0:00:02 > 0:00:05This programme contains strong language
0:00:05 > 0:00:09What a marvellous finish! And Seb Coe gets the gold medal!
0:00:09 > 0:00:14# There may be trouble ahead
0:00:14 > 0:00:21# But while there's moonlight and music and love and romance
0:00:21 > 0:00:25# Let's face the music and dance
0:00:25 > 0:00:31# Let's face the music and dance. #
0:00:33 > 0:00:37Yes. No, yeah. No, I understand that.
0:00:37 > 0:00:39Yes, no, I still understand it.
0:00:39 > 0:00:42It's July, and as Head of Deliverance Ian Fletcher arrives
0:00:42 > 0:00:44for another week at the Olympic Deliverance Commission,
0:00:44 > 0:00:47there are now just 18 days to go until the opening ceremony.
0:00:47 > 0:00:50Yes, no, look, what I'm trying to establish here is,
0:00:50 > 0:00:51I've got one person telling me
0:00:51 > 0:00:53we've got 500 million quid left in the contingency budget,
0:00:53 > 0:00:56and I've got you telling me we've basically spent that on fireworks.
0:00:56 > 0:00:58You know, it's confusing, that's all. What would be nice is...
0:00:58 > 0:01:00Ahh! Fuck! No I'm fine.
0:01:00 > 0:01:02It would just be nice to know
0:01:02 > 0:01:06whether we can actually afford a last-minute disaster or not, that's all. Yeah. Oh, good.
0:01:14 > 0:01:16OK, good. So...here we go.
0:01:16 > 0:01:18I guess if this is a marathon we've been on,
0:01:18 > 0:01:22we are now finally coming into the stadium for one last lap.
0:01:22 > 0:01:23- Absolutely yes.- That's great
0:01:23 > 0:01:25cos we should be coming up the Mall, which is where it actually ends.
0:01:25 > 0:01:26- Well...- Yeah classic!
0:01:26 > 0:01:27- Does it?- Yes.
0:01:27 > 0:01:30Still, if we're in the stadium we might as well go round it, I suppose.
0:01:30 > 0:01:31Exactly, yes. So, that's all good.
0:01:31 > 0:01:33Although the Games themselves are just weeks away,
0:01:33 > 0:01:35the team's own deadline is even sooner.
0:01:35 > 0:01:37In just ten days' time,
0:01:37 > 0:01:40the Deliverance Team is due to hand over to the Live Team,
0:01:40 > 0:01:42at which point their job is done.
0:01:42 > 0:01:43If there are any loose ends going forward, er,
0:01:43 > 0:01:46apart from the ones we know about, of course, now would be a good time...
0:01:46 > 0:01:48- Oh, what, you mean like ticketing? - KNOCK ON DOOR
0:01:48 > 0:01:50Er, sorry...
0:01:50 > 0:01:51- Sally, hi.- Yes, um, sorry,
0:01:51 > 0:01:53I did actually find some better plasters.
0:01:53 > 0:01:56- Oh, um...- I didn't know whether... - You know, I think I'll stick with these for the moment.
0:01:56 > 0:01:58- Sure, OK.- I don't know,
0:01:58 > 0:01:59I seem to have got used to them.
0:01:59 > 0:02:01I'll just put these on your desk, just in case.
0:02:01 > 0:02:03- Thanks, Sally. That's great.- Yes. - OK, good.
0:02:03 > 0:02:05OK, I'll give you a loose end for a kick off.
0:02:05 > 0:02:08- The opening ceremony. - Right, yes. I've had a go at them this morning.
0:02:08 > 0:02:11Isles Of Wonder, fine, I've no problem with that, whatever it means,
0:02:11 > 0:02:14- but 80 million quid? Give over! - Well...
0:02:14 > 0:02:16Plus these guys that he's got doing the music, Underwired.
0:02:16 > 0:02:18- Underworld.- Whatever. I've looked 'em up on YouTube.
0:02:18 > 0:02:20Basically, they're just two guys in their bedroom, that's all.
0:02:20 > 0:02:22- Let's...- It's classic.
0:02:22 > 0:02:23But Graham, this stuff about the fireworks
0:02:23 > 0:02:26automatically triggering the ground-to-air missile.
0:02:26 > 0:02:28- Yeah, yeah, yeah.- That does sound like something...
0:02:28 > 0:02:29Basically, what it is...
0:02:29 > 0:02:31In the last few weeks, a growing conflict of interests
0:02:31 > 0:02:34between the creative team behind the opening ceremony
0:02:34 > 0:02:37and the Ministry of Defence has become potentially explosive.
0:02:37 > 0:02:40...if you fly even a pigeon anywhere near the stadium that night
0:02:40 > 0:02:44and these buggers are going to go off and you've got, basically, World War III.
0:02:44 > 0:02:46- Right.- Meanwhile, Danny Boyle, he's like,
0:02:46 > 0:02:49he's not backing down cos these two guys in their bedroom
0:02:49 > 0:02:53have written fireworks into the opening track, so basically it's like a Mexican faceoff.
0:02:53 > 0:02:55- Mexican faceoff?- Or whatever.
0:02:55 > 0:02:58- I mean, this is going to sound a bit...- Well, yes, I mean...
0:02:58 > 0:02:59- I haven't said it yet, OK?- OK.
0:02:59 > 0:03:01- Maybe the solution's in the problem. - Well, I like the sound of that.
0:03:01 > 0:03:02KAY: Well, no, I mean, I'm sorry...
0:03:02 > 0:03:04Is it just worth thinking about whether it's actually possible
0:03:04 > 0:03:06to make ground-to-air missiles part of the display in some way?
0:03:06 > 0:03:08Hellfire!
0:03:08 > 0:03:10- I mean, I think that might need a bit of thinking through. - You think?- Yes, I do.
0:03:10 > 0:03:14- Right.- I mean, Graham, are you happy to take this whole thing on?
0:03:14 > 0:03:16- What, this Friday?- I haven't mentioned a timeframe,
0:03:16 > 0:03:18- but that would be good, yes. - Yeah, no, that's fine.
0:03:18 > 0:03:21With all the cuts and whathaveyou, why not just use fireworks for our
0:03:21 > 0:03:23- national defence and have done with it?- Well, I suppose that's...
0:03:23 > 0:03:26- That way, everybody wins. - Happy days!
0:03:30 > 0:03:31It's ten o'clock
0:03:31 > 0:03:33and for Ian almost time for this morning's ten o'clock meeting.
