0:00:05 > 0:00:10In March 1959, a group of regulars gathered for another night
0:00:10 > 0:00:14at the Moulin Rouge Strip Club in Munich.
0:00:14 > 0:00:18Moving among them was photographer, Rudolf Paulini.
0:00:20 > 0:00:25This would turn out to be one of the most memorable nights of his life.
0:00:26 > 0:00:32A special guest with two bodyguards had slipped into the club
0:00:32 > 0:00:35and was mingling freely with the drunks and strippers.
0:00:35 > 0:00:38The man who invented rock'n'roll,
0:00:38 > 0:00:40Elvis Presley.
0:00:42 > 0:00:47That night, Rudolf Paulini took an extraordinary series of photographs.
0:00:47 > 0:00:51They captured the unruly and spontaneous side of Elvis
0:00:51 > 0:00:56that would be ruthlessly repressed and hidden for the rest of his life.
0:00:56 > 0:01:03These were the last pictures ever to be taken of the real Elvis Presley.
0:01:24 > 0:01:29MUSIC: Intro to "A Little Less Conversation" by Elvis Presley
0:01:31 > 0:01:34# A little less conversation A little more action... #
0:01:34 > 0:01:39Elvis Presley was the undisputed King of rock'n'roll.
0:01:39 > 0:01:43He burst on to the 1950s music scene,
0:01:43 > 0:01:46the shocking, sexually-charged idol of a new youth culture.
0:01:53 > 0:01:56At the peak of his career, his image was more carefully
0:01:56 > 0:01:59packaged and protected than any other star before him.
0:01:59 > 0:02:05Access for informal photographs was always denied.
0:02:05 > 0:02:07- # Come on, come on - Come on, come on
0:02:07 > 0:02:13# Don't procrastinate, don't articulate, girl, it's gettin' late, gettin' upset waiting around... #
0:02:13 > 0:02:17But in the months before he conquered America, a few photographers managed to capture
0:02:17 > 0:02:21the raw energy that would turn a small town boy
0:02:21 > 0:02:26from Memphis, Tennessee, into a legend of rock'n'roll.
0:02:29 > 0:02:33Elvis Presley released his first single, That's All Right Mama
0:02:33 > 0:02:35in July 1954.
0:02:38 > 0:02:45It was an overnight success and played on radio stations all over the American South.
0:02:45 > 0:02:49# Anyway you do
0:02:49 > 0:02:54# Well, mama, she done told me Papa done told me too
0:02:54 > 0:02:58# Son, that girl you're fooling with She ain't no good for you
0:02:58 > 0:02:59# But that's all right... #
0:02:59 > 0:03:07Elvis was known as the "Hillbilly Cat", a raw, un-honed talent who had soaked up the musical influences
0:03:07 > 0:03:14of his youth - country, blues and gospel - mixed them all together and created rock'n'roll.
0:03:19 > 0:03:22On the 28th July, press photographer, James Reid,
0:03:22 > 0:03:28was assigned to take some shots of the up-and-coming Memphis star for the local newspaper.
0:03:28 > 0:03:35A reporter said, "Jim, I need you to take a picture of this fella
0:03:35 > 0:03:39"and his name is Elvis Presley and he's a singer".
0:03:39 > 0:03:43Well, poor fella, I looked at him and
0:03:43 > 0:03:48his hair was sort of short on top and long on the sides
0:03:48 > 0:03:53and his face was very badly pockmarked.
0:03:53 > 0:03:58The boy was poor and he had the best clothes that
0:03:58 > 0:04:03he could afford to wear that day but he did not make a good impression.
0:04:04 > 0:04:10James Reid's photograph was the first publicity shot of Elvis Presley.
0:04:10 > 0:04:14I love that particular picture of Elvis because he's so rough
0:04:14 > 0:04:18and untutored and he was just this wild kid from the country.
0:04:18 > 0:04:20He looked like an awkward teenager
0:04:20 > 0:04:24and yet you see the elements of the Elvis that he would become.
0:04:24 > 0:04:27You saw the hair, you saw the emphasis on the eyes,
0:04:27 > 0:04:31he's like the pre-Elvis before he became Elvis Presley the superstar.
0:04:38 > 0:04:44By the summer of 1955, Elvis was playing to packed houses across the South.
