0:00:02 > 0:00:03Long lost mum, not lost!
0:00:03 > 0:00:06You know Travis, don't you? Our kid brother.
0:00:06 > 0:00:09- You went behind my back with Max. And you slept with him.- No!
0:00:09 > 0:00:11What the hell has he done with that factory?
0:00:11 > 0:00:15You are now standing in Yorkshire's Premier Hotel Complex.
0:00:15 > 0:00:17You have caused nothing but trouble!
0:00:17 > 0:00:19I will be better off without you.
0:00:20 > 0:00:23- Carmen! - The train only goes as far as Leeds.
0:00:23 > 0:00:26She's upset, she's not well and I'm not there to look after her.
0:00:26 > 0:00:28According to them, Max and I aren't brothers.
0:00:28 > 0:00:31Max has no claim to the factory after all.
0:00:35 > 0:00:38URBAN MUSIC PLAYS
0:00:50 > 0:00:55I just thought it might be a little bit more elegant if we didn't, you know...
0:00:55 > 0:00:58Yo, woman! Why is you be hatin' up in dis ere hizzhouse?
0:00:58 > 0:01:02Dis vizzle's g'wan be beast, doggystyle. So don't be grindin' on ma grooves, fo!
0:01:04 > 0:01:07Er, is that even English?
0:01:07 > 0:01:12It's not Notorious BIG or clever to demean women, let alone mangle a plie.
0:01:18 > 0:01:22# I got some troubles but they won't last
0:01:22 > 0:01:27# I'm gonna lay right down here in the grass
0:01:27 > 0:01:31# And pretty soon all my troubles will pass
0:01:31 > 0:01:33# Cos I'm in shoo-shoo-shoo
0:01:33 > 0:01:35# Shoo-shoo-shoo
0:01:35 > 0:01:37# Shoo-shoo-shoo-shoo-shoo-shoo
0:01:37 > 0:01:39# Sugartown. #
0:01:41 > 0:01:46So, we find ourselves the guardians of a terrible secret.
0:01:46 > 0:01:48Us alone, we five.
0:01:52 > 0:01:56Six. It is a heavy beast of burden that sits upon us.
0:01:56 > 0:01:59We're not the Illuminati, Ron.
0:01:59 > 0:02:02The point is, I don't think it should be a secret.
0:02:02 > 0:02:03TOILET FLUSHES
0:02:03 > 0:02:08Ah, it's Emily. She has returned to my fold following an undisclosed
0:02:08 > 0:02:11tete a tete with Jason for an undisclosed period.
0:02:11 > 0:02:13Well, I don't think we should tell Em.
0:02:13 > 0:02:16Not until we've figured out what... IF we're going to tell Jase.
0:02:16 > 0:02:18And you're 100%, Travis?
0:02:18 > 0:02:20We've been through this four times, Michael.
0:02:20 > 0:02:24Granted, the latter three were for Anne's sake. Max is not Burt's son.
0:02:24 > 0:02:28So Max has no claim on the factory.
0:02:28 > 0:02:33- And can be removed as the offending article.- I need some air.
0:02:33 > 0:02:34I didn't...
0:02:34 > 0:02:37I don't want any of this. I'm going to shoot.
0:02:42 > 0:02:44DOORBELL RINGS
0:02:45 > 0:02:46So, nothing from Carmen at all?
0:02:47 > 0:02:49Ah, Jason's here!
0:02:49 > 0:02:52- Here, at my door!- All right, Ron?
0:02:58 > 0:03:00Hi.
0:03:01 > 0:03:02Discussion group!
0:03:02 > 0:03:09Yes. We always meet every week to debate the hot topics of the day.
0:03:09 > 0:03:12Feminism, racism. Any topical "isms".
0:03:12 > 0:03:14And today?
0:03:14 > 0:03:18People sticking their noses into other people's discussion groups.
0:03:18 > 0:03:20Ism.
0:03:23 > 0:03:27- I just came to see Em. - Oh, go right up.
0:03:27 > 0:03:30I've heard bathroom movements already, so she's compus menstrus.
0:03:35 > 0:03:36HE KNOCKS ON DOOR
0:03:36 > 0:03:38Em, your dad said it was all right.
0:03:43 > 0:03:44It is.
0:03:53 > 0:03:54Sit.
0:04:11 > 0:04:13When Robbie left,
0:04:13 > 0:04:15I felt a lot of anger,
0:04:15 > 0:04:18a lot of sadness. He was my favourite.
0:04:20 > 0:04:21I was bereft.
0:04:24 > 0:04:28- He came back. - Yeah, though he shouldn't have.
0:04:28 > 0:04:31They didn't need him any more.
0:04:31 > 0:04:34- They'd moved on.- Are we still talking about Take That?
0:04:37 > 0:04:39He's my brother, Em.
0:04:39 > 0:04:41Like it or not, it's fact.
0:04:41 > 0:04:43I know that
0:04:43 > 0:04:46he's part of your past. No, I have to accept that.
0:04:49 > 0:04:54Question is whether you see him as part of your future, too.
0:04:55 > 0:05:02Time and a triumphant comeback album have shown that Gary Barlow was the real star.
0:05:02 > 0:05:04It's you I love.
0:05:09 > 0:05:12So we are as one?
0:05:12 > 0:05:14We tell Jason when he comes down.
0:05:16 > 0:05:19I'll put the kettle on.
0:05:19 > 0:05:22Ron, do you have any tea that's not made of bark?
0:05:22 > 0:05:25Do you know, I think I'll try mountain rescue.
0:05:25 > 0:05:28I doubt that she'll have taken a hang glider again but...
0:05:28 > 0:05:31I'm not used to all this news.
0:05:31 > 0:05:34Emily and Jason. Margery and Travis.
0:05:34 > 0:05:36And Max and Travis and Jason.
0:05:36 > 0:05:39And I haven't even begun to process the loss of Carmen, yet.
0:05:39 > 0:05:41Hey, least you haven't changed!
0:05:41 > 0:05:43No, I'm never news.
0:05:43 > 0:05:46SEAGULLS CRY
0:05:46 > 0:05:48What do you reckon to coming home?
0:05:49 > 0:05:52- Really?- Yeah.
0:05:52 > 0:05:54Well, I kind of miss you,
0:05:54 > 0:05:56and I don't know how to work the dishwasher.
0:05:59 > 0:06:01We could take it slow.
0:06:04 > 0:06:06- I don't want to.- What?
0:06:06 > 0:06:09I want to hurry into things.
0:06:09 > 0:06:11Why not bring the wedding forward?
0:06:11 > 0:06:14We have all the paperwork, thanks to my organisational skills.
0:06:14 > 0:06:17Babe, what about your big day, your "wedding of the decade"?
0:06:17 > 0:06:19Who cares about all that?
0:06:19 > 0:06:24I barely do. Anyway, austerity weddings are so on trend right now.
0:06:24 > 0:06:27Well, thanks to me, you haven't even got a dress.
0:06:27 > 0:06:30I'll use Mum's!
0:06:30 > 0:06:32Dad will be thrilled. He hasn't had the heart
0:06:32 > 0:06:35to get rid of it, what with the polyester mix being non recyclable.
0:06:36 > 0:06:39Jason Burr...
0:06:40 > 0:06:44..will you marry me?
0:06:46 > 0:06:50- Morning.- BOTH: We've got something to tell you. What?
0:06:50 > 0:06:52I'll defer.
0:06:52 > 0:06:55We're getting married!
0:06:55 > 0:06:57Yes, we know.
0:06:57 > 0:06:59We were at your engagement party only the other week.
0:06:59 > 0:07:02I've only just stopped wearing the hangover.
0:07:02 > 0:07:04No, on Saturday.
