21 > 0:14:23Believe me, it's run many a time.
0:14:24 > 0:14:29Generally, would you say it was a plus, in life, to be tall?
0:14:29 > 0:14:31At a concert, it comes in handy.
0:14:31 > 0:14:33- Changing light bulbs? - Light bulbs are fine.
0:14:33 > 0:14:36You can never really enjoy a maze.
0:14:36 > 0:14:37- No.- Would be my guess.
0:14:39 > 0:14:41I did go... I remember...
0:14:41 > 0:14:43I can't even... A good few years back now,
0:14:43 > 0:14:46I went to, like, a holiday site...
0:14:46 > 0:14:49down in Devon, we had a lovely time,
0:14:49 > 0:14:51and there was this, like, sort of, amusement-y park,
0:14:51 > 0:14:53outdoor fun...
0:14:53 > 0:14:55Fun in the farm, whatever it was called.
0:14:55 > 0:14:58And they had this maze and it was like a hedge maze,
0:14:58 > 0:15:00and I've never been in a hedge maze,
0:15:00 > 0:15:03but I always find it quite exciting,
0:15:03 > 0:15:06- the thought of a hedge maze...- Mmm! - ..because it's hedges.
0:15:09 > 0:15:11- Almost always. - Do you know what I mean, though?
0:15:11 > 0:15:14As a child, you think, "Oh, hedge maze!
0:15:14 > 0:15:15"What's in the middle?"
0:15:15 > 0:15:17And I could tell you what was in the middle
0:15:17 > 0:15:19from the gate at the front of the park.
0:15:20 > 0:15:22APPLAUSE
0:15:22 > 0:15:24Can I tell you something? You're six foot...three?
0:15:24 > 0:15:26Six foot three, yeah.
0:15:26 > 0:15:27My son, who is four,
0:15:27 > 0:15:29got a certificate for swimming two metres,
0:15:29 > 0:15:31which is...
0:15:31 > 0:15:32less than you.
0:15:36 > 0:15:39Anyway, I feel your pain, I must say.
0:15:39 > 0:15:42Well, you can physically feel it, if you want.
0:15:42 > 0:15:43I've got that little ridge.
0:15:43 > 0:15:47I'm not going to feel your ridge, I'll trust you on it.
0:15:47 > 0:15:49And I sort of think that the minimiser bra
0:15:49 > 0:15:52goes against everything I believe in.
0:15:53 > 0:15:55- And, Nigel...- Hm.
0:15:55 > 0:15:57..I'm not going to put in...
0:15:57 > 0:15:59I knew you wouldn't.
0:15:59 > 0:16:03You argued your case well, but I think he is a breath of fresh air.
0:16:03 > 0:16:04Good, I'm glad.
0:16:04 > 0:16:06I'm beginning to agree with you.
0:16:06 > 0:16:08LAUGHTER
0:16:08 > 0:16:11But I think that the case that has moved me the most,
0:16:11 > 0:16:12and has made me....
0:16:12 > 0:16:15emotionally involved with the argument
0:16:15 > 0:16:16has to be Catherine,
0:16:16 > 0:16:20so I'm going to put minimiser bras into Room 101.
0:16:20 > 0:16:23CHEERING AND APPLAUSE
0:16:23 > 0:16:26Well done, girl!
0:16:26 > 0:16:29CHEERING
0:16:31 > 0:16:34So, what is...
0:16:34 > 0:16:36Nigel's choice?
0:16:40 > 0:16:41What?!
0:16:41 > 0:16:44CHEERING AND APPLAUSE
0:16:44 > 0:16:47My choice is shops at airports.
0:16:47 > 0:16:48- Hm!- To start with,
0:16:48 > 0:16:51they call themselves "duty-free shops" -
0:16:51 > 0:16:53there's nothing free about them at all.
0:16:53 > 0:16:54I know for a fact that,
0:16:54 > 0:16:57if I buy something in a duty-free shop at the airport,
0:16:57 > 0:16:59it's going to be more expensive
0:16:59 > 0:17:02than buying it at the high street at home. That's the first thing.
0:17:02 > 0:17:06And secondly, they make you snake through endless, endless shops.
