0:00:02 > 0:00:04- I'm popping the question.- Yes. - I'm a dancer.
0:00:04 > 0:00:07- Carmen?- Mum!- Max?!
0:00:07 > 0:00:10- Rock ain't rolling any more, is it, Jase?- Max wants the factory.
0:00:10 > 0:00:14"The actual ownership is to be divided equally between my sons."
0:00:14 > 0:00:17- Sons?- I was adopted. The necklace was all they said she'd left me.
0:00:17 > 0:00:19You don't know who she is?
0:00:19 > 0:00:21Black, you marry him.
0:00:21 > 0:00:24- Red, you marry me. - We're relaunching Burr's,
0:00:24 > 0:00:27why not Sugartown's Dance Academy, too!
0:00:30 > 0:00:33MUSIC: "Stayin' Alive" by The Bee Gees
0:00:33 > 0:00:36# Well, you can tell by the way I use my walk
0:00:36 > 0:00:38# I'm a woman's man, no time to talk
0:00:38 > 0:00:41# Music loud and women warm
0:00:41 > 0:00:43# I've been kicked around since I was born
0:00:43 > 0:00:48# And now it's all right, it's OK And you may look the other way
0:00:48 > 0:00:51# We can try to understand The New York Times'... #
0:00:52 > 0:00:56# I got some troubles but they won't last
0:00:56 > 0:01:02# I'm going to lay right down here in the grass
0:01:02 > 0:01:05# And pretty soon all my troubles will pass
0:01:05 > 0:01:09# Cos I'm in shoo-shoo-shoo, shoo-shoo-shoo
0:01:09 > 0:01:13# Shoo-shoo, shoo-shoo, shoo-shoo Sugartown. #
0:01:15 > 0:01:17Mild discomfort.
0:01:17 > 0:01:20"Mild discomfort", like a disfiguring rash,
0:01:20 > 0:01:25or "mild discomfort", like falling downstairs and landing on your head?
0:01:25 > 0:01:27Anne, despite you having no vices I'm aware of,
0:01:27 > 0:01:30you have 40 to 55-year-old pores. We're well past optional.
0:01:30 > 0:01:33Plus, I need a guinea pig.
0:01:35 > 0:01:36We're closed...
0:01:38 > 0:01:39..to men.
0:01:42 > 0:01:45- To you.- Isn't there some sort of stylists' code?
0:01:45 > 0:01:49- Where there's hair to be trimmed... - Never ratified. Discretionary.
0:01:49 > 0:01:52Why don't you try Choppy Toffs on the Parade?
0:01:52 > 0:01:55The front you have, waltzing in here after what you did.
0:01:55 > 0:01:57You lost us our investor.
0:01:57 > 0:01:59Your investor?! Ken was my investor.
0:01:59 > 0:02:02Let's not get bogged down in detail.
0:02:02 > 0:02:07Yeah. Why don't we just chalk it up and I'll pop on a..?
0:02:07 > 0:02:09And sit down next to...
0:02:09 > 0:02:10All right, Anne?
0:02:10 > 0:02:14Oh, wow, so that's where Saddam was hiding them, was it?
0:02:14 > 0:02:17It's going to make me glow, with only mild discomfort.
0:02:17 > 0:02:19Glow?! Could warn off shipping.
0:02:19 > 0:02:22It is the toppermost chemical peel available.
0:02:25 > 0:02:27Actually, you look quite glowy, Max.
0:02:27 > 0:02:29- Mmm-hmm.- Yes.
0:02:29 > 0:02:33What is that? Are you..?
0:02:33 > 0:02:35Happy? Max is happy?
0:02:35 > 0:02:38I'd say happy. Some might say cheerful. Six of one.
0:02:38 > 0:02:41Being happy's not against the law in Sugartown, is it?
0:02:41 > 0:02:44No, but I think you'll all agree, it's highly suspicious.
0:02:44 > 0:02:49Max can be raving ecstatic, it doesn't change things. We just have to hold our nerve.
0:02:49 > 0:02:51Michael, you finished working through Dad's old recipes?
0:02:51 > 0:02:54Almost. You know, he was a genius.
0:02:54 > 0:02:56I would never have put barley in brittle form
0:02:56 > 0:02:59and he did things with liquorice no-one has the right to do.
0:02:59 > 0:03:03- Great! Right, where are we?- So far, Sticky Herrings, Nutty Slacks.
0:03:03 > 0:03:06Give Burt Burr's Butter Bang Bangs a try next. They were a big seller.
0:03:06 > 0:03:09I'm just saying, I think we should have a contingency.
0:03:09 > 0:03:13Maybe two, and if we're taking this thing seriously, possibly three.
0:03:13 > 0:03:17- But if Max has found a new backer... - Best get on.
0:03:19 > 0:03:21I just worry,
0:03:21 > 0:03:27is it madness to be launching a premium range at the height of an economic downturn?
0:03:27 > 0:03:30They'll always be folk who care about quality, about a trusted brand.
0:03:30 > 0:03:34Besides, we just can't compete with the big boys on scale any more.
0:03:34 > 0:03:37Our only hope is the nostalgia market - traditional sweets made the traditional way.
0:03:37 > 0:03:43So they've put a man on the moon, and we're back to desiccating our own coconut.
0:03:46 > 0:03:50- All right, how long have we got to turn this mother round?- A week?
0:03:50 > 0:03:52Two? After that the cupboard's bare.
0:03:52 > 0:03:55- Out of cash.- And Max can buy you out?
0:03:55 > 0:03:57Max WILL buy me out.
0:03:57 > 0:04:01But the orders will come. I know it.
0:04:01 > 0:04:03We may be, like, the first
0:04:03 > 0:04:05people ever to live on a pier.
0:04:05 > 0:04:07There may be a reason for that.
0:04:07 > 0:04:10Well, go on, then.
0:04:10 > 0:04:14- Close your eyes.- Just open the door. - OK.
0:04:14 > 0:04:16OK, I'll open the door.
0:04:20 > 0:04:23Yep, I'd keep them closed, if I were you.
0:04:26 > 0:04:31I thought I'd just stop by to see if this crib's been pimped yet.
0:04:31 > 0:04:32Ron, I mean,
0:04:32 > 0:04:34like, 'wahhhhh'!
0:04:34 > 0:04:38It's brilliant. And, hey, zero commute!
0:04:38 > 0:04:42I plumped for practical, though I'm happy to look at your chakras whilst I'm here.
0:04:42 > 0:04:45Welcome to your new residence!
0:04:45 > 0:04:51- It's brilliant!- So, are we all set for Sugartown's latest fad amenity?
0:04:51 > 0:04:54I did a mahoosive shout out.
0:04:54 > 0:04:56Posted them all over town.
0:04:56 > 0:04:59Carmen Moore - Professor of Getting Down.
0:04:59 > 0:05:02Well, I know I'm pumped about it.
0:05:02 > 0:05:05Be good to throw out some shapes.
0:05:05 > 0:05:07I've lost definition since naked yoga.
0:05:07 > 0:05:09What, in Sugartown?!
0:05:09 > 0:05:13In my defence, Sam, nowhere did it say it wasn't naked.
0:05:13 > 0:05:17For the avoidance of doubt, classes here will be fully clothed.
0:05:20 > 0:05:22I think I found the garage!
0:05:25 > 0:05:29So I was thinking, you should help out with the dance school.
0:05:29 > 0:05:30I need a proper job.
0:05:30 > 0:05:32That is almost a proper job.
