0:00:27 > 0:00:29My child.
0:00:30 > 0:00:32You wished to see me?
0:00:32 > 0:00:35Yes, sir. I have a request.
0:00:35 > 0:00:38It's the Widow Maroni.
0:00:38 > 0:00:40She owes me money.
0:00:43 > 0:00:45How much?
0:00:45 > 0:00:46200.
0:00:52 > 0:00:53Money...
0:00:55 > 0:00:57Money is a dirty thing.
0:00:58 > 0:01:00I'll see what I can do.
0:01:00 > 0:01:02I owe your late husband very much.
0:01:18 > 0:01:20What are you doing?
0:01:20 > 0:01:21Oh, sorry.
0:01:24 > 0:01:27What is this?
0:01:27 > 0:01:29You're meant to kiss it.
0:01:29 > 0:01:30Oh!
0:01:30 > 0:01:34Well, I thought, you know, well, if you didn't, then I...
0:01:34 > 0:01:38I just randomly started kissing your hand, that'd be so embarrassing.
0:01:38 > 0:01:40No, no. I want a kiss.
0:01:40 > 0:01:42What's wrong with you?
0:01:42 > 0:01:44Oh, right, yes.
0:01:45 > 0:01:46Kissy-kissy.
0:01:46 > 0:01:50Yep, just a moment, maybe if I, just, er...
0:01:56 > 0:01:59Are you sure you just don't want a hug?
0:01:59 > 0:02:02No, get up, you've made it weird now!
0:02:02 > 0:02:03No, no, just give me a minute.
0:02:12 > 0:02:15No tongues! Get out!
0:02:15 > 0:02:20Right, sorry. Thank you, sorry, sorry, thank you.
0:02:26 > 0:02:28Ah, babe, you look so beautiful.
0:02:28 > 0:02:30I can't believe I'm getting married.
0:02:30 > 0:02:31Neither can I.
0:02:33 > 0:02:34Er, what are these?
0:02:34 > 0:02:36Oh, those are your bouquets. Do you like 'em?
0:02:36 > 0:02:39- We said pink flowers.- I know but... - These are lilac, Lis.
0:02:39 > 0:02:41I was just worried with the pink dresses...
0:02:41 > 0:02:43I hate lilac, Lisa, you know that.
0:02:43 > 0:02:45Seriously, I can't even look at them, they make me feel sick.
0:02:45 > 0:02:47- Don't worry, babes. - Thanks babes.
0:02:47 > 0:02:50- I'm sorry, Nads, I didn't know. - Just take these ones, babes.
0:02:50 > 0:02:53- Ah, cheers - Actually, Em, those are mine.
0:02:53 > 0:02:55So, what you saying? She can't have 'em?
0:02:55 > 0:02:57Brilliant, so I'm going to walk down the aisle without
0:02:57 > 0:02:59a bouquet like some freak? Thanks, Lisa.
0:02:59 > 0:03:03I'm sorry, Nads, but I've got to have a bouquet. I'm the bride!
0:03:03 > 0:03:05Do you know what, Lis?
0:03:05 > 0:03:07I'm not being funny, yeah, but you're coming across
0:03:07 > 0:03:09as really self-obsessed right now.
0:03:09 > 0:03:11- You are.- And I know it's your wedding and that,
0:03:11 > 0:03:13but at the end of the day, it's not all about you
0:03:13 > 0:03:15and I'm sorry if that upsets you,
0:03:15 > 0:03:18but I've got to speak my mind, cos I always tell it like it is,
0:03:18 > 0:03:19cos that's just who I am.
0:03:19 > 0:03:22I've got to be true to myself, cos if I'm not being true to myself,
0:03:22 > 0:03:24- then I'm lying to myself. - Don't do that.
0:03:24 > 0:03:27And I ain't never going to do that, cos I'm such an honest person.
0:03:27 > 0:03:30- She is.- Em, it's her wedding day! - Back off, Mish.
0:03:30 > 0:03:32I'm not going to stand here and pretend I don't know for a fact
0:03:32 > 0:03:34you think you look like Kate Middleton right now.
