0:00:02 > 0:00:05- Who and what are you? - Silence, Doctor.
0:00:07 > 0:00:11We are The Silence.
0:00:11 > 0:00:15The Silence has been heard.
0:00:16 > 0:00:20And it's left the Doctor Who crew fleeing...
0:00:20 > 0:00:22and frozen.
0:00:22 > 0:00:26As the team battle the most mind-bending monster ever imagined.
0:00:26 > 0:00:30They edit themselves out of your memory as soon as you look away.
0:00:30 > 0:00:35- The exact second you're not looking at them, you can't remember anything. - What a monster! Look at them!
0:00:35 > 0:00:39I think that these are the scariest monsters ever.
0:00:39 > 0:00:41Whoa. Argh!
0:01:02 > 0:01:04Welcome to the desert.
0:01:08 > 0:01:11The Doctor Who crew are in Utah
0:01:11 > 0:01:14to film the dramatic opening of episode two.
0:01:14 > 0:01:16We've got a race through the desert,
0:01:16 > 0:01:19Amy's shot, Rory's shot, River jumps off a building
0:01:19 > 0:01:22and the Doctor is trapped in a cube he can't escape from.
0:01:22 > 0:01:26The beginning of Episode Two, I think, is the most exciting opening
0:01:26 > 0:01:28for an episode that we've had.
0:01:28 > 0:01:30It just kind of bursts onto the screen.
0:01:30 > 0:01:33Amy's running for her life in the desert.
0:01:33 > 0:01:35We'll see if we can get the timing a little tighter.
0:01:35 > 0:01:39We're setting up a shot where Karen will run down the hill towards us.
0:01:39 > 0:01:41Then we have a car in hot pursuit.
0:01:41 > 0:01:43We're going to shoot up against the sun.
0:01:43 > 0:01:46We're in the desert and it's going to feel dangerous.
0:01:46 > 0:01:49# Cos I've always stayed too long
0:01:52 > 0:01:56# Long enough for something to go wrong... #
0:01:58 > 0:02:00First shot of the day.
0:02:00 > 0:02:06I'm feeling pretty out of breath, as you can see. Yeah, it was basically just running for my life.
0:02:06 > 0:02:10It's the altitude which is why I'm out of breath. So, that's why.
0:02:10 > 0:02:12It's not me being unfit at all!
0:02:12 > 0:02:14# I got my peeps standing with me shouting pull up your socks
0:02:14 > 0:02:18# Cos we just broke the law and now we're running from cops
0:02:18 > 0:02:21# I got my lip bust fighting Now there's blood on my top
0:02:21 > 0:02:23# And I'm still out looking for a party, somewhere to stop
0:02:23 > 0:02:27# I got my peeps them telling me they know where it's at
0:02:27 > 0:02:30# So I pull out 20 notes and jump straight into a cab
0:02:30 > 0:02:33# I'm on my way to where I'm going Thinking I need more Jack
0:02:33 > 0:02:37# But that probably ain't the brightest idea I've ever had. #
0:02:37 > 0:02:41That was such a fun scene to shoot. It was all like, "Miss Pond, Canton."
0:02:41 > 0:02:44- Canton.- Miss Pond.
0:02:44 > 0:02:48- Is that a body bag?- Yes, it is. - It's empty.- How about that?
0:02:48 > 0:02:52So he's gone to the dark side but then, as it turns out, he actually hasn't.
0:02:52 > 0:02:55But just dramatically I think it was really fun
0:02:55 > 0:02:57'that he's bad for that scene.'
0:03:05 > 0:03:09To shoot Rory's chase, the Doctor Who crew are working "dam" hard
0:03:09 > 0:03:11in another breathtaking location,
0:03:11 > 0:03:16the Glen Canyon, to get the final American shots in the can.
0:03:16 > 0:03:19When he comes back in, drift in sooner
0:03:19 > 0:03:24so you're closer to him, so the move in is only just a small drift in.