0:05:32 > 0:05:36And it's sort of the least I can do after...
0:05:38 > 0:05:42And there's no better ticket to exotic travel than dance.
0:05:42 > 0:05:45- Dance brought you here.- Yes!
0:05:45 > 0:05:47And I've been all over.
0:05:47 > 0:05:50America, Australia, Norway...
0:05:50 > 0:05:53Look, it's not just here. I mean...
0:05:53 > 0:05:56Well, it's mainly here. There's nothing for me.
0:05:59 > 0:06:01Well, what about your mum?
0:06:01 > 0:06:02What if she's still here?
0:06:02 > 0:06:05If you go, you'll never find her.
0:06:05 > 0:06:08She must have given you that necklace for a reason.
0:06:10 > 0:06:14Maybe you're meant to follow a quest!
0:06:14 > 0:06:15Or maybe not.
0:06:17 > 0:06:19Shows how much she cared.
0:06:19 > 0:06:23Thing's a second. Teddy's legs are on back to front.
0:06:26 > 0:06:27Margery!
0:06:27 > 0:06:30I'm just here with Travis talking about dancing
0:06:30 > 0:06:33and also...dancing.
0:06:33 > 0:06:36I'm only on a flyby.
0:06:36 > 0:06:41I figured you and your mother are itinerants and you might be in need of white goods.
0:06:41 > 0:06:45What a caring thing for Margery to do!
0:06:45 > 0:06:46Isn't it, Travis?
0:06:47 > 0:06:49It isn't cordless.
0:06:51 > 0:06:54Why are you still here? Haven't you got an evil lair to go to?
0:06:54 > 0:06:57You seem uncomfortable, Em. Do I make you nervous?
0:06:57 > 0:06:58Is it because you kissed me?
0:06:58 > 0:07:02- You kissed me! - Is it because you liked it?
0:07:02 > 0:07:03Don't push me, Max.
0:07:04 > 0:07:07Does it do your nut in having to cut hair like a bloody takeaway menu?
0:07:07 > 0:07:11"I'll have a number nine and a side order of dated low-lights, please."
0:07:11 > 0:07:13I give my customers what they want.
0:07:13 > 0:07:16It's a calling. And low-lights aren't dated.
0:07:18 > 0:07:20Yeah, but I see you, Em.
0:07:20 > 0:07:22The real you.
0:07:22 > 0:07:23You're hungry for success.
0:07:23 > 0:07:26You want to be top division, but this town is strictly Sunday league.
0:07:27 > 0:07:29One word. Eco-spa.
0:07:29 > 0:07:32- Two words.- One word. Hyphenated.
0:07:32 > 0:07:34Seaweed wraps, exfoliating with sand.
0:07:34 > 0:07:37I don't know, you're the expert. But that is where the money is -
0:07:37 > 0:07:44treatments. Call something Balinese, throw in a scented candle, you've got yourself "an experience".
0:07:44 > 0:07:46Who round here would want an experience?
0:07:46 > 0:07:50Stay tuned, Em. Stay tuned.
0:07:53 > 0:07:56It's not that I don't like dance. More that I fear it.
0:07:56 > 0:08:01Like spiders. And it seems to me that, quite often,
0:08:01 > 0:08:04the beat's doing something different than I am.
0:08:04 > 0:08:07I always think of the beat as more of a guideline, really.
0:08:07 > 0:08:10I wonder if it all goes back to my mother.
0:08:10 > 0:08:13So, anyway, thanks again for the...
0:08:14 > 0:08:17But, well, Carmen's deserted, so I'd best get on...
0:08:17 > 0:08:22with the dance school, with the launch tonight.
0:08:22 > 0:08:25Buffet, raffle. You'll be there, right? Oh, and bring men.
0:08:26 > 0:08:30Like, male men?
0:08:30 > 0:08:33At this stage, anyone who'd pass in low lighting.
0:08:33 > 0:08:34Could I just bring a sponge cake?
0:08:34 > 0:08:37Balls! Balls of your feet!
0:08:37 > 0:08:40And your toes pointing forward.
0:08:40 > 0:08:43Yeah, that is how I get to walk.
0:08:43 > 0:08:45- Away.- Elbow up.
0:08:45 > 0:08:49- Think teapot.- If we see anyone I know, could we pretend I'm mugging you?
0:08:49 > 0:08:52OK, so now we promenade.
0:08:55 > 0:08:57- Go on. - You have to lead. You're the man.
0:08:57 > 0:09:00I'm the man who doesn't know how to promenade.
0:09:00 > 0:09:03- It means we walk.- Oh, do you know? I don't care what it means.
0:09:03 > 0:09:06Why's this old stuff so complicated?
0:09:06 > 0:09:10- It's all rules.- Because rules bring order from the chaos. And from order we have control.
0:09:10 > 0:09:12And no chaos. Do you want chaos?!
0:09:12 > 0:09:14I want to not look like a teapot.
0:09:17 > 0:09:20One...
0:09:20 > 0:09:21Right foot, to the side
0:09:21 > 0:09:23and left foot...
0:09:34 > 0:09:36Do you want some pie to go with that cowardly custard?
0:09:39 > 0:09:41OK, OK. Leave it with me.
0:09:41 > 0:09:46Now I'm a Professor of Dance, it's my job to inspire, to encourage.
0:09:46 > 0:09:49Well, I'm gonna, er, "promenade".
0:09:49 > 0:09:50That's it, that's it.
0:09:57 > 0:10:01Web-wise, I've shown the dog the rabbit, now all we can do is wait.
0:10:05 > 0:10:08- Hello.- Anne, you're back again?
0:10:08 > 0:10:12- Yeah, I'm out of sugar mice. - What, already?
0:10:12 > 0:10:14I can't get enough of their sugary goodness.
0:10:14 > 0:10:17You want to eat them responsibly, A mouse a day...
0:10:17 > 0:10:19Yeah, OK.
0:10:21 > 0:10:22Hello.
0:10:22 > 0:10:24Hi.
0:10:24 > 0:10:29I'm just here, casually, on the off chance to pick up some sugar mice.
0:10:29 > 0:10:32Oh, can you see Margery? I'm up to my elbows in foam shrimps here.
0:10:32 > 0:10:33Yeah.
0:10:33 > 0:10:39Anyway, whilst I'm here and, like, it's just occurred to me,
0:10:39 > 0:10:43are you going to the launch of the dance school? Only I'm going,
0:10:43 > 0:10:46so if you're going to the launch of the dance school and I'm going...
0:10:46 > 0:10:49Anne! Shrimps! Look, I really can't do this right now.
0:10:49 > 0:10:52I'm looking down the barrel at my Gumptions. Go with Emily.
0:10:52 > 0:10:55But the lighting won't be THAT low.
0:10:55 > 0:10:57PING
0:10:57 > 0:10:59- E-mail!- E-mail!
0:10:59 > 0:11:02E-mail!
0:11:02 > 0:11:05"Baveridges are pleased to inform you
0:11:05 > 0:11:10"of our interest in your new Heritage range of confectioneries." In!
0:11:27 > 0:11:30I am on fire today.
0:11:30 > 0:11:34So I see this jar and it all becomes clear. Salsa.
0:11:34 > 0:11:37For the launch tonight. Total crowd pleaser. So not old time.
0:11:37 > 0:11:39Are you not eating that?
0:11:39 > 0:11:43I've only had one lunch today. I could die from the hunger and I'm not even joking.
