0:00:02 > 0:00:05This is the most successful scam show of all time,
0:00:05 > 0:00:08a hit in 45 countries around the world.
0:00:12 > 0:00:15The Real Hustlers have stolen cars...
0:00:16 > 0:00:17It's perfectly safe there.
0:00:19 > 0:00:21..burgled houses...
0:00:22 > 0:00:24..picked...
0:00:26 > 0:00:28..switched...
0:00:28 > 0:00:31- ..and ditched.- A tenner for the whole lot!
0:00:31 > 0:00:37They've carried out close to 500 scams and stolen over £1 million
0:00:37 > 0:00:39and now they're back for an 11th series.
0:00:39 > 0:00:43Alex, Jess and Paul,
0:00:43 > 0:00:46with new recruits, Holly and Jazz.
0:00:46 > 0:00:53Their job? To expose the tricks of the criminals' trade so that you don't get scammed.
0:00:55 > 0:00:59On tonight's show, the odds are stacked in Jess' favour.
0:00:59 > 0:01:02A gin and tonic would be lovely. Thank you very much.
0:01:02 > 0:01:05This mark gets left offline in a computer scam.
0:01:06 > 0:01:11And guest hustler Gemma Atkinson plays fast and furious.
0:01:11 > 0:01:14I am paying you to be here to make this work for me.
0:01:54 > 0:01:57The hustlers have invited celebrity friends
0:01:57 > 0:01:59to see if they can cut it as con artists.
0:01:59 > 0:02:04But they'll have no clue what the scam is about and there are no dress rehearsals.
0:02:04 > 0:02:06This is sink or swim.
0:02:09 > 0:02:15Today's guest hustler is former Hollyoaks star and lads' mag favourite, Gemma Atkinson.
0:02:15 > 0:02:18I'm hoping I've got the qualities to be a good hustler.
0:02:18 > 0:02:21I've got the acting down. I just always feel bad for people.
0:02:21 > 0:02:25I don't like lying to anybody. I like to be honest.
0:02:25 > 0:02:27Today I have no clue what I'm doing.
0:02:27 > 0:02:29I'm excited, I'm nervous, I'm curious.
0:02:29 > 0:02:32Hopefully it won't be anything too dangerous.
0:02:35 > 0:02:39Gemma's been dropped off at an iconic landmark, the Falkirk Wheel,
0:02:39 > 0:02:42where Alex is waiting to give her a thorough briefing.
0:02:42 > 0:02:46- Hello.- Hello. Are you OK? - I'm good. Come in.
0:02:46 > 0:02:51This is my rather strange boat. Hi, I'm Alex.
0:02:51 > 0:02:53- Nice to meet you.- Have a seat. - Thank you.
0:02:53 > 0:02:58- You're probably wondering what we're doing today.- Yes, very much.
0:02:58 > 0:03:03- Today involves four or five high performance cars...- Brilliant.
0:03:03 > 0:03:07- ..that we're going to get away with. - We're going to pinch the cars?
0:03:07 > 0:03:09It's going to be a bit like The Fast and the Furious.
0:03:09 > 0:03:12We're going to be fast and you're going to get furious.
0:03:12 > 0:03:14OK, that's fine. I can get furious.
0:03:14 > 0:03:18And like with any heist, we need our secret weapon.
0:03:18 > 0:03:22Our weapon's not so secret because we're actually sitting in it.
0:03:22 > 0:03:27We're going to use this barge to get away with four very high performance vehicles.
0:03:27 > 0:03:30This one? This little one?
0:03:30 > 0:03:33This little one. And that massive wheel out there.
0:03:33 > 0:03:36Come with me and I'll tell you all about it.
0:03:36 > 0:03:40- This is interesting. - It is! It's going to be fun.
0:03:40 > 0:03:45Gemma's about to get involved in a real life game of Grand Theft Auto
0:03:45 > 0:03:47in 'The Wheel Deal'.
