0:00:31 > 0:00:33Hello, I'm Frank Skinner
0:00:33 > 0:00:34and welcome to Room 101.
0:00:34 > 0:00:37This week joining me in the game of moans are
0:00:37 > 0:00:39man down Roisin Conaty,
0:00:39 > 0:00:42man up, Nish Kumar,
0:00:42 > 0:00:44and man-to-man marking, Chris Kamara.
0:00:44 > 0:00:45CHEERING AND APPLAUSE
0:00:52 > 0:00:55OK, so what is upsetting Nish?
0:00:58 > 0:01:03Er, I am very upset with people who are really into cars.
0:01:03 > 0:01:07I don't get why they are so into cars.
0:01:07 > 0:01:10Like, I mean, that may be because I can't drive,
0:01:10 > 0:01:12which could be a huge factor in it.
0:01:12 > 0:01:15But I just, I find it so tedious when people are like,
0:01:15 > 0:01:19"Yeah, I'm just, just really into my automobiles."
0:01:19 > 0:01:21I just think, "Ah, man, I want to kill you and myself, right."
0:01:21 > 0:01:25I don't understand why people are so into a mode of transport.
0:01:25 > 0:01:28And also, the people that are into it are considered sort of cool and
0:01:28 > 0:01:32interesting. Like train spotters are pariahs but people who are really
0:01:32 > 0:01:34into cars get their own Amazon shows.
0:01:34 > 0:01:35Like, it doesn't make any sense to me.
0:01:35 > 0:01:37And it's not just the fact that they're cars,
0:01:37 > 0:01:40it's the fact that cars sort of pollute the atmosphere.
0:01:40 > 0:01:42That people who are into them are called petrolheads,
0:01:42 > 0:01:45as if that's a good thing, but petrol is killing people.
0:01:45 > 0:01:48So if you call people like the Boy Stranglers, like,
0:01:48 > 0:01:51it wouldn't be anywhere near as cool. And it's not just cars.
0:01:51 > 0:01:54It's also just the fact that they, all the wider culture of it,
0:01:54 > 0:01:57like I hate Formula 1, I think it's unbelievably dull,
0:01:57 > 0:02:00and I like Test cricket so that is saying something.
0:02:00 > 0:02:03Er, I don't like the film Drive,
0:02:03 > 0:02:06I think Cars is the worst Pixar film
0:02:06 > 0:02:10and anyone who says that their ideal car isn't the Batmobile
0:02:10 > 0:02:12I have no interest in speaking to.
0:02:12 > 0:02:16Wow, that's fairly, fairly comprehensive.
0:02:16 > 0:02:18I feel very strongly about this, frank.
0:02:18 > 0:02:21I think I'm, at this stage I'm with you.
0:02:21 > 0:02:26I drive a car but I have no real interest in cars.
0:02:26 > 0:02:29I mean, I drive a BMW,
0:02:29 > 0:02:313 Series.
0:02:31 > 0:02:34I'm saying that because someone asked me and I said,
0:02:34 > 0:02:36"It's a Series 3."
0:02:36 > 0:02:38They looked at me, I said,
0:02:38 > 0:02:41"You know the one when Rachel leaves her job at Central Perk."
0:02:42 > 0:02:46But it's um... There aren't many things I've paid 30 grand for
0:02:46 > 0:02:49that I would leave in the gutter outside my house
0:02:49 > 0:02:51covered in bird excrement.
0:02:51 > 0:02:54It is a weird thing. I feel it should be locked up.
0:02:54 > 0:02:57I agree. I don't like, I don't like people who are really into cars.
0:02:57 > 0:03:00I'm not into cars. But I am into the lifestyle.
0:03:00 > 0:03:03I like the gloves. Driving gloves.
0:03:03 > 0:03:06- Oh, no, those are the creepiest things in the world.- They're not, they're so cool.
0:03:06 > 0:03:10Can I ask you, do you keep the gloves in the glove compartment?
0:03:10 > 0:03:13- Well, I can't drive.- Oh!
0:03:15 > 0:03:17I bet Kammy likes cars.
0:03:17 > 0:03:20- Do you like cars?- Yeah, Nish, I'm an ex-footballer, innit.
0:03:20 > 0:03:23So you know, once you've got enough money in the bank, you think,
0:03:23 > 0:03:25Range Rover?
0:03:25 > 0:03:27A Mercedes soft top?
0:03:27 > 0:03:28You know?
0:03:28 > 0:03:30A Rolls-Royce?
0:03:32 > 0:03:34Have you ever owned a Rolls-Royce?
0:03:34 > 0:03:35No.
0:03:37 > 0:03:40I tell you what, what do you think of this. I'm guessing you don't own one of these.
0:03:40 > 0:03:44This is, it's a, it's a mouse for the old computer,
0:03:44 > 0:03:48but it's a Porsche mouse.