0:17:06 > 0:17:08You're trying to get to the aeroplane.
0:17:08 > 0:17:10I find it just so frustrating
0:17:10 > 0:17:12and it's full of things you don't want to buy
0:17:12 > 0:17:14cos you're going on holiday anyway!
0:17:15 > 0:17:17The whole thing is a barrage
0:17:17 > 0:17:19of people trying to make money out of you.
0:17:19 > 0:17:21It's expensive enough flying anyway.
0:17:21 > 0:17:22You don't want to spend any more money.
0:17:22 > 0:17:24Why can't the airport just be an airport
0:17:24 > 0:17:26where you can just fly to where you want to go?
0:17:26 > 0:17:31CHEERING AND APPLAUSE
0:17:33 > 0:17:37I'll admit the duty-free is a strange shop indeed.
0:17:37 > 0:17:40It's, sort of, chocolate, cigarettes,
0:17:40 > 0:17:42perfume, alcohol...
0:17:42 > 0:17:45It's like a, sort of, Loose Women theme park.
0:17:48 > 0:17:49And they sell these...
0:17:49 > 0:17:54This is the most peculiar thing, is the whisky in a box.
0:17:56 > 0:17:58Why does that exist?
0:17:59 > 0:18:00I mean, it's not like...
0:18:00 > 0:18:02You know when you get guys on waste ground
0:18:02 > 0:18:04drinking out of brown paper bags,
0:18:04 > 0:18:06is it the sort of...?
0:18:09 > 0:18:14You never see anyone on waste ground drinking out of one of these, ever.
0:18:14 > 0:18:16And is the idea that, if...?
0:18:16 > 0:18:19You know, you've had a bottle of whisky at home in the evening.
0:18:19 > 0:18:21Maybe you don't drink the whole thing.
0:18:21 > 0:18:23We've all had nights like that. Quiet nights.
0:18:25 > 0:18:27When you're halfway down and you think,
0:18:27 > 0:18:29"I've had enough now for tonight,"
0:18:29 > 0:18:33do you actually put it back...in the box?
0:18:33 > 0:18:35Is that what one does?
0:18:35 > 0:18:37Do you two shop at the airport?
0:18:37 > 0:18:39I LOVE shopping at the airport.
0:18:39 > 0:18:40Do you?
0:18:40 > 0:18:43- Yeah, I love an airport shop. - I love an airport shop.
0:18:43 > 0:18:45But now we've had Brexit,
0:18:45 > 0:18:47does that mean that we get the cheaper price at the airport?
0:18:47 > 0:18:49No, more expensive.
0:18:49 > 0:18:51Oh, what's the point?
0:18:53 > 0:18:56It's a very late reaction, if you don't mind me saying.
0:18:56 > 0:18:57You're still buying something
0:18:57 > 0:19:01that's going to be slightly more expensive than it is back at home.
0:19:01 > 0:19:02And also, you've got hand luggage -
0:19:02 > 0:19:05what, you're going to add more to your hand luggage?
0:19:05 > 0:19:07And then the planes don't even let you have them.
0:19:07 > 0:19:08- No, they don't.- Then, they're like,
0:19:08 > 0:19:10"You've got to put it all in one bag."
0:19:10 > 0:19:12It's like, "You could've told me that
0:19:12 > 0:19:14"before I just spent 300 quid in TK Maxx at the airport!"
0:19:15 > 0:19:18Nobody's ever spent 300 quid in TK Maxx.
0:19:20 > 0:19:22What did you do, buy the company?
0:19:24 > 0:19:28All I'm saying is, basically, the airport, now, is a shopping mall,
0:19:28 > 0:19:33which happens to have, in one side of it, some aeroplanes parked up...
0:19:33 > 0:19:35- LAUGHTER - ..to take you somewhere.
0:19:35 > 0:19:37But, basically, it's a huge shopping mall.
0:19:37 > 0:19:39I'll tell you what really annoys me
0:19:39 > 0:19:41about the airport shops at duty-free -
0:19:41 > 0:19:43everyone likes to buy a little aftershave
0:19:43 > 0:19:45or a perfume at the airport, it's what you do. Right?