0:07:04 > 0:07:06Which Saturday, pumpkin?
0:07:06 > 0:07:10- This Saturday.- What? Bloody hell!
0:07:10 > 0:07:14The Vicar's just confirmed. Luckily, she's uncomfortable with tears. She broke after only two minutes.
0:07:14 > 0:07:16So, I'm going to need all of your help. Lots to do!
0:07:16 > 0:07:19I'll provide work flow charts with all your daily targets.
0:07:19 > 0:07:22Brilliant, isn't it? Oh, sorry, you had some news, too?
0:07:22 > 0:07:24No, no, no, no.
0:07:24 > 0:07:26What news? Not really.
0:07:26 > 0:07:28Oh, well, look, that's...
0:07:28 > 0:07:30Congratulations, that's great!
0:07:32 > 0:07:36Plan B. YOU tell Max. Ron, come on, you've got to man up.
0:07:36 > 0:07:39It's not as if he's going to hit you or anything. Probably.
0:07:39 > 0:07:44- Dad, will you help me get Mum's wedding dress down from the loft? - Yes.
0:07:49 > 0:07:54Right, we might not have long, but I want it to be as near as damn it to Emily's perfect day.
0:07:54 > 0:07:56SEAGULLS CRY
0:08:00 > 0:08:05- And you're sure you want it totally gutted?- Totally sure.
0:08:05 > 0:08:08There's some cracking original features, Mr Burr, Max.
0:08:09 > 0:08:11Mr Burr. Yeah, they're what I want rid of first.
0:08:11 > 0:08:13In fact, excuse me.
0:08:18 > 0:08:19Let me get the first blow in.
0:08:34 > 0:08:35Yeah.
0:08:39 > 0:08:41One for the mental scrapbook.
0:08:47 > 0:08:48How's your Spanish?
0:08:48 > 0:08:50Schoolgirl.
0:08:50 > 0:08:54What is a macchiato?
0:08:54 > 0:08:55Not Spanish.
0:08:55 > 0:08:57I hope I haven't hit my glass ceiling.
0:08:57 > 0:09:01Can we concentrate on me for just one minute, Anne? I am a blushing bride.
0:09:03 > 0:09:06Right! Photos, Dad. Ribbonage, Michael.
0:09:06 > 0:09:07Party Favours, Margery.
0:09:07 > 0:09:09Flowers... Ooh, flowers!
0:09:09 > 0:09:11In the bleak midwinter?
0:09:11 > 0:09:15- Silk?- Dried?- I'm not walking down the aisle with pot pourri, Anne.
0:09:15 > 0:09:22- You are incredible, Em, organising a wedding in a timescale and on a shoestring.- I know!
0:09:22 > 0:09:24I should be running the country.
0:09:24 > 0:09:28Ooh, first dance! On my A list, Take That.
0:09:28 > 0:09:30B list, a Minogue sister. Any.
0:09:30 > 0:09:33C list, we're getting into Westlife.
0:09:33 > 0:09:35But we're not at that stage, yet.
0:09:35 > 0:09:41No, I mean, I'd completely forgotten about that important element of the reception itinerary.
0:09:41 > 0:09:45You've seen Jason dance, it's just wrong. Fact.
0:09:45 > 0:09:48I mean, remember Dad's 60th? That conga line.
0:09:48 > 0:09:50We really do have a problem here.
0:09:50 > 0:09:54I'm going to need inspiration from a worldwide community.
0:09:59 > 0:10:00MOBILE PHONE RINGS
0:10:11 > 0:10:13Any news?
0:10:13 > 0:10:15This is classic Carmen.
0:10:15 > 0:10:19She came, she saw, she closed a factory.
0:10:19 > 0:10:22Now I can't move on just in case she comes back.
0:10:22 > 0:10:25There are worse places to be stranded, eh?
0:10:25 > 0:10:27Look, sorry, I wanted to ask.
0:10:27 > 0:10:32I know it's only a few days away, but any chance you could show me round a wedding waltz?
0:10:32 > 0:10:35I don't want to let Emily down. Bit of a surprise.
0:10:35 > 0:10:39- But I'm not a twinkle toes. - Well, we can give it a go, Twinkle.
0:10:40 > 0:10:42She will come back.
0:10:44 > 0:10:45Girl talk!
0:10:45 > 0:10:47Shoo!
0:10:50 > 0:10:52Have you...
0:10:52 > 0:10:53spoken to Jason about this?
0:10:53 > 0:10:57No. But I think I'd know what my own fiance would want.
0:10:57 > 0:11:01It's just that the bride and groom's dance is traditionally
0:11:01 > 0:11:03just the bride and groom.
0:11:03 > 0:11:06Yeah, but Jason can't dance. Trust me, shocking. Literally, it looks like he's been plugged in.
0:11:06 > 0:11:11I don't want anyone laughing at Jason on our special day, including me.
0:11:11 > 0:11:18This way we can share our intimate, special day with a worldwide audience. Everyone's doing it,
0:11:18 > 0:11:20uploading their wedding videos on YouTube.
0:11:20 > 0:11:22It's a phenomenon of our modern age.
0:11:22 > 0:11:27Oh, please? It could put the dance school on the map.
0:11:27 > 0:11:29Oh, thank you!
0:11:32 > 0:11:38Oooh, and don't worry about Carmen. She'll come back.
0:11:43 > 0:11:46Not quite ready for the ribbon cutting yet, Ron.
0:11:48 > 0:11:52That's not the only thing we mayors do, Max.
0:11:52 > 0:11:57Sometimes, we are also beholden to bear tidings.
0:11:57 > 0:12:00Let me line my ducks up in a row for you.
0:12:00 > 0:12:04And I won't hold back, we're men of the world.
0:12:04 > 0:12:09My late wife, Helen, never told me where she kept the HobNobs.
0:12:09 > 0:12:12She knew I had a weakness, so she hid them
0:12:12 > 0:12:16and so we see there how some secrets are there to protect us.
0:12:16 > 0:12:20You do realise I'm holding a hammer, right?
0:12:20 > 0:12:25So, as I say, when my wife died it took me two years to find that biscuit barrel.
0:12:25 > 0:12:29This is an example of how secrets must out.
0:12:29 > 0:12:32Ironically, by that time I'd moved on to Jammy Dodgers.
0:12:32 > 0:12:38And so we see how people hide secrets in barrels when they feel they're doing the right thing.
0:12:38 > 0:12:40Margery hid her biscuits.
0:12:40 > 0:12:43So did your folks.
0:12:43 > 0:12:45And now you're out of the barrel.
0:12:45 > 0:12:47I'm sorry you had to find out this way.
0:12:49 > 0:12:52I'm sure you want time to percolate your complex feelings.
0:12:55 > 0:12:58I hope you'll at least stay for the happy day, mind?
0:12:58 > 0:13:03Funny to think my little princess will be marrying young Jason come Saturday.
0:13:03 > 0:13:05Times like this I still fancy a HobNob.
0:13:05 > 0:13:08It never leaves you.
0:13:17 > 0:13:19SHOP BELL RINGS
0:13:19 > 0:13:22Thank you.
0:13:22 > 0:13:26Oh, I don't have time to insult and despise you today, Max, I'm very busy.
0:13:26 > 0:13:29- Holiday?- Honeymoon.
0:13:29 > 0:13:30Not sure I can get the time off.
0:13:33 > 0:13:36Thailand? Jason'd never pull off a sarong.
0:13:36 > 0:13:39- What do you want, Max? - You to call it off, marry me instead.
0:13:39 > 0:13:42Or we could go to Thailand. We could live in a hut on a beach.
0:13:42 > 0:13:46- We'd be poor, but our love would feed us.- You'd starve in a week.
