...Is This Just Fantasy?

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0:00:02 > 0:00:04- Eeny, meeny, miny... - DOORBELL RINGS

0:00:04 > 0:00:05..moe.

0:00:06 > 0:00:09Mel. Odie. Melodie.

0:00:09 > 0:00:11Hi, Andy.

0:00:11 > 0:00:13This programme contains some strong language.

0:00:13 > 0:00:15- Melodie's in my flat.- What the hell are you doing up here?

0:00:15 > 0:00:17I don't know what to say to her.

0:00:17 > 0:00:19- Apologise to her for your wrongs. - Yeah, but...

0:00:19 > 0:00:21- that's not cool. - Whatever you decide,

0:00:21 > 0:00:24can you do it in your own time? I've got to catch up with my homework.

0:00:24 > 0:00:25Homework? It's summer!

0:00:25 > 0:00:27I'm taking a fantasy writing class.

0:00:27 > 0:00:29- Nerd.- I'm not taking it for pleasure. I'm taking it

0:00:29 > 0:00:32cos you tell me that everything I write is very literal.

0:00:32 > 0:00:34- Nerd.- At least I'd know what to say to Melodie.

0:00:34 > 0:00:35Melodie!

0:00:35 > 0:00:37DOOR BANGS

0:00:39 > 0:00:41I ran out of fresh towels.

0:00:41 > 0:00:43Would you like a drink?

0:00:43 > 0:00:45- No, thanks.- It's just as well.

0:00:45 > 0:00:47I've given up drinking.

0:00:47 > 0:00:48You've given up drinking?

0:00:48 > 0:00:51Yeah. No social lubricant.

0:00:54 > 0:00:57So, how did you find my new digs?

0:00:57 > 0:01:00Gwen Pearson and Shelley Asher.

0:01:00 > 0:01:03We're in a secret Facebook group.

0:01:03 > 0:01:06You're in a secret Facebook group with two of my exes?

0:01:06 > 0:01:07Yep.

0:01:07 > 0:01:09Nice garden flat, by the way.

0:01:09 > 0:01:11Thanks.

0:01:11 > 0:01:14I just bought my mum this exact same rug.

0:01:14 > 0:01:17- Carpet Brothers? - Yes. Oh, good spot.

0:01:17 > 0:01:18I wrote the jingle for them.

0:01:18 > 0:01:20"The selection's tops and the deals don't stop.

0:01:20 > 0:01:22"Shagpiles for miles, we've got the lot."

0:01:22 > 0:01:25Haven't heard of it. Are these for your next jingle?

0:01:25 > 0:01:27I'm writing a song for a boyband.

0:01:27 > 0:01:29You? A boyband?

0:01:29 > 0:01:32I've had to commune with my inner teen girl.

0:01:32 > 0:01:35- My boss is a bit of an ogre, though. - Sounds scary.

0:01:35 > 0:01:38I'm sorry about saying "lubricant" earlier.

0:01:38 > 0:01:40It must have just...slipped out.

0:01:43 > 0:01:46So why are you darkening my doorstep?

0:01:46 > 0:01:48I was in town for a couple of days.

0:01:48 > 0:01:49Cool.

0:01:49 > 0:01:52- It's nice to see you, Andy. - You, too.

0:01:52 > 0:01:55Wait, I'm... I lied.

0:01:55 > 0:01:57- It's not nice to see me? - No...yes, it is.

0:01:57 > 0:01:59I mean...

0:01:59 > 0:02:02I've been in London for two months,

0:02:02 > 0:02:04- getting my visa renewed. - I've got to tell you,

0:02:04 > 0:02:08if it's taking you that long, you should probably consider Mastercard.

0:02:08 > 0:02:11And now that you've got your visa?

0:02:11 > 0:02:13Heading back to New York.

0:02:13 > 0:02:16Are you still... doing all that book stuff?

0:02:16 > 0:02:17I'm an assistant editor.

0:02:17 > 0:02:19Young-adult fiction.

0:02:19 > 0:02:22Mostly contemporary coming-of-age stuff,

0:02:22 > 0:02:25LGBT issues, eating disorders...

0:02:25 > 0:02:26- You know lots about that.- Yeah.

0:02:26 > 0:02:28- Cos you've got an eating disorder. - Yes, yeah.

0:02:30 > 0:02:31Look, Melodie...

0:02:31 > 0:02:34- Andy, I need to say...- Sorry. Assistant editors first.

0:02:34 > 0:02:38You know when you want to pick something up where you've left off,

0:02:38 > 0:02:40but...

0:02:40 > 0:02:44you've waited so long that you don't know how to begin again?

0:02:44 > 0:02:47If this is about my competitive street-dancing career,

0:02:47 > 0:02:48I've hung up my kicks for good.

0:02:48 > 0:02:50Andy, will you be serious for one minute?

0:02:50 > 0:02:53Sorry. My therapist says it's a deflection technique.

0:02:53 > 0:02:55You're seeing a therapist? That's great.

0:02:55 > 0:02:57I mean, it's my sister. But she gives me family rates.

0:02:57 > 0:03:00- That was another joke, I'm sorry. - SHE LAUGHS NERVOUSLY

0:03:00 > 0:03:02(You don't know how good it is to see you.)

0:03:02 > 0:03:03Yeah?

0:03:03 > 0:03:06Then why didn't you return my phone?

0:03:06 > 0:03:07You knew I had it this whole time?

0:03:07 > 0:03:10Well, not until Gwen and Shelley confirmed your address.

0:03:18 > 0:03:19Wha...?

0:03:19 > 0:03:22The cabbie returned it to me like that.