0:19:45 > 0:19:47It's what you do.
0:19:47 > 0:19:53But why sell 120ml bottles of perfume...
0:19:54 > 0:19:56..for 50 quid?
0:19:56 > 0:19:58And you think, "Bargain, I'll take it."
0:19:58 > 0:19:59You fly out to Spain,
0:19:59 > 0:20:01you put a bit on, "Oh, I smell lovely."
0:20:01 > 0:20:03Come back to Malaga airport,
0:20:03 > 0:20:04"No, can't put that through, 100 mls."
0:20:04 > 0:20:06- "What?!" - LAUGHTER
0:20:06 > 0:20:09All these security, airport security,
0:20:09 > 0:20:11they must be lapping it up.
0:20:11 > 0:20:13They could open a small branch of Boots!
0:20:14 > 0:20:16- He's not just a pretty face. - Thank you.- No.
0:20:16 > 0:20:17LAUGHTER AND APPLAUSE
0:20:17 > 0:20:19I've been trying to tell you.
0:20:21 > 0:20:22You can if you check it.
0:20:22 > 0:20:25- Yeah, but sometimes you just have hand luggage.- Oh.
0:20:25 > 0:20:27- Come on, Catherine, you've got about.- Never.
0:20:27 > 0:20:30- No, I always check a bag. - Oh, no, I can't be doing with that.
0:20:30 > 0:20:31Oh, I always do.
0:20:31 > 0:20:32No.
0:20:32 > 0:20:34- What, you mean...- I have someone fly ahead with my luggage.
0:20:34 > 0:20:36LAUGHTER
0:20:41 > 0:20:45I like to take back a gift for my partner if I've been away
0:20:45 > 0:20:48and I tend to get them at the airport...
0:20:48 > 0:20:51- Foolish! Foolish man. - ..20 minutes before...
0:20:52 > 0:20:54But then, her face, when she says, "Oh, Frank.
0:20:54 > 0:20:57"Another European plug adaptor."
0:21:01 > 0:21:02It really moves me.
0:21:04 > 0:21:06I never dream of buying one anywhere else.
0:21:06 > 0:21:08I-I just... I always forget it.
0:21:08 > 0:21:10I've got about 19 at home.
0:21:10 > 0:21:12I'll show you what I did.
0:21:12 > 0:21:15I actually... Are you familiar with Battersea Power Station?
0:21:15 > 0:21:17AUDIENCE: Yes.
0:21:17 > 0:21:19We have a picture in case you don't remember it.
0:21:19 > 0:21:23There it is. I actually made one out of two European plug adaptors.
0:21:23 > 0:21:24Oh, look at that!
0:21:29 > 0:21:31Absolutely beautiful.
0:21:31 > 0:21:34That's what I do with my spare time.
0:21:34 > 0:21:37So, what is upsetting Rylan?
0:21:40 > 0:21:41This really winds me right up.
0:21:42 > 0:21:45Set-up paparazzi shoots.
0:21:45 > 0:21:48Obviously, I'm lucky enough, now, to work in this industry
0:21:48 > 0:21:49and I love my job.
0:21:49 > 0:21:53I, personally, don't like having my photo taken,
0:21:53 > 0:21:56but what really winds me up is
0:21:56 > 0:21:59when I do my job on certain other shows
0:21:59 > 0:22:01where I'm talking about, maybe, a bit of gossip that's going on
0:22:01 > 0:22:04and stuff like that, and I've got to say,
0:22:04 > 0:22:08"Oh, did you see this picture of so-and-so in the park,
0:22:08 > 0:22:13"working out, full face of make-up?"
0:22:13 > 0:22:14Or someone looking sad.
0:22:14 > 0:22:16Someone looking sad, sitting by the river,
0:22:16 > 0:22:20"Oh, so-and-so since break-up looking sad by the river."
0:22:21 > 0:22:23That's a bit of a worry, isn't it?
0:22:23 > 0:22:26Looking sad by the river?
0:22:26 > 0:22:29- You would think it was a worry..- Yes.- ..but really,
0:22:29 > 0:22:31they're sitting there going, "Have you got that shot yet?"