0:03:50 > 0:03:54The Falkirk Wheel is the world's only rotating boat lift,
0:03:54 > 0:04:01connecting the Forth and Clyde canals to the Union Canal and the rest of the country.
0:04:01 > 0:04:05The impressive scenery is the perfect backdrop for today's scam,
0:04:05 > 0:04:09a fake commercial being filmed by a company called TRH Productions.
0:04:09 > 0:04:16The ad's all about slick design so the team have arranged to hire a top of the range Ferrari for the shoot
0:04:16 > 0:04:20and Alex and Jazz are in position to welcome the driver.
0:04:20 > 0:04:25See where the coach is? If you pull in this car park, there's a guy who's part of that shoot.
0:04:25 > 0:04:26Lovely car, by the way, mate.
0:04:27 > 0:04:35That stonking motor's a Ferrari 360 Spider, worth a cool £100,000.
0:04:36 > 0:04:39Alex is playing the commercial's producer.
0:04:39 > 0:04:43That guy driving the Ferrari is the first mark.
0:04:44 > 0:04:48- Hi. Ian.- Nice to meet you. Thank you.
0:04:48 > 0:04:53And here comes Gemma, playing the most difficult client in the history of advertising shoots.
0:04:53 > 0:04:58Already, she's not looking too happy with that gorgeous sports car.
0:04:58 > 0:05:02- Ian!- I'm just coming. - This isn't going to work.
0:05:02 > 0:05:04Have a seat here for me.
0:05:04 > 0:05:07Have a seat.
0:05:07 > 0:05:11Alex is just about to get his first earful.
0:05:11 > 0:05:14- I think it looks fine. We're going to have the shot here.- No, Ian.
0:05:14 > 0:05:18- We've got the beautiful view of this...- Oh, great!
0:05:18 > 0:05:22The picture you sent, the sun was beaming, the sky was blue.
0:05:22 > 0:05:25- I can't change the weather. - The weather can't change, but the shot can.
0:05:25 > 0:05:28I arranged for you to get more than one car.
0:05:28 > 0:05:30Is this the only car or can you get more?
0:05:30 > 0:05:34No... I mean, we agreed on one car.
0:05:34 > 0:05:38I am paying you to be here to make this work for me.
0:05:38 > 0:05:39We need more than one car.
0:05:39 > 0:05:43The strop immediately gets the mark's attention.
0:05:43 > 0:05:44I'm paying you to do your job.
0:05:44 > 0:05:48I don't know if I can get more cars here...
0:05:48 > 0:05:54If you can't get more cars within three hours, it's finished. I'm not wasting any more time or money.
0:05:54 > 0:05:56All right, erm...
0:05:56 > 0:05:59What's the poor harassed producer going to do now?
0:05:59 > 0:06:00Sorry about this.
0:06:00 > 0:06:02Erm...
0:06:02 > 0:06:05- I'll arrange it myself, Ian. - It's all right. I'll handle it.
0:06:05 > 0:06:09Do you think it would be possible at all, erm...
0:06:09 > 0:06:14to get three more cars down here by 2:15pm?
0:06:14 > 0:06:17Could you call your boss and find out whether that's possible?
0:06:17 > 0:06:21We need the cars not up here because we're going to change the location.
0:06:21 > 0:06:25We're going to put them down by the visitors' centre.
0:06:25 > 0:06:28Believe it or not, it's what we agreed on.
0:06:28 > 0:06:32- Would that be OK? Could you make a call and check for me? - That's absolutely fine.
0:06:32 > 0:06:35The car has come from a supercar hire company
0:06:35 > 0:06:39and the mark goes off to ask his boss if any more cars are available.
0:06:39 > 0:06:44They're looking for four top of the range sports models and they need them now.
0:06:44 > 0:06:47Tell them to come after lunch, please, Ian.
0:06:47 > 0:06:51I need to e-mail my people and tell them it's changing again.
0:06:51 > 0:06:53We're going to get everything sorted.
0:06:53 > 0:06:55Gemma's throwing herself into the role.
0:06:55 > 0:06:59We don't need this car right now. You can go back.