0:03:34 > 0:03:37You actually look like Em's nan and she's like 100 years old.
0:03:37 > 0:03:41- She's well ancient.- You probably can't hear what I'm saying cos you're so in love with yourself.
0:03:41 > 0:03:43I ain't never going to not tell the truth,
0:03:43 > 0:03:46- just cos it's like your special day or something.- That's right.
0:03:46 > 0:03:48I'd be two-faced and that's just not what I'm about,
0:03:48 > 0:03:51cos I'm about keeping it real, cos I'm a really honest person.
0:03:51 > 0:03:53- That's just who I am.- Who she is.
0:03:53 > 0:03:56I chose you to be bridesmaids, cos you're my ugliest friends
0:03:56 > 0:03:59and I knew you wouldn't upstage me on my big day.
0:04:00 > 0:04:03What? Just being honest.
0:04:07 > 0:04:09OK, so next up is the fight sketch.
0:04:09 > 0:04:11Gareth and myself have had a chat about this and we think
0:04:11 > 0:04:14the best way to go about this one is to bring in some body doubles.
0:04:14 > 0:04:16- Oh, OK.- Great.
0:04:16 > 0:04:18We've asked them to come in today, actually,
0:04:18 > 0:04:19so we can block it through.
0:04:19 > 0:04:20Shall I just go and...
0:04:20 > 0:04:23Grab them, we'll have a look, see what we think.
0:04:27 > 0:04:28Do you want to come in?
0:04:31 > 0:04:35Oh! Hello, hi, I'm Lorna, nice to meet you.
0:04:36 > 0:04:39Hi, wow gosh, it's like looking in a mirror!
0:04:39 > 0:04:42- I think it's uncanny. - That's brilliant!
0:04:42 > 0:04:44I think you're being a little generous there, no?
0:04:44 > 0:04:48- And Ingrid, this is your body double.- Great.
0:04:49 > 0:04:51Thanks for coming in..
0:04:55 > 0:04:57Hi.
0:04:58 > 0:05:01Guys, I don't think this is going to work actually.
0:05:01 > 0:05:02Oh, yeah, God, sorry.
0:05:12 > 0:05:15Wow, Ingy, that's amazing.
0:05:15 > 0:05:17That's quite, er, freaky, actually.
0:05:17 > 0:05:19You know, with the wig on,
0:05:19 > 0:05:21I actually genuinely can't tell who's who.
0:05:21 > 0:05:26Sorry, sorry, can you all not see one fairly major problem here?
0:05:26 > 0:05:27Oh, yes, I know he's a man,
0:05:27 > 0:05:30but we're not showing faces, so it won't be a problem.
0:05:30 > 0:05:32I didn't mean that. Well, there's that as well, yes.
0:05:32 > 0:05:34It's just that... well, you know..
0:05:37 > 0:05:39- He's...- What?
0:05:39 > 0:05:42Erm... Well, he's...
0:05:43 > 0:05:45And I'm...
0:05:47 > 0:05:50- I don't follow. - OK, just look at him, Gareth.
0:05:55 > 0:06:00- What you talking about, darlin? - Are you serious?
0:06:00 > 0:06:01No?
0:06:03 > 0:06:04He's bloody enormous!!!
0:06:04 > 0:06:06Sorry.
0:06:07 > 0:06:08Darling...
0:06:11 > 0:06:15- You're exactly the same size. - What?!! Don't be ridiculous!
0:06:18 > 0:06:21Really?!
0:06:21 > 0:06:22Yeah.
0:06:22 > 0:06:24Really?
0:06:24 > 0:06:26Oh, God!
0:06:26 > 0:06:29Guys will you just, erm, I'm just going to...
0:06:29 > 0:06:33Erm... I'll see...
0:06:37 > 0:06:41Actually, his bottom isn't quite right.
0:06:41 > 0:06:43Do you think we could get some kind of padding or..?
0:06:43 > 0:06:47- Oh, yes, no problem.- Large it up.
0:06:47 > 0:06:49We can make it...