0:22:31 > 0:22:33"You got that shot yet?
0:22:33 > 0:22:36"Lovely, let's go out and have a nice bit of chicken."
0:22:36 > 0:22:38I hate it!
0:22:38 > 0:22:41And the ones that really wind me up are the working out ones.
0:22:41 > 0:22:42The working out ones.
0:22:42 > 0:22:44Like someone, you know, had a little bit of weight,
0:22:44 > 0:22:47and now they've lost the weight to get the DVD.
0:22:49 > 0:22:50And then it's like, oh, you know,
0:22:50 > 0:22:53they're just randomly in the park in a sports bra,
0:22:53 > 0:22:55their hair's been done by a hairdresser,
0:22:55 > 0:22:58up in a high ponytail, you know, perfectly straightened,
0:22:58 > 0:23:01eye make-up, smoky eyes, heavy lip.
0:23:01 > 0:23:05No-one goes to the park with a heavy lip and a high pony.
0:23:07 > 0:23:11Well, in the days when I was a bit more of a tabloid figure,
0:23:11 > 0:23:14a popular Sunday newspaper offered me and my girlfriend, at the time,
0:23:14 > 0:23:18they offered us a free week's holiday in the Caribbean...
0:23:18 > 0:23:20- Here you go. - ..if we'd agree to be photographed,
0:23:20 > 0:23:22- just for an afternoon... - On the beach?
0:23:22 > 0:23:23- ..frolicking on the beach.- Yes!
0:23:23 > 0:23:26I think they wanted me to frolic, unselfconsciously,
0:23:26 > 0:23:29- with a beach ball...- Yep!- ..which I have never done in my life.
0:23:30 > 0:23:32And they said, "We'll give you a free holiday,
0:23:32 > 0:23:34"all we want is just those few shots
0:23:34 > 0:23:36"and look as if you don't know we're there."
0:23:36 > 0:23:38Yep, totally agree.
0:23:38 > 0:23:40And that happens every single day.
0:23:40 > 0:23:42And do you know what makes it even worse?
0:23:42 > 0:23:44When they do it themselves.
0:23:44 > 0:23:48So, like, I don't know, let's say "Mary," for argument's sake...
0:23:48 > 0:23:52Mary was on a reality show, work's dried up a bit,
0:23:52 > 0:23:55don't really know what she's going to do next.
0:23:55 > 0:23:57Ring old Pappy Pete up.
0:23:59 > 0:24:02"Let's go down Southend seafront,
0:24:02 > 0:24:04"I'll get a bag of chips,
0:24:04 > 0:24:07"and we'll make out a seagull's attacked me."
0:24:08 > 0:24:10No!
0:24:10 > 0:24:14And I speak no lie, a few days ago,
0:24:14 > 0:24:19I saw a news article with a certain person
0:24:19 > 0:24:22who was attacked by a seagull...
0:24:22 > 0:24:24holding a bag of chips...
0:24:25 > 0:24:28- ..in work-out gear with a heavy lip and a high pony.- No!
0:24:28 > 0:24:32APPLAUSE
0:24:34 > 0:24:36We have a picture... Now, how much of this is accidental,
0:24:36 > 0:24:39and how much of it is, they absolutely know what's going on?
0:24:39 > 0:24:42This is Orlando Bloom
0:24:42 > 0:24:45- and Katy Perry...- Yep.- ..on a...
0:24:45 > 0:24:49- I think it's called a paddle board thing.- Yep.
0:24:49 > 0:24:51AUDIENCE GASPS
0:24:51 > 0:24:53- That's a well-known shot that, isn't it?- It is.
0:24:53 > 0:24:55It's become a famous shot.
0:24:55 > 0:24:56I feel sorry for Katy Perry
0:24:56 > 0:25:01cos, for me, it's a big story - a picture of Katy Perry in a bikini.
0:25:01 > 0:25:03And she has, you know...
0:25:03 > 0:25:06- It's like on a wedding, it's the bride's day...- Yeah.
0:25:06 > 0:25:09..whereas I feel there are three people in this marriage...
0:25:11 > 0:25:13..and, if you look at her face,
0:25:13 > 0:25:16I don't think she knows what's going on behind her.
