Episode 1

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0:00:06 > 0:00:08- # Do do doo - I'm coming home, baby

0:00:08 > 0:00:13- # Do do do-oo-ooh do do doo - I'm coming home now right away

0:00:13 > 0:00:15- # Do do doo - I'm coming home, baby

0:00:15 > 0:00:20- # Do do do-oo-ooh do do doo - I'm sorry now I ever went away

0:00:20 > 0:00:24- # Do do do do dooooo doo doo do - Every night and day I go and stay

0:00:25 > 0:00:27- # I'm coming home, baby - Come on home

0:00:28 > 0:00:31- # I'm coming home, baby now - You know I'm waiting here for you

0:00:31 > 0:00:34- # I'm coming home now, reeeeal soon - You've been gone

0:00:34 > 0:00:36- # I'm coming home, baby now - You don't know what... #

0:00:36 > 0:00:40- Max Burr.- Ron.

0:00:40 > 0:00:42Good of you to stop by.

0:00:46 > 0:00:49- Old place hasn't changed, has it? - No, not far as I can tell.

0:00:49 > 0:00:51Now, don't get me wrong, it's good to see a Burr back

0:00:51 > 0:00:55and I'm all for progress but, I mean, we're not Vegas.

0:00:55 > 0:01:00- No, not as far as I can tell. - A casino? - Ah-ah, entertainment complex.

0:01:00 > 0:01:02We haven't even had bingo since '83.

0:01:02 > 0:01:05The days of the bucket and spade brigade are gone, Ron.

0:01:05 > 0:01:07Besides, you can't afford principles.

0:01:07 > 0:01:09Neither can this town.

0:01:10 > 0:01:12You're dying on your arse out there.

0:01:12 > 0:01:15But you know Sugartown, Max. It's a hotbed of community dynamism.

0:01:15 > 0:01:18Can't guarantee folk'll wear it.

0:01:18 > 0:01:19Ron...

0:01:19 > 0:01:21It hasn't sat well to sit on it.

0:01:21 > 0:01:24I had to keep it quiet. Still got to let the other towns down gently

0:01:24 > 0:01:28and there was a fair few councils begging me to set up shop on their patches.

0:01:28 > 0:01:29Bridlington...

0:01:29 > 0:01:33But no, for me it had to be Sugartown.

0:01:33 > 0:01:36I see it as my chance, to er... you know, give something back.

0:01:36 > 0:01:38You're a true Burr.

0:01:38 > 0:01:42After all, your family made Sugartown world famous throughout Britain.

0:01:45 > 0:01:48I suppose we'll be seeing you at our Emily's party tonight?

0:01:48 > 0:01:51Ah, yes, the birthday girl. Jason invited me.

0:01:51 > 0:01:54Seeing as I'm in town, I thought I'd disappoint him by turning up.

0:01:54 > 0:01:57Little bit more than a birthday though, eh?

0:01:57 > 0:01:59I expect Jason's asked you to be best man?

0:02:03 > 0:02:05Would you trust me round bridesmaids?

0:02:24 > 0:02:28# I got some troubles but they won't last

0:02:28 > 0:02:33# I'm going to lay right down here in the grass

0:02:33 > 0:02:36# And pretty soon all my troubles will pass

0:02:36 > 0:02:41# Cos I'm in shoo-shoo-shoo, shoo-shoo-shoo

0:02:41 > 0:02:46# Shoo-shoo, shoo-shoo, shoo-shoo Sugartown #

0:02:48 > 0:02:49# La la la la laaa

0:02:49 > 0:02:51Ta-dah!

0:02:53 > 0:02:55Oh, that's great, really. It's great.

0:02:55 > 0:02:57- Well, we all made it. - It's great.

0:02:57 > 0:02:59But Michael did the piping.

0:02:59 > 0:03:01She'd better say yes after all this, eh?

0:03:01 > 0:03:04Oh, we're covered for a negative scenario.

0:03:04 > 0:03:06Ooh!

0:03:08 > 0:03:10Oh, hey, Anne. Good of you to come.

0:03:10 > 0:03:13I made sure I wasn't tailed. I doubled-back on myself at Mr Cod.

0:03:13 > 0:03:18Thing is, I need your help. I'm going to pop the question to Emily.

0:03:27 > 0:03:29Am I the last person to know?

0:03:29 > 0:03:30No!

0:03:31 > 0:03:33Well, yeah... apart from Emily.

0:03:33 > 0:03:36I didn't want you to feel compromised, being her best mate.

0:03:36 > 0:03:38Oh, yeah. Well, that's probably for the best,

0:03:38 > 0:03:41cos you know me and secrets.

0:03:41 > 0:03:43I just need you to get her here for 6:30, OK?

0:03:43 > 0:03:47But I really want it to be a surprise, so... no telling, yeah?

0:03:50 > 0:03:53- Anne?- I promise!

0:03:53 > 0:03:54SCREAMING

0:03:55 > 0:03:59- This is huge!- This is huge!- And has he got it all under control?

0:03:59 > 0:04:02Catering and so on. He hasn't just put out chips and dips?

0:04:02 > 0:04:04I'm wanting to say tapas but it all happened so fast.

0:04:04 > 0:04:07Oh, God, what do you wear to get proposed to?

0:04:07 > 0:04:10- Smart casual? - 'Thrown together' doesn't just happen, it takes planning.

0:04:10 > 0:04:13Oh, I wish he'd given me some notice.

0:04:13 > 0:04:15He knows I like all surprises run by me first.

0:04:15 > 0:04:18Just think, Em, marriage.

0:04:18 > 0:04:21That's, like, for the rest of your life,

0:04:21 > 0:04:24or till death do you part, whatever comes first.

0:04:24 > 0:04:26- Yeah. - But I need you to act surprised.

0:04:28 > 0:04:32Confused. Wind.

0:04:39 > 0:04:40PHONE RINGS

0:05:01 > 0:05:06You're late. I was expecting you... hmm, three weeks ago.

0:05:06 > 0:05:09The sea air's done wonders for your mood. Status update?

0:05:10 > 0:05:11Well, let's see.

0:05:11 > 0:05:14I've been stuck here, in Happy Valley, on my own,

0:05:14 > 0:05:16completely carrying you for six weeks.

0:05:16 > 0:05:19The whole town shuts at eight and you can't get a proper cup of coffee.

0:05:19 > 0:05:21And yes, we're on schedule.

0:05:21 > 0:05:25Atta girl! Just need to move the eyes in the skies, sight lines are off.

0:05:25 > 0:05:27The locals keep trying to talk to me.

0:05:27 > 0:05:29They do that. They're more scared of you.

0:05:29 > 0:05:31I mean, they want to know what I'm up to.

0:05:31 > 0:05:33Did you tell them?

0:05:33 > 0:05:37No tourists, no through-trade and I spy with my little eye,

0:05:37 > 0:05:39no-one under the age of 70.

0:05:39 > 0:05:42Why here? I knew you hated the place, now I know why.

0:05:42 > 0:05:45Just proving a few people right.

0:05:45 > 0:05:49Hold on, where are you going?! We need to go over the drill, the girls are arriving tomorrow.

0:05:49 > 0:05:51You've got everything under control.

0:05:51 > 0:05:54Oh, listen, got a family do tonight. You can come with me.

0:05:54 > 0:05:56Do yourself up a bit first though, eh?

0:06:19 > 0:06:21Oh, look at them, they look lovely!

0:06:21 > 0:06:24Just don't ask where I got them at short notice.

0:06:24 > 0:06:26Lilies? Doesn't bode.

0:06:29 > 0:06:31They look very thirsty.

0:06:32 > 0:06:34Follow on, Michael. I've readied the buckets.

0:06:37 > 0:06:40A hoodie bearing booze. I hope Jason knows what he's doing.

0:06:40 > 0:06:43Now you know, I'm not one for tattle.

0:06:43 > 0:06:47But regarding that boy, word on the street is rife.

0:06:47 > 0:06:49That incident with the Swedish tourist?