0:06:49 > 0:06:52I know I shouldn't have any of these, but I have to say,
0:06:52 > 0:06:54- I've been so good today. - Oh, have you?
0:06:54 > 0:06:57Yeah, I've barely had anything at all.
0:06:57 > 0:06:59So, for breakfast what did I have?
0:06:59 > 0:07:01I had a small bowl of porridge...
0:07:01 > 0:07:02'Here we go.'
0:07:02 > 0:07:05with just a little a teaspoon of honey and skimmed milk,
0:07:05 > 0:07:07then, I had, what did I have?
0:07:07 > 0:07:08Oh, then I had a glass of orange juice...
0:07:08 > 0:07:11Oh, and then I had a pear just before lunch.
0:07:11 > 0:07:13Lunch was, er...
0:07:13 > 0:07:14'Please, stop talking.'
0:07:14 > 0:07:17Then I had like a low fat pot of natural yoghurt,
0:07:17 > 0:07:19with just like a slice of...
0:07:19 > 0:07:22'Oh, my God, she's going to do the entire day.'
0:07:22 > 0:07:24Then I had a chicken breast with like a basic salad...
0:07:24 > 0:07:27so that was kind of like lettuce, tomato, carrot...
0:07:36 > 0:07:39BABY CRIES
0:07:42 > 0:07:43It's your turn.
0:07:44 > 0:07:47Oh, can't you go? I'm shattered.
0:07:47 > 0:07:50No, I've got a very important meeting tomorrow.
0:07:50 > 0:07:51Have you?
0:07:51 > 0:07:56I told you. We've got a team building breakfast first thing.
0:07:56 > 0:07:59Suppose I'd better go, then.
0:07:59 > 0:08:05Oh, no, I forgot. I've got that COBRA meeting tomorrow.
0:08:05 > 0:08:07Maybe you should go after all.
0:08:07 > 0:08:10It's your turn!
0:08:10 > 0:08:12CRYING CONTINUES
0:08:15 > 0:08:17You know, as Prime Minister,
0:08:17 > 0:08:20I could technically order you to go feed the baby.
0:08:22 > 0:08:27- I order you to go feed the baby! - What? No way!
0:08:27 > 0:08:29Oh, dear, I'm afraid that is treason.
0:08:29 > 0:08:32- What? How is that treason? - You're disobeying the Queen.
0:08:32 > 0:08:34- No I'm not! - Yes, you are.
0:08:34 > 0:08:36The Queen, ordered me to form a government,
0:08:36 > 0:08:39and as head of that government, I'm telling you to go feed the baby.
0:08:39 > 0:08:42Ergo, if you disobey me, you're actually disobeying the Queen.
0:08:42 > 0:08:44Well, you'll just have to clap me in irons
0:08:44 > 0:08:48and lock me in the tower, because it's your turn!
0:08:48 > 0:08:50If that's your final answer, Jeff,
0:08:50 > 0:08:54then I'm sorry, but you leave me absolutely no choice but...
0:08:57 > 0:09:00ALARMS RING
0:09:02 > 0:09:04Hah!
0:09:08 > 0:09:10Oh God! Oh God!
0:09:10 > 0:09:12Fine! You win!
0:09:12 > 0:09:15POLICE DOGS BARK
0:09:25 > 0:09:28Signor Santanos, please follow me, your guest is already here.
0:09:28 > 0:09:30For your discretion.
0:09:30 > 0:09:32Senor.
0:09:36 > 0:09:38Gracias.
0:09:39 > 0:09:42And, erm, bring us a bottle of your finest champagne.
0:09:44 > 0:09:46Ola, my darling.
0:09:48 > 0:09:49Carlos!
0:09:52 > 0:09:54Hey, what is wrong with your head?
0:09:54 > 0:09:57Oh, it's nothing.
0:09:57 > 0:10:00I was in a china shop and, well, you know how it goes.
0:10:00 > 0:10:02My clumsy little Toro.
0:10:04 > 0:10:06Ahem, Your champagne, Sir.
0:10:06 > 0:10:08Gracias.
0:10:08 > 0:10:11And do you know what you'd like to order?