0:11:43 > 0:11:46Mmm, mmm.
0:11:46 > 0:11:50So now, I'm looking at the dream theme.
0:11:50 > 0:11:54Spicy, sexy, with a dash of old skool flava.
0:11:54 > 0:11:57Travis is seriously going to get with the programme.
0:11:57 > 0:12:02Oh, and bring a bloke tonight. You don't want to be a Wendy Wallflower.
0:12:02 > 0:12:05I'm going to die alone.
0:12:05 > 0:12:10SOBS, THEN WAILS LOUDLY
0:12:12 > 0:12:13Ssshh, sshh.
0:12:18 > 0:12:22TV COMES ON
0:12:25 > 0:12:30- Will she be all right? Maybe we should take her home? - Oh, no. She won't go down now.
0:12:30 > 0:12:33Anyway, Loose Women's on. It's the only thing that'll settle her.
0:12:33 > 0:12:39I was worried something like this would happen. Jason said she's developed a serious sugar habit.
0:12:39 > 0:12:42It was only a matter of time before she crashed and burned.
0:12:42 > 0:12:44It was only a ham sandwich.
0:12:44 > 0:12:47Did you check her pockets? Her cheeks? She's like a hamster.
0:12:47 > 0:12:49Stores it.
0:12:50 > 0:12:53I reckon it might be man trouble.
0:12:53 > 0:12:56- It's Anne. She doesn't have men. - Maybe that's the trouble?
0:12:56 > 0:12:58Anne? Men?
0:12:58 > 0:13:01Well, I know she likes Michael, but Michael's...
0:13:01 > 0:13:04- Yeah.- Yeah.
0:13:04 > 0:13:07Maybe we could hook her up with someone tonight.
0:13:07 > 0:13:09Salsa's totally like speed-dating.
0:13:09 > 0:13:12Who's going to ask HER to dance?
0:13:12 > 0:13:15I mean, I love Anne. She has a beautiful spirit,
0:13:15 > 0:13:18but the presentation leaves a lot to be desired.
0:13:21 > 0:13:25Anne! I'm sorry. I thought I was saying all that behind your back.
0:13:25 > 0:13:26It's all right.
0:13:28 > 0:13:30I'm ready.
0:13:33 > 0:13:37I look like I should be sitting on a pencil.
0:13:37 > 0:13:40I'm a professional, Anne. Do you want my help or not?
0:13:40 > 0:13:44Yeah! I know I'm not what you might call honey to the bees.
0:13:44 > 0:13:47Men don't swarm around my pot.
0:13:47 > 0:13:50I need your help to find the light under my big bushel.
0:13:53 > 0:13:56Actually, Em, it's starting to burn.
0:13:56 > 0:13:57Em?
0:13:57 > 0:13:59< Em?!
0:13:59 > 0:14:00Get out of bloody road!
0:14:29 > 0:14:31Margery?
0:14:39 > 0:14:40Mmm.
0:14:41 > 0:14:43Ladies and gentlemen,
0:14:43 > 0:14:44we have a Chocolate Gumption.
0:14:48 > 0:14:50Thank you so much for all your hard work.
0:14:50 > 0:14:54Next bit's down to me. Dragons' Den. Keep your fingers crossed, eh?
0:14:54 > 0:14:57And seriously, well done, everyone.
0:14:57 > 0:15:00- You'll never guess what! - I was wondering where you were.
0:15:00 > 0:15:05I haven't made dinner, best not to dance on a full stomach. But I have whipped up power juices.
0:15:05 > 0:15:07Is that tonight? I'm sorry, no can do.
0:15:07 > 0:15:09What? We have to go.
0:15:09 > 0:15:12- I can't. I've got a really big presentation to prepare.- Jason.
0:15:12 > 0:15:15Do you notice anything?
0:15:15 > 0:15:17Have you dyed your hair?
0:15:17 > 0:15:21- Every time.- Well, I don't know. It's a good first option and then I try "lost weight".
0:15:21 > 0:15:23It's Chanel.
0:15:23 > 0:15:30Vintage. 2009. I've been saving it for a special occasion, such as this, with my fiance.
0:15:30 > 0:15:32- Is this how it's going to be now? - It's one night.
0:15:32 > 0:15:36- Every night this week! - The factory...- Is not more important than me.
0:15:36 > 0:15:40- Us.- I'm not stopping YOU going. - And you're OK with that, are you?
0:15:40 > 0:15:42Have you got any idea how bootylicious I look?
0:15:42 > 0:15:45Every man in that room will be desiring me.
0:15:45 > 0:15:46Yeah, you look nice.
0:15:46 > 0:15:48- Fine.- Good.- No, not good!
0:15:48 > 0:15:51- Fine, then.- Ooh! Fine. - Thanks for your support(!)
0:15:51 > 0:15:52PHONE RINGS
0:15:53 > 0:15:54Yes, I'm coming, Anne.
0:15:54 > 0:15:56Anne!
0:16:16 > 0:16:19I know the rule was clothes, but...
0:16:19 > 0:16:21Hi, Anne.
0:16:21 > 0:16:23Anne, don't you look...
0:16:23 > 0:16:27- Striking.- Yes. Great you could come.
0:16:27 > 0:16:31- One or two?- One, please.
0:16:33 > 0:16:36Come on, I'll buy you a drink.
0:16:36 > 0:16:39I might chance a go on a Mock-ito.
0:16:39 > 0:16:44- From me and Jase.- Ooh. - Thank you. You shouldn't have.
0:16:46 > 0:16:49No...you REALLY shouldn't have.
0:16:50 > 0:16:55Six... Seven, with your basics.
0:16:55 > 0:16:59And one, two, three, two, two, three, turn, right..
0:16:59 > 0:17:01Two, two, three. Lovely, Ron!
0:17:13 > 0:17:16You're not working it. Do the pose.
0:17:22 > 0:17:24No-one saw it. Do it again.
0:17:24 > 0:17:27I can't have him see me like this, I'm hideous.
0:17:27 > 0:17:29He won't notice any difference.
0:17:30 > 0:17:33What have YOU come as?!
0:17:33 > 0:17:35I only left you for two minutes!
0:17:35 > 0:17:39Three hours, Emily! And now my bushel's just bigger than ever!
0:17:47 > 0:17:49Swivel! Swivel!
0:17:53 > 0:17:55Bloody hell, Carmen!
0:18:04 > 0:18:08You know, I like curly hair. Go with the 'fro, I say.
0:18:08 > 0:18:12Well, that's all very well for you.
0:18:12 > 0:18:14You look mantastic.
0:18:16 > 0:18:18Listen, I'm sorry I was a bit off earlier.
0:18:18 > 0:18:19I made you this.
0:18:21 > 0:18:23SHE GASPS
0:18:23 > 0:18:25Is that limited edition?
0:18:25 > 0:18:27Single edition. Just for you.
0:18:29 > 0:18:34- Anne, you do know I'm gay, don't you?- Oh, yes.
0:18:34 > 0:18:35OK.
0:18:38 > 0:18:42And you do know what being gay means?
0:18:42 > 0:18:46I'm not interested in 'it' or anything.
0:18:46 > 0:18:48I just want a boyfriend.
0:18:48 > 0:18:52OK... Well, I'm a boy, I suppose.
0:18:52 > 0:18:54And I am a friend.
0:19:01 > 0:19:03Ladies.
0:19:06 > 0:19:13- Didn't expect you here.- Now we're rivals for the limited recreation market. Reckon I'll sleep easy.
