0:00:36 > 0:00:40- Oh. - CHUCKLES TO HIMSELF
0:00:40 > 0:00:45- That's the one I've got.- Eh? That one? That's smashing.- Aye.
0:00:45 > 0:00:52The Sharp 37-inch plasma widescreen. 100 Hertz tube, wall-mountable. It's the bollocks. What have you got?
0:00:52 > 0:00:59Amstrad. Washed-oot colour, all fuzzy, 14-inch tube, 20-minute warm up.
0:00:59 > 0:01:01- It's bollocks.- I see your dilemma.
0:01:01 > 0:01:08Ever tried to watch a big horse race on a portable? Or the fitba'?
0:01:08 > 0:01:13Hundreds of tiny wee men chasing a ball you cannae see? It's nae use.
0:01:13 > 0:01:18- So what are you after, size-wise? - I don't know. How much is that?
0:01:18 > 0:01:23- £2,700.- 2,700? Right. Let's see now...
0:01:23 > 0:01:28- I forgot. It's my arse that's lined with diamonds.- What about this one?
0:01:28 > 0:01:33- How much is that?- 599. How much were you looking to spend?
0:01:34 > 0:01:3680 quid? Max.
0:01:36 > 0:01:42Aye, well, there's an optician next door. Get a thicker pair of specs!
0:01:47 > 0:01:49- Hi, Eric. Hi, Tam.- Jack, Victor.
0:01:49 > 0:01:56- Here we go! Burke and Hare! - Shut your hole, Boabby. We'd no' rob your grave, we'd piss in it!
0:01:56 > 0:02:01- Two pints of lager, ya prick, ye. - Two pies and a'.- Two pies?
0:02:01 > 0:02:10- No steak pie at the funeral? That's the only reason you go.- Shut up. We went to pay our final respects.
0:02:10 > 0:02:12- That's Billy Ferguson buried.- Aye.
0:02:12 > 0:02:16- Bloody liberty.- What a way to go.
0:02:16 > 0:02:21Heart attack, bad fa', deid. Lying at the back of the door eight days.
0:02:21 > 0:02:26Aye. Dug eats you, baws first. Then the face.
0:02:26 > 0:02:31- That's what dugs dae, apparently. - Aye, nothing left of Billy.
0:02:31 > 0:02:36- Mind you, the dug had ballooned up tae double the size.- Full of Billy.
0:02:38 > 0:02:44Must be smashing being your age. A wee pain, dug sitting like that...
0:02:44 > 0:02:49A dug won't eat your baws. It's a wee fanny you've got.
0:02:49 > 0:02:56Eric, you still looking for a hoose up oor block? Get onto the cooncil. There's wan lying empty now.
0:02:56 > 0:03:02- Good call. I'll get up there tomorrow.- Here. Tae Billy.
0:03:02 > 0:03:08- Tae Billy.- Pint of lager, Boabby. Hello, lads.- Hello, Winston.
0:03:08 > 0:03:14- That's Billy planted. - Billy who?- Billy nae baws!
0:03:14 > 0:03:20- What size was his telly?- Eh? - I was oot looking at tellies. Mine's nae use. It's too wee.
0:03:20 > 0:03:25- And?- And I cannae afford it! They're too dear.
0:03:25 > 0:03:30How can they justify a' that money for a telly? So I got this.
0:03:30 > 0:03:34If you cannae afford a big telly, you can build one.
0:03:34 > 0:03:40That's what to dae. While you're at it, build me one an' all, you daft tit!
0:03:40 > 0:03:48Whit are ye's laughing at? How hard can it be if you've got the bits? Wires, plugs, valves.
0:03:48 > 0:03:54Valves?! You dinnae get valves in tellies any mair. It's all...things.
0:03:54 > 0:03:58- Electronicals.- That's right. And they've got the...um...
0:03:58 > 0:04:01..the white light, the big light.
0:04:01 > 0:04:06Wow! And you've no' been heid-hunted by Hitachi!
0:04:06 > 0:04:10- Mark my words - nothing tae this. - TELEPHONE RINGS
0:04:10 > 0:04:13Gonnae get that for us, Victor?
0:04:23 > 0:04:28Hello, Clansman. ..John! Christ, I thought you were deid!
0:04:28 > 0:04:33How have you been? ..Smashing! I'll tell them right away. Cheery-bye.