0:25:16 > 0:25:18I think she thought that was
0:25:18 > 0:25:20the beak of a playful dolphin at her back.
0:25:22 > 0:25:26Definitely, the last time she looked behind, he was wearing pants.
0:25:26 > 0:25:27Yeah, definitely.
0:25:27 > 0:25:30I'd like to know how he's managed to stand up
0:25:30 > 0:25:32and get a pair of pants off on a paddle board.
0:25:34 > 0:25:37Now, I don't know if you saw the original of this picture...
0:25:37 > 0:25:39Of course, I've seen the original of this photo.
0:25:39 > 0:25:41I thought you might have. Let's put it this way,
0:25:41 > 0:25:42he's not in any trouble if he loses the paddle!
0:25:42 > 0:25:44No.
0:25:46 > 0:25:50We have a similar... a sort of a twist on this.
0:25:50 > 0:25:51This is Richard Branson.
0:25:52 > 0:25:54LAUGHTER
0:25:54 > 0:25:56- That's not real. That's not real.- That is real!
0:25:56 > 0:25:57That is real!
0:25:57 > 0:26:01- And he again looks like he might not know she's there.- Yeah!
0:26:02 > 0:26:05You know what it's like, though, when you leave the house,
0:26:05 > 0:26:10and you've got... There's a naked woman and your haversack on the sofa,
0:26:10 > 0:26:14and you're not looking, you just put it on and off you go.
0:26:14 > 0:26:17He's going to be reaching back for his sandwiches
0:26:17 > 0:26:18and thinking, "Hold on!"
0:26:20 > 0:26:22Do we know who she is?
0:26:22 > 0:26:25Well, I think it could be a sort of sexy Gollum.
0:26:25 > 0:26:27LAUGHTER
0:26:28 > 0:26:30OK, then, what's winding up Catherine?
0:26:34 > 0:26:36Hipster restaurants, yeah!
0:26:36 > 0:26:39APPLAUSE
0:26:39 > 0:26:41Look, here's one example, right?
0:26:41 > 0:26:44There is a restaurant, I won't say where it is.
0:26:45 > 0:26:50The spelling of this restaurant is A-X-E.
0:26:50 > 0:26:52A-X-E.
0:26:52 > 0:26:56What would one normal person assume the name of this restaurant is?
0:26:56 > 0:26:58- Axe.- Axe!
0:26:58 > 0:27:01It's not called Axe, do you know what it's called?
0:27:01 > 0:27:03Ah-shay.
0:27:08 > 0:27:11So, a normal person would go in
0:27:11 > 0:27:17and say, "Can I have the Axe burger?"
0:27:17 > 0:27:22And they look at you as if you've...
0:27:23 > 0:27:27..dug out their mother's innards...
0:27:27 > 0:27:31put them between two slices, and chomped into it,
0:27:31 > 0:27:34because, they'll go, "It's Ah-shay."
0:27:34 > 0:27:36And it's up-speak as well,
0:27:36 > 0:27:39because everyone answers you with a question.
0:27:41 > 0:27:43"It's actually ah-shay."
0:27:43 > 0:27:46"As in, what? As in, shove it up your ar-shay?"
0:27:47 > 0:27:51APPLAUSE
0:27:52 > 0:27:56To be fair, as long as they pay their tah-shays!
0:27:58 > 0:28:02As an example of this in this country, there is a...
0:28:02 > 0:28:05There's a restaurant in East London...
0:28:05 > 0:28:07called Cereal Killer...
0:28:07 > 0:28:10- Yes!- ..which sells breakfast cereal.
0:28:10 > 0:28:14And it's run by twins, in fact.
0:28:14 > 0:28:17Hipster twins, I'm going to call them.
0:28:17 > 0:28:18Here they are.
0:28:19 > 0:28:23It looks as if somebody has sprinkled magical beauty dust
0:28:23 > 0:28:24on the Hairy Bikers.
0:28:26 > 0:28:28As long as it's fun, that's OK.
0:28:28 > 0:28:32But in a lot of hipster restaurants, it's not fun, it's like a religion.