0:06:49 > 0:06:51No-one really knows what happened in that aquarium.

0:06:51 > 0:06:53One can't help but hear rumours.

0:06:53 > 0:06:54And start them.

0:06:57 > 0:06:59Right, well, I think we're in a state of readiness.

0:06:59 > 0:07:03May as well get the staff back, we're behind with that Bognor order.

0:07:03 > 0:07:05They're enjoying themselves, let them be.

0:07:05 > 0:07:08Well, you're obviously planning a miracle I don't know about.

0:07:08 > 0:07:10I do the books, Jason.

0:07:18 > 0:07:19Bognor ditched us.

0:07:19 > 0:07:23Wha... Why?

0:07:23 > 0:07:24Well, as good as.

0:07:24 > 0:07:28That outfit in Donny stepped in. Cheaper, faster, whatever.

0:07:28 > 0:07:30And me out of aspirin.

0:07:31 > 0:07:33They were our last big client.

0:07:33 > 0:07:36Did you talk to them, haggle?

0:07:36 > 0:07:40No, I rolled over and said pull out, ruin the business I love, put these people out of work(!)

0:07:40 > 0:07:43Sarky martyr is not a good look, Jason.

0:07:43 > 0:07:47- Look, look, if we all got busy... I mean, I'll pitch in. - I'll sort it.

0:07:47 > 0:07:51Jason, you're a good lad, but you're not bloody Atlas.

0:07:59 > 0:08:01AIR HORN PARPS

0:08:03 > 0:08:05- All right?- All right?

0:08:07 > 0:08:09- What happened here?- Wednesday.

0:08:11 > 0:08:13I said, um...what happened here?

0:08:13 > 0:08:15Wednesday. It's early closing.

0:08:16 > 0:08:19Have I come up North or back in time?

0:08:20 > 0:08:25- You want a ride or what? - Yes, please. I'm looking for...

0:08:26 > 0:08:28- Burr?- Get in.

0:08:34 > 0:08:35I'm a dancer.

0:08:37 > 0:08:41Yep, dancing. That's what I do.

0:08:44 > 0:08:47So, um, what do you do for fun around here?

0:08:48 > 0:08:49Leave.

0:08:49 > 0:08:54I think I'll team an ivory Vera Wang with a vintage shrug.

0:08:54 > 0:08:57Oh, well maybe I could go prom-style then.

0:08:57 > 0:08:59Or something that suits a boyish frame?

0:08:59 > 0:09:01Do you think Michael likes a boyish frame?

0:09:01 > 0:09:02Well, that's not news...

0:09:03 > 0:09:05SHE SQUEALS

0:09:07 > 0:09:10Oh, that's it! The surprised face!

0:09:16 > 0:09:19Wow, all lit up to welcome me!

0:09:24 > 0:09:29- Ron, you're protruding. Crouch. - What?- Tuck in your fat arse.

0:09:33 > 0:09:35Surprise!

0:09:35 > 0:09:36SHE SCREAMS

0:09:38 > 0:09:40Ron, weren't you meant to be on look-out?

0:09:40 > 0:09:43Now hold on, I was told to crouch.

0:09:43 > 0:09:45I couldn't see over the patatas bravas!

0:09:45 > 0:09:46CLEARS THROAT

0:09:47 > 0:09:49Surprise!

0:09:50 > 0:09:55- Surprise!- Wow. I am utterly shocked.

0:09:57 > 0:10:00Really, really shocked! I mean...

0:10:03 > 0:10:04Jason.

0:10:05 > 0:10:07Yeah, right, um...

0:10:13 > 0:10:20Right, well, as... as you all know, me and Em here,

0:10:20 > 0:10:22we've been together for a while now.

0:10:22 > 0:10:26Fact is, she's the best thing that's ever happened to me.

0:10:26 > 0:10:29You all know her, know how kind she is, how smart,

0:10:29 > 0:10:32everything she does for everyone in this room.

0:10:32 > 0:10:34That's on top of the meals on wheels, fun runs...

0:10:34 > 0:10:39I love her and I want to spend the rest of my life with her.

0:10:41 > 0:10:44With you, Em.

0:10:44 > 0:10:48So, what I... what I want to say is...

0:10:51 > 0:10:52Do you want a towel?

0:10:52 > 0:10:55Yes! The answer's yes.

0:10:55 > 0:10:57- Yeah?- Yes.

0:10:57 > 0:11:00- To the... Not to the towel? - Yes! The answer's yes!

0:11:07 > 0:11:12Cappuccino bar... That could be an art gallery, boutique.

0:11:12 > 0:11:15Oooh, another art gallery. Moderns and abstracts, mainly.

0:11:15 > 0:11:19This place has got potential, Sam. It's proper class.

0:11:19 > 0:11:21Just needs a bit of imagination.

0:11:21 > 0:11:22And taste.

0:11:22 > 0:11:23And capital.

0:11:25 > 0:11:26Which brings us to...

0:11:31 > 0:11:32Ooh.

0:11:35 > 0:11:37Cracking real estate, innit?

0:11:37 > 0:11:40No, Max. It's Burrs!

0:11:40 > 0:11:41- Burr says...- Come on.

0:11:42 > 0:11:44If I know my brother they'll be on the cheap plonk by now.

0:11:44 > 0:11:47DISCO MUSIC PLAYS

0:11:47 > 0:11:51I mean, yeah, there were the weekends at Greenham and the floats at Pride

0:11:51 > 0:11:54and we always had Germaine Greer around the house.

0:11:54 > 0:11:55But in my head, I'm saying,

0:11:55 > 0:11:58"Ron, should you have given it longer at the commune?"

0:11:58 > 0:11:59But I want to get married, Dad.

0:11:59 > 0:12:04I know, I know. I just don't want to see my princess in chains.

0:12:04 > 0:12:08It's Jason we're talking about. He knows how to work a hoover.

0:12:10 > 0:12:13- I'm gaining a son.- Ha ha!

0:12:17 > 0:12:20So, Ems, what do you think of our smashing cake here?

0:12:20 > 0:12:24Yeah, it's really quite... something.

0:12:24 > 0:12:26Have I got a broken neck?!

0:12:26 > 0:12:29Oh. Watch out for the butterfly prawns. They are minging.

0:12:29 > 0:12:31Family recipe.

0:12:31 > 0:12:33Yeah?

0:12:34 > 0:12:38Yeah... Well, "minging" as in "good".

0:12:38 > 0:12:40You know, like "wicked"?

0:12:40 > 0:12:42What do you think about my Ems, Margery?

0:12:42 > 0:12:44All grown up and getting married.

0:12:44 > 0:12:46Ah, I think it's minging!

0:12:47 > 0:12:51Oh, I'm really sorry about the whole... RHYTHMIC NOISES

0:12:51 > 0:12:54..completely ruining your big... Anyway, congratulations!

0:12:54 > 0:12:56I don't think we've been...

0:12:56 > 0:13:00Oh, I'm Carmen. So tell me, which one is Mr Burr?

0:13:00 > 0:13:03I have heard he is fit and lo-hoaded!

0:13:03 > 0:13:06- I'm sorry?- Ah, I think I see. - Max!- Yeah.

0:13:06 > 0:13:12- Live and in person.- Max?! - Carmen?- Mum!- Carmen!- Max.

0:13:14 > 0:13:15Oh, it's like panto.

0:13:15 > 0:13:16A casino?!

0:13:16 > 0:13:19- An entertainment complex. - Max, what part of the brain d...?

0:13:19 > 0:13:22Oh, Jase, jeez, take the stick of rock out of your backside.

0:13:22 > 0:13:23It's all legit.

0:13:23 > 0:13:28- This is a family resort. It'd kill the town.- By creating jobs, hope, that sort of thing?

0:13:28 > 0:13:30Well, we're happy with the town as it is.

0:13:30 > 0:13:32Oh, sorry, hang on. Hello?

0:13:32 > 0:13:34Oh, it's the 1950s. Must be for you.

0:13:34 > 0:13:37- What's this all about, Max? - A lifeline. For you, that is.

