0:00:02 > 0:00:06This programme contains very strong language.
0:00:06 > 0:00:09Sauchiehall Street is one of the most famous streets in Scotland.
0:00:09 > 0:00:12By day, thousands are employed in its shops and offices.
0:00:12 > 0:00:15By night, it attracts hordes of visitors to its restaurants,
0:00:15 > 0:00:16bars and clubs.
0:00:17 > 0:00:19And at the weekend, the street
0:00:19 > 0:00:23has a reputation as one of the most buzzing places to go out in Glasgow.
0:00:23 > 0:00:25If you've no' got a lumber by now,
0:00:25 > 0:00:28you shouldn't be getting one in the taxi queue. Let's go down.
0:00:28 > 0:00:32The Street follows the lives of a number of people
0:00:32 > 0:00:35over the course of a year, as they try to earn their crust.
0:00:35 > 0:00:37There was a couple of wee fucking wanks scratching their fucking dicks
0:00:37 > 0:00:39for eight hours this morning.
0:00:39 > 0:00:42- Hey, guys!- Protect the public.
0:00:42 > 0:00:47Well, you feel worried about what's going to happen. It could kill them.
0:00:47 > 0:00:51- Make sweet music.- Another £1. I can buy some... A loaf of bread.
0:00:53 > 0:00:56I'm not a greedy person, but £1 counts.
0:00:56 > 0:00:58And struggle to make a living.
0:00:58 > 0:01:01I don't have a problem with closing your business down, but I don't want to do it.
0:01:01 > 0:01:04On one of Scotland's most iconic streets.
0:01:04 > 0:01:07So basically, they're all spineless bastards, in my view.
0:01:14 > 0:01:16Previously on The Street,
0:01:16 > 0:01:21busker Melo was struggling by in life,
0:01:21 > 0:01:24working late nights to make some money.
0:01:24 > 0:01:27But life started to get on top of him
0:01:27 > 0:01:29after run-ins with the public.
0:01:29 > 0:01:32You're sitting here milking our country for thousands,
0:01:32 > 0:01:33you fucking black bastard, you!
0:01:33 > 0:01:37Do I fucking need to get you to the hospital?
0:01:37 > 0:01:41After being made homeless, he was taken in by old friend Craig.
0:01:41 > 0:01:44He knows that I'd rather be by myself.
0:01:44 > 0:01:47- He knows that I'm hardly delighted he's here.- But it soon fell apart.
0:01:47 > 0:01:49- He don't want to talk? - No, why should he?
0:01:49 > 0:01:52And Craig chucked him out.
0:01:52 > 0:01:55If he ever touched me again, I'm going to batter him.
0:01:55 > 0:01:57After staying in a cheap hotel,
0:01:57 > 0:02:01he was offered a free place to stay, and things were on the up.
0:02:01 > 0:02:05Expect the worst, and good things maybe happen.
0:02:05 > 0:02:08But once again, his relationships deteriorated,
0:02:08 > 0:02:11and he saw no other option but to move on.
0:02:11 > 0:02:16In Scotland, in UK, I haven't got real friends.
0:02:25 > 0:02:30If I'm spending more than 20 fucking pounds, no way.
0:02:30 > 0:02:33Two months on,
0:02:33 > 0:02:37and Melo has found a new place to stay with old friend Tony.
0:02:37 > 0:02:39But there's a problem.
0:02:39 > 0:02:43But that's no' the point. I've got to be home on Sunday.
0:02:43 > 0:02:46They've been threatened with eviction
0:02:46 > 0:02:49after refusing to pay the first month's rent.
0:02:49 > 0:02:51What did he say?
0:02:51 > 0:02:53He says we want the keys back the night. And I said,
0:02:53 > 0:02:58"Where we going to go? And then we will think about it." What the fuck?
0:02:58 > 0:03:02I've got one hour, one hour and a half to make me very good money.
0:03:02 > 0:03:06He shouldn't be getting money for that house, anyway.
0:03:06 > 0:03:09Fucking lighting through the ceiling and all that.
0:03:09 > 0:03:12Doors are hanging off and everything.
0:03:12 > 0:03:15He's still expecting £600. No fucking way!
0:03:15 > 0:03:17But the flat isn't Melo's only problem.
0:03:17 > 0:03:21He's started to fall out with the other buskers on the street.
0:03:21 > 0:03:24- If I was going to threaten you... - He's doing this deliberately.
0:03:24 > 0:03:27No, no. If I was going to threaten you, I'd batter you, mate.
0:03:27 > 0:03:30- You know what I mean?- If I ever want to threaten you, I'll batter you.
0:03:30 > 0:03:35I will batter you. You've got a big mouth, is your problem.
0:03:35 > 0:03:37You've got a big mouth.
0:03:37 > 0:03:41You see? Like a girl, man. You gay, man.
0:03:41 > 0:03:45I used to be mates with this guy. He's the most abusive...
0:03:45 > 0:03:48He's the most abusive busker in Glasgow.
0:03:48 > 0:03:50There's not one busker in this city
0:03:50 > 0:03:52hasnae had a problem with this guy,
0:03:52 > 0:03:55- and he's got the cheek to call... - You're jealous.
0:03:55 > 0:03:58Jealous, you know what I mean? He's got mental health issues.
0:03:58 > 0:04:00We've had a few arguments, he's come up to me drunk...
0:04:00 > 0:04:03- I've got mental health issues?! - Here he goes.
0:04:03 > 0:04:07- You deserve a fucking slap!- You're a liar, mate.- Go on - slap me, then.
0:04:07 > 0:04:09- This is actually what happens. - You call me fucking mental?
0:04:09 > 0:04:13- All the time - do you know what I mean?- You call me mental, do you understand this?- You are.
0:04:13 > 0:04:16Yeah. It's a lie. I'm more intelligent than you, probably.
0:04:16 > 0:04:19- Yes.- You got all that, mate? Thank you very much.
0:04:19 > 0:04:22And I'll bloody slap you one of these days.
0:04:22 > 0:04:25Shave your dreads, mate. They look dirty, man.
0:04:27 > 0:04:30What do you think about what he was saying?
0:04:30 > 0:04:32He's an idiot, do you know what I mean?
0:04:32 > 0:04:37They all run with this trouble about "mental", but who's really mental?
0:04:37 > 0:04:39They are fucking stupid, innit?
0:04:39 > 0:04:43Do I look mental in this camera, the home movies? Do I look mental?
0:04:43 > 0:04:46I hate people when they start telling lies
0:04:46 > 0:04:48and trying to be manipulative.
0:04:48 > 0:04:53There's a problem here again. Sorry about that. Problem is...
0:04:54 > 0:04:57he wants the keys back. That's my brother just phoned.
0:04:57 > 0:05:00Abdul wants the keys back the day,
0:05:00 > 0:05:04and you need to phone them, right now, about the other house.
0:05:04 > 0:05:07He wants the keys back. He's going off his heid and all.
0:05:07 > 0:05:10He'll phone later, mate. He'll phone later.
0:05:17 > 0:05:19Previously on The Street...
0:05:19 > 0:05:22Come on. Stop fucking hiding through the back.
0:05:22 > 0:05:26..Nick struggled to get his first business up and running
0:05:26 > 0:05:28after a long stint in rehab.
0:05:28 > 0:05:30Cocaine was a fucking monumental problem -
0:05:30 > 0:05:34basically a house and a Ferrari.
0:05:34 > 0:05:36He hired school-leaver Kevin,
0:05:36 > 0:05:38but had to sack him when he didn't perform.
0:05:38 > 0:05:42Is there any difference with him no' being here to him being here?
0:05:42 > 0:05:44But things really started going wrong
0:05:44 > 0:05:46when his right-hand man Kiddie disappeared.
0:05:46 > 0:05:49I fear the worst. He could be fucking hanging from a tree.
0:05:49 > 0:05:51Either that or he could be in jail, I don't know.
0:05:51 > 0:05:54Kiddie was struggling with depression,
0:05:54 > 0:05:56and Nick feared the worst.
0:05:56 > 0:05:59If nothing's surfaced by the time I've done this,
0:05:59 > 0:06:02I'm going to look till I find him.
0:06:02 > 0:06:04But Kiddie turned up safe.
0:06:04 > 0:06:06Seriously, I don't think it's over.
0:06:06 > 0:06:09Not by a fucking long shot.
0:06:17 > 0:06:21- OK, then, Kiddie.- Yes. - Lock the fucking door.
0:06:21 > 0:06:23A month on, and Kiddie is back to his old self -
0:06:23 > 0:06:26arriving at work on time every day.
0:06:26 > 0:06:28So you need to open the door first.
0:06:28 > 0:06:31Tell them in the plainest of words.
0:06:31 > 0:06:34Taste, on the other hand, has started to struggle,
0:06:34 > 0:06:37the profits now slowly dropping,
0:06:37 > 0:06:40but Nick has a plan to refurbish and turn things around.
0:06:40 > 0:06:45I don't like the Taste. Sorry. Taste is closed.
0:06:45 > 0:06:47I've got my brother here,
0:06:47 > 0:06:50he's a joiner, got another joiner coming in,
0:06:50 > 0:06:54about half four, and then tomorrow we've got the plumbers coming in,
0:06:54 > 0:06:57and the electrician tomorrow as well.
0:06:57 > 0:07:00I can't wait. I'm going to love it, to be honest with you.
0:07:00 > 0:07:02We'll have a lot more space, a lot more exciting food on.
0:07:02 > 0:07:04It's going to be great.
0:07:04 > 0:07:07- This is my big brother, Scott. - Hi. How are you?