0:04:46 > 0:04:51Waiting in the wings, watching his progress with growing curiosity,
0:04:51 > 0:04:56was a man who knew a potential goldmine when he saw one,
0:04:56 > 0:04:58Colonel Tom Parker.
0:05:00 > 0:05:04Parker was an illegal immigrant from Holland.
0:05:04 > 0:05:09He'd learned his trade on carnival side-shows and was a shrewd salesman.
0:05:09 > 0:05:14He was about to become one of the most powerful managers in rock history.
0:05:14 > 0:05:19What Colonel Parker saw was the audience, all those kids.
0:05:19 > 0:05:22I think Parker said to Elvis's parents, "We can sell this."
0:05:22 > 0:05:26He said "Your son has a million dollars worth of talent
0:05:26 > 0:05:30"and when he's done with him he'll have a million dollars".
0:05:31 > 0:05:39Within months, Parker had negotiated a deal with record company giant, RCA.
0:05:41 > 0:05:46It was time to conquer the big cities across America.
0:05:49 > 0:05:53The year was 1956.
0:05:53 > 0:05:58Elvis Presley was about to gyrate his way on to national television
0:05:58 > 0:06:01and unleash a revolution in popular music.
0:06:09 > 0:06:13In March, the Colonel booked a television appearance for Presley
0:06:13 > 0:06:17on the Dorsey Brothers' Stage Show in New York.
0:06:17 > 0:06:21Elvis was heading straight for the CBS studios on Broadway.
0:06:24 > 0:06:29On the other side of town, a young photographer, Alfred Wertheimer,
0:06:29 > 0:06:34took a phone call from the publicity director of RCA Records.
0:06:34 > 0:06:37She says to me, "Al, what are you doing on Saturday?"
0:06:37 > 0:06:41and I said "Nothing, what would you like me to do?"
0:06:41 > 0:06:43So she said,
0:06:43 > 0:06:47"I'd like you to cover the Tommy, Jimmy Dorsey Stage Show".
0:06:47 > 0:06:52And I said to her "Oh, Tommy Dorsey, you'd like me to cover him?"
0:06:52 > 0:06:56So she said "No, I want you to cover Elvis Presley".
0:06:56 > 0:06:58There was a silence there.
0:06:58 > 0:07:00I said, "Elvis who?"
0:07:02 > 0:07:09Three days later, Wertheimer was in a CBS dressing room, standing in front of Elvis Presley.
0:07:09 > 0:07:16Elvis was sitting with his feet up on the table and his Argyle socks showing.
0:07:16 > 0:07:21And there was a salesman and he was selling jewellery.
0:07:21 > 0:07:27Ann comes in, says, "Elvis, I'd like you to meet Al Wertheimer, he's our photographer."
0:07:27 > 0:07:30and Elvis says, "Yeah, hi".
0:07:30 > 0:07:34He's busy worrying about his ring, not about the photographer.
0:07:34 > 0:07:40So that was fine with me because my attitude in those days was fly on the wall, I don't exist.
0:07:40 > 0:07:45I put the camera up to my face, I disappear.
0:07:45 > 0:07:48And I'd never met this guy, I don't know what he does, I don't know
0:07:48 > 0:07:54how well he sings but that's irrelevant, I'll just hang around.
0:07:54 > 0:08:00Wertheimer hung around all afternoon and started to get curious.
0:08:00 > 0:08:04After rehearsals, he tagged along with Elvis to his hotel.
0:08:07 > 0:08:09We got up to his suite...
0:08:11 > 0:08:15..and there was fan letters on the couch
0:08:15 > 0:08:19and I'm talking to myself, "What do I do now? There's no action".
0:08:19 > 0:08:22I said, "Well just observe, just be quiet".
0:08:22 > 0:08:27Now he's intensely reading some letters and he's spread out
0:08:27 > 0:08:32on the couch and I said, "Well it's what he's doing so photograph him."
0:08:32 > 0:08:38I'm sort of doing a study as if I had him in a laboratory under a microscope.
0:08:38 > 0:08:41And I'm saying, "This is wonderful".
0:08:42 > 0:08:45Elvis was a natural.
0:08:45 > 0:08:47Completely at ease with the camera.
0:08:47 > 0:08:51Elvis would permit closeness.
0:08:51 > 0:08:52I mean you could get close.