0:19:13 > 0:19:17I'll take your money. But only because we need men, not sponge cakes.
0:19:17 > 0:19:19See, I miss our flirting.
0:19:19 > 0:19:22Why don't you come back? Run the casino for me.
0:19:22 > 0:19:24I need a trusted hand at the tiller.
0:19:25 > 0:19:31Come on! This place, plus the liability factor of Calamity Jane, equals nervous breakdown.
0:19:31 > 0:19:32You know that!
0:19:33 > 0:19:35Evening, Margery.
0:19:35 > 0:19:38Looking good. Mind if I cut in?
0:19:38 > 0:19:41No-one salsas with a lothario, Max.
0:19:42 > 0:19:44Foxtrot, maybe.
0:19:45 > 0:19:47If you don't mind, we'll play through.
0:19:47 > 0:19:50So, I see a beat as more of a guideline, really.
0:19:54 > 0:19:55MUSIC STOPS
0:19:55 > 0:19:58SMATTERING OF APPLAUSE
0:20:02 > 0:20:03Why isn't Travis here?
0:20:03 > 0:20:06I don't know, but if he found a good excuse,
0:20:06 > 0:20:08he might have shared it with the rest of us.
0:20:08 > 0:20:12If you knew something and it was like an information hand grenade.
0:20:12 > 0:20:16You would give it to the rightful grenade owner? Even if it might go off?
0:20:16 > 0:20:17No idea what you're talking about,
0:20:17 > 0:20:22but time and bitter experience has shown us, it's best when you don't get involved.
0:20:22 > 0:20:23Right, OK.
0:20:23 > 0:20:28- Ladies and gentlemen, let's trip... - Ah! Our very own lord of the dance!
0:20:28 > 0:20:31APPLAUSE
0:20:32 > 0:20:34Travis! You're here.
0:20:34 > 0:20:42Where have you been? Anyway, I hope you're ready to live la vida loca, because we're in salsa town.
0:20:43 > 0:20:48- Why's everybody looking? - Because I didn't pay five pounds to trip the light fantastic with Ron.
0:20:48 > 0:20:50You're the star attraction.
0:20:52 > 0:20:54Ah!
0:20:59 > 0:21:00Why did you do it?
0:21:00 > 0:21:04- Not even ask me? - Because you might have said no.
0:21:04 > 0:21:06But you're here now!
0:21:06 > 0:21:08Oh, Travis,
0:21:08 > 0:21:09you can't go, because...
0:21:09 > 0:21:12your mum's here!
0:21:13 > 0:21:15Yes. Right here.
0:21:15 > 0:21:17Long-lost mum...
0:21:18 > 0:21:20..not lost.
0:21:35 > 0:21:36As if!
0:21:57 > 0:21:58Travis!
0:22:01 > 0:22:03Travis... Hold on.
0:22:07 > 0:22:09You're walking too fast, I can't keep up.
0:22:12 > 0:22:14What, like I shouldn't have told you?!
0:22:14 > 0:22:17It was Margery? No, Carmen, you should NEVER have told me!
0:22:20 > 0:22:21One.
0:22:42 > 0:22:44- Can we step on it? - I'm flooring it as it is, son.
0:22:47 > 0:22:49- I just want to be on my own. - I understand.
0:22:49 > 0:22:53You can totally be on your own together.
0:22:53 > 0:22:56Come on! I'm almost breaking a sweat here.
0:22:56 > 0:22:58Are you getting on, love, or what?
0:22:58 > 0:23:02- Ooh, how much? - 20p or 30p return.
0:23:02 > 0:23:04- Do you accept Switch?- No.
0:23:09 > 0:23:11I didn't know for sure.
0:23:11 > 0:23:14My suspicions were first aroused at the gala night, but I didn't..
0:23:14 > 0:23:18- You knew at the gala night? - Not knew. I'm not Poirot.
0:23:18 > 0:23:21I don't understand. Aren't you happy?
0:23:24 > 0:23:28That's not... That's not fair. Heels! Huh!
0:23:31 > 0:23:32She's alive, she's alive!
0:23:32 > 0:23:37- She only fainted. Give her some air. - Margery, are you all right?
0:23:37 > 0:23:40Yes, I'm all right.
0:23:47 > 0:23:49Just let me breathe.
0:23:49 > 0:23:51Thought...Travis...
0:23:51 > 0:23:54- No, that was true.- He is your son.
0:23:54 > 0:23:56Margery? Margery?!
0:23:56 > 0:23:59Isn't Margery too old to have a baby?
0:23:59 > 0:24:01I think she was younger at the time.
0:24:01 > 0:24:05This could take a while. I'll put the kettles on, shall I?
0:24:05 > 0:24:07That's a whole different page, innit?
0:24:09 > 0:24:11No Captain Sensible tonight, then?
0:24:11 > 0:24:13Jason is doing something very important.
0:24:13 > 0:24:17He's got a meeting, a presentation. What are you doing here, anyway?
0:24:17 > 0:24:20- I come in peace. As it happens, I'm here to see you.- Because?
0:24:20 > 0:24:22I've got something to show you.
0:24:22 > 0:24:24Said the spider to the fly.
0:24:24 > 0:24:27Well, save you stalking around town if I just showed you.
0:24:36 > 0:24:40Well-appointed, attention to detail, mother of a sound system -
0:24:40 > 0:24:42one blast of that puppy and the tide'll go out.
0:24:42 > 0:24:44Hey, you'll like this -
0:24:44 > 0:24:46a state of the art kitchen.
0:24:46 > 0:24:49What's this all about, Max?
0:24:57 > 0:24:59For the salon.
0:24:59 > 0:25:01Seaweed, sand, etc.
0:25:01 > 0:25:05No, thank you. I've seen where being a business partner with you ends up.
0:25:05 > 0:25:07Just business.
0:25:07 > 0:25:09Look, Em, Em.
0:25:09 > 0:25:12I believe in you, right?
0:25:12 > 0:25:15Interest-free loan, no hurry. Pay me back when you're in the black.
0:25:15 > 0:25:19You can have any paperwork you want to back me up on that, all right?
0:25:19 > 0:25:21Where would you get that sort of money, anyway?
0:25:22 > 0:25:23Sold.
0:25:23 > 0:25:25Well, good as.
0:25:25 > 0:25:27- You're leaving?- Upsizing.
0:25:27 > 0:25:29Can't you just leave?
0:25:31 > 0:25:32She was an estate agent.
0:25:33 > 0:25:38When you were following me round town this afternoon, like a love-sick puppy.
0:25:38 > 0:25:41This is prime real estate, Em. This is just the prototype.
0:25:41 > 0:25:46I'm thinking of doing up the whole block. There's a lot of folk willing to pay me a lot to live here.
0:25:46 > 0:25:48What about the people who already live here?
0:25:48 > 0:25:50This town,
0:25:50 > 0:25:52it just needs a bit of...
0:25:52 > 0:25:55new blood, to get its motor started.
0:25:55 > 0:25:59And just think, eh, pukka new customers for you,
0:25:59 > 0:26:01all gagging for an Emily experience.
0:26:01 > 0:26:05I suppose that means you've given up on your hostile takeover
0:26:05 > 0:26:07of the factory, if you invested in me instead.
0:26:07 > 0:26:09Hmm! Yeah.
0:26:14 > 0:26:16A toast, I think.
0:26:41 > 0:26:43Would you like to come in?