0:07:07 > 0:07:10Me and my mate are doing the joinery work, yeah.
0:07:10 > 0:07:12We'll get it done in three days, so.
0:07:12 > 0:07:13Hopefully.
0:07:13 > 0:07:15The quicker it's done, the better, eh?
0:07:21 > 0:07:22You got a brush? Aye.
0:07:23 > 0:07:29Deep down I'm a bit nervous about whether this is going to work or not.
0:07:29 > 0:07:32That's why I'm so... Got so much energy towards this.
0:07:32 > 0:07:34I don't want to fail,
0:07:34 > 0:07:38I want to fucking make money, I want to succeed. This needs to work.
0:07:38 > 0:07:40My mum and dad haven't got the patience
0:07:40 > 0:07:42to throw another however many grand at us.
0:07:42 > 0:07:46If this doesn't work, I'm back to signing on, like a fucking muppet,
0:07:46 > 0:07:49which I don't want to be doing. This has got to work.
0:07:49 > 0:07:52We've got to do everything we can to make this work.
0:07:52 > 0:07:55Hope I'm right. Hope this is the fucking thing that I'm right about.
0:07:55 > 0:07:58I fucking go through my life and I feel I'm an intelligent enough guy
0:07:58 > 0:08:01and I try things and they just don't fuckin' work, you know what I mean?
0:08:01 > 0:08:04Nothing ever materialises the way I thought it would.
0:08:05 > 0:08:10To relaunch the new-look Taste, Nick has an ace up his sleeve.
0:08:10 > 0:08:15He plans to roast a whole pig every day and serve pulled pork rolls.
0:08:16 > 0:08:20I am worried, I am a bit nervous now. I have never cooked a pig.
0:08:20 > 0:08:22Just put it in the fucking machine and turn it on!
0:08:22 > 0:08:24- I say that the now. - What's the temperature control?
0:08:24 > 0:08:27- I don't know, mate. - Have you seen your machine yet?
0:08:29 > 0:08:33Tomorrow, Nick will get his first look at the pig,
0:08:33 > 0:08:35and it's going to be a big surprise.
0:08:46 > 0:08:49Up and down the length of Sauchiehall Street,
0:08:49 > 0:08:52a secretive street artist has been making a mark.
0:08:54 > 0:08:58Known as Bullet Beard, the artist has been postering for over a year.
0:08:58 > 0:09:02And even the street's most regular inhabitants have no idea who he is.
0:09:02 > 0:09:05Probably Bullet Beard, trying to get that up there.
0:09:05 > 0:09:07He has probably come in to Taste, I have probably seen him.
0:09:07 > 0:09:13I think this guy is an artist. I think he is making a big statement.
0:09:15 > 0:09:18The person responsible for the artwork only lives a few yards
0:09:18 > 0:09:20from Sauchiehall Street.
0:09:20 > 0:09:24And is hard at work on his next posters that are going up tonight.
0:09:24 > 0:09:26Seen these yet?
0:09:27 > 0:09:30Another reclaimed space with nothing to sell.
0:09:30 > 0:09:32Brought to you by Bullet Beard.
0:09:32 > 0:09:34THEY CHUCKLE
0:09:34 > 0:09:36- Go and put your jumper on.- OK.
0:09:36 > 0:09:38They are not like protest posters,
0:09:38 > 0:09:40but it is similar to ones I have done before
0:09:40 > 0:09:44that I might be wanting to target specific places with.
0:09:44 > 0:09:46By doing something like this,
0:09:46 > 0:09:49it is kind of taking back a bit of my own city for me,
0:09:49 > 0:09:54because I live in the city and I have lived in this city most of my life.
0:09:54 > 0:09:58And I'm a Glaswegian, and I'm proud of it.
0:09:58 > 0:10:02And by doing this, I am kind of reclaiming space.
0:10:02 > 0:10:05I don't know if I'm very successful at it,
0:10:05 > 0:10:09but at least I try my best at it, you know.
0:10:10 > 0:10:13Fly-postering is illegal, so Bullet goes out
0:10:13 > 0:10:17with his girlfriend Alice, who watches his back.
0:10:17 > 0:10:20- I'm just here for moral support. - I don't think you would be involved.
0:10:20 > 0:10:23If anyone gets arrested, it will probably be me.
0:10:23 > 0:10:24But when I've been out before,
0:10:24 > 0:10:27like, when Alice hasn't been there, I have said,
0:10:27 > 0:10:30like, I'm taking my wallet with me, I'm taking my phone with me.
0:10:30 > 0:10:36If I'm not back tonight, then...that probably means I've been arrested.
0:10:40 > 0:10:42And now comes the hard part.
0:10:43 > 0:10:46Bullet has never been caught, but tonight he is planning
0:10:46 > 0:10:50to poster 100 yards from one of Glasgow's main police stations.
0:10:59 > 0:11:02- Previously...- Is he OK?
0:11:02 > 0:11:03..the street pastors were out
0:11:03 > 0:11:06looking after the inebriated and vulnerable.
0:11:06 > 0:11:10The gospel really for us is all about caring for people,
0:11:10 > 0:11:12loving them, supporting them.
0:11:12 > 0:11:14It's just our message.
0:11:16 > 0:11:19Handing out flip-flops to barefoot partygoers.
0:11:19 > 0:11:23This is absolutely brilliant. You are a life-saver.
0:11:23 > 0:11:25And comforting the homeless.
0:11:25 > 0:11:26In Jesus' name, amen.
0:11:34 > 0:11:38He was sleeping there. And we don't want you falling asleep.
0:11:38 > 0:11:42The pastors are out again, helping people get home safely.
0:11:43 > 0:11:47You are going to fall down... You see, you are going to fall down.
0:11:48 > 0:11:50Contact Janice or Mary.
0:11:50 > 0:11:53And say that you've got one of the old jackets.
0:11:53 > 0:11:58Another team is just heading out, led by PhD student Brodie.
0:11:58 > 0:12:01As street pastors, we're seeking to be non-judgemental.
0:12:03 > 0:12:10We're not out there to particularly critique what folk are doing,
0:12:10 > 0:12:12we're just out there to help
0:12:12 > 0:12:14and try and make sure that,
0:12:14 > 0:12:18at the end of the night, everybody is safe.
0:12:20 > 0:12:25So it's not about going out and passing some kind of judgment.
0:12:25 > 0:12:29They don't need any of us to lecture them.
0:12:29 > 0:12:32Can you try and wake her up?
0:12:32 > 0:12:34The pastors are trained first-aiders,
0:12:34 > 0:12:37able to deal with a range of problems and injuries.
0:12:37 > 0:12:39I have the reputation in our team
0:12:39 > 0:12:42of being the one who always has to deal with blood.
0:12:42 > 0:12:44So out of all the teams,
0:12:44 > 0:12:47I am the one who always seems to end up with it.
0:12:47 > 0:12:51So, for me, it is quite common, for the other teams it is not so common.
0:12:51 > 0:12:54Brodie has his first situation to deal with.
0:12:55 > 0:12:57Somebody down here who seems to need first aid.
0:12:59 > 0:13:02Did he just fall over, or did something happen?
0:13:02 > 0:13:05Just put this over the cut and then tie it.
0:13:07 > 0:13:10Sometimes it takes quite a while for the ambulance to get here.
0:13:10 > 0:13:14So if we can stop some bleeding or keep it clean or something,
0:13:14 > 0:13:17you know, before they come, I would assume that is helpful.
0:13:17 > 0:13:23No, no. Don't fall asleep. OK? Stay awake. Stay awake for me, OK?
0:13:23 > 0:13:24Wake up.
0:13:27 > 0:13:31Bullet and Alice are on their way to put up the first poster.
0:13:31 > 0:13:37It's not totally like, rammed, like, mad, on this street,
0:13:37 > 0:13:40but it's enough to keep the police busy.
0:13:40 > 0:13:41If I was out here on my own,
0:13:41 > 0:13:43then they would have nothing else to look at but me.
0:13:45 > 0:13:48Bullet has chosen a new fence around a building site.
0:13:48 > 0:13:52It is on the same street as Glasgow city centre's main police station.
0:14:01 > 0:14:04He has to work fast, as he is never sure who is watching.
0:14:13 > 0:14:17- Successful?- Um... Taxi driver seems to like it!
0:14:23 > 0:14:27So we have six posters left. I thought I had more.
0:14:27 > 0:14:30But I will just put the six on the one spot.
0:14:30 > 0:14:33Because I think that this Pound-Mart
0:14:33 > 0:14:36has been somewhere where I've put posters up in the past.
0:14:36 > 0:14:39It tells you a lot about a city
0:14:39 > 0:14:43if even a Pound-Mart can't be financially viable.
0:14:43 > 0:14:47For the last year, Bullet's posters have mainly been his paintings.
0:14:47 > 0:14:50But recently, he has started printing slogans and phrases
0:14:50 > 0:14:53that could highlight issues on the street.
0:14:54 > 0:14:57It has the desired effect because of the location of it.
0:14:57 > 0:15:01I don't quite know about CCTV, so maybe we should walk that way.
0:15:01 > 0:15:02HE LAUGHS NERVOUSLY
0:15:09 > 0:15:12Open those eyes, let me see them, stay awake.
0:15:12 > 0:15:14- Further down the street... - Stay awake, that's a boy.
0:15:14 > 0:15:17..Brodie is trying to keep the injured man conscious
0:15:17 > 0:15:19as he waits for the paramedics to take over.
0:15:19 > 0:15:21There is a lot of blood everywhere.
0:15:21 > 0:15:22I'll just leave you to it, OK?
0:15:22 > 0:15:24- Thanks very much for your help, pal.- No worries.