0:03:33 > 0:03:35Vicky, hi.
0:03:35 > 0:03:36So, Vicky, er, this is Ian Fletcher.
0:03:36 > 0:03:39- He's, like, Head of Serious Shit. - Wow!
0:03:39 > 0:03:43Head of Brand, Siobhan Sharpe, from PR company Perfect Curve,
0:03:43 > 0:03:44has arrived, along with Vicky Long,
0:03:44 > 0:03:47Artistic Director of the Podium Twenty Twelve Festival,
0:03:47 > 0:03:50a nationwide celebration of the arts,
0:03:50 > 0:03:52designed to run alongside the Olympic Games.
0:03:52 > 0:03:55And the really cool thing is, it's an opportunity for us
0:03:55 > 0:03:58to commission a major new landmark piece to showcase the vibrancy
0:03:58 > 0:04:01- and sheer depth of Britain's bell-ringing talent.- Mm.
0:04:01 > 0:04:03- Cool! - But there are 18 days to go.
0:04:03 > 0:04:05I know. Such a brilliant idea.
0:04:05 > 0:04:07Podium has come up with the idea of commissioning a specially
0:04:07 > 0:04:10composed peal of bells, to be rung in churches
0:04:10 > 0:04:13across the country on the morning of July the 27th.
0:04:13 > 0:04:16...but the thing is, this absolutely has got to happen now.
0:04:16 > 0:04:18No, it is disappointing the response we've had.
0:04:18 > 0:04:19How many entries is it...?
0:04:19 > 0:04:22- Er, I think it's two, basically. - Right, yes.
0:04:22 > 0:04:24- Bummer! - Yeah, it's such a great idea.
0:04:24 > 0:04:27Yes, OK, right. I mean, let's just look at what we can do practically
0:04:27 > 0:04:30- in the time that we've got left. - Oh, yes, OK.
0:04:30 > 0:04:32Luckily, this is where Siobhan comes into her own, isn't it?
0:04:32 > 0:04:34- You know it.- Right.- Yes.
0:04:44 > 0:04:45OK,
0:04:45 > 0:04:48so Vicky, um, here's the thing with this.
0:04:48 > 0:04:51Um, OK, the thing with stuff like this is...
0:04:51 > 0:04:53OK, so I'm you.
0:04:53 > 0:04:55- OK.- OK, so what have I got here?
0:04:55 > 0:04:59I've got churches and I've got bells, OK, so that's a bum hand I got dealt right off the bat.
0:04:59 > 0:05:00No, but church bells is what...
0:05:00 > 0:05:02No, I'm you now. You don't need to say stuff.
0:05:02 > 0:05:06- Oh, OK.- OK, so what I do here is I repurpose this whole thing.
0:05:06 > 0:05:08- Repurpose it? - Yeah, I'm trying to sell,
0:05:08 > 0:05:11like, a bunch of losers standing around with, like, ropes.
0:05:11 > 0:05:13I mean, nobody's going to buy that.
0:05:13 > 0:05:17When what I could have is, er... What I could have is, er,
0:05:17 > 0:05:19Paul McCartney, or, I don't know, Sting.
0:05:19 > 0:05:21- Wow! That's a bit like... - No, I'm still you.
0:05:21 > 0:05:23- Yes, sorry. - OK, so what I've got is,
0:05:23 > 0:05:26- I've got a competition.- OK.
0:05:26 > 0:05:27- A competition with judges.- Right.
0:05:27 > 0:05:30- I've got judges, I've got celebrities.- Right. Wow!
0:05:30 > 0:05:32And all of a sudden, I'm somebody.
0:05:32 > 0:05:33- That's, like, wow.- I don't even need to say the rest.
0:05:33 > 0:05:35- Yes, but Siobhan...- Sure.
0:05:35 > 0:05:36Just to be clear, I'm talking to you as you.
0:05:36 > 0:05:37- Cool.- You're saying to Vicky
0:05:37 > 0:05:39you can get Paul McCartney or Sting to agree to do this,
0:05:39 > 0:05:41at some point in the next two weeks?
0:05:41 > 0:05:44Sting's a pussy. You just need to buy into him.
0:05:44 > 0:05:45Buy into him?
0:05:45 > 0:05:46Do-do doo-doo, dah-dah dah dah, yeah.
0:05:46 > 0:05:48- Right, OK.- That'd be so cool.
0:05:48 > 0:05:51Um, cos the thing about this is, it's, like, it's such a great idea.
0:05:51 > 0:05:52Yeah.
0:05:52 > 0:05:56With so many loose ends still to be tied up, opportunities
0:05:56 > 0:05:59to grab a breath of fresh air are becoming rarer than ever.
0:05:59 > 0:06:01- Hi.- Yeah, hi.
0:06:01 > 0:06:03So, I hear they're having the Olympics this year.
0:06:03 > 0:06:04Yeah, I just wanted to...
0:06:04 > 0:06:05- Can I ask you something? - Oh, yes?
0:06:05 > 0:06:08Did you tell Kay that I've applied for the Director of Posterity job?
0:06:08 > 0:06:10- No, of course not. - You didn't?
0:06:10 > 0:06:12Of course I didn't. I'm surprised you even have to ask me.
0:06:12 > 0:06:14- She's applied for it as well, hasn't she?- Well...- She has.
0:06:14 > 0:06:16Fi, you know I couldn't tell you that even if I knew.
0:06:16 > 0:06:18Fucking hell!
0:06:18 > 0:06:21'No, it is tricky, it's a very delicate thing, and, I mean,
0:06:21 > 0:06:24'it is a big thing, the Posterity job. So, no.
0:06:24 > 0:06:26'My guess would be that both Fi and Kay are under the impression
0:06:26 > 0:06:28'that I somehow have influence with the committee,
0:06:28 > 0:06:30'which I don't and it would be completely unfair of me
0:06:30 > 0:06:33'to use it if I did, which I don't.'
0:06:33 > 0:06:36Is it the sort of job you'd ever think about applying for yourself?
0:06:36 > 0:06:39I'm not really thinking about what's going to happen after all this is over.
0:06:39 > 0:06:41We've got handover at the end of next week.
0:06:41 > 0:06:43Until then, we've got a very important job to do.
0:06:43 > 0:06:44But, I mean, so have you applied for it?
0:06:44 > 0:06:47As I say, I'm not thinking about that.
0:06:53 > 0:06:55I mean, all the electricity's the same anyway, isn't it,
0:06:55 > 0:06:57by the time it comes out the plug, surely.