0:13:46 > 0:13:50Em... Em, do you really want to know why I came back to Sugartown?
0:13:51 > 0:13:52For you.
0:13:52 > 0:13:55Just...for you.
0:13:55 > 0:13:59Yeah? Well, zero interest, so you may as well be on your way again.
0:13:59 > 0:14:03I've got no desire to spend my marital bliss stuck between Jason's rock and your hard place.
0:14:03 > 0:14:05You only want me because Jason has me.
0:14:05 > 0:14:07I want you because I'm crazy about you.
0:14:07 > 0:14:10You do this thing to me.
0:14:10 > 0:14:15You make me want to pat kittens and listen to classical music.
0:14:15 > 0:14:18I want you because I'm...
0:14:18 > 0:14:19I love you.
0:14:24 > 0:14:26Just the one kettle, then?
0:14:29 > 0:14:32I suppose I'll have to take it.
0:14:32 > 0:14:33So, from what you've outlined, all that Max will have got from this
0:14:33 > 0:14:38is that you can't be left alone around biscuits.
0:14:38 > 0:14:41- Epic fail, Ron. - Another discussion group?
0:14:41 > 0:14:43ALL TALK AT ONCE
0:14:43 > 0:14:45Please. Life's too short.
0:15:11 > 0:15:12SEAGULLS CRY
0:15:20 > 0:15:22Stop pretending to work.
0:15:22 > 0:15:26We're like coiled springs here, Jason. Come on, cut us some slack.
0:15:29 > 0:15:31I didn't do it. I'm not doing it.
0:15:31 > 0:15:36- I'm not telling Max.- What?- We will get this factory back, somehow, but I'm not punching below the belt.
0:15:36 > 0:15:40- And I hope I know you all well enough to know that you'll respect my feelings on this.- But Max is...
0:15:40 > 0:15:43My brother. End of.
0:15:46 > 0:15:48This isn't just about you, Jason.
0:15:48 > 0:15:51Not any more it isn't. You might be happy swearing off the factory
0:15:51 > 0:15:55and letting this town go down Max's plughole, but what about Travis?
0:15:55 > 0:15:58You should understand better than anyone.
0:15:58 > 0:16:01He's family.
0:16:01 > 0:16:03I'm not falling out with you on this, Margery.
0:16:03 > 0:16:05At least see Travis right.
0:16:13 > 0:16:14MAN CLEARS THROAT
0:16:19 > 0:16:23She'll catch her death.
0:16:23 > 0:16:24Listen, mate...
0:16:27 > 0:16:29..your mum's worried about you.
0:16:29 > 0:16:31Right.
0:16:33 > 0:16:35I want you to know, it doesn't change any thing between me and Max.
0:16:35 > 0:16:38We grew up together. There's history, know what I mean?
0:16:38 > 0:16:44But you're my brother, too, and you're dad's son.
0:16:44 > 0:16:47The factory's just as much yours as it is mine.
0:16:47 > 0:16:48So Margery...
0:16:51 > 0:16:54I want you to come over and work with us at Burrs.
0:16:54 > 0:16:56I don't fancy being the meat in the sandwich with you and...
0:16:59 > 0:17:01Say cheese!
0:17:01 > 0:17:04Family portrait moment. It's a beautiful thing.
0:17:04 > 0:17:05Champagne, I think.
0:17:07 > 0:17:09I'm not staying, just here to see Travis.
0:17:09 > 0:17:12- About? - About giving working with me a try.
0:17:12 > 0:17:14Oh, unworthy, Jason.
0:17:14 > 0:17:16Tapping up our kid when my back's turned.
0:17:16 > 0:17:18You must be torn, young Travis, eh?
0:17:18 > 0:17:21Cool career in a hot spot, surrounded by girls with long legs and short skirts
0:17:21 > 0:17:25or tweezering whiskers onto sugared mice with Margery.
0:17:25 > 0:17:27- Tricky.- He's working at Burrs, Max.
0:17:27 > 0:17:29He's working at Maxxx's, Jase.
0:17:29 > 0:17:33- Do I get a say?- Sure you do. But I reckon you'll do the right thing,
0:17:33 > 0:17:36by you, by your mum, by this town.
0:17:36 > 0:17:38And stay away from Emily.
0:17:45 > 0:17:47SIRENS WAIL
0:18:28 > 0:18:29Sorry, sorry.
0:18:29 > 0:18:31It's OK, it's OK, it's OK.
0:18:31 > 0:18:33Now just relax.
0:18:33 > 0:18:38Right, my motto, if you can walk, you can dance, OK?
0:18:38 > 0:18:40By the left,
0:18:40 > 0:18:42and left
0:18:42 > 0:18:45right together.
0:18:45 > 0:18:47Left...
0:18:49 > 0:18:51Oooh, I think I'm getting it.
0:18:51 > 0:18:54No, it's just where I've started leading whilst I still had some toes.
0:18:54 > 0:18:57Anyone who can walk, right?
0:18:57 > 0:18:59You'll get there.
0:18:59 > 0:19:02Yeah, you will. It's not your two left feet she's marrying.
0:19:02 > 0:19:07- Max can dance.- Yeah, you'd kick his backside in a rugby scrum.
0:19:07 > 0:19:11Reckon it's good, though, what you're doing with the school. Cheers everybody up a bit.
0:19:11 > 0:19:14- Thank you. - Thank you. Keep practising.
0:19:14 > 0:19:16Round two.
0:19:16 > 0:19:17Taaaa!
0:19:17 > 0:19:20And keep going over it in your heads and we'll pick it up tomorrow.
0:19:20 > 0:19:22Good job, team!
0:19:22 > 0:19:23And, Ron,
0:19:23 > 0:19:25way to bust a move!
0:19:25 > 0:19:26Giving it large!
0:19:28 > 0:19:30I could never trust a red shoe.
0:19:30 > 0:19:33How many times, Anne? It was a film.
0:19:33 > 0:19:35Have you finished the seating plan yet?
0:19:35 > 0:19:38And have you hand delivered all the invitations?
0:19:38 > 0:19:41Oh, and I need you to find our first night hotel.
0:19:41 > 0:19:43I am exhausted!
0:19:46 > 0:19:48But I'm a hotel.
0:19:49 > 0:19:51My signature prawns.
0:19:51 > 0:19:55And a pasta bake main. Anne was meant to be on afters, but Emily's running her ragged.
0:19:55 > 0:20:00You won't want to get into food preparation with Carmen being currently in abstentia.
0:20:00 > 0:20:03You're doing really well here, Sam.
0:20:03 > 0:20:04We've seen Jason.
0:20:04 > 0:20:06- Murder on the dance floor!- Thank you.
0:20:06 > 0:20:09Oh, Travis, you know Carmen was right.
0:20:09 > 0:20:12You are good and you should be doing something with it.
0:20:12 > 0:20:17Actually, Travis is trialling at the rock factory tomorrow for his long-term career option.
0:20:21 > 0:20:24SIRENS WAIL
0:21:01 > 0:21:06MUSIC: "Bridal Chorus" by Richard Wagner
0:21:06 > 0:21:10Emily Pankhurst Germaine Greer Valerie Singleton Shirley,
0:21:10 > 0:21:15do you take this man to be your lawful wedded husband?
0:21:15 > 0:21:22- I do.- And do you take Emily etc, etc, to be your lawful wedded wife?
0:21:25 > 0:21:27I do.
0:21:28 > 0:21:29I always did.
0:21:30 > 0:21:31I always did.
0:21:54 > 0:21:57Yeah, you keep on and that Easter egg's going to be ready just in time for Christmas.
0:21:57 > 0:21:59Though if you could aim for Halloween...
0:22:01 > 0:22:03I just don't know if this is me.