0:08:52 > 0:08:56You could get two and a half feet away from his nose
0:08:56 > 0:08:59and he'd go about doing what he was doing.
0:09:00 > 0:09:06Wertheimer was still with Elvis as he started getting ready for that night's show.
0:09:06 > 0:09:11There's Elvis in the nude except for a towel.
0:09:11 > 0:09:13I said, "Elvis, can I come in?"
0:09:13 > 0:09:16and he said, "Sure, come on in".
0:09:16 > 0:09:20Now when's the last time you had a photographer
0:09:20 > 0:09:23ask to come into your bathroom after you'd just took a shower?
0:09:26 > 0:09:29When Wertheimer turned up for the performance,
0:09:29 > 0:09:34he began to realise just how special this young singer might be.
0:09:34 > 0:09:38# You ain't nothing but a hound dog Cryin' all the time... #
0:09:38 > 0:09:44There he was being crushed by the body of flesh wanting autographs
0:09:44 > 0:09:49and I have some nice images of this wall of hair.
0:09:52 > 0:09:58I noticed that the girls, they had tears in their eyes when he spoke to them.
0:09:58 > 0:10:03I said, "Anybody who can make the girls cry has got something."
0:10:03 > 0:10:07What had started as just another assignment had turned into
0:10:07 > 0:10:10the most important shoot of Wertheimer's life.
0:10:12 > 0:10:17# You ain't nothing but a hound dog Cryin' all the time... #
0:10:17 > 0:10:20Elvis's style was unique.
0:10:20 > 0:10:22# ..Cryin' all the time... #
0:10:22 > 0:10:27His sexual convulsions sent shockwaves across America.
0:10:33 > 0:10:35His weeping fans adored him
0:10:35 > 0:10:40but others saw him as a dangerous threat to the morals of the nation.
0:10:40 > 0:10:43You shake and you quake when you sing. Do you think
0:10:43 > 0:10:48your rocking and rolling has had an evil influence on teenagers or is it just an outlet?
0:10:48 > 0:10:52I don't see that any type of music would have any bad influence.
0:10:52 > 0:10:56Do you think you've learned anything from the criticism levelled at you?
0:10:56 > 0:10:59No, I haven't because I don't feel I'm doing anything wrong.
0:11:00 > 0:11:03# ..You ain't nothing but a hound dog... #
0:11:03 > 0:11:08They were calling him Elvis the Pelvis, they were accusing him of movement.
0:11:08 > 0:11:14I said, "OK he moves, so how do I show movement as a still photographer?"
0:11:14 > 0:11:21You have to think with very slow shutter speeds so that you catch just the right amount of movement
0:11:21 > 0:11:26where it looks like a still photograph in movement.
0:11:32 > 0:11:38Wertheimer was now following Presley as he toured all over America.
0:11:38 > 0:11:44Off-stage, he was finding it hard to keep up with the unruly teen idol.
0:11:44 > 0:11:48I come down the stairs in the back of the theatre and
0:11:48 > 0:11:51I'm saying, "Where's my subject? Where's Elvis?"
0:11:51 > 0:11:59I was supposed to be close to him, and I see these two silhouettes back there, the anonymous date and Elvis.
0:12:02 > 0:12:05Wertheimer was working without a flash.
0:12:05 > 0:12:11He remained unnoticed as he tried to capture this moment of shadowy flirtation.
0:12:11 > 0:12:16So I get up on the handrail to a tighter shot.
0:12:19 > 0:12:22And then she says, "I'll bet you can't kiss me, Elvis."
0:12:22 > 0:12:26And she sticks out her tongue at him "So there, hmmph!"
0:12:26 > 0:12:31And then he says, "I'll bet you I can kiss you".
0:12:31 > 0:12:37The two tongues touch and that's the infamous French kiss.
0:12:42 > 0:12:47By spring 1956, his debut album, "Elvis Presley"
0:12:47 > 0:12:51was a nationwide smash.
0:12:51 > 0:12:56Colonel Parker's million dollar dreams were starting to come true.
0:13:01 > 0:13:06On the 3rd July, Elvis headed home to visit his parents.
0:13:06 > 0:13:12Wertheimer and the Colonel joined him on the 28-hour journey from New York to Memphis.
0:13:15 > 0:13:20# Well that long black train got my baby and gone... #
0:13:20 > 0:13:23I was just clicking away.