0:15:24 > 0:15:27I don't know whether somebody punched him or hit him with something.
0:15:27 > 0:15:30It's the fact that he's just wanting to fall asleep as well,
0:15:30 > 0:15:32means he needs to get checked out.
0:15:32 > 0:15:37Yeah, we'll take a wander up the street and see what's happening.
0:15:37 > 0:15:41No sooner has he moved on than there is another situation to deal with.
0:15:41 > 0:15:44SHOUTING
0:15:44 > 0:15:46Camera control, there is a fight outside McDonald's
0:15:46 > 0:15:48on Sauchiehall Street. Over.
0:15:48 > 0:15:51SHOUTING CONTINUES
0:15:55 > 0:15:59Camera control, that fight has gone down Renfrew Lane. Police needed.
0:15:59 > 0:16:01Over.
0:16:01 > 0:16:05Hey, the police are coming, so I would get out of here if I was you.
0:16:06 > 0:16:09One of the men originally fighting has stayed back to avoid trouble,
0:16:09 > 0:16:12but he is about to get a shock.
0:16:12 > 0:16:17SHOUTING
0:16:17 > 0:16:19He bullied that fucking one guy!
0:16:19 > 0:16:22ALL SHOUT AT ONCE
0:16:22 > 0:16:26Yeah, no, no, he's helping him, he's just been hit.
0:16:26 > 0:16:29Hey, hey, no, look, he's just been knocked out.
0:16:31 > 0:16:33Are we needing an ambulance here?
0:16:33 > 0:16:37Couldn't make that up. Couldn't... Here, Donald, who done that?
0:16:37 > 0:16:40Him! Him! He done it!
0:16:40 > 0:16:43Camera control, we need an ambulance at Renfrew Lane.
0:16:43 > 0:16:45A boy has been knocked out. Over.
0:16:46 > 0:16:48Before the ambulance or police have a chance to arrive,
0:16:48 > 0:16:52the man's friends drag him to his feet.
0:16:52 > 0:16:53I wouldn't go up that way.
0:16:59 > 0:17:01Where are you going?
0:17:01 > 0:17:05Camera control, about that ambulance for Renfrew Lane.
0:17:05 > 0:17:07The boy has regained consciousness
0:17:07 > 0:17:10and his pals are taking him away. Over.
0:17:10 > 0:17:14'That's all received. The police will be attending shortly.
0:17:14 > 0:17:16'We will summon an ambulance as required.'
0:17:16 > 0:17:18He's taking his belt off.
0:17:18 > 0:17:20See the boy with the red top?
0:17:20 > 0:17:22He needs checked over by somebody medical.
0:17:26 > 0:17:30It was people who were not connected to the original incident.
0:17:30 > 0:17:32The big, older guy that was with the women
0:17:32 > 0:17:35hit the young boy in the red top
0:17:35 > 0:17:37and floored him.
0:17:37 > 0:17:39I mean, he was out.
0:17:39 > 0:17:43Regained consciousness, obviously, but...
0:17:43 > 0:17:45kind of street justice.
0:17:46 > 0:17:49Well, you feel worried about what's going to happen.
0:17:49 > 0:17:54I mean, the violence of that hit that floored the guy, you know...
0:17:54 > 0:17:58Yes, he was one of the original aggressors, but...
0:17:59 > 0:18:03still, like, you know, it could have killed him.
0:18:03 > 0:18:05We'll head up the street.
0:18:06 > 0:18:08Most weeks that a team is out,
0:18:08 > 0:18:13one team will see a fight or you hear them over the radio,
0:18:13 > 0:18:16so there's fights happening all the time.
0:18:16 > 0:18:20Some of it's...handbags, you know,
0:18:20 > 0:18:22there's nothing really to it.
0:18:22 > 0:18:24Others can be quite nasty,
0:18:24 > 0:18:25like that one.
0:18:27 > 0:18:29Obviously, one of the things, as a team,
0:18:29 > 0:18:31you're slightly concerned is that, you know,
0:18:31 > 0:18:34these guys know that you've radioed it in,
0:18:34 > 0:18:36and the police have then been involved,
0:18:36 > 0:18:40so our hope is that they now just go home.
0:18:43 > 0:18:45Do you worry about that?
0:18:45 > 0:18:46Erm...
0:18:47 > 0:18:49A... A little.
0:18:52 > 0:18:53A little.
0:19:19 > 0:19:23After a late night, Bullet Beard is getting ready to go out.
0:19:23 > 0:19:26He took his name from a character he created as a child
0:19:26 > 0:19:29and now it's the signature that defines his art.
0:19:31 > 0:19:35He's working on new pieces that he plans to put up tonight.
0:19:35 > 0:19:38It's called detournement. It's basically...
0:19:38 > 0:19:41It's subverting something.
0:19:41 > 0:19:42It could be, like, a poster
0:19:42 > 0:19:45or it could be, like, a sign of a shop
0:19:45 > 0:19:47or it could be...
0:19:47 > 0:19:50Anything, really, just using whatever means to change it,
0:19:50 > 0:19:54either to have a humorous slant on it or something political.
0:19:54 > 0:19:58Also, I do it just because some people quite like it, you know?
0:20:00 > 0:20:03He's on his way to take pictures of his work from last night.
0:20:08 > 0:20:11- They don't waste time, do they? - He's just too late, though,
0:20:11 > 0:20:13as his work has already been covered over.
0:20:15 > 0:20:18There's some buckets here.
0:20:18 > 0:20:20That's the guys prepping.
0:20:20 > 0:20:23That's good. HE LAUGHS
0:20:24 > 0:20:27- Do you work, basically, for the council then?- With the council.
0:20:27 > 0:20:30With the council, OK. And you guys basically maintain the...?
0:20:30 > 0:20:33- Aye, but it's to eradicate fly-posting and graffiti.- Sure.
0:20:33 > 0:20:37Mainly graffiti, and just to try and keep the city a wee bit cleaner.
0:20:37 > 0:20:41Sure. I know this might sound funny, but see in terms of recruitment...
0:20:41 > 0:20:44- Are you looking for a job? - Aye.- Are you looking for a job?!
0:20:44 > 0:20:46Aye, in all honesty.
0:20:46 > 0:20:49- The technique you use, I'm quite good at doing that, I think.- What?
0:20:49 > 0:20:53- Doing it.- You've never seen me doing it.- Well, I know what it takes.
0:20:53 > 0:20:55You seen me painting, you never...
0:20:55 > 0:20:57- Hey, hey, hey!- What? What, what?
0:20:57 > 0:21:00No, I wasn't going to, like, fucking show you.
0:21:00 > 0:21:01HE LAUGHS
0:21:01 > 0:21:03It's quite... It's quite thin.
0:21:03 > 0:21:06No, I'm not going to do that. Are you mad?
0:21:08 > 0:21:11I think when I'm away, you're going to kid on you're a fly-poster!
0:21:11 > 0:21:13BULLET BEARD LAUGHS
0:21:13 > 0:21:16Nice speaking to you anyway, mate, thanks.
0:21:16 > 0:21:18Kid on I'm a fly-poster!
0:21:18 > 0:21:22I think that, in terms of not messing with anyone's money...
0:21:22 > 0:21:25Because people pay to put these up, so I think that
0:21:25 > 0:21:28if I was going to do some anyway, it would be ones that were like that.
0:21:28 > 0:21:31They're not really selling anything, you know?
0:21:31 > 0:21:34I just hope I didn't, like, cause that guy too much annoyance
0:21:34 > 0:21:36when he came to work in the morning.
0:21:38 > 0:21:40And in terms of, like, recruitment,
0:21:40 > 0:21:43I probably would apply for a job doing that,
0:21:43 > 0:21:45- to be perfectly honest with you.- Really?
0:21:45 > 0:21:48Well... I don't know, it's a job, isn't it?
0:21:48 > 0:21:50I could work it from the inside!
0:21:50 > 0:21:53Bullet's work never stays up for long,
0:21:53 > 0:21:55but he will be back out again tonight.
0:22:00 > 0:22:02# Everybody
0:22:02 > 0:22:04# Needs somebody... #
0:22:04 > 0:22:08The buskers are out in the street, but Melo isn't on his usual pitch.
0:22:10 > 0:22:11He was arrested yesterday afternoon
0:22:11 > 0:22:14and spent the night in Maryhill Police Station.
0:22:16 > 0:22:19He is due to appear this morning in Glasgow Sheriff Court,
0:22:19 > 0:22:21accused of assault and robbery.
0:22:22 > 0:22:26If convicted, he could spend the next year in prison.
0:22:26 > 0:22:28For now, he has been released on bail.
0:22:28 > 0:22:29Freedom!
0:22:29 > 0:22:32- Has anybody got a cigarette? - That's all on that camera!
0:22:32 > 0:22:34Can I have one rolly, please?
0:22:34 > 0:22:36WOMAN LAUGHS
0:22:36 > 0:22:40'I was walking with Tony, we'd been about, drinking.'
0:22:40 > 0:22:46As we were doing that, the policewoman came and said, "You...
0:22:46 > 0:22:49"You do fit a description of some guy..."
0:22:49 > 0:22:55"Of some guy that was wearing your clothes and everything."
0:22:55 > 0:22:57I was like, "Are you mad or something?"
0:22:57 > 0:23:02"You... You stole someone in Crescent..."
0:23:02 > 0:23:06Some crescent, cos we did pass that, you know?
0:23:09 > 0:23:13I was like this, "Robbery?!" "Yeah, assault and robbery."
0:23:13 > 0:23:15I say, "Who the hell...? Who the hell is this?"