0:03:48 > 0:03:50If you look at that,
0:03:50 > 0:03:52it's actually in the shape of
0:03:52 > 0:03:55a Porsche. Stylish?
0:03:55 > 0:03:57I'll show you, I'll show you my mouse.
0:03:58 > 0:04:01Quite normal.
0:04:01 > 0:04:03But, on the back...
0:04:03 > 0:04:04LAUGHTER
0:04:14 > 0:04:18What would you say was worse then, people who are really into cars,
0:04:18 > 0:04:20or people who are really into trains?
0:04:20 > 0:04:22I mean...
0:04:22 > 0:04:23..neither is ideal.
0:04:23 > 0:04:26We've got, we've got a clip of some train spotters,
0:04:26 > 0:04:29waiting for that legendary train,
0:04:29 > 0:04:33the Flying Scotsman, and I've got to say I love this.
0:04:35 > 0:04:37Aw, look at it.
0:04:37 > 0:04:40Would you believe... Ah, bloody hell.
0:04:40 > 0:04:42LAUGHTER
0:04:48 > 0:04:50APPLAUSE
0:04:55 > 0:04:58OK. So what is upsetting Kammy.
0:04:58 > 0:05:01Oh.
0:05:01 > 0:05:05Hopefully, everyone will agree with me on this one, Frank.
0:05:05 > 0:05:10I have to say, I get upset when men don't stand up for women
0:05:10 > 0:05:13on the trains, or senior citizens.
0:05:13 > 0:05:15APPLAUSE
0:05:15 > 0:05:17Thank you.
0:05:18 > 0:05:21It's so annoying. It really is so annoying.
0:05:21 > 0:05:23Cos I do the trains all the time.
0:05:23 > 0:05:27Cos traffic jams in London, they just do my head in.
0:05:27 > 0:05:31So my Achilles heel is getting in a taxi, or whatever,
0:05:31 > 0:05:35because Sky's the other side of London, so I drive to there quite a lot.
0:05:35 > 0:05:37Um, so I get the train
0:05:37 > 0:05:40and when I get off the train at King's Cross I get the Tube.
0:05:40 > 0:05:44Don't feel you have to give us the whole route, Kammy.
0:05:44 > 0:05:47Well, it is, it's the Piccadilly line...
0:05:48 > 0:05:50Right, so when I get off the...
0:05:50 > 0:05:52Season-ticket?
0:05:52 > 0:05:56No, no, I've got one of them things that you just put in the machine,
0:05:56 > 0:05:58what's it called, something card?
0:05:58 > 0:06:01- Money. - Oyster card.- Oyster card.
0:06:01 > 0:06:04So you put the Oyster card in and you...
0:06:04 > 0:06:07So I get on the Piccadilly line after I get to King's Cross.
0:06:07 > 0:06:10Right, all the way to Osterley.
0:06:10 > 0:06:12And then I walk from Osterley...
0:06:12 > 0:06:15I don't know about you, I liked him a lot better in the Merc.
0:06:16 > 0:06:19So when I'm on the, when I'm on the Tube, at certain times of the day,
0:06:19 > 0:06:24when it's really, really crowded, and there's no seats, right,
0:06:24 > 0:06:27there are men who allow women,
0:06:27 > 0:06:30or senior citi, citizens,
0:06:30 > 0:06:31easy for me to say,
0:06:31 > 0:06:34there are men who allow women or senior citizens to...
0:06:34 > 0:06:36LAUGHTER
0:06:40 > 0:06:42I've got a lisp!
0:06:42 > 0:06:45So it annoys me so much, it really does.
0:06:45 > 0:06:47But is there an argument here?
0:06:47 > 0:06:51Because your modern woman wants to be treated as an equal, then why,
0:06:51 > 0:06:53why should we stand up?
0:06:53 > 0:06:56Well, because they've got the option to say, "Thank you very much for
0:06:56 > 0:06:59"offering but I'd rather stand."
0:07:03 > 0:07:04Right. It's on me, then, is it?
0:07:04 > 0:07:06Brilliant.
0:07:06 > 0:07:07What do you think, Roisin?
0:07:07 > 0:07:10I don't expect to be offered a seat by a man,
0:07:10 > 0:07:12um, I don't think it's necessary.
0:07:12 > 0:07:15But I do agree with you for older people, or if a woman is pregnant,
0:07:15 > 0:07:17I agree absolutely, 100%.
0:07:17 > 0:07:19Literally makes no difference to me,
0:07:19 > 0:07:22because I get on a Tube carriage and everyone gets off anyway.
0:07:22 > 0:07:24LAUGHTER
0:07:24 > 0:07:25APPLAUSE
0:07:29 > 0:07:31It's the only...
0:07:31 > 0:07:33You've got to get rid of that backpack!