0:28:32 > 0:28:33OK.
0:28:33 > 0:28:35And it's almost like you're being judged.
0:28:35 > 0:28:39Yeah, I don't like the coolness, but I do like the gimmickry...
0:28:39 > 0:28:40I love anything that makes food exciting.
0:28:40 > 0:28:44For example, I have an advert featuring - get this -
0:28:44 > 0:28:49a SpongeBob SquarePants talking, drinking straw.
0:28:49 > 0:28:51That is my idea of dining out,
0:28:51 > 0:28:55and these kids - do they love it or do they love it?
0:28:55 > 0:28:57THEY SHOUT
0:28:57 > 0:28:59STRAW TALKS, CHILDREN YELL
0:29:01 > 0:29:04STRAW TALKS, CHILDREN YELL
0:29:11 > 0:29:14STRAW TALKS, CHILDREN SCREAM
0:29:17 > 0:29:20Is that... Oh, that's... I love that. That's so funny!
0:29:20 > 0:29:25Yeah, I think it's good to combine your market research with lots of E additives.
0:29:26 > 0:29:30I do like the gimmicky ones, because I'm not a big...
0:29:30 > 0:29:33I don't love eating. I'm not that interested in food.
0:29:33 > 0:29:35- Oh!- And so, I like it...
0:29:35 > 0:29:38I remember I was on a drip once, I loved it.
0:29:38 > 0:29:41- Oh! Really?- Oh, it was great.
0:29:41 > 0:29:44You know, I didn't have to get anything on my teeth,
0:29:44 > 0:29:46I didn't gain weight.
0:29:46 > 0:29:49I just... I didn't have to worry about it, it was just there.
0:29:49 > 0:29:51I miss it, I'll be honest with you.
0:29:52 > 0:29:55Hipster coffee shops, as well, that's a worry for me,
0:29:55 > 0:29:58because I'm not a coffee connoisseur,
0:29:58 > 0:30:01but I do like a little bit of coffee,
0:30:01 > 0:30:02and a lot of frothy milk.
0:30:02 > 0:30:06But there are some coffee shops where to go in and say,
0:30:06 > 0:30:08"Could I get...?
0:30:08 > 0:30:10"Please could I get a latte, but just one shot of coffee?"
0:30:10 > 0:30:12And they'll say, "No."
0:30:14 > 0:30:17"No, we cannot let our coffee leave the shop
0:30:17 > 0:30:19"unless it's got two shots of coffee in it."
0:30:19 > 0:30:21Cos it's below their coffee moral code...
0:30:21 > 0:30:23Oh, wow!
0:30:23 > 0:30:24..to leave the shop.
0:30:24 > 0:30:28Which makes me want to run to the nearest Starbucks
0:30:28 > 0:30:30- and kneel at their altar.- Mm.
0:30:31 > 0:30:35And I'll get it really quickly, they'll call me by my name
0:30:35 > 0:30:39and, if I don't like it, they make it again.
0:30:40 > 0:30:44I don't mind all this hipster stuff, I'm sort of open to it,
0:30:44 > 0:30:48I'm a bit like, "Yeah, you want to put a burger in a pizza box
0:30:48 > 0:30:51"that's brought in on a wheelbarrow, I'll have a go."
0:30:52 > 0:30:57But, before, pre-beard, pre-beard life...
0:30:58 > 0:31:02..I received my coffee in said establishment
0:31:02 > 0:31:07that we enjoy together, and it said, "Lady in blue top."
0:31:09 > 0:31:11So...
0:31:14 > 0:31:17So, obviously, I pick it up, and I look around,
0:31:17 > 0:31:19- for the lady...- Oh, no!
0:31:19 > 0:31:21..and then I look down...
0:31:23 > 0:31:27..and realise I'm the only person in the shop in a blue top.
0:31:27 > 0:31:31So I go back to the person that took my order
0:31:31 > 0:31:33and said, "Sorry, is this...?
0:31:33 > 0:31:34"Is this the right one?" I said,
0:31:34 > 0:31:37"Cos it says, 'Lady in blue top.' "
0:31:37 > 0:31:40- And he went, "No, madam, that's yours."- Oh!