0:13:23 > 0:13:27Until somebody tells me to stop, I just continued
0:13:27 > 0:13:30because I figured that's my job.
0:13:31 > 0:13:34Wertheimer was having the time of his life.
0:13:34 > 0:13:38But someone was about to tell him to stop.
0:13:43 > 0:13:50When they arrived in Memphis, Wertheimer grabbed his chance to get the scoop of scoops.
0:13:50 > 0:13:53Elvis Presley relaxing at home with his mom and dad.
0:13:53 > 0:13:57These would be some of the most touching pictures of Elvis ever taken.
0:14:05 > 0:14:09I call this photograph Up Against The Wall
0:14:09 > 0:14:14and it's a picture of Elvis and his father in the swimming pool.
0:14:17 > 0:14:22And incidentally, as he jumped in the pool
0:14:22 > 0:14:26and was horsing around, he says "Stop, stop,"
0:14:26 > 0:14:31and he holds up his hand and he's holding his watch up
0:14:31 > 0:14:35and he says "Ma, my watch is wet!"
0:14:35 > 0:14:39and she says, "Don't worry, it'll be all right" and she dries it off.
0:14:39 > 0:14:43She sort of rubs it against her and she shakes it and
0:14:43 > 0:14:46she sees it's still ticking and she says, "It's fine son".
0:14:52 > 0:14:56We look at those images of a young man, 20 years old,
0:14:56 > 0:15:00and he's on the verge of... His life is about to explode.
0:15:00 > 0:15:05We see those things of Elvis that we love - the youth, the beauty, the energy, they're just images
0:15:05 > 0:15:10before the curtain came down, before the PR machine came in.
0:15:10 > 0:15:13# You know I can be found
0:15:13 > 0:15:15# Sittin' home all alone... #
0:15:15 > 0:15:20The Colonel felt people wanted to see Elvis's face,
0:15:20 > 0:15:23that was his form of art and my form of art
0:15:23 > 0:15:28was really photographing as close as I can, truth.
0:15:28 > 0:15:35But publicity has nothing to do with the truth - it has to do with the image that sells.
0:15:39 > 0:15:42Colonel Parker wasn't simply managing a singer,
0:15:42 > 0:15:46he was manufacturing a commodity for the mass market.
0:15:46 > 0:15:51He ordered a clampdown on all candid photography of Elvis
0:15:51 > 0:15:57and demanded that all RCA publicity photos should be handed over to him.
0:15:58 > 0:16:03Alfred Wertheimer's days on the road with Elvis had come to an end.
0:16:10 > 0:16:15But only a month later, the Colonel's draconian ruling would be breached,
0:16:15 > 0:16:19by a 17-year-old schoolboy.
0:16:19 > 0:16:23On the 26th of November, Lew Allen, from Cleveland Heights High School,
0:16:23 > 0:16:30went along to an Elvis concert to try to take some photographs for the school newspaper.
0:16:32 > 0:16:36We got down there and found out there was a newspaper strike
0:16:36 > 0:16:40- so that - I was the only photographer there.
0:16:40 > 0:16:43and I had a professional camera, I looked like I belonged there.
0:16:43 > 0:16:48So all the back stage people accepted me and invited me in into the press conference
0:16:48 > 0:16:52and they allowed me to take whatever pictures I wanted.
0:16:52 > 0:16:57The Colonel hadn't come along to this small town concert and Elvis allowed
0:16:57 > 0:17:01the schoolboy the kind of access that professionals would have killed for.
0:17:02 > 0:17:09Lew Allen eagerly took a series of informal shots of Elvis backstage before the show.
0:17:09 > 0:17:14There was one of his fans that was in the hospital
0:17:14 > 0:17:19and he got on this phone, and he started talking to this kid.
0:17:19 > 0:17:21His managers kept coming in and saying,
0:17:21 > 0:17:25"You've got to go on stage, you're an hour late as it is", you know?
0:17:25 > 0:17:30But he stayed with what he was doing and he finished talking to her.
0:17:30 > 0:17:36His gentle side and that warm smile and warm look on his face,
0:17:36 > 0:17:41it's a side of Elvis that a lot of people at that time couldn't believe existed.
0:17:41 > 0:17:44# Oh well bless my soul What's wrong with me? #
0:17:44 > 0:17:51Elvis even allowed the young photographer on stage during the performance.