0:22:03 > 0:22:05Look, mate, I know it's a junior role,
0:22:05 > 0:22:07but I always reckon you need to understand the business bottom up.
0:22:07 > 0:22:10- You could start tomorrow?- Stag!
0:22:10 > 0:22:15- It's OK, Ron has it in hand. He was insistent.- I was insistent.
0:22:15 > 0:22:16Jason said you were insistent.
0:22:16 > 0:22:20Raise the roof, please.
0:22:20 > 0:22:23But it's a big responsibility, the binge drinking and what have you.
0:22:23 > 0:22:26I like a Bacardi Breezer as much as the next red-blooded male.
0:22:26 > 0:22:30Besides, I've been Googling all morning and I think I've concocted
0:22:30 > 0:22:34the perfect way to observe Jason's manhood. Twirl.
0:22:38 > 0:22:40You don't think the hoops are too much?
0:22:40 > 0:22:45Well, to be honest, yes, I do, but you met me halfway on my Bedouin robes, so I'll not pass comment.
0:22:47 > 0:22:50Your mother would have been so proud to see you in that dress.
0:22:50 > 0:22:52She wore it at all of her weddings.
0:22:55 > 0:22:57Snaps for Anne!
0:22:57 > 0:23:00How do I look? Do I look ridiculous?
0:23:00 > 0:23:05Will I look ridiculous? Will Michael think I look ridiculous?
0:23:05 > 0:23:07You look like a fairy tale.
0:23:08 > 0:23:11- I shall go to the ball!- Yes!
0:23:11 > 0:23:15So, did you talk to the balloon shop about seconds? And did you research the serviette folding?
0:23:15 > 0:23:17- I've got my heart set on swans. - No, but...
0:23:17 > 0:23:20Anne! I'd have thought, as my supposed best friend, you'd step up
0:23:20 > 0:23:25when I'm trying to have a low key wedding with minimum fuss, I need everybody signed up and pitching in.
0:23:25 > 0:23:29What on Earth could have been more important than sorting out DIY napkin origami?
0:23:29 > 0:23:31Surprise, surprise, surprise!
0:23:34 > 0:23:38- What am I meant to be looking at? - The room. I worked on it all night.
0:23:38 > 0:23:41I'm exhausted slash urgh.
0:23:41 > 0:23:43It's your first night honeymoon suite.
0:23:43 > 0:23:46I've folded the toilet tissue in the triangle.
0:23:47 > 0:23:50And a shoe buffer for your convenience.
0:23:50 > 0:23:55And, I'm quite proud of this, feel under the pillow.
0:23:55 > 0:23:58SEAGULLS CRY
0:24:00 > 0:24:01Chocolates!
0:24:01 > 0:24:03Wrapped chocolates, Anne.
0:24:06 > 0:24:08They're meant to be wrapped!
0:24:08 > 0:24:10Ugh!
0:24:10 > 0:24:16- I thought you'd like it. - I'm not spending my first night as a Mr and Mrs in a B&B.
0:24:16 > 0:24:17I can't do this right now.
0:24:17 > 0:24:23- I've got to approve Jason's wedding vows, the best man's outfit... - Sorry.
0:24:25 > 0:24:27No, I'M sorry.
0:24:30 > 0:24:34It's just organising the happiest day of your life can be really stressful.
0:24:34 > 0:24:36Who are you going to have as best man?
0:24:36 > 0:24:38Travis, now that he's Jason's proper brother?
0:24:38 > 0:24:42God, no. They don't do morning suits with hoods.
0:24:42 > 0:24:45- What do you mean, "proper" brother? - Well, now that Max isn't...
0:24:45 > 0:24:47SHE GASPS
0:24:52 > 0:24:55Making a packed lunch for your journey?
0:24:55 > 0:24:59I'm not meant to talk to you, as decreed by his royal highness, the King Of Rock.
0:25:01 > 0:25:04You can't be staying, not now without the factory?
0:25:07 > 0:25:11No, don't have my Emily to English dictionary on me, so...
0:25:11 > 0:25:14- You can't keep it now. - Oh, I'm sorry, were you expecting it as a wedding present?
0:25:14 > 0:25:16It's not yours to keep, Max!
0:25:16 > 0:25:19I'm not giving up the factory, Em.
0:25:19 > 0:25:22Jase knows this, the Good Hotel guide will soon know this.
0:25:22 > 0:25:27I suggest that you subscribe to my Tweets, so that you too, will also know this.
0:25:27 > 0:25:29You can't just ignore it Max.
0:25:29 > 0:25:33Max! Max!
0:25:33 > 0:25:35All right, want to put me out of my mild curiosity?
0:25:35 > 0:25:37That you're not Burt's son.
0:25:37 > 0:25:40You knew that. The lab tests proved you're not Travis' brother.
0:25:40 > 0:25:43You have no claim on the factory.
0:25:45 > 0:25:49- You're lying.- No-one knows who your father is. If you even had one.
0:25:56 > 0:25:58SHOP BELL RINGS
0:25:59 > 0:26:03- I think I've done a bad thing, Dad. - When you say "bad", princess,
0:26:03 > 0:26:06do you mean perm gone wrong bad or should I call a lawyer, bad?
0:26:06 > 0:26:08Morals and ethics bad.
0:26:08 > 0:26:10Shall I get my Germaine Greers down to consult?
0:26:10 > 0:26:11No, Dad.
0:26:17 > 0:26:19Tell me about Max...
0:26:19 > 0:26:21Jason's mum.
0:26:21 > 0:26:26- I don't remember her. - Well, you wouldn't, she left town when the boys were still young.
0:26:26 > 0:26:29- Ran off with some clown.- Who was he?
0:26:29 > 0:26:31Like I said, he was a clown.
0:26:31 > 0:26:37The circus had just been in town. By all accounts, he swept her off her feet and right up onto the high wire.
0:26:37 > 0:26:39And she just abandoned her kids?
0:26:39 > 0:26:42Burt was a hard man to live with, a bully.
0:26:42 > 0:26:47I remember this time when Max won this school prize for a poem he'd written about the bluff.
0:26:47 > 0:26:49Had to read it out to the recital.
0:26:49 > 0:26:55He was going great guns when he looked up and saw his dad in the audience laughing at him.
0:26:55 > 0:26:57It wasn't meant to be a funny poem, mind.
0:26:57 > 0:27:00Ran off the stage in tears.
0:27:00 > 0:27:02I don't think he ever had a kind word from his dad.
0:27:02 > 0:27:07I used to see him sitting up there on that bluff all on his own.
0:27:08 > 0:27:09Thanks, Dad.
0:27:09 > 0:27:11You're welcome.
0:27:15 > 0:27:19WAVES CRASH
0:27:22 > 0:27:25SEAGULLS CRY
0:27:31 > 0:27:34- If I hurt you...- Job well done.
0:27:34 > 0:27:37- I thought Jason had told you. - Less well done.
0:27:40 > 0:27:41Do you know what hurt most, Em?
0:27:43 > 0:27:47More than the Dad, no Dad bombshell?
0:27:47 > 0:27:50You enjoyed hurting me, didn't you?
0:27:50 > 0:27:52Sticking the knife in. Giving it a good old twist.
0:27:52 > 0:27:54You broke my heart when you left.
0:27:54 > 0:27:56We were 16, Em.
0:27:56 > 0:27:59And now?
0:27:59 > 0:28:01- Now, you're marrying my brother. - If you liked it you should have put a ring on it!
0:28:01 > 0:28:03We were 16, Em.
0:28:03 > 0:28:06And you just left without a word, nothing.
0:28:06 > 0:28:09Just walked out of this town and out of my life.
0:28:13 > 0:28:15You broke my heart.