0:06:59 > 0:07:01Did you say you had a Lamborghini?
0:07:01 > 0:07:03Yes, you said you had a Lamborghini. Yes.
0:07:03 > 0:07:07Cue the commercial's director.
0:07:12 > 0:07:15It's Paul, who's also just about to get an earful
0:07:15 > 0:07:18- from his obnoxious client. - It's perfect.
0:07:18 > 0:07:20She's not happy.
0:07:20 > 0:07:24- What's wrong?- She wants more cars, which this gentleman...
0:07:24 > 0:07:26Does she want me to switch the rain off?
0:07:26 > 0:07:29How are you? Nice to meet you.
0:07:29 > 0:07:32I'm going to confirm 100% we're going to get more than one car?
0:07:32 > 0:07:37Yes, I think... Four, and they'll be here at 2:15pm.
0:07:37 > 0:07:40- Definitely? - What is she talking about?
0:07:40 > 0:07:45She now wants four cars here at 2:15pm and I need to let you know about something else.
0:07:45 > 0:07:49The location's changed as well. She wants to shoot down there.
0:07:49 > 0:07:51Gemma starts laying into him.
0:07:51 > 0:07:55I don't care how long it takes. It needs to look right!
0:07:55 > 0:07:58It doesn't matter if it takes a long time to set up!
0:07:58 > 0:08:00Sorry. Tricky client. She's quite feisty.
0:08:00 > 0:08:06Thanks for arranging the other cars. You've saved my skin, actually.
0:08:06 > 0:08:08The mark has saved Alex's bacon.
0:08:08 > 0:08:13He's managed to organise four more cars to turn up later.
0:08:20 > 0:08:22Alex and Jazz set up further down the road,
0:08:22 > 0:08:25making room for those new cars...
0:08:26 > 0:08:30Now we just wait for a growling noise.
0:08:30 > 0:08:35..giving Gemma and Paul just enough time to set up a makeshift production office
0:08:35 > 0:08:38in a room the team have hired for the afternoon.
0:08:38 > 0:08:40Job done.
0:08:43 > 0:08:50And, right on cue, the unmistakable growl of expensive sports car fills the air.
0:08:53 > 0:08:57True to his word, the first driver has sent along four of his colleagues.
0:08:57 > 0:09:01That's four brand new marks to con in four new motors.
0:09:04 > 0:09:07First up, a shiny red Ferrari 430.
0:09:07 > 0:09:13It's worth a cool £170,000 and is being driven by the first new mark.
0:09:15 > 0:09:20Next up, a sleek black Lamborghini. Gemma will be pleased.
0:09:20 > 0:09:25Costing over £170,000, its driver is our second mark.
0:09:29 > 0:09:33- The sound of the engine is brilliant. - ENGINE REVS
0:09:33 > 0:09:38A souped-up Ford rally championship racing car worth £45,000.
0:09:38 > 0:09:42The driver is our next mark.
0:09:43 > 0:09:47And, finally, our fourth and final mark
0:09:47 > 0:09:52is driving that Porsche Turbo 911, a snip at £120,000.
0:09:53 > 0:09:57Together, this haul of cars is worth more than £500,000.
0:09:57 > 0:10:02This is the biggest money heist the hustlers have ever tried to pull off.
0:10:02 > 0:10:05Guys, can I ask you to follow me?
0:10:05 > 0:10:09Alex is keen to get on with the scam but the safety conscious marks
0:10:09 > 0:10:13make sure they lock up those prize motors before leaving the car park.
0:10:13 > 0:10:19Right now, the hustlers have over £500,000 of cars in their sights
0:10:19 > 0:10:23but they're all locked and the four drivers are keeping a very close eye on them.
0:10:23 > 0:10:28How on earth are the hustlers going to pull off their biggest scam ever?
0:10:28 > 0:10:29Coming up,
0:10:29 > 0:10:34a boat trip these marks and Gemma won't forget in a hurry.
0:10:34 > 0:10:36I'm going to be sick if I don't get off.