0:07:34 > 0:07:39Absolutely not, Frank. It's the only acceptable form of racism!
0:07:39 > 0:07:43Because it's a form of racism that results in me sitting all the way home!
0:07:43 > 0:07:47There's a woman here proving that men standing up is not always
0:07:47 > 0:07:49necessarily a good thing.
0:07:49 > 0:07:50Oh!
0:07:50 > 0:07:53CHRIS LAUGHS
0:07:55 > 0:07:57I have a little confession to make.
0:07:57 > 0:08:00- Go on.- I did once, I was really hung over and I wanted a seat.
0:08:00 > 0:08:04So I'd just like breathed out as much as I could.
0:08:05 > 0:08:07Just didn't say it.
0:08:07 > 0:08:09- Wow!- But I just let it go.
0:08:09 > 0:08:11And I got a seat.
0:08:11 > 0:08:14And I went, "Thank you," and that was it.
0:08:14 > 0:08:17But I did a, yeah, so I have, yeah, I faked a preggo, see.
0:08:17 > 0:08:20- I'd have given you my seat, Roisin. - Thank you very much.
0:08:20 > 0:08:23That's brilliant. Well, I'm all for politeness.
0:08:23 > 0:08:25You wouldn't have needed to breathe out, either.
0:08:25 > 0:08:26So I think the moral is...
0:08:26 > 0:08:28What are you saying, Chris?
0:08:28 > 0:08:30LAUGHTER
0:08:33 > 0:08:35Well, I'm 60. Do you think people should...
0:08:35 > 0:08:39No-one has yet stood up for me on... I'm waiting for that day.
0:08:39 > 0:08:41Because you're young and you're virile.
0:08:41 > 0:08:43No, but I'm 60. You have no idea if I'm virile!
0:08:45 > 0:08:48So I was travelling from South Ealing, right, to Covent Garden
0:08:48 > 0:08:51cos I was doing, er, some work in Soho.
0:08:51 > 0:08:53So I thought, right, I get on the Tube,
0:08:53 > 0:08:55so, I get as far as Hammersmith.
0:08:55 > 0:08:58It really gets crowded. And there's a lady there, and I said,
0:08:58 > 0:09:02"Would you like a seat?" And she said, "No, I don't want one thanks."
0:09:02 > 0:09:04I went, please.
0:09:04 > 0:09:06So I got up and gave my seat.
0:09:06 > 0:09:09She said, "Well I've only got three stops to go, I'm going to Earls Court."
0:09:09 > 0:09:11I said, "Well, it doesn't matter."
0:09:13 > 0:09:15After I've... It's no problem.
0:09:15 > 0:09:18So she takes my seat.
0:09:18 > 0:09:20So she sits in my seat and I'm stood there.
0:09:20 > 0:09:23Just as we get to Earls Court, somebody asked me for a photo.
0:09:23 > 0:09:26Says, I've been watching Soccer Saturday, would you have a photo?
0:09:26 > 0:09:27And where were they going?
0:09:29 > 0:09:31I presume they were getting off at Earls Court.
0:09:31 > 0:09:33- Right, OK.- Yeah. Quickly.
0:09:33 > 0:09:34Changing to District?
0:09:34 > 0:09:39So they take a quick selfie and then when I look back, there's a young fella sat in my seat.
0:09:39 > 0:09:40Ahhh.
0:09:40 > 0:09:43- Now that...- I'm gutted. I'm absolutely devastated.
0:09:43 > 0:09:47Not only is there a young fella sat in my seat, there's an old,
0:09:47 > 0:09:50a mature lady, I should say,
0:09:50 > 0:09:53with a walking stick stood right in front of him.
0:09:53 > 0:09:55So I am fuming.
0:09:55 > 0:09:57So he's got his headset on, listening to music.
0:09:57 > 0:10:00So I pulled the thing out of his ear...
0:10:00 > 0:10:02- Whoa.- And I've said,
0:10:02 > 0:10:05do you realise there's a lady there who needs to sit down.
0:10:05 > 0:10:07He went...
0:10:07 > 0:10:09"I broke my leg in a car accident.
0:10:09 > 0:10:11"And that's my nan with the walking stick!"
0:10:20 > 0:10:24- So it has backfired on me, I have to say.- Yeah.
0:10:27 > 0:10:29OK, what's upsetting Roisin?
0:10:34 > 0:10:35Ex-partners.
0:10:39 > 0:10:40Right guys.
0:10:40 > 0:10:43Um, I would like to put, and not just mine,
0:10:43 > 0:10:48but I think everyone's ex-partners into Room 101 because
0:10:48 > 0:10:51I think, they're not any good, are they?
0:10:51 > 0:10:54Er it's like, I don't think there's any reason to have to experience
0:10:54 > 0:10:57someone you've been romantically intimate with, ever again
0:10:57 > 0:10:59after that's done.