0:17:51 > 0:17:54# I'm in love, I'm all shook up... #
0:17:54 > 0:17:55# Uh-huh-huh... #
0:17:55 > 0:17:59This was my first big adventure of any kind,
0:17:59 > 0:18:04my first time seeing total craziness.
0:18:04 > 0:18:08# ..I can't seem to stand on my own two feet
0:18:08 > 0:18:10# Who do you thank when you have such luck?
0:18:10 > 0:18:14# I'm in love I'm all shook up... #
0:18:14 > 0:18:22After the show, Lew Allen printed his exclusive shots and sold them in the school cafeteria.
0:18:22 > 0:18:28I didn't get much money for them but a lot of kids wanted them and I earned myself a nice hunk of change.
0:18:28 > 0:18:33The pictures went in a box and stayed there till the mid '80s.
0:18:36 > 0:18:39These unofficial photographs show just the kind
0:18:39 > 0:18:45of raw, unstaged Elvis that Colonel Parker was determined to suppress.
0:18:45 > 0:18:47# ..I'm all shook up. #
0:18:50 > 0:18:57By the end of 1956, Elvis had signed a seven-year contract with Paramount Pictures.
0:18:57 > 0:19:02He was about to be swallowed up by the Hollywood publicity machine.
0:19:04 > 0:19:08At the New York premiere of his first movie, Love Me Tender,
0:19:08 > 0:19:15the Colonel organized the unveiling of a 40-foot tall figure of Elvis above the Paramount Theatre.
0:19:16 > 0:19:21Elvis the movie star was born and the wild, thrusting rebel
0:19:21 > 0:19:24was buried beneath a tidal wave of sentimentality.
0:19:24 > 0:19:28# ..My dreams fulfil
0:19:28 > 0:19:33# For, my darling,
0:19:33 > 0:19:36# I love you... #
0:19:36 > 0:19:41Once he got to Hollywood, it got sort of homogenised.
0:19:41 > 0:19:46They cleaned him up and made him more acceptable for families and Middle America.
0:19:50 > 0:19:54The Colonel would use every opportunity
0:19:54 > 0:19:57to reaffirm the image of the wholesome new Elvis.
0:20:01 > 0:20:07When Elvis received his draft notice, it was time for the creation of Elvis the clean-cut military hero
0:20:07 > 0:20:10and a string of publicity stunts in uniform.
0:20:12 > 0:20:17'As the transformation takes place and Elvis emerges a serviceman,
0:20:17 > 0:20:21'some 55 members of the press are present to record the event as Elvis
0:20:21 > 0:20:25'switches to a new beat. Hup two three four!'
0:20:26 > 0:20:33But just before he was posted to join the American forces in Germany, Elvis was called back to Memphis.
0:20:35 > 0:20:38# Maybe I didn't treat you... #
0:20:38 > 0:20:45On August 14th, 1958, Elvis's mother died at their new family home, Graceland.
0:20:45 > 0:20:49# ..Maybe I didn't love you
0:20:52 > 0:20:56# Quite as often as I could have... #
0:20:59 > 0:21:03James Reid heard the news and wanted to pay his respects.
0:21:05 > 0:21:12I called and wanted to know if it would be appropriate to come down and they assured us that it would be,
0:21:12 > 0:21:17so I stood back and I took that photo.
0:21:20 > 0:21:25Reid captured a private moment of grief between father and son.
0:21:28 > 0:21:31I don't recall another photographer there,
0:21:31 > 0:21:35so I may have been the only one that shot that picture.
0:21:35 > 0:21:37It was very sad.
0:21:37 > 0:21:43Some things you do for a newspaper but my heart broke for him.
0:21:52 > 0:21:56Two months after the funeral, Presley sailed to Germany.
0:21:56 > 0:22:03This was the only time that Elvis ever left the United States and Colonel Parker had to stay behind.
0:22:03 > 0:22:07He was still an illegal immigrant without a passport.
0:22:08 > 0:22:14Elvis was off the leash but the contrived photo shoots of the clean-cut hero went on.
0:22:14 > 0:22:17# Can't you see I love you?
0:22:17 > 0:22:21# Please don't break my heart in two... #
0:22:21 > 0:22:25On a shoot for the magazine, Confidential, Elvis's publicists
0:22:25 > 0:22:29paired him with a pretty 18-year-old actress, Vera Tschechowa.