0:04:36 > 0:04:40That was John Logie Baird. He says you're an arsehole!
0:04:48 > 0:04:50KNOCK AT DOOR
0:04:56 > 0:05:01- Yes?- Sign for this. - Oh, boy! Am I glad tae see you!
0:05:01 > 0:05:06- How? What is it?- That, son, is a telly.- In an envelope?
0:05:06 > 0:05:10- That's right.- Aye. Oh, Archie's comin' oot!
0:05:10 > 0:05:15- Archie Taylor?- Aye! You'll no' go. Stay in and watch your envelope!
0:05:15 > 0:05:21- No...I want tae see Archie comin' oot. Where's my coat?- Want a lift?
0:05:21 > 0:05:27- You don't drive.- Aye, I dae. I've got a van. ..In here.
0:05:27 > 0:05:30Shut up!
0:05:32 > 0:05:37- Boabby!- Jack, Victor. - We were coming in for a pint.
0:05:37 > 0:05:40- No' the noo. I'm shut.- For what?
0:05:40 > 0:05:44I didnae get that flat. Archie got it. He's comin' oot.
0:05:44 > 0:05:48- Whit?!- They're pulling down his old building.
0:05:48 > 0:05:52- You'll never guess... - Archie's comin' oot!
0:05:52 > 0:05:55Aye. How did youse know?
0:05:58 > 0:06:04- I want tae get up there early, get a good look at him. - That's what tae dae, Isa(!)
0:06:04 > 0:06:11- How long's he been in there? - Oh, he went in mid-Sixties.- Aye. That would be when you moved in.
0:06:11 > 0:06:18- I used tae stay a couple of doors doon.- He's never set a foot ootside his hoose?- No, complete hermit.
0:06:18 > 0:06:25- What does he dae for food?- Social Services pop up twice a week with messages and that.- Oh, aye.
0:06:25 > 0:06:30Social Services will keep him up-to-date(!) Old tit.
0:06:30 > 0:06:35Oh, he's up-to-date. Even a hermit knows you're a wanker, Boabby.
0:06:37 > 0:06:41CHANTING: Archie! Archie! Archie! Archie!
0:06:41 > 0:06:46Coming through, son. Winston, is he oot yet?
0:06:46 > 0:06:50- Hello! Doon for a look at Rip Van Winkle?- Yeah.
0:06:50 > 0:06:55- Archie! Archie! Archie! - He's no' comin' oot!
0:06:56 > 0:07:01Oh! That's the last you've seen of they two!
0:07:01 > 0:07:03Archie! Archie! Archie!
0:07:03 > 0:07:07Oh! Here he comes!
0:07:09 > 0:07:13- Archie boy!- Jack Jarvis?
0:07:13 > 0:07:17- And Victor McDade! How are you?- How are YOU?
0:07:17 > 0:07:22Aye, good. You used tae have a load of black hair.
0:07:23 > 0:07:26- So did you.- Aye.
0:07:27 > 0:07:29Funny, comin' oot.
0:07:29 > 0:07:33- Now, Mr Taylor, your flittin's at three.- Aye.
0:07:33 > 0:07:41- We've got a car arranged for you. We'll take you to your new flat. - It's oor block.- You're in wi' us!
0:07:41 > 0:07:46Have a cup of tea. Your furniture will arrive in a couple of hours.
0:07:46 > 0:07:48A couple of hours?
0:07:49 > 0:07:52Is the Bay Horse still over there?
0:07:52 > 0:07:57- It's called the Clansman noo, mate. - Aye, and it's still a shitehole!
0:07:59 > 0:08:04- Now, listen, darling. I'm gonna go for a pint. Is that OK?- Of course.
0:08:04 > 0:08:09- We'll give you a lift.- No! I'd like to walk.- That's all right, darling.
0:08:09 > 0:08:14- We'll look efter him. - OK, here's your keys.
0:08:14 > 0:08:21Welcome oot, Archie. We all clubbed together and got you a Big Mac and fries.
0:08:23 > 0:08:28- Enjoy your meal. - Oh, aye. Thank you, son.
0:08:30 > 0:08:32Mmm.
0:08:32 > 0:08:35That was oot of this world.
0:08:35 > 0:08:39- What was it?- Hamburger oot of McDonald's.- McDonald's?