0:13:37 > 0:13:39- Meaning? - Meaning rock ain't rolling any more.

0:13:39 > 0:13:41- We're done.- No. We're not.

0:13:41 > 0:13:42Yes. We are.

0:13:48 > 0:13:50Would you like to dance, Anne?

0:13:50 > 0:13:51God, yeah!

0:13:51 > 0:13:54# How do you like it? How do you like it?

0:13:54 > 0:13:56# More, more, more

0:13:56 > 0:13:59# How do you like it? How do you like... #

0:14:01 > 0:14:03You can't go anywhere without causing trouble.

0:14:06 > 0:14:08- What's going on? - Nothing, just a fuse. I'll sort it.

0:14:08 > 0:14:12I'm impressed. I always had you down as a gold digger.

0:14:12 > 0:14:14The happy couple.

0:14:19 > 0:14:22- I wish he'd just stay out of our lives.- Really?

0:14:23 > 0:14:26It's you I'm marrying, isn't it?

0:14:26 > 0:14:27I'm sorry.

0:14:27 > 0:14:30This is my night... and to some extent yours.

0:14:30 > 0:14:34- And I won't let Max ruin it. - He's family, he's all I've got.

0:14:34 > 0:14:35Not any more.

0:15:31 > 0:15:34Finish your breakfast then I'll walk you to the train station.

0:15:34 > 0:15:37Mr Burr hired me because I'm good.

0:15:37 > 0:15:38At what?

0:15:38 > 0:15:41Carmen, why didn't you tell me?

0:15:42 > 0:15:46Because I wanted to surprise you. Surprise!

0:15:46 > 0:15:49Oh, Mum, I've been stuck in the chorus line for two years.

0:15:49 > 0:15:53The only time I got noticed was that incident with the runaway horse in Seven Brides.

0:15:53 > 0:15:55And no-one thanked me for it.

0:15:55 > 0:15:57Are you in the entertainment industry?

0:15:57 > 0:16:00Well, I am a dancer, yeah.

0:16:00 > 0:16:02Are you somebody? Do I know you?

0:16:02 > 0:16:07You might have seen me in the West End... perhaps?

0:16:07 > 0:16:10We're fine, thank you.

0:16:12 > 0:16:16You were a showgirl, a headliner.

0:16:16 > 0:16:18You had feathers and stuff.

0:16:18 > 0:16:20There's a little more to it than that.

0:16:20 > 0:16:22Like?

0:16:22 > 0:16:25Like you're not doing it.

0:16:25 > 0:16:28You can't stop me. It's my life and I'll make my own decisions.

0:16:28 > 0:16:33I'm doing it, and nothing you can say or do will stop me.

0:16:36 > 0:16:41- Ooh...could I borrow a fiver for lunch?- MAX: Fire her?

0:16:41 > 0:16:45Who do you think I am, Alan bloody Sugar? She hasn't started yet. And there are laws!

0:16:45 > 0:16:46You need a reason to fire somebody.

0:16:46 > 0:16:50- How about "she's not well"?- What? As in contagious or disfiguring?

0:16:50 > 0:16:52She goes up and down, she can't control her moods.

0:16:52 > 0:16:56Have you seen the other girls? I've got three students and a Yorkshire Pudding.

0:16:56 > 0:17:00- I mean, your Carmen's proper class, she's got legs up to tomorrow, bangers like...- Er! My daughter!

0:17:00 > 0:17:03I know. It's a compliment.

0:17:03 > 0:17:07What is it with you people? Friends, family, you're all the bloody same.

0:17:07 > 0:17:10Coming down here, telling me what's what. Oh, don't open a casino, Max!

0:17:10 > 0:17:14Don't hire my daughter, Max! Well, you know what? My business, my rules.

0:17:14 > 0:17:18I'm not going to hang around to watch my daughter make the same mistakes I did.

0:17:19 > 0:17:22- Fine. I quit!- You can't quit, you're my Artistic Director.

0:17:27 > 0:17:29Always pays to laminate.

0:17:35 > 0:17:40- Oh, Em, your mum would have been so proud of you.- I doubt it.

0:17:40 > 0:17:42She didn't believe in marriage. At least not her own.

0:17:42 > 0:17:44She was quite fast, weren't she?

0:17:44 > 0:17:48I can't blame the Rainbow Warriors any more than I can point my finger at the Wiccans.

0:17:48 > 0:17:50It was the swinging that got her in the end.

0:17:50 > 0:17:52At least you know that Jason's a Steady Eddie.

0:17:52 > 0:17:56I mean, he'd never do anything crazy slash wild.

0:17:56 > 0:17:58He'd never be like "film romance", or...

0:18:00 > 0:18:02- Dependable.- Yes, Anne. Quite.

0:18:02 > 0:18:05- What time is it?- Box files.

0:18:05 > 0:18:09- What question did I just ask? - Can you archive your paper at work? I need these box files.

0:18:09 > 0:18:12We set the date for a year's time and it can't wait till after breakfast?

0:18:12 > 0:18:16You realise the lead time for a wedding is 18 months, according to Best Bride.

0:18:16 > 0:18:18And what does "Overwhelmed Groom" have to say?

0:18:18 > 0:18:23It says colour code a wall chart or get out from underfoot. Where what did I put that glitter stick?

0:18:23 > 0:18:27- See you later, fiancee.- Love you! - Bye.

0:18:30 > 0:18:32- Yo!- All right?

0:18:32 > 0:18:37My mother's gone completely parentoid, and I'm not even joking.

0:18:37 > 0:18:42So, reckon I could get the grand tour in an hour?

0:18:48 > 0:18:51What do you want to do with the other 59 minutes?

0:18:52 > 0:18:55So, if you're this big time dancer, what are you doing here?

0:18:56 > 0:19:00I've been working on my own act, I'm ready to showcase my moves.

0:19:00 > 0:19:03I'm going to bring dance to the people.

0:19:03 > 0:19:07I seen inside that club. Sugartown might be a step down from the Palladium, is all.

0:19:07 > 0:19:11Yeah, well, what would you know about dance, anyway?

0:19:12 > 0:19:16God, do you ever feel like you're breathing, but it's not enough?

0:19:16 > 0:19:19And if you don't get more air, you'll like,

0:19:19 > 0:19:21totally suffocate.

0:19:21 > 0:19:24And you see everyone else and they're just fine breathing.

0:19:26 > 0:19:29I want to show you something.

0:19:30 > 0:19:33Water! Oh no...

0:19:33 > 0:19:35a bird?

0:19:35 > 0:19:37Belgium. That's where I'm headed.

0:19:37 > 0:19:41Bloody hell, this place must be a dump if you want to go there(!)

0:19:41 > 0:19:43Just the starting leg. Saving up, aren't I?

0:19:43 > 0:19:46- Going to travel the world. - And do what?

0:19:46 > 0:19:48- Odd jobs, whatever. - That's all you do here, isn't it?

0:19:48 > 0:19:53Point is, it won't be here. You think you're the only one that wants to breathe?!

0:19:55 > 0:20:00I don't pretend to be an expert, Em, but...

0:20:00 > 0:20:04would you really need to wear these on your day of days?

0:20:23 > 0:20:25Too High School Musical.

0:20:30 > 0:20:32Bad Barbie.

0:20:35 > 0:20:38As modelled by Gloria Hunniford.

0:20:46 > 0:20:49Oh, Em! You look like Cheryl Cole!

0:20:51 > 0:20:54Bag her up.

0:21:03 > 0:21:06Why do you want to leave?

0:21:06 > 0:21:08I think you've got it mint here.

0:21:08 > 0:21:11You must have been totally over- stimulated in the city.

0:21:11 > 0:21:13Yeah, well I've got a busy head.

0:21:13 > 0:21:16It's nice, it's quiet here.

0:21:16 > 0:21:19- Gives me room to think.- About what?

0:21:21 > 0:21:24Like, if you were a gentleman, you'd totally give me your coat.

0:21:24 > 0:21:27- If you were a big time dancer, you'd have your own.- Ha-ha.