0:10:36 > 0:10:40Plus the biggest getaway ever attempted on The Real Hustle.
0:10:53 > 0:10:59When hustlers go out, they don't take money, they take prop bets.
0:11:00 > 0:11:03The proposition bet has only one rule
0:11:03 > 0:11:06and that's that the hustler always wins.
0:11:11 > 0:11:15I've got a challenge for you. A nice, fun challenge.
0:11:15 > 0:11:20You'll be able to relate to this. You know how men are quite bad at guessing sizes?
0:11:20 > 0:11:25You two will agree, I'm sure. This one's for you.
0:11:25 > 0:11:28I've got with me, I've got eleven 10p pieces.
0:11:28 > 0:11:32Normal 10p pieces. I'm just going to stack them up like that.
0:11:32 > 0:11:34In my other hand I've got some coins.
0:11:34 > 0:11:39I've got a £2 coin, a 10p piece
0:11:39 > 0:11:445p piece, 2p piece, 50p and a 1p.
0:11:44 > 0:11:49The challenge is, you need to pick the coin
0:11:49 > 0:11:53from this line here that, on its side,
0:11:53 > 0:11:57would be the same height as this stack of eleven 10p pieces.
0:11:57 > 0:12:00If you can do that, I'll buy you a drink.
0:12:00 > 0:12:04- If you can't, you buy me a drink. Is that a deal?- It's a deal.- Wicked.
0:12:04 > 0:12:08Sounds simple enough. Jess' new friend needs to pick the coin that,
0:12:08 > 0:12:12when standing on its side, will be the same height as a stack of eleven coins.
0:12:12 > 0:12:17You look like you know the answer already which scares me a bit. Which one are you going for?
0:12:17 > 0:12:20- Erm, the £2 coin.- You think it's going to be the same height?
0:12:20 > 0:12:22It's the biggest one.
0:12:22 > 0:12:24OK, we'll put that on its side.
0:12:24 > 0:12:30It's actually not. It's quite a lot bigger than the 10p pieces.
0:12:30 > 0:12:33Not to worry. I am going to give you another go.
0:12:33 > 0:12:35Which one do you think now?
0:12:35 > 0:12:40- 2p?- Also quite big, that one. The second biggest one.
0:12:40 > 0:12:42Let's have a little look.
0:12:42 > 0:12:46That also is too high, I'm afraid. You still picked too big.
0:12:46 > 0:12:48Third time lucky. I'll give you another go.
0:12:48 > 0:12:51- Men are so bad at guessing sizes. - I apologise.
0:12:51 > 0:12:54You're thinking it's smaller than what it is.
0:12:54 > 0:12:58OK, wrong... wrong combo.
0:12:58 > 0:13:02- It has to be the 10p.- If you'd have guessed this at the start,
0:13:02 > 0:13:05you would actually have lost.
0:13:05 > 0:13:07It's still too big.
0:13:07 > 0:13:11- I'll put you out of your misery. Shall I show you which one it is? - Please do.
0:13:11 > 0:13:15- If I was to tell you it was the 1p, what would you say?- No chance.
0:13:15 > 0:13:17- Way too small.- Yeah.
0:13:17 > 0:13:19Let's have a little go.
0:13:19 > 0:13:24It's actually the exact same height as the 10p pieces.
0:13:24 > 0:13:28- You wouldn't have guessed that, would you?- It's deceiving.
0:13:28 > 0:13:31- You would have thought all the other ones apart from that.- Yeah.
0:13:31 > 0:13:35A gin and tonic would be lovely. Thank you very much.
0:13:41 > 0:13:44This is a smart hotel in the centre of Edinburgh.
0:13:44 > 0:13:49But this guy isn't checking in. He's here to buy a cut-price laptop.
0:13:49 > 0:13:52That makes him the mark...
0:13:54 > 0:13:56..in 'The Double Switch'.
0:13:56 > 0:14:02The person selling the laptop is Rob Marks and he looks a lot like Paul.