0:26:44 > 0:26:46I haven't any beer.
0:26:46 > 0:26:48I may have some squash.
0:26:48 > 0:26:50Why didn't you want me?
0:26:51 > 0:26:53I did want you.
0:26:54 > 0:27:01See, cos I've been here... the whole time.
0:27:01 > 0:27:03If I'd known it was you...
0:27:04 > 0:27:08They said they'd take you somewhere else. Didn't stop me looking, mind.
0:27:10 > 0:27:14There wasn't a single day that I didn't regret giving you up,
0:27:14 > 0:27:20that I wasn't wondering wherever you were, if you were happy and if you were loved.
0:27:20 > 0:27:22But I had nothing to give you.
0:27:22 > 0:27:24Not on my own.
0:27:25 > 0:27:27Who was my dad, then?
0:27:27 > 0:27:31You see, I thought you'd have a better chance away from him.
0:27:31 > 0:27:33He didn't want to keep you at all.
0:27:33 > 0:27:37The only thing that Burt ever loved was that factory.
0:27:41 > 0:27:42Travis!
0:27:48 > 0:27:51Chanel?
0:27:51 > 0:27:53Vintage?
0:27:53 > 0:27:55Hmm... 2009?
0:27:57 > 0:27:59You were wearing white the first time we...
0:28:01 > 0:28:03And you had your hair up like that
0:28:03 > 0:28:06and Unchained Melody was playing, I think.
0:28:06 > 0:28:09Must have been one of your other victims.
0:28:09 > 0:28:13I was in red, my hair was in a shaggy bob and it was Take That - Babe.
0:28:15 > 0:28:18Well, can't remember all the ins and outs.
0:28:19 > 0:28:21Goodnight, Max.
0:28:27 > 0:28:29MUSIC: "Babe" by Take That
0:28:29 > 0:28:32# Babe, I'm here again
0:28:32 > 0:28:33# I'm here again
0:28:33 > 0:28:35# I tell you I'm here again
0:28:35 > 0:28:37# Babe
0:28:37 > 0:28:39# Where have you been?
0:28:39 > 0:28:40# Where have you been?
0:28:40 > 0:28:45# Babe, I'm back again
0:28:45 > 0:28:49- # I'm back again - I tell you I'm back again
0:28:49 > 0:28:51- # Babe - Where have you been? #
0:29:03 > 0:29:05- I love you.- What?!
0:29:06 > 0:29:08- What?- Don't be ridiculous.
0:29:08 > 0:29:12No, that's what I say to everyone. That's what you lot want to hear!
0:29:12 > 0:29:15You know, more than a handful's a waste...
0:29:15 > 0:29:17I didn't mean to shag your sisters...
0:29:17 > 0:29:18Em?!
0:29:18 > 0:29:20Em!
0:29:20 > 0:29:22Babe!
0:29:31 > 0:29:34Em! Babe!
0:29:34 > 0:29:37ALARM RINGS
0:29:40 > 0:29:42No way!
0:30:12 > 0:30:14Jason?
0:30:14 > 0:30:19It should mean a year on year increase of 6... no, sorry... 7%.
0:30:19 > 0:30:23Will our customers really want to pay extra for your new range?
0:30:23 > 0:30:26I mean, cost per unit, you'll outstrip your rivals.
0:30:26 > 0:30:30- But they're bloody good sweets. - And it's kids who buy sweets.
0:30:30 > 0:30:34No disrespect, but they won't remember Burrs in its heyday.
0:30:34 > 0:30:35Their parents will.
0:30:36 > 0:30:40We were a big brand once and I reckon we could be again.
0:30:43 > 0:30:46OK, thank you for your time.
0:30:51 > 0:30:53Thank you.
0:30:53 > 0:30:56I'll leave them there. Thank you.
0:31:04 > 0:31:07If you could guarantee production for a regional rollout,
0:31:07 > 0:31:10say, a trial across...ten stores?
0:31:11 > 0:31:14Yeah, yeah. I'm sure we could... Really?
0:31:14 > 0:31:16I got five fillings thanks to your dad.
0:31:16 > 0:31:18And I don't regret one of them.
0:31:19 > 0:31:21Cheers.
0:31:50 > 0:31:53Am I going to have to get a restraining order, or what?
0:31:53 > 0:31:55Jason, Jason. Funny thing.
0:31:57 > 0:32:01I have spent all week working my ass off in the town that taste forgot.
0:32:01 > 0:32:07- But, hey, anything to get the cash to buy you out.- Oh, you're too late.
0:32:07 > 0:32:08Big order, so it happens.
0:32:08 > 0:32:10Not for sale.
0:32:10 > 0:32:13Oh, tricky.
0:32:13 > 0:32:14Rock, paper, scissors?
0:32:14 > 0:32:17That's still two against one, so, hey, what are you going to do?
0:32:20 > 0:32:22You know Travis, don't you? Our kid brother?
0:32:30 > 0:32:33Hello...boyfriend!
0:32:33 > 0:32:37Sorry, Anne, all out of mice. Looks like on a long-term basis.
0:32:37 > 0:32:39That's OK.
0:32:39 > 0:32:42I'm full-on feeling.
0:32:43 > 0:32:47I was going to wear my hat, but then I thought, go with the 'fro.
0:32:47 > 0:32:49Good for you. No, actually, wear the hat.
0:32:53 > 0:32:56Game over. Max has called time.
0:32:56 > 0:32:59I'm a confectioner. Took me five years to train.
0:33:00 > 0:33:03Not exactly transferable skills, are they?
0:33:03 > 0:33:05I got a mortgage, credit cards.
0:33:05 > 0:33:08Not quite the catch you thought, eh?
0:33:10 > 0:33:12I will not forsake you.
0:33:14 > 0:33:15And every cloud...
0:33:17 > 0:33:19Christ, Max, is there no level you won't sink to? It's lies,
0:33:19 > 0:33:23- like everything else that comes out of your gob.- It is a kick in the testate,
0:33:23 > 0:33:29but...it's all here... "..to be shared equally between my sons".
0:33:29 > 0:33:32One son, two son, ah,
0:33:32 > 0:33:36three sons. Or you can check it on a calculator, if you want?
0:33:37 > 0:33:41See, Jase, you've been piddling away our inheritance for years.
0:33:43 > 0:33:47It's our turn now. So the bottom line is, you fight me on this, it'll force a sale of the factory.
0:33:47 > 0:33:50Chances are it'll be demolished within a month.
0:33:50 > 0:33:54Or, you could go quietly and the shell of the factory remains intact.
0:33:55 > 0:33:57Don't worry, I'll make sure you get your share.
0:33:57 > 0:34:02- Saying it's true.- It is. - Why would you throw your lot in with him? I thought we were mates.
0:34:02 > 0:34:05Because, like me, he got sod tout from Daddy Dearest.
0:34:05 > 0:34:08- I can give him opportunities. - At your side, or your feet?
0:34:08 > 0:34:13- Travis is my new casino manager. Bright future ahead.- And you can prove all this?- Oh, yeah.- You better.
0:34:13 > 0:34:19Just a trip down the clinic, little swab of the mouth. Nothing to it. Should have the results by tomorrow.
0:34:20 > 0:34:22I'll fight you every step of the way.
0:34:30 > 0:34:31Temper, temper.
0:34:37 > 0:34:41- You've not touched your quenelle salad?- I'm depressed, Ron, not a budgerigar.
0:34:41 > 0:34:45I went into a whole concentric spiral when Emily's mother died.