0:21:31 > 0:21:33Come here.

0:21:37 > 0:21:39Wow!

0:21:42 > 0:21:43Are they all from here?

0:21:43 > 0:21:46You're not the first dancer in Sugartown, you know.

0:21:46 > 0:21:48It's incredible!

0:21:48 > 0:21:51Regionals, Nationals.

0:21:51 > 0:21:53I was meant to come.

0:21:53 > 0:21:58I've got to go! Oh, my God!

0:21:59 > 0:22:01Bye!

0:22:01 > 0:22:04Ah!

0:22:04 > 0:22:08Rosemary's baby. I don't think I'm your mum's favourite person at the moment.

0:22:08 > 0:22:10Yeah? Don't reckon I'm top ten.

0:22:10 > 0:22:15But, listen, because I am psyched about this job, I've been thinking routines. Now, go with me.

0:22:15 > 0:22:17Have you seen Chicago? I would need a trapeze.

0:22:17 > 0:22:19Yeah, good one.

0:22:19 > 0:22:24Right, now normally your mum would do this bit, but we're class not ass, OK?

0:22:24 > 0:22:27Anyone gets too frisky, you give a nod to security.

0:22:27 > 0:22:32You're here to keep the punters well watered and flashing their cash, but you are my untouchable goddess.

0:22:32 > 0:22:34You're not...

0:22:34 > 0:22:36You're healthy, right?

0:22:36 > 0:22:37- Yeah!- Yeah?

0:22:42 > 0:22:44- See?- Yes.

0:22:44 > 0:22:46Yes, I do.

0:22:46 > 0:22:48Er, right...

0:22:48 > 0:22:50Girls!

0:22:50 > 0:22:55- Britney.- Hi.- Celine.- Hi.- Mariah. - You all right?

0:22:55 > 0:22:56- Hello.- Mama Cass.

0:22:56 > 0:22:59- Everyone, this is Kylie.- Oh!

0:22:59 > 0:23:01Actually, I'm Carmen.

0:23:01 > 0:23:04Not here you're not. Right, costume!

0:23:04 > 0:23:06There you go.

0:23:06 > 0:23:09- Where's the rest of it?- Oh!

0:23:15 > 0:23:21Your mum was a legend, by the way. Apparently, she used to do this thing with balloons. It was...

0:23:23 > 0:23:28Anyway, I've got to shoot, but, um, welcome aboard, Kylie.

0:23:37 > 0:23:39Oh!

0:23:39 > 0:23:42I tried to stop him.

0:23:42 > 0:23:44You may as well take it in.

0:23:50 > 0:23:55- Tut, tut, Jason. You've been juggling debt like Billy Barnum. - What are you doing in my office?

0:23:56 > 0:23:57Our office.

0:23:57 > 0:24:01Deal was you're a silent partner.

0:24:01 > 0:24:03I'd have to be a bloody comatose one to let this go on.

0:24:03 > 0:24:09- We've seen through difficult times before, but Dad always said...- But Daddy Dearest never made a loss, eh?

0:24:09 > 0:24:13Someone has been riding in on their white charge card once a month.

0:24:13 > 0:24:18- Does Em know you've been paying the staff out of your personal nest egg? - What do you want, Max?- What's mine.

0:24:18 > 0:24:23I'll be fair. I know you haven't got the cash, so I'll buy you out.

0:24:25 > 0:24:26You don't want this factory.

0:24:26 > 0:24:29Correct. I do want this building, though.

0:24:29 > 0:24:31I've got an investor lined up.

0:24:31 > 0:24:33Lick of paint, won't know the place.

0:24:33 > 0:24:36- To do what with, exactly?- Oh, I'm sure I'll think of something.

0:24:36 > 0:24:38This factory means the world to this community.

0:24:38 > 0:24:41They've even named the sodding town after it, for God's sake!

0:24:41 > 0:24:44Not much you can do about it, as it turns out.

0:24:44 > 0:24:46I had my lawyers look over Dad's will.

0:24:46 > 0:24:48Interesting reading.

0:24:48 > 0:24:49Should have done it years ago.

0:24:49 > 0:24:51It's all there.

0:24:51 > 0:24:54Watertight as a duck's behind.

0:24:54 > 0:24:56You know,

0:24:56 > 0:24:58you'll thank me for this one day, J.

0:24:58 > 0:25:02I'll give you a shout out when I've got all the details sorted with my backer, all right?

0:25:12 > 0:25:14What about this one?

0:25:14 > 0:25:17Six for flavour, eight for appearance.

0:25:17 > 0:25:19And that one?

0:25:19 > 0:25:24Oh, I don't know, I haven't got that one.

0:25:24 > 0:25:26- Anne!- Sorry.

0:25:26 > 0:25:28I need you to be my eyes and ears. You have to concentrate.

0:25:28 > 0:25:33- It's just we've been here for nearly an hour and a half and...- You expect me to score my own marzipan?

0:25:37 > 0:25:40- Afternoon.- Max, hello!

0:25:40 > 0:25:42Em, look, it's Max!

0:25:42 > 0:25:47- What do you want?- Oh, no, just saying hi. I like what you've done with your hair, Anne. A new look?

0:25:47 > 0:25:50No, it is not new. She's had it the same, with the...

0:25:50 > 0:25:53Since second year infants, as you well know.

0:25:53 > 0:25:58Now, if you'll excuse me, I have to go and see my fiance.

0:25:58 > 0:26:01You and Jason need to work on your welcomes.

0:26:01 > 0:26:02Wedding cake, mmm.

0:26:05 > 0:26:08Uh huh, not my flavour.

0:26:10 > 0:26:12A grand!

0:26:12 > 0:26:14- For a cake?- Oh, don't you start.

0:26:14 > 0:26:17I've already had Anne going emotionally AWOL.

0:26:17 > 0:26:18That's how much these things cost.

0:26:18 > 0:26:22- For a cake!- The premium cake comes with a discount on sugared almonds.

0:26:22 > 0:26:24- Emily, I make these! - But not with the right ribbon.

0:26:24 > 0:26:29- Weddings take pinpoint planning. You can't just cater for 500 without... - 500?!

0:26:29 > 0:26:33- Is there anybody in Yorkshire you're not planning on inviting? - Jason,

0:26:33 > 0:26:36if you had a problem, you would tell me, wouldn't you?

0:26:36 > 0:26:40- I could help. - What, Emily to the rescue?

0:26:40 > 0:26:43- Not everything in life can be sorted with a glitter stick.- Jason!

0:26:43 > 0:26:45For God sake's, Emily, how much money have you wasted?

0:26:45 > 0:26:50We'll just forget the whole thing, shall we? Engagement, wedding, feel good factor for the town?

0:26:50 > 0:26:53I reckon that's the first sane thing you've said so far.

0:26:53 > 0:26:56It was you who proposed. Yesterday!

0:26:56 > 0:27:00- Before I realised I'd be getting hitched to bride bloody zilla!- Oh, no, not that one! No, Jase!

0:27:00 > 0:27:02No!

0:27:02 > 0:27:04No, no, no, no!

0:27:05 > 0:27:10Maybe you're right. We shouldn't be getting married if you can't even talk to me!

0:27:10 > 0:27:14Talk to me! Please?

0:27:17 > 0:27:20Look, I didn't want you to find out like this.

0:27:20 > 0:27:23Actually, I didn't want you to find out at all.

0:27:23 > 0:27:28What? That all this time you were just a waitress? A kitten!

0:27:28 > 0:27:29Actually, I was a bunny.

0:27:29 > 0:27:32My whole life I wanted to be like you.

0:27:32 > 0:27:34I thought you were a proper dancer.

0:27:34 > 0:27:36I was! With a child to support!

0:27:36 > 0:27:39Oh, so you only did it because you got knocked up with me?

0:27:39 > 0:27:43What can I say? It was worth it knowing how grateful you'd be. No, you're not going back!

0:27:43 > 0:27:45Yes! I've got to practise carrying a tray in heels.