0:06:57 > 0:06:58No, it is not...
0:06:58 > 0:07:01As part of her ongoing commitment to future problems,
0:07:01 > 0:07:04Head of Sustainability Kay Hope has overseen the installation
0:07:04 > 0:07:09of 225 special slow-charge charging points, ethically designed in Denmark,
0:07:09 > 0:07:12to power the official 2012 fleet of electric cars
0:07:12 > 0:07:15during the period of the Games.
0:07:15 > 0:07:17The problem is, now these things are installed,
0:07:17 > 0:07:20they take ten hours to charge a car for 50 miles.
0:07:20 > 0:07:22Yes, exactly, and that's using about the same amount of electricity
0:07:22 > 0:07:24as it takes to boil a small to medium sized egg.
0:07:24 > 0:07:27- Right.- Yes. - Yeah, well, that's great.
0:07:27 > 0:07:28But they've run the figures on that, and basically,
0:07:28 > 0:07:30it means that about halfway through the first afternoon,
0:07:30 > 0:07:3385% of the cars will be stationary, charging up.
0:07:33 > 0:07:35- That's correct, yes. - And after that, it gets worse.
0:07:35 > 0:07:36By midday on the following morning,
0:07:36 > 0:07:38they'll all be charging up at the same time.
0:07:38 > 0:07:40- No! That's crazy! - Yes, actually, and that's why
0:07:40 > 0:07:43we've installed substantially more charging points than there are cars.
0:07:43 > 0:07:45- OK.- Er, up to 40% more, I think.
0:07:45 > 0:07:46- Right.- Er, yes.
0:07:46 > 0:07:48Oh, yes, no, we thought of that it's not difficult.
0:07:48 > 0:07:51the problem is, it doesn't matter how ethical your electricity is,
0:07:51 > 0:07:53I'm sorry, we've got athletes to ferry about,
0:07:53 > 0:07:55we've got half the world's heads of state to shift.
0:07:55 > 0:07:59Meanwhile, you've got a 160 brand-new electric cars you can't use any of them.
0:07:59 > 0:08:02Do you know what? I'll tell you something it's very easy to be cynical.
0:08:02 > 0:08:04Can I just say, I find it really hard to believe that that's happened.
0:08:04 > 0:08:07Mind you, we said that about the mascots and they bloody happened.
0:08:07 > 0:08:09Oh, fine, yes, it's all very well in Legacy, you know,
0:08:09 > 0:08:11Sustainability is not about... It's actually about making
0:08:11 > 0:08:13the difficult choices, not the easy ones.
0:08:13 > 0:08:14Yeah, no, I accept that, because in Legacy,
0:08:14 > 0:08:19it's much more about making the right choices, not the wrong ones.
0:08:21 > 0:08:24Right, OK, I think that's me probably done.
0:08:24 > 0:08:25Yeah, that's... I mean, me too.
0:08:35 > 0:08:38With just eight days to go before handover,
0:08:38 > 0:08:41today's the day when the shortlist of candidates
0:08:41 > 0:08:43for the Director of Posterity job post Games is published.
0:08:43 > 0:08:49And Ian's long-term PA, Sally Owen, has come in at 8.15 in case he needs her to.
0:08:49 > 0:08:52But she's not the only one in early this morning.
0:08:52 > 0:08:55Ian's exshort-term PA, Daniel Stroud,
0:08:55 > 0:08:57now working higher up for Seb Coe, is also already in.
0:08:57 > 0:08:59Hiya.
0:08:59 > 0:09:01- Oh, hi, yes, hi.- How's it going?
0:09:01 > 0:09:03- Um, yes, it's OK, actually.- Cool.
0:09:03 > 0:09:05- Yes.- Ian not in yet?
0:09:05 > 0:09:08- No, he's not here yet. - Right. Er...
0:09:08 > 0:09:11I came in a bit early, er... I thought you probably might like to know...
0:09:11 > 0:09:12Yes, absolutely.
0:09:12 > 0:09:14You know the shortlist is out this morning.
0:09:14 > 0:09:15Yes, ten o'clock, actually.
0:09:15 > 0:09:17Right, but because I get to see stuff... Everything comes through me.
0:09:17 > 0:09:19Sometimes it feels like you're running the whole flipping Olympics,
0:09:19 > 0:09:22- some of the things you... - Yes, so you've seen the shortlist?
0:09:22 > 0:09:25I have, yes, I have seen it, and, er, I thought I should probably...
0:09:25 > 0:09:27Yes, absolutely.
0:09:27 > 0:09:29I thought I should give you a heads up. Er, Ian's not on it.
0:09:29 > 0:09:32- Oh, right, OK. - Obviously I'm really sorry.
0:09:32 > 0:09:35Yes, no, it's not a problem, it's nothing to do with you.
0:09:35 > 0:09:37If it makes it any easier, Kay and Fi aren't on it either.
0:09:37 > 0:09:38- Yes.- Obviously
0:09:38 > 0:09:41no-one knows yet, so it's top, top secret, but I thought in this case,
0:09:41 > 0:09:43- cos it's Ian, basically.- Yes.
0:09:43 > 0:09:45I thought you might want to be nice to him, just in case.
0:09:45 > 0:09:47Yes, that's...that's not a problem. No, thank you.
0:09:47 > 0:09:48- Sure. Enjoy.- Yes.
0:10:14 > 0:10:18OK, no, no, we get that, and we're totally good with that.
0:10:18 > 0:10:19Yeah, but here's the thing.
0:10:19 > 0:10:21I mean he's already into the whole Tantric, whatever.
0:10:21 > 0:10:24I mean, he's practically had sex with Salvador Lama, right...
0:10:24 > 0:10:25Across town, Siobhan Sharpe
0:10:25 > 0:10:30is already busy using all her powers of persuasion on her way to work.
0:10:30 > 0:10:33After calling in a favour from Davina McCall's pilates consultant,
0:10:33 > 0:10:37she's finally managed to get hold of Sting's wife, Trudie Styler, on the phone.
0:10:37 > 0:10:38OK, it's half a day of his time.
0:10:38 > 0:10:40I mean, there's only so many things you can do in Tuscany.
0:10:40 > 0:10:42I mean, what else is he gonna...?
0:10:42 > 0:10:45He can bring his fucking lute, you know. Get over it.
0:10:47 > 0:10:49OK, Cokes, where are we at with Engelbert?
0:10:49 > 0:10:51- Yeah, cool.- The Hump!
0:10:51 > 0:10:52So, I spoke to his agent on...