0:10:11 > 0:10:16Si, for me I will have the vegetarian tagine.
0:10:16 > 0:10:20And would it be possible to have that with a little bowl of grass?
0:10:20 > 0:10:23I'll ask chef. And for you, sir?
0:10:23 > 0:10:26- I will have the fillet of beef. - Carlos!
0:10:26 > 0:10:30Oh, my darling. I'm so sorry. I will just take a salad, thank you.
0:10:32 > 0:10:36Sweetie, how is your friend?
0:10:36 > 0:10:41Oh, he's still at the vets, it doesn't look good.
0:10:41 > 0:10:44Unfortunately, that final spear that you drove into his lungs
0:10:44 > 0:10:47is causing some complications.
0:10:47 > 0:10:49I'm sorry to hear that. I hope he makes it.
0:10:49 > 0:10:50He was a good bull.
0:10:50 > 0:10:52Si.
0:10:52 > 0:10:54Toro, there is something I want to ask you.
0:10:56 > 0:10:57What I want to ask you is...
0:11:04 > 0:11:05Will you marry me?
0:11:08 > 0:11:09But, Carlos!
0:11:14 > 0:11:16It fits!
0:11:16 > 0:11:20Carlos, I want to say yes,
0:11:20 > 0:11:23but your people and my people, they'll never allow it!
0:11:23 > 0:11:26Then we must move to a place where a bull and a matador can be together.
0:11:26 > 0:11:31- Norfolk?- Si, we leave tonight.
0:11:39 > 0:11:41Oh, no, they have found us.
0:11:58 > 0:12:00Amigos! Como estas?
0:12:06 > 0:12:07Where is the bull?
0:12:07 > 0:12:10Hey, Pedro, nice cape?
0:12:10 > 0:12:12Where is the bull?
0:12:12 > 0:12:14There is no bull here.
0:12:19 > 0:12:21Toro, run!
0:12:21 > 0:12:23But I have no incentive!
0:12:34 > 0:12:39Thirsty, exhausted with blood trickling out of my nose,
0:12:39 > 0:12:43I made my solemn vow, that no man would be a party to the
0:12:43 > 0:12:47confidential knowledge of operations that I would forever carry...
0:12:49 > 0:12:51..in my fighter's heart.
0:12:51 > 0:12:54That's Secrets of the SAS, £15.99.
0:12:54 > 0:12:56I'll be in the foyer to sign copies.
0:12:56 > 0:12:57APPLAUSE
0:12:57 > 0:13:03Thank you, Derek, sorry, I mean, Mr A.
0:13:03 > 0:13:06We're privileged now to offer you something of a coup.
0:13:06 > 0:13:09Indeed her latest offering, A Darker Shade of Beige,
0:13:09 > 0:13:15has been called the latest voice in middle-aged Mummy erotic literature.
0:13:15 > 0:13:18Expect things to get steamy now as we welcome E.L. Phillips.
0:13:29 > 0:13:33Nice to see you all this afternoon.
0:13:33 > 0:13:37I've been asked to read a bit from my book, A Darker Shade.
0:13:38 > 0:13:39Chapter seven.
0:13:45 > 0:13:49Eleanor wandered into the beautifully appointed kitchen.
0:13:49 > 0:13:56There he was, brooding, enigmatic, perched against the Aga,
0:13:56 > 0:14:00with fingers casually caressing one of her lovely French pans,
0:14:00 > 0:14:03which she always left out to give it that rural look she'd seen
0:14:03 > 0:14:07in that Sophie Dahl photo shoot in Homes and Gardens.
0:14:09 > 0:14:13She was just reaching for her Kath Kidston apron, when he pounced.
0:14:13 > 0:14:15Grabbing, um...
0:14:16 > 0:14:17Grabbing, grabbing...
0:14:19 > 0:14:23Well, grabbing both actually, of her...
0:14:24 > 0:14:26Basically, so then he...
0:14:26 > 0:14:28Then he sort of...
0:14:28 > 0:14:30spanks her, um...
0:14:30 > 0:14:33spanks her, um....
0:14:33 > 0:14:38on the bottom and then...