0:27:45 > 0:27:48I'm not proud of what I did, Carmen, but I'm not ashamed either.

0:27:48 > 0:27:54If I'd kept dancing, it would have meant dragging you round the country, and you not being well...

0:27:56 > 0:27:59Yeah, I know I was a burden.

0:28:02 > 0:28:05Not what I was going to say.

0:28:07 > 0:28:10Look, you could make it.

0:28:10 > 0:28:13You could go all the way.

0:28:13 > 0:28:15I just don't want you giving up your dream up like...

0:28:15 > 0:28:17Did you tell Max I was crackers?

0:28:17 > 0:28:19No!

0:28:21 > 0:28:24I mentioned you had a few problems that meant...

0:28:24 > 0:28:26Meant I screw up everything I do.

0:28:29 > 0:28:32Least I know where I get it from now.

0:28:39 > 0:28:42So, will she live, doc?

0:28:42 > 0:28:45Er, heating element's blown. I'll need to call the engineer.

0:28:45 > 0:28:47Have you switched it on and off again?

0:28:47 > 0:28:49I just said it needs the engineer.

0:28:49 > 0:28:53- Right, home time.- What? - We're not going to get anything else done today. Everybody out!

0:28:53 > 0:28:55But the Bognor order? If we all pitched in...

0:28:55 > 0:29:00For Christ's sake, Margery, do I have to get a bloody eviction notice? I said out! Everybody out!

0:29:01 > 0:29:03You heard the man.

0:29:05 > 0:29:09And that little display was because...?

0:29:11 > 0:29:15- Max is threatening to take his share.- What?

0:29:15 > 0:29:17Well, that's preposterous. It would close down the factory.

0:29:17 > 0:29:19I think that's the general idea.

0:29:21 > 0:29:23It's here in black and white.

0:29:23 > 0:29:26Dad may have made me manager, but when you read the small print

0:29:26 > 0:29:29the actual ownership is, "to be divided equally between my sons".

0:29:29 > 0:29:31- Sons?- Equally.

0:29:32 > 0:29:35- Sons.- Yeah You're kind of focusing on the wrong bit, Margery.

0:29:36 > 0:29:38I'll call the engineer.

0:29:38 > 0:29:43More expense. Maybe I should just lob myself into a vat of molten rock, too, eh?

0:29:43 > 0:29:45Yeah, that's the spirit.

0:29:45 > 0:29:47KNOCKING

0:29:52 > 0:29:54What did you say to Jason?

0:29:54 > 0:29:56Emily, how nice. Do come in.

0:29:56 > 0:29:59Something's changed, and it was after he saw you.

0:29:59 > 0:30:03- Well, he's your blushing husband to be, ask him.- I'm asking you.

0:30:05 > 0:30:10- Tell me, you actually want to marry Captain Sensible?- Of course I do!

0:30:10 > 0:30:16Though after seeing you, he threw my wedding dress into a vat of molten rock.

0:30:16 > 0:30:20So, some might say the wedding's looking a little less likely now.

0:30:20 > 0:30:24Well, tell you what, why don't we let fate decide, eh?

0:30:26 > 0:30:28Black you marry him.

0:30:28 > 0:30:29Red you marry me.

0:30:36 > 0:30:38Everything's just a game to you, isn't it?

0:30:38 > 0:30:41Who cares if you break a heart or two along the way.

0:30:41 > 0:30:44Oh, wow, broken heart! Sounds serious.

0:30:45 > 0:30:47I, um...

0:30:47 > 0:30:50I should tell you, Ems,

0:30:50 > 0:30:54the house always wins...in the end.

0:30:58 > 0:31:00Sorry, Mr Burr.

0:31:00 > 0:31:03Are you sure there are no other ears? I'm very wonky.

0:31:11 > 0:31:13- Have you got it? - Put it down to you...

0:31:13 > 0:31:16Em! Emily?

0:31:17 > 0:31:19Steady. Steady.

0:31:19 > 0:31:25M-A-X-X-X? Is that how he spells his name now?

0:31:27 > 0:31:30Why didn't you Twitter the Business Taskforce?

0:31:30 > 0:31:32I thought he had a complex. I knew nothing about...

0:31:32 > 0:31:36The short of it is, my hands are tied in a legal loophole.

0:31:36 > 0:31:40Just putting it out there, but is it such a bad idea?

0:31:40 > 0:31:43You know, tourism's down and the kids leave soonest they can.

0:31:43 > 0:31:47- Maybe we do need a booster. - But what if dice means vice.

0:31:47 > 0:31:50Who knows what kind of clientele he'll attract.

0:31:50 > 0:31:53Predators wanting to groom me... Us!

0:31:53 > 0:31:58- And if we don't like it, we don't go, right? And we had we bingo back in...- '83.

0:31:58 > 0:32:02But the callers didn't have ears, did they? I mean, ears, Michael, ears!

0:32:02 > 0:32:04Are you all right, Margery? You seem a bit fraught.

0:32:04 > 0:32:12I'm perfectly fine. I'm just saying that I have known Max, man and boy, and he has expansionist tendencies.

0:32:12 > 0:32:13No, we haven't seen the run of it.

0:32:13 > 0:32:17Well, what's he going to do? Stage a coup at the next Taskforce meeting?

0:32:17 > 0:32:20Hostile takeover the whole town with his crack team of kittens?!

0:32:20 > 0:32:24- We should have Jason here for this. - He's got other concerns.

0:32:24 > 0:32:26- Possibly.- What?

0:32:28 > 0:32:31Well, I'm not sure Jason would want me to divulge this, but...

0:32:34 > 0:32:35..Max wants the factory.

0:32:35 > 0:32:39Or, rather, he wants the building of the factory, not the factory.

0:32:39 > 0:32:41And it seems he can get it, too.

0:32:41 > 0:32:43Something to do with Burt's will.

0:32:43 > 0:32:46- What about...- Don't ask me why because I don't know.

0:32:46 > 0:32:51And I also know absolutely no way of stopping him, so you can all stop

0:32:51 > 0:32:54- looking at me like that. - < There might be one way.

0:32:54 > 0:33:00- Max has a guy, some big venture capitalist, coming today. - From London?

0:33:00 > 0:33:06No, Sheffield. But, apparently, his mum came from here, or some sort of family tie,

0:33:06 > 0:33:08so he's serious about investing in the town.

0:33:08 > 0:33:12Now, hey, look, none of my business, but I do know Max has got big plans

0:33:12 > 0:33:17and he needs this guy to see them through. So, if I were you...

0:33:23 > 0:33:27..I'd maybe take matters into your own hands.

0:33:27 > 0:33:29What, like, torch the club?

0:33:29 > 0:33:33Thinking more along the lines of letting this guy know you're not behind Max.

0:33:33 > 0:33:35No-one wants to put their money where it's not wanted.

0:33:37 > 0:33:39Direct action!

0:33:42 > 0:33:46- Am I late? - For Woodstock? By about 40 years.

0:33:46 > 0:33:49OK people, come on, let's organise.

0:33:49 > 0:33:53- I've raided my stash.- Thanks, Ron.

0:33:53 > 0:33:56- Come on, Michael.- Michael! No!

0:33:56 > 0:33:58No, sorry, that's my spot.

0:33:58 > 0:34:00Does it really matter?

0:34:00 > 0:34:01I said, that's my spot!

0:34:02 > 0:34:04Yes.

0:34:04 > 0:34:08- Yes?- Yes. Maybe.

0:34:08 > 0:34:15Look, Max, don't get me wrong, I have roots here, deep ones, 20 generations.

0:34:15 > 0:34:17But the town wasn't even on my sat nav.

0:34:17 > 0:34:21Green, beach, sea. Not a bloody dot.

0:34:21 > 0:34:23The seaside's coming back, Ken.

0:34:25 > 0:34:31I'm looking for a ground floor investor who, like me, sees Sugartown as a blank canvas.

0:34:31 > 0:34:38A blank, and as yet undeveloped, dirt cheap, Georgian frontaged canvas with good transport links.