0:03:22 > 0:03:24Look, I'll make it up to you.

0:03:25 > 0:03:27Andy! Are you crazy?

0:03:27 > 0:03:31Duh! Obviously! I mean, that's sort of my thing.

0:03:31 > 0:03:34I was too embarrassed to return it to you because then you'd know that

0:03:34 > 0:03:36I knew that you were back in town.

0:03:36 > 0:03:39You clearly didn't want to see me, otherwise you'd have got in contact.

0:03:39 > 0:03:42That's not what happened. I thought about getting in contact every day,

0:03:42 > 0:03:45but...my life's complicated.

0:03:45 > 0:03:46The guy on the phone...

0:03:46 > 0:03:48He's my editor. And a friend.

0:03:49 > 0:03:52We tried to be something more, but...

0:03:52 > 0:03:53But?

0:03:53 > 0:03:56He knows I'm in love with someone else.

0:03:56 > 0:03:58Are you saying what I think you're saying?

0:03:58 > 0:04:01You haven't spoken to me in over a year!

0:04:01 > 0:04:03You haven't spoken to me either.

0:04:03 > 0:04:06I needed you to make the next move, Andy. It couldn't have been me.

0:04:06 > 0:04:08Oh, God, forget it. I shouldn't have come.

0:04:08 > 0:04:09It was selfish.

0:04:10 > 0:04:12I just needed to see how this was going to play out,

0:04:12 > 0:04:15but it was a fantasy, it's just a childish dream.

0:04:15 > 0:04:17I was coming for you, that day you left.

0:04:17 > 0:04:20I was on my way and...

0:04:20 > 0:04:22something happened...

0:04:23 > 0:04:25..and I froze.

0:04:25 > 0:04:28I'm done chasing you.

0:04:28 > 0:04:30I'm done dreaming about you.

0:04:31 > 0:04:34Do you want to be with me, the real me, or not?

0:04:34 > 0:04:35Not?

0:04:36 > 0:04:39I've never heard of her.

0:04:40 > 0:04:42Melodie, wait.

0:04:51 > 0:04:53Can't you sleep?

0:04:53 > 0:04:55Are you feeling stressed?

0:04:55 > 0:04:58Feeling inspired, actually.

0:04:59 > 0:05:00Feeding the ogre.

0:05:00 > 0:05:02Well, don't let me disturb you.

0:05:04 > 0:05:06Don't go!

0:05:07 > 0:05:10You're my muse.

0:05:10 > 0:05:11So...

0:05:11 > 0:05:16in your fantasy, what happens now?

0:05:16 > 0:05:19We could go for the record, if that's what you want.

0:05:19 > 0:05:20No!

0:05:20 > 0:05:21I meant...

0:05:21 > 0:05:24what happens to us,

0:05:24 > 0:05:27tomorrow and...and the day after that?

0:05:27 > 0:05:31We should start with a nice breakfast. Fair warning, though -

0:05:31 > 0:05:34I am a shit cook.

0:05:34 > 0:05:39Well, the cafe next to my Airbnb makes a delicious breakfast.

0:05:39 > 0:05:40Hmm.

0:05:40 > 0:05:42- And then?- Then...

0:05:42 > 0:05:45we could go to the zoo.

0:05:45 > 0:05:47How did you know I loved animals?

0:05:47 > 0:05:49Well, I knew that you fancied bears.

0:05:49 > 0:05:51Shut up!

0:05:51 > 0:05:53And then?

0:05:53 > 0:05:57And then...we could take a trip somewhere tropical

0:05:57 > 0:06:00and master the art of hammock sex.

0:06:01 > 0:06:02And then?

0:06:03 > 0:06:07And then we would come back to London

0:06:07 > 0:06:10and we could spend the rest of our lives together.

0:06:12 > 0:06:15That sounds like a dream.

0:06:15 > 0:06:18What about your job? And New York?

0:06:18 > 0:06:21We'll work it out.

0:06:21 > 0:06:23I love you, princess.

0:06:29 > 0:06:32MUSIC: Downtown by Petula Clark

0:06:36 > 0:06:38# When you're alone and life is... #

0:06:38 > 0:06:40Morning, princess.

0:06:41 > 0:06:44How did you sleep?

0:06:44 > 0:06:48I am starving, like Marvin Berry.

0:06:51 > 0:06:53# ..Downtown

0:06:53 > 0:06:55# The lights are much brighter there... #

0:06:55 > 0:06:56Oh, no.

0:06:56 > 0:06:59- Oh, no, no, no, no, no, no, no. - # ..Forget all your troubles

0:06:59 > 0:07:02- # Forget all your cares so go... # - Fuck!

0:07:02 > 0:07:05"..He said. Hadn't their sexy times clinched the deal?

0:07:05 > 0:07:07"Perhaps he'd said something wrong.

0:07:07 > 0:07:09"Perhaps he snored too loudly.

0:07:09 > 0:07:11"Perhaps he lacked the introspection to know.

0:07:11 > 0:07:14"Perhaps he didn't listen to his genius nephew enough."

0:07:14 > 0:07:16- Errol.- "Perhaps he didn't..."

0:07:16 > 0:07:19Errol! You do understand this is a fantasy writing class?

0:07:19 > 0:07:21There are many fantastical elements to this story

0:07:21 > 0:07:24- that even I find hard to believe. - Be that as it may,

0:07:24 > 0:07:28when we say "fantasy", we mean the genre fantasy - witches,

0:07:28 > 0:07:29dragons, magic, mythology.

0:07:29 > 0:07:33Surely we're all bored of the whole Game Of Thrones aesthetic.

