0:00:31 > 0:00:35This programme contains some strong language.
0:01:30 > 0:01:33Oh, let me see now.
0:01:33 > 0:01:35Mr Toad deserves a wee bit of space along with er,
0:01:35 > 0:01:39Mr Robert Emmet I think, so...
0:01:39 > 0:01:40I'll get you that, old boy.
0:01:42 > 0:01:45Ah, there you are.
0:01:45 > 0:01:48Mr Wilder, I'd forgotten about you.
0:01:48 > 0:01:53You're first edition of The Ides Of March, so you are.
0:01:53 > 0:01:551845, hmm.
0:01:56 > 0:02:00Interesting, very interesting.
0:02:00 > 0:02:04Oh-ho-ho!
0:02:04 > 0:02:07It's a wee first edition of Odd Man Out.
0:02:08 > 0:02:12And about Belfast. 1948.
0:02:16 > 0:02:17Mmm.
0:02:20 > 0:02:24Can't wait for you to see the light of day, son.
0:02:24 > 0:02:28How can people do that with books? Jesus Christ, it's ridiculous.
0:02:29 > 0:02:32He's destroyed it with that bloody tape.
0:02:32 > 0:02:35Eejit. Bloody eejit.
0:02:40 > 0:02:42I can clean you up, son.
0:02:43 > 0:02:47Yep, you're going to be happy here and back to the way you were.
0:02:47 > 0:02:50How dare he put that on it? How dare he?
0:03:11 > 0:03:13CONVERSATION IN BACKGROUND
0:03:17 > 0:03:22- Here you go, John.- Thanks, love. - That OK for you?- Very tasty.
0:03:22 > 0:03:25Very, very tasty, love. Nice and fresh.
0:03:28 > 0:03:30All right if I sit beside you?
0:03:30 > 0:03:31You're all right, love.
0:03:33 > 0:03:35I'm starving.
0:03:35 > 0:03:38You hungry, pet? That looks nice.
0:03:38 > 0:03:41Tell me, why do you get two bits of tomato and I only got one?
0:03:41 > 0:03:43Because I made it myself!
0:03:43 > 0:03:44Only joking!
0:03:44 > 0:03:48- No, there were two bits of tomato there.- So did you have two bits?
0:03:48 > 0:03:50- Oh, aye.- Do you want a wee bit, John? - No, no, I'm all right now.
0:03:50 > 0:03:54- MOBILE BLEEPS - Everybody's trying to add me on Facebook today.
0:03:54 > 0:03:57Tell me, Facebook, is this a sort of internet thing?
0:03:57 > 0:03:59- I'm addicted to it, John. Every minute of the day.- Is that right?
0:03:59 > 0:04:01Yes, and I have actually set it up to my phone
0:04:01 > 0:04:04so if I get a message on it, you are supposed to get a message on
0:04:04 > 0:04:07the computer, but if I get a message on it it goes straight to my phone.
0:04:07 > 0:04:09Somebody text me today saying,
0:04:09 > 0:04:12"Hiya, I see you every week up at the Trinity Lodge, you look amazing."
0:04:12 > 0:04:16- I'm like, I don't even know who that is.- It's a fan!- I know!
0:04:19 > 0:04:21MUSIC STARTS
0:04:21 > 0:04:22MUSIC: "Make You Feel My Love" by Adele
0:04:22 > 0:04:27# I go hungry I'd go black and blue...#
0:04:27 > 0:04:28That's nice.
0:04:28 > 0:04:33# I'd go crawling down the avenue...#
0:04:34 > 0:04:37Oh, God, I'd love to be a singer.
0:04:38 > 0:04:42I'm a great believer, Jolene, that if you enjoy doing something,
0:04:42 > 0:04:45do it for love of it, don't look what comes out the other end.
0:04:45 > 0:04:48Like, I was in the book business for over 40 years.
0:04:48 > 0:04:54I didn't go into it for to make any economic fortunes, which is nice.
0:04:54 > 0:04:58I done it because I loved it. And no return. I still buy and sell books.
0:04:58 > 0:05:00I mostly buy them for people and I give them
0:05:00 > 0:05:02instead of charging them for them!
0:05:02 > 0:05:04LAUGHS
0:05:04 > 0:05:07If you believe that, you'll believe anything.
0:05:07 > 0:05:09Somebody asked me earlier, was I selling that to you
0:05:09 > 0:05:11so they could buy it?
0:05:11 > 0:05:14You just tell them what you want, love.
0:05:14 > 0:05:15That's nice.
0:05:22 > 0:05:25- All the customers will all be waiting!- No, let them go in.
0:05:25 > 0:05:27It's lovely.
0:05:42 > 0:05:43WHISTLES
0:05:47 > 0:05:50See, last time I was in, Tony, you had a wee copy of No Mean City.
0:05:50 > 0:05:54- And they were the old photographs of Belfast.- Yes.- I don't see it there.
0:05:54 > 0:05:55It's very wee, if you recall,
0:05:55 > 0:05:59- do remember that wee series that was done?- I do, yeah.- Sort of panoramic.
0:05:59 > 0:06:05- Yes, I do, Brian Walker?- One of the Brian Walker ones, yeah, you know?
0:06:05 > 0:06:10I had a wee copy that I had to loan, but I never got it back, you know, so...
0:06:10 > 0:06:15Oh, here. I know a guy who's looking for that.
0:06:17 > 0:06:20I can always ring him. You know what they say about him?
0:06:20 > 0:06:25You see the ones that are not signed are scarce. He signed everything!
0:06:26 > 0:06:28Yeah, I know, don't go overboard.
0:06:29 > 0:06:32We don't go overboard for the prices.
0:06:32 > 0:06:36- We try our best to keep away, you know?- That one's signed!
0:06:38 > 0:06:41Mmm. Ah, delicious!
0:06:46 > 0:06:50Mm. Oh-ho! Michaela's cooked.
0:06:54 > 0:07:00Up to scratch. That'll be all right. That'll kick in for tomorrow.
0:07:02 > 0:07:04Second-hand soup's always best.
0:07:04 > 0:07:06Another run over and that will be beautiful.
0:07:10 > 0:07:12HE WHISPERS THE WORDS
0:07:22 > 0:07:28Don't know what that says but it ends "The bird from the sky."
0:07:30 > 0:07:36WHISPERS: Through all the extremes without any, anyone's being able to.
0:07:38 > 0:07:40Don't know.
0:07:45 > 0:07:49Don't know. "Where one ends and another begins. You have..."
0:07:51 > 0:07:53Don't know.
0:07:55 > 0:07:57What's this you're reading?
0:07:57 > 0:08:02Was this the one on Rome? Interesting, isn't it?
0:08:02 > 0:08:04- Do you find it interesting?- Yep.
0:08:06 > 0:08:10- It's The Light Of Rome I'm reading. - The Light Of Rome.
0:08:15 > 0:08:19Can you move that over a wee bit? I can't see that from here.