0:34:38 > 0:34:39But will they come?

0:34:39 > 0:34:42You know what they say, if we build it.

0:34:42 > 0:34:46HARMONICA PLAYS

0:34:50 > 0:34:54- And I ask again, "Would anyone like to swap?"- Tea time!

0:35:00 > 0:35:06Seriously, if you think I'm spending the next week listening to Ron "Blowing in the Wind"...

0:35:08 > 0:35:11Max Burr! I stand a disappointed man.

0:35:11 > 0:35:17I mean, kittens! I can't fit that square peg into my feminist hole.

0:35:17 > 0:35:19- Here!- Well said, Ron!- Yeah.

0:35:19 > 0:35:24- Well, when our Mayor's finished burning his bra?- Mayor? - Of Toy Town, Ken.- Well, hang on!

0:35:24 > 0:35:27I need to factor in local opinion, Max.

0:35:27 > 0:35:29All right, what's your point?

0:35:29 > 0:35:31That we'd like to make you...

0:35:31 > 0:35:33A counter offer?

0:35:33 > 0:35:36We have rock, AKA, a USP.

0:35:36 > 0:35:40We're family friendly, and I say that in an inclusive to alternative lifestyles sense.

0:35:40 > 0:35:44Let me stir-fry something in your think wok, Ken.

0:35:44 > 0:35:46One word, "staycations".

0:35:46 > 0:35:49I know I'm watching my carbon footprints in the sand.

0:35:49 > 0:35:50Folk are holidaying at home again.

0:35:50 > 0:35:52At the moment, they're not doing it here.

0:35:52 > 0:35:56But if we could restore the rock factory back to its former glory.

0:35:56 > 0:35:58Can you build a town on rock alone?

0:35:58 > 0:36:00It would be a tourist attraction!

0:36:00 > 0:36:03Sweet treat theme park.

0:36:03 > 0:36:08I'd need to know that there's plenty of tourist "sugar" in rock.

0:36:10 > 0:36:14- Flesh it out and I'll consider. - We have lots of good ideas!

0:36:18 > 0:36:21We have no ideas.

0:36:26 > 0:36:29- I'm sorry. - You should have told me, Jason.

0:36:29 > 0:36:35What, that you'd be marrying a failure? All those folks were counting on me for their jobs.

0:36:36 > 0:36:40Mum and Dad got married at a love-in and look where it got them.

0:36:40 > 0:36:42So I'd had this big idea.

0:36:42 > 0:36:45A perfect wedding. Start as you mean to go on.

0:36:45 > 0:36:48All that matters is not that one day,

0:36:48 > 0:36:51it's all the ones after it.

0:36:51 > 0:36:55I want to be your wife, Jason Burr.

0:36:57 > 0:37:00You are very dependable.

0:37:03 > 0:37:07No-one'll take this lying down. We are going to fight for this factory.

0:37:07 > 0:37:09- This is for me to sort. - But you're not on your own!

0:37:09 > 0:37:13Besides, we've all just had a meeting with Max's investor.

0:37:15 > 0:37:18You've just had a meeting about the factory without me?

0:37:18 > 0:37:21Like a pre-meeting. He was really interested, actually.

0:37:21 > 0:37:24Yeah, I bet he bloody was! How do you know he's not going to go and tell Max all?

0:37:24 > 0:37:27We're trying to help. We've said we'll put a presentation together.

0:37:27 > 0:37:29This could save the factory, Jason!

0:37:29 > 0:37:32Don't bother. Max was right, rock is dead.

0:37:34 > 0:37:36All right, so what do we have?

0:37:36 > 0:37:40An ageing population and a fading sense of hope.

0:37:40 > 0:37:42I'm sorry,

0:37:42 > 0:37:44he just won't budge.

0:37:46 > 0:37:50What we're looking for is something that makes Sugartown special.

0:37:50 > 0:37:56A rare species of puffin, some indication that someone important once came here, even if by accident.

0:37:56 > 0:37:58Well, this is the place for it. I mean, anything that's important

0:37:58 > 0:38:03to the town's past that nobody's actually interested in is stored here.

0:38:03 > 0:38:06Didn't we have a famous murderer? The Flamborough Flayer?

0:38:06 > 0:38:11I think he came from Flamborough, as is evidenced by his name, The Flamborough Flayer.

0:38:11 > 0:38:14God, nothing good ever happens in Sugartown!

0:38:16 > 0:38:18Fish! We've got fish!

0:38:18 > 0:38:21I don't think we have a monopoly on the bounty of the sea, Anne.

0:38:21 > 0:38:23Let's start looking, shall we?

0:38:37 > 0:38:40I remember when you said, "Dad, I'm going to beauty school".

0:38:40 > 0:38:44And I said, "Anything you want to do, Princess, is fine by me,

0:38:44 > 0:38:50"though I don't hold with it myself, as the pursuit of a feminine ideal - reinforces gender stereotypes."

0:38:50 > 0:38:52And you said,

0:38:52 > 0:38:56"I don't need beauty school to make me a stereotype". And I said, "Fine."

0:38:56 > 0:38:59And it was, for me and your mum.

0:38:59 > 0:39:01Be it whatever,

0:39:01 > 0:39:05the white witchery, ritual paganism,

0:39:05 > 0:39:08Black Panthers.

0:39:08 > 0:39:10If you love them,

0:39:10 > 0:39:12you have to let them get there in their own time.

0:39:12 > 0:39:14He'll come round.

0:39:17 > 0:39:19Maybe Max will, too.

0:39:25 > 0:39:27METALLIC CLANKING

0:39:43 > 0:39:48This is all very well, but how precisely is this going to move us forward?

0:39:48 > 0:39:51- Oooh!- Don't.- No, this one is good!

0:39:51 > 0:39:55- No.- But you're a dancer. - No, I was a dancer.

0:39:55 > 0:39:57Different lifetime.

0:39:58 > 0:40:02And there are hundreds more, just like this one, all won by Sugartown.

0:40:02 > 0:40:05Of course, it was before my time.

0:40:05 > 0:40:07Yes, and mine.

0:40:07 > 0:40:12I'm future facing as a rule and, hat's off, Blackpool play the long game, but going back,

0:40:12 > 0:40:16it seems Sugartown used to be the centre for dance, and I'm talking famous.

0:40:16 > 0:40:21Yeah, they used to came from all over for a whirl on the pier.

0:40:21 > 0:40:26- So I'm told.- We need to convince this Ken that Sugartown's past is worth holding on to.

0:40:26 > 0:40:30Along with rock, it turns out dance is the one thing that put this town on the map.

0:40:30 > 0:40:32Look, Max wants to change this town.

0:40:32 > 0:40:34We just want to hold on to what it's always been about.

0:40:34 > 0:40:37So, we were thinking, we could put on a presentation.

0:40:37 > 0:40:41A gala night to impress this Ken. It could be it could save the factory.

0:40:41 > 0:40:44Look, we're none of us hotsteppers, so we'd need professional guidance.

0:40:44 > 0:40:49Sorry, guys, I learnt long ago, don't get involved.

0:40:49 > 0:40:52Oh, isn't your daughter somebody! Couldn't she get involved?

0:40:54 > 0:40:58We'd need a space big enough to move around a bit.

0:40:58 > 0:41:00I'll get my truss out!

0:41:02 > 0:41:07So, have any of you got any experience?

0:41:07 > 0:41:12- I can mash potato.- He can mash potato.- But can you do the Twist?

0:41:12 > 0:41:16Er, no, no. Sorry, I can't do that. Sciatica.

0:41:16 > 0:41:19I did a bit of disco at school. I'm not saying I was pro level, but...

0:41:19 > 0:41:25Disco, right. Well, working on that vast experience base, Anne,

0:41:25 > 0:41:28CD Two, please?

0:41:28 > 0:41:32We'll try a bit of freestyle, give me an impression of how you move.

0:41:32 > 0:41:37DISCO MUSIC PLAYS

0:41:57 > 0:42:00Right! Let's get started.

