0:00:30 > 0:00:39that the world was falling apart
0:00:46 > 0:00:51We were walking round TV Centre
0:00:53 > 0:00:56# But how far can you go? #
0:00:58 > 0:01:03We wanted something like That Was The Week That Was without knowing that it would ever come along.
0:01:12 > 0:01:17That Was The Week That Was did more than just drag the stuffy old BBC
0:01:17 > 0:01:24into the swinging '60s when it first went out live at 10.50pm
0:01:24 > 0:01:30It tackled topical and taboo subjects in a way that had never
0:01:30 > 0:01:35And just as The Beatles were and changing popular culture,
0:01:41 > 0:01:46and changed public attitudes towards those in authority forever.
0:01:49 > 0:01:54revolutionary programme came about
0:01:54 > 0:01:59takes us back to 1960 and the appointment of Hugh Carlton Greene
0:01:59 > 0:02:04as he put it, prick the pomposity
0:02:04 > 0:02:09He charged current affairs producers Donald Baverstock and Alastair Milne
0:02:09 > 0:02:13that would mix current affairs
0:02:13 > 0:02:16At the time, Baverstock and Milne were responsible for Tonight,
0:02:23 > 0:02:27It was directed by Ned Sherrin and presented by Cliff Michelmore.
0:02:27 > 0:02:31You're late. I thought you were all listening to The Archers.
0:02:31 > 0:02:37After studying law at Oxford, Ned Sherrin decided to take up
0:02:37 > 0:02:41and went to work in the brand new
0:02:41 > 0:02:46In 1957, he left to join the BBC -
0:02:46 > 0:02:51Somebody says we appear to have lost that film.
0:02:51 > 0:02:55We'll try and find it between then and now.
0:03:02 > 0:03:05The only person on the Tonight team
0:03:05 > 0:03:22who'd had any show business
0:03:24 > 0:03:27Plus it was a whole time of change.
0:03:27 > 0:03:37The '60s were not so much a change as the start of an exploding
0:03:37 > 0:04:02and the new magazine Private Eye.
0:04:02 > 0:04:06was a versatile team of talents
0:04:06 > 0:04:11able to embrace the potent mixture
0:04:11 > 0:04:15David Frost had studied at Cambridge
0:04:15 > 0:04:19He'd also studied Cook himself and the lessons he'd learnt
0:04:19 > 0:04:22helped Frost perform stand-up
0:04:22 > 0:04:25while working by day for the TV company Associated Rediffusion.
0:04:25 > 0:04:30He had quite a smart technique of
0:04:30 > 0:04:36but working round to whatever
0:04:36 > 0:04:39He'd say, "Give me another subject!"
0:04:39 > 0:04:44Somebody said, "The Queen!" and David very quickly said, "The Queen is not a subject."
0:04:44 > 0:04:47fast-on-his-feet smart-arse
0:04:47 > 0:04:51was just what Ned Sherrin needed
0:04:51 > 0:04:56We met for lunch the next day
0:05:05 > 0:05:11Cambridge Footlights graduates
0:05:18 > 0:05:24From his own doorstep at Tonight,
0:05:27 > 0:05:31he added Tonight's regular singers, David Kernan and Millicent Martin.
0:05:31 > 0:05:35"We're going to do a pilot,
0:05:35 > 0:05:39"and we'd like you to come in and do it. It's a completely new format.
0:05:39 > 0:05:43"We want you to sing the opening
0:05:47 > 0:05:51It was time to put the format
0:05:51 > 0:05:56There was one sketch I remember that was some linking stuff
0:05:56 > 0:05:59that David and Christopher Booker
0:05:59 > 0:06:05and there was a discussion group and 12 Conservative ladies.
0:06:05 > 0:06:11acerbic journalist, parliamentary sketch writer and theatre critic.
0:06:11 > 0:06:18Yet another Tonight regular, his notoriously argumentative
0:06:23 > 0:06:40With the sense of its own history for which the BBC is famous,
0:06:40 > 0:06:44And they kept coming up with double
0:06:44 > 0:06:47There was this wonderful woman
0:06:47 > 0:06:52and she said it five times.