0:14:38 > 0:14:42Then, oh, yes, then, here we are...
0:14:42 > 0:14:46They stood embracing against the antique table.
0:14:46 > 0:14:50He smiled at her, thrusting his....
0:14:50 > 0:14:54Well, yes, thrusting his erm...
0:14:54 > 0:14:58Thrusting his, you know, his dingle dangle.
0:14:58 > 0:15:01His oojamaflip!
0:15:01 > 0:15:04Um, anyway, and then she...
0:15:04 > 0:15:05Then she...
0:15:05 > 0:15:07Then she does a...
0:15:07 > 0:15:09You know, does a...
0:15:09 > 0:15:12She sort of treats him to a erm....
0:15:14 > 0:15:16Thinga-me-bob.
0:15:16 > 0:15:20And then, yes, he sort of ties her up on the um...
0:15:20 > 0:15:22You know, sort of throws her down on the...
0:15:25 > 0:15:29Well, it's a nice slate floor from Fired Earth, actually...
0:15:29 > 0:15:30And...
0:15:32 > 0:15:36Yes, that's pretty much it actually, that's chapter seven.
0:15:38 > 0:15:42- Thank you. - Has anybody got any questions?
0:15:43 > 0:15:45Oh, no!
0:15:47 > 0:15:48Don't listen to Michelle.
0:15:48 > 0:15:51She's hardly the best person to dish out relationship advice.
0:15:51 > 0:15:53She's been divorced three times!
0:15:53 > 0:15:54Yeah.
0:15:54 > 0:15:57- Now, this is weird. - What? What's weird?
0:15:57 > 0:16:01This. That's so odd, I've just had a really bizarre flashback to a dream
0:16:01 > 0:16:02I had last night.
0:16:02 > 0:16:03'Oh, great.'
0:16:03 > 0:16:06It was exactly like this, right, except you weren't there
0:16:06 > 0:16:08- and it wasn't on a balcony.- Mm-hm.
0:16:08 > 0:16:11And, um, oh, I know where it was, it was in a massive field...
0:16:11 > 0:16:14'Other people's dreams, my favourite.'
0:16:14 > 0:16:16No, no, it wasn't. It was, I know!
0:16:16 > 0:16:20It was the old playing fields from my old school.
0:16:20 > 0:16:24There was this massive group of people and they were playing cricket.
0:16:24 > 0:16:27So I go over to them but I was running this B&B on the beach
0:16:27 > 0:16:29and then, then I was in Hawaii...
0:16:29 > 0:16:31Right!
0:16:31 > 0:16:32And you know who was there?
0:16:32 > 0:16:35- Go on.- Steve Guttenberg. Do you remember him?- Wow!
0:16:35 > 0:16:36MUSIC BLARES FROM UPSTAIRS
0:16:36 > 0:16:40Fi, will you please turn that music down?
0:16:41 > 0:16:44I tell you what, I envy you two having the boys.
0:16:44 > 0:16:47I am totally outnumbered in my own home.
0:16:47 > 0:16:49She's got her friend Bea round.
0:16:49 > 0:16:51The amount of bloody time that girl spends here,
0:16:51 > 0:16:53I'm going to start charging her parents rent.
0:16:53 > 0:16:56They'd probably pay it if it meant getting rid of her for a bit.
0:16:56 > 0:16:58LAUGHTER
0:16:59 > 0:17:00Oh, hi, Bea.
0:17:00 > 0:17:03Hey, Mr and Mrs Edwards.
0:17:03 > 0:17:06Mum, can me and Bea show you our dance routine?
0:17:06 > 0:17:09No, darling. We're just in the middle of dinner.
0:17:09 > 0:17:12- Please? - I don't think now's the time, OK?
0:17:12 > 0:17:14But, it's really quick.
0:17:14 > 0:17:15Yah, it's like, so quick.
0:17:15 > 0:17:19Listen, I don't think Liz and John want to see you do a dance routine, OK?
0:17:19 > 0:17:21But it's really nice.
0:17:21 > 0:17:24Yah, it's a really nice dance routine.