0:42:00 > 0:42:03MUSIC: "Disco Inferno" by The Trammps

0:42:04 > 0:42:05# Burn baby burn

0:42:07 > 0:42:09# Burn baby burn

0:42:10 > 0:42:13# Burn baby burn

0:42:15 > 0:42:17# To my surprise

0:42:17 > 0:42:21# 100 storeys high

0:42:21 > 0:42:25# People getting loose y'all

0:42:25 > 0:42:28# Getting down on the roof

0:42:28 > 0:42:32# I tell ya the folks were screaming. #

0:42:34 > 0:42:3514 red.

0:42:35 > 0:42:39COOL JAZZY MUSIC

0:42:46 > 0:42:50# Secrets I hide in me deep down inside of me

0:42:50 > 0:42:54# I keep them I keep them at bay ay ay

0:42:54 > 0:42:58# No-one will ever know... # Liam, two glasses, one bottle.

0:42:58 > 0:43:00Listen up, I've got a VIP in tonight, all right?

0:43:00 > 0:43:05- I want you to make him feel special. Give him a bit of a chat, a drink or two.- I don't drink.

0:43:05 > 0:43:07- It's on the house.- I don't drink.

0:43:07 > 0:43:11- Well, all right, do you chat? - Maybe.- Right.

0:43:11 > 0:43:14OK, I just want you to be my hostess with the mostess, all right?

0:43:14 > 0:43:18You'll be doing me a real favour, all right? OK, off you pop.

0:43:20 > 0:43:22I need something to change for me.

0:43:22 > 0:43:26- Here we go.- Ken, I brought you a lucky charm.

0:43:28 > 0:43:30Look after you for the evening.

0:43:30 > 0:43:32Lovely.

0:43:40 > 0:43:41Hello, my love.

0:43:41 > 0:43:43Let's play, shall we?

0:43:43 > 0:43:45Yes.

0:43:46 > 0:43:50# ..Farewell you gentlemen goodbye my mental friends

0:43:50 > 0:43:53# You hear what I'm sayin'...? #

0:43:53 > 0:43:56- Yahoo! Ha-ha! Ho!- Wow!

0:43:56 > 0:44:00- Get in! Lovely! - Let's be having you.

0:44:07 > 0:44:11# ..I'm going to bury my troubles away

0:44:11 > 0:44:15# I'm going to bury my troubles away

0:44:15 > 0:44:21- # I'm going to bury my troubles... # - More champagne over here, please!

0:44:21 > 0:44:23- # ..Away! #- That's 13. Come on!

0:44:23 > 0:44:25In a minute, love.

0:44:25 > 0:44:28Kittens rule!

0:44:28 > 0:44:32- I tell you what. We are on a roll, Kylie.- All right!- Ladies and gentlemen, place your bets.

0:44:32 > 0:44:36Mm, I got a really good feeling on evens. Double or nothing?

0:44:36 > 0:44:40- What? No! Don't put it all on! What are you doing?- No more bets.

0:44:40 > 0:44:42Ooh! Ooh!

0:44:47 > 0:44:50Nine red, odd.

0:44:51 > 0:44:53Whoopsies.

0:44:53 > 0:44:57That was 20 sodding thou'!

0:44:57 > 0:44:58I'm not really a kitten.

0:44:58 > 0:45:05- Carmen! Down.- I'm not really a Kylie. - What the hell kind of scam are you running? I want my money back.

0:45:05 > 0:45:09- All right. Ken I'm sure...- You running a scam?- Yeah, course he is. - I want my money back, if so.

0:45:09 > 0:45:15No, no, no, no, no, no! No scam, all right? No scam. This gentleman's just chancing it, all right? No scam.

0:45:15 > 0:45:16You have my word, OK?

0:45:28 > 0:45:29This isn't over, Burr.

0:45:33 > 0:45:38You're nuts, aren't you, eh? That's why Sam was so worried about you. Total bonkers crazy woman.

0:45:38 > 0:45:40Get out!

0:45:51 > 0:45:53Oi, Kylie!

0:45:55 > 0:45:57Come here!

0:46:00 > 0:46:01Carmen!

0:46:01 > 0:46:03Carmen!

0:46:04 > 0:46:06Carmen, what are you doing?

0:46:06 > 0:46:10- Be back in a second. - No! You don't understand, you're going too fast!- Yep!

0:46:10 > 0:46:12OK, I'm going a little too fast!

0:46:12 > 0:46:16- Carmen, stay away from the beach! Use the brakes, use the brakes! - Can't find them.

0:46:16 > 0:46:20- Agh! Argh! - SHE SCREAMS

0:46:21 > 0:46:23I'm in the sea! Travis!

0:46:23 > 0:46:28- Oh, my God, I don't want to die. - You're not going to die, come on.

0:46:28 > 0:46:31- I can't swim!- You can, but... - I can't swim!- Salt causes...

0:46:31 > 0:46:33Whoo! Travis!

0:46:33 > 0:46:35- You'll be fine, it's not deep. - Take my hand!

0:46:35 > 0:46:39- You've got to stand up! - I can stand!

0:46:39 > 0:46:41I've got you.

0:46:47 > 0:46:49I'm so sorry.

0:47:12 > 0:47:15What? I've just had a near death experience.

0:47:15 > 0:47:18Yeah, I reckon you might be having another one soon.

0:47:18 > 0:47:20It's healthy!

0:47:20 > 0:47:23Look, salad!

0:47:25 > 0:47:30I'm sorry for almost killing you and for drowning your bike.

0:47:30 > 0:47:33- Rickshaw.- Rickshaw.

0:47:33 > 0:47:36It's just, I have this thing.

0:47:36 > 0:47:39Like, I do crazy stuff.

0:47:39 > 0:47:41I'm meant to take these pills.

0:47:45 > 0:47:47Basically, I'm crackers.

0:47:49 > 0:47:51I've ruined your career, haven't I?

0:47:53 > 0:47:56- Have you got a spare rickshaw? - Not on me.

0:47:57 > 0:47:59I'm so sorry.

0:48:03 > 0:48:06It wasn't a career.

0:48:06 > 0:48:10Least I'll have to sort myself out now, work out what I'm going to do.

0:48:10 > 0:48:12You're welcome?

0:48:20 > 0:48:22Oh, don't.

0:48:22 > 0:48:25Um, I've got eggy breath.

0:48:48 > 0:48:53MURMUR OF IMAGINED VOICES IN BACKGROUND

0:49:37 > 0:49:39Oh, sorry.

0:49:40 > 0:49:42Nice necklace.

0:49:42 > 0:49:45From a girlfriend?

0:49:45 > 0:49:47No.

0:49:47 > 0:49:49It's from my mum.

0:49:50 > 0:49:56- What?- No, I think it's nice that a grown man is that close to his mum.

0:49:56 > 0:49:57I'm not.

0:49:57 > 0:50:00I was adopted. The necklace was all they said she'd left me.

0:50:00 > 0:50:02You mean...

0:50:02 > 0:50:04you don't know who she is?

0:50:06 > 0:50:13So she could be, like, someone important or famous? That's brilliant.

0:50:15 > 0:50:20- Oh, and at the same time, very, very sad.- Not really.

0:50:20 > 0:50:23I mean, she obviously couldn't care less, and neither do I.

0:50:23 > 0:50:26And yet you wear the necklace?

0:50:26 > 0:50:29I'm not being funny, but I've got to get going.

0:50:29 > 0:50:31Oh, of course, what are we doing today?

0:50:31 > 0:50:34I am going to go find work.

0:50:34 > 0:50:38You should go back to your mum, who's probably doing her nut in with worry.

0:50:38 > 0:50:42- She never bought me one half of a necklace. - But she was there, wasn't she?

0:50:43 > 0:50:46Side, and little less than we planned.

0:50:46 > 0:50:53Come on, we've still got two hours practice before tonight. Side, side. Emily, would you just take over?

0:50:53 > 0:50:56Keep going, keep going.

0:50:56 > 0:51:00- Where the hell have you been? - Losing another job.

0:51:00 > 0:51:02Congratulations.