0:06:52 > 0:06:56At one point, he said to them, "Thanks to ridiculous letters
0:06:56 > 0:07:07"Conservative Party Central Office has bigger wastepaper baskets
0:07:22 > 0:07:27The show seemed destined to be That Wasn't The Week That Was,
0:07:31 > 0:07:36The Conservative ladies were so shocked, they protested to Central Office, who protested to the BBC.
0:07:36 > 0:07:40So some rather more senior and sophisticated people at the BBC
0:07:40 > 0:07:43and they thought it was rather good.
0:07:46 > 0:07:52So without the Conservative ladies
0:07:52 > 0:07:57But Brian Redhead had returned to Tonight and Bron, Bird and Fortune
0:07:57 > 0:08:02had taken THEIR satirical review,
0:08:02 > 0:08:08New performers were required and remembered Roy Kinnear from a review
0:08:08 > 0:08:14and invited him to join the cast cartoonist Timothy Birdsall.
0:08:14 > 0:08:18The very last to join was seasoned actor Kenneth Cope who, at the time,
0:08:18 > 0:08:21was playing villain Jed Stone
0:08:21 > 0:08:26Do you know a character who hangs
0:08:26 > 0:08:30Aye, he lives just down the road - Number 11 Coronation Street.
0:08:34 > 0:08:38Thanks, Da'. Ta-ra, well! By gum...
0:08:41 > 0:08:45Sherrin had assembled his team for a project that still carried
0:08:45 > 0:08:49conceived at an early meeting with a performer from the first pilot.
0:08:49 > 0:08:54There was an exploratory lunch with John Bird. I was explaining the ethos of the programme -
0:08:54 > 0:08:58the idea that every Saturday night ought to be like a mini New Year.
0:08:58 > 0:09:04There was a feeling that the week is over - let it go, it was a good time to get it out of your system.
0:09:04 > 0:09:10I was explaining this to John and he said, quoting the old Shell
0:09:10 > 0:09:16the car whizzing by and "That was Shell, that was..." - and he said,
0:09:17 > 0:09:22before we thought we were supposed
0:09:22 > 0:09:28Stuart Hood, the controller of BBC Television, said in a press
0:09:28 > 0:09:34"but it certainly won't have That Was The Week That Was!"
0:09:34 > 0:09:39It wasn't until we got the Radio Times for that particular Saturday,
0:09:39 > 0:09:43that we were really sure we were
0:09:45 > 0:09:49They were on, and the viewers in the BBC wouldn't know what hit them.
0:09:49 > 0:10:07The studio audience was in place, the ridiculous title came up,
0:10:07 > 0:10:12# That was the week that was
0:10:12 > 0:10:17I would give a synopsis of all the different things that had happened
0:10:17 > 0:10:23I ended up doing 40 of them,
0:10:23 > 0:10:26# That was the week that was
0:10:26 > 0:10:28# People are mending a few slips
0:10:28 > 0:10:36# Teachers getting an £80 rise
0:10:36 > 0:10:38She used to set it up for us.
0:10:38 > 0:10:43the beginning of the show with that lovely Dave Lee Orchestra
0:10:43 > 0:10:46just set the show up for us,
0:10:50 > 0:10:57That Was The Week That Was was, above all, topical. It was sketches, songs,
0:11:12 > 0:11:16was the previously sacrosanct world
0:11:16 > 0:11:20Gerald Kaufman's first sketch,
0:11:22 > 0:11:28in the 13 years or something that they'd been in the House.
0:11:28 > 0:11:34Labour Charles Key, MP for Poplar.
0:11:34 > 0:11:38The greatest effort and enthusiasm! With the very greatest enthusiasm
0:11:38 > 0:11:43it's been impossible to trace a speech by him in the House
0:11:43 > 0:11:49One of them got up to protest a breach of privilege or something -
0:11:49 > 0:11:51and he was laughed out of the House.
0:11:51 > 0:11:57Before That Was The Week That Was,
0:11:57 > 0:12:02that every single politician
0:12:02 > 0:12:06entirely because of his sense
0:12:06 > 0:12:12nothing for himself, and that was the whole picture of politicians.
0:12:12 > 0:12:18I wanted TW3 to be intensely topical, intensely aware of what was going on
0:12:18 > 0:12:24the various debates about religion,
0:12:29 > 0:12:34because so many of the writers had journalistic backgrounds.
0:12:34 > 0:12:38was its strong writing team,
0:12:38 > 0:12:42and leading comedy writers.