0:28:16 > 0:28:19Yeah.
0:28:20 > 0:28:22Well, now we're even.
0:28:24 > 0:28:26- But Burt...- It's not about my dad! Go and marry Captain Sensible.
0:28:26 > 0:28:30Go and be sensible, yeah?
0:28:30 > 0:28:34Go and have sensible children and drive a sensible car and have a sensible dog.
0:28:34 > 0:28:36At least I take what I want.
0:28:42 > 0:28:47Oooh, it's like an insight into the life of the Royals, isn't it?
0:28:47 > 0:28:51Do you know, I might have to tag along on the honeymoon to recover from this wedding.
0:28:51 > 0:28:54With this and my intensive choreography, I can't deny,
0:28:54 > 0:28:57I'm leaning heavily on my foot spa at the moment.
0:28:57 > 0:28:59Well, I just hope we've done the right thing going off her old scrapbook.
0:28:59 > 0:29:02I wanted to be a Thundercat when I was eight.
0:29:02 > 0:29:04Will Em seriously still want all this stuff?
0:29:04 > 0:29:10Michael, I doubt if Emily's taste in bonbonnieres has radically changed since this.
0:29:10 > 0:29:15- She's a nice girl, but she was a princess then and she's a princess now.- It has been nice, though.
0:29:15 > 0:29:18All this, getting ready for a wedding. Celebrating a happy event.
0:29:18 > 0:29:19Makes you all warm and fuzzy.
0:29:19 > 0:29:21I know I couldn't feel fuzzier.
0:29:21 > 0:29:24And the upshot has been another win for community spirit.
0:29:24 > 0:29:29I've enjoyed spending quality face time with you all.
0:29:29 > 0:29:33- Max may be rich in his coffers, but he's a poor man in his quality face time.- It's so sad though.
0:29:33 > 0:29:38I mean, he must be very lonely and suffering from an aching depression in his soul and he hasn't
0:29:38 > 0:29:45- got the chance to be our friend and blow up balloons and bake cupcakes and knit tablecloths.
0:29:45 > 0:29:46Lucky sod.
0:29:58 > 0:29:59What do you want?
0:29:59 > 0:30:02It's my stag do tonight.
0:30:02 > 0:30:04I feel strange you not being there.
0:30:04 > 0:30:07Why?
0:30:07 > 0:30:10Forgot to tell me something, didn't you...Bro?
0:30:10 > 0:30:12If you're still calling yourself that.
0:30:12 > 0:30:15- Max, they shouldn't have told you. - The question is why you didn't?
0:30:15 > 0:30:18- Isn't it obvious?- What, you're waiting to get us on Jeremy Kyle?
0:30:18 > 0:30:19I know he wasn't much of a dad to you.
0:30:19 > 0:30:23He was no kind of dad to me, as it turns out.
0:30:23 > 0:30:26That's me disinherited, isn't it? You get the factory back.
0:30:26 > 0:30:28That's a three-ace hand you're holding there, Jase.
0:30:28 > 0:30:32- Why?- Because it changes nothing.
0:30:32 > 0:30:34I know what he was like with you.
0:30:34 > 0:30:36Jesus, Max, we grew up together.
0:30:36 > 0:30:38Yeah, I might not like who you've become, but you're my brother today
0:30:38 > 0:30:40the same as you were my brother every other day before.
0:30:40 > 0:30:43- What, you saying you don't want the factory back now? - Yeah, I want it back.
0:30:43 > 0:30:46I want it back and I want you to stop punishing this whole town for what Dad was. But not like this.
0:30:46 > 0:30:50Not by telling you that you're not my brother, you're not his son, because you are and somehow
0:30:50 > 0:30:53you're going to have to find a way to square yourself with that.
0:31:11 > 0:31:14- Shove over.- You've got the hen do.
0:31:14 > 0:31:17Well, Anne's organising it, so feel free to keep me as long as you like.
0:31:22 > 0:31:24Travis, you can't do this.
0:31:24 > 0:31:26I know I'm not that quick yet, but I'm trying.
0:31:26 > 0:31:29No, I mean you shouldn't do this.
0:31:31 > 0:31:36All those years, wherever you were, all I wanted was for you to be happy
0:31:36 > 0:31:39and it would be a poor lookout if I went back on that now.
0:31:39 > 0:31:42Thanks.
0:31:42 > 0:31:46And I am thinking of our loyal Chocotoff customers when I say
0:31:46 > 0:31:50I think we'll leave this for another day and more practised hands.
0:31:58 > 0:32:02SIRENS WAIL
0:32:26 > 0:32:28AMUSEMENT ARCADE BEEPING INTENSIFIES
0:32:30 > 0:32:33CAR HORN BLARE INTENSIFIES
0:32:33 > 0:32:37TECHNO MUSIC PLAYS
0:32:52 > 0:32:56CAR HORNS BLARE
0:32:58 > 0:33:01Oi, what are you doing?
0:33:01 > 0:33:03Get off my car!
0:33:06 > 0:33:07Get off it!
0:33:07 > 0:33:10CAR HORNS BLARE
0:33:14 > 0:33:18CAR HORNS BLARE
0:33:18 > 0:33:19SIRENS WAIL
0:33:19 > 0:33:21MELLOW EASTERN MUSIC PLAYS
0:33:21 > 0:33:26Tonight, gentlemen, we're sharing Jason's manhood.
0:33:26 > 0:33:33So, I plucked a low-hanging fruit and baked a clever-idea pie
0:33:33 > 0:33:37to come up with something I think you'll agree is pretty special.
0:33:37 > 0:33:41Even I'm not gay enough for this.
0:33:41 > 0:33:44- There will be booze, right? - Yes!- Thank you.
0:33:44 > 0:33:47I picked up a lovely little sherry.
0:33:47 > 0:33:52Great as an aperitif, but you can also match it with a light dessert.
0:33:52 > 0:33:56So, Michael, how come we never see you down the rugby club?
0:33:56 > 0:33:57Umm...
0:33:57 > 0:34:00No! Let it breathe for a minute.
0:34:03 > 0:34:06Let's savour this special moment together.
0:34:08 > 0:34:11Men being men together.
0:34:14 > 0:34:17Down! Down! Down! Down!
0:34:23 > 0:34:24SHE BLOWS KAZOO
0:34:24 > 0:34:26# He said he didn't even... #
0:34:26 > 0:34:30- Shall I get out my Yahtzee? - He's just gorgeous, isn't he?
0:34:30 > 0:34:32You know, he's just...
0:34:32 > 0:34:35- Gorgeous?- Exactly!
0:34:35 > 0:34:39And I know he's got a rep, but he's just troubled.
0:34:39 > 0:34:42And he's got beautiful ears.
0:34:42 > 0:34:46And he's just the best kisser ever.
0:34:46 > 0:34:49- Who? Jason?- Who?
0:34:49 > 0:34:52Yes, Jason!
0:34:52 > 0:34:54The one with...ears.
0:34:54 > 0:34:57Anyway, that's not the point.
0:34:57 > 0:34:59The point...
0:34:59 > 0:35:01Where's my stripper, Anne?
0:35:01 > 0:35:04I tried, but apparently there aren't any in Sugartown.
0:35:04 > 0:35:08You should have asked me. I have numbers.
0:35:08 > 0:35:11Sorry, the door was open.
0:35:11 > 0:35:14You DID get me a stripper!
0:35:14 > 0:35:15Hello, Officer.
0:35:15 > 0:35:18I will come quietly.
0:35:18 > 0:35:21- I'm looking for a Samantha Moore? - It's Carmen, isn't it? Is she hurt?
0:35:21 > 0:35:24Is she in jail? Oh, God, she's in jail.