0:14:02 > 0:14:04Charlie, nice to meet you. Have a seat.
0:14:04 > 0:14:08Someone else is coming as well. She'll be here in a second.
0:14:08 > 0:14:11Just take care of everybody at the same time.
0:14:11 > 0:14:13That mystery someone else is Jess.
0:14:13 > 0:14:19She's looking more chavvy than normal but that's all part of the scam.
0:14:19 > 0:14:20- Are you Rob?- Yes.
0:14:20 > 0:14:25- Sorry. Suzy.- How are you? - I'm all right, yeah.- Have a seat.
0:14:25 > 0:14:30My boyfriend can't find a place to park so he's waiting outside.
0:14:30 > 0:14:35So dodgy-looking Jess has a dodgy bloke waiting for her outside.
0:14:35 > 0:14:39So these are...my company gives these away to clients.
0:14:39 > 0:14:42Basically, we have a whole bunch of them left over.
0:14:42 > 0:14:45So they're £200 cash,
0:14:45 > 0:14:50but this particular model is about £500 if you buy it in the shops.
0:14:50 > 0:14:53It's a pretty good deal. Do you want to check it?
0:14:53 > 0:14:57You probably should. I don't know if you want to or not.
0:14:57 > 0:15:00- They're the same, aren't they? - They're both exactly the same. Let me open it.
0:15:00 > 0:15:05Paul explains that the laptops are leftover client gifts from his company.
0:15:06 > 0:15:11The mark wants to check what's in the box and Paul's happy to oblige.
0:15:13 > 0:15:18Sure enough, it's a brand new, high-spec laptop worth hundreds of pounds.
0:15:18 > 0:15:20I have one just like it but it's about a year old.
0:15:20 > 0:15:25- OK, I think that's all right. - It's fine. They all work.
0:15:25 > 0:15:28There's a warranty card in here. Just send that off.
0:15:28 > 0:15:32You can do it online and it's covered for two years.
0:15:33 > 0:15:36So, £200, please.
0:15:36 > 0:15:40So the goods are kosher and the mark seems happy to pay.
0:15:40 > 0:15:43Out comes the money.
0:15:43 > 0:15:47Do you mind if I check it? It's not that I don't trust you.
0:15:47 > 0:15:49Here you go.
0:15:50 > 0:15:55Paul checks the cash and transfers it to a new envelope.
0:15:58 > 0:16:02And that goes in his jacket pocket for safe keeping.
0:16:02 > 0:16:08Would you mind, before I give you the money, can I show it to my boyfriend outside?
0:16:08 > 0:16:10I don't know much about computers.
0:16:10 > 0:16:14- Can he come in?- No. We couldn't find a place to park.
0:16:14 > 0:16:18Can I just take it out to him now and show him? I'll be two minutes.
0:16:18 > 0:16:23- Can I bring it out to you? - I'll just tell him.
0:16:23 > 0:16:25Charlie, would you...?
0:16:25 > 0:16:26Yes, absolutely.
0:16:26 > 0:16:31Could you hold that for a second? I don't want to take cash out.
0:16:31 > 0:16:35Paul clearly thinks Jess looks well dodgy.
0:16:35 > 0:16:38He's unhappy about meeting some stranger in a car park
0:16:38 > 0:16:42and asks the mark to keep hold of his cash just in case it turns out to be a trick.
0:16:42 > 0:16:47After all, you can't be too careful these days.
0:16:50 > 0:16:54The mark waits patiently for Paul to return.
0:16:58 > 0:17:03Still no sign of Paul, but the mark's so happy with his purchase
0:17:03 > 0:17:06he's even chatting on the phone about it with a friend.
0:17:16 > 0:17:20A full half hour later and Paul's not back yet.
0:17:20 > 0:17:21The mark's still chilling though.
0:17:21 > 0:17:26He's got his laptop, he's looking after the cash. What could possibly go wrong?
0:17:26 > 0:17:30Maybe he can surf the web to kill some time. Or can he?
0:17:32 > 0:17:34So what's really going on?