0:08:39 > 0:08:46- Is that a butcher's? - A butcher's? No, it's a fast food shop. They're all over the place.
0:08:46 > 0:08:50- I could get used to them. - You and 30 billion others.
0:08:51 > 0:08:56- See ootside?- Aye.- Where are a' the houses?- All pulled doon.
0:08:56 > 0:09:02- Where are the people?- All pissed aff.- Who's the Prime Minister?
0:09:02 > 0:09:07- Christ, you no' know that either? - Naw.- You ever get a paper?
0:09:07 > 0:09:09Naw, I never take a paper.
0:09:09 > 0:09:15- What aboot the telly?- I put my boot through that, 1966 World Cup.
0:09:15 > 0:09:17That bastard Geoff Hurst!
0:09:19 > 0:09:24- Stupid thing to do, really.- Not at all, no. I lost a good wireless.
0:09:25 > 0:09:30- You've got a lot of catching up tae dae.- What's that?
0:09:30 > 0:09:33These?
0:09:33 > 0:09:38No' them, Boabby. They're optics. We had them since the war. That.
0:09:38 > 0:09:40Oh, this?
0:09:40 > 0:09:46- This...is a microwave. - Microwave? What does it do?
0:09:50 > 0:09:52Feel that.
0:09:52 > 0:09:55Aye. Cold pie.
0:10:16 > 0:10:18MICROWAVE PINGS
0:10:24 > 0:10:27Feel that noo.
0:10:27 > 0:10:30- It's still cold. - Is it?!
0:10:34 > 0:10:37MUSIC: Theme from THIS IS YOUR LIFE
0:10:59 > 0:11:01Hey!
0:11:01 > 0:11:04Ohh. Champion, isn't it?
0:11:04 > 0:11:06Very nice.
0:11:29 > 0:11:35- Whit's the sheet for?- This is the screen, where you see the picture.
0:11:35 > 0:11:41- Explain to me again. How does it get on the wa'?- God! Ya Luddite!
0:11:42 > 0:11:49Now, the reason you can see the TV picture from across the room is because it gives out lumens.
0:11:49 > 0:11:51So...
0:11:51 > 0:11:56What you dae is build a box round your telly, harness the lumens,
0:11:56 > 0:12:03magnify them and project them onto a blank, white screen. Voila. Big bastard telly.
0:12:03 > 0:12:05Very eloquent, very technical, aye.
0:12:05 > 0:12:10- After this, I'm building another. - Whit for?- Anybody that wants one...
0:12:10 > 0:12:16because once you see this baby in action, you'll all be wanting them!
0:12:16 > 0:12:24- That's gieing you a big heid! - Shut up, Igor, and hit the lights. The monster is about to awake.
0:12:32 > 0:12:34Oh, no. That's no' right.
0:12:40 > 0:12:43Who is that?
0:12:43 > 0:12:46- It looks like Kylie Minogue.- Aye.
0:12:49 > 0:12:51See in real life?
0:12:51 > 0:12:53She's totie.
0:12:59 > 0:13:02Hey-ho. You fit?
0:13:02 > 0:13:05Naw, I don't fancy comin' oot today, boys.
0:13:05 > 0:13:08Eh? Aw, we're gonnae dae all sorts.
0:13:08 > 0:13:11No, I'm feelin' a bit tired.
0:13:11 > 0:13:18- Oh, come on. We'll get you one of them cheesy burgers.- Naw, I think I'll pass on that, if it's a' right.
0:13:18 > 0:13:20- Aye.- Fine, aye.
0:13:20 > 0:13:23- See you, then.- Bye.
0:13:27 > 0:13:30- Tarzan.- Did you say Tarzan there?
0:13:30 > 0:13:32Aye, Tarzan.
0:13:32 > 0:13:37- Whit aboot him?- There's Tarzan, right. He lives in the jungle.
0:13:37 > 0:13:42Brought up by animals. He only knows the law of the jungle.
0:13:42 > 0:13:46Aye. Wi' his wee pal, Cheetah, the monkey.
0:13:46 > 0:13:52- Then he gets taken to civilisation, but he doesnae fancy it.- Uh-huh?
0:13:52 > 0:13:58So he goes back tae what he knows. He goes back tae the jungle!
0:13:59 > 0:14:05Smashing, Victor. What in the name of Christ has that got to do with Archie?