0:35:24 > 0:35:26Our colleagues in Leeds have her down the station.
0:35:26 > 0:35:28Public disorder. They just want someone to collect her.
0:35:28 > 0:35:31I'll go!
0:35:31 > 0:35:34With respect, Ma'am, I think you've had a few.
0:35:34 > 0:35:35Anyone else who can go?
0:35:36 > 0:35:37SHE BLOWS KAZOO
0:35:41 > 0:35:43Hey, hey, no! Now, hey, no.
0:35:43 > 0:35:45This is a man pad tonight.
0:35:45 > 0:35:50- No chicks allowed!- Back off, Ron, and take that pipe out of my face.
0:35:50 > 0:35:54- Where's Emily? Is she all right? - Oh, yeah, she's just having a little nap.- We've found Carmen.
0:35:54 > 0:35:57She's in Leeds, in the slammer.
0:35:57 > 0:36:00Go on, take my car. Sam will fill you in.
0:36:00 > 0:36:02Thanks, Margery.
0:36:11 > 0:36:12Twister?
0:36:12 > 0:36:14# Don't believe it, oh no
0:36:14 > 0:36:17# If you've seen it, oh, oh-oh
0:36:17 > 0:36:19# Oh, mayhem
0:36:19 > 0:36:20# Do, do-do
0:36:20 > 0:36:22# Oh, mayhem, do-do, do... #
0:36:22 > 0:36:25I drive all the way here and then you slam the door in my face?
0:36:25 > 0:36:28If you'd just get your foot out the way, yes.
0:36:30 > 0:36:33Do you have any idea how worried we've all been? Me, your mum?
0:36:33 > 0:36:37Oh, and here I was living like a queen having been run out of town.
0:36:37 > 0:36:39Yeah, we tried to stop you. But, no, you had to make the grand gesture.
0:36:39 > 0:36:41Oh, it was you who told me to go!
0:36:41 > 0:36:43- Yeah, I was angry. - Not as much as I've bloody been.
0:36:43 > 0:36:46Look at this place! I've only got one kettle.
0:36:46 > 0:36:47- I had nine at home.
0:36:53 > 0:36:54I'm sorry.
0:36:57 > 0:36:58I'm sorry for what I said.
0:37:01 > 0:37:04I didn't really want you to go.
0:37:04 > 0:37:07- No?- Well, not without me, anyway.
0:37:22 > 0:37:24Oooh, sorry. Oh.
0:37:28 > 0:37:31THEY HUM A TUNE
0:37:33 > 0:37:36You all right? Time for your bed, Ron, I reckon.
0:37:36 > 0:37:39I think you might be right.
0:37:39 > 0:37:43- Where's Michael? - Er, he must have left already.
0:37:49 > 0:37:51- Michael?- Anne!
0:37:52 > 0:37:56Sorry, mate, I need to get that. Anne!
0:37:56 > 0:37:57Wait!
0:38:03 > 0:38:04Is he your boyfriend?
0:38:04 > 0:38:08- Not exactly.- Is he your boyfriend like I'm your girlfriend?
0:38:08 > 0:38:13- No. No-one's like you. - I thought we had something special.
0:38:13 > 0:38:15We do. We're really, really good friends.
0:38:15 > 0:38:18Not good friends like you and him, though.
0:38:18 > 0:38:20Well, who am I with right now?
0:38:26 > 0:38:29If we left now, we'd be back before breakfast.
0:38:29 > 0:38:33- I'm not going back now. - OK, by tea time, then.
0:38:33 > 0:38:35Banging! Fish supper? Your shout.
0:38:35 > 0:38:37Carmen, I don't want to go back at all.
0:38:40 > 0:38:43Well, where are you going, then?
0:38:43 > 0:38:45London.
0:38:45 > 0:38:48I thought we could try the whole dance school thing. Your mum could join us.
0:38:48 > 0:38:50I don't want to go to London. We're not friends any more.
0:38:50 > 0:38:55I need to be in a proper town with people and noises and things.
0:38:55 > 0:38:57I hate noise.
0:38:57 > 0:38:59And things.
0:38:59 > 0:39:02As long as we're together, we'll be all right.
0:39:02 > 0:39:03I'll take care of you.
0:39:03 > 0:39:06Just, you know... Just in London.
0:39:09 > 0:39:11Well, what are we waiting for, then?
0:39:18 > 0:39:21I think it's lovely!
0:39:21 > 0:39:23Shoe buff,
0:39:23 > 0:39:25industrial size.
0:39:25 > 0:39:31Handy. And the lights, and the petals and the bear.
0:39:31 > 0:39:35Oh, it's lovely, Anne. You really are a good friend.
0:39:35 > 0:39:36Thanks.
0:39:40 > 0:39:43Have you ever, you know, with a girl?
0:39:43 > 0:39:47No, not the Full Monty.
0:39:47 > 0:39:48How do you know, then?
0:39:48 > 0:39:51I just do. I always did.
0:39:51 > 0:39:53So, it's not just where I'm ugly?
0:39:53 > 0:39:54You're not ugly!
0:39:54 > 0:39:58- Why do you think that?- Oh, it's just something my mother said.- What?
0:39:58 > 0:40:02Anne, you're ugly. And Emily. And all the kids at school.
0:40:02 > 0:40:05And every man I've ever met, ever.
0:40:08 > 0:40:10I don't want your pity.
0:40:10 > 0:40:13- It's not pity.- It's not love!
0:40:13 > 0:40:15A funny kind of one.
0:40:19 > 0:40:21# Beautiful girls
0:40:21 > 0:40:23# All over the world
0:40:23 > 0:40:27# I could be chasing but my time would be wasted
0:40:27 > 0:40:32# They've got nothing on you, baby
0:40:32 > 0:40:37# Nothing on you, baby
0:40:37 > 0:40:39# They might say high
0:40:39 > 0:40:41# And I might say hey
0:40:41 > 0:40:44# But you shouldn't worry
0:40:44 > 0:40:46# About what they say
0:40:46 > 0:40:47# Cos they've got nothing on you... #
0:40:47 > 0:40:49I always did.
0:40:59 > 0:41:02MACHINE TOOL WHIRS
0:41:03 > 0:41:06Phil! PHIL!
0:41:15 > 0:41:16# Beautiful girls, all over the world
0:41:16 > 0:41:19# I could be chasing
0:41:19 > 0:41:21# But my time would be wasted
0:41:21 > 0:41:23# They got nothing on you
0:41:23 > 0:41:25# Nothing on you, babe
0:41:25 > 0:41:27# Nothing on you
0:41:27 > 0:41:29# Nothing on you, baby
0:41:29 > 0:41:31# Nothing on you
0:41:31 > 0:41:34# They might say high... #
0:41:34 > 0:41:36- Look!- At what?!
0:41:36 > 0:41:38Nothing. Absolutely nothing.
0:41:38 > 0:41:41We're back in Sugartown and nothing will ever happen again.
0:41:41 > 0:41:43OK, OK. Don't make me change my mind.
0:41:43 > 0:41:45We're home. You're amazing.
0:41:45 > 0:41:47- Can I have an ice cream? - It's seven in the morning!
0:41:47 > 0:41:50I'm so not going to let you get bored here, and I'm not even joking.
0:41:50 > 0:41:53You know, I think I might be getting bored already.
0:41:55 > 0:41:58- Now?- A little better.
0:41:59 > 0:42:00- Now?- Better.
0:42:04 > 0:42:06- Morning, my little princess bride! - Yeah, where's Anne?
0:42:06 > 0:42:10Do you mind not shouting? That bloody sherry's a kitten with sharp claws.
0:42:10 > 0:42:14Do you realise what this means, if Anne's not here?