0:10:52 > 0:10:54With the precise degree of Sting's involvement
0:10:54 > 0:10:58in what has now become the Big Bong still uncertain,
0:10:58 > 0:11:00Siobhan is keen for an update on the ideas
0:11:00 > 0:11:02for other potential celebrity judges that the rest of her creative team
0:11:02 > 0:11:04- have been having. - ...and she was like,
0:11:04 > 0:11:07Eng doesn't really do the Olympics, cos it's like Eurovision with Lycra.
0:11:07 > 0:11:10- Sure.- I explained to her all about the bells and stuff,
0:11:10 > 0:11:14- and then she was like, yes, so he's so in South Africa.- OK.- Yeah.
0:11:14 > 0:11:16OK, so that's, like, fuck it. Barney?
0:11:16 > 0:11:17- Yeah?- Amanda.
0:11:17 > 0:11:20Yeah, with Amanda, what I'm thinking is... This is so cool, OK...
0:11:20 > 0:11:24Information Architect Barney Lumsden is keen on the idea of Amanda Holden.
0:11:24 > 0:11:28So, like, I get Amanda's actual mobile number from, er...
0:11:28 > 0:11:30what's her name, you know, Davina's pilates...
0:11:30 > 0:11:31- Samphire. - Yeah, yeah, yeah, Samphire, yeah.
0:11:31 > 0:11:34- We love Samphire.- So I phone her and I'm gonna leave a message,
0:11:34 > 0:11:36- but then she picks up.- OK.
0:11:36 > 0:11:37- No way!- Yeah.
0:11:37 > 0:11:40And I'm saying... I say, "Hey, Amanda, how are you?"
0:11:40 > 0:11:42And she's like, "Yeah, I'm good. I'm good, yeah."
0:11:42 > 0:11:44- And she's so friendly. - Yeah, no, she is, yeah.
0:11:44 > 0:11:47And she's totally cool about me phoning her, she does loads of charity work,
0:11:47 > 0:11:50- she loves the Olympics... - Cool!
0:11:50 > 0:11:53- Turns out she runs marathons... - Getting bored here, Barn!- Yeah, OK.
0:11:53 > 0:11:55- She said no, right? - Pretty much, yeah.
0:11:55 > 0:11:56We're so running out of time here.
0:11:56 > 0:11:58Wanna Brazillo?
0:11:58 > 0:12:00- Sure.- Yeah.
0:12:00 > 0:12:02What about Karl?
0:12:03 > 0:12:05- Yeah.- Yeah.
0:12:05 > 0:12:07I've got to ask, who was it he came up with?
0:12:07 > 0:12:11- Was it Aled Jones?- Yeah, yeah, it was, yeah.- Yeah.- OK.- The Aled.
0:12:11 > 0:12:12- Shall I...? - No, no, no, no, no, leave him.
0:12:12 > 0:12:13- Yeah, OK.- Cool.
0:12:13 > 0:12:17- Yeah, that's, like, don't wanna know.- Yeah, it's like, what if he says yes?!
0:12:29 > 0:12:31- Hi, Sally.- Oh, hi.
0:12:31 > 0:12:33- God! Honestly!- Yes.
0:12:33 > 0:12:34Just when you want to get in early this morning,
0:12:34 > 0:12:36you literally run into Kay Hope on your bike.
0:12:36 > 0:12:39- Right.- Wasn't my bloody fault.
0:12:39 > 0:12:42She managed to strangle herself with her own rucksack somehow.
0:12:42 > 0:12:44- Stopped dead right in front of me. - Yes.
0:12:44 > 0:12:45Next thing I know,
0:12:45 > 0:12:47I'm scraping myself off her back wheel.
0:12:47 > 0:12:49Course, then the problem is, apart from my bloody trousers,
0:12:49 > 0:12:52you're in for a good half hour on ethical bloody electricity.
0:12:52 > 0:12:55- Yes, annoying, actually. - God! Wow, what is it, Christmas?
0:12:55 > 0:12:56Oh I...I just thought...
0:12:56 > 0:12:58Meanwhile, Ian has finally arrived at the office
0:12:58 > 0:13:02after a more than usually complicated journey to work.
0:13:02 > 0:13:05But fortunately, Sally has got things prepared for him.
0:13:05 > 0:13:08- I think I'll check my emails before I get out of this stuff.- Right.
0:13:08 > 0:13:09So, unless there's any...
0:13:09 > 0:13:11I was just going to get you a cappuccino, but I thought I'd wait till you got here.
0:13:11 > 0:13:13- Oh, well, that'd be... - Cos you don't want it cold.
0:13:13 > 0:13:16So long as you promise that you're not going to get one specially.
0:13:16 > 0:13:19- No, no, not a problem- Yeah?- Yeah. - OK. That'll be lovely, Sally. Thanks.
0:13:19 > 0:13:20Yes.
0:13:23 > 0:13:25CLEARS THROAT
0:13:27 > 0:13:31With little more than a week left before the end, it's more important than ever
0:13:31 > 0:13:34for Ian to keep on top of anything he needs to know about.
0:13:37 > 0:13:40But one of the things he won't need to keep on top of any more
0:13:40 > 0:13:45is whether or not he is going to be Director of Posterity post Games.
0:13:53 > 0:13:55- Yes, hi.- Um, yes, so, sorry,
0:13:55 > 0:13:58was it, um, skinny you wanted this morning or are you actually...
0:13:58 > 0:13:59It's OK, Sally, it's fine.
0:13:59 > 0:14:01I mean, it doesn't matter. I can probably pick up...
0:14:01 > 0:14:04No, really, it's fine. It's absolutely fine. It's very sweet of you.
0:14:04 > 0:14:06I'll probably get both in, so...
0:14:06 > 0:14:08- I didn't really want it anyway. - Oh, right.
0:14:08 > 0:14:11- The job, I mean, not the cappuccino.- Oh, right, yes.
0:14:11 > 0:14:13- I didn't really want this job that much.- No, I agree, actually.
0:14:13 > 0:14:16- You know what I'd really like to do when this is all over?- Er...
0:14:16 > 0:14:19- I'd like to just go somewhere and do nothing for a few weeks.- Yes.
0:14:19 > 0:14:22I don't mean anywhere exotic. I'd just like to, I don't know,
0:14:22 > 0:14:24rent somewhere in Umbria, you know, some little town
0:14:24 > 0:14:27- or quiet village somewhere up a hillside.- Mm.