0:10:59 > 0:11:03And now because of the social media and you know, friends...
0:11:03 > 0:11:05LAUGHTER
0:11:07 > 0:11:10You've got to still meet them in the modern world.
0:11:10 > 0:11:12It never makes an evening better seeing one, "Oh, brilliant.
0:11:12 > 0:11:15"My ex is here." It's a really odd thing.
0:11:15 > 0:11:18I think there should be a way in which like you can sort of just,
0:11:18 > 0:11:22you know, not be on the same grid, so you never bump into them again,
0:11:22 > 0:11:24- like some sort of Uber map or something.- Um, I mean I do...
0:11:24 > 0:11:27- APPLAUSE - Thank you!
0:11:27 > 0:11:29One person, going through a horrific break-up!
0:11:29 > 0:11:32Either that or that's one of your exes.
0:11:35 > 0:11:38Once you've seen someone naked...
0:11:38 > 0:11:41- Yeah.- ..you can never really see them with clothes on again.
0:11:41 > 0:11:43Yeah. So you're in Waitrose, and you're talking,
0:11:43 > 0:11:46having this weird conversation, where you're sort of
0:11:46 > 0:11:48where have you been... But it's all mad.
0:11:48 > 0:11:51This is madness that we're talking like this with the things we've done.
0:11:52 > 0:11:54Like, I don't want to... This is crazy,
0:11:54 > 0:11:57that we're talking to each other about you know, like, "Oh, yes,
0:11:57 > 0:12:00"the new book shop's opened, it's great." It's crazy.
0:12:00 > 0:12:04I always think though if you want to see someone at their absolute best,
0:12:04 > 0:12:06I mean looking amazing,
0:12:06 > 0:12:10invite them to any event that they know their ex is going to be at.
0:12:10 > 0:12:14- Yeah, but then...- And they make such a supreme effort.
0:12:14 > 0:12:17- They look fantastic.- The first hour they look amazing.
0:12:17 > 0:12:19And then the second hour, they're normally wined out of their mind.
0:12:21 > 0:12:23So the first hour, they are like, "Yeah, I'm doing really great.
0:12:23 > 0:12:25And the second, they are like... Just like...jittery.
0:12:25 > 0:12:29I mean, I'm friends with all my exes but I just think sometimes it
0:12:29 > 0:12:31would be quite nice if you go,
0:12:31 > 0:12:35"I'll never have to meet anyone I've been romantic with ever again."
0:12:35 > 0:12:39I suppose on one level I hate the idea that they can live without me!
0:12:39 > 0:12:42Oh, no, they can miss you, they just never get to see you!
0:12:42 > 0:12:44- Yeah.- Sometimes when you see, like,
0:12:44 > 0:12:47it can be sort of affirming when you see an ex,
0:12:47 > 0:12:48because you look at them and you go,
0:12:48 > 0:12:51"Oh, I really have grown a lot since then!"
0:12:51 > 0:12:53Like, do you not think, like...
0:12:53 > 0:12:55That came out much harsher!
0:12:55 > 0:12:59And I also want to make clear that all of my exes, brackets two,
0:12:59 > 0:13:01are very nice people...
0:13:01 > 0:13:06There is something to be said for, like, looking at it and going,
0:13:06 > 0:13:09- "Oh, we've both grown...- You know, it makes me feel depressed.
0:13:09 > 0:13:11I think, this is going to be really sad, but I feel like...
0:13:11 > 0:13:13I remember being so in love with you,
0:13:13 > 0:13:16and now that feels so alien that it makes me doubt love!
0:13:18 > 0:13:20Wow! I love that!
0:13:20 > 0:13:24I love that! You're right, you're right!
0:13:24 > 0:13:25Thank you!
0:13:25 > 0:13:27So, we come to the summary,
0:13:27 > 0:13:31I do have a big problem with people who are into cars, I must say,
0:13:31 > 0:13:33it does get on my nerves. But there are a lot of them,
0:13:33 > 0:13:37and I'm starting to think it might be my own insecurities.
0:13:37 > 0:13:38Exes...
0:13:38 > 0:13:42I don't mind so much, if I feel I've had their golden years...
0:13:42 > 0:13:44Oh!
0:13:44 > 0:13:47How do you know when their golden years are?
0:13:47 > 0:13:49People peak at different times!
0:13:49 > 0:13:52Well, maybe. As you can imagine, a lot of my exes are actually dead!
0:13:55 > 0:13:57So, it's not...
0:13:59 > 0:14:02It's not such a problem for me.
0:14:03 > 0:14:07Men standing up for women, I've got a problem with this as well, Kammy.
0:14:07 > 0:14:10Because I'm thinking the way things are going in the world now,
0:14:10 > 0:14:14you're liable to get head-butted by a feminist if you stand up.