0:23:15 > 0:23:17Tony was saying, "Melo was with me the whole time,
0:23:17 > 0:23:19"Melo has done nothing, man.
0:23:19 > 0:23:21"What's wrong with you people?"
0:23:21 > 0:23:25And now I need to go for... I need to go... I've got this bail...
0:23:25 > 0:23:27I've got these bail conditions
0:23:27 > 0:23:31and I need to go down there again and the guy needs to single me out.
0:23:31 > 0:23:35Don't know... I don't know when that is going to be, but I...
0:23:35 > 0:23:38Am I going to go to jail for no reason, you know what I mean?
0:23:40 > 0:23:43Melo is convinced that someone from the street
0:23:43 > 0:23:45is setting him up for a fall.
0:23:45 > 0:23:48This... This dude must not like me or something.
0:23:48 > 0:23:51I'm thinking it must be one of these people who want to...
0:23:51 > 0:23:53burn me down.
0:23:53 > 0:24:04They want to see me in jail for no reason.
0:24:04 > 0:24:08In Taste, it's the day before the grand reopening,
0:24:08 > 0:24:09when Nick will find out
0:24:09 > 0:24:12if his plan to sell hundreds of pulled-pork rolls will work.
0:24:15 > 0:24:18- Oh!- Fuck! Right at the end and all!- Oh, no!
0:24:22 > 0:24:25It's all right. It's cool, I can just paint it again.
0:24:25 > 0:24:27Christ, I can't believe I done that there.
0:24:28 > 0:24:31- That's its hoof. - Upstairs, the pig has arrived...
0:24:31 > 0:24:33Have a look at that, then.
0:24:33 > 0:24:36..and it's not what they were expecting.
0:24:36 > 0:24:38It just looks a lot more than what I thought.
0:24:38 > 0:24:40I thought it was going to be like a wee pig that size.
0:24:40 > 0:24:42Why did you not get a smaller one to start?
0:24:42 > 0:24:44Because we will sell all that tomorrow,
0:24:44 > 0:24:46I've got that many people wanting to come.
0:24:46 > 0:24:50That many people phoning up the day, coming by, checking it was happening.
0:24:50 > 0:24:51I just know it's going to sell.
0:24:51 > 0:24:53When we put that on, it's going to fucking...
0:24:53 > 0:24:55It's going to fly out the door.
0:24:56 > 0:24:58You're stressing out. Don't. Leave the stressing to me.
0:24:58 > 0:25:01I'm stressed enough, don't need you to stress for me.
0:25:01 > 0:25:04- OK, I'm away. I'll be back later on.- See you later on.
0:25:04 > 0:25:07Can you make sure that tray's going to be ready for us, then, yeah?
0:25:07 > 0:25:10'I'm worried that he won't be able to sell all that tomorrow and...'
0:25:10 > 0:25:13I think he should have got a smaller pig,
0:25:13 > 0:25:16but if he thinks he's going to be able to sell it, then that's fine.
0:25:16 > 0:25:18That's up to him. He's the boss.
0:25:18 > 0:25:20This is a fucking nightmare of a thing.
0:25:20 > 0:25:24It's going to be a hard thing to have on every day. It's fucking...
0:25:24 > 0:25:26You need to be totally and utterly on top,
0:25:26 > 0:25:29so I need people who are fucking on the ball and not just come in
0:25:29 > 0:25:32and be fucking one-day superstars, you know what I mean,
0:25:32 > 0:25:35fucking four-day jakies. So I need some fucking...
0:25:35 > 0:25:37I need them to know it's fucking make-or-break time now.
0:25:37 > 0:25:40There's no more pissing about,
0:25:40 > 0:25:42coming in with three hours to prep up and that's it.
0:25:42 > 0:25:44There's a big... There's a lot riding on this.
0:25:46 > 0:25:48With a bigger pig than he was expecting,
0:25:48 > 0:25:50Nick will now have to sell a lot more rolls
0:25:50 > 0:25:52if he wants to make a profit.
0:25:54 > 0:25:59- Hello?- And no sooner has he gone, than Scott is back on the phone.
0:25:59 > 0:26:01What you want me to do? What would you have me do, Chef?
0:26:01 > 0:26:04Ordered too much pig. There you go, I've ordered too much pig.
0:26:04 > 0:26:07What the fuck do you want me to do? So what are we going to do?
0:26:07 > 0:26:08Are we going to fucking
0:26:08 > 0:26:10serve the arse one day and the head the next day?
0:26:10 > 0:26:12Oh, fuck off, you f...
0:26:13 > 0:26:16He says I've bought too much, the pigs are too big,
0:26:16 > 0:26:19we should have fucking ... The pigs are too big and...
0:26:19 > 0:26:21I don't know what he's worried about.
0:26:21 > 0:26:24I really don't know where the fuck this has come from.
0:26:24 > 0:26:27This is the time I should be calm and opening my wee place and having fun.
0:26:27 > 0:26:30Instead, I get this fucking dick leaving his tools all over the place
0:26:30 > 0:26:33and talking to me like I'm a fucking two-year-old again.
0:26:33 > 0:26:35I fucking start getting scared at bits like this.
0:26:35 > 0:26:38This is where I'm supposed to be fucking positive about this,
0:26:38 > 0:26:41not fucking starting to go, "Oh, we fucked it." We don't even have a fucking...
0:26:41 > 0:26:43He doesn't have a clue.
0:26:43 > 0:26:45- What is it?- He wants to speak to you.
0:26:46 > 0:26:49What is it, Scott?
0:26:49 > 0:26:51Listen to the fucking mood! Listen to you!
0:26:51 > 0:26:54You are actually being mental, Scott, you need to sort this!
0:27:05 > 0:27:07Bullet is getting ready for another set of posters
0:27:07 > 0:27:10to go up on Sauchiehall Street.
0:27:10 > 0:27:12When I stand in front of the projector,
0:27:12 > 0:27:15I can see it for what it really is and it's just pretty crap.
0:27:15 > 0:27:17But...
0:27:17 > 0:27:19That's pretty crap as well, so...
0:27:19 > 0:27:22No, maybe it looks all right.
0:27:22 > 0:27:23Ready to go?
0:27:24 > 0:27:27Tonight, he's planning to go out without Alice,
0:27:27 > 0:27:29who normally watches his back.
0:27:30 > 0:27:34- Is there a bit of you that wants to get caught?- Erm...
0:27:35 > 0:27:36Maybe, like...
0:27:36 > 0:27:40Maybe when I first started doing it, there might be some kudos
0:27:40 > 0:27:43in getting caught and being able to brag about being caught,
0:27:43 > 0:27:46but anyone that is involved in street art
0:27:46 > 0:27:50will tell you that it gets to a point where, if you've done so much...
0:27:50 > 0:27:55If you've done a certain amount of work... It is...
0:27:55 > 0:27:57Being caught is not an option.
0:27:57 > 0:28:01People in the police force and stuff like that might, you know,
0:28:01 > 0:28:04be recording what you do, so you might have a...
0:28:04 > 0:28:10A back catalogue of work that they are looking to prosecute you for.
0:28:10 > 0:28:16So, now, I've done it too many times that the...
0:28:16 > 0:28:21The punishment is too high, so...
0:28:21 > 0:28:25I would never...tell them the truth,
0:28:25 > 0:28:28or let them catch me.
0:28:28 > 0:28:31In the darkness! Right, I'll see you soon.
0:28:31 > 0:28:33All right.
0:28:33 > 0:28:36Let's do it! Lead on!
0:28:36 > 0:28:38Oh, dear.
0:28:38 > 0:28:40- I've got a bad feeling about this. - SHE LAUGHS
0:28:49 > 0:28:54- Sierra Papa one. Over. - The pastors are out on the street.
0:28:54 > 0:28:59- There is a guy lifting a big metal object.- Andy is heading up a team...
0:28:59 > 0:29:01Sauchiehall Street, at the corner...
0:29:01 > 0:29:04..that have encountered their first situation of the night.
0:29:04 > 0:29:05There's a guy with a white shirt.
0:29:05 > 0:29:08He is carrying what looks like a big metal cylinder,
0:29:08 > 0:29:10maybe a beer keg or something like that. Over.
0:29:10 > 0:29:11'That's all received.'
0:29:11 > 0:29:14I'm not going to go down on my own and do it
0:29:14 > 0:29:17even though I could potentially disarm him and whatever,
0:29:17 > 0:29:19but I'm just going to say to the guy.
0:29:19 > 0:29:21Mate?
0:29:21 > 0:29:23Mate? Are you all right?
0:29:23 > 0:29:26- Aye, mate, I'm cool, I'm cool.- What's this?
0:29:26 > 0:29:29- Nothing in it, mate.- There's nothing in it? Are you wanting to keep this?
0:29:29 > 0:29:33- Please.- Are you sure? - It's... It... It's...
0:29:33 > 0:29:36It's an achievement for me if I get that home, so...
0:29:36 > 0:29:39I know it is, but I'm talking about... It will be a real one.
0:29:39 > 0:29:41See if you walk by the cops and they see that,
0:29:41 > 0:29:43you'll maybe have to explain where you got it from.
0:29:43 > 0:29:47I'm not just... I'm not kidding you on. I'm trying to save you grief.
0:29:47 > 0:29:50It's my friend's. Like, "I bet you can't get that home."
0:29:50 > 0:29:54- Your mates are not doing you a favour.- Aye, mate. It's up to you.
0:29:54 > 0:29:56You can take it off me if you want.
0:29:56 > 0:29:59Do you want me to do that, then?
0:29:59 > 0:30:01I promise you I'll not do anything bad with it,
0:30:01 > 0:30:03but it's better that you get home safe rather than get lifted.