0:14:27 > 0:14:30Get up late, breakfast in some shaded courtyard, sleep in the afternoon,
0:14:30 > 0:14:32wander down to the bar in the old square in the evening,
0:14:32 > 0:14:35sit outside with a book and cool bottle of Pinot Grigio.
0:14:36 > 0:14:38Yes, Umbria's quite nice, actually.
0:14:46 > 0:14:50Cos now it's got personal, right, cos what he's saying is,
0:14:50 > 0:14:52if their missiles can't tell the difference
0:14:52 > 0:14:54between a Roman candle and a hijacked Airbus
0:14:54 > 0:14:56then we're all fucked and might as well all just go home.
0:14:56 > 0:15:00Meanwhile it's a different day altogether, and just six days to go till handover.
0:15:00 > 0:15:03Yeah, and I've got Danny Boyle's hit man, Kevin Thingie phoning me up.
0:15:03 > 0:15:05- Oh, God, not him! - Yeah, 'im.
0:15:05 > 0:15:07So, he's phoning me up every hour just to shout at me,
0:15:07 > 0:15:09- Danny's threatening to bloody resign.- Again?- Again, yeah.
0:15:09 > 0:15:11It's mental, it's a bloody madhouse. Do you want some?
0:15:11 > 0:15:13- No, thanks.- Yeah, it's all right.
0:15:13 > 0:15:15It's just these anchovies, they always put these anchovies...
0:15:15 > 0:15:17With the opening ceremony itself now only two weeks away,
0:15:17 > 0:15:19and the Mexican faceoff between Danny Boyle's team
0:15:19 > 0:15:22and the Ministry of Defence still unresolved,
0:15:22 > 0:15:25Ian has stepped in to Graham's office for a progress report.
0:15:25 > 0:15:27So, they're saying fine, cos if he thinks it's OK
0:15:27 > 0:15:31to launch 300 tonnes of high explosives into the sky over London
0:15:31 > 0:15:32on opening bloody night
0:15:32 > 0:15:35then you just as well have Hermann Goring as Artistic Director.
0:15:35 > 0:15:38- Oh, God, this is serious! - Yeah, it is. And so now
0:15:38 > 0:15:40they're only talking to each other through me, basically.
0:15:40 > 0:15:41Well, that can't be easy for them, I can see that.
0:15:41 > 0:15:43- No, it isn't. - But how did this happen?
0:15:43 > 0:15:45Why haven't I been in the loop before it got to this point?
0:15:45 > 0:15:46Yeah, classic! I mean...
0:15:46 > 0:15:49And they whack olives on here as well, I didn't bloody ask for them.
0:15:49 > 0:15:50- Right.- Bloody olive mad.
0:15:50 > 0:15:52No, it sounds to me like what this probably needs
0:15:52 > 0:15:54- is a concentrated charm offensive. - Yeah, no,
0:15:54 > 0:15:56- I tried that already. - Right, did you?
0:15:56 > 0:15:58- Yeah, it's rubbish, didn't work. - Right.
0:15:58 > 0:16:00Maybe if I had a go but, you know, from a slightly different, er...
0:16:00 > 0:16:02Yeah, fine.
0:16:02 > 0:16:04- You know, a slightly different phone.- Yeah, whatever.
0:16:04 > 0:16:05I mean, of course, what they did in Beijing was, they just cheated.
0:16:05 > 0:16:08I mean, half the fireworks were bloody virtual anyway.
0:16:08 > 0:16:09Virtual?
0:16:09 > 0:16:12Yeah, just do 'em on your laptop, get rid of Danny Boyle altogether.
0:16:12 > 0:16:14- That's not actually very helpful. - Yeah, I know.
0:16:14 > 0:16:16I'm probably lightheaded. I mean, there's hardly time to eat.
0:16:18 > 0:16:20OK, we're good here?
0:16:20 > 0:16:22- Yes, I think so, Siobhan. - Yes. I mean, wow.
0:16:22 > 0:16:24- Bring it on, guys. Line 'em up.- Yes.
0:16:24 > 0:16:26Meanwhile, Siobhan has succeeded
0:16:26 > 0:16:29in persuading fully grownup rock legend Aled Jones
0:16:29 > 0:16:32to help judge the Big Bong church bell composition prize.
0:16:32 > 0:16:35- So, guys, this is Frederick. - Hello, good afternoon.
0:16:35 > 0:16:36Hi, Frederick.
0:16:36 > 0:16:37- This is Aled Jones. - Yes, hello.
0:16:37 > 0:16:39- Hi, Fred. Great to meet you.- Yes.
0:16:39 > 0:16:41- This is Vicky, um... - I'm Vicky Long.
0:16:41 > 0:16:43Yeah, Vicky's, like, you know, a creative producer...
0:16:43 > 0:16:46- Yes, I'm Artistic Director for Podium.- Yes.
0:16:46 > 0:16:47Hi, this is so exciting.
0:16:47 > 0:16:50- Can I just say, I loved The Snow Goose.- Snow Goose?
0:16:50 > 0:16:51Yes, I thought it was excellent.
0:16:51 > 0:16:54Right, cos I wasn't actually anything to do with The Snow Goose.
0:16:54 > 0:16:55Nevertheless, I thought it was good.
0:16:55 > 0:16:57Frederick Moyle has taught music
0:16:57 > 0:16:59at the Pilgrim School in Worcester for over 30 years.
0:16:59 > 0:17:01During that time,
0:17:01 > 0:17:04as well as motivating generations of young musicians to grow up,
0:17:04 > 0:17:07he's also been a prolific composer in his own head.
0:17:07 > 0:17:09Now, the piece itself is exactly six minutes long,
0:17:09 > 0:17:12which, I have to say, I regard as critical.
0:17:12 > 0:17:14Oh, that's great, Frederick. That's fantastic.
0:17:14 > 0:17:16Here, again, it seems to me...
0:17:16 > 0:17:19- Yeah, you wanna put it in the thing, Fred?- Right, OK.
0:17:22 > 0:17:23Are you all right there, Frederick?
0:17:23 > 0:17:25Thank you, yes.
0:17:25 > 0:17:27It's not quite as easy as it looks, is it?
0:17:27 > 0:17:30- Yeah, it just goes in the slot. - FREDERICK: Exactly, yes, thank you.
0:17:32 > 0:17:36I have to say, I prefer the top-loading mechanism on a number of counts.
0:17:36 > 0:17:38Yeah, me too Fred. I'm rubbish with technology.
0:17:38 > 0:17:41Yes, whereas I'm actually quite good with it.
