0:00:02 > 0:00:05Sex sells, and celebrity couples are big business,
0:00:05 > 0:00:08global brands who just have to name their price.
0:00:08 > 0:00:11Look at Posh and Becks, Brad and Angelina, they're real people
0:00:11 > 0:00:14with real relationships, but they're not bad to look at either.
0:00:14 > 0:00:15For the first time,
0:00:15 > 0:00:18the search is on to find a real couple
0:00:18 > 0:00:21who can make it as top models.
0:00:21 > 0:00:24If we can find a real couple who are gorgeous and in love,
0:00:24 > 0:00:25they'll make a killing.
0:00:25 > 0:00:28But for every Posh and Becks, there's a Katie and Peter,
0:00:28 > 0:00:31so just looking the part won't be enough.
0:00:31 > 0:00:34No point investing in a couple who don't have a strong relationship -
0:00:34 > 0:00:37they'll break up and leave us high and dry.
0:00:37 > 0:00:41- I love you!- Over six weeks, eight hot couples will live together
0:00:41 > 0:00:44in this state-of-the-art Manchester mansion.
0:00:45 > 0:00:47This is how the other half live, isn't it?
0:00:47 > 0:00:50As well as facing a series of modelling challenges...
0:00:50 > 0:00:51I can't see your face.
0:00:51 > 0:00:53God, they're see-through!
0:00:53 > 0:00:56..their relationship will be under the microscope.
0:00:56 > 0:00:59If the house was on fire, what would your partner grab to rescue?
0:00:59 > 0:01:01- Clothes.- My straighteners.
0:01:01 > 0:01:04They might have modelled before, but never as a couple,
0:01:04 > 0:01:07and that means there'll be slip-ups...
0:01:07 > 0:01:09- Whoa! Have we done both of them?- ..tantrums...
0:01:09 > 0:01:12I'll stare at you and tell you to shut up.
0:01:12 > 0:01:14..and embarrassing challenges ahead...
0:01:14 > 0:01:16I'm putting a sock down there.
0:01:16 > 0:01:18He might need a little bit more...!
0:01:18 > 0:01:20..as they battle it out to impress the judges
0:01:20 > 0:01:24and avoid being eliminated from the competition.
0:01:24 > 0:01:27I'm not looking for two separate models, I'm looking for a couple.
0:01:27 > 0:01:30It's about making sure that the couple that choose have got
0:01:30 > 0:01:33a relationship that's going to stand the test of time.
0:01:33 > 0:01:35The prize for the winning pair is a contract
0:01:35 > 0:01:37with a top modelling agency.
0:01:37 > 0:01:39We've got it in the bag.
0:01:39 > 0:01:41They all think they're drop-dead gorgeous.
0:01:41 > 0:01:44I think I'm genetically blessed.
0:01:44 > 0:01:47BOTH: We are 100% awesome!
0:01:47 > 0:01:50I was voted the top ten best-looking South Asian male.
0:01:50 > 0:01:54But how will their relationships cope under pressure?
0:01:54 > 0:01:56This show is 50% about relationships.
0:01:56 > 0:01:58Yeah, and 50% about models.
0:01:58 > 0:02:00This is Hot Like Us.
0:02:00 > 0:02:03When you whisper, somebody will be listening.
0:02:15 > 0:02:19Six pairs remain in the hunt for a hot couple worthy of
0:02:19 > 0:02:21a joint modelling contract.
0:02:21 > 0:02:26Last time, the wannabes were given a taste of life as a model couple
0:02:26 > 0:02:29when they posed for a holiday brochure
0:02:29 > 0:02:32on a freezing-cold Blackpool beach.
0:02:32 > 0:02:33- Perfect.- Stuart's got padding on!
0:02:33 > 0:02:37But Mun and Rachna didn't get off to a great start with the photographer
0:02:37 > 0:02:39when they turned up late.
0:02:39 > 0:02:42Mun, I heard that it was your fault that you were late.