0:12:55 > 0:12:59there were dozens of contributors,
0:12:59 > 0:13:04While Frank Muir and Denis Norden were established comedy names,
0:13:04 > 0:13:22just starting to make theirs, including Peter Cook, Bill Oddie
0:13:22 > 0:13:45than would fit into one show,
0:13:45 > 0:13:52or, more accurately, to Lance.
0:13:52 > 0:13:55The only improvising was me making up clips about topical events.
0:13:55 > 0:13:58What was the one down here?
0:13:59 > 0:14:03One of those jokes have come out,
0:14:05 > 0:14:09# I'm not being very swisher
0:14:09 > 0:14:13# I assume you're referring to Liz Taylor and Eddie Fisher
0:14:13 > 0:14:16Just in case you don't know
0:14:16 > 0:14:19# We've got to be very careful
0:14:19 > 0:14:21# And she might be watching
0:14:21 > 0:14:25Paul Merton and Ian Hislop use on...
0:14:28 > 0:14:31In order to be able to be quick
0:14:31 > 0:14:36listen to the radio the whole week.
0:14:36 > 0:14:40# That's the end of... 1962. #
0:14:40 > 0:14:46I would now like to present to you for sound radio, David Frost.
0:14:46 > 0:14:52And it was that young cocky face that came to sum up everything
0:14:52 > 0:14:56the rest of us. He was the presenter.
0:14:56 > 0:15:00He used to do occasional sketches,
0:15:00 > 0:15:05He was infinitely better when he was not doing a sketch and simply holding the whole thing together
0:15:05 > 0:15:09and tossing off the quips and comebacks and that sort of thing.
0:15:09 > 0:15:14I wondered why in all the rehearsals you refused to do that last link.
0:15:14 > 0:15:22But it was Ned Sherrin who ran the show. TW3 was very definitely
0:15:22 > 0:15:26Ned Sherrin was very simply...God.
0:15:26 > 0:15:29I mean, he made all the decisions.
0:15:29 > 0:15:33I mean, he was 23, 24, 25...
0:15:33 > 0:15:38and he seemed to be pretty much
0:15:38 > 0:15:44He used to come and stand in front of us like a U-boat captain. He looked like a German U-boat captain -
0:15:56 > 0:16:01For the first time, Ned put the cameras on camera - you saw people
0:16:01 > 0:16:14The mechanics of television interesting innovation in itself.
0:16:14 > 0:16:31but Ned admits himself that when you're doing a live show
0:16:34 > 0:16:39I felt that the more we had the the band in the background,
0:16:39 > 0:16:47and the cameras and microphones
0:16:47 > 0:16:59Being live, Ned was always ready
0:17:10 > 0:17:18The cast were having a great time
0:17:18 > 0:17:23Next morning, Ned and I were having didn't expect reviews that quickly.
0:17:25 > 0:17:28An entire column of absolute rave,
0:17:34 > 0:17:39and not showing his feelings,
0:17:42 > 0:17:49with TW3's goofy licensed jesters.
0:17:49 > 0:17:54There were these enormous number of phone calls. People phoned in
0:17:54 > 0:17:58300 "for" and 120 "against".
0:17:58 > 0:18:01Why so many people wrote in favourably was obviously because
0:18:01 > 0:18:05they were terrified this thing was about to be swept off the air.
0:18:05 > 0:18:09We knew whether we'd been successful
0:18:09 > 0:18:13Lorry drivers were having accidents
0:18:13 > 0:18:17as they see you sitting in the car. "Keep it up!" They'd draw off
0:18:17 > 0:18:22Talking about '62, '63 - we had a viewing figure of 12 million
0:18:22 > 0:18:26at 11 o'clock till midnight.
0:18:26 > 0:18:31They were staying in watching our show on a Saturday night,
0:18:31 > 0:18:35so the restaurants, God bless 'em, put TVs in their dining rooms.
0:18:35 > 0:18:40People were leaving to go home and watch the show, so they started putting TV sets into the pubs
0:18:57 > 0:19:00Well, because TW3 was produced
0:19:04 > 0:19:08that had been issued to the light
0:19:11 > 0:19:16Even today, this song and dance routine with the young Babs Windsor
0:19:16 > 0:19:18but in 1962, it was dynamite.
0:19:18 > 0:19:23You have to see That Was The Week
0:19:23 > 0:19:28nothing in it was shocking in the way that we define the word these days.