0:34:45 > 0:34:49And it's all very well to say what happens in Glastonbury stays in Glastonbury,
0:34:49 > 0:34:52but I still can't pass a Portaloo without getting flashbacks.
0:34:53 > 0:34:55But it wasn't about me.
0:34:55 > 0:34:58I was all this little girl had left.
0:34:58 > 0:35:03Yeah, I was scared, but being a parent...nothing beats it.
0:35:03 > 0:35:09- Is this all leading to a profound wisdom, Confucius? - That was my general heading, yes.
0:35:09 > 0:35:14- And is it along the lines of my pulling myself together and giving the boy a bit of time?- Ballpark.
0:35:16 > 0:35:19I do have a little addendum, if we're on any other business?
0:35:19 > 0:35:23Just that I always thought you'd make a cracking mum, Margery.
0:35:23 > 0:35:26And I think, given a bit of time,
0:35:26 > 0:35:28young Travis will see it that way, too.
0:35:31 > 0:35:34Noted... With thanks.
0:35:34 > 0:35:35KNOCK ON DOOR
0:35:37 > 0:35:40- Hi, it was open. - I'm so very sorry, Jason.
0:35:40 > 0:35:43He was charming.
0:35:43 > 0:35:44And persistent.
0:35:46 > 0:35:52- And Travis? - Was born nine months later. It can't have been a coincidence.
0:35:52 > 0:35:55Your father was clever,
0:35:55 > 0:36:00driven and, when all is said and done,
0:36:00 > 0:36:01he was a player.
0:36:03 > 0:36:06You're less clever, less driven,
0:36:06 > 0:36:08but a far better man.
0:36:09 > 0:36:15- I wouldn't deny Travis what's his. - Like I said, a better man.
0:36:36 > 0:36:38I'm sorry for letting you all down.
0:36:38 > 0:36:41For what it's worth, Michael, them shrimps were textbook.
0:36:43 > 0:36:46You've all been brilliant. I'll see you right.
0:36:47 > 0:36:52Might take...a few weeks, but I'll...
0:37:02 > 0:37:07I'm sorry you didn't feel you could come to me. Had you waited, given us chance to get on our feet...
0:37:07 > 0:37:11Time is money, Jay. 'Sides, would only be delaying the inevitable.
0:37:11 > 0:37:15You could have scraped by for a few weeks, but you couldn't afford new premises.
0:37:15 > 0:37:17Why give everyone false hope?
0:37:22 > 0:37:24Thanks...bro'.
0:37:24 > 0:37:30Be clear. Not for you. I just don't want to see Margery dragged through the courts.
0:37:30 > 0:37:36Look around you, Max. Breathe it in. Hope it makes you happy.
0:37:38 > 0:37:44Oh, don't worry, Jay. You'll be a kept man. I mean, now I'm investing in Em's new salon empire,
0:37:44 > 0:37:48she'll be raking it in. Lucky boy.
0:38:17 > 0:38:22I presume you've come to build bridges across the fractured divide that was our friendship, Anne?
0:38:22 > 0:38:24Well, I accept your apology.
0:38:24 > 0:38:28On balance, I can see there were faults on both sides. Perhaps even mine.
0:38:28 > 0:38:31In two years' time, your hair will be back to normal.
0:38:31 > 0:38:35I wasn't going to... TWO YEARS?!
0:38:35 > 0:38:36Unless we go for a pixie crop.
0:38:36 > 0:38:38Oh, yeah that sounds nice!
0:38:39 > 0:38:41Oh, no, hold on, I was coming to tell you about...
0:38:41 > 0:38:43Jason?
0:38:43 > 0:38:45Jase?
0:38:48 > 0:38:49Jase?
0:38:51 > 0:38:54- Is that a drink? - It's not A drink, no.
0:38:54 > 0:38:58I stopped counting when I ran out of fingers. And toes.
0:38:58 > 0:39:00I can't remember how many toes I'm meant to have,
0:39:00 > 0:39:04but I can still remember that you went behind my back with Max.
0:39:04 > 0:39:07So, stupid drink hasn't worked at all, has it? How rubbish is that?
0:39:07 > 0:39:09It was just once.
0:39:12 > 0:39:16- Once?- Really, it was all down to the dress and how hot it looked on me.
0:39:16 > 0:39:20If he hadn't said all the things that you've not been saying lately, then...
0:39:20 > 0:39:26- You slept with him?- No! - So, help me out here.- No, wait, wait. You know I can't do quick-fire.
0:39:26 > 0:39:31Cos I knew that you two are up to your neck in the salon thing.
0:39:31 > 0:39:35And I felt that betrayed. Why would you. Why would you do that?
0:39:35 > 0:39:37Why would you do that with the man that's ruined me,
0:39:37 > 0:39:39who's taken everything?
0:39:39 > 0:39:42I thought nothing could be worse than that.
0:39:42 > 0:39:44Shows you how wrong...
0:39:44 > 0:39:48- What I didn't know was you'd been cheating on me with him. - Oh, no, no, not cheating.
0:39:48 > 0:39:51- You wanted to, though, didn't you? - Oh, Jase, it's you I love.
0:39:51 > 0:39:54Look, this doesn't have to change things. Not if we don't let it.
0:39:54 > 0:40:00- Change things? It's bloody ruined 'em.- Jase.- Leave me alone.
0:40:14 > 0:40:16Oh, no, no, no...
0:40:20 > 0:40:22But this is a massive order.
0:40:22 > 0:40:24Why didn't Jason tell us?
0:40:24 > 0:40:28He's only just got the news and I expect, knowing Jason,
0:40:28 > 0:40:31he wouldn't have wanted to pour salt on the wound.
0:40:31 > 0:40:33This is a major supermarket,
0:40:33 > 0:40:38- it could make all the difference. It's not too late.- We're closed. - Well, YOU'RE not closed.
0:40:38 > 0:40:44You ARE Burr's. Now, what do we need to get this order done?
0:40:44 > 0:40:46'You got big dreams?'
0:40:46 > 0:40:49You want fame?
0:40:49 > 0:40:55Well, fame costs. And right here's where you start paying...in sweat!
0:40:59 > 0:41:02Well, that was very well done!
0:41:02 > 0:41:05And, oh, look, your...
0:41:05 > 0:41:08really quite alarmed-looking mums and dads are here now, so...
0:41:08 > 0:41:10Very well done.
0:41:13 > 0:41:16What?! That's showbiz.
0:41:17 > 0:41:21Most of them are probably only here because we're cheaper than babysitters.
0:41:21 > 0:41:25Might not be ready for the Bolshoi just yet.
0:41:25 > 0:41:28- Have you...- Yes, I've taken my pills!
0:41:28 > 0:41:33- The little blue one?- The large blue one, the huge blue one and the medium-sized white one!
0:41:33 > 0:41:38- Can't you see how at ease I am? - Yes. You're radiating calm.
0:41:40 > 0:41:45- I screwed up, didn't I? - That's the trouble with places like this. Give me the city any day.
0:41:45 > 0:41:49- Anonymous, discreet, rude... - What's wrong with it here?
0:41:49 > 0:41:51We have nine kettles!
0:41:51 > 0:41:53Apologies, but we have a code red.
0:41:53 > 0:41:59So I said, "Why don't we pop on our wet suits and have a scuba in our think tanks?"
0:41:59 > 0:42:01You've heard they've closed the rock factory?