0:31:42 > 0:31:47APPLAUSE
0:31:47 > 0:31:48So, I...
0:31:48 > 0:31:51I'm afraid I need shops at airports, Nigel, because...
0:31:51 > 0:31:54- Do you?- ..I do a lot of last-minute gift buying.
0:31:54 > 0:31:56- Really?- I have to get my European plug adaptor.
0:31:56 > 0:31:59I'm going to try and put you off doing that, because you're paying more.
0:31:59 > 0:32:02I take that as an argument but, to be honest, I'm not short of a few bob.
0:32:04 > 0:32:05I like the...
0:32:05 > 0:32:08I take the coolness point about hipster restaurants,
0:32:08 > 0:32:10but I do love the madness of them,
0:32:10 > 0:32:12and the fun has just won it through for me.
0:32:12 > 0:32:16But the set-up paparazzi shot, it is a tragic part of modern life.
0:32:16 > 0:32:17It really is.
0:32:17 > 0:32:19I don't mind the paparazzi so much
0:32:19 > 0:32:23but to actually come to a deal, that can't possibly be right, can it?
0:32:23 > 0:32:26- No.- And if it's upset you, a man I see at the very centre of...
0:32:26 > 0:32:28pop culture... LAUGHTER
0:32:28 > 0:32:30..then it really can't be right,
0:32:30 > 0:32:33- so I am going to put set up paparazzi shots into Room 101.- Yes!
0:32:33 > 0:32:36CHEERING
0:32:36 > 0:32:39Go!
0:32:39 > 0:32:42APPLAUSE
0:32:46 > 0:32:50OK, we've just got time to hear one bonus choice,
0:32:50 > 0:32:52so let's see what Rylan goes for.
0:33:00 > 0:33:02Yeah.
0:33:03 > 0:33:08People that don't say "thank you" at zebra crossings
0:33:08 > 0:33:10should be eliminated.
0:33:11 > 0:33:13Is this when you're driving and you stop for them?
0:33:13 > 0:33:16It's when I'm driving, or if I'm lucky enough to be driven.
0:33:16 > 0:33:20I fume. I've thrown coffee out the window...
0:33:20 > 0:33:22that says "Lady in blue top".
0:33:22 > 0:33:25I've gone absolutely mad.
0:33:25 > 0:33:27But I'll tell you why it really winds me up.
0:33:27 > 0:33:29I'm the sort of person,
0:33:29 > 0:33:30if I'm in the wrong I'll still go, "Sorry!"
0:33:30 > 0:33:33You know, it's quite a British thing to do, isn't it?
0:33:33 > 0:33:36And at a zebra crossing, when someone crosses the crossing,
0:33:36 > 0:33:38- I still go... - HE MOUTHS
0:33:38 > 0:33:40- When you're driving? Oh, OK. - Yeah, even when I'm driving.
0:33:40 > 0:33:43But I'll tell you what it is - it really winds me up
0:33:43 > 0:33:44and it's always wound me up,
0:33:44 > 0:33:46because about a year ago,
0:33:46 > 0:33:48my mother and my father-in-law,
0:33:48 > 0:33:51they live in a very small village and it's really village-y,
0:33:51 > 0:33:54there's a pond, you know, little post office
0:33:54 > 0:33:56and a church - it's really lovely.
0:33:56 > 0:33:59And once, I was driving into the village
0:33:59 > 0:34:01and there was a duck...
0:34:01 > 0:34:04standing on one side of the zebra crossing.
0:34:04 > 0:34:07And I'm not one of them that would just run a duck over.
0:34:07 > 0:34:11I'm not. And I swear to God, I stopped,
0:34:11 > 0:34:15this duck crossed the zebra crossing
0:34:15 > 0:34:18and as it crossed, lifted a wing.
0:34:18 > 0:34:20LAUGHTER
0:34:25 > 0:34:29And I stayed at that zebra crossing for about a minute
0:34:29 > 0:34:32and watched this very aware duck...
0:34:32 > 0:34:34and polite...
0:34:34 > 0:34:38waddle off to the pond, jump in and do what it does.