0:19:30 > 0:19:35I defy anybody to think of three words you can't say on television.
0:19:35 > 0:19:53In the time of That Was The Week,
0:19:53 > 0:19:57No politics, no impersonation
0:19:59 > 0:20:04The blinkers were on and you didn't
0:20:04 > 0:20:08That's why they called it Aunty BBC
0:20:08 > 0:20:14And for them to let us go crazy
0:20:22 > 0:20:25I don't want no-one to hear.
0:20:25 > 0:20:27Look, just say it out loud.
0:20:34 > 0:20:39that made That Was The Week That Was absolutely right for the time.
0:20:41 > 0:20:44to which the times influenced
0:20:44 > 0:20:48or that That Was The Week That Was
0:20:48 > 0:20:51a powerful synergy together.
0:20:51 > 0:20:56One of TW3's achievements was to take aim at some of the most sacred
0:20:56 > 0:20:59often attracting the attention
0:20:59 > 0:21:02It was so much more satisfying to either get preached about
0:21:05 > 0:21:09or have front page stories saying, "These guilty men must go,"
0:21:09 > 0:21:14rather than a little congratulatory That became very small beer for us.
0:21:14 > 0:21:17So, of course, they kept pushing.
0:21:17 > 0:21:22One subject was perennially controversial and, therefore, perfect for the TW3 treatment.
0:21:22 > 0:21:27This week, your consumer guide presents its report on religions.
0:21:27 > 0:21:31we investigated the following six -
0:21:31 > 0:21:35Judaism, the Roman Catholic Church,
0:21:40 > 0:21:46They didn't do a metaphor for religion. It was also an extremely good parody of a Which report.
0:21:46 > 0:21:52We began by applying three basic tests - a) What do you put into it? b) What do you get out of it?
0:21:55 > 0:22:00there were an awful lot of calls.
0:22:00 > 0:22:03We particularly like the guarantee
0:22:03 > 0:22:08through a messiah who will take responsibility for all your guilt...
0:22:52 > 0:23:21who said, "Why don't you do something about the ridiculous reverent way
0:23:25 > 0:23:29a silk ensemble in canary yellow.
0:23:40 > 0:23:48so I get into my nighty then."
0:23:48 > 0:23:52Bernard Levin's run-in with the Tory ladies on the pilot show
0:23:52 > 0:23:57not only led to the series being commissioned, it also earned him
0:23:57 > 0:24:02Unlike previous BBC interviewers, Levin used rudeness as a technique. It wasn't always appreciated.
0:24:08 > 0:24:14Don't talk so much and listen bigoted as the people you stand for.
0:24:16 > 0:24:21The most notorious of Levin's
0:24:21 > 0:24:25but for an interruption from a disgruntled member of the audience.
0:24:25 > 0:24:30Peace and disarmament was the most famous one because halfway through, a man in the audience got up
0:24:30 > 0:24:35who was also a theatre critic
0:24:35 > 0:24:38that he'd written a terrible review
0:24:38 > 0:24:43..Of unilateralists... One minute, Mr Levin, before you begin.
0:24:43 > 0:24:49Would you stand up? Mr Levin, your review of Savagery And Delight
0:24:49 > 0:24:54It was a vicious attack... Would you mind going back to your seat.
0:24:55 > 0:24:58It was a lively scene and, of course,
0:24:58 > 0:25:04those live moments, they happen so fast. It was astonishing.
0:25:04 > 0:25:07"Get all the cameras on that!"
0:25:07 > 0:25:12But luckily, David jumped up and stopped it and pulled him off
0:25:12 > 0:25:16Can we concentrate on non-violence,
0:25:16 > 0:25:22disgruntled viewers' letters of complaint were Levin-esque.
0:25:22 > 0:25:28"Dear sir, I thought I should write
0:25:28 > 0:25:32"that an unregistered lunatic has obtained a supply of your notepaper
0:25:32 > 0:25:35"and he's sending out insane memos
0:25:35 > 0:25:40to your reputation." He was a joy.
0:25:40 > 0:25:44to controversial world events
0:25:44 > 0:25:49was through song, where strong messages could be delivered via polished showbiz routines.