0:03:24 > 0:03:27I think that the scale and ambition of this series
0:03:27 > 0:03:34is just huge, and to be able to go to a location
0:03:34 > 0:03:37where it's all there for you and it is just massive...
0:03:37 > 0:03:42If you run up to me... You look and we'll look with him.
0:03:43 > 0:03:45There's a shot where I look down
0:03:45 > 0:03:47and I could see Marcus,
0:03:47 > 0:03:50the producer, just going, "Oh, don't, don't."
0:03:50 > 0:03:52Because I kept running up to it.
0:03:52 > 0:03:53Could you get a message through to Arthur
0:03:53 > 0:03:56to give me a good four-beat look ever the edge, if he doesn't mind?
0:03:56 > 0:03:59And tell him not to throw himself at the wall.
0:03:59 > 0:04:03It doesn't matter at this distance. I'd hate to be filming his death.
0:04:03 > 0:04:05- Action!- Action!
0:04:08 > 0:04:11'You don't have use your imagination very much to act
0:04:11 > 0:04:13'in a situation like that.
0:04:13 > 0:04:18'It's all there for you. You just look over that big sweeping drop.
0:04:18 > 0:04:24'It was a nice way to finish our stuff that we did in America.'
0:04:24 > 0:04:26- What are you waiting for? - I'm waiting for you to run.
0:04:26 > 0:04:28It'd look better if I shot you while you're running.
0:04:31 > 0:04:32Then again...
0:04:32 > 0:04:35looks aren't everything.
0:04:37 > 0:04:41OK, cut there. That's a wrap, everybody. Well done. Well done.
0:04:41 > 0:04:43That's good stuff. It's a wrap in America.
0:04:43 > 0:04:46- It is a wrap on Dr Who in America! - Woo!- Thank you.
0:04:54 > 0:04:55Back on home soil.
0:04:55 > 0:04:59A children's orphanage is about to petrify the Pond.
0:04:59 > 0:05:01# Words like violence
0:05:01 > 0:05:03# Break the silence
0:05:03 > 0:05:07# Can't you understand Oh, my little girl?
0:05:07 > 0:05:09# All I ever wanted
0:05:09 > 0:05:11# All I ever needed
0:05:11 > 0:05:15# Is here in my arms
0:05:15 > 0:05:18# Words are very
0:05:18 > 0:05:19# Unnecessary
0:05:19 > 0:05:24# They can only do harm. #
0:05:34 > 0:05:37See the craziness in those eyes?
0:05:42 > 0:05:44My office is this way.
0:05:44 > 0:05:50Today we are filming a scene with Dr Renfrew, me and Canton.
0:05:50 > 0:05:53Basically we are discovering this old orphanage
0:05:53 > 0:05:55and there's writing all over the walls
0:05:55 > 0:05:57and it's horrible cos it looks like blood.
0:05:57 > 0:06:00It's the kids, yeah? They do that?
0:06:00 > 0:06:02Yes, the children. It must be.
0:06:02 > 0:06:05Yes.
0:06:05 > 0:06:09We're discovering this is the place we've been looking for. And it's all very creepy.
0:06:12 > 0:06:17What a monster! Look at them! Whoa! Cool.
0:06:17 > 0:06:22I wanted to suggest we've all got a latent memory of The Silence,
0:06:22 > 0:06:27all that we have all seen them many times but we've forgotten them but they've imprinted.
0:06:27 > 0:06:31So the painting The Scream is a bit like the Silent,
0:06:31 > 0:06:35our notion of what aliens might look like is a bit like the Silent.
0:06:35 > 0:06:36That is hideous!
0:06:38 > 0:06:41- Can you actually see anything? - Look at your sinister walk!
0:06:41 > 0:06:46Normally I'm taller than the monsters, but now I'm like, "Urgh!"
0:06:46 > 0:06:52So they're just more intimidating and just hideous looking.
0:06:52 > 0:06:54That's...
0:06:54 > 0:06:56I think this is the scariest monster.
0:06:56 > 0:07:03The man who played one of The Silence, was really amazing.
0:07:03 > 0:07:08He's so tall, he's like 6 foot 7 or something. He was fantastic.