0:30:03 > 0:30:06You get up the road safe, mate, and I'll hand it in.
0:30:06 > 0:30:08- Thank you very much. - OK? Cheers, mate.
0:30:08 > 0:30:10Cheers.
0:30:11 > 0:30:12I don't know which pub he got it from,
0:30:12 > 0:30:14so I'm going to maybe see if I can speak
0:30:14 > 0:30:16to some of the guys on the door and say,
0:30:16 > 0:30:18"Can you hold on to this and maybe plank it?"
0:30:18 > 0:30:20I don't know what we're going to do.
0:30:20 > 0:30:23Or maybe take it to the scrappy and get 50 quid for it.
0:30:23 > 0:30:24Who knows? I doubt it.
0:30:40 > 0:30:42REGGAE MUSIC
0:30:42 > 0:30:45Bullet's stopped to listen to Melo.
0:30:45 > 0:30:49After his trouble with the police, he's back busking to earn money.
0:30:51 > 0:30:54God bless, I'll see you soon.
0:30:54 > 0:30:57But that's what's making this city have a bit more heart,
0:30:57 > 0:30:59you know what I mean?
0:30:59 > 0:31:03Things like that, cos otherwise it would just be shops here,
0:31:03 > 0:31:05shops there, nightclubs, bars here.
0:31:05 > 0:31:08That's all good, but it doesn't give anything to the city.
0:31:08 > 0:31:11That's enriching... That's enriching the city.
0:31:11 > 0:31:13Music and art, you know?
0:31:16 > 0:31:17But he doesn't get far.
0:31:17 > 0:31:20The police now seem to have their eye on him.
0:31:30 > 0:31:32With the police nearby,
0:31:32 > 0:31:33he decides to wait.
0:31:44 > 0:31:46Has all that happened quite recently?
0:31:47 > 0:31:50Andy's been with a homeless man for half an hour.
0:31:51 > 0:31:54I said, "Does everyone talk to you and all the rest of it?",
0:31:54 > 0:31:57And he says, "Aye, all the street pastors are really good."
0:31:57 > 0:31:59I asked him then about how other people treat him
0:31:59 > 0:32:01and he says he gets into a lot of trouble
0:32:01 > 0:32:04because people were spitting on him and treating him really badly,
0:32:04 > 0:32:05just because he's homeless,
0:32:05 > 0:32:08and you don't have a magic wand to wave and just say,
0:32:08 > 0:32:10"Right, all your problems are going to get resolved here."
0:32:10 > 0:32:12But you can ask him for help, you know?
0:32:12 > 0:32:15MELO CALLS OUT Sorry.
0:32:15 > 0:32:17You. You, come forward.
0:32:18 > 0:32:19Right.
0:32:19 > 0:32:22So, who are you in this place?
0:32:22 > 0:32:25- Street pastors.- So...
0:32:25 > 0:32:28- I see you nearly every month. - No, no, you don't see me.- I do.
0:32:28 > 0:32:30No, you don't see me, cos you never saw me.
0:32:30 > 0:32:33- I did. I see you every month.- You don't know me, you don't know me.
0:32:33 > 0:32:36- I do.- I think you take the mockery of the Bible
0:32:36 > 0:32:38and the whole Jesus Christ.
0:32:38 > 0:32:40- In what sense?- In what sense?
0:32:40 > 0:32:43Well, I need somewhere to fucking stay
0:32:43 > 0:32:45from when I've been...
0:32:45 > 0:32:49When I was... Who the fuck are you when I was here in the...?
0:32:50 > 0:32:52Where did you come from?
0:32:53 > 0:32:57- I come from Scotland, I come from Glasgow.- All right, that's good.
0:32:57 > 0:32:59- Do you know the Bible?- Some of it.
0:32:59 > 0:33:02- You know some of it?- Yep.
0:33:02 > 0:33:04How dare you to be a pastor?
0:33:04 > 0:33:08- In what sense? - The man of the mountains.
0:33:08 > 0:33:10The whole literacy of life.
0:33:10 > 0:33:11You think you can sort me out?
0:33:11 > 0:33:13You can fucking sort out yourself, man.
0:33:13 > 0:33:17- I've never tried to sort you out. All I've ever done...- No, no, no.
0:33:17 > 0:33:18Hold on, hold on.
0:33:18 > 0:33:19Wait a minute, I've listened to you...
0:33:19 > 0:33:21- In my street... - This is everyone's street.
0:33:21 > 0:33:23- No, it's not everyone's street. - Yes, it is.
0:33:23 > 0:33:25No, it's not everyone's street.
0:33:25 > 0:33:28In my street you appeared, in my face,
0:33:28 > 0:33:31and making a mockery of all my fucking people, man.
0:33:31 > 0:33:34Why, when I'm standing over there, am I in your...
0:33:34 > 0:33:36- You're a mockery of the church.- OK.
0:33:36 > 0:33:39- Cheers, take car. - You go tell that to the Queen.
0:33:39 > 0:33:41- OK.- The Queen.
0:33:43 > 0:33:45Get fit for real.
0:33:46 > 0:33:48Otherwise, don't come around me.
0:33:48 > 0:33:51Actually, when we spoke to him, he was OK.
0:33:51 > 0:33:53Quite incoherent, but over the time,
0:33:53 > 0:33:56he steadily became more and more aggressive,
0:33:56 > 0:33:59so that's how I generally don't bother him,
0:33:59 > 0:34:01cos I think he's probably trying to make some money,
0:34:01 > 0:34:02so let him make some money.
0:34:02 > 0:34:05But there's a very, very strong sense of alcohol on his breath
0:34:05 > 0:34:07and stuff like that...
0:34:08 > 0:34:12and he's not necessarily wanting to reason with you.
0:34:12 > 0:34:16- It's a diatribe, sort of thing. - Don't come around me no more.
0:34:16 > 0:34:18With the charges hanging over Melo's head,
0:34:18 > 0:34:22any further arrest could put him straight back behind bars.
0:34:32 > 0:34:35Bullet is still on the street and he's putting up his last poster.
0:34:35 > 0:34:37But he's about to get more attention
0:34:37 > 0:34:40than he was expecting from a passer-by.
0:34:40 > 0:34:41- Hiya.- What's occurring?
0:34:41 > 0:34:43- Sorry?- What's occurring?
0:34:43 > 0:34:46Just street-art stuff, just posters.
0:34:46 > 0:34:47So where's the art?
0:34:47 > 0:34:49Erm, I don't know.
0:34:49 > 0:34:50Do you not think it's art, no?
0:34:52 > 0:34:55- It's just words.- Yeah, it's words. - So where's the art?
0:34:55 > 0:34:56BULLET SIGHS
0:34:56 > 0:34:58I don't know you can find it or you can not,
0:34:58 > 0:35:00and you clearly don't, so it's OK.
0:35:00 > 0:35:03- I don't understand your statement. - Exactly...- There isn't a statement.
0:35:03 > 0:35:05Look, there is not a...
0:35:05 > 0:35:07If there was an explanation or something
0:35:07 > 0:35:09to be behind and support...
0:35:09 > 0:35:13To be honest with you, I'm not really wanting to engage with you too much.
0:35:13 > 0:35:15I don't know you and I'd love to have a chat with you,
0:35:15 > 0:35:17but right now, it's just not the time and the place.
0:35:17 > 0:35:20I cannae really be fucked with it, to be honest with you.
0:35:20 > 0:35:22You seem like a nice guy...
0:35:22 > 0:35:24You're not trying to bring down the government,
0:35:24 > 0:35:26- you're not against political stuff.- No.
0:35:26 > 0:35:29You're not against anything, but you're just putting posters up?
0:35:30 > 0:35:32That don't question anything?
0:35:33 > 0:35:35Yes.
0:35:35 > 0:35:37Run with it.
0:35:37 > 0:35:38Have a good night, guys.
0:35:43 > 0:35:44I feel kind of shit.
0:35:45 > 0:35:46Because I should have...
0:35:48 > 0:35:53rhetoric, I should have a dialogue with people in the street...
0:35:53 > 0:35:55but...
0:35:55 > 0:35:56the time and place just wasn't right
0:35:56 > 0:35:58and I kind of feel like an idiot,
0:35:58 > 0:36:00to be perfectly honest with you.
0:36:00 > 0:36:03It's kind of like the high you get
0:36:03 > 0:36:06from actually doing the posters and stuff
0:36:06 > 0:36:08can be broken very, very quickly
0:36:08 > 0:36:10in the space of, like,
0:36:10 > 0:36:15a few words. "Why?", "What does this mean?", or "Why are you doing this?"
0:36:15 > 0:36:18I feel as if I've had my fucking arse kicked, to be honest with you,
0:36:18 > 0:36:19you know what I mean?
0:36:19 > 0:36:20I feel kind of dumb.
0:36:21 > 0:36:24But it's just stupid, what I do, anyway.
0:36:24 > 0:36:27I'm just going to go and have a few beers.
0:36:27 > 0:36:29Anyway, happy days.
0:36:30 > 0:36:32HE CHUCKLES
0:36:46 > 0:36:48It's 5am on the street,
0:36:48 > 0:36:51and it's the day of the grand reopening of Taste.
0:36:53 > 0:36:56- Kiddie's in early to get the place set up...- Right, cool.
0:36:56 > 0:36:58Cool, cool.
0:36:58 > 0:37:02..while Nick is preparing to roast a 60kg pig for the first time.
0:37:02 > 0:37:06It's quite obvious, really, how it's done. Just sit the pig in that,
0:37:06 > 0:37:08take these things away, turn the thing on, shut the door,
0:37:08 > 0:37:11and then just keep an eye on it as it goes.