0:02:42 > 0:02:44It's totally unprofessional.
0:02:44 > 0:02:47And when it came to the shoot,
0:02:47 > 0:02:49everyone else felt the wrath of Nicky Johnston...
0:02:49 > 0:02:52- Don't you two- BLEEP- smile?
0:02:52 > 0:02:54Nice, that's lovely.
0:02:54 > 0:02:57You're on a desolate beach, darling,
0:02:57 > 0:02:59what the hell are you looking at me for?
0:02:59 > 0:03:04..with Tyrone and Salina receiving the brunt of his criticism.
0:03:04 > 0:03:08So miserable, I don't want to go on this package holiday.
0:03:08 > 0:03:10At the casting studio, it was a close call,
0:03:10 > 0:03:13but in the end, the married couple got the job.
0:03:13 > 0:03:15The couple who are going home is Mun and Rachna.
0:03:15 > 0:03:20That's it, I'm not going to do this, I don't want it anymore.
0:03:22 > 0:03:25Six couples remain in the competition -
0:03:25 > 0:03:27fiery Chanel and Damien...
0:03:27 > 0:03:29Whether he likes it or not, he's stuck with me now!
0:03:29 > 0:03:31Whether I like it or not!
0:03:31 > 0:03:33..Chloe and bodybuilder Leroy...
0:03:33 > 0:03:37When it comes to my body, I'll be honest, enough is never enough.
0:03:37 > 0:03:39..Jay and glamour model Becky...
0:03:39 > 0:03:41In ten years' time, I'd like big boobs,
0:03:41 > 0:03:43a small little waist and a little family.
0:03:43 > 0:03:46..super-vain Stuart and Helen...
0:03:46 > 0:03:48With my genetics and Helen's genetics,
0:03:48 > 0:03:52our kids are going to take over the world.
0:03:52 > 0:03:54..uber-confident Tyrone and Salina...
0:03:54 > 0:03:57Asking us if we're going to win is like asking a cow,
0:03:57 > 0:03:59does he serve milk?
0:03:59 > 0:04:02..and Aussie ballroom dancers Alison and Vaughan.
0:04:02 > 0:04:05I have a hot body, I work hard for it, and I'm proud of it.
0:04:05 > 0:04:08I absolutely agree!
0:04:09 > 0:04:13This week is all about seduction, as the judges turn up the volume
0:04:13 > 0:04:15with a music-video challenge.
0:04:15 > 0:04:17Everyone thinks it's a glamorous life,
0:04:17 > 0:04:19and nine times out of ten, it's not.
0:04:19 > 0:04:21You don't seem to understand,
0:04:21 > 0:04:24we lose the artist in about two minutes.
0:04:24 > 0:04:29This task will test their ability to be fiery and flirty.
0:04:29 > 0:04:31- Giving him the ass!- Working it!
0:04:31 > 0:04:35But can they turn on the heat for each other's partners?
0:04:35 > 0:04:37Who wants this part, who wants it?
0:04:37 > 0:04:40And in the relationship challenge,
0:04:40 > 0:04:44the pairs will relive the first moment they fell for each other.
0:04:44 > 0:04:45So we got out the bread,
0:04:45 > 0:04:47we got out the salad to make our chicken sandwiches
0:04:47 > 0:04:49and he bloody forgot the chicken!
0:05:02 > 0:05:08Eliminations yesterday was very intense, very uncomfortable.
0:05:08 > 0:05:10And Mun was such a lovely guy,
0:05:10 > 0:05:13but at some point, everyone's going to go.
0:05:13 > 0:05:16The couples are halfway through the competition,
0:05:16 > 0:05:18and with Mun and Rachna gone,
0:05:18 > 0:05:21the pressure is mounting on the remaining pairs.
0:05:21 > 0:05:24It could be very volatile for some people, because some people,
0:05:24 > 0:05:27when they're together for a long period of time,
0:05:27 > 0:05:30absolutely clash like titans.