0:07:33 > 0:07:34- ALL:- No. - It's just, at the moment,

0:07:34 > 0:07:37your writing is a little bit too literal.

0:07:37 > 0:07:39For example, one of your minor characters is named Errol...

0:07:39 > 0:07:42Minor?! No, he's more of a co-lead.

0:07:42 > 0:07:45Do you feel you have the ability to tell the same story,

0:07:45 > 0:07:47but change the genre?

0:07:47 > 0:07:51You see, Errol, I don't normally allow people your age into my class,

0:07:51 > 0:07:53but you seemed mature beyond your years.

0:07:53 > 0:07:55- Was I mistaken?- You want mature?

0:07:55 > 0:07:58I read the Guardian and the Daily Mail, just for balance.

0:07:58 > 0:08:00Well, then. Surprise me.

0:08:07 > 0:08:09Ye Olden Times.

0:08:09 > 0:08:11'It's the Renaissance,

0:08:11 > 0:08:14'plus the Medieval period, with a splash of the Dark Ages.

0:08:14 > 0:08:17'In a quaint country inn, the stable master was enjoying

0:08:17 > 0:08:20'a fibre-rich breakfast when his quietude was interrupted

0:08:20 > 0:08:22'by the idiot stableboy who lived in the cellar.'

0:08:22 > 0:08:25The Princess Melodie was in my bedchamber last night!

0:08:25 > 0:08:27'Said the lowly stableboy.'

0:08:27 > 0:08:29Did you fall into the vat of mead again?

0:08:29 > 0:08:30I haven't touched a drop in months.

0:08:30 > 0:08:32The princess did sleep in my bed.

0:08:32 > 0:08:34Innkeeper, you believe me!

0:08:34 > 0:08:36Forsooth, I believe there were a maid in your bed,

0:08:36 > 0:08:39but if she spent the night, 'tweren't no princess.

0:08:41 > 0:08:45I speak truth! She hath fled and left only this note.

0:08:45 > 0:08:47Stableboy, how are we meant to believe you

0:08:47 > 0:08:49when you tell such fantastical lies all the time?

0:08:49 > 0:08:52'This was the innkeeper's wife, who was in fact a man.

0:08:52 > 0:08:56- 'Take that, sexists.' - When have I ever lied?

0:08:56 > 0:08:58What about the time you said a dragon ate your goat?

0:08:58 > 0:08:59You don't even have a goat.

0:08:59 > 0:09:01- Because a dragon ate it! - Or when you said

0:09:01 > 0:09:04a water nymph cursed you with incurable allure.

0:09:04 > 0:09:07- Hello! Have you seen me?- Or that time you said an ogre forced you

0:09:07 > 0:09:09to pay him in songs to keep him from eating you.

0:09:09 > 0:09:11- That IS true.- It's only because you're simple and my blood

0:09:11 > 0:09:13that I let you abide here. You don't pay rent

0:09:13 > 0:09:15and you're the worst stableboy in Christendom.

0:09:15 > 0:09:20- I am a balladeer at heart. - Wait. He speaks the truth.

0:09:20 > 0:09:21Every word is correctly spelt.

0:09:21 > 0:09:24No halfwit stableboy could have written this.

0:09:24 > 0:09:27Thanks. But she's fled, and I know not why.

0:09:27 > 0:09:29- Was it the sex?- Maybe because you're soft in the head

0:09:29 > 0:09:32- and live in a cellar?- It's a garden abode! And she knew all that.

0:09:32 > 0:09:35And now I must find her and profess my true love.

0:09:35 > 0:09:37Can't you just ring her mobile?

0:09:37 > 0:09:38I mean...

0:09:38 > 0:09:40send a messenger pigeon?

0:09:40 > 0:09:44My pigeon is no more. I stamped on it to death

0:09:44 > 0:09:45to...impress her.

0:09:45 > 0:09:48Must you be such a dunce?

0:09:48 > 0:09:49Maybe I am a mirror

0:09:49 > 0:09:52and you are staring at your own dunce-y reflection.

0:09:52 > 0:09:54- Shut up.- No, you shut up.

0:09:54 > 0:09:55- Shut up.- You shut up.

0:09:55 > 0:09:57- Boys!- BOTH: Yes?

0:09:57 > 0:09:59You both shut up and muck out the stables. They're full of horseshit.

0:09:59 > 0:10:01- But my quest!- But the horseshit.

0:10:01 > 0:10:04- But true love!- But the shit.

0:10:04 > 0:10:05I'll do it later!

0:10:05 > 0:10:07But first, Stable Master,

0:10:07 > 0:10:11come with me to find the princess and make her my wife,

0:10:11 > 0:10:13- or die trying.- Hmm. I'll pass.

0:10:13 > 0:10:15I have a folklore workshop anon,

0:10:15 > 0:10:17and I'm yet to be visited by my muse.

0:10:17 > 0:10:19Maybe our adventure will inspire.

0:10:19 > 0:10:21- Please. I need your IQ.- Ah, yes.

0:10:21 > 0:10:23My Impressive Questing.

0:10:23 > 0:10:26If it's enlightenment you seek, you should visit the Oracle.

0:10:26 > 0:10:28Or the Wise Man.

0:10:28 > 0:10:30Hmm.

0:10:30 > 0:10:32Which is closer?

0:10:32 > 0:10:34'And so the quest began.

0:10:34 > 0:10:37'They bought supplies, which wasn't interesting, but realistic,

0:10:37 > 0:10:39'and then they went to consult...

0:10:39 > 0:10:41'the Oracle.'