0:17:24 > 0:17:28Yah, I really like it. It's really nice.
0:17:33 > 0:17:36Hey, we'd love to see your dance routine, wouldn't we, Liz?
0:17:43 > 0:17:46MUSIC: Notorious by The Saturdays.
0:17:46 > 0:17:47No, not yet.
0:19:02 > 0:19:05- OK, that's enough. - TURNS MUSIC OFF
0:19:09 > 0:19:12Did you like it?
0:19:12 > 0:19:15Yes, goodness, it was, um, very nice.
0:19:15 > 0:19:17Can we do another one, please?
0:19:17 > 0:19:18No!
0:19:19 > 0:19:22Thanks very much. Bye -bye!
0:19:24 > 0:19:26What if he calls me a bitch?
0:19:26 > 0:19:29- This is your first redundancy, Liz, be positive.- OK.
0:19:29 > 0:19:33But there is always the chance that they will call you a bitch. That's the hell of HR, I'm afraid.
0:19:33 > 0:19:35- Right. - KNOCKING
0:19:37 > 0:19:41Peter! Hilary Swimmer, Head of HR. Ignore me.
0:19:41 > 0:19:44I'm just here to observe, as Liz's mentor.
0:19:44 > 0:19:46- That's fine.- I think you know Liz. - Yes.
0:19:46 > 0:19:48Liz'll be the one sacking you today
0:19:48 > 0:19:51- You're sacking me?- Liz?
0:19:51 > 0:19:54Right, so... Thank you for coming in, Pete.
0:19:54 > 0:19:56As you know, we've had a difficult year
0:19:56 > 0:19:58- and projections have been poor.- So I'm out?
0:19:58 > 0:20:01Jeez, slow down, will you? Can I just say "Sandwich", Liz?
0:20:01 > 0:20:04- Always give them a bit of good news first.- OK, um...
0:20:04 > 0:20:07Your punctuality is really good and you've been a brilliant
0:20:07 > 0:20:11designated first-aider but management did a 360...
0:20:11 > 0:20:13- Can I go now?- Sit down and cut her some slack, will you?
0:20:13 > 0:20:17She's never sacked anyone before and you being all hysterical
0:20:17 > 0:20:20and flappy about it is the last thing she needs. In your own time, Liz.
0:20:20 > 0:20:22And they were all ticking the same boxes.
0:20:22 > 0:20:25- Close it down, Liz! - We want to leverage you downwards.
0:20:25 > 0:20:27- Time for the knockout! - Offboard you, so to speak
0:20:27 > 0:20:31- For God's sake woman, DO it! - You're fired!- Yes!
0:20:31 > 0:20:33Come on! That's what I'm talkin' about.
0:20:33 > 0:20:36Got there in the end, eh, Liz, didn't she Pete?!
0:20:36 > 0:20:39Classic bad news sandwich.
0:20:39 > 0:20:40Bad news sandwich?
0:20:41 > 0:20:44In that case, where's my positive topping?
0:20:45 > 0:20:47Ooh, Liz?
0:20:47 > 0:20:50He's thrown you a curve ball there, what are you going to do?
0:20:50 > 0:20:53- Ahem.- Close it down Liz. Come on. Think. What does he want?
0:20:53 > 0:20:54You can take the chair?
0:21:01 > 0:21:02How do you sleep at night?
0:21:10 > 0:21:13I was supposed to offer him the redundancy package!
0:21:13 > 0:21:14And the penny drops.
0:21:14 > 0:21:17Don't beat yourself up, Liz, that was a great chair.
0:21:24 > 0:21:29Finally! Where's my husband? I want to take him home.
0:21:29 > 0:21:34I'm afraid there were some...complications.
0:21:34 > 0:21:35Complications?
0:21:38 > 0:21:43Yes. Your husband he...he didn't make it.
0:22:00 > 0:22:04- Are you all right? - Yeah, just give me a minute, sorry.
0:22:17 > 0:22:19Cut!
0:22:21 > 0:22:23What's going on, Sophie?
0:22:23 > 0:22:25I'm so sorry, this is my first crying scene
0:22:25 > 0:22:28- and I just can't seem to... - Can someone get the crying coach!