0:17:36 > 0:17:39Earlier, Jess timed her entrance perfectly
0:17:39 > 0:17:42from her stakeout in the caff next-door.
0:17:42 > 0:17:44Once Paul had the mark's cash,
0:17:44 > 0:17:48he transferred the money into another envelope.
0:17:48 > 0:17:52Jess distracted him with her cock and bull story about her boyfriend.
0:17:52 > 0:17:57And Paul made the switch by replacing the envelope containing the mark's cash
0:17:57 > 0:18:00with an identical one filled with bits of newspaper.
0:18:00 > 0:18:04Paul then walked out with the real laptop, meeting Jess outside.
0:18:04 > 0:18:09All they had to do was pop into a nearby cafe until everything had blown over.
0:18:09 > 0:18:13- Is that pepperoni? - No, I think it's just cheese.
0:18:17 > 0:18:19That box looked convincing.
0:18:19 > 0:18:23It really contained a pack of cheap printer paper.
0:18:25 > 0:18:29But the mark still thought he had that envelope of cash that Paul left with him.
0:18:29 > 0:18:32But after a quick peel inside, he couldn't believe his eyes.
0:18:32 > 0:18:37Instead of crisp £20 notes, it was stuffed with newspaper.
0:18:39 > 0:18:42The realisation that he'd been scammed
0:18:42 > 0:18:45hits him like a slap in the face.
0:18:45 > 0:18:47*BLEEP*
0:18:57 > 0:19:00This all seems pretty legit.
0:19:00 > 0:19:02The mark has seen a laptop coming out of its box
0:19:02 > 0:19:05and naturally assumes that the other box is identical.
0:19:05 > 0:19:09Whenever buying anything privately, be aware that con artists
0:19:09 > 0:19:13are experts at gaining your trust and separating you from your money.
0:19:13 > 0:19:15Always be vigilant
0:19:15 > 0:19:19and remember that a deal may not be as fair as it first seems.
0:19:28 > 0:19:34Earlier, the hustlers took delivery of over £500,000 worth of sleek supercars.
0:19:34 > 0:19:39They've arranged for them to be here for a TV commercial they claim to be filming.
0:19:39 > 0:19:44Guest hustler Gemma Atkinson is playing the role of the tantrum-prone client,
0:19:44 > 0:19:48and producer Alex and assistant Jazz are wrangling the motors.
0:19:49 > 0:19:53Right now, they're all safely locked up in the car park
0:19:53 > 0:19:58and director Paul is just about to explain his artistic vision to the four marks
0:19:58 > 0:20:00in 'The Wheel Deal Part Two'.
0:20:01 > 0:20:05When it comes to the shot, all you need to do is drive on to the boardwalk,
0:20:05 > 0:20:08but I want you to be staggered in a specific way.
0:20:08 > 0:20:10We're going to decide on the positions now.
0:20:10 > 0:20:15I'm not being picky but we've got all this stuff and it's going to take ages
0:20:15 > 0:20:19- so if we get up there and it's not right...- We've got plenty of time.
0:20:19 > 0:20:23We've not got time to come back and shoot it because of the light.
0:20:23 > 0:20:27Everyone's starting to look a bit uncomfortable with all the squabbling.
0:20:27 > 0:20:31If it's just us who goes up and they don't like it, fine.
0:20:31 > 0:20:35- I'm going to take these guys up... - Can I come as well?- Absolutely.
0:20:35 > 0:20:38The marks are being taken on a quick trip up on the wheel
0:20:38 > 0:20:41so that Paul can explain the shot he's planning
0:20:41 > 0:20:45and show them where he'll need the cars to be positioned on the ground.
0:20:45 > 0:20:50Control-freak client Gemma is insisting she's coming too.
0:20:50 > 0:20:52- I'll see you at the boat, yeah? - Yeah. Thank you.
0:20:52 > 0:20:57So can I have your keys because I need a camera in a couple of these?