0:42:27 > 0:42:30Oh, no. No.
0:42:30 > 0:42:33No way. NO!
0:42:38 > 0:42:39Wow!
0:42:39 > 0:42:42You look extraordinary.
0:42:42 > 0:42:44Snaps for Margery!
0:42:44 > 0:42:45PHONE RINGS
0:42:45 > 0:42:48Let me just sort our your cherry.
0:42:48 > 0:42:52- Ah, Jason. My son-in-law to be. - Do I have to wear that?
0:42:52 > 0:42:55Yeah, of course you have to wear it, and smile as well.
0:42:55 > 0:42:57That was Jason, my son-in-law to be.
0:42:57 > 0:43:01It appears Michael has disappeared, as well.
0:43:01 > 0:43:05So, we're left with only one option from which to conclude.
0:43:05 > 0:43:07That's it.
0:43:07 > 0:43:11Anne's done it. She's finally gone and kidnapped Michael,
0:43:11 > 0:43:14and on my wedding day of all days.
0:43:14 > 0:43:16Michael, mate, if you get this call me back. We're all worried.
0:43:16 > 0:43:20And I'm going to have to take desperate measures for my best man.
0:43:26 > 0:43:27- All right?
0:43:29 > 0:43:30And like a bad penny...
0:43:33 > 0:43:34I've missed you.
0:43:34 > 0:43:38We've had no disasters for a week.
0:43:38 > 0:43:40It's been rubbish.
0:43:40 > 0:43:42What?
0:43:42 > 0:43:46That's it? No, "you've been irresponsible again"?
0:43:46 > 0:43:49No, "I can't believe you got arrested again"?
0:43:49 > 0:43:52Least you're back. Again.
0:43:52 > 0:43:54THEY LAUGH
0:43:56 > 0:44:00- What were you looking at, anyway? - The sea.
0:44:00 > 0:44:02And?
0:44:02 > 0:44:08This ridiculous, bonkers, incredibly annoying town.
0:44:08 > 0:44:10OMG!
0:44:10 > 0:44:14You've totally fallen in love with it, haven't you?
0:44:14 > 0:44:19Just good friends. Come on, it's Sugartown's wedding of the year.
0:44:19 > 0:44:23And you're just in time to step in with Travis, thank God.
0:44:23 > 0:44:28Save my knees from the jump up, wrap round and into the back bend!
0:44:35 > 0:44:39- Going somewhere nice? - If you mean out of Sugartown, then, yeah, somewhere nice.
0:44:39 > 0:44:42Max, you're my brother.
0:44:42 > 0:44:45- You should be at my wedding. - Sorry, Jase.
0:44:45 > 0:44:51I've got to hit the road. A bit of luck's come my way, chance of a new flagship casino. Sheffield.
0:44:53 > 0:44:55Right.
0:44:55 > 0:44:57Well, congratulations.
0:45:03 > 0:45:05You were never one for gambling, were you, Jase?
0:45:05 > 0:45:07Never reckoned I was lucky enough.
0:45:07 > 0:45:09No?
0:45:09 > 0:45:12What about
0:45:12 > 0:45:13high card wins the factory?
0:45:13 > 0:45:16When you said you wouldn't take it from me,
0:45:16 > 0:45:19so this is your chance to get it without breaking your moral backbone.
0:45:19 > 0:45:21For keeps, no arguments, done deal.
0:45:21 > 0:45:24If I win, it's legit, you know?
0:45:24 > 0:45:27No more mention of who my Dad was or wasn't. It'd be mine
0:45:27 > 0:45:30- by rights.- I don't gamble, Max.- Eh?
0:45:30 > 0:45:33It's your wedding day to the lovely Emily.
0:45:33 > 0:45:36There's never going to be a luckier day than this blessed one, eh?
0:46:02 > 0:46:03Like I say,
0:46:03 > 0:46:05it's your lucky day.
0:46:07 > 0:46:10- Well, I've got to get going, so... - Don't be a stranger, eh?
0:46:10 > 0:46:12See you...
0:46:12 > 0:46:14Bro.
0:46:33 > 0:46:34Where's Anne, Dad?
0:46:35 > 0:46:36I want Anne.
0:46:36 > 0:46:42I don't know, Princess. But if she were here, I think she'd say you look very beautiful.
0:46:42 > 0:46:46And she'd wish you all the happiness in the world.
0:46:46 > 0:46:53But as it's just me, I'd say that Jason would be the luckiest man on Earth if it weren't for me,
0:46:53 > 0:46:56because I got to spend all those years watching you grow
0:46:56 > 0:46:59into the fabulous woman standing before me now.
0:46:59 > 0:47:02My mascara's running now!
0:47:03 > 0:47:05Listen, we'd better get a wriggle on.
0:47:05 > 0:47:09The only thing keeping Margery in that outfit is gaffer tape and emotional blackmail.
0:47:11 > 0:47:14- Oh, did Jason find Michael? - No. Travis has stepped up.
0:47:14 > 0:47:17Jason asked Max but he was leaving town.
0:47:22 > 0:47:26# There's a fire starting in my heart
0:47:26 > 0:47:28# Reaching a fever pitch
0:47:28 > 0:47:31# It's bringin' me out the dark
0:47:31 > 0:47:35# Finally I can see you crystal clear
0:47:35 > 0:47:38# Go ahead and sell me out
0:47:38 > 0:47:40# And I'll lay your ship bare
0:47:40 > 0:47:42# See how I'll leave
0:47:42 > 0:47:44# With every piece of you... #
0:47:44 > 0:47:46Er.. we'll meet you there.
0:47:46 > 0:47:52You want me to walk through town like this? You're having a laugh!
0:47:52 > 0:47:54Ron!
0:47:56 > 0:47:57Ron!
0:47:59 > 0:48:01# The scars of your love
0:48:01 > 0:48:04# Remind me of us
0:48:04 > 0:48:06# They keep me thinking
0:48:06 > 0:48:09# That we almost had it all
0:48:09 > 0:48:10# The scars of your love... #
0:48:10 > 0:48:13- Wedding!- How long?- Ten minutes!
0:48:13 > 0:48:15# I can't help feeling
0:48:15 > 0:48:19# We could have had it all... #
0:48:19 > 0:48:23Kill me. Kill me now. Kill Anne.
0:48:24 > 0:48:28# You had my heart inside of your hand... #
0:48:28 > 0:48:31- Pull over.- What? - Pull over, Dad.
0:48:33 > 0:48:34I won't be long.
0:48:35 > 0:48:39# Baby, I have no story to be told
0:48:39 > 0:48:41# But I've heard one on you... #
0:48:47 > 0:48:50Shouldn't you be somewhere else right now?
0:48:50 > 0:48:56If I marry Jason today we'll have a happy, blissful life together.
0:48:56 > 0:48:58I love him more than anyone on earth.
0:49:00 > 0:49:03Apart from you.
0:49:08 > 0:49:10The bit where you say it back.
0:49:12 > 0:49:14I don't.
0:49:48 > 0:49:51We've got jelly at the reception.
0:49:51 > 0:49:55We followed your scrapbook to the letter. Jason's idea.
0:50:15 > 0:50:19CHURCH BELLS RING
0:50:21 > 0:50:23The wedding, has it happened yet? Jason and Emily?
0:50:23 > 0:50:26- We're on our way there, now. - Oh, give us a lift!
0:50:28 > 0:50:29Anne!
0:50:41 > 0:50:43Sorry. Sorry.
0:50:43 > 0:50:46- Anne?! Where the bloody hell have you been?- Max drove.
0:50:46 > 0:50:48- Got stitch.- Max?!
0:50:50 > 0:50:54MUSIC: "Bridal Chorus" by Richard Wagner
0:51:12 > 0:51:16Do you take this man to be your lawful wedded husband?