0:05:31 > 0:05:33But there's no time for reflection,
0:05:33 > 0:05:36because their mentor Jonathan Phang is on his way to reveal
0:05:36 > 0:05:39what the judges have set for the next modelling challenge.
0:05:41 > 0:05:43As an agent, Jonathan's helped
0:05:43 > 0:05:47the biggest names in the industry achieve stardom.
0:05:47 > 0:05:48You can't fake the real thing.
0:05:48 > 0:05:52If we can pull this off and find a real couple that are gorgeous
0:05:52 > 0:05:55and in love, they are going to make a killing.
0:05:55 > 0:06:00If you guys want to make it as commercial models, you have to be
0:06:00 > 0:06:03prepared for everything, for every eventuality.
0:06:03 > 0:06:06You're not always going to be booked just for a stills shoot.
0:06:06 > 0:06:09So, our next challenge is going to be...
0:06:12 > 0:06:15..a pop promo.
0:06:18 > 0:06:20Is there going to be, like, an artist?
0:06:20 > 0:06:23Yes, there certainly is - it's Lethal Bizzle.
0:06:23 > 0:06:27THEY CHEER
0:06:27 > 0:06:31For those of you who aren't familiar with Lethal Bizzle,
0:06:31 > 0:06:33shall we have a look at one of his old videos?
0:06:33 > 0:06:36But you are going to be appearing in his new promo.
0:06:36 > 0:06:39I prefer Bizzle, though But I don't really mind, though
0:06:39 > 0:06:40You get me, though?
0:06:40 > 0:06:42What's my name? Bizzle, Bizzle
0:06:42 > 0:06:44Who's the hitman? Bizzle, Bizzle
0:06:44 > 0:06:46What you know about Bizzle, Bizzle
0:06:46 > 0:06:48I don't play about Bizzle, Bizzle...
0:06:48 > 0:06:51MOBO-winning grime artist Lethal Bizzle has been a big hit
0:06:51 > 0:06:54in the UK hip-hop scene for nearly a decade.
0:06:55 > 0:06:59His is a world of scantily-clad girls, money and bling.
0:06:59 > 0:07:04Best of luck to our ballroom dancers, Vaughan and Alison!
0:07:06 > 0:07:10Everyone seems to be quite familiar with that genre of music.
0:07:10 > 0:07:12For you, is this slightly out of your comfort zone?
0:07:12 > 0:07:15Dancing is music made visible,
0:07:15 > 0:07:17so you've got to feel it, it's got to come through.
0:07:17 > 0:07:21It's not about the lines and stuff you create, that's not it.
0:07:21 > 0:07:23So I'm looking forward to it.
0:07:23 > 0:07:25What about you, Stuart? Is it something that fazes you?
0:07:25 > 0:07:28This couldn't have got any harder.
0:07:28 > 0:07:31If I could think of the hardest possible thing to have done,
0:07:31 > 0:07:32this would be it.
0:07:32 > 0:07:34Oh, yippee!
0:07:37 > 0:07:40Well, guys, let's just absolutely smash it!
0:07:40 > 0:07:42- Let's do our thing. - Have the best fun!
0:07:42 > 0:07:43- Kapow!- Just do it!
0:07:43 > 0:07:46Whether they're happy or not,
0:07:46 > 0:07:49the couples need to get their legwarmers on -
0:07:49 > 0:07:51they've an appointment with a choreographer.
0:07:51 > 0:07:55If they want me to go butt naked and do the worm, I'm going to do it!
0:07:55 > 0:07:59To be staring in a video, potentially, it's just so good.
0:07:59 > 0:08:02If you want to model and be professional and get a job,
0:08:02 > 0:08:04it's worth a load of money to dance in a video.
0:08:04 > 0:08:05Pull it out of the bag.
0:08:05 > 0:08:11For Tyrone and Salina, starring in a music video is a dream come true.