0:51:03 > 0:51:04What happened?

0:51:04 > 0:51:08I didn't like it. I'm fine.

0:51:12 > 0:51:13I'm totally rubbish, aren't I?

0:51:13 > 0:51:17What am I good for? No-one gets me.

0:51:17 > 0:51:20- I don't get you. - Yeah, but you tolerate me. - I have to, you're family.

0:51:20 > 0:51:27Thanks for not saying "I told you so".

0:51:27 > 0:51:29Well, you can pay me back by doing one thing.

0:51:29 > 0:51:31Come to the gala tonight.

0:51:31 > 0:51:36OK, but I'm not going there with the dance thing any more, so...

0:51:36 > 0:51:41- don't even try and get my groove back or anything.- Fine.- Are you OK?

0:51:41 > 0:51:43You look...glowy.

0:51:43 > 0:51:47Think I might have got my groove back.

0:51:49 > 0:51:53I don't reckon you'll impress some big investor bloke here.

0:51:54 > 0:51:58Use the factory. My dispatch is all still done up after our "do".

0:51:58 > 0:52:00Give this Ken a better clue about what we're fighting for.

0:52:00 > 0:52:04Give him that sweet taste of what Sugartown's all about, yeah?

0:52:04 > 0:52:09Ladies and Gentlemen, Ron Shirley, our mayor.

0:52:09 > 0:52:10APPLAUSE

0:52:10 > 0:52:18Tonight we celebrate all the pick and mix flavours of our beloved rock factory.

0:52:18 > 0:52:21My mum's an amazing dancer and I'm not even joking.

0:52:21 > 0:52:24- They gave her a trophy and everything.- I don't do civic pride.

0:52:24 > 0:52:26Yeah, you're pale and interesting. Get over yourself.

0:52:32 > 0:52:41As you probably know, Sugartown once had quite a reputation for dance and we are going to regenerate

0:52:41 > 0:52:49that tradition with a little number that tells the 200 year story of this factory.

0:52:49 > 0:52:51In under five minutes.

0:52:52 > 0:52:56- Bloody hell, it's Bertie Bassett! - Lights, please.

0:52:56 > 0:52:59# We built this city

0:53:01 > 0:53:04# We built this city on rock'n'roll

0:53:04 > 0:53:05# We built this city

0:53:07 > 0:53:13# We built this city on rock'n'roll

0:53:27 > 0:53:29# Say you don't know me

0:53:30 > 0:53:32# Or recognise my face... #

0:53:32 > 0:53:36ELECTRICITY POWERS DOWN AUDIENCE GROANS

0:53:36 > 0:53:40- Just keep dancing!- To what? There's no beat!- Where's the lights?

0:53:40 > 0:53:42This is ridiculous.

0:53:42 > 0:53:43Don't do that, you'll look stupid.

0:53:46 > 0:53:47What's going on?

0:53:47 > 0:53:50TAPS FEET, SNAPS FINGERS

0:53:53 > 0:53:55SNAPPING FINGERS

0:53:55 > 0:53:57PACEY MUSIC WITH DRIVING BEAT

0:54:05 > 0:54:08# All I want is to

0:54:08 > 0:54:09# Dance with you

0:54:11 > 0:54:14# Not make love yeah although it would be cool

0:54:16 > 0:54:20# Get yourself ready and looking out of sight

0:54:20 > 0:54:23# Make sure you're at the party Only want to see you

0:54:23 > 0:54:26# Dancing on the floor tonight

0:54:29 > 0:54:32# Tell me what it's all about Come on and jump

0:54:32 > 0:54:35# Baby get your hands up Swing it to the north and south

0:54:35 > 0:54:38# Come on and jump

0:54:39 > 0:54:43# Tell me what it's all about Come on and jump

0:54:43 > 0:54:46# Baby throw your hands up Swing them to the north and south

0:54:46 > 0:54:49# Come on and jump Get your arms out

0:54:49 > 0:54:54# Tell me what it's all about Everybody scream and shout. #

0:54:55 > 0:54:58APPLAUSE AND CHEERING

0:55:05 > 0:55:10All right, you know a little bit about dance.

0:55:18 > 0:55:23Now I know why rock stars go on crazy fuelled binges after burning up the stage with an awesome gig.

0:55:23 > 0:55:26- I'm just wired!- I thought you really got your freak on.

0:55:27 > 0:55:32- What? I watch MTV.- Yeah, well, not much else to do round here, is there?

0:55:32 > 0:55:36Ron, disengage yourself from the lad and let him breathe.

0:55:36 > 0:55:38Now, have you had a plate?

0:55:38 > 0:55:42Oh, I'm so sorry. Not the prawns!

0:55:42 > 0:55:44Let me help you with your... Here we go.

0:55:44 > 0:55:46What is it with you?

0:55:51 > 0:55:54Say your brother isn't behind this scheme.

0:55:54 > 0:55:56No! Absolutely not.

0:55:56 > 0:56:00I loved the retro nostalgia angle with the old time sweets.

0:56:00 > 0:56:02I remember when Burrs was numero uno.

0:56:02 > 0:56:07- Cuanto costa?- Well, we're keen to take the factory forward.

0:56:07 > 0:56:13We want to be, "numero uno" again. The problem is at the minute, it's a cash flow issue.

0:56:13 > 0:56:17Well, perhaps I can sort you out a sticky tape till we talk terms.

0:56:17 > 0:56:20- Burt Burrs Butter Bang Bangs. Loved 'em.

0:56:20 > 0:56:22Oh, wonderful!

0:56:35 > 0:56:36Max!

0:56:40 > 0:56:42Kylie!

0:56:42 > 0:56:44You have got to be joking me!

0:56:44 > 0:56:46What the hell is this town, anyway?

0:56:46 > 0:56:49- Excuse me!- Who the hell's Kylie?

0:56:51 > 0:56:53Bye, bye, Burrs.

0:56:53 > 0:56:56I'm really, really sorry.

0:56:56 > 0:57:00And after all your hard work with the sweets,

0:57:00 > 0:57:04and the history of the sweets and the old ways of making of the sweets

0:57:04 > 0:57:07and you being the sweets.

0:57:07 > 0:57:10I learnt a lot about sweets.

0:57:10 > 0:57:12I'm sorry I never had a Butter Bang Bang.

0:57:12 > 0:57:14Carmen's right.

0:57:14 > 0:57:16Even Ken said it.

0:57:16 > 0:57:20Well, the history this factory's got and dance has shown us the way.

0:57:20 > 0:57:24We should be looking back on our glorious past, not forwards.

0:57:24 > 0:57:28And we don't need this Ken's money to use what we've already got,

0:57:28 > 0:57:31all our old favourites from back in Burrs' glory days!

0:57:31 > 0:57:33Like a nostalgia range?

0:57:33 > 0:57:37Well, if you like it, you know?

0:57:37 > 0:57:40I mean, if you think it's a good idea.

0:58:04 > 0:58:06I don't know what to say.

0:58:06 > 0:58:10And I mean I REALLY don't know what to say!

0:58:10 > 0:58:13Carmen did some really excellent blue sky thinking.

0:58:13 > 0:58:18She said we're relaunching Burrs, why not Sugartown's Dance Academy, too!

0:58:18 > 0:58:20Bringing dance to the people.

0:58:20 > 0:58:24Oh, you'll want to be staying, won't you, if we're going to be promoting Sugartown as a dance Mecca?

0:58:24 > 0:58:27I've already bought the legwarmers.

0:58:30 > 0:58:31Fab! Yes!

0:58:33 > 0:58:36Yes! All right!

0:58:36 > 0:58:41# If I had a million dollars or ten

0:58:41 > 0:58:46# I'd give it to you world and then

0:58:46 > 0:58:52# Go away and let me spend my life in shoo shoo shoo

0:58:52 > 0:58:58# Shoo shoo shoo shoo-shoo shoo-shoo shoo-shoo Sugartown

0:59:00 > 0:59:03# Shoo shoo shoo-shoo Sugartown. #