0:10:41 > 0:10:43SPOOKY CHANTING

0:10:43 > 0:10:45What's all that moaning?

0:10:45 > 0:10:47Is it...

0:10:48 > 0:10:50Is it sex noises?

0:10:50 > 0:10:51Oh, must you always?

0:10:53 > 0:10:54It's the Oracle...

0:10:54 > 0:10:57making sex noises.

0:10:57 > 0:10:59You should have heard the princess's sex noises last night.

0:10:59 > 0:11:01Can we not?

0:11:01 > 0:11:03We can hear you!

0:11:03 > 0:11:06THEY SQUEAL AND HOWL

0:11:06 > 0:11:10ALL: We are the Oracle.

0:11:10 > 0:11:12But there's three of you.

0:11:12 > 0:11:13Yeah, we're the three aspects, innit?

0:11:13 > 0:11:15The mother, the maiden and the crone.

0:11:15 > 0:11:17THEY HOWL AND SCREECH

0:11:17 > 0:11:19Wait, wait, wait, hold up.

0:11:19 > 0:11:21Why do I always have to be the crone? You're the oldest!

0:11:21 > 0:11:23I'm timeless. It's different.

0:11:23 > 0:11:26Why does she get to be the maiden? I know for a fact

0:11:26 > 0:11:28- you ain't no maiden. - Neither are you!

0:11:28 > 0:11:30Stop whingeing! We get it! You're both sluts.

0:11:30 > 0:11:32But someone had to be the crone.

0:11:32 > 0:11:35But I could be pretty. I've got good bone structure.

0:11:35 > 0:11:36Bitches, be quiet.

0:11:36 > 0:11:39These idiot stableboys obviously have something they want to say.

0:11:39 > 0:11:41I'm a stable master, actually.

0:11:41 > 0:11:42Nobody cares.

0:11:42 > 0:11:45We hear you can guide our quest.

0:11:45 > 0:11:48Yes, but first, you must answer a riddle.

0:11:48 > 0:11:51I am light as a feather...

0:11:51 > 0:11:52But even a giant...

0:11:52 > 0:11:54Can't hold me.

0:11:54 > 0:11:56The giant's a woman. That's always the twist.

0:11:56 > 0:11:58- Your breath.- I brushed my teeth.

0:11:58 > 0:12:00- No, that's the answer. Breath. - I told you it was too easy.

0:12:00 > 0:12:02- You pick the riddle next time! - Beckies, shush.

0:12:02 > 0:12:04What is your query?

0:12:04 > 0:12:08Do you know where I can find the Princess Melodie?

0:12:08 > 0:12:09- She make a runner?- Was it the sex?

0:12:09 > 0:12:12- No! The sex was...- Please hold while we buffer your query.

0:12:12 > 0:12:14THEY HUM

0:12:14 > 0:12:18ALL: # Melodie

0:12:18 > 0:12:21# Oh, mmm... #

0:12:21 > 0:12:22Yeah, can we move this along?

0:12:22 > 0:12:25- Yeah, we don't know where she is, mate.- Hang on!

0:12:25 > 0:12:28I know you. Aren't you in a secret group with the princess?

0:12:28 > 0:12:31She told you about our "Andy's a dick" Facebook group?

0:12:31 > 0:12:32GIGGLING Very funny, Errol,

0:12:32 > 0:12:35- but that detail might be a bit too anachronistic.- Fine.

0:12:35 > 0:12:37She told you about our "Stableboy is a horse's phallus" group

0:12:37 > 0:12:39on the Book of Faces?

0:12:39 > 0:12:41Oh, I hate the Book of Faces.

0:12:41 > 0:12:44You've seen one woodcut of somebody's baby,

0:12:44 > 0:12:47- you've seen them all!- Hang on. The entire purpose of this group

0:12:47 > 0:12:49- is to compare me to a horse's phallus?- Can I join?

0:12:49 > 0:12:53More importantly, can you use this group to find out where she is?

0:12:53 > 0:12:55Let me think about that. No.

0:12:55 > 0:12:58This is all a joke to you, isn't it? But this is my actual life.

0:12:58 > 0:13:01It's not a game. My entire future happiness

0:13:01 > 0:13:02relies on me finding my princess.

0:13:02 > 0:13:04You, sexy mum, do you think

0:13:04 > 0:13:05you can help me find her?

0:13:05 > 0:13:08Why is everyone always asking me for advice?

0:13:08 > 0:13:12- I've got my own problems. - Ask me! I'm smarter than I look.

0:13:13 > 0:13:15- And sound.- I'm good.

0:13:15 > 0:13:17Did she say anything about where she'd been recently?

0:13:17 > 0:13:19Only that she'd bought a rug for her lady mother

0:13:19 > 0:13:22- from the Den of Carpets. - So, if they delivered the rug

0:13:22 > 0:13:24then they'd know where her lady mother abides,

0:13:24 > 0:13:26and thusly her lady mother

0:13:26 > 0:13:30might know where her daughter, the princess, is.

0:13:30 > 0:13:32- I'm fucking good. - That was actually very useful.

0:13:32 > 0:13:34Do you want to hear me play the mandolin?

0:13:34 > 0:13:36We're all right, thanks. Cheers.

0:13:36 > 0:13:40If all else fails, ask for the Wise Men!

0:13:40 > 0:13:46ALL: Men, men, men, men, men...

0:13:46 > 0:13:47BELL JINGLES

0:13:47 > 0:13:49MANDOLIN PLAYS

0:13:54 > 0:13:56Welcome to the Den of Carpets.

0:13:56 > 0:13:58Are they magic carpets?

0:13:58 > 0:14:00- Oh.- In a way.