0:17:41 > 0:17:42- Great.- So...
0:17:42 > 0:17:44nice and still, and...
0:17:51 > 0:17:54- Yeah, it's play, you wanna... - Yes, thank you.
0:18:05 > 0:18:07- There is, in fact, a slight pause. - Sure.
0:18:09 > 0:18:14PEAL OF BELLS
0:18:28 > 0:18:32Meanwhile, despite failing to make the shortlist
0:18:32 > 0:18:34for the Director of Posterity job post Games,
0:18:34 > 0:18:37both Kay and Fi are staying positive about the future.
0:18:37 > 0:18:38So, what do you think you'll do now?
0:18:38 > 0:18:41No, it's fine. I'll be out here for a while.
0:18:41 > 0:18:44Might go for a walk. Might eat some cake I never do that.
0:18:44 > 0:18:46But after the Games, I mean. What will you do?
0:18:46 > 0:18:47Yes, no, the same, really.
0:18:47 > 0:18:49Might go for a walk, might eat some cake, you know.
0:18:49 > 0:18:52Probably go to LA to begin with, just see what happens, see how I feel.
0:18:52 > 0:18:55- LA?- Yeah, this guy I know's got a place in Malibu.
0:18:55 > 0:18:57Overlooks the ocean, sun every day. Great.
0:18:57 > 0:19:00- Right. What will you do there? - I don't really know him that well,
0:19:00 > 0:19:03but you never know anyone that well to begin with do you? Fuck it.
0:19:03 > 0:19:05So, no, I mean, good luck to them, really.
0:19:05 > 0:19:07And as for the whole Legacy thing,
0:19:07 > 0:19:08I mean, really, honestly I have to say,
0:19:08 > 0:19:11do me a favour, what a fucking joke.
0:19:12 > 0:19:14- That looks nice.- Oh, yes.
0:19:14 > 0:19:15Sansepolcro is actually quite nice, actually.
0:19:15 > 0:19:17- Yes, looks nice, yes. - Very good for, um, frescoes.
0:19:17 > 0:19:19- Oh, right. - Yeah, and there is actually a bar
0:19:19 > 0:19:21in the corner of the square.
0:19:21 > 0:19:24- Is there?- Yes. Um...er, they say it closes at ten,
0:19:24 > 0:19:27but they basically said they'll stay open until whenever you want to...
0:19:27 > 0:19:29- till you're ready to go. - Well that's my kind of...
0:19:29 > 0:19:33- Hang on, you've spoken to them? - Yes, and they seem very relaxed, so...- Right.- Yeah.
0:19:33 > 0:19:35With just six days left until Handover Day,
0:19:35 > 0:19:38by which time everything will have to be decided,
0:19:38 > 0:19:42even short breaks between the arrival of Big Bong candidates become vital.
0:19:42 > 0:19:44With Montone, though it... it is much smaller, obviously.
0:19:44 > 0:19:45Yes, obviously.
0:19:45 > 0:19:47And it doesn't have the Piero della Francesca.
0:19:47 > 0:19:49- No. Well, who cares?- Yeah.
0:19:49 > 0:19:51But really, I mean, I don't want you to spend too much time on this.
0:19:51 > 0:19:54No, no, not a problem. Um, the bar in the corner of the square there
0:19:54 > 0:19:57is also a little restaurant, actually.
0:19:57 > 0:19:58Oh, right, really?
0:19:58 > 0:20:00- Yeah, and they seem quite friendly too.- Really?- Well...
0:20:00 > 0:20:02- Yeah, particularly the wife, actually.- Right, well...
0:20:02 > 0:20:03Well, this is all, you know...
0:20:03 > 0:20:06- You make them all sound incredible. - Oh, well, no.
0:20:06 > 0:20:07II didn't really... I just printed them off, really.
0:20:07 > 0:20:10- Hey, guys. - Ah, right, yes.
0:20:10 > 0:20:13- Ready for some more fun? - Yes, absolutely, yes, on my way.
0:20:13 > 0:20:16- Cool. Let's ring some bell here. - Yes, let's do that.
0:20:16 > 0:20:17Right, well, here we go again.
0:20:17 > 0:20:18- No bloody time.- Yes.
0:20:18 > 0:20:20I mean, I don't know. Which do you think?
0:20:20 > 0:20:25- Me?- Yes, you know, I mean, if it was you.- Yes, er...
0:20:25 > 0:20:27And this is Aled Jones.
0:20:27 > 0:20:28- Yeah. - Hi, Chris. Really good to meet you.
0:20:28 > 0:20:30- Yeah. It's Christian.- Great.
0:20:30 > 0:20:32Ian Fletcher, Head of Deliverance.
0:20:32 > 0:20:34Meanwhile, the final of the Big Bong entrants has arrived.
0:20:34 > 0:20:37Christian Jebb has become thought of as a prizewinning artist
0:20:37 > 0:20:40in a number of circles.
0:20:40 > 0:20:42On a mission to defy categorisation in the arts,
0:20:42 > 0:20:44he became briefly famous
0:20:44 > 0:20:48for entering an apple in the 2010 Orange Prize for Women's Fiction,
0:20:48 > 0:20:51before it was eventually ruled out at the shortlist stage.
0:20:51 > 0:20:56I'm just gonna leave this stuff there. You can each take whatever you want.
0:20:56 > 0:20:58- Right, um...- Cool!
0:20:58 > 0:20:59You're not gonna play us something?
0:20:59 > 0:21:02No. Just take something, Aled, OK?
0:21:02 > 0:21:04- OK.- Something to ring, bash,
0:21:04 > 0:21:05- whatever you feel like doing today. - Great.
0:21:05 > 0:21:08It's already clear that Christian has gone down a different route
0:21:08 > 0:21:11in his approach to the idea of the Big Bong.
0:21:16 > 0:21:19RATTLING AND JANGLING
0:21:26 > 0:21:28- OK, so you've got one minute. - Oh, right, er...
0:21:28 > 0:21:31- I'll stop you when it's over. - Can I just ask, what does this do?
0:21:31 > 0:21:33I dunno. Let's see, shall we?
0:21:33 > 0:21:35Right, OK.
0:21:35 > 0:21:37If you don't like what you've got, just choose something else.
0:21:37 > 0:21:38No, it's not that I don't like it,
0:21:38 > 0:21:41- it's just that I don't understand...- Right, go.
0:21:43 > 0:21:44Go.
0:21:44 > 0:21:45Go, I've started.