0:25:52 > 0:25:58There had been yet another lynching in Alabama and Herbert Krasner wrote
0:25:58 > 0:26:04a wonderfully poignant and powerful
0:26:07 > 0:26:11# Where we hate all the darkies And the Catholics and the Jews
0:26:26 > 0:26:40# Where the Mississippi mud
0:26:40 > 0:26:57It was another trail-blazing
0:26:57 > 0:27:03to 12 million viewers, the TW2 team were pretty pleased with themselves
0:27:03 > 0:27:06and began to feel they could do
0:27:06 > 0:27:09All through the first series,
0:27:09 > 0:27:13If we had 50 minutes of material,
0:27:17 > 0:27:22was our right as human beings
0:27:26 > 0:27:29they were flabbergasted to be treated just like any other show
0:27:32 > 0:27:38They put after us...repeats of The Third Man with Michael Rennie,
0:27:38 > 0:27:44We were outraged by this, and "Tell you what we ought to do,
0:27:44 > 0:27:46"since these are repeats...
0:27:46 > 0:27:50of each of these programmes,
0:27:50 > 0:27:54to the end of the programme, why don't I give the plot?"
0:27:54 > 0:27:58The plane which Harry Lime says
0:28:07 > 0:28:10is in fact, working for the enemy.
0:28:15 > 0:28:21I thought that we'd be stopped
0:28:21 > 0:28:27I was allowed to do it a second week, they took The Third Man off
0:28:34 > 0:28:38It was a sign of the programme's
0:28:38 > 0:28:42that they would see off competition
0:28:42 > 0:28:46But on 22nd November 1963, the satire stopped dead in its tracks.
0:28:46 > 0:28:52US president John F Kennedy was assassinated - an event which shocked the world, and the TW3 team.
0:28:52 > 0:28:57It was a Friday, the day before the programme's transmission.
0:28:57 > 0:29:03All irreverence went out the window as the production team took the decision to play it straight.
0:29:03 > 0:29:08It became very clear, very quickly, that there was no "rest of the week".
0:29:08 > 0:29:11That WAS The Week That Was.
0:29:11 > 0:29:16We were all shocked. The TV
0:29:21 > 0:29:25One of the most memorable moments was a song of tribute to JFK,
0:29:25 > 0:29:31its lyrics hastily put together Les Miserables, Herbert Kretzmer.
0:29:46 > 0:29:55Producer Donald Baverstock had the canny foresight to record the show
0:29:55 > 0:30:07so they were able to play it practically every hour on the hour
0:30:07 > 0:30:20in America, it caused a sensation,
0:30:23 > 0:30:26Pretty soon, there were imitations.
0:30:35 > 0:30:41I was talking at a conference at Denver and I bumped into George Schlatter, who'd done the Laugh-In.
0:30:41 > 0:30:45I said, "You must've cribbed a bit
0:30:51 > 0:30:57it was "arrivederci" to TW3.
0:30:57 > 0:31:01The powers that be at the BBC
0:31:01 > 0:31:04being that the political content
0:31:04 > 0:31:08in the forthcoming General Election.
0:31:08 > 0:31:11The announcement that it was being axed was not pleasing.
0:31:11 > 0:31:15It was good that there was this excuse of the election coming up
0:31:15 > 0:31:20that made us, I suppose, seem that we had more teeth than perhaps we had. But it was simply an excuse.
0:31:20 > 0:31:25that we were running out of steam.
0:31:25 > 0:31:30It wasn't as funny as it was before, and like a lot of these programmes on TV, there's a time to go.
0:31:34 > 0:31:36In fact, not just the novelty
0:31:36 > 0:31:41TW3's viewing figures dropped dramatically from 12 million
0:31:41 > 0:31:46to under 7 million by the second. But satire's young barbarians had broken through the gates.
0:31:46 > 0:31:50The Establishment would never
0:31:50 > 0:31:56As far as changing the face of TV's concerned, we broke a lot of rules which weren't unbroken again.
0:31:56 > 0:32:01We were the first that ever
0:32:01 > 0:32:06It was on long enough that people said, "This is a format that works."
0:32:06 > 0:32:12Presenting stuff that happens in the world in a different way
0:32:12 > 0:32:17Ordinary people loved the programme,
0:32:17 > 0:32:20We were "us" and the Establishment or whoever it was was "them"!
0:32:20 > 0:32:25TW3 was extremely liberating
0:32:25 > 0:32:29is like Lady Chatterley, you know -
0:32:29 > 0:32:33but has the freedom worked?