0:20:57 > 0:21:01The marks are still holding the keys to the motors but, as director Paul explains,
0:21:01 > 0:21:05he wants to rig some cameras inside the cars so needs them open.
0:21:06 > 0:21:10So here comes producer Alex with his assistant Jazz to get them.
0:21:10 > 0:21:12- Cameras are on Park Road.- All right.
0:21:12 > 0:21:15Can I get the keys from you guys?
0:21:15 > 0:21:16Got 'em.
0:21:16 > 0:21:20Alex assures the drivers he's looking after those prize wheels,
0:21:20 > 0:21:24- but they're not that bothered. - I'll be with the cars at all times.
0:21:24 > 0:21:28After all, they're just going to be on the boat for a short trip
0:21:28 > 0:21:33and they can easily keep an eye on the cars on the way.
0:21:33 > 0:21:38But this is a boat trip with a difference. The barge starts off in an enclosed gondola,
0:21:38 > 0:21:43which lifts it 35 metres into the air, hoisted by that massive wheel.
0:21:43 > 0:21:47Once they get going, the marks will get a bird's eye view of the car park.
0:21:49 > 0:21:53- How long does it take because...? - Are you all right?
0:21:53 > 0:22:00They've only just set off but grumpy client Gemma seems to be uncomfortable already.
0:22:00 > 0:22:04This is where I want the first car to come in. The first car we'll see.
0:22:04 > 0:22:09Director Paul gamely explains what he needs the drivers to do during the shoot.
0:22:09 > 0:22:11Gemma's still not looking happy.
0:22:11 > 0:22:16The wheel's going higher and higher and she's going greener and greener.
0:22:16 > 0:22:19I want to jump off the thing. I need a bathroom.
0:22:19 > 0:22:22It just goes down here, turns around and comes back.
0:22:22 > 0:22:23It's very, very gentle.
0:22:23 > 0:22:26She really is looking sick as a parrot.
0:22:26 > 0:22:29Can Paul arrange an emergency stop?
0:22:32 > 0:22:35Is it possible for the lady that's with us to get off?
0:22:39 > 0:22:43I'm going to be sick if I don't get off.
0:22:43 > 0:22:46It has to be down there. I'm sorry.
0:22:46 > 0:22:49I'll stay with you. It's all right. Just...
0:22:49 > 0:22:51I feel so sick.
0:22:51 > 0:22:53All right. Just take it easy.
0:22:54 > 0:22:59I'm going to take her off and take her down to the thing and meet you on the other side.
0:22:59 > 0:23:04It's not a scheduled stopping point but they manage to negotiate an early exit.
0:23:04 > 0:23:09Paul explains to the marks that for health and safety reasons they'll have to stay put.
0:23:09 > 0:23:12I'll be back in ten minutes.
0:23:12 > 0:23:15What do you want to eat tonight? What's good?
0:23:15 > 0:23:16Any Indian food?
0:23:16 > 0:23:18Shut up talking about food.
0:23:18 > 0:23:23Paul promises to come back once he's deposited Gemma safely back on dry land.
0:23:23 > 0:23:27Guys, I'll see you in ten minutes, all right?
0:23:29 > 0:23:31All right. Thank you.
0:23:31 > 0:23:37And she's off, swiftly followed by director Paul who puts a caring arm around her shoulder.
0:23:37 > 0:23:39The marks seem less sympathetic.
0:23:46 > 0:23:51I'm going to send you down the hill a little bit so they can watch me.
0:23:51 > 0:23:52Just keep on going down there.
0:23:52 > 0:23:57But here's the thing, that was the last chance to get off this boat.
0:23:57 > 0:24:01The marks are now going for the scenic tour whether they like it or not.
0:24:01 > 0:24:05They're stuck on that boat for the next 25 minutes.
0:24:05 > 0:24:08Once inside the tunnel, the marks can no longer see the cars
0:24:08 > 0:24:11and Jazz cues the final part of the scam.
0:24:11 > 0:24:13They've all entered the tunnel on the boat.
0:24:13 > 0:24:16We're ready to cue the van now. Get the van down here now.