0:37:11 > 0:37:13But it's easier said that done.
0:37:16 > 0:37:18Is that turned on, aye?
0:37:18 > 0:37:19- That's it open now.- Oh, is it?
0:37:19 > 0:37:22I don't think this fucking gas bottle's working.
0:37:23 > 0:37:26Why the fuck is this not turning on? It should be simple!
0:37:26 > 0:37:27Did you swat the instructions?
0:37:27 > 0:37:30No, they didn't fucking gie us any instructions, the cunts.
0:37:30 > 0:37:32HE GROANS IN FRUSTRATION
0:37:32 > 0:37:34- Right, see here, Nick?- Uh-huh.
0:37:34 > 0:37:35Is this a wee bit here?
0:37:35 > 0:37:36Ah, you fucking dancer!
0:37:36 > 0:37:38- You need to hold that down. - I know you do.
0:37:38 > 0:37:41Yay!
0:37:41 > 0:37:44Thank fuck for that!
0:37:44 > 0:37:46I was going to phone the guy who sold me it,
0:37:46 > 0:37:48"Hey, you, fucking mug, you saw me coming, didn't you?
0:37:48 > 0:37:51"Fucking down here and sort this."
0:37:51 > 0:37:52After a slow start,
0:37:52 > 0:37:56time is running out to have the pig cooked for the lunchtime service.
0:37:56 > 0:37:57Right.
0:37:57 > 0:38:00Bye! You'll be all nice and cooked.
0:38:00 > 0:38:02Just a case of fucking sitting waiting, isn't it?
0:38:02 > 0:38:04All last night was just fucking apprehension,
0:38:04 > 0:38:06not knowing what's fucking ahead of us.
0:38:06 > 0:38:07We took a dive and we were just fucking
0:38:07 > 0:38:10still in the process of falling, know what I mean?
0:38:11 > 0:38:14I just really fucking hope it sells today. I don't fucking...
0:38:14 > 0:38:16All this hassle, I'll just look like a total twat
0:38:16 > 0:38:19if this doesn't work, you know what I mean? I don't want that.
0:38:24 > 0:38:25Just off Sauchiehall Street...
0:38:27 > 0:38:30..Bullet and Alice are looking over some of his old work...
0:38:30 > 0:38:34You're such a knob-end. What would your mother say?
0:38:34 > 0:38:37I don't know quite what it means, but in this context,
0:38:37 > 0:38:41it's just me being a bit of a wido, really.
0:38:41 > 0:38:43..and talking about last night's bad review.
0:38:43 > 0:38:46- INTERVIEWER:- What do you think his reasons for doing it are?
0:38:46 > 0:38:48Erm...
0:38:48 > 0:38:50Cos he's bitter and didn't get into art school.
0:38:53 > 0:38:57That's the crux of the entire situation.
0:38:57 > 0:39:01From what I've done and the amount of art-school training I've had...
0:39:02 > 0:39:05and the way that I think about things, if you're doing something,
0:39:05 > 0:39:09you should be doing it to improve the space and make it better.
0:39:09 > 0:39:12You don't need to always make a statement with it.
0:39:12 > 0:39:15I've been called a lot of names by people, such as, like...
0:39:17 > 0:39:19..a "fucking art-school twat"...
0:39:21 > 0:39:23..a "pretentious art-school wanker",
0:39:23 > 0:39:26a "shite Banksy", I get that quite a lot.
0:39:26 > 0:39:31There's more this perception that I must be an art student
0:39:31 > 0:39:32if I'm a street artist.
0:39:32 > 0:39:34A lot of people were saying that.
0:39:34 > 0:39:37I guess a lot of people think that the character Bullet Beard
0:39:37 > 0:39:39is an art-school graduate.
0:39:39 > 0:39:40But I like the way...
0:39:40 > 0:39:42You know, there's plenty of people that go to art school
0:39:42 > 0:39:45and they'll do drawings and they'll sit them in the room,
0:39:45 > 0:39:49but you just go out and you put them on the streets for people to see
0:39:49 > 0:39:52and they're there, and whether people like it or not,
0:39:52 > 0:39:53you've done it.
0:39:53 > 0:39:55Have they done it? No.
0:39:55 > 0:39:57For the time being,
0:39:57 > 0:40:00Bullet's taken a decision to hang up his brushes.
0:40:03 > 0:40:06Fingers crossed, fingers crossed.
0:40:06 > 0:40:08Nick's back to pick up the pig,
0:40:08 > 0:40:11with only an hour left until service.
0:40:11 > 0:40:13Ho-ho-ho! Look at that.
0:40:13 > 0:40:16That's it ready, aye. Perfect, exactly what I wanted.
0:40:16 > 0:40:18His mum and brother, Scott,
0:40:18 > 0:40:20have stopped by to see the finished product.
0:40:20 > 0:40:23I'm just glad it's cooking.
0:40:23 > 0:40:24It looks really good, aye.
0:40:24 > 0:40:26Aye, did a good job of it.
0:40:26 > 0:40:27What's that?
0:40:27 > 0:40:30- High-five.- Let's go.- Right, OK. Bye!
0:40:30 > 0:40:32What's happening with the pizza?
0:40:32 > 0:40:34Have we got it working?
0:40:34 > 0:40:37Back in Taste, Kiddie and Maureen are getting ready.
0:40:37 > 0:40:39Hopefully, it goes smoothly today.
0:40:39 > 0:40:41I'm not saying it won't, but you never know.
0:40:41 > 0:40:42Could be a lot of swearing and tears later on.
0:40:42 > 0:40:44And somebody in the pub.
0:40:44 > 0:40:46Are you going to get it? Can we get some fucking help?!
0:40:46 > 0:40:47Come on!
0:40:47 > 0:40:49Fucking hell!
0:40:49 > 0:40:51I know yous are, but we're fucking struggling here.
0:40:51 > 0:40:54Right, one, two, three...
0:40:54 > 0:40:56- NICK GROANS - Got it?
0:40:56 > 0:40:57Oh!
0:40:57 > 0:41:00Look at the crackling, that's amazing.
0:41:00 > 0:41:02That looks fucking amazing, man.
0:41:02 > 0:41:03We have got about...
0:41:04 > 0:41:0740 minutes to go now.
0:41:07 > 0:41:09The final countdown.
0:41:09 > 0:41:10The only problem is...
0:41:10 > 0:41:13It's still a wee bit undercooked.
0:41:13 > 0:41:14Kiddie, quickly.
0:41:15 > 0:41:16Fucking hell, man!
0:41:16 > 0:41:18Oven.
0:41:18 > 0:41:20We've no' cooked it long enough.
0:41:20 > 0:41:23I've not actually been... I've never cooked one before.
0:41:23 > 0:41:25I don't know how long you're meant to give it.
0:41:26 > 0:41:28I was told four and a half hours,
0:41:28 > 0:41:32so I went with that and it's no' been enough, so...
0:41:32 > 0:41:34Just stick it in the oven.
0:41:34 > 0:41:36Just cut off big shards of it and fire it into the oven
0:41:36 > 0:41:38and cook it out a wee bit more.
0:41:38 > 0:41:40These cunts are a shower of fucking messy bastards.
0:41:40 > 0:41:43Just leave everything at their arse, man.
0:41:43 > 0:41:44Right...
0:41:44 > 0:41:47With the clock ticking and the meat far from cooked,
0:41:47 > 0:41:48Nick has his work cut out.
0:41:48 > 0:41:51Spank them. "Spank them" means fucking spank them right up.
0:41:52 > 0:41:55And the pig head in the window is provoking some comment.
0:41:55 > 0:41:58Oh, my God. That's vile, isn't it?
0:41:58 > 0:42:00Want the honest truth? I don't like it.
0:42:02 > 0:42:03Well, tell it to stop!
0:42:03 > 0:42:06Fucking customers are about to start walking in.
0:42:06 > 0:42:08Harry's bum keeps falling out the fridge.
0:42:08 > 0:42:13I can't start work when this place is a fucking junkie's den, man.
0:42:13 > 0:42:16A couple of wee fucking wanks scratching their fucking dick
0:42:16 > 0:42:17for eight hours this morning.
0:42:17 > 0:42:19Look at this, man.
0:42:19 > 0:42:21Patrick, jump through. Get they dishes done.
0:42:21 > 0:42:24The first customers are coming through the door.
0:42:24 > 0:42:26How're you doing, mate? Gie us a wee second.
0:42:26 > 0:42:27Right, come on.
0:42:27 > 0:42:30Fucking full of people out there. Full of fucking people.
0:42:30 > 0:42:33No' even got fucking soup cups or fuck-all out yet.
0:42:33 > 0:42:35Taste is now filling up fast...
0:42:36 > 0:42:39and Scott has come in to see how it's going.
0:42:39 > 0:42:41Busy, isn't it?
0:42:41 > 0:42:43Hopefully, he sells all that pig.
0:42:43 > 0:42:44I want him to prove me wrong.
0:42:44 > 0:42:47It's the first time I'm actually looking forward
0:42:47 > 0:42:48to getting proved wrong.
0:42:48 > 0:42:50Burritos coming up, guys.
0:42:50 > 0:42:52Everybody on them, yeah? You having a burrito, yeah?
0:42:52 > 0:42:54That's yours at the front, then, mate.
0:42:54 > 0:42:56But Nick's pig plan isn't taking off.
0:42:56 > 0:42:58Fucking too much pig, we've no' sold it.
0:42:58 > 0:43:01Stupid. We fucking changed it about and all they order is burritos.
0:43:01 > 0:43:03Fucking weird.