0:08:19 > 0:08:22Just a bit because that's a beautiful way of starting there.
0:08:22 > 0:08:24Yeah, that's what caught my eye.
0:08:26 > 0:08:29"The Light Of Rome is more a thing of beauty."
0:08:29 > 0:08:33"It is a mystery."
0:08:55 > 0:08:59And then they all started beating me at the bloody bus stop.
0:09:00 > 0:09:04Then when I looked around they were all shouting, "He's getting up,
0:09:04 > 0:09:06"he's getting up."
0:09:06 > 0:09:07JOHN LAUGHS
0:09:07 > 0:09:10And I got such a dig in the head, my head hit the pub wall.
0:09:10 > 0:09:13- And that was it? - And my face was getting slapped.
0:09:13 > 0:09:17And I opened my eyes and the first face I seen was Buck Alec.
0:09:17 > 0:09:21I says, "Where is I?" He says "I told them to F off and or I'd shoot them!"
0:09:21 > 0:09:25He'd shoot them?
0:09:25 > 0:09:28Carried me round home to my long-suffering Ma.
0:09:28 > 0:09:29God love her.
0:09:31 > 0:09:33And there's a gentleman called John... Sorry?
0:09:33 > 0:09:36- John Clancy.- John Clancy. - Pleased to meet you.
0:09:36 > 0:09:39- Always known as John the Book. - John the book!
0:09:39 > 0:09:41LAUGHS
0:09:41 > 0:09:42Right, you turn round.
0:09:42 > 0:09:45People said John the Crook because I was a smithy dealer.
0:09:45 > 0:09:49Along the back of the chairs there, that's the back of the chair, OK?
0:09:49 > 0:09:54The table's in front of you and Grace is to your right-hand side.
0:09:54 > 0:09:57- All right?- Who's that?- That's Grace.
0:09:57 > 0:10:00John and John, do you want to talk away there?
0:10:00 > 0:10:03I'm not going to say a warm-up speaker.
0:10:03 > 0:10:06But this gentleman who is going to do the talking tonight, the poems,
0:10:06 > 0:10:09I was always very close to John but what I love most about him
0:10:09 > 0:10:11was very simple, the poetry.
0:10:11 > 0:10:14Because what it was, not only did it bring the feeling when he wrote
0:10:14 > 0:10:20his poems about Sailortown or York Street, for me, it re-lived them.
0:10:20 > 0:10:24The shops, you can nearly smell the atmosphere.
0:10:24 > 0:10:28It's like any area, like if I say I'm very proud to to be actually,
0:10:28 > 0:10:30come from an area like Sailortown, we are diverse, we are
0:10:30 > 0:10:34a mixed race as they call them now, Mickeys and Prods, you know?
0:10:34 > 0:10:36But we've one thing in common, it was called poverty,
0:10:36 > 0:10:38when we were growing up round here.
0:10:38 > 0:10:41As an old friend of mine, Johnny Gillespie says,
0:10:41 > 0:10:45we were that poor, we used to get parcels from the Third World.
0:10:45 > 0:10:47And after a while, you get fed up of getting bananas.
0:10:47 > 0:10:49LAUGHTER
0:10:49 > 0:10:51In fact, I could tell you the first time I ever seen a banana.
0:10:51 > 0:10:54You know, if you've never seen a banana before, what do you do?
0:10:54 > 0:10:57You stick it in your gob the way it is and you start chewing it.
0:10:57 > 0:11:00And my daddy says, "No, no, no, son, you peel it."
0:11:00 > 0:11:03And you know I feel stupid at times, John? By God, I felt stupid.
0:11:03 > 0:11:06It didn't hurt when they beat me with their weapons
0:11:06 > 0:11:09Or when they smashed my nose and broke my jaw
0:11:09 > 0:11:12It didn't hurt when they kicked my helpless body
0:11:14 > 0:11:17It only hurt when her tearstained face I saw
0:11:17 > 0:11:20It didn't hurt when they wouldn't give me water or medicine
0:11:20 > 0:11:22To ease your throat so dry
0:11:23 > 0:11:27It only hurt when I looked into her sad eyes
0:11:28 > 0:11:31And it hurt me bad when I saw her start to cry.
0:11:31 > 0:11:34That's lovely.
0:11:34 > 0:11:35APPLAUSE
0:11:36 > 0:11:40Now, these poems are encapsuled in the time they were written.
0:11:40 > 0:11:46And I write in rhyme. Now, I've written a couple of novels.
0:11:46 > 0:11:51I've written short stories, but when I do a poem, it has to be in rhyme
0:11:51 > 0:11:55because as far as I'm concerned, if it isn't in rhyme, it isn't a poem.
0:11:55 > 0:11:59TECHNO BEAT
0:12:11 > 0:12:14HE RAPS: Just sit back and watch the intense suspense that I present
0:12:14 > 0:12:18I invent the sound of a nation, turned present into presentation
0:12:18 > 0:12:20Turned life on the street into life with a beat
0:12:20 > 0:12:23What I write on the sheet is what I fight in defeat
0:12:23 > 0:12:24I'm ambitious
0:12:24 > 0:12:27But this road to riches turned me bitches and malicious
0:12:27 > 0:12:29It's survival of the fittest I defy the odds
0:12:31 > 0:12:34Living in a country full of riot squads
0:12:34 > 0:12:36Bricks, bottles and blast bombs
0:12:36 > 0:12:38Will I last long or will I pass on?
0:12:38 > 0:12:41Keep your friends close but stay closer to your rivals
0:12:41 > 0:12:44Trying to get ahead is a matter of survival
0:12:46 > 0:12:48It's hard staying laden
0:12:48 > 0:12:50The strongest will survive from the moment you arrive
0:12:50 > 0:12:52You have nothing if you don't have the drive
0:12:52 > 0:12:55See all you want until you get an eye
0:12:55 > 0:12:58For how long will I last is a matter of survival
0:13:00 > 0:13:02Just a matter of survival
0:13:07 > 0:13:09I'm running for my life, in fact I'm jumping over fences
0:13:09 > 0:13:12Smoking more dope trying to improve my senses
0:13:12 > 0:13:15But if I get caught it seems that I'm defenceless
0:13:15 > 0:13:17I'm ready to scrap like I'm ready to rap
0:13:17 > 0:13:19But what good is all that if I get shot in the back
0:13:19 > 0:13:22They're smarter than us all and you know you can't fool it
0:13:22 > 0:13:24No matter how strong you are you can't stop a bullet
0:13:24 > 0:13:27Some hot lead will be embedded in your head
0:13:27 > 0:13:30You'll regret it what you said you must let it get you dead
0:13:30 > 0:13:32They've got no balls but they betray themselves with men
0:13:32 > 0:13:35Want to kill me cos I think the same as them
0:13:35 > 0:13:37They gotta hold tight cos I ain't going without a fight
0:13:37 > 0:13:40They wanna make my exit even harder than my arrival
0:13:40 > 0:13:43Trying to get ahead is just a matter of survival.
0:13:58 > 0:14:03Hello. My name is John Clancy, I am... I was a book-seller.
0:14:03 > 0:14:08I used to give Gerard the odd book now and then, you know?
0:14:08 > 0:14:10And he rang me a wee while back looking for a book
0:14:10 > 0:14:12and unfortunately it didn't...
0:14:12 > 0:14:15I'm not sure whether it was called The Nemesis File
0:14:15 > 0:14:18or to get him another copy of Pride's Castle.
0:14:18 > 0:14:22I got him a week copy of Pride's Castle years ago, you know?
0:14:22 > 0:14:25So, was the book called The Nemesis File? That's good.
0:14:25 > 0:14:28Well tell him, like, I haven't forgot about him,
0:14:28 > 0:14:30but what it was, you see, I came across a book the other day
0:14:30 > 0:14:34there with Nemesis on the title but it wasn't of that title, when I was in town, you know?
0:14:34 > 0:14:37It's just to let him know I haven't forgot about him.
0:14:38 > 0:14:44My name is John Clancy. All right, darling. God bless you, love, bye.
0:14:44 > 0:14:46Bye-bye, love. Bye, bye.
0:14:48 > 0:14:51There we are, Tristan. We're getting there, kid.
0:14:53 > 0:14:54We're getting there, so we are.
0:14:57 > 0:14:58Now, here's a tricky part.
0:14:59 > 0:15:01This is a tricky part.
0:15:03 > 0:15:06This is the tricky part. Not too much, now Johnny boy.
0:15:11 > 0:15:15We can be gentle. There you are, a newborn baby.
0:15:16 > 0:15:18You're welcome back into the fold again.
0:15:23 > 0:15:24Not perfection, but sure.
0:15:26 > 0:15:29Too straight for perfection than anything whatsoever.
0:15:30 > 0:15:32There we are, son.
0:15:41 > 0:15:44"He came into the world in the middle of a thicket,
0:15:44 > 0:15:47"in one of those little, hidden forest glades,
0:15:47 > 0:15:51"which seemed to be entirely open but was really screened in on all sides.
0:15:52 > 0:15:56"There was very little room in it, scarcely enough for him and his mother.
0:15:56 > 0:15:58"He stood there swaying unsteadily on his thin legs
0:15:58 > 0:16:03"and staring vaguely in front of them with clouded eyes which saw nothing.
0:16:03 > 0:16:05"He hung his deep head, trampled a great deal
0:16:05 > 0:16:07"and was still completely stunned.
0:16:09 > 0:16:11"What a beautiful child, cried the magpie.
0:16:13 > 0:16:16"She had flown past attracted by the deep groans of the mother
0:16:16 > 0:16:17"who uttered in her labour.
0:16:20 > 0:16:23"The magpie perched on the nearing branch.
0:16:23 > 0:16:25"'What a beautiful child,' she kept repeating."
0:16:40 > 0:16:44You know where it says a town that was buried?
0:16:44 > 0:16:50That's because over the years Rome has been built over itself
0:16:50 > 0:16:56repeatedly. From Julius Caesar built over Maximus'.
0:16:58 > 0:17:01There's so much left in the city.
0:17:01 > 0:17:05So, yeah, but they all rebuilt over each other's work?
0:17:05 > 0:17:07Just trying to be remembered.
0:17:07 > 0:17:13Just trying to be remembered for ever because if there are towns
0:17:13 > 0:17:17where you are remembered for being a hero in books,
0:17:17 > 0:17:20or you were an architect and you got remembered by leaving
0:17:20 > 0:17:24beauty around, buildings, like the Coliseum.
0:17:24 > 0:17:26The Coliseum was one of the most beautiful things.
0:17:26 > 0:17:28- And you've seen it first-hand, haven't you?- I have.
0:17:28 > 0:17:31I've standed right outside it.
0:17:31 > 0:17:34Wearing a hacky jersey, but I was still standing outside it.
0:17:36 > 0:17:39Is Caesar your favourite emperor then?
0:17:39 > 0:17:43Favourite emperor would probably either be Julius Caesar,
0:17:43 > 0:17:49but most people would say Julius Caesar, because a lot of people have only ever heard of Julius Caesar.
0:17:49 > 0:17:55But Julius Maximus would probably be my...
0:17:55 > 0:17:57favourite emperor.
0:17:57 > 0:18:02- Or Judas Maximus. - I'm a fan of Nero. He was crazy.
0:18:02 > 0:18:04Nero was a good emperor.
0:18:04 > 0:18:10There's a lovely statue of Nero when you're walking up the river towards the Vatican.
0:18:10 > 0:18:13HE SINGS OPERA
0:18:52 > 0:18:54KNOCK AT DOOR
0:18:58 > 0:19:02KNOCK AT DOOR
0:19:02 > 0:19:04Are you going to be singing about spaghetti Bolognese all day?
0:19:04 > 0:19:07- That's a bit loud. I'm trying to working here.- Oh, shit! Sorry, man.
0:19:07 > 0:19:12MUSIC: "O Mio Babbino Caro" by Puccini
0:22:11 > 0:22:15- Hiya, Connor.- How you doing, sir? - Do you know what I'm doing?
0:22:15 > 0:22:17I'm moving a lot of stuff from up in the loft.
0:22:17 > 0:22:20- Stuff that's been up there for a while, you know.- Yes.
0:22:20 > 0:22:24- Be any chance maybe giving us a wee bit of a hand?- Ah, no problem.
0:22:24 > 0:22:26- Sitting about, not doing anything. - You're not doing anything?
0:22:26 > 0:22:30- I'm just going over to give John a wee hand here.- OK.- How's things?
0:22:30 > 0:22:33- Oh, not so bad. How about yourself? - Getting on, thanks.
0:22:34 > 0:22:36- You follow me up.- Yes.
0:22:37 > 0:22:41- Can you get up all right there? - Yes, I've got this wee light here as well.- Oh, God bless you.
0:22:41 > 0:22:45Not magic, son. What's that there?
0:22:45 > 0:22:50- Here, could you move them books over there, Connor?- Yes.- Look at them.
0:22:50 > 0:22:53We'll bring them down there, because what we'll have to do,
0:22:53 > 0:22:56we'll have to come up someday and I might buy one of those lights,
0:22:56 > 0:22:59that when you put it up, you're able to see everything.
0:22:59 > 0:23:01What's in here, I wonder, son? Hold on.
0:23:01 > 0:23:04I wonder if there's any books there. Oh, shit.
0:23:04 > 0:23:08Oh, it's a pot-pourri in here, isn't it? All right? Here we are.
0:23:08 > 0:23:09Let's see what this is, Connor.
0:23:09 > 0:23:14Ah, this is a young girl I used to send books to. She was from, er...
0:23:14 > 0:23:18- Where are we? Newcastle... California.- California?
0:23:18 > 0:23:22It says here, "to a special friend". That would be me.
0:23:23 > 0:23:25"Thank you very much, John, for the two books received.
0:23:25 > 0:23:28"My mother was very what, how would one say, thrilled
0:23:28 > 0:23:33"with the complete collection of William Butler Yeats.
0:23:33 > 0:23:37"God bless and thank you again for your help. Mary."
0:23:37 > 0:23:39- There we are, then. - How long ago was that?
0:23:39 > 0:23:44- I wonder when they checked that. - Yeah.
0:23:44 > 0:23:46I was what you call a great book, man.
0:23:46 > 0:23:49That's why they call me John the Book. But I was a crap businessman.
0:23:49 > 0:23:54I would have given more stuff away. I seen people come then with their long lists, kids, you know,
0:23:54 > 0:23:58students from school, and things like that there and they had no money.
0:23:58 > 0:24:00And I would have said, "That's yours, take them."
0:24:00 > 0:24:03You know and I mean that, too. Take them, and I'll see you again.
0:24:03 > 0:24:06But I remember one young girl came in, I'll never forget it as long as I live.
0:24:06 > 0:24:11She was doing a wee Irish course. She was looking at a biography of John Hume, etc, etc, etc.
0:24:11 > 0:24:14I had all these books and I give them to her. And I says, "Take them, love.
0:24:14 > 0:24:17"Whenever you get your degree and you start earning a few quid,
0:24:17 > 0:24:20"come down and spend a few pound with me."
0:24:20 > 0:24:23And a number of days down the line, this young lady appears, beautiful young girl,
0:24:23 > 0:24:26one of those attractive young girls that look well.
0:24:26 > 0:24:28The right type of perfume, you know.
0:24:28 > 0:24:32Should have seen the perfume - I would have drunk it at one time!
0:24:32 > 0:24:35Cost about 100 quid a bottle!
0:24:35 > 0:24:39And one thing about it, she went around the shop and she picked out three or four books.
0:24:39 > 0:24:43And she says, "By the way, thank you very much," and she handed me an envelope and walked out.
0:24:43 > 0:24:46And there was a note in it, "Thank you very much". And there was £100 in it.
0:24:47 > 0:24:50- Now do you know what I'm talking about?- That's it.
0:24:50 > 0:24:53- People don't forget the favours. - What goes around comes around.
0:24:55 > 0:24:56Go.
0:24:58 > 0:24:59Straight up, John.
0:25:01 > 0:25:04- Oops-a-daisy.- How did he get that bed up in here?
0:25:04 > 0:25:07Is that bed made up? That bed that's up there!
0:25:07 > 0:25:10Was that made up indoors, or what?
0:25:10 > 0:25:13How did you get it in originally? Oh, dear!
0:25:14 > 0:25:16It's stuck! Stuck!
0:25:20 > 0:25:22- Oh, my goodness!- Shit.
0:25:23 > 0:25:24Let me see.
0:25:24 > 0:25:27We'll see, I think.
0:25:27 > 0:25:28Right, OK.
0:25:31 > 0:25:33- Shit!- Oh, mind you don't hurt yourself.
0:25:33 > 0:25:36- Ah, no.- Well, be careful.
0:25:36 > 0:25:38It gets like that, you see.
0:25:38 > 0:25:40Oh, no! It's not going to fit.
0:25:41 > 0:25:43You see?
0:25:45 > 0:25:48See what I mean? You see. Look.
0:25:48 > 0:25:51- I'll tell you something... - It's like a water bed.
0:25:51 > 0:25:55You see that one I took off? That's just a more comfortable mattress than the one I took off.
0:25:55 > 0:25:57- So this one is going to stay here. - Oh, no. John.
0:25:57 > 0:26:00And better still, it even fits nearly down there.
0:26:00 > 0:26:03- But do you not think...- But say you don't want to keep this mattress.
0:26:03 > 0:26:06You'd have to promise me, no smoking in the bed.
0:26:06 > 0:26:08No, no smoking in the bed, love.
0:26:08 > 0:26:11I'll... Look, I'll tell you what I'll do with you.
0:26:11 > 0:26:15I'll even remove my cigarette and ashtray, you see, like so.
0:26:15 > 0:26:19And I promise you there is no cigarettes. Sorry about that, love, you know.
0:26:19 > 0:26:21- So what are you going to do? Get a new bed?- No.
0:26:21 > 0:26:26Michelle, I was born in this bed and with the grace of God, I die on it.
0:26:26 > 0:26:30- Can you not make it a bit more Belfast?- A wee bit more Belfast?
0:26:30 > 0:26:34- A wee bit less, even.- Less? - You just sound too Belfastish.
0:26:34 > 0:26:37- But that's where I'm from. - But why? It should be better.
0:26:37 > 0:26:40- Because I was born there. - You could try it more.
0:26:40 > 0:26:42Rapping like an American? (RAPS) I'm a sleeper.
0:26:42 > 0:26:45I take life one step at a time, some try to live out their dreams...
0:26:45 > 0:26:48- That's better. You don't think that better?- No, that sucks.
0:26:49 > 0:26:53No. I'm a sleeper, I take life one step at a time, some try to live out their dreams...
0:26:53 > 0:26:58- No, because it's very flat, if you know what I mean.- OK. I'll whizz it up.
0:27:00 > 0:27:02I'm the sleeper, I take life one step at a time
0:27:02 > 0:27:05Some try to live out their dreams but mine's are captain, my man
0:27:05 > 0:27:08they say you're seeking new fame but not when you reclaim
0:27:08 > 0:27:09my man's no motivation
0:27:09 > 0:27:12I spend more time in bed than most spend in education
0:27:12 > 0:27:16and all my weekend hours are just flurried with frustration. Why?
0:27:16 > 0:27:17Cos I'm not...
0:27:17 > 0:27:22# Overheard, underpaid
0:27:22 > 0:27:25# I'm sure there's hurt
0:27:25 > 0:27:28- # I could change my ways - Cos there's the smoker, the sleeper,
0:27:28 > 0:27:31the tosser and turner, this is the smoker, the sleeper,
0:27:31 > 0:27:37- the tosser and turner. Yeah? - Good! Do you like that?- I like that!
0:27:37 > 0:27:40- Do you?- M'hm. Do you like it?
0:28:18 > 0:28:20- What are you listening to? - Er, Puccini.
0:28:20 > 0:28:22Let me hear. Can I have a listen?
0:28:23 > 0:28:25- It's good?- I think it's good.
0:28:27 > 0:28:29Oh, mummy, that's depressing.
0:28:29 > 0:28:32- What do you mean, depressing? - That's what you'd play at a funeral.
0:28:32 > 0:28:36- No, it's not. It's a thing of beauty.- Why do you like it?
0:28:36 > 0:28:39It's mainly from the country it comes. Italy shows so much...
0:28:39 > 0:28:40Country music?
0:28:40 > 0:28:44No, from the country it comes from, which is Italy. It's Puccini.
0:28:44 > 0:28:45It's a town.
0:28:45 > 0:28:48It's mainly because Italy put pure beauty
0:28:48 > 0:28:50and romance into everything they do.
0:28:50 > 0:28:53You shouldn't listen to all of that shit. You'll end up killing yourself!
0:28:54 > 0:28:58See, with a big spliff, and that, and a big cup of tea - perfect.
0:28:58 > 0:29:01- You're so like your brother. - Yeah, well so-so.
0:29:01 > 0:29:03He prefers to listen to rap most of the time.
0:29:03 > 0:29:07- Yeah?- I only listen to four rappers. - Oh, do you?- Yes.
0:29:07 > 0:29:12- Rap's not my favourite thing. I'd rather jive or head bang.- Yeah.
0:29:12 > 0:29:14- I better go back to work.- OK.
0:29:14 > 0:29:17- Well, nice to see you. - Stop listening to that shitty tunes.
0:29:17 > 0:29:19- All right.- See ya later. - See ya later.
0:29:23 > 0:29:29I'm a shy person a lot of the time and whenever I meet new friends,
0:29:29 > 0:29:33I'm usually stoned then, so I'm usually able to talk.
0:29:33 > 0:29:37So, say, like I try a new girlfriend, like going out with a new girl,
0:29:37 > 0:29:41and I can't talk, I have nothing to say.
0:29:41 > 0:29:44I'll go and look at them for ten minutes and come back
0:29:44 > 0:29:46and have a wee waterfall or bong, got back
0:29:46 > 0:29:51and just be talking to absolute heavens, but it's perfect
0:29:51 > 0:29:56because girls like to talk but they don't like to talk that much.
0:29:56 > 0:30:00In the dances, going back to the old Orpheus days, if I hadn't had
0:30:00 > 0:30:02a drink, I had to walk around the floor all night, I would
0:30:02 > 0:30:05have been scared to approach a girl to say, "Can I have this dance?"
0:30:05 > 0:30:07See, I didn't fucking feel like it. Fucking...
0:30:07 > 0:30:10If I'd have gone up and danced with no booze in me.
0:30:10 > 0:30:13I was like wrapped in fucking plaster of Paris, you know.
0:30:13 > 0:30:16See, a couple of drinks, fucking John Travolta, move over!
0:30:16 > 0:30:20I'll tell you the best description, Robert, that I ever heard of alcohol.
0:30:20 > 0:30:23And it was from a wee woman who I loved dearly,
0:30:23 > 0:30:27who happened to be my mother, who was then in her late 70s.
0:30:27 > 0:30:32In reality, she was worrying herself to death about her youngest son
0:30:32 > 0:30:34who was going to die.
0:30:36 > 0:30:38And the best description that I ever heard,
0:30:38 > 0:30:40and this is not an Irish mother,
0:30:40 > 0:30:45was my mother "Son, I wish you were dead rather than
0:30:45 > 0:30:49"the way your living." Now do you know where I'm coming from?
0:30:49 > 0:30:51She hit it on the button.
0:30:51 > 0:30:55But in that diseased condition, you can't see it that way.
0:30:55 > 0:30:57That's a threat to you.
0:30:57 > 0:31:00Now, I looked into her eyes and she looked into mine
0:31:00 > 0:31:02and I seen the pain.
0:31:02 > 0:31:04I went out the door,
0:31:04 > 0:31:08and down to the Somerton Inn which is only around the corner.
0:31:08 > 0:31:10I ordered a glass of brandy, which is my drink of choice,
0:31:10 > 0:31:13in fact my ma called me Brandy Balls. You know what I mean?
0:31:13 > 0:31:17I put a wee drop of ginger in it and after three drinks I says,
0:31:17 > 0:31:19"That bitch.
0:31:19 > 0:31:21"How could she say that to me?"
0:31:21 > 0:31:25I dropped that brandy on the floor and it smashed.
0:31:25 > 0:31:29And do you imagine all the wee shards of glass in the bottom.
0:31:29 > 0:31:33And I got down like a dog and licked it off the floor, picking
0:31:33 > 0:31:38the glass out of my tongue which had been bleeding.
0:31:38 > 0:31:40Now, in reality you would...
0:31:40 > 0:31:42I would say that's the depths of despair
0:31:42 > 0:31:46and I never get called a genius, but I'm not stupid.
0:31:47 > 0:31:49That was 1970.
0:31:49 > 0:31:52I didn't stop drinking till 1983, so it gives you
0:31:52 > 0:31:59an idea of the progression and where it will lead you to.
0:31:59 > 0:32:03They call it the gates of insanity or death.
0:32:06 > 0:32:09WOMAN SINGS KARAOKE
0:32:13 > 0:32:17# Watch you smile while you are sleeping
0:32:17 > 0:32:22# While you're far away and dreaming
0:32:22 > 0:32:29# Then I kiss your eyes and thank God we're together
0:32:29 > 0:32:35# Oh, I don't want to close my eyes
0:32:35 > 0:32:39# I don't want to fall asleep cos I miss you baby
0:32:39 > 0:32:43# And I don't want to miss a thing
0:32:43 > 0:32:49# Cos even when I dream of you The sweetest dream will never do
0:32:49 > 0:32:54# I still miss you, babe and I don't want to miss a thing... #
0:32:54 > 0:32:56Remember to breathe and remember to smile.
0:32:56 > 0:32:59- # When I close my eyes... - You're enjoying it.
0:32:59 > 0:33:03# I don't Want to fall asleep because I miss you, babe
0:33:03 > 0:33:06# And I don't wanna miss a thing
0:33:06 > 0:33:10# Even when I dream of you... #
0:33:10 > 0:33:12- That's it. You're doing well. That's it. That's the song.- Thank you.
0:33:12 > 0:33:15And who was it? The Morrellas, Morrella...Morelli's?
0:33:15 > 0:33:18Morelli's, yeah. Big Tony's not too well.
0:33:18 > 0:33:21- You probably remember Big Tony, the singer? Sing with a showband?- Yes.
0:33:21 > 0:33:25- Beautiful voice.- That's right. Tony Morelli.- Tony.
0:33:25 > 0:33:28- I was talking to him. - Jolene, sit in here.
0:33:28 > 0:33:31A cousin of his, you know. Here? Here?
0:33:33 > 0:33:35Where's my dark glasses?
0:33:39 > 0:33:42Hey, yourself. That's looks superb. What?
0:33:42 > 0:33:46- Its country and western theme. - Maybe with a hat, I'll look better.- I don't know.
0:33:46 > 0:33:48You're looking all right the way it is, love. I'll tell you one thing.
0:33:48 > 0:33:50I wouldn't get too far in the competition, Jolene.
0:33:50 > 0:33:53Also, if we have a bit of TV crew in here,
0:33:53 > 0:34:00so please don't say fuck or bugger, OK? You can bleep that one out.
0:34:00 > 0:34:02So if you don't want to be on, if you're on DLA,
0:34:02 > 0:34:04and you're not really meant to be out of the house
0:34:04 > 0:34:08because you've got rickets or gout or something like that there,
0:34:08 > 0:34:13do not be waving your hands in the air, and going, "Mummy look at me!
0:34:13 > 0:34:15"I'm on fucking tape, momma, look at this!
0:34:15 > 0:34:19"Look what I can do with my arm that I should have strapped up!"
0:34:19 > 0:34:21Don't be doing anything like that there, OK?
0:34:21 > 0:34:25Because we are not responsible if brew catches your arm.
0:34:25 > 0:34:28OK, keeps your hands clapping, she was typing for now,
0:34:28 > 0:34:31the wonderful Jolene, Jolene, Jolene.
0:34:31 > 0:34:33APPLAUSE
0:34:48 > 0:34:53# If I should stay
0:34:55 > 0:35:00# I would only be in your way
0:35:02 > 0:35:09# So I'll go, but I know
0:35:09 > 0:35:14# I'll think of you each step of the way
0:35:17 > 0:35:27# And I will always love you
0:35:27 > 0:35:33# I will always love you
0:35:39 > 0:35:42SONG CHANGES TO "9 TO 5" BY DOLLY PARTON
0:35:42 > 0:35:46CHEERING AND APPLAUSE
0:35:47 > 0:35:50# Tumble out of bed and stumble to the kitchen
0:35:50 > 0:35:54# Pour myself a cup of ambition yawning, stretching
0:35:54 > 0:35:57# Try to come to life
0:35:57 > 0:35:59# Jump in the shower and the blood starts pumping
0:35:59 > 0:36:02# Out on the streets the traffic starts jumping
0:36:02 > 0:36:06# Folks like me on the job from 9 to 5
0:36:06 > 0:36:11# Working 9 to 5, what a way to make a living
0:36:11 > 0:36:15# Barely getting by, it's all taking and no giving
0:36:15 > 0:36:20# You just use your mind and they never give you credit
0:36:20 > 0:36:26# It's enough to drive you crazy if you let it. #
0:36:26 > 0:36:30APPLAUSE AND CHEERING
0:36:30 > 0:36:34Wow! Well, everybody loves a bit of a medley.
0:36:34 > 0:36:37I love a bit of Dolly medley, you can never go wrong. Did you enjoy that?
0:36:37 > 0:36:39- Yes.- OK, Kat.
0:36:39 > 0:36:41Absolutely, the first rule of show business - if you
0:36:41 > 0:36:45- forget your words, you shake your ass, and you did it. - CHEERING
0:36:45 > 0:36:49- Woo!- So, I think you look absolutely fantastic,
0:36:49 > 0:36:51just the way you use the stage, you look terrific tonight,
0:36:51 > 0:36:54and you should be very proud of yourself, so well done. Well done.
0:36:54 > 0:36:56Congratulations, Jolene, great.
0:36:56 > 0:36:59And ladies and gentlemen, a big round of applause for our backing
0:36:59 > 0:37:02dancers, the lovely Pan's People.
0:37:02 > 0:37:06OK, fingers crossed we get to see a little bit of bare flesh tonight.
0:37:06 > 0:37:09I was just thinking to me self, remember that club we were at,
0:37:09 > 0:37:12- Michelle?- Mm-hm.- There was some crowd in it, like.
0:37:12 > 0:37:16Yeah, we're going to go to the finals, definitely, for support.
0:37:16 > 0:37:18Ach, I think she'll make the final all right.
0:37:18 > 0:37:21There's no problem there, and I mean that too, love.
0:37:21 > 0:37:23No problem whatsoever.
0:37:23 > 0:37:26I do believe that, you know.
0:37:26 > 0:37:29Means she goes across the water to that other thing, doesn't she?
0:37:29 > 0:37:32- Is she going to Liverpool? - That's right, John.
0:37:32 > 0:37:34Well, you never know, it's that TV thing.
0:37:34 > 0:37:36That's the real X Factor. It's called the X Factor.
0:37:36 > 0:37:39- Oh, is that what it's called?- Yeah. - I watched a couple of times.
0:37:39 > 0:37:41It'd be great for her to go to that, wouldn't it?
0:37:41 > 0:37:44Ach, the wee thing that gets me sometimes about programmes
0:37:44 > 0:37:46like that, they give people so many dreams,
0:37:46 > 0:37:47and I'm a great believer,
0:37:47 > 0:37:49it's unfair to take anybody's dreams away.
0:37:49 > 0:37:54You build them up and then, of course, you knock them down.
0:37:54 > 0:37:58The press, anyway, you know. But it's a hard, hard game, Michelle.
0:37:58 > 0:38:00- I can't sing.- Don't you sing as well?
0:38:00 > 0:38:04- When I get a few drinks, I like karaoke, like.- Oh, do you?!- Oh, aye.
0:38:04 > 0:38:06Here, we have to get something organised there.
0:38:06 > 0:38:09You can't hear yourself singing when you sing in one of them things.
0:38:09 > 0:38:10So you think you're brilliant!
0:38:10 > 0:38:14I used to sing in the boys choir, but that's a long, long time ago.
0:38:14 > 0:38:17You know, little tenor, you know.
0:38:27 > 0:38:29You all right?
0:38:35 > 0:38:39- Come in.- A mattress for you.- Come on. Mr Cassidy, how are you?!
0:38:39 > 0:38:42Lovely to see you!
0:38:42 > 0:38:45I bet that fits like a tee, don't worry about that there.
0:38:45 > 0:38:47They're only books.
0:38:47 > 0:38:50Aw, would you look at that!
0:38:52 > 0:38:55Now, there's a few wee books up there, Mr Cassidy.
0:38:55 > 0:38:59Mostly Irish stuff, you know. I'm a collector, as you know yourself.
0:38:59 > 0:39:02And I must get that we book on Winnie Carney. That's amazing.
0:39:02 > 0:39:04- It's a small world, isn't it? - It certainly is.
0:39:04 > 0:39:06Who's the baby on the wall?
0:39:06 > 0:39:08That would have been a brother of mine who passed away,
0:39:08 > 0:39:12when he was four-year-old. That was our Hugh.
0:39:12 > 0:39:16I was the youngest of the family, you know, and he died of meningitis.
0:39:16 > 0:39:20And then I had a sister, Rosaline, she passed away.
0:39:20 > 0:39:23I'm the babby of the family. And I'm the only one left.
0:39:23 > 0:39:26- The last of the Mohicans! - I'm the last of the Mohi...
0:39:26 > 0:39:27And they're all away now, you know.
0:39:27 > 0:39:30Mother, it was her anniversary yesterday.
0:39:30 > 0:39:34Jeez, my ma loved that bed. My ma died in it. Jimmy died in it.
0:39:34 > 0:39:37So if they can die in it, I'll die in it!
0:39:37 > 0:39:40HE SIGHS
0:39:43 > 0:39:46HELICOPTER WHIRRS
0:39:46 > 0:39:49SIRENS WAIL
0:39:53 > 0:39:55POLICE RADIO CHATTER
0:40:05 > 0:40:08The only thing is, maybe you can go and ask the police man there.
0:40:08 > 0:40:11- You see, I don't know.- I'm going up to Carr's Glenn.- Carr's Glenn?
0:40:11 > 0:40:14- Aye.- Jesus, I don't know, darling, honestly. I'm sorry.- I'll ask.
0:40:14 > 0:40:18- Ask the policeman, love.- Yeah.
0:40:18 > 0:40:20Your wee woman there has to go to Carr's Glenn, I don't
0:40:20 > 0:40:24think she'll be able to get up. See it apparently wasn't blocked off, sure it wasn't, this morning?
0:40:24 > 0:40:27- But she'll be able to get a bus down...- She can get the bus down there.
0:40:27 > 0:40:31- The bus is going up Cliftonpark Avenue, and then up...- Are they?
0:40:31 > 0:40:33It's cutting the whole way across.
0:40:33 > 0:40:37- Maybe the police might be able to tell her then.- Aye.
0:40:37 > 0:40:41See where that library is, it usually picks you up there. There was a few people there this morning,
0:40:41 > 0:40:44but I don't know how the kids got to school.
0:40:44 > 0:40:46Usually they stand at the library, you see.
0:40:46 > 0:40:49And get the bus straight up the road. But, it's absolutely mad.
0:40:49 > 0:40:51Crazy, like.
0:40:51 > 0:40:53Like I'm not from here, I'm from England, myself,
0:40:53 > 0:40:58and this is, I've never seen anything like this in my life. Never, ever.
0:41:00 > 0:41:03- I was going to say the...- God's sake, there's curse all else to do.
0:41:03 > 0:41:05Now you're talking about it, darling.
0:41:05 > 0:41:08That's probably a hoax as well, only you can't take that.
0:41:08 > 0:41:10Yes, I ain't seen nothing, darlin'.
0:41:10 > 0:41:12I'll tell you something, you're very fit for your age,
0:41:12 > 0:41:17- the way you run down there, love. - Aye, nearly 80.- Are you, pet?- Yes!
0:41:18 > 0:41:21- And my husband just died there... - I'm so sorry.
0:41:21 > 0:41:25..after 84, so that's why I'm out walking, and you can't even get home!
0:41:25 > 0:41:28Oh, it's very annoying, love, isn't it?
0:41:28 > 0:41:31I'm sure people like that don't think about people like us, love.
0:41:31 > 0:41:33No, if they'd put them to work instead of feeding them
0:41:33 > 0:41:35their brew and all that jazz, they'd be all right!
0:41:35 > 0:41:40- Oh, tell me about it, darlin. - Make them work for their money!
0:41:40 > 0:41:42- The way I had to do!- Aye!
0:41:51 > 0:41:56HELICOPTER OVERHEAD
0:42:11 > 0:42:15- That's a lovely view. It was worth the walk.- Yeah...
0:42:15 > 0:42:17The walk was nice, but the view isn't actually nice.
0:42:17 > 0:42:20If you don't like Belfast, say you don't like Belfast.
0:42:20 > 0:42:25Just come out with it. Is that what it is? You don't like Belfast?
0:42:25 > 0:42:27- HE TUTS - Turncoat.
0:42:27 > 0:42:30- HE LAUGHS Ah, well.- Where do you want go and live?
0:42:30 > 0:42:35- America.- Aw, cos it's the land of the free?- Aye, the land of the free!
0:42:35 > 0:42:38- Where do you want to go live in America?- Detroit.- Detroit.
0:42:38 > 0:42:44- Want to go and watch the Red Wings play?- Every weekend. Every weekend.
0:42:44 > 0:42:46- What would you do when you got there?- Work.
0:42:46 > 0:42:49- As what?- A chef.- A chef.
0:42:49 > 0:42:53Barman, more like. It's the only job an Irish man will get in America, these days, I imagine.
0:42:53 > 0:42:57- Well, they still love the Irish barmen. - Oh, you may go to Boston then.
0:42:58 > 0:43:01Detroit, Detroit do have a few Irish bars though.
0:43:01 > 0:43:05But you don't even have a job here like, you go to America
0:43:05 > 0:43:07- and think you'll get a job there? - If I had the money I would go.
0:43:07 > 0:43:09This is like the famine, you know what I mean,
0:43:09 > 0:43:12you go over there for work, cos there's none here.
0:43:12 > 0:43:14See that? There's a plane taking off there.
0:43:14 > 0:43:18That could be the plane that carries you to America.
0:43:18 > 0:43:20That's not going nowhere, that's landing! You fool!
0:43:20 > 0:43:23- HE LAUGHS - That could be the plane brings you back two weeks later
0:43:23 > 0:43:26- from America because you couldn't make it there! - HE LAUGHS
0:43:31 > 0:43:33That night in Smithfield, this is Smithfield as it was.
0:43:33 > 0:43:35The incendiary devices went.
0:43:35 > 0:43:37Eric Haugh was at this end of it, looking through.
0:43:37 > 0:43:43And the devices went boom, boom, boom, boom, boom, boom, boom.
0:43:43 > 0:43:46And so we just went up, he ran across the street
0:43:46 > 0:43:48and the whole lot just went up like that, whowww.
0:43:50 > 0:43:53Just collapsed all in, the burning embers.
0:43:53 > 0:43:55Not only that there, you know,
0:43:55 > 0:43:56by the time I got down,
0:43:56 > 0:44:00a lot of the old traders were all around the market, you know.
0:44:00 > 0:44:02I put my arms around one little lady,
0:44:02 > 0:44:04you know, who had a little stall,
0:44:04 > 0:44:08a little second-hand clothes stall,
0:44:08 > 0:44:10and the tears dripping from there.
0:44:10 > 0:44:12And I joined in.
0:44:12 > 0:44:15The soul of Belfast was burned
0:44:15 > 0:44:17on 27th of May 1974.
0:44:19 > 0:44:21And it will never return.
0:44:21 > 0:44:25These days are over. These days are over.
0:44:26 > 0:44:29These days are over.
0:44:29 > 0:44:33These days are over. Paul Morton.
0:44:33 > 0:44:35Days are over.
0:44:35 > 0:44:37All gone.
0:44:37 > 0:44:39All gone.
0:44:39 > 0:44:42That's me. That was our old shop.
0:44:44 > 0:44:48People don't realise what was burnt in that shop.
0:44:48 > 0:44:50The soul of Belfast gone.
0:44:51 > 0:44:55Never to return. Never to return.
0:44:57 > 0:44:59Never to return.
0:45:03 > 0:45:07Oh, I'd love to be a cowboy. Out in the open ranch.
0:45:09 > 0:45:11Riding all day, herding cattle all day.
0:45:13 > 0:45:19Drinking the occasional whiskey at night. Be the days.
0:45:19 > 0:45:24Ride into town with a bandit over your back. Collecting the bounty.
0:45:24 > 0:45:27Riding out with your posse and shooting a load of poachers.
0:45:27 > 0:45:29Get away from my cows!
0:45:31 > 0:45:34You come for beef, you'll get lead!
0:45:40 > 0:45:42- Aye, dreams.- Mmm.
0:45:44 > 0:45:49Never take a dream away from a man. You take away part of his soul.
0:45:52 > 0:45:56But just that you mention that there, I've just the thing, when you say this.
0:46:05 > 0:46:09"It was spring on an era many years after a lone Eagle had watched
0:46:09 > 0:46:12"a buffalo herd. An upland prairie country road
0:46:12 > 0:46:14"waved town the snow-capped Rocky Mountains,
0:46:14 > 0:46:18"to spread out into the immense eastern void.
0:46:18 > 0:46:22"Over the bleach white grass had come a faint tinge of green.
0:46:22 > 0:46:26"The warm sod had begun to resume covering over the Earth.
0:46:26 > 0:46:28"A flock of wild geese,
0:46:28 > 0:46:33"late on their annual pilgrimage went swiftly towards the north land.
0:46:33 > 0:46:37"On the ridges, held grazed, and down in the Hallows where murmuring
0:46:37 > 0:46:42"streams roused, clouded with blue colour and melted snow."
0:46:42 > 0:46:47"Deer nibbled at the new, tender shoots of grass."
0:46:47 > 0:46:52Just like your dreams, you close your eyes, you see that.
0:46:52 > 0:46:55When I read that there, it goes into my imagination.
0:46:57 > 0:47:00Never give up on dreams, Robert. Never give up on dreams, son.
0:47:03 > 0:47:06HE WHISPERS INAUDIBLY
0:47:06 > 0:47:11"..the famed...expedition..."
0:47:14 > 0:47:16Don't know what that sentence says.
0:47:16 > 0:47:21Don't know what that says. Oh, "Louisiana.
0:47:21 > 0:47:24"This..." ..don't know.
0:47:24 > 0:47:30"This was dispatched under the command of 20-year-old...
0:47:30 > 0:47:36"the command of a 20-year-old from a military family.
0:47:36 > 0:47:39"Lieutenant..." don't know.
0:47:40 > 0:47:44RAIN LASHES OUTSIDE
0:48:15 > 0:48:18Hello, where are youse?
0:48:18 > 0:48:21Ah, here, youse are leaving it a bit late.
0:48:21 > 0:48:25- It's leaving soon.- 'It's delayed.'- What?- 'It's delayed.'
0:48:25 > 0:48:32- Delayed till when?- "Till eight o'clock."- Eight o'clock?
0:48:32 > 0:48:35The plane is delayed?! It's not delayed!
0:48:37 > 0:48:40THUNDER RUMBLES
0:48:58 > 0:49:03Hello, Tony, this is your brother-in-law here, John, ringing from Belfast.
0:49:03 > 0:49:08A large tsunami has just hit the north coast of Japan
0:49:08 > 0:49:12and it's making its way to Hawaii within the next couple of hours.
0:49:12 > 0:49:15I don't know why you're aware of this, but I rang James in
0:49:15 > 0:49:20San Diego, to let him know, and he said he would be in touch with you.
0:49:20 > 0:49:24Cos I'm concerned about not only your safety in Hawaii,
0:49:24 > 0:49:29but mostly also for your safety of your relatives and friends,
0:49:29 > 0:49:33if any of them are living in the north-east of Japan.
0:49:33 > 0:49:36I think if I remember, Patrick telling me that most of your
0:49:36 > 0:49:41family lived in the Tokyo area, now Tokyo is OK at the present time,
0:49:41 > 0:49:45but the tsunami is supposed to hit Hawaii within the next hour so, so...
0:49:49 > 0:49:51That's powerful, isn't it? Holy God.
0:49:58 > 0:50:01200 to 300 bodies so far.
0:50:19 > 0:50:218.9 on the scale, like. Phew.
0:50:30 > 0:50:33That really is where you sort of go with the Noah's Ark thing,
0:50:33 > 0:50:36cos you think these boys need an ark right now.
0:50:36 > 0:50:40Two by two, we stand tall, one by one, we all fall.
0:50:40 > 0:50:42Ring, ring, God, please answer my call.
0:50:42 > 0:50:45It's your child, I know we ain't spoke in a while,
0:50:45 > 0:50:49I fear you're about to make it real, I mean 40 days day,
0:50:49 > 0:50:52I mean torrential, but survival of life is essential.
0:50:52 > 0:50:55Once again, there's moneylenders dwelling in your temple.
0:50:55 > 0:50:56Charging taxes.
0:50:56 > 0:51:00So I'll build your ark and not grant them access, cos the fact is,
0:51:00 > 0:51:03the flood out of chaos comes order, because once again,
0:51:03 > 0:51:05man-made land is submerged in water.
0:51:05 > 0:51:09All our old ways die like lambs to the slaughter, as once again,
0:51:09 > 0:51:13we all go in the little ark for to get out of the rain.
0:51:13 > 0:51:18# The animals went in two by two, hurrah, hurrah
0:51:18 > 0:51:22# The animals went in two by two, hurrah, hurrah
0:51:22 > 0:51:27# The animals went in two by two, the elephant and the kangaroo
0:51:27 > 0:51:33# And they all went into the ark for to get out of the rain. #
0:51:35 > 0:51:38HE RAPS We've been pushing our luck, but was there to be pushed
0:51:38 > 0:51:43chances less broad, once the odds reduced?
0:51:43 > 0:51:48Connects the roots. Our collective necks caught in the noose.
0:51:48 > 0:51:52We produce so much that we just can't use.
0:51:52 > 0:51:57End of an era, got your message now, you're sending it clearer.
0:51:57 > 0:52:01God strike down those only pretending to fear ya.
0:52:01 > 0:52:06And yet, save genetics of those with moral favour and ethics.
0:52:06 > 0:52:12And all our efforts to survive will not be in vain and every good man
0:52:12 > 0:52:20alive well not be in pain and every good vague will not be contained.
0:52:20 > 0:52:26We all must reform at the top of our game as we go into the ark
0:52:26 > 0:52:29for to get OUT of the rain.
0:52:32 > 0:52:35# For to get out of the rain
0:52:41 > 0:52:44# For to get out of the rain
0:52:50 > 0:52:53# For to get out of the rain
0:52:59 > 0:53:02# For to get out of the rain. #
0:53:14 > 0:53:19Subtitles by Red Bee Media Ltd