0:14:14 > 0:14:17I think I am going to put into Room 101
0:14:17 > 0:14:19people who are mad about cars.
0:14:19 > 0:14:22APPLAUSE AND CHEERING
0:14:31 > 0:14:33Roisin...
0:14:37 > 0:14:39Oscar bait.
0:14:40 > 0:14:44- What is that?- So, around Oscar season you'll see the same
0:14:44 > 0:14:47sort of films that get nominated.
0:14:47 > 0:14:49And a lot of the time it's sort of extreme acting.
0:14:49 > 0:14:53It's actors who take on roles to win Oscars,
0:14:53 > 0:14:55but they're not actually acting.
0:14:55 > 0:14:57Like Leonardo DiCaprio in The Revenant.
0:14:57 > 0:14:59He's not acting cold, he's cold!
0:14:59 > 0:15:02He's just freezing! He's there,
0:15:02 > 0:15:05he is not pretending to eat whatever he ate, he ate it.
0:15:05 > 0:15:07He's saying, "Oh, look at me." It's not acting, you're doing it!
0:15:07 > 0:15:09It's just like Bear Grylls!
0:15:09 > 0:15:13- Good point. - There's no acting in this.
0:15:13 > 0:15:15I want to see him in the Sahara shivering,
0:15:15 > 0:15:16then I'm like, "Look at that,
0:15:16 > 0:15:19"you know how hot it is there and he's shivering."
0:15:19 > 0:15:22He is filming in the Sahara, that's acting.
0:15:22 > 0:15:27And also, actors who, they take on roles, and there's no storyline,
0:15:27 > 0:15:31all they do is either get really big or really skinny and then do two
0:15:31 > 0:15:34years of interviews saying what good actors they are.
0:15:34 > 0:15:36Like, no, that's just dieting or eating doughnuts,
0:15:36 > 0:15:38that's not acting either.
0:15:38 > 0:15:40And the other one is when they get really sad films,
0:15:40 > 0:15:44they do such, like, graphic crying when they're sad,
0:15:44 > 0:15:48they don't even wipe the snot from their nose, they are just like...
0:15:49 > 0:15:51Really ugly acting.
0:15:51 > 0:15:54There's no kind of natural, you know when we're a bit like that?
0:15:54 > 0:15:56And they leave the snot run down onto their lip?
0:15:56 > 0:15:59And whenever I see that, I think, "You Oscar-hungry little sod!"
0:16:00 > 0:16:02Instinct wipes it.
0:16:02 > 0:16:05When it's like two lines of bubble and you're just like, "Let me tell you what you did..."
0:16:05 > 0:16:07You're just like, "Oh, God!"
0:16:07 > 0:16:12Maybe the Oscars should embrace it and have like the biggest
0:16:12 > 0:16:14weight-loss or biggest weight.
0:16:14 > 0:16:17You could have like a fatter Oscar!
0:16:19 > 0:16:23We've got Charlize Theron in the film Monster,
0:16:23 > 0:16:26she put on 30lbs by eating crisps
0:16:26 > 0:16:27and wore prosthetic...
0:16:27 > 0:16:30I mean, she's a fabulously attractive woman.
0:16:30 > 0:16:32This is what she looked like in Monster.
0:16:32 > 0:16:36It's uncomfortable for me, because that's what I look like!
0:16:36 > 0:16:39- I look so much like Charlize Theron in Monster!- That is not true!
0:16:39 > 0:16:42What about all the ugly actors who could have played that part?
0:16:42 > 0:16:45- Exactly!- Think how many ugly actresses there must be
0:16:45 > 0:16:48- who could have walked into that.- She got an Oscar for becoming...
0:16:48 > 0:16:51Listen, her performance is good, but fundamentally it's like,
0:16:51 > 0:16:53"I made myself unattractive."
0:16:53 > 0:16:55And they're like, "Give her the Oscar, how brave!"
0:16:55 > 0:16:58But there'll be ugly people at home saying, "What about us?!
0:16:58 > 0:17:01"We never get anything in life.
0:17:01 > 0:17:02"Can't we just play...
0:17:02 > 0:17:06"The rare opportunity to play an ugly person, they cast a beautiful person."
0:17:06 > 0:17:10I don't even know why Hollywood actors want to do real?
0:17:10 > 0:17:12Why not stick with what you know?
0:17:12 > 0:17:14I know, because I get a lot of work...
0:17:14 > 0:17:20I'm a teeth double in films set in Medieval England!
0:17:23 > 0:17:25And the real thing, as well...
0:17:27 > 0:17:31I don't know about you, but in life, people say stuff to me and I say,
0:17:31 > 0:17:35"What?" And they have to repeat it. That never happens in a film!
0:17:36 > 0:17:39They hear everything first time, everything.
0:17:39 > 0:17:43No-one ever in the middle of the conversation goes, "Hold on a minute."
0:17:47 > 0:17:50That never, ever happens.