0:51:16 > 0:51:23- I do.- And do you take Emily etc, etc, to be your lawful wedded wife?
0:51:26 > 0:51:27I do.
0:51:36 > 0:51:38You may now kiss the bride.
0:51:49 > 0:51:52CHEERING AND APPLAUSE
0:51:57 > 0:52:00Can I have the bride and groom for a photograph?
0:52:05 > 0:52:09Sorry, do you mind, it's just... Anne?
0:52:14 > 0:52:16It's only right you should be next to me,
0:52:16 > 0:52:20despite you having let me down as no bridesmaid in history
0:52:20 > 0:52:23has ever done before, you are my best friend.
0:52:29 > 0:52:30Thanks!
0:52:32 > 0:52:34And smile!
0:52:37 > 0:52:40Sorry. New habits die hard.
0:52:42 > 0:52:47You know, when I when I said I was happy about you going away somewhere dancing?
0:52:48 > 0:52:50I lied.
0:52:51 > 0:52:53Thanks, Mum.
0:52:56 > 0:52:58I'm going to throw the bouquet!
0:53:01 > 0:53:03Agh!
0:53:03 > 0:53:07Oh, well, technically, it's meant to be a two-handed catch
0:53:07 > 0:53:11or a one-handed catch if moving through the air thusly.
0:53:11 > 0:53:12Oh. Right.
0:53:12 > 0:53:15I don't know anywhere it says that in the rule book so..
0:53:19 > 0:53:20Not right away, mind.
0:53:23 > 0:53:27- Didn't you want a shot? - Oh, Michael, it happened. Move on.
0:53:27 > 0:53:32It was all right, but I don't know what all the fuss is about.
0:53:32 > 0:53:33Oh.
0:53:36 > 0:53:38Good.
0:53:44 > 0:53:45HE WHISTLES
0:53:48 > 0:53:50CHEERING AND APPLAUSE
0:53:56 > 0:53:59# You know you can't deny
0:53:59 > 0:54:03# When love takes over, yeah
0:54:03 > 0:54:06# Cos something's here tonight
0:54:07 > 0:54:09# Give me a reason
0:54:09 > 0:54:11# I gotta know
0:54:11 > 0:54:13# Do you feel it too? #
0:54:13 > 0:54:20Ladies and gentlemen, will you all give it up for the bride and groom.
0:54:20 > 0:54:21Dad..
0:54:21 > 0:54:23APPLAUSE
0:54:33 > 0:54:36# Out of the tree of life
0:54:36 > 0:54:38# I just picked me a plum
0:54:42 > 0:54:43# You came along
0:54:43 > 0:54:46# And everything started to hum
0:54:50 > 0:54:53# Still it's a real good bet
0:54:53 > 0:54:56# The best is yet to come... #
0:54:56 > 0:54:59CHEERING AND APPLAUSE
0:55:07 > 0:55:10If I'd known you could do that I wouldn't have done this.
0:55:10 > 0:55:12# And the world
0:55:12 > 0:55:17# It's turning inside out, yeah
0:55:17 > 0:55:21# I'm floating around in ecstasy
0:55:21 > 0:55:26# So don't stop me now
0:55:26 > 0:55:29# Don't stop me
0:55:29 > 0:55:30# Cos I'm havin' a good time
0:55:30 > 0:55:32# Havin' a good time
0:55:32 > 0:55:35# I'm a shooting star leaping through the skies
0:55:35 > 0:55:40# Like a tiger defying the laws of gravity
0:55:40 > 0:55:44# I'm a racing car passing by like Lady Godiva
0:55:44 > 0:55:46# I'm gonna go, go, go
0:55:46 > 0:55:50# There's no stoppin' me
0:55:50 > 0:55:53# I'm burnin' through the sky, yeah
0:55:53 > 0:55:57# 200 degrees, that's why they call me Mr Fahrenheit
0:55:57 > 0:55:59# I'm travelling at the speed of light
0:55:59 > 0:56:03# I want to make a supersonic man out of you... #
0:56:03 > 0:56:06# Cry me out
0:56:06 > 0:56:10# You'll have to cry me out
0:56:10 > 0:56:12# The tears that will fall
0:56:12 > 0:56:14# Mean nothing at all
0:56:14 > 0:56:18# It's time to get over yourself
0:56:18 > 0:56:22# Baby, you ain't all that
0:56:22 > 0:56:26# Baby, there's no way back
0:56:26 > 0:56:29# You can keep talkin'
0:56:29 > 0:56:31# But, baby, I'm walking
0:56:31 > 0:56:35# Away... #
0:56:35 > 0:56:38# In olden days a glimpse of stocking
0:56:38 > 0:56:40# Was looked on as something shocking
0:56:40 > 0:56:42# Now, heaven knows
0:56:42 > 0:56:45# Anything goes
0:56:45 > 0:56:47# Good authors too
0:56:47 > 0:56:48# Who once knew better words
0:56:48 > 0:56:50# Now only use four-letter words
0:56:50 > 0:56:53# Writing prose
0:56:53 > 0:56:56# Anything goes... #
0:56:57 > 0:56:59# You're unbelievable... #
0:57:00 > 0:57:01Come on!
0:57:06 > 0:57:07Yeah. Yeah.
0:57:07 > 0:57:09# We bring the stars out
0:57:09 > 0:57:11# We bring the women and cars and the cards out
0:57:11 > 0:57:13# Let's have a toast to celebration
0:57:13 > 0:57:14# Get a glass out
0:57:14 > 0:57:16# And we can do this until we pass out
0:57:16 > 0:57:19# Let it rain
0:57:19 > 0:57:21# Let it pour away... #
0:57:21 > 0:57:25# La-la-la-la-la-la-la-la
0:57:25 > 0:57:28# La-la-la-la-la-la-la
0:57:28 > 0:57:32# I just can't get you out of my head
0:57:32 > 0:57:35# Boy, you're loving is all I think about
0:57:35 > 0:57:39# I just can't get you out of my head
0:57:39 > 0:57:43# Boy, it's more than I dare to think about... #
0:57:43 > 0:57:47# Don't stop me, don't stop me don't stop me
0:57:47 > 0:57:49# Don't stop me, don't stop me Ooh-ooh-ooh
0:57:49 > 0:57:51# Don't stop me, don't stop me
0:57:51 > 0:57:52# Have a good time, good time
0:57:52 > 0:57:54# Don't stop me, don't stop me
0:58:12 > 0:58:16# Burnin' through the sky, yeah
0:58:16 > 0:58:20# 200 degrees, that's why they call me Mr Fahrenheit
0:58:20 > 0:58:23# I'm travelling at the speed of light
0:58:23 > 0:58:25# I want to make a supersonic man out of you
0:58:27 > 0:58:29# Don't stop me now I'm having a good time
0:58:29 > 0:58:33# Don't stop me now I'm having a good time
0:58:33 > 0:58:38# I don't want to stop at all... #
0:58:38 > 0:58:39Whoo!
0:58:39 > 0:58:44CHEERING AND APPLAUSE
0:58:49 > 0:58:54# If I had a million dollars or ten
0:58:54 > 0:58:58# I'd give it to your world and then
0:58:58 > 0:59:02# You'd go away and let me spend
0:59:02 > 0:59:04# My life in shoo-shoo-shoo
0:59:04 > 0:59:06# Shoo-shoo-shoo
0:59:06 > 0:59:08# Shoo-shoo-shoo-shoo-shoo-shoo
0:59:08 > 0:59:10# Sugartown
0:59:13 > 0:59:16# Shoo-shoo-shoo-shoo
0:59:16 > 0:59:17# Sugartown. #