0:14:05 > 0:14:11- Jesus, Jack! Archie's Tarzan. - Don't talk pish! What is it you're on aboot?
0:14:11 > 0:14:18Archie comes oot, he doesnae fancy it. He's away back in. He's nae mair than a shaved monkey!
0:14:18 > 0:14:22- So Archie's Tarzan?- Aye! - His flat's the jungle.- Yes, sir!
0:14:22 > 0:14:25So who's Cheetah the monkey?
0:14:25 > 0:14:30- Naebody! Archie's aboot tae hole himself up again.- Aye, I know.
0:14:30 > 0:14:37- A' thae years have passed, millions of things have happened. - Here, we'll go to the library.
0:14:37 > 0:14:46- We'll get books, old newspapers and tell him everything that's happened since 1966.- Nae need.
0:14:48 > 0:14:53- What is it now?- Right, Tarzan, this wummin wants a word with you.
0:15:36 > 0:15:39And this...is yesterday's paper.
0:15:45 > 0:15:52Imagine, Navid, a home cinema in your front room. You could go for a pish and no' miss the flick.
0:15:52 > 0:16:00See, it's ma hoose. Nae couples practically shagging in front of you. Naebody gab-gab-gabbing.
0:16:00 > 0:16:03- I take it Isa's no' invited.- No.
0:16:03 > 0:16:07- Ah, quality. How much is it costing you?- Tenner.
0:16:07 > 0:16:11Add me to the Doubting Thomases. You are an idiot.
0:16:11 > 0:16:17Good. See you tonight. The main feature starts at eight.
0:16:17 > 0:16:22- Feelin' a bit better after your sit-doon wi' Isa?- I am, Jack, I am.
0:16:22 > 0:16:25She's got a gob on her, hasn't she?
0:16:31 > 0:16:36I'll tell you, lads, for the first time, I'm enjoying bein' oot.
0:16:36 > 0:16:39- Good.- That's smashing. Good-o.
0:16:39 > 0:16:44- So, eh, what made you become a hermit?- Christ's sake, Boabby!
0:16:44 > 0:16:49- Ya tackety-booted bastard!- It's OK, boys. The lad's just curious.
0:16:49 > 0:16:55I was evacuated to a farm during the war. Lovely big place.
0:16:55 > 0:16:58Way oot past Stirling. Quiet.
0:16:59 > 0:17:04An auld couple looked after me. Really auld.
0:17:04 > 0:17:09It was great. Every morning I'd help him feed the animals.
0:17:09 > 0:17:13I'd my own horse. The whole thing.
0:17:13 > 0:17:18Then we got news. My dad had been killed in Belgium.
0:17:19 > 0:17:24Four months after that, ma maw died of TB.
0:17:24 > 0:17:30I could have gone to my Uncle John's but my Auntie Betty wasnae keen. Didn't have any kids.
0:17:30 > 0:17:35Must have liked it that way. So I grew up on a farm.
0:17:36 > 0:17:38Of course, they died.
0:17:40 > 0:17:45Aye, the farm wasnae mine, the bank took it, I came back here.
0:17:45 > 0:17:50I got a hoose off the Corpie. It was like coming to New York!
0:17:50 > 0:17:56There were cars everywhere, buses, music, factories, gangs runnin' aboot!
0:17:56 > 0:18:03Comin' back from a farm, it was just too much. At first, I was goin' oot, to the shop an' that...
0:18:03 > 0:18:10but that winter I got pneumonia and the social worker got involved. They were bringing the messages.
0:18:10 > 0:18:15That was it. I got better, but I never went oot again.
0:18:16 > 0:18:19One year, a wee moose came.
0:18:19 > 0:18:21Lookin' for scraps an' that.
0:18:21 > 0:18:24I was encouraging it, you know.
0:18:24 > 0:18:31It was quite happy to run up your arm. I used to talk to it and imagine it talked back.
0:18:31 > 0:18:35Every day it came, regular as clockwork.
0:18:36 > 0:18:39- So did it die?- Aye.
0:18:39 > 0:18:45It died. I was having my corn flakes one morning, pouring them in the bowl.
0:18:45 > 0:18:50It turns out he'd been going every day as well, regular as clockwork.
0:18:50 > 0:18:57The corn flakes had wee shit ba's all through it! I set a trap, snapped the wee bastard's back!