0:17:50 > 0:17:52The number of films I've seen with people running down a street
0:17:52 > 0:17:55and not one of them has ever trod in a dog turd!
0:17:56 > 0:17:58That's not statistically possible.
0:17:58 > 0:18:00Exactly.
0:18:00 > 0:18:02No-one ever farts in a movie.
0:18:02 > 0:18:04And if they do, it's considered crass.
0:18:04 > 0:18:10Exactly! Also, the Oscars itself is such a painful evening.
0:18:10 > 0:18:14They read from the autocue like they've never read out loud
0:18:14 > 0:18:16before in their lives.
0:18:16 > 0:18:18This is John Travolta, a fine actor,
0:18:18 > 0:18:21I've seen him in many brilliant things,
0:18:21 > 0:18:26and he's presenting the singer Idina Menzel.
0:18:26 > 0:18:29Here to perform the Oscar-nominated, gorgeously empowering song
0:18:29 > 0:18:34Let It Go, from the Oscar-winning animated movie Frozen,
0:18:34 > 0:18:38please welcome the wick-ed-ly talented, one and only,
0:18:38 > 0:18:40Adele Dazene.
0:18:40 > 0:18:42LAUGHTER
0:18:44 > 0:18:46I remember that, it was so funny.
0:18:46 > 0:18:49Idina Menzel becomes Adele Dazene.
0:18:51 > 0:18:53It sounds like someone unplugged him.
0:18:54 > 0:18:58It's the confidence of going, the wick-ed-ly talented...
0:18:58 > 0:19:00When would you ever say that in life?!
0:19:01 > 0:19:04OK, so what's upsetting Nish?
0:19:08 > 0:19:09It's downloading music.
0:19:09 > 0:19:11So, I...
0:19:12 > 0:19:17..feel that the fact that we, download music has slightly spoiled things.
0:19:17 > 0:19:23I really miss sort of the physical copy of a CD, or a record.
0:19:23 > 0:19:29I really miss that. I think it's taken some of the sort of poetry and the romance out of music.
0:19:29 > 0:19:33And it's ended the sort of culture of mix tapes and sharing music by
0:19:33 > 0:19:34discovering it via your friends.
0:19:34 > 0:19:38But then I am a certain type of person, and a couple of years ago,
0:19:38 > 0:19:40my girlfriend bought me a record player.
0:19:40 > 0:19:42And I said, "Oh, this is amazing."
0:19:42 > 0:19:45And she said, "Yeah, I just thought you should have one because you seem
0:19:45 > 0:19:46"like the sort of nob that does!"
0:19:46 > 0:19:49LAUGHTER
0:19:49 > 0:19:51She's not off-base with that!
0:19:51 > 0:19:53And also like the event of going...
0:19:53 > 0:19:56I went on the day the newest Kendrick Lamar album came out,
0:19:56 > 0:19:59I went to my local record shop,
0:19:59 > 0:20:02or the shell where my local record shop used to be.
0:20:02 > 0:20:04I went in there and I said to the guy, I was like, "I can't wait,
0:20:04 > 0:20:07"new Kendrick Lamar album." I couldn't see it on the shelves.
0:20:07 > 0:20:09I was like, "Well, they must have sold out."
0:20:09 > 0:20:11I went to the guy, "Do you have any copies left?"
0:20:11 > 0:20:14And he was like, "No, it doesn't come out on CD for like two weeks."
0:20:14 > 0:20:15I was like, "Oh, what am I supposed to do?"
0:20:15 > 0:20:19He went, "Just download it!" I was like, "That's your business that you're ruining!"
0:20:20 > 0:20:23What about you, Kammy? Do you download?
0:20:23 > 0:20:24No, I don't download.
0:20:24 > 0:20:27But just bringing that on from Nish.
0:20:27 > 0:20:30Basically, going to the record shop to buy Dexy's Midnight Runners'
0:20:30 > 0:20:32Come On Eileen.
0:20:32 > 0:20:34Come On Eileen?!
0:20:34 > 0:20:35I had no idea...
0:20:35 > 0:20:37# Come on, Eileen... #
0:20:37 > 0:20:39We know it!
0:20:39 > 0:20:44You know, that was the main thing, you know, at the end of the day...
0:20:44 > 0:20:46- What, every week?!- No, not every week. I bought it once.
0:20:46 > 0:20:48No wonder it was number one for so long!
0:20:48 > 0:20:51When I first left home and I went to live in a bedsit,
0:20:51 > 0:20:55I left and I didn't have a record player,
0:20:55 > 0:20:58CD player, cassette player, I didn't have a television.
0:20:58 > 0:21:04I really learned to appreciate the ice cream van!
0:21:04 > 0:21:06Just any sort of music!
0:21:06 > 0:21:11Are you old enough to remember the CD Walkman?