0:07:08 > 0:07:11As soon as he got on to set, he was he was reading in the lines.
0:07:11 > 0:07:14He won't actually do the voice, but he was so into it.
0:07:14 > 0:07:20He was like, "OK, what do you need me to do?" And he was like, "Amelia!"
0:07:20 > 0:07:24Your mind is weak. You have been here many days.
0:07:24 > 0:07:27He was just great with all the movement, cos he's a dancer.
0:07:28 > 0:07:30Do a funky robot, go on.
0:07:39 > 0:07:45- They remind me of a 2009 Karen Gillan.- Oh, my God!
0:07:45 > 0:07:50- Before she lost it all. - 2009 Karen Gillan!
0:07:50 > 0:07:53My head is nowhere near that bulbous.
0:07:53 > 0:07:57- It is quite sort of cone-y. - All right, it's round, I'll give you that.
0:07:57 > 0:07:58Like the moon.
0:08:01 > 0:08:06Now, for eagle-eyed viewers, a familiar-looking spaceship
0:08:06 > 0:08:08makes a reappearance.
0:08:08 > 0:08:11This is the first time we come back onto the Silence base ship
0:08:11 > 0:08:15which people should recognise from the episode called The Lodger.
0:08:16 > 0:08:19What?!
0:08:19 > 0:08:21What?
0:08:22 > 0:08:25So we bought the set back but I wanted to adapt it,
0:08:25 > 0:08:29make it feel more evil and the bad guy base.
0:08:29 > 0:08:34It's alien and feels serious and scary in some way.
0:08:34 > 0:08:36We'll strap Amy into this chair here
0:08:36 > 0:08:41and have a bright light coming down and that's where The Silence have been keeping her.
0:08:41 > 0:08:43Stop, get off me! No!
0:08:43 > 0:08:48'My throne, it's great. There are some lights underneath and a hole in it'
0:08:48 > 0:08:51so it feels like an elaborate toilet.
0:08:51 > 0:08:57And to break The Silence, the Doctor uses one of the most incredible moments in human history.
0:08:58 > 0:09:02Now then, a bit of history for you. Aren't you proud? Because you helped!
0:09:02 > 0:09:08Do you know how many people are watching right now, live on the telly? Half a billion.
0:09:08 > 0:09:11Every single one of them at some point in their lives will look back
0:09:11 > 0:09:14at this man taking that very first step
0:09:14 > 0:09:17and they will never, ever forget it.
0:09:17 > 0:09:20If you're going to send a subliminal message in one piece of footage
0:09:20 > 0:09:23you would put it in the middle of that clip.
0:09:23 > 0:09:25'One giant leap for mankind...'
0:09:25 > 0:09:30And one whacking great kick up the backside for The Silence!
0:09:30 > 0:09:33You just raised an army against yourself.
0:09:33 > 0:09:36Everybody has seen that footage. Everyone alive.
0:09:36 > 0:09:38Very few things you can say that of.
0:09:39 > 0:09:43So, The Silence has been silenced.
0:09:43 > 0:09:46But there are still a few things to clear up.
0:09:48 > 0:09:51At the end of episode two, we are left with a few questions
0:09:51 > 0:09:56such as what is going on with Amy? Is she pregnant, is she not?
0:09:59 > 0:10:01What is going to happen to the Doctor
0:10:01 > 0:10:04- because we've seen him die. - Who's killed him?
0:10:06 > 0:10:09Who's the girl?
0:10:09 > 0:10:10Why is she regenerating?
0:10:13 > 0:10:16Who is River Song and what part does she play in the Doctor's future?
0:10:16 > 0:10:19Will we get to the heart of that relationship?
0:10:19 > 0:10:25You're going to learn some very critical information about River.
0:10:25 > 0:10:28You know what they say. There's a first time for everything.
0:10:31 > 0:10:34And a last time.
0:10:36 > 0:10:41Subtitles by Red Bee Media Ltd
0:10:41 > 0:10:46E-mail subtitling@bbc.co.uk