0:08:11 > 0:08:14I myself have been working in a bar since I was 18,
0:08:14 > 0:08:17so I'm constantly round music.
0:08:17 > 0:08:19The only time you really see her actually lose herself is
0:08:19 > 0:08:21on the dance floor, you know what I mean?
0:08:22 > 0:08:28And all-round good guy Vaughan is eager to prove to the others that
0:08:28 > 0:08:31he's bad enough to star in the video.
0:08:31 > 0:08:35All the years in a nightclub are finally going to hopefully pay off.
0:08:35 > 0:08:38Many years of wild nights, good fun.
0:08:38 > 0:08:40How do you know? You're not a wild boy!
0:08:40 > 0:08:42- What are you talking about?! - Not anymore!
0:08:46 > 0:08:49We're practising Christians, we go to church.
0:08:49 > 0:08:53We want to think we make being Christian cool.
0:08:53 > 0:08:55Since the start of the competition,
0:08:55 > 0:08:59the Australian ballroom dancers have been on a mission to prove
0:08:59 > 0:09:02they're not as conservative as everyone thinks.
0:09:02 > 0:09:06But the judges haven't been convinced.
0:09:06 > 0:09:09You're dressed appropriately to go to a wedding in the '80s,
0:09:09 > 0:09:11you're not model material.
0:09:11 > 0:09:14This is the culprit from yesterday's elimination.
0:09:15 > 0:09:20And so, Vaughan took it upon himself to reinvent his image.
0:09:21 > 0:09:25This week's urban-music challenge is the perfect opportunity
0:09:25 > 0:09:29for the Aussies to prove their doubters wrong.
0:09:29 > 0:09:32When Vaughan changed, everyone came up to us and goes,
0:09:32 > 0:09:34"Are you for real?
0:09:34 > 0:09:36"I think you're joking or lying or something."
0:09:38 > 0:09:42Most people put you in a certain spot and then don't really expect you
0:09:42 > 0:09:45to break out of that, and what's happened from the first week
0:09:45 > 0:09:48we've been her till now is that we've actually grown a lot.
0:09:48 > 0:09:50It's total dance!
0:10:00 > 0:10:04The pairs are on their way to meet video director Andy Soup...
0:10:04 > 0:10:07Right, OK, we're going to go for a little take, please.
0:10:07 > 0:10:11..a man who's worked with the Scissor Sisters,
0:10:11 > 0:10:12Basement Jaxx and The Streets.
0:10:12 > 0:10:16He will decide who will play a major part in the video
0:10:16 > 0:10:18and who will be in the background.
0:10:20 > 0:10:21This is Andy, your director.
0:10:21 > 0:10:26If you are a model or actor and you want to come through,
0:10:26 > 0:10:28music videos are really good, a commercial test.
0:10:28 > 0:10:30You really do want and try
0:10:30 > 0:10:33and get your face in the camera as much as possible.
0:10:33 > 0:10:36If it's not working, I've no qualms about pulling you out,
0:10:36 > 0:10:39so you need to concentrate, really put in your best.
0:10:39 > 0:10:43Has anybody seen that film From Dusk Till Dawn? Yeah? Wicked film.
0:10:43 > 0:10:45What we're doing is a UK version of that,
0:10:45 > 0:10:48where Bizzle's out with his mates
0:10:48 > 0:10:51on the town, goes into a lap dancing bar, and then there's a twist,
0:10:51 > 0:10:56basically, where they get locked in, and all the girls and everybody
0:10:56 > 0:11:01who works in there is vampires, and they're kind of attacking them.
0:11:05 > 0:11:07First, it's a simple warm-up.
0:11:07 > 0:11:08And switch.
0:11:08 > 0:11:12The six couples will spend the next few hours fighting
0:11:12 > 0:11:15over the three major parts in the promo.
0:11:15 > 0:11:18We can both dance, if we're in a club, we can both dance, but...
0:11:18 > 0:11:21- Total different thing, really, isn't it?- Yeah.