0:21:11 > 0:21:13The Discman?
0:21:13 > 0:21:16That's the first thing that I had to listen to music on.
0:21:17 > 0:21:19I've got one here.
0:21:19 > 0:21:24And this is what I remember about the Discman,
0:21:24 > 0:21:25is that you'd have...
0:21:25 > 0:21:27You'd be thinking, "I'm all set now for the music."
0:21:27 > 0:21:32But the least little bump and it jumped the CD.
0:21:32 > 0:21:35So, honestly, I would find myself...
0:21:35 > 0:21:37This is how I used to walk listening to music.
0:21:37 > 0:21:39LAUGHTER
0:21:49 > 0:21:52I think people thought, "Look at that bloke, balancing a 50p piece
0:21:52 > 0:21:54"on his private parts."
0:21:55 > 0:21:57Queen facing away, obviously.
0:22:00 > 0:22:02So, I don't miss that, Nish.
0:22:02 > 0:22:03Oh, maybe I am wrong.
0:22:05 > 0:22:07OK, so, to Kammy.
0:22:07 > 0:22:10- This is my biggie, Frank.- OK.
0:22:10 > 0:22:12This is my biggie, I have to say - bread in restaurants.
0:22:14 > 0:22:20- Hmm.- So, we go out for a meal, we go to a restaurant, we get in there,
0:22:20 > 0:22:23we order some drinks, as soon as we order the drinks,
0:22:23 > 0:22:26a pint of lager for me...
0:22:26 > 0:22:28Oh, no, it's like the travel story again!
0:22:31 > 0:22:33I want to know how Kammy got to the restaurant.
0:22:35 > 0:22:37- We got a taxi, Frank.- Oh, OK.
0:22:38 > 0:22:39Thank God!
0:22:41 > 0:22:43Tap water for the missus, she's driving.
0:22:43 > 0:22:45The taxi?!
0:22:51 > 0:22:53Yeah, just in case she gets a call-out...
0:22:56 > 0:22:57..while we're eating!
0:23:00 > 0:23:02So then you get in the restaurant, so they come
0:23:02 > 0:23:06and take the drinks order and then they bring the bread.
0:23:06 > 0:23:08They bring the bread and they put it down.
0:23:08 > 0:23:11And I know what you're going to say, "You don't have to eat it."
0:23:11 > 0:23:12But you haven't eaten all day.
0:23:12 > 0:23:15Right? So you know you're tempted.
0:23:15 > 0:23:18So you go for the bread, little bit of butter on it.
0:23:20 > 0:23:23While you're still waiting for the drinks little bit more,
0:23:23 > 0:23:24eat it.
0:23:24 > 0:23:26So then they bring the drinks.
0:23:26 > 0:23:30Great, brilliant. So we're sat there, we're eating the bread
0:23:30 > 0:23:31and then they put the order in.
0:23:33 > 0:23:36So then there's some more bread, isn't there?
0:23:36 > 0:23:38Kammy, I think you're in a bakery!
0:23:45 > 0:23:46Kammy!
0:23:48 > 0:23:51Oh, it's just bread upon bread upon bread!
0:23:51 > 0:23:52Then dessert comes out.
0:23:52 > 0:23:55What is it? Bread pudding! Good lord!
0:23:55 > 0:23:57So then your starters come.
0:23:57 > 0:24:00And I've ordered the tomato soup, and it comes with a bread roll.
0:24:03 > 0:24:06So by the time my lobster Thermidor comes,
0:24:06 > 0:24:09I don't want anything more to eat cos I've eaten all the bread.
0:24:09 > 0:24:12- Yeah.- Yeah, and I'm full, I'm completely full.
0:24:12 > 0:24:17So that's why I want to throw bread in restaurants in Room 101.
0:24:17 > 0:24:21I have to... Come on, that deserves a round of applause!
0:24:25 > 0:24:28And don't get me wrong... Don't get me wrong, Frank,
0:24:28 > 0:24:31I wouldn't be here today if it wasn't for bread, you know?!
0:24:34 > 0:24:37That has to be the trailer, Frank, that has to be the trailer!
0:24:37 > 0:24:39"Don't get me wrong, Frank, I wouldn't be here today
0:24:39 > 0:24:41"if it wasn't for bread!"
0:24:41 > 0:24:44After hearing Kammy's story, I'm feeling a bit bloated.
0:24:46 > 0:24:48But you're right, it is a strange thing that you go
0:24:48 > 0:24:52into a restaurant and you say,
0:24:52 > 0:24:56"I want a meal," and they say, "OK, I'll just go and get something
0:24:56 > 0:24:58"to ruin your appetite."
0:24:58 > 0:25:00And then they come... Why do they do that?
0:25:00 > 0:25:02It doesn't make any sense, when you think about it.
0:25:02 > 0:25:04- No, it doesn't. - Wait, and I'll just have the food.