0:14:00 > 0:14:02In the way that all carpets are magical

0:14:02 > 0:14:04because they give us so much beauty and comfort.

0:14:04 > 0:14:05THEY SIGH

0:14:05 > 0:14:08I know. Everyone's expecting magic carpets.

0:14:08 > 0:14:10It's actually been quite bad for business.

0:14:10 > 0:14:14- By the by, what are you looking for today?- We are on a quest.

0:14:14 > 0:14:17I love a quest! What's it for? Like, a ring or a sword

0:14:17 > 0:14:18or an enchanted cherry Bakewell?

0:14:18 > 0:14:20True love.

0:14:20 > 0:14:22- Oh, bless. - It's the Princess Melodie.

0:14:22 > 0:14:25She professed her love...and then fled.

0:14:25 > 0:14:28Oh, God. Was it that?

0:14:28 > 0:14:30I heard tell that she stopped by

0:14:30 > 0:14:32to purchase a rug for her lady mother.

0:14:32 > 0:14:34'Tis, um, a secret.

0:14:34 > 0:14:37You wouldn't want me to divulge a secret, would you?

0:14:37 > 0:14:39- Oh, go on. - No, I couldn't possibly.

0:14:39 > 0:14:42- Yes, you could.- No, I couldn't.

0:14:42 > 0:14:45No, stop that! No, you're evil!

0:14:45 > 0:14:46Oh, you're ticklish!

0:14:46 > 0:14:49I'm going to wee if you keep going!

0:14:49 > 0:14:52No... I'm gonna piss myself!

0:14:53 > 0:14:55Fine. You tortured it out of me.

0:14:55 > 0:14:58My lady did purchase a rug. She had it delivered

0:14:58 > 0:15:00to a cottage in the village of Dumpton.

0:15:00 > 0:15:02But that's leagues away.

0:15:02 > 0:15:04- We'll never make it. - Not the old-fashioned way.

0:15:04 > 0:15:07- But using my magic... - Carpet?- Carpet?

0:15:07 > 0:15:10..cupboard, you'll be there in a jiff. It's just over here.

0:15:10 > 0:15:14- If all else fails, just ask the Wise Man.- Cheers.

0:15:14 > 0:15:17Sorry, Errol, but the tickling seems a little bit odd, even for me.

0:15:17 > 0:15:19I liked it.

0:15:19 > 0:15:21Sometimes the truest things are the least probable, Siobhan.

0:15:21 > 0:15:23Fair enough. Anyone got any questions or comments?

0:15:23 > 0:15:25Is there a happy ending?

0:15:25 > 0:15:26I'd like to keep this spoiler free for now, Doris.

0:15:26 > 0:15:29Will there be any kissing? Maybe with some light choking?

0:15:29 > 0:15:31- TBD.- I hope the stable master dies.

0:15:31 > 0:15:33He's not very sympathetic.

0:15:33 > 0:15:35Life isn't very sympathetic, Jane.

0:15:35 > 0:15:38Um, yes. You said there'd be ogres and elves and whatnot?

0:15:38 > 0:15:40Patience, Dave.

0:15:40 > 0:15:42THEY GASP

0:15:42 > 0:15:43- It's this way.- How do you know?

0:15:43 > 0:15:47Because our screen direction's been left to right this entire quest.

0:15:54 > 0:15:58Look! It's the lady mother's cottage.

0:15:58 > 0:15:59DOOR CREAKS

0:16:02 > 0:16:05You're...not the lady mother.

0:16:05 > 0:16:07Close the door behind you, yeah?

0:16:07 > 0:16:10- Isn't that... - Princess Shelley? The Elf Queen?

0:16:10 > 0:16:13- Yeah.- Princess...Queen?

0:16:13 > 0:16:15Don't think too hard on it. Stableboy, good to see you again.

0:16:15 > 0:16:17How do you know the Elf Queen?

0:16:17 > 0:16:20- We used to date. It was quite serious.- It wasn't that serious.

0:16:20 > 0:16:21It was pretty serious.

0:16:21 > 0:16:23Stableboy, I'm here to stop you from

0:16:23 > 0:16:26- making a horrible mistake.- What?

0:16:26 > 0:16:28Following my heart? Believing in true love?

0:16:28 > 0:16:30I thought my problem was being too cynical.

0:16:30 > 0:16:32No, you're a hopeless romantic. You have no follow-through.

0:16:32 > 0:16:36You love the idea of being in love, but you live in a fantasy.

0:16:36 > 0:16:39Why must you only pursue true love after you've driven it away?

0:16:39 > 0:16:41All right, I self-sabotage. I don't know what real love feels like

0:16:41 > 0:16:45so I assume it's supposed to hurt. Now, will you help us, or not?

0:16:45 > 0:16:46Who's Not?

0:16:46 > 0:16:47J/K!

0:16:47 > 0:16:50Look, I don't know where she is, but...

0:16:50 > 0:16:52dreams...

0:16:52 > 0:16:54can come true.

0:16:54 > 0:16:56Look at me, babe. I'm with you.

0:16:56 > 0:16:58You know you've got to have hope.

0:16:58 > 0:17:01- You know you've got to be strong. - That's it?

0:17:01 > 0:17:03- That's rubbish.- It sounds much better when you sing it.

0:17:03 > 0:17:04BOTH: Huh.

0:17:04 > 0:17:06Or seek the Wise Man. I don't care.

0:17:06 > 0:17:09Now, fuck off. I need my beauty sleep.

0:17:11 > 0:17:15Stableboy, I really hope you find your princess.