0:43:03 > 0:43:06Nick can cope with making a loss off one pig,
0:43:06 > 0:43:07the problem is,
0:43:07 > 0:43:10he's paid for another eight that are waiting at his butcher.
0:43:11 > 0:43:12If he can't shift them,
0:43:12 > 0:43:14it's going to bankrupt Taste.
0:43:23 > 0:43:25Melo and Tony are back on the street.
0:43:27 > 0:43:30Later this afternoon, they have an appointment with a lawyer
0:43:30 > 0:43:32to discuss the charges facing Melo.
0:43:34 > 0:43:36It's crazy.
0:43:37 > 0:43:40There's nothing... It's out of my hands, you know?
0:43:40 > 0:43:44Imagine I'm going to spend... How long is robbery?
0:43:44 > 0:43:45How long is that?
0:43:45 > 0:43:49- Hmm?- How long is there for assault and robbery?- First time...
0:43:52 > 0:43:55..they could do you 12 month.
0:43:55 > 0:43:58Second time it could be up to two year.
0:43:58 > 0:43:59But...
0:44:00 > 0:44:03we don't want to see this happening, going to the jail.
0:44:03 > 0:44:05I don't want to see this happen.
0:44:05 > 0:44:08Don't want to see him...
0:44:08 > 0:44:11And he's a person, he's never done it anyway.
0:44:11 > 0:44:13I'm guaranteeing he never done it,
0:44:13 > 0:44:16cos he's been with me all day and all night and I've got proof.
0:44:16 > 0:44:19Yeah, man, I'm not sleeping right.
0:44:19 > 0:44:20I'm having bad dreams and just...
0:44:22 > 0:44:25This is the worst I've ever seen my life in.
0:44:28 > 0:44:31Melo and Tony head off to see the lawyer.
0:44:31 > 0:44:33- Wee brother's coming home. - So he's all right?
0:44:33 > 0:44:35- Aye.- He's been saved? So he needs to go back again?
0:44:36 > 0:44:39I worry in case he does go up the road.
0:44:40 > 0:44:43Cos he's not used to this kind of business.
0:44:43 > 0:44:47He's got a calm lifestyle and he goes about his own business.
0:44:47 > 0:44:51He's going to get his life wrecked just cos of a poxy six month?
0:44:51 > 0:44:53Fucking bitches, man.
0:44:53 > 0:44:55Serious, at this moment,
0:44:55 > 0:44:59I've lost all my faith for the fucking police, man.
0:44:59 > 0:45:01And another thing!
0:45:01 > 0:45:03Ask me to strip me and to open my butt
0:45:03 > 0:45:06so he can see my fucking butt! That's fucking disgusting, mate!
0:45:06 > 0:45:07Do you know what I mean.
0:45:07 > 0:45:10The two of them, I've asked them, "Are you serious?"
0:45:10 > 0:45:11They go, "Yes, we're serious."
0:45:11 > 0:45:13And they stand there looking at your butt.
0:45:13 > 0:45:17"Show us your balls." Fucking hell, man, it's disgusting!
0:45:17 > 0:45:22If his lawyer has bad news, Melo will have to prepare for the worst.
0:45:27 > 0:45:29In Taste, service is over...
0:45:31 > 0:45:34and the pig did not sell well.
0:45:34 > 0:45:37No, I completely agree with you. I completely agree with you.
0:45:37 > 0:45:40Don't think this is all easy for me either.
0:45:40 > 0:45:43And Nick's dad's on the phone to find out how it went.
0:45:43 > 0:45:46You're telling me I've got a fucking machine that can take a 60 kilo pig.
0:45:46 > 0:45:48I get a 60-kilo pig and it doesn't fit in it!
0:45:50 > 0:45:55Well, I didnae ask him to bring me in a fucking nearly 70-kilo pig.
0:45:55 > 0:45:57Right, you phone him then. You phone him the now,
0:45:57 > 0:45:58I can't be fucking dealing with this.
0:45:58 > 0:46:01He's going off his fucking nut about the size of the pig
0:46:01 > 0:46:02cos we've no' sold it all.
0:46:02 > 0:46:04He said we should have started off with a smaller one.
0:46:04 > 0:46:06We should have started off with a smaller one.
0:46:06 > 0:46:08Don't know what I was thinking, a fucking 60-kilo one.
0:46:08 > 0:46:11It's too big, eh? As much as you fucking like to say,
0:46:11 > 0:46:13"We're ready. Aye, we've got it done and all that,"
0:46:13 > 0:46:18I got a bunch of fucking bullshit wee fucks working for us at times, man.
0:46:18 > 0:46:20What is it, you wee cunt?
0:46:20 > 0:46:21What is it?
0:46:22 > 0:46:24Nick's reaching boiling point...
0:46:24 > 0:46:27Can I have yous both through here as well, please.
0:46:27 > 0:46:29Two of yous.
0:46:29 > 0:46:31..and his frustration is starting to come out on the team.
0:46:32 > 0:46:36- I can't deal with this... - I know that.- ..shit.
0:46:36 > 0:46:38I'm running about like a complete twat!
0:46:38 > 0:46:40Fucking frozen stacked up fucking burritos.
0:46:40 > 0:46:42We sold 50 burritos and they're fucking all frozen.
0:46:42 > 0:46:45I'm ripping them apart looking like a complete fucking twat, man.
0:46:45 > 0:46:48Just fucking let's get it dealt with, get the place cleaned.
0:46:50 > 0:46:52I don't know. I can't do any more than I do in here.
0:46:52 > 0:46:55So, I'm sorry if I'm not doing good enough, I'll just fucking leave,
0:46:55 > 0:46:57cos I don't think I can do any more.
0:46:57 > 0:47:00If I'm no' good enough, then fuck it, it doesn't bother me.
0:47:00 > 0:47:02The thing is, see that pig,
0:47:02 > 0:47:05that pig should have been cooked for eight hours.
0:47:14 > 0:47:17Melo and Tony are out of the lawyer's.
0:47:17 > 0:47:21We just went down there to just tell all that happened.
0:47:21 > 0:47:23He asked a lot of questions
0:47:23 > 0:47:26that a lot of things that the cop suppose to be doing
0:47:26 > 0:47:27and they didn't do it,
0:47:27 > 0:47:30like go and search the house for starters,
0:47:30 > 0:47:33see if they can find a phone and shit, you know what I mean?
0:47:34 > 0:47:37Or whatever they were trying to fucking find.
0:47:37 > 0:47:38It's not good.
0:47:38 > 0:47:42Melo going about his own business, doing a bit of shopping,
0:47:42 > 0:47:43minding his own business
0:47:43 > 0:47:46and the police are coming up saying he's robbing people.
0:47:46 > 0:47:48To me, that's no good.
0:47:48 > 0:47:52They should be after somebody who is doing serious crimes
0:47:52 > 0:47:57instead of pulling two young guys going about their own business.
0:47:57 > 0:48:01They're not even doing nothing about it.
0:48:01 > 0:48:03It's not good.
0:48:03 > 0:48:07If you want to kill somebody slowly, that's how you do it.
0:48:07 > 0:48:10You pound something on his heart.
0:48:10 > 0:48:12Imagine I go to jail for no reason.
0:48:13 > 0:48:18Who's going to say no? This is bullshit.
0:48:18 > 0:48:23A man is put on the spot with them two stupid cops.
0:48:23 > 0:48:25Do you think you will go to jail?
0:48:25 > 0:48:28I don't know, man. I don't know.
0:48:29 > 0:48:30I don't know.
0:48:54 > 0:48:59In Taste, it's been two days since the pig plan fell flat.
0:49:00 > 0:49:04Nick's out of ideas, so he's going to try it one more time.
0:49:07 > 0:49:09He picked me up this morning
0:49:09 > 0:49:11and basically we drove all the way in here
0:49:11 > 0:49:13and nobody said a word in the van.
0:49:13 > 0:49:15It was silence the whole way in.
0:49:15 > 0:49:17Never really a good sign,
0:49:17 > 0:49:20but I think he's really worried
0:49:20 > 0:49:24and a bit depressed, to be honest with you.
0:49:24 > 0:49:26How worried are you?
0:49:26 > 0:49:28I'm extremely worried to be honest with you.
0:49:28 > 0:49:32I don't want it to get to the point where there just comes a day
0:49:32 > 0:49:34where we're not making money, so it's a case of,
0:49:34 > 0:49:37"Right, everybody just go home and don't come back."
0:49:37 > 0:49:40That's the one thing I'm worrying about now.
0:49:40 > 0:49:42Just done a couple of breakfasts, aye?
0:49:42 > 0:49:44- What?- Have we just done a couple of breakfasts?- Aye.
0:49:48 > 0:49:50Tired, just a bit fucked, man.
0:49:50 > 0:49:52I think if I had made a lot of money I wouldn't really be caring,
0:49:52 > 0:49:57I'd be in here like, "Whoa," but it's fucking disgraceful, man.
0:49:57 > 0:50:00You work that fucking hard and you think something's a good idea
0:50:00 > 0:50:02and then it's just no' really, and people are more interested
0:50:02 > 0:50:05in taking a fucking picture with the pig than fucking eating it.
0:50:05 > 0:50:07People want to taste it and then fucking walk away
0:50:07 > 0:50:09once they've tasted it, do you know what I mean?
0:50:09 > 0:50:12You're like that... Fucking joke, know what I mean?
0:50:12 > 0:50:14Hopefully this one works out, man.
0:50:14 > 0:50:17If it doesn't, I fucking don't know what to do.
0:50:17 > 0:50:21I'm fucking trying my hardest, it's only ideas I'm getting...