0:18:59 > 0:19:02I still cannae look at a corn flake.
0:19:04 > 0:19:08- Cola dae ye, Navid? - Aye, soft drink for me.
0:19:08 > 0:19:13- DOORBELL - Are ye in?- Aye, I'm in. Still a couple of good seats left.
0:19:13 > 0:19:18- We brought Archie, if that's OK? - Of course.- Here's beer, Winston.
0:19:18 > 0:19:23I'll stick them in the fridge. Here. You come through here wi' me.
0:19:23 > 0:19:26Right, you'll like this.
0:19:27 > 0:19:29Noo...
0:19:30 > 0:19:37- I bought this malt back in 1966. 14 quid it cost me back then. That was a lot of money.- No' half.
0:19:37 > 0:19:44I was gonnae open it when England got beat, but needless to say it's still no' opened.
0:19:54 > 0:20:00- Here's tae you, old chum. Out and about.- That's really nice, Winston.
0:20:00 > 0:20:05That's a really nice thing you've done. Oot and aboot.
0:20:11 > 0:20:15- Don't be touching that! - What are we watching?
0:20:15 > 0:20:18A movie - Towering Inferno.
0:20:18 > 0:20:24- Paul Newman's a fireman, Steve McQueen's an architect. - Other way aboot.
0:20:24 > 0:20:27One mair, then I'm putting it away.
0:20:27 > 0:20:30They arseholes aren't gettin' it.
0:20:31 > 0:20:38- Is Fred Astaire no' in this?- Aye. - Don't talk pish. Fred Astaire wasnae in Towering Inferno.
0:20:38 > 0:20:44- I'm sure he is.- Aye, right. He comes in and he goes like that.
0:20:44 > 0:20:50- # Haud on the noo The building's on fire! # - Jack, he IS in it.
0:20:53 > 0:21:00Seven-thirty... "Towering Inferno - '70s disaster classic. Steve McQueen, Paul Newman,
0:21:00 > 0:21:03"William Holden and Fred..." Ah, ya...!
0:21:03 > 0:21:06Wait a minute!
0:21:06 > 0:21:117.30! Christ, Winston, hurry up! This picture has started.
0:21:11 > 0:21:18- Haud on. Navid, gie Archie your seat.- No, that's all right. - Ssh. You up, you sit doon.
0:21:18 > 0:21:24- This is rerr.- Now, gentlemen, what you're about to witness...- Shut up!
0:21:24 > 0:21:26- Turn it on.- Probably no' work.
0:21:26 > 0:21:32- I need a pish.- Sit on your arse! Gentlemen, prepare to be amazed.
0:21:37 > 0:21:42- Whit's goin' on? - Relax. It's just warming up.
0:21:42 > 0:21:46- It's a pile of sh...- Ho! - CHEERING
0:21:46 > 0:21:51- That's fantastic.- Like a picture hall!- I don't know what tae say.
0:21:51 > 0:21:57Youse are clamped. Now the light is being refracted from the tube...
0:21:57 > 0:22:03- Oh, there he is! Fred Astaire! Get it up you, Jack!- Shut your hole!
0:22:03 > 0:22:05Crystal clear.
0:22:05 > 0:22:09Look at that. Look at they flames.
0:22:09 > 0:22:16- You're almost in amongst it. - Very realistic. - You can practically smell it.
0:22:16 > 0:22:18Aye, cos your curtains are on fire.
0:22:18 > 0:22:21Aw, Jeez!
0:22:30 > 0:22:32Big-screen telly for a tenner!
0:22:32 > 0:22:38Plus a set of curtains, a pelmet, hauf a carpet and a radiogram!
0:22:38 > 0:22:40He's a dozy bastard!
0:22:40 > 0:22:46- Ah, but it could have been a lot worse.- Aye.- Could have been, aye.
0:22:47 > 0:22:49Aye, well, this is ma floor.
0:22:50 > 0:22:53Thanks for a great night, lads.
0:22:54 > 0:22:57Aw, no.
0:23:02 > 0:23:06Aww, dear, oh, dear, oh, dear.
0:23:06 > 0:23:09Bastards! Better phone the polis.
0:23:12 > 0:23:16- We'll no' need the polis. - Whit's a' that?
0:23:16 > 0:23:21- 40 years' worth of Social money. - You should have that in the bank!