0:17:17 > 0:17:19- Thanks, Stable Master. - But aren't you worried

0:17:19 > 0:17:22if you live happily ever after, it'll affect your balladeering?

0:17:22 > 0:17:24Don't you write from a place of abject misery?

0:17:24 > 0:17:27HE ROARS, THEY SQUEAL

0:17:27 > 0:17:30- I'm an ogre! Feed me songs!- Oh, so you weren't lying about the ogre.

0:17:30 > 0:17:33- Why would I lie about that? - Because you lie a lot.

0:17:33 > 0:17:36- You do! You lie a lot.- Fine. I'll work on it.- Good.

0:17:36 > 0:17:38But you won't get a chance if I kill you first.

0:17:38 > 0:17:41Can we take a rain check? I'm on a quest.

0:17:41 > 0:17:43Do you think I give a flying toss about your quest?

0:17:43 > 0:17:46You knew you promised me a song for today!

0:17:46 > 0:17:48- A song, or death!- Er...

0:17:48 > 0:17:51# I'm too young to die Please don't eat me

0:17:51 > 0:17:53# I'm too young to die Please don't eat me... #

0:17:53 > 0:17:55That's a shit song!

0:17:55 > 0:17:57I won't even kill you before I eat you, for that!

0:17:57 > 0:18:00Wait! I have a song. A real song.

0:18:00 > 0:18:02Of true love.

0:18:02 > 0:18:04Go on, I'm listening.

0:18:04 > 0:18:07- FULL ACCOMPANIMENT PLAYS - # Lost

0:18:07 > 0:18:10# In a land without love, hugs and hope

0:18:10 > 0:18:12# Set adrift

0:18:13 > 0:18:17# On a voyage without pants and socks and soap

0:18:17 > 0:18:21# As we quest through the sleet and the snow

0:18:21 > 0:18:24# And the hellfire burns below

0:18:24 > 0:18:26# Lost

0:18:26 > 0:18:28# Ah-ah

0:18:28 > 0:18:32# In a land without lo-ove

0:18:32 > 0:18:35# Monsters and demons erupting like semen

0:18:35 > 0:18:38# They snuck through the cracks in the nigh-i-ight

0:18:38 > 0:18:42# They smashed open the door and I've just rolled a four

0:18:42 > 0:18:45# Now they're coming to take you ali-i-ive

0:18:45 > 0:18:48# With my trusty companion we'll curse and we'll damn them

0:18:48 > 0:18:51# We're questing by land and by sea

0:18:51 > 0:18:55# Where she is, I can't tell But her face rings a bell

0:18:55 > 0:18:58# Yes, it's thee, my Melodie

0:18:58 > 0:19:02# Melodie, my Melodie

0:19:02 > 0:19:05# She was so in tune with me

0:19:05 > 0:19:09# Melodie, my Melodie

0:19:09 > 0:19:12# I feel her coming over me

0:19:12 > 0:19:15# My Melodie goes round and round My Melodie doth ring

0:19:15 > 0:19:18# My Melodie was on my lips My Melodie doth sing

0:19:18 > 0:19:21# My Melodie is soft and sweet My Melodie will do

0:19:21 > 0:19:26# My Melodie is fiddly My Melodie is true

0:19:26 > 0:19:28# She's my Melodie She's my Melodie

0:19:28 > 0:19:31# She's my Melodie

0:19:31 > 0:19:40# She's my Melodie My Melodie-ee-ee. #

0:19:43 > 0:19:46Hmm. The lyrics are shit, but the tune is passable.

0:19:46 > 0:19:49Not good, but good enough not to eat you.

0:19:49 > 0:19:50Today.

0:19:50 > 0:19:52Until we meat again.

0:19:52 > 0:19:54M-E-A-T.

0:19:54 > 0:19:55Get it?

0:19:55 > 0:19:56Yeah. We get it.

0:19:56 > 0:19:58It's a pun. "Meat" and "meet".

0:19:58 > 0:20:01- Because I will... - Eat us, yes.

0:20:01 > 0:20:03I know what you're thinking. You're thinking...

0:20:03 > 0:20:06Well, I'm not short for an ogre. We come in all shapes and sizes.

0:20:06 > 0:20:08Thing to remember is, I am scary.

0:20:08 > 0:20:10Raar! Songs!

0:20:13 > 0:20:15They keep telling us to seek the Wise Man. Maybe it's time we did.

0:20:15 > 0:20:18I'd love to, but I'm going to be late for my fantasy writing class.

0:20:18 > 0:20:19- Your what?- You heard me.

0:20:19 > 0:20:22- Folklore workshop. - Don't be a nerd.

0:20:22 > 0:20:24I can't do this without you. I need you. You're my wingman.

0:20:24 > 0:20:26I'm not. I'm your co-pilot, at the least.

0:20:26 > 0:20:28- What's a co-pilot? - It's the other pilot of the plane.

0:20:28 > 0:20:31I can't be explaining anachronisms to you. I'm going to be late.

0:20:31 > 0:20:34Your schedule is more important than the love of my life?

0:20:34 > 0:20:35Your love life is perpetually broken,

0:20:35 > 0:20:37and making me late is not going to fix it.

0:20:37 > 0:20:39Well, then, go! See if I care!

0:20:39 > 0:20:42All right, then, I will.

0:20:42 > 0:20:45Good! I don't need your help anyway!

0:20:45 > 0:20:46Or anybody!

0:20:48 > 0:20:51- That's all I've got. - No, but the story's not over yet!

0:20:51 > 0:20:54You can't just give up on the princess like that.

0:20:54 > 0:20:57- What about true love?- Fine. I didn't finish the story.