0:22:28 > 0:22:31- The what?- Crying coach?
0:22:32 > 0:22:35Jan Peters, Crying Coach.
0:22:35 > 0:22:38Give me two minutes, I'll have her blubbing in no time.
0:22:38 > 0:22:41OK, thank you, my love. I need you to look at me.
0:22:41 > 0:22:44If you could just... Look at me.
0:22:45 > 0:22:46I said look at me!
0:22:47 > 0:22:48- Ow!- What the...!
0:22:48 > 0:22:52OK, let's just get the waterworks up and running, shall we?
0:22:52 > 0:22:53We haven't got long.
0:22:53 > 0:22:57Um, any childhood traumas we can access here, hm?
0:22:57 > 0:22:59No, not really.
0:22:59 > 0:23:02- Family illness? - No. We've been very lucky.
0:23:03 > 0:23:05You're a massive ham!
0:23:05 > 0:23:07You're entitled to your opinion.
0:23:08 > 0:23:09Yep, won't be a second.
0:23:11 > 0:23:16Hello, hello. Your father never loved you!
0:23:16 > 0:23:19I'm an actress...that's kind of par for the course.
0:23:27 > 0:23:29Oh, come on!
0:23:29 > 0:23:31Fake.
0:23:31 > 0:23:34Right, positions everyone, we need to get this, OK.
0:23:34 > 0:23:37- A few more seconds. I really think I could crack her.- Please.
0:23:37 > 0:23:39Action!
0:23:39 > 0:23:43Finally! Where's my husband? I want to take him home.
0:23:43 > 0:23:48I'm afraid there were some...complications.
0:23:48 > 0:23:50Complications?
0:23:54 > 0:23:59Yes. Your husband he... He didn't make it.
0:24:27 > 0:24:29I love this place.
0:24:29 > 0:24:31Oh, yeah it's nice, isn't it?
0:24:31 > 0:24:33I just feels so tucked-away, you know what I mean?
0:24:33 > 0:24:37Like a little secret. It reminds me of a place Steve and I visited for our anniversary...
0:24:37 > 0:24:39'Oh, no, not the Prague story again.'
0:24:39 > 0:24:42Do you remember, when we went to Prague?
0:24:42 > 0:24:45Or Praha, as they call it, the sexy Czechs.
0:24:45 > 0:24:48- I've got some pictures somewhere...- 'Of course you have.'
0:24:48 > 0:24:50Here we go, there was this one day,
0:24:50 > 0:24:53we got up at the crack of dawn, skipped breakfast completely,
0:24:53 > 0:24:58spent the WHOLE day trekking around the city. I tell you what, they have the most amazing architecture...
0:24:58 > 0:24:59'Oh, piss off!'
0:25:48 > 0:25:51Jose! My brother!
0:25:51 > 0:25:53Toro! Toro!
0:25:53 > 0:25:54Toro! Toro!
0:25:54 > 0:25:56Toro!
0:26:57 > 0:26:58Toro!
0:27:14 > 0:27:18Nooo! Nooo!
0:27:18 > 0:27:20You killed him!
0:27:23 > 0:27:25Carlos? Carlos!
0:27:26 > 0:27:30Shhh...Shhh my little one.
0:27:32 > 0:27:37If only we had been born in another time, another place.
0:27:38 > 0:27:40If only you had been born a cow.
0:27:40 > 0:27:41Si.
0:27:45 > 0:27:52- SINGS:- There's a place
0:27:52 > 0:27:57# For us somewhere...
0:27:57 > 0:28:01BOTH: # A place for us... #
0:28:05 > 0:28:09Carlos? Carlos!
0:28:14 > 0:28:18Moooooo!
0:28:21 > 0:28:24MOOOOO!
0:28:47 > 0:28:50Subtitles by Red Bee Media Ltd
0:28:53 > 0:28:57If you'd like to, see a bit more of, ooh!
0:28:57 > 0:29:00Watson and Oliver um,
0:29:00 > 0:29:03then if you could just press the little red...button.