0:42:01 > 0:42:06Max has taken ownership, by playing his trump card of Travis, to stake his claim.
0:42:06 > 0:42:09Travis has gone over to Max's camp and taken your old job.
0:42:09 > 0:42:13So we are two against one, fraternally speaking.
0:42:13 > 0:42:18- No?- Not that anyone's blaming you for uncovering the dark secrets of the past,
0:42:18 > 0:42:20when perhaps they should have lain buried.
0:42:22 > 0:42:24We just need a big space.
0:42:24 > 0:42:27Yeah, well, I don't care what you have to do, just...
0:42:27 > 0:42:31I don't know, lay on some coaches, go door-to-door if you have to.
0:42:31 > 0:42:32Thank you.
0:42:33 > 0:42:34Yeah. Yeah.
0:42:37 > 0:42:41Right. OK, great.
0:42:41 > 0:42:42Thank you.
0:42:46 > 0:42:48- Equals, yeah?- Hmm?
0:42:48 > 0:42:52Oh, yeah, sure. All the way, bro'. Have you cleared out that junk yet?
0:42:52 > 0:42:54Skip's full.
0:42:54 > 0:42:58Good, right. I would have loved to have helped you, but I've been rushed off my feet all morning.
0:42:58 > 0:43:03- Everyone wants a piece of me. - So, Sam's old job. What's the role?
0:43:03 > 0:43:07Oh...I don't know. Wear a suit, walk round with a clipboard?
0:43:07 > 0:43:10- You said you'd train me up. - And I will, young Padawan, I will.
0:43:15 > 0:43:18What do you want this place so bad for, anyway?
0:43:18 > 0:43:22Actually, maybe you should go to the casino. The Kittens will show you round.
0:43:23 > 0:43:29Now, stick with me, right? One day, just think, you might grow up to be just like me.
0:43:29 > 0:43:32I know, it's exciting, isn't it?
0:43:35 > 0:43:38Mmm, oh, no, no, no, no, no. Always milk first.
0:43:40 > 0:43:43- What?- Nothing. - Well, run along, then.
0:44:03 > 0:44:08Dip Dab, this is Tutti Frutti, do you copy? Over.
0:44:10 > 0:44:12'Tutti Frutti, this is Margery.
0:44:12 > 0:44:15'And I'M Tutti Frutti. You're Gobstopper.
0:44:15 > 0:44:18'And I thought I was a Dip Dab.
0:44:18 > 0:44:23- 'Are there any visuals?' - That is affirmative.
0:44:23 > 0:44:25The eagle has left the car park.
0:44:25 > 0:44:27And the other eagle...
0:44:29 > 0:44:31..is also not in the car park.
0:44:33 > 0:44:35Mayor walking through own town.
0:44:35 > 0:44:38Nothing to see here. Man wearing balaclava in broad daylight -
0:44:38 > 0:44:44- "And tonight on Crimewatch..." - Right, team, go, go, go!
0:45:01 > 0:45:03Jelly Bean, come in, Jelly Bean.
0:45:18 > 0:45:21MUSIC: "Nine To Five" by Dolly Parton
0:45:28 > 0:45:31# Tumble outta bed And a-stumble to the kitchen
0:45:31 > 0:45:32# Pour myself a cup of ambition
0:45:32 > 0:45:35# And yawn and stretch and try to come to life
0:45:38 > 0:45:39# Jump in the shower And the blood starts pumpin'
0:45:39 > 0:45:42# Out on the streets The traffic starts jumpin'
0:45:42 > 0:45:47# With folks like me on the job from nine to five
0:45:47 > 0:45:49# Workin' nine to five
0:45:49 > 0:45:51# What a way to make a livin'
0:45:51 > 0:45:56# Barely gettin' by It's all takin' and no givin'
0:45:56 > 0:45:58# They just use your mind
0:45:58 > 0:46:01# And they never give you credit
0:46:01 > 0:46:06# It's enough to drive you crazy if you let it
0:46:06 > 0:46:10# Nine to five for service and devotion
0:46:10 > 0:46:13# You would think that I would deserve a fair promotion
0:46:13 > 0:46:16# Want to move ahead
0:46:16 > 0:46:19# But the boss won't seem to let me
0:46:19 > 0:46:23# I swear sometimes that man is... #
0:46:23 > 0:46:26MUSIC: "Do You Want The Truth Or Something Beautiful?" by Paloma Faith
0:46:26 > 0:46:31# Do you want the truth or something beautiful?
0:46:31 > 0:46:36# I am happy to deceive you
0:46:36 > 0:46:42# He stood as tall as redwood trees
0:46:42 > 0:46:46# And drank tea from a seamstress's thimble
0:46:47 > 0:46:52# I didn't want to speak the honest truth
0:46:52 > 0:46:57# So I spit out lies that aim to soothe
0:46:57 > 0:47:03# Do you want the truth or something beautiful?
0:47:03 > 0:47:07# Just close your eyes and make believe
0:47:08 > 0:47:15# Do you want the truth or something beautiful?
0:47:15 > 0:47:19# I am happy to deceive you
0:47:19 > 0:47:25# Sacred lies and
0:47:25 > 0:47:30# Telling tales
0:47:30 > 0:47:34# I can be who you want me to be
0:47:35 > 0:47:41# Sacred lies and
0:47:41 > 0:47:46# Telling tales
0:47:46 > 0:47:50# I can be who you want me to be
0:47:50 > 0:47:55# But do you want me? Mm-mm. #
0:48:13 > 0:48:15The third box, Ron.
0:48:17 > 0:48:19In or out, Carmen.
0:48:29 > 0:48:32I don't blame you for any of this, you know.
0:48:32 > 0:48:35You were only telling the truth. And it was a truth I made.
0:48:35 > 0:48:39Your timing was lousy and you have the sensitivity of a rhino,
0:48:39 > 0:48:42- but we can work on that.- I'm sorry.
0:48:46 > 0:48:47You found him.
0:48:51 > 0:48:55Trot on, I need some unskilled help with my box flaps.
0:48:57 > 0:48:59Here you are.
0:49:05 > 0:49:07Oh, we did it.
0:49:07 > 0:49:10I never want to do it again and I missed Newsnight,
0:49:10 > 0:49:11but we did it.
0:49:13 > 0:49:17- We didn't do the Sugar Mice!- But the van'll be here in a half an hour!
0:49:20 > 0:49:21Actually...
0:49:25 > 0:49:27So how the hell did you pile all that weight on?
0:49:33 > 0:49:35Right, croissants for everyone.
0:49:35 > 0:49:38I'm taking you all for breakfast to celebrate.
0:49:49 > 0:49:50Bye-bye, croissant.
0:49:50 > 0:49:53What the hell has he done with our factory?!
0:49:53 > 0:49:55This is a mayoral moment.
0:49:56 > 0:50:00Step aside, council official things...to do...here.
0:50:02 > 0:50:04In we go.
0:50:04 > 0:50:08See, being Mayor isn't all town twinning and planting saplings.
0:50:08 > 0:50:10We're at the business end of power.
0:50:11 > 0:50:13My hero(!)
0:50:30 > 0:50:32Ah, ah, ah. One each, Margery.
0:50:36 > 0:50:38We want to know what's going on.
0:50:38 > 0:50:43- And we want to know immediately, if not sooner.- And we won't be fobbed, so no flannel.
0:50:43 > 0:50:46Well, ladies and gentlemen,
0:50:46 > 0:50:52you are now standing in Yorkshire's newest premier hotel complex.