0:11:21 > 0:11:25One of the guys will be Lethal Bizzle's best mate,
0:11:25 > 0:11:28one of the girls will be a vampire lap dancer,
0:11:28 > 0:11:31and one lucky boy will be her unsuspecting victim.
0:11:33 > 0:11:37Everybody wants it. If I'm featured, I'll be absolutely buzzing.
0:11:37 > 0:11:40Anyone not picked for a starring role will be
0:11:40 > 0:11:41relegated to the background.
0:11:41 > 0:11:46Because there are only a certain amount of good roles to be had,
0:11:46 > 0:11:48they've got to prove to the director that
0:11:48 > 0:11:51they should be the ones in front of the camera.
0:11:51 > 0:11:53OK, let's have a go at that.
0:11:53 > 0:11:57First of all, Andy's attention is on the boys,
0:11:57 > 0:12:01as they try out for the key part, as Lethal Bizzle's best mate.
0:12:01 > 0:12:06Does anybody have special skills, like athletic or acrobatic?
0:12:07 > 0:12:12I do professional wrestling and acting, like, stunts and acting.
0:12:12 > 0:12:14Do you do stunts, do you? Wicked.
0:12:14 > 0:12:16You've got vampires coming to kill you,
0:12:16 > 0:12:19and one of you needs to fall. I don't want to be responsible
0:12:19 > 0:12:23for someone breaking their kneecap, so don't be stupid.
0:12:23 > 0:12:27This role is all about throwing yourself on the floor and screaming.
0:12:27 > 0:12:30HE SCREAMS Yeah, man!
0:12:30 > 0:12:33Very good!
0:12:33 > 0:12:36And some are better at it than others.
0:12:36 > 0:12:38Whoa, shit!
0:12:38 > 0:12:41Have we done both of them holes?
0:12:41 > 0:12:44It's these guns, man, that's what it is!
0:12:44 > 0:12:48Right, vampire face, you're undead, right?
0:12:48 > 0:12:51I want you to give me a real scary, twisted-up face, yeah,
0:12:51 > 0:12:56and get into position one, and action.
0:12:56 > 0:13:00Give me a gnarly, scary vampire face.
0:13:00 > 0:13:04OK, this is what Satan looks like, and this is his gnarly, scary face.
0:13:04 > 0:13:07Fucking hell, is that it?!
0:13:07 > 0:13:11Scary face looking around, you can smell blood.
0:13:11 > 0:13:14Yeah, OK. You're going to kill him!
0:13:14 > 0:13:18Yeah, there you go, that's what I'm talking about.
0:13:23 > 0:13:26- It's not a pantomime, you know what I mean?- Less is more.
0:13:26 > 0:13:29Who do you think has won? I was the best one.
0:13:29 > 0:13:31You looked quite good, actually,
0:13:31 > 0:13:34I was seeing you, pretending to be scary. That was really good.
0:13:34 > 0:13:38Seven and eight, we walk one, hip, two, three...
0:13:38 > 0:13:41Whilst the boys are working,
0:13:41 > 0:13:43the girls are with the choreographer,
0:13:43 > 0:13:45preparing for the lap dancing role.
0:13:46 > 0:13:48For Salina and Tyrone,
0:13:48 > 0:13:51this is a rare opportunity for the insular couple
0:13:51 > 0:13:54- to mix with the rest of the group. - In the house, it's very two-sided -
0:13:54 > 0:13:58you're either on that side or you're on this side.
0:13:58 > 0:14:01But here at the dance studio, everyone's working together,
0:14:01 > 0:14:06so it's kind of good.
0:14:12 > 0:14:15Tyrone is the competition's self-proclaimed Mr Charisma.
0:14:15 > 0:14:19I'm so charming, I think I could sell a man his own briefcase,
0:14:19 > 0:14:22and I'm so cocky, I think I could sell a man his own moustache.
0:14:22 > 0:14:23But since the couple arrived,
0:