0:20:57 > 0:21:00My uncle pulled me away in the morning and we searched all day

0:21:00 > 0:21:02- and then I had to come here.- Errol,

0:21:02 > 0:21:05when we say, "Write what you know," it doesn't just mean,

0:21:05 > 0:21:07"Write exactly what happened."

0:21:07 > 0:21:08I turned a gay strip club into a witches' cave.

0:21:08 > 0:21:11- And the carpet store? - That was a carpet store.

0:21:11 > 0:21:13But there was no magic carpet.

0:21:13 > 0:21:16We had to take the Jubilee line out to her mum's house in Stanmore.

0:21:16 > 0:21:18- Ugh. That is really far. - She wasn't even home!

0:21:18 > 0:21:21The whole conversation with Shelley was just a role-play

0:21:21 > 0:21:22to keep us entertained for the way back.

0:21:22 > 0:21:25So now the real-life experience is over, where do we go from here?

0:21:25 > 0:21:28- I don't know. - Does that scare you, not knowing?

0:21:28 > 0:21:30I like structure. It's comforting.

0:21:30 > 0:21:32Errol, there is no wrong answer.

0:21:32 > 0:21:34Just use your imagination.

0:21:36 > 0:21:39The stableboy wandered alone in the wilderness.

0:21:42 > 0:21:45His beard began to grow very long and smelly,

0:21:45 > 0:21:48but he trimmed it conveniently before we next saw him.

0:21:48 > 0:21:52He searched high and low for the Wise Man.

0:21:52 > 0:21:54He put his life in great peril -

0:21:54 > 0:21:57well, a little bit of peril -

0:21:57 > 0:21:59until finally...

0:21:59 > 0:22:01he came across a temple...

0:22:01 > 0:22:03but it was shut.

0:22:03 > 0:22:05He banged and screamed to come inside.

0:22:05 > 0:22:06Please!

0:22:06 > 0:22:09No word. It was warded with magic charms.

0:22:09 > 0:22:10All was lost.

0:22:10 > 0:22:14Until finally, he mustered every last ounce of strength

0:22:14 > 0:22:16and barged the doors.

0:22:20 > 0:22:23- You! You're the Wise Man!- Yes.

0:22:23 > 0:22:25It was me all along.

0:22:25 > 0:22:28- Only I knew you wouldn't listen to me.- OK. Explain.

0:22:33 > 0:22:35Oh, hello, Miss Thomas.

0:22:35 > 0:22:36Oh, hi!

0:22:36 > 0:22:39Errol. You know, you don't need to call me that.

0:22:39 > 0:22:40I'm not your teacher any more.

0:22:40 > 0:22:43I'm sorry, Miss Thomas. I mean, Melodie.

0:22:43 > 0:22:44So is Uncle Andy awake?

0:22:46 > 0:22:48- Er...- Oh. I see.

0:22:48 > 0:22:50It's better this way.

0:22:50 > 0:22:54- If you say so.- I think maybe you're too young to understand.

0:22:54 > 0:22:56Stuff like this makes me not want to grow up.

0:22:56 > 0:22:59Yeah. Hold on to that feeling.

0:22:59 > 0:23:01Some day you'll miss it.

0:23:02 > 0:23:05Tell Andy...I'm sorry.

0:23:12 > 0:23:14Why didn't you tell me from the start?

0:23:14 > 0:23:16You had to go through the journey

0:23:16 > 0:23:18to be the man that would come out the other side.

0:23:18 > 0:23:21- You were scared to tell me.- Yeah. You can't keep a relationship

0:23:21 > 0:23:23because you pull away when they get close

0:23:23 > 0:23:25and then you cling on when they want to leave.

0:23:25 > 0:23:28- Managed to stay friends with you. - Bros before hos. That's different.

0:23:28 > 0:23:31It's not different, Dave. And they're sex workers, not hos.

0:23:31 > 0:23:32You're the idiot stableboy?

0:23:32 > 0:23:35I went to a petting zoo once.

0:23:35 > 0:23:37- I imagined someone younger. - More blond.

0:23:37 > 0:23:40- I imagined myself! - You were pretty bang-on, then.

0:23:40 > 0:23:42Roly, I do need your help.

0:23:42 > 0:23:44I've hit a...bit of a dead end.

0:23:44 > 0:23:46We're still in class.

0:23:46 > 0:23:48That doesn't have to be a problem.

0:23:48 > 0:23:50Well, she's closed down her Facebook.

0:23:50 > 0:23:52- No new tweets in a week. - Her Insta was active yesterday.

0:23:52 > 0:23:55Every morning, coffee and Danish from the same place.

0:23:55 > 0:23:57She mentioned a cafe by her Airbnb.

0:23:57 > 0:23:59I know that cafe. One of my submissives works there.

0:23:59 > 0:24:02- What's going on?- So if we check Airbnbs local to that cafe

0:24:02 > 0:24:05that have been booked for the last two months...

0:24:05 > 0:24:08And input the time and geo-stamps into this totally not

0:24:08 > 0:24:10stalking-related app that I've developed,

0:24:10 > 0:24:12we can pinpoint my lady's location.

0:24:12 > 0:24:14Presto.

0:24:14 > 0:24:16That is incredibly helpful, Dave.

0:24:16 > 0:24:18- Roly, I hope you're paying attention.- Good work.

0:24:18 > 0:24:20Now go and finish that story.

0:24:21 > 0:24:23It was probably the sex.

0:24:25 > 0:24:27PHONE RINGS

0:24:27 > 0:24:29Hello?

0:24:29 > 0:24:30- 'Miss Thomas?'- Ooh.