0:25:04 > 0:25:07It's to stop you being cranky. In a busy restaurant, it's kind
0:25:07 > 0:25:09of a good thing to do as well. You know when you get into a
0:25:09 > 0:25:12restaurant and you're like, foaming, like, "I need food now."
0:25:12 > 0:25:14- And they're like, "OK, that person looks crazy hungry."- Yeah.
0:25:14 > 0:25:17So that's probably like what they're thinking, he looks really hungry.
0:25:17 > 0:25:19So if they give you bread and a bit of salad,
0:25:19 > 0:25:22- it just takes the edge off. - Exactly, it takes the edge off.
0:25:22 > 0:25:23And then it slows down reading the menu,
0:25:23 > 0:25:26you've got that lovely calm feeling.
0:25:26 > 0:25:28It's all OK!
0:25:28 > 0:25:31But when the food comes, I want to be hungry.
0:25:31 > 0:25:35I'd rather that they gave, when I went in, they gave me marijuana...
0:25:36 > 0:25:38..to make me hungrier, you know?
0:25:38 > 0:25:41I know restaurants you can go in and you get that.
0:25:43 > 0:25:44Just give me a call, Frank!
0:25:46 > 0:25:49If anyone from Sky is watching, that was a joke.
0:25:51 > 0:25:52No, it wasn't.
0:25:59 > 0:26:02I think the Kamara household is the most industrious household
0:26:02 > 0:26:05in Britain, cos your wife's driving taxis,
0:26:05 > 0:26:06you're presenting football shows,
0:26:06 > 0:26:08and apparently dealing drugs.
0:26:10 > 0:26:11Well, we don't deal.
0:26:16 > 0:26:17Kammy has got his standards.
0:26:20 > 0:26:23I'm happy to just start the meal abruptly.
0:26:23 > 0:26:25I don't need a ramp.
0:26:25 > 0:26:28Where do you all stand on poppadoms? Because I think...
0:26:28 > 0:26:33I think there is no Indian dish which is good enough to
0:26:33 > 0:26:35follow poppadoms.
0:26:36 > 0:26:38Poppadoms are so brilliant.
0:26:38 > 0:26:40I try to limit myself to two.
0:26:40 > 0:26:43Because, you know, once you poppadom, you can't stopadom.
0:26:48 > 0:26:51What people do is they break a bit of poppadom
0:26:51 > 0:26:55- and then they put a piece of poppadom back.- Yeah.
0:26:55 > 0:26:57And I'm losing count. I'm trying to eat two, but there's
0:26:57 > 0:26:59half pieces, I don't know...
0:26:59 > 0:27:01I've had nine, let's face it.
0:27:01 > 0:27:04I've had nine with their accompanying pickles.
0:27:04 > 0:27:06They're so brilliant.
0:27:06 > 0:27:10Also, but I do realise my mother is definitely going to watch this show
0:27:10 > 0:27:12and she is now going to see what you've said
0:27:12 > 0:27:14as some sort of a challenge extended.
0:27:14 > 0:27:15So if you ever make it down to Croydon,
0:27:15 > 0:27:19my mother will absolutely make you an Indian meal that she feels can
0:27:19 > 0:27:21follow poppadoms. That is a 100% guarantee.
0:27:21 > 0:27:24I am definitely going to come for the poppadoms.
0:27:24 > 0:27:26What's the best route for me to take?
0:27:29 > 0:27:31You get the Northern line...
0:27:36 > 0:27:37Anyway, we come to the end.
0:27:37 > 0:27:40And the Oscar bait, you know what...
0:27:41 > 0:27:43..it's a really interesting thing,
0:27:43 > 0:27:45with lots of points I'd never thought of before.
0:27:45 > 0:27:47It doesn't sound like I've got it, though!
0:27:49 > 0:27:51I know the old...
0:27:51 > 0:27:53I know the old switcheroo.
0:27:54 > 0:27:56Thank God for that!
0:27:56 > 0:27:58The truth is, I think downloading music is brilliant.
0:27:58 > 0:28:02I think the Oscars, I think that's really clever and insightful.
0:28:02 > 0:28:06But could anything be better than Kammy talking about bread?!
0:28:08 > 0:28:10I'm going to put bread in restaurants into Room 101.
0:28:10 > 0:28:12CHEERING AND APPLAUSE
0:28:23 > 0:28:25And that brings us to the end of the show.
0:28:25 > 0:28:27Well done...
0:28:27 > 0:28:28Nish. You were the most persuasive guest,
0:28:28 > 0:28:30so you are this week's winner.
0:28:30 > 0:28:33CHEERING AND APPLAUSE
0:28:38 > 0:28:42Thanks very much, Nish Kumar, Roisin Conaty and Chris Kamara.
0:28:42 > 0:28:43And thank you, goodnight.