0:23:21 > 0:23:26- I've no' been oot.- Aye, you should have it in the bank, Archie.- Aye.
0:23:26 > 0:23:28I know.
0:23:30 > 0:23:34That's a fortnight noo and naebody's seen him.
0:23:34 > 0:23:37He's no' comin' back oot, is he?
0:23:37 > 0:23:42First time in years he comes oot and his hoose is tanned! A liberty!
0:23:42 > 0:23:47- Enough to turn anybody intae a hermit.- He was getting on so well.
0:23:47 > 0:23:54- Aye, he was settling in nice, the pub and that.- I don't think it's right, locking yourself away.
0:23:54 > 0:23:59- I've a good mind to go and say something to him.- I'm no' so sure.
0:23:59 > 0:24:02Whit can you say to get him oot?
0:24:02 > 0:24:06Listen to youse two. Get him oot tae what? Craiglang?
0:24:06 > 0:24:12A shitehole of the first order. It's OK for us. We're used tae it.
0:24:12 > 0:24:17It's hame for us. We don't know any better, but he's come oot,
0:24:17 > 0:24:22looked at Craiglang and us and thought, "Stick it up your arse!"
0:24:23 > 0:24:27I mean, pals are few and far between at oor age.
0:24:27 > 0:24:35I think we should keep a watch oot for him or go up to the door and tell him he's making a big mistake.
0:24:38 > 0:24:43- Aye.- Aye? - You're right, Jack. Come on.
0:24:49 > 0:24:51Right, chap the door.
0:24:52 > 0:25:00- Why? It was your idea!- You agreed. Chap it!- You!- YOU chap it! - YOU chap it!- Will you chap...?!
0:25:00 > 0:25:05- Lads?- Look, Archie, is it your intention no' tae come oot again?
0:25:05 > 0:25:10Before you answer, you'd be sadly missed. We were gettin' on well.
0:25:10 > 0:25:16- Naw, I'm no' comin' oot, lads. - Think of all you're givin' up.
0:25:16 > 0:25:20- What?- There's us, the park, the toon, the Clansman.
0:25:20 > 0:25:26- OK, forget the Clansman. There's lots tae dae!- Lads, don't worry.
0:25:26 > 0:25:32- I'm used to stayin' indoors. That's what I'm comfortable wi'.- Archie!
0:25:32 > 0:25:36How can you be? It's a miserable existence.
0:25:43 > 0:25:49Miserable existence? As you can see, I didnae bank the money.
0:25:50 > 0:25:53And I'll no' go short of company.
0:25:55 > 0:25:59- Oh. - So you've made your mind up, then?
0:25:59 > 0:26:01I have, Jack, aye.
0:26:04 > 0:26:06Come on.
0:26:13 > 0:26:15Cheerio, lads.
0:26:15 > 0:26:17Aye, Archie.
0:26:19 > 0:26:22LOCKS ARE PUT ON
0:26:28 > 0:26:32- I've left my bunnet. - We'll get you a new one.
0:26:33 > 0:26:37- KNOCK AT FRONT DOOR - Och! Who's this now?
0:26:44 > 0:26:47What is it?
0:26:47 > 0:26:52- It's a parcel. You've tae sign for it.- You better bring it in here.
0:26:52 > 0:26:55Stick it through here.
0:26:56 > 0:26:58Right. Stick it there.
0:27:07 > 0:27:14"Dear Winston, thanks for the dram. Leave the telly building to the Japs. Archie."
0:27:21 > 0:27:25Oh, look, Chris. A telly in an envelope!
0:27:33 > 0:27:38Subtitles by Subtext for BBC Broadcast - 2004
0:27:39 > 0:27:42E-mail us at: subtitling@bbc.co.uk
0:28:00 > 0:28:05Archie? If you're no' comin' oot, can we no' come in?
0:28:06 > 0:28:09- Lovely big telly.- Uh-huh.
0:28:09 > 0:28:14And leather couches. Technically, you still would be a hermit.
0:28:14 > 0:28:21- There's nothing to say a hermit can't have visitors. - Nothing at all. Archie?
0:28:28 > 0:28:30I suppose that's that then, eh?
0:28:30 > 0:28:34Aye. Fancy a pint at the Clansman?
0:28:35 > 0:28:37Aye.