0:21:50 > 0:21:52BELL DINGS
0:21:52 > 0:21:54RATTLING
0:21:56 > 0:21:58HORN HONKS
0:21:58 > 0:22:00PANS TING
0:22:02 > 0:22:04Christian's piece, Noise Twenty Seven,
0:22:04 > 0:22:07involves people all over the country
0:22:07 > 0:22:10availing themselves of whatever comes to hand at eight o'clock
0:22:10 > 0:22:13on the morning of July the 27th, whether it's a church bell or not,
0:22:13 > 0:22:15and hitting it, rattling it or thrashing it
0:22:15 > 0:22:19for exactly one minute, in celebration of Olympic values.
0:22:19 > 0:22:21Right, stop, stop!
0:22:21 > 0:22:22Stop. HONK!
0:22:22 > 0:22:24Stop.
0:22:25 > 0:22:26Not bad, well done.
0:22:26 > 0:22:29- That's it?- Yeah.
0:22:29 > 0:22:30I think I almost had it there for a bit!
0:22:30 > 0:22:33It's, er, an antidote to all those insufferable minutes' silences.
0:22:33 > 0:22:35a minute's bloody noise.
0:22:35 > 0:22:38- Holy shit, that's so cool! - What can I say, Chris?
0:22:38 > 0:22:39It's Christian.
0:22:39 > 0:22:41Great.
0:22:45 > 0:22:47I mean, the owners are actually Italian, they live in Montone,
0:22:47 > 0:22:49- so their English isn't very good. - Right.
0:22:49 > 0:22:51Um, yes, but I did an Italian A-level, actually, so...
0:22:51 > 0:22:52- Did you? - Yeah. I mean...
0:22:52 > 0:22:54You kept that quiet!
0:22:54 > 0:22:55I wasn't very good. I probably didn't understand it.
0:22:55 > 0:22:58There are now just three days to go until Handover Day
0:22:58 > 0:23:01and Sally has been working hard to help Ian tie up
0:23:01 > 0:23:03as many remaining loose ends as possible
0:23:03 > 0:23:06- before it's too late. - So, yes, you see, the thing is
0:23:06 > 0:23:07with a lot of them is, they sleep six or eight or...
0:23:07 > 0:23:08Well, yes of, course.
0:23:08 > 0:23:11It's actually quite hard to find ones who just, um, just...
0:23:11 > 0:23:13- Yes, I bet.- Yeah.
0:23:13 > 0:23:16Yeah, hi, there's a guy here come to talk about fireworks.
0:23:16 > 0:23:17- God!- Do you know anything about that?
0:23:17 > 0:23:19Oh, it's Kevin Thingie from Danny Boyle's office, isn't it?
0:23:19 > 0:23:20Yes, it is, actually.
0:23:20 > 0:23:23With the dispute over the fireworks at the opening ceremony still unresolved,
0:23:23 > 0:23:26Danny Boyle's long-term creative fixer,
0:23:26 > 0:23:29Kevin Thingie, has suddenly arrived in person and out of nowhere.
0:23:29 > 0:23:33- Can I get you anything, Mr...Kevin? - Yeah.
0:23:33 > 0:23:35Tell you what. You haven't got a shovel of any kind, have you?
0:23:35 > 0:23:37- Um...- Must have somewhere, surely.
0:23:37 > 0:23:39All the shit you guys produce.
0:23:39 > 0:23:41- Yes, um... - Right, OK, shall we...?
0:23:41 > 0:23:43Right, I'll be straight with you.
0:23:43 > 0:23:46Life's difficult enough for us as it is without having to tap dance
0:23:46 > 0:23:48round a bunch of guys in suits who wouldn't know a creative idea
0:23:48 > 0:23:50- if they sat on one. - Well, exactly.
0:23:50 > 0:23:51Yeah, classic.
0:23:51 > 0:23:53Well, no, it feels to me as if we probably need to
0:23:53 > 0:23:56think about this as an opportunity rather than a problem.
0:23:56 > 0:23:58- Yeah, bollocks. - Right...
0:23:58 > 0:24:01Despite how high the stakes are, Ian knows he has no option now
0:24:01 > 0:24:04but to keep thinking on his feet until he finds out where it is they've taken him.
0:24:04 > 0:24:06I think it would be good to identify strategies
0:24:06 > 0:24:08for really starting to drive this thing forward.
0:24:08 > 0:24:09Yeah, can I just say,
0:24:09 > 0:24:11this has better be good.
0:24:11 > 0:24:13- Well, no, exactly.- Yeah. I think we're all on the same page.
0:24:13 > 0:24:16Yes, so our thinking has been very much starting from the position,
0:24:16 > 0:24:17- what do we know? - Yeah, what do we know?
0:24:17 > 0:24:21We know you can't have an opening ceremony without fireworks, that's clear.
0:24:21 > 0:24:22Also, you can't guarantee security
0:24:22 > 0:24:25if you take ground-to-air missile coverage out of the equation.
0:24:25 > 0:24:27That's the MoD's position, that's also clear.
0:24:27 > 0:24:28That is clear.
0:24:28 > 0:24:31So, the first thing to say is, we've got a lot of clarity to work with
0:24:31 > 0:24:33- which is obviously a big positive. - Yeah.
0:24:33 > 0:24:35Yeah. Did she say she was bringing that, shovel or...?
0:24:35 > 0:24:36So, yes, where we got to eventually with this -
0:24:36 > 0:24:38and I have to say this is something that suddenly came right of nowhere,
0:24:38 > 0:24:41as you always hope these things are going to somehow
0:24:41 > 0:24:44what we came up with eventually with this, after all the...after everything, was...
0:24:44 > 0:24:46where we ended up was
0:24:46 > 0:24:48with the concept of, er, in essence,
0:24:48 > 0:24:52whether this thing couldn't be achieved virtually in some way.
0:24:52 > 0:24:53- Virtually?- Yes.
0:24:53 > 0:24:55- Yeah.- Yeah, that's... Yeah.
0:24:55 > 0:24:58- You're joking?- Well, no, just stay with us, just...
0:24:58 > 0:25:00Are you guys really suggesting what I think you're suggesting?
0:25:00 > 0:25:04- Yes.- You bet we are. - I mean, the audience in the stadium
0:25:04 > 0:25:07would end up watching them on the big screen, but if you think about it,
0:25:07 > 0:25:10this is fundamentally a global television event, so I think that that's...
0:25:10 > 0:25:12- Yeah, I know what it is. - Yeah, so statistically,
0:25:12 > 0:25:15as a proportion of the global audience, it's, like...