0:23:22 > 0:23:26With the Colonel stuck in the States, Elvis was about to put
0:23:26 > 0:23:30his safe new image at risk for a night on the town.
0:24:03 > 0:24:07This was Colonel Parker's worst nightmare.
0:24:07 > 0:24:12His carefully controlled star was going to a strip club with an actress.
0:24:12 > 0:24:16And the strip club had its own in-house photographer.
0:24:21 > 0:24:27The wild image Parker had so ruthlessly repressed, was back.
0:24:30 > 0:24:32Instead of teddy bears or puppies on his knees,
0:24:32 > 0:24:38Elvis was photographed with a stripper balanced on each hip.
0:24:43 > 0:24:47The slick hair and smooth self-assured smile are gone.
0:24:49 > 0:24:52What's left is raw and human.
0:25:18 > 0:25:23Rudolph Paulini's photographs had the power to shatter
0:25:23 > 0:25:26the Colonel's carefully nurtured image of the all-American hero.
0:25:28 > 0:25:33But Paulini promised that they would never go further than the night club notice board.
0:25:34 > 0:25:40No photographer would ever again be allowed to capture the real Elvis Presley.
0:25:44 > 0:25:51On March 3rd 1960, Elvis was discharged from duty and returned home.
0:25:51 > 0:25:54# Return to sender... #
0:25:55 > 0:26:02The Colonel hustled Presley into a cycle of cabaret shows and formulaic Hollywood movies.
0:26:05 > 0:26:11His raw and authentic image was buried forever beneath an artificial facade.
0:26:11 > 0:26:14Dig that high-flying Elvis!
0:26:14 > 0:26:18- Man, this guy's feet hardly ever touch the ground.- I just spotted a couple of sweet ones.
0:26:21 > 0:26:23# We're caught in a trap
0:26:25 > 0:26:28# I can't walk out
0:26:28 > 0:26:32For the rest of his career, Elvis would take on a variety
0:26:32 > 0:26:39of increasingly exaggerated styles, taking him further and further away from his true self.
0:26:39 > 0:26:43# ..Why can't you see what you're doing... #
0:26:43 > 0:26:48By the '70s he was a legend, "the King of rock'n'roll,"
0:26:48 > 0:26:52with a lavish, over-the-top lifestyle to match.
0:26:52 > 0:26:59The same costume designer who did wacky jump suits also did his outfits for off stage.
0:26:59 > 0:27:03# ..With suspicious minds
0:27:03 > 0:27:05# And we can't build our... #
0:27:05 > 0:27:08There were the big gold glasses, the big hair.
0:27:08 > 0:27:11There was the extraordinary jewellery.
0:27:11 > 0:27:14Everything about Elvis became almost too big.
0:27:14 > 0:27:16He was a prisoner,
0:27:16 > 0:27:18behind the facade.
0:27:20 > 0:27:23# ..Because I love you too much... #
0:27:23 > 0:27:31Behind the gates of Graceland, Elvis was disappearing into an existence fuelled by junk food and drugs.
0:27:33 > 0:27:37Colonel Tom Parker's multi-million dollar creation had turned into
0:27:37 > 0:27:43a grotesquely bloated, recluse who had no desire to face the camera at all.
0:27:48 > 0:27:53Presley died on August the 16th, 1977.
0:27:53 > 0:28:01He was 42 years old, weighed nearly 20 stone and had 14 different drugs in his veins.
0:28:01 > 0:28:05# Are you lonesome tonight?
0:28:05 > 0:28:10# Do you miss me tonight?
0:28:10 > 0:28:18# Are you sorry we drifted apart? #
0:28:18 > 0:28:23By the end of his life, Elvis Presley had been reduced to a parody.
0:28:23 > 0:28:28He was no longer the raw, sexually-charged young man,
0:28:28 > 0:28:33captured by photographers before he became the King of rock'n'roll.
0:28:33 > 0:28:38# ..Sweetheart
0:28:38 > 0:28:43# Is your heart filled with pain?
0:28:43 > 0:28:47# Shall I come back again?
0:28:48 > 0:28:50# Tell me dear
0:28:50 > 0:28:58# Are you lonesome tonight? #
0:28:58 > 0:29:01Subtitles by BBC Broadcast - 2005