0:34:38 > 0:34:40And from that moment on,
0:34:40 > 0:34:42I always think,
0:34:42 > 0:34:46if that duck can raise a wing,
0:34:46 > 0:34:49and say thank you,
0:34:49 > 0:34:52why can't you?
0:34:52 > 0:34:54LAUGHTER AND APPLAUSE
0:34:57 > 0:35:00We have a picture of... I think this is my favourite picture
0:35:00 > 0:35:02of what I would call a zebra-crossing smile.
0:35:02 > 0:35:04LAUGHTER
0:35:08 > 0:35:12Can I say I don't approve of testing fake tan on animals?
0:35:14 > 0:35:17You'd be too young to remember the panda crossing.
0:35:17 > 0:35:20- Do you remember the panda crossing? - Yeah. Yeah.
0:35:20 > 0:35:27This was a sort of experiment in the '60s, but this was the shape they went for to represent the panda.
0:35:27 > 0:35:29Rubbish representation of the panda.
0:35:29 > 0:35:32What's the difference between a panda crossing and a zebra crossing?
0:35:32 > 0:35:36I think the idea was that you could stop in the middle if you wanted to,
0:35:36 > 0:35:38which to me is not a big advantage.
0:35:38 > 0:35:42- No.- I mean, how many people think, "Well, I don't want to cross the whole road...
0:35:42 > 0:35:46"but I wouldn't mind having a look, a closer look at that side."
0:35:46 > 0:35:48A little mosey in the middle.
0:35:48 > 0:35:51Yeah. Do some people get to the middle and think,
0:35:51 > 0:35:53"No, I don't think so."
0:35:54 > 0:35:58Are you familiar with the Pegasus crossing which still exists?
0:35:58 > 0:36:00Are these real things?
0:36:00 > 0:36:01I swear to it!
0:36:01 > 0:36:05The Pegasus, named after the mythical winged horse,
0:36:05 > 0:36:08is for horses to cross the road.
0:36:08 > 0:36:12- Oh.- And - I'm not making this up - there's one outside Buckingham Palace, unsurprisingly.
0:36:12 > 0:36:16And they have a green horse to say you can cross.
0:36:16 > 0:36:19They've gone to the bother of changing it from the green man
0:36:19 > 0:36:21to the green horse.
0:36:21 > 0:36:22We have one.
0:36:24 > 0:36:26- Why have they bothered with that? - Oh, yeah.
0:36:26 > 0:36:29Because if the green man comes up,
0:36:29 > 0:36:32the horse is not going to look back and say, "I think this is you, isn't it?"
0:36:36 > 0:36:40So, when you are crossing a zebra crossing,
0:36:40 > 0:36:43what kind of gratitude do you show?
0:36:43 > 0:36:46I'll always stop, look,
0:36:46 > 0:36:48and then when they pull up,
0:36:48 > 0:36:51I'll then look again, ask if they want a photo,
0:36:51 > 0:36:54and then I'll bend...
0:36:54 > 0:36:59I was hoping that you might do something like this to show your gratitude.
0:37:13 > 0:37:15APPLAUSE
0:37:31 > 0:37:32Ah!
0:37:32 > 0:37:34One time!
0:37:37 > 0:37:40And then the driver goes...
0:37:42 > 0:37:44Oh, it's lovely, Rylan. I love that clip.
0:37:44 > 0:37:46Oh...
0:37:48 > 0:37:50Well, look, the truth is it doesn't matter what I think.
0:37:50 > 0:37:53- It's your bonus choice, Rylan, and so it's going into Room 101.- Yes!
0:38:04 > 0:38:07And that brings us to the end of the show,
0:38:07 > 0:38:10strong message here... Well done...
0:38:10 > 0:38:13Well done, Rylan, you were the most persuasive guest,
0:38:13 > 0:38:15so you are this week's winner.
0:38:15 > 0:38:18CHEERING AND APPLAUSE
0:38:20 > 0:38:23So, thanks very much, Rylan Clark-Neal,
0:38:23 > 0:38:25Catherine Tate and Nigel Havers.
0:38:25 > 0:38:26And thank you, goodnight.
0:38:26 > 0:38:30CHEERING AND APPLAUSE