0:24:16 > 0:24:22With the marks now out of sight, it's safe for Paul to catch up with Gemma.
0:24:26 > 0:24:29Now that's one heck of a getaway vehicle,
0:24:29 > 0:24:31specially hired for the day by the hustlers.
0:24:34 > 0:24:39Gemma and Paul join Alex and Jazz for their first glimpse of all those cars.
0:24:39 > 0:24:43If I had to pick one, it would be the Porsche, I think.
0:24:43 > 0:24:46- How much time have we got? - Probably about 20 minutes.
0:24:46 > 0:24:5020 minutes is not a lot of time to get the cars on to the transporter
0:24:50 > 0:24:54before the marks complete their journey.
0:24:56 > 0:25:00Blissfully unaware that anything untoward is going on,
0:25:00 > 0:25:04the marks are quite literally in the dark, with no clue that their prize motors
0:25:04 > 0:25:07are being nicked from right under their noses.
0:25:09 > 0:25:12One by one, the cars are loaded on to the transporter.
0:25:14 > 0:25:18Meanwhile, the marks have reached the halfway point
0:25:18 > 0:25:21and the barge has turned around to make its return trip through the tunnel.
0:25:21 > 0:25:24The hustlers better get a move on.
0:25:25 > 0:25:29This operation has to be done quickly, slickly and safely
0:25:29 > 0:25:33as it's only a matter of time before the marks come out of that tunnel
0:25:33 > 0:25:37and will be able to see exactly what the hustlers have been up to.
0:25:48 > 0:25:51The barge finally comes back out of the tunnel.
0:25:51 > 0:25:56There's no sign of director Paul and what on earth is going on in the car park?
0:25:56 > 0:26:02This wasn't in the briefing. The marks can see the supercars being loaded on to the transporter
0:26:02 > 0:26:06and they certainly didn't give permission for that.
0:26:14 > 0:26:17The marks can now see in plain sight
0:26:17 > 0:26:20the cars are no longer where they left them.
0:26:22 > 0:26:26- How was that boat ride? - Beautiful.
0:26:26 > 0:26:28I felt sick. It was terrible for me.
0:26:28 > 0:26:33But they're still on the boat. Unable to jump ship, they're completely helpless...
0:26:34 > 0:26:38..leaving then hustlers free to drive away
0:26:38 > 0:26:42with the biggest money-maker they've ever managed to pull off.
0:26:54 > 0:26:56Well done, guys.
0:27:06 > 0:27:09TRH Productions seem to have closed for the day
0:27:09 > 0:27:15and the hustlers have scarpered, leaving the marks with a very long bus ride home.
0:27:19 > 0:27:22We just went along with what we thought was a professional package.
0:27:22 > 0:27:24It seemed legit.
0:27:24 > 0:27:28- It's something you think will never happen to you. - It makes your blood boil.
0:27:28 > 0:27:31On the getaway with Paul, I felt great.
0:27:31 > 0:27:33It was relief more than anything.
0:27:33 > 0:27:36I just said, "We've done it", and we did a high five.
0:27:36 > 0:27:39I kept saying, "Can they see us? Can they still see us?"
0:27:39 > 0:27:43It was just utter relief that it worked and everything was all right.
0:27:43 > 0:27:47If we'd done this in real life, I'd have to give them back.
0:27:47 > 0:27:49I'd feel absolutely rotten.
0:27:51 > 0:27:54This is a complicated and elaborate professional scam
0:27:54 > 0:27:58where criminals could potentially get away with £500,000 worth
0:27:58 > 0:28:00of luxury motorcars.
0:28:00 > 0:28:07The message here is, never part with keys to a luxury vehicle or your home or any other kind of goods
0:28:07 > 0:28:10unless you're completely confident of who you're dealing with.
0:28:10 > 0:28:12These people were strangers.
0:28:19 > 0:28:26If you want to know more about how this show is made, go to:
0:28:48 > 0:28:51Subtitles by Red Bee Media Ltd