0:25:15 > 0:25:17well, it's practically infinite decimal.
0:25:17 > 0:25:19Yes. I think the main point here,
0:25:19 > 0:25:24what we try to bear in mind throughout, is that it puts Danny in control.
0:25:24 > 0:25:26Meanwhile, the MoD can set their phasers to gas mark whatever they like,
0:25:26 > 0:25:28and the missiles are still going to stay on the ground.
0:25:28 > 0:25:31Right. Anyway, that's pretty much where we're currently at
0:25:31 > 0:25:34Right, OK. Well, I've sat here. Shall I tell you what that is?
0:25:34 > 0:25:36Well, er...
0:25:36 > 0:25:37- It's genius. - Right, well, that's...
0:25:37 > 0:25:40- It's fucking genius. - Well, we quite liked it, didn't we?
0:25:40 > 0:25:42- Yeah.- Yeah, we did, yeah.
0:25:42 > 0:25:44Yeah, so basically, that's all good.
0:25:50 > 0:25:53OK, so, well...
0:25:53 > 0:25:54here we are at the finishing line.
0:25:54 > 0:25:58Er, unfortunate in a way there's no-one here to meet us after all,
0:25:58 > 0:26:00but, er, there we go, never mind. We made it.
0:26:00 > 0:26:04Finally, at last, it's Handover Day.
0:26:04 > 0:26:06The hope was that Seb Coe would be here to make a speech,
0:26:06 > 0:26:09but he's been called away to a last-minute argument with an animal rights groups
0:26:09 > 0:26:12over the use of live sheep in the opening ceremony,
0:26:12 > 0:26:15so Ian has decided to hand over himself.
0:26:15 > 0:26:16So, in the absence of Seb,
0:26:16 > 0:26:20I think it's right that someone should at least say a few words.
0:26:20 > 0:26:21- OK, thanks for that, Ian. - Er, no, sorry, Siobhan.
0:26:21 > 0:26:23- I am going to say something for once.- OK. No, that's fine.
0:26:23 > 0:26:24I'm totally cool with that.
0:26:24 > 0:26:26- Keep it short.- Er, yes.
0:26:26 > 0:26:32No, so, um, I just want to say, really, on behalf of Seb, if he was here, er...and, er...
0:26:32 > 0:26:35Actually, no, sod it, on behalf of me personally,
0:26:35 > 0:26:37thank you to every one of you in this room.
0:26:37 > 0:26:38I know what this has meant to you.
0:26:38 > 0:26:42I know what it's meant to me. Seven years ago none of that was there nothing.
0:26:42 > 0:26:46Incredible to think, really, when you look round this room
0:26:46 > 0:26:49that we did that, but we did - we did that.
0:26:49 > 0:26:51So, yes, it's been a long journey.
0:26:51 > 0:26:54We were all different people when we set out,
0:26:54 > 0:26:57and who knows what will happen from this point on?
0:26:57 > 0:27:01But believe it or not, it's been a privilege to share that journey with you
0:27:01 > 0:27:02and it's hard to imagine
0:27:02 > 0:27:05not coming through that door every day and seeing you all.
0:27:07 > 0:27:12So, er, yes. So, er, well done. And, er, and that's it, really.
0:27:12 > 0:27:13So...so that's all good.
0:27:14 > 0:27:15GLASSES CLINK
0:27:15 > 0:27:17OK. Totally, guys.
0:27:17 > 0:27:19Go, Ian.
0:27:19 > 0:27:20Go, Deliverance.
0:27:20 > 0:27:22- Go, us!- Go, us!
0:27:22 > 0:27:24APPLAUSE
0:27:31 > 0:27:32Thank you.
0:27:36 > 0:27:39I mean, obviously there's Florence, or there are daily flights to Pisa.
0:27:39 > 0:27:43- Right.- Um, so quite a few options, but you probably need to make some choices, actually.
0:27:43 > 0:27:45- Yes, I know. - Um, yeah, so with Ryanair...
0:27:45 > 0:27:49But for Ian, even though his own Olympic journey may finally be over,
0:27:49 > 0:27:52there are other journeys still left to make.
0:27:52 > 0:27:53...Cost twice as much as the flight.
0:27:53 > 0:27:57'It is difficult. I mean, I'm not stupid, I hope, I'm not unaware.
0:27:57 > 0:28:00'Part of me thinks, you know, this has been seven years of my life,
0:28:00 > 0:28:02'and now suddenly, you know, you're...you're divorced,
0:28:02 > 0:28:04'you're unemployable, apparently.
0:28:04 > 0:28:07'I mean, what's the worst that can happen?
0:28:07 > 0:28:09'On the other hand, I care about Sally a lot,
0:28:09 > 0:28:12'and, er, I really wouldn't want to...
0:28:12 > 0:28:15'Cos I suppose the thing is, then what? You know? If...
0:28:15 > 0:28:19'Or does that matter? You know, we're both grownups and so on.
0:28:19 > 0:28:23'Maybe it's OK. But no, it's very... No, I...I should talk to her, really.
0:28:23 > 0:28:25'I mean, I must.'
0:28:25 > 0:28:27Um, but the thing about Perugia is, I mean, they say Perugia,
0:28:27 > 0:28:29- but it's actually closer to Assisi. - Right.
0:28:29 > 0:28:31Um, so it's an early start, but you're...
0:28:31 > 0:28:34you're there by eleven, and by midday you can be having a cappuccino
0:28:34 > 0:28:37in the square overlooking the Basilica di San Francesco,
0:28:37 > 0:28:38- which would be quite nice, actually.- Yes.
0:28:38 > 0:28:40- So, I think I'd prefer that.- Right.
0:28:41 > 0:28:43No, um, I don't... That's not... I...
0:28:43 > 0:28:44- I just...- Sally.
0:28:44 > 0:28:46- Yes?- With this whole...this whole thing...
0:28:46 > 0:28:47- Yeah. No, no, it's not a problem. - I think...
0:28:47 > 0:28:49It's probably... I mean, I didn't... It wasn't...
0:28:49 > 0:28:51I mean, it's, um, it's probably just as well.
0:28:51 > 0:28:54- Hang on, I haven't said what I was going to say yet.- Right, er...
0:29:02 > 0:29:06# There may be trouble ahead
0:29:06 > 0:29:13# But while there's moonlight and music and love and romance
0:29:13 > 0:29:18# Let's face the music and dance
0:29:18 > 0:29:24# Let's face the music and dance. #