0:50:21 > 0:50:24so I just hope it works. I hope it works out.
0:50:35 > 0:50:37Bullet's on the street.
0:50:37 > 0:50:40After last week's encounter he's got something to prove
0:50:40 > 0:50:43and is going to poster in broad daylight.
0:50:48 > 0:50:51My plan is to do a bit of detournement
0:50:51 > 0:50:53outside the Gallery Of Modern Art.
0:50:53 > 0:50:56It's not actually involving the Gallery of Modern Art
0:50:56 > 0:50:57or anything like that,
0:50:57 > 0:51:01they have signs outside it, I don't know...
0:51:01 > 0:51:03See like that, where it says "Pedestrian Zone".
0:51:03 > 0:51:06There's a red ring, but I think that when they've bought them
0:51:06 > 0:51:10there's no graphic for skateboarding or rollerblading.
0:51:10 > 0:51:14So basically it's like a blank canvas.
0:51:14 > 0:51:17I have... I made these up a while ago.
0:51:17 > 0:51:21Basically they're like nice plastic letters that spell the word fun.
0:51:21 > 0:51:24I've did this exact one before. When I was up the ladder,
0:51:24 > 0:51:27two police officers just happened to stop by
0:51:27 > 0:51:29and asked me what I was doing.
0:51:29 > 0:51:33I basically just made up some excuses and I took it back down for them.
0:51:34 > 0:51:36And then I left.
0:51:36 > 0:51:38The worst thing you could say
0:51:38 > 0:51:41would be that you're doing it cos it's street art,
0:51:41 > 0:51:44cos as soon as you say street art
0:51:44 > 0:51:46that's when bells start ringing, you know?
0:51:46 > 0:51:48And that's when you start getting fines and stuff like that.
0:51:48 > 0:51:51If you say it's something to do with, like...
0:51:51 > 0:51:53college or uni,
0:51:53 > 0:51:55if you say it's some part of a project you're doing for uni,
0:51:55 > 0:51:58that's always a good way to start.
0:51:58 > 0:52:00Cos everyone loves students, you know?
0:52:07 > 0:52:10I'm just thinking about what one I'll do.
0:52:10 > 0:52:13Probably that one.
0:52:13 > 0:52:16He's only got a few minutes to get his sign up.
0:52:16 > 0:52:19And it's hard not to draw attention to himself
0:52:19 > 0:52:22working right next to Glasgow's most famous piece of street art.
0:52:46 > 0:52:49Good. Very good. Very easy.
0:52:51 > 0:52:53I'm glad it's back up.
0:52:53 > 0:52:57I like that the best out of a lot of stuff I've done in the past.
0:52:57 > 0:52:58It's quite good.
0:52:58 > 0:53:00And I didn't get caught.
0:53:05 > 0:53:09Back in Taste, people are flocking around the pig again.
0:53:09 > 0:53:12But they're not just taking pictures...
0:53:12 > 0:53:14this time they're buying.
0:53:14 > 0:53:17Can I just pull you guys down, if that's all right, just a wee bit,
0:53:17 > 0:53:20so we can pull everyone in here. Thank you.
0:53:20 > 0:53:22I didn't expect to see a hog sitting there.
0:53:22 > 0:53:24It was like, "Yeah, I've got to have some of that."
0:53:24 > 0:53:27It was quite scrumptious. Lots of crackling, which I like.
0:53:27 > 0:53:31- All-round great, I guess. - Don't speak too soon, aye.
0:53:31 > 0:53:34Everything seems to be going all right the now.
0:53:34 > 0:53:38Just get another bit of gravy into that as well. Sold a lot, didn't we?
0:53:38 > 0:53:40Yeah, quite a lot.
0:53:40 > 0:53:45Close to running out of what we've got there today. Thank fuck.
0:53:45 > 0:53:49So that just shows to me that there's enough people to buy a small pig.
0:53:51 > 0:53:53The pig plan seems to have come good.
0:53:55 > 0:53:58Jesus Christ, that was fucking busy, wasn't it?
0:53:59 > 0:54:03Aye, mate, that was really good. Happy about that there.
0:54:03 > 0:54:05Yeah, sold half a pig today.
0:54:05 > 0:54:08That whole bit there was about that deep full of meat.
0:54:08 > 0:54:11Sold a good lot today.
0:54:11 > 0:54:14Fucking sold about 35 kilos of pig today.
0:54:14 > 0:54:15And it's the last Monday of the month,
0:54:15 > 0:54:19no cunt's fucking got any money and we've cleaned up today.
0:54:19 > 0:54:21Swallowing my heart before, but now I'm fucking cool.
0:54:21 > 0:54:24It's brilliant. Exciting. I've got that buzz back.
0:54:24 > 0:54:26I was fucking starting to feel down
0:54:26 > 0:54:28like I wasn't going to get past
0:54:28 > 0:54:30that fucking mark that we were making before,
0:54:30 > 0:54:32but now it's fucking easy, man.
0:54:34 > 0:54:36Nick has proved that the pig can work.
0:54:36 > 0:54:39But he has a long way to go to sell the rest of his pigs.
0:55:02 > 0:55:05Two months on, and Melo's still awaiting trial.
0:55:05 > 0:55:09I'm not the same Melo. I'm scared of people and shit.
0:55:09 > 0:55:10Serious, man.
0:55:10 > 0:55:12It's getting worse.
0:55:12 > 0:55:15Somebody to accuse me, do you know what I mean?
0:55:17 > 0:55:20He just has to wait until he can clear his name
0:55:20 > 0:55:21or face going to prison.
0:55:33 > 0:55:37They all need taken down here. Need to start getting served for lunch.
0:55:37 > 0:55:41Two months after Nick introduced the pig to Taste,
0:55:41 > 0:55:46the business is now flourishing and the pork has been selling out.
0:55:46 > 0:55:48It's been going well. Really, really well.
0:55:48 > 0:55:50We done £600 yesterday which is a massive improvement.
0:55:50 > 0:55:54It's probably up at least 40% of what we're doing before we changed,
0:55:54 > 0:55:55so it's looking good.
0:55:55 > 0:55:58That's it, we're smashing it every day, and it's brilliant.
0:55:58 > 0:56:01It's a lot better, everybody's a lot happier, it's a lot calmer,
0:56:01 > 0:56:05everybody knows what they're doing and it's fine.
0:56:05 > 0:56:09It's very pleasing after a lot of hard work over the past year
0:56:09 > 0:56:13to finally... I think we've started doing good.
0:56:13 > 0:56:16It's pleasing. It gives you a lift. It gives you a boost.
0:56:16 > 0:56:19It gives you a bit more drive, it gets the passion back into you.
0:56:19 > 0:56:21Aye, it's good.
0:56:23 > 0:56:27That's it. There's no problem with it getting shut or anything like that.
0:56:27 > 0:56:29We're doing enough money to cover us,
0:56:29 > 0:56:31we can pay the rent, we can pay the wages.
0:56:31 > 0:56:33Getting a wee bit extra profit on top.
0:56:33 > 0:56:36Once we get our new pigs in, we should be doing a bit better as well.
0:56:36 > 0:56:38Aye, it's really good. Fucking brilliant.
0:56:40 > 0:56:43Thank God. Aye, I'm very happy. Finally.
0:56:49 > 0:56:52Bullet's still postering on the street.
0:56:53 > 0:56:56Can the police not give him into trouble for doing things like that?
0:56:56 > 0:56:58He's trying out new ideas...
0:56:58 > 0:57:01We'll wait and see now, eh? Hi, how you doing?
0:57:01 > 0:57:03..and trying his hardest not to get caught.
0:57:03 > 0:57:06It's for the HMV shop. It's reopening in a week's time.
0:57:06 > 0:57:07Oh, right, no bother.
0:57:07 > 0:57:10It's a bit of visual merchandising, you would call it.
0:57:12 > 0:57:14And still getting away with it.
0:57:14 > 0:57:16See you after. Thank you.
0:57:16 > 0:57:18I'm happy just to call it a day...
0:57:19 > 0:57:20..after that.
0:57:20 > 0:57:22I don't want to push my luck too far.
0:57:27 > 0:57:29A year on since filming finished,
0:57:29 > 0:57:32the pastors are still out every weekend
0:57:32 > 0:57:34doing their bit to keep the streets safe.
0:57:34 > 0:57:37You definitely get pleasure out of doing it.
0:57:37 > 0:57:40You know you've made a difference to someone. Why else would we be here?
0:57:40 > 0:57:44Melo's court case was resolved without him having to go to jail.
0:57:44 > 0:57:48He's still playing and entertaining people on the street.
0:57:48 > 0:57:49I'm not going to stop believing
0:57:49 > 0:57:52until I get what is supposed to be for me.
0:57:52 > 0:57:55This is my budget at the moment, I'm still having fun.
0:57:55 > 0:57:58I'm not going to be miserable, no, no, no.
0:57:58 > 0:58:01Then I'll not be Melo, you get me?
0:58:01 > 0:58:05Bullet's now been employed to use his talents in other ways.
0:58:05 > 0:58:07He's moved to the East End of Glasgow
0:58:07 > 0:58:09so doesn't poster as much on the street,
0:58:09 > 0:58:12but if you look closely, some still remain.
0:58:14 > 0:58:17And Taste's doors are now permanently shut.
0:58:17 > 0:58:21he pig became a best-seller and Taste finished on a high.
0:58:21 > 0:58:25Nick has now opened a successful restaurant just round the corner.
0:58:27 > 0:58:30Kiddie is still his right-hand man and they remain great friends.
0:58:30 > 0:58:33I think you remember that wee mug up there.