0:24:30 > 0:24:33- 'Er, Melodie.'- Er, Errol.

0:24:33 > 0:24:36- How did you get...? - 'Your Airbnb landlord.'

0:24:36 > 0:24:38He's really gullible. Look out your window.

0:24:50 > 0:24:53# Melodie, girl, look what you've done

0:24:53 > 0:24:57# You stole my heart in front of everyone

0:24:57 > 0:25:00# And now you've packed your bags and you're on the run

0:25:00 > 0:25:04# Won't you stay and talk this over?

0:25:04 > 0:25:07# Melodie, my Melodie

0:25:07 > 0:25:10# I've written you a medley

0:25:10 > 0:25:13# Seven hours in heaven

0:25:13 > 0:25:16# Now it's all torn apart

0:25:16 > 0:25:20# Seven hours in heaven, darling

0:25:20 > 0:25:23# It was you from the start

0:25:23 > 0:25:26# I don't like you

0:25:26 > 0:25:29# I li-like you

0:25:29 > 0:25:33# My Melodie

0:25:33 > 0:25:37# Oh, I like you-ou-ou

0:25:37 > 0:25:40# I don't like you. #

0:25:40 > 0:25:43I like-like you.

0:25:45 > 0:25:46DOOR OPENS

0:25:52 > 0:25:54I suppose I owe you an explanation.

0:25:54 > 0:25:57- If it's the sex... - No, it wasn't the sex.

0:25:57 > 0:25:58The sex was great.

0:25:58 > 0:26:01I needed to test myself to see if I was ready.

0:26:01 > 0:26:03I wasn't.

0:26:03 > 0:26:06If it's the commitment level, you know, too much,

0:26:06 > 0:26:07or not enough, then I'm a dial.

0:26:07 > 0:26:11You can turn the knob in any direction that suits you.

0:26:11 > 0:26:12That's not a dick joke.

0:26:12 > 0:26:14Unless you...liked it.

0:26:14 > 0:26:16It's not the commitment level.

0:26:16 > 0:26:17It's the timing.

0:26:19 > 0:26:20It's me and you, now.

0:26:20 > 0:26:22Andy.

0:26:22 > 0:26:24I love you.

0:26:26 > 0:26:28Don't panic - it's not a proposal, it's a promise,

0:26:28 > 0:26:32to be the kind of person that you want to wake up with.

0:26:32 > 0:26:35I think I've finally got bored of fucking stuff up.

0:26:35 > 0:26:40It actually feels good to... care about other people.

0:26:40 > 0:26:44And, yes, I'm guilty of putting you on a pedestal, but...

0:26:46 > 0:26:51..I know now that you're not some perfect, unobtainable princess.

0:26:51 > 0:26:52You're...

0:26:52 > 0:26:54You're just like me.

0:26:54 > 0:26:56In fact, you might actually be crazier.

0:26:56 > 0:27:00- Oh.- I want to see how all that crazy mixes.

0:27:00 > 0:27:02What do you say?

0:27:02 > 0:27:03Pause.

0:27:05 > 0:27:06Pause?

0:27:06 > 0:27:08I'm going back to New York tomorrow.

0:27:08 > 0:27:10But I'll be in and out of our UK office.

0:27:10 > 0:27:12And, no, we're not going to date.

0:27:12 > 0:27:15We won't be friends with benefits.

0:27:15 > 0:27:17I want to be real friends.

0:27:17 > 0:27:20And, yes, maybe occasionally we'll probably sleep together,

0:27:20 > 0:27:22when we fall off the wagon.

0:27:22 > 0:27:25And we're not going to lose touch like we did before.

0:27:25 > 0:27:27Promise me.

0:27:27 > 0:27:30We both have to be good about it.

0:27:30 > 0:27:33- OK. - And then maybe we'll get together.

0:27:33 > 0:27:37But maybe you'll find someone else who's perfect for you

0:27:37 > 0:27:39and I'll find another right person for me,

0:27:39 > 0:27:43and one of us has kids, or a dog and a budgie,

0:27:43 > 0:27:46and we grow old, and I get divorced,

0:27:46 > 0:27:47or your partner dies,

0:27:47 > 0:27:50and then, in the twilight of our years,

0:27:50 > 0:27:55when the buzzing has stopped in both of our hearts and our heads,

0:27:55 > 0:27:56then...

0:27:57 > 0:28:00Well, then it'll be our time.

0:28:00 > 0:28:02But what if my partner doesn't die?

0:28:02 > 0:28:04And you don't get divorced?

0:28:04 > 0:28:06And we miss our boat?

0:28:06 > 0:28:09Then that'll be great too.

0:28:09 > 0:28:13A story doesn't just have to have one happy ending, Andy.

0:28:14 > 0:28:16Like a Choose Your Own Adventure.

0:28:26 > 0:28:29How occasionally will we be falling off the wagon?

0:28:35 > 0:28:37Bad news?

0:28:37 > 0:28:39Just...news.

0:28:39 > 0:28:42I get why you didn't tell me you saw her leave now.

0:28:42 > 0:28:44I just didn't want to steal your hope.

0:28:44 > 0:28:48Can I finally challenge you to try a vindaloo?

0:28:48 > 0:28:49Yeah. I'm up for an adventure.

0:28:51 > 0:28:54The best adventures are yet to come.

0:28:54 > 0:28:55C-U-M. Get it?

0:28:55 > 0:28:57Yeah. I get it.

0:28:57 > 0:28:59Yoo-hoo!

0:29:00 > 0:29:02I knew it!

0:29:02 > 0:29:04Suck it, dildos!