0:50:52 > 0:50:55- Just had to ask.- Oh, I know what he's doing. He's being reasonable.
0:50:55 > 0:50:58- Don't look him directly in the eye, Anne.- There's no secret.
0:51:03 > 0:51:07Restaurants, cabarets, there's the marina. VIP club.
0:51:07 > 0:51:10This is stage three, of course. The casino was stage one.
0:51:10 > 0:51:13What the bloody hell have you done with my house?
0:51:13 > 0:51:15We're still very much at the blue-sky stage.
0:51:17 > 0:51:22This place - here - is going to be the flagship.
0:51:22 > 0:51:24The jewel in the Sugartown crown.
0:51:24 > 0:51:28And you'll have a trouser press in every room?
0:51:28 > 0:51:30How can my guesthouse compete with that?
0:51:30 > 0:51:35This isn't Sugartown. Not OUR Sugartown.
0:51:35 > 0:51:37Oh, I can't afford this Sugartown.
0:51:44 > 0:51:47Even if you hadn't given Travis my job, I wouldn't come back.
0:51:47 > 0:51:48Gone native, have we?
0:51:49 > 0:51:54- Sad times, Sam.- Not sure about where you've put the lake.- What lake?
0:52:09 > 0:52:12And you can keep your hands off of my experiences, as well.
0:52:18 > 0:52:20VACUUM CLEANER
0:52:25 > 0:52:28Mum said to...
0:52:28 > 0:52:29Mum said to...
0:52:30 > 0:52:33Could you turn that thing off?
0:52:37 > 0:52:41VACUUM STOPS
0:52:41 > 0:52:44- Mum said to let you calm down. - You should've listened.
0:52:44 > 0:52:47Thought you were his partner. You his maid?
0:52:47 > 0:52:51I offered, all right?
0:52:51 > 0:52:53- He's training me up. - He's mugging you off.
0:52:53 > 0:52:57- What you doing here?- To tell you to stop working for Max.- Er...
0:52:57 > 0:53:01- No. Next.- This is a nice place...
0:53:01 > 0:53:03with nice people.
0:53:03 > 0:53:08You throwing your lot in with Max is just hurting them. I think it'll end up hurting you, too.
0:53:08 > 0:53:13You turned this whole town upside down. You sprung it on me, on Margery, just to get your own way.
0:53:13 > 0:53:16It was you that lost me my last job and you want me to jack this in, too?!
0:53:16 > 0:53:19Obviously, it's going to sound bad if you put it like that.
0:53:19 > 0:53:23There's me, kept on about leaving. But I don't reckon it's me that should go.
0:53:23 > 0:53:25- What?- I've got a chance now. - PHONE RINGS
0:53:25 > 0:53:30A proper chance. And you? You have caused nothing but trouble.
0:53:30 > 0:53:32This town would be better off without you.
0:53:32 > 0:53:34- I- would be better off without you.
0:53:36 > 0:53:38- Is that what you really want? - Yes, it is.
0:53:40 > 0:53:41Phone for you, Travis.
0:53:42 > 0:53:45- Just go.- OK.
0:53:46 > 0:53:48- Go.- I'm going.
0:53:57 > 0:54:00What? Yeah, this is Travis Jameson.
0:54:00 > 0:54:04What? How many percent?
0:54:09 > 0:54:14Yeah. Oh, that's great, that's great. Thanks. Cheers.
0:54:15 > 0:54:18- All right?- Yeah.
0:54:23 > 0:54:27The supermarket. Depot's dead chuffed.
0:54:27 > 0:54:30Want to do a proper launch - promotions, displays.
0:54:32 > 0:54:34- Thank you.- That's great.
0:54:36 > 0:54:40- Jason...- Doesn't change things.
0:54:40 > 0:54:41- Not with us.- I know.
0:54:43 > 0:54:45It looks like it was all in vain.
0:54:45 > 0:54:50Max is already renovating the factory. In fact, he's planning to renovate the whole town.
0:54:50 > 0:54:55- It was all for nothing. - What's he playing at?
0:54:55 > 0:54:57Is there nothing he can't keep his hands off?
0:54:59 > 0:55:01I'll go and stay with my dad for a while.
0:55:01 > 0:55:05You know how lonely he gets with only his spirit guides for company.
0:55:05 > 0:55:07What you did...
0:55:10 > 0:55:14- Nobody's ever done anything like that for me before. - Maybe if you let them...
0:55:17 > 0:55:20Emily? It wasn't all for nothing.
0:55:43 > 0:55:45- Carmen!- She's here!
0:55:48 > 0:55:51It's OK. I know what usually happens here.
0:55:51 > 0:55:54The train pulls away and we're like, "Oh, no!".
0:55:54 > 0:55:58But then we see she's still standing on the other side, so we're like "Yay!".
0:56:04 > 0:56:08Like I say...usually.
0:56:19 > 0:56:22Place over the road does a nice cup of tea and a slice.
0:56:22 > 0:56:27- She won't have gone far. - The train only goes as far as Leeds.
0:56:27 > 0:56:30Carmen could get in trouble walking to the kitchen and back.
0:56:30 > 0:56:33I don't know what she might do. She might do anything.
0:56:33 > 0:56:36You don't know her. She's upset, not well. I'm not there to look after her.
0:56:36 > 0:56:39Why don't you come back, stay at mine tonight? Or with Anne.
0:56:39 > 0:56:42- Tomorrow, we'll start tracking her down.- No, no.
0:56:42 > 0:56:46- I want to be there just in case she comes back.- Then we'll come to you.
0:56:46 > 0:56:49Help you make it through the night.
0:56:49 > 0:56:51You're one of us now, Sam.
0:56:51 > 0:56:53Sugartowner.
0:56:54 > 0:56:55Excuse me.
0:57:06 > 0:57:14If I'd been there, you'd probably be turning to me for comfort now.
0:57:14 > 0:57:17Maybe I'd give you a hug or something.
0:57:19 > 0:57:22We could always try it on for size?
0:57:22 > 0:57:24No.
0:57:24 > 0:57:26Stupid.
0:57:28 > 0:57:31- Travis, I know you and Carmen were close...- Stop!
0:57:31 > 0:57:35The clinic called earlier.
0:57:35 > 0:57:39According to them, Max and I aren't brothers.
0:57:39 > 0:57:40No way we're related.
0:57:42 > 0:57:44- What?!- So who's my dad?
0:57:44 > 0:57:46Burt.
0:57:46 > 0:57:48Just Burt.
0:57:48 > 0:57:50There was never anyone else.
0:57:57 > 0:58:00- Which means Max can't be...- Burt's.
0:58:01 > 0:58:04Oh, Travis,
0:58:04 > 0:58:06this is sizeable.
0:58:08 > 0:58:12It means Max has no claim to the factory, after all.
0:58:12 > 0:58:13Travis...
0:58:16 > 0:58:17I'm truly sorry for all this.
0:58:17 > 0:58:20Look, er...
0:58:22 > 0:58:26..you don't need to keep it, but...
0:58:39 > 0:58:43# If I had a million dollars or ten
0:58:43 > 0:58:48# I'd give it to you, world, and then
0:58:48 > 0:58:54# Go away and let me spend my life in shoo shoo shoo
0:58:54 > 0:59:00# Shoo shoo shoo, shoo-shoo, shoo-shoo shoo-shoo, Sugartown
0:59:03 > 0:59:06# Shoo shoo shoo-shoo Sugartown. #