0:32:33 > 0:32:39the cast continued to cut a sway
0:32:39 > 0:32:44was Ned Sherrin's next project
0:32:44 > 0:33:03Rushton and Levin were joined
0:33:03 > 0:33:09it does say in the newspaper that they don't do much harm.
0:33:09 > 0:33:14Ah, you read the wrong newspaper, Mrs O'Hara. Them pills enable you to predict the time of ovulation!
0:33:14 > 0:33:28Have you been predicting the time of ovulation? Bless you, no, Father!
0:33:28 > 0:33:41where her morals were and started the "Clean Up TV" campaign,
0:33:41 > 0:33:45of Ned Sherrin's achievements.
0:33:45 > 0:33:54Not So Much A Programme was another
0:33:54 > 0:33:57If people have seen Sir Alec
0:33:57 > 0:34:03come to the conclusion he's a cretin!
0:34:03 > 0:34:07They really may! Because of
0:34:07 > 0:34:11If they have him on the doorstep, they'll be damn sure he's a cretin!
0:34:11 > 0:34:16After only six months, the BBC took the opportunity to pull the plug.
0:34:16 > 0:34:21After Not So Much A Programme, David Frost finally got his name
0:34:24 > 0:34:29and provided the springboard
0:34:29 > 0:34:32that the language of brochures
0:34:37 > 0:34:39Caters specially for children.
0:34:39 > 0:34:42Everything closes at seven.
0:34:47 > 0:34:48Friendly local inhabitants.
0:34:52 > 0:34:54An unforgettable experience.
0:34:58 > 0:35:04After Not So Much A Programme, Levin returned to dishing it out
0:35:04 > 0:35:08while Ned Sherrin's next stab
0:35:08 > 0:35:13featuring Millicent Martin, and a clutch of TW3 writers.
0:35:16 > 0:35:20during a censorship discussion
0:35:20 > 0:35:23when critic Kenneth Tynan became the first person in television
0:35:27 > 0:35:31the footage is nowhere to be found,
0:35:31 > 0:35:34but the producer remembers.
0:35:34 > 0:35:40"I doubt if anybody in this studio or surprised if I used the word 'fuck'!"
0:35:46 > 0:35:50produce several controversial movies
0:35:57 > 0:36:00and has hosted Radio 4's Loose Ends
0:36:00 > 0:36:03Lance Percival had his own sitcom -
0:36:03 > 0:36:25and a chart hit with a calypso
0:36:25 > 0:36:31How can I lie quiet in my grave while my murderer goes free?!
0:36:31 > 0:37:06Cold-blooded murder! It might've been dangerous driving, but...
0:37:06 > 0:37:10then stage success in America led to a plum role in the sitcom Frasier
0:37:12 > 0:37:18He came to me in the middle of rehearsals and said, "We're looking
0:37:18 > 0:37:22"Would you like to play it?" I went, "Oh, I'll get back to you."
0:37:22 > 0:37:25I said, "I would absolutely
0:37:25 > 0:37:31And so, that was me for three seasons. Yes, yes, wonderful.
0:37:31 > 0:37:36After The Frost Report, David Frost exec-produced At Last The 1948 Show,
0:37:41 > 0:37:45his famous and talented friends in front of the camera as guests
0:37:45 > 0:37:48on many of the subsequent chat shows
0:37:48 > 0:37:53In 1983, Frost was one of the famous five responsible for starting TV-AM,
0:37:53 > 0:37:58as well as going Through The Keyhole
0:37:58 > 0:38:03were invited to Sunday breakfast
0:38:03 > 0:38:09Say what you like, that's a career,
0:38:13 > 0:38:17I'm proud of what the series
0:38:17 > 0:38:22and even more than that, grateful
0:38:22 > 0:38:28because it was a dream come true, or the first of a number of dreams
0:38:28 > 0:38:33We all enjoyed the notoriety, I suppose, but none of us was
0:38:36 > 0:38:39David was lovely. It was smashing.
0:38:42 > 0:38:46I'd never been really recognised
0:38:49 > 0:38:54The most important thing about TW3
0:38:54 > 0:38:59should be very grateful to it cos it changed all our lives completely.
0:39:00 > 0:39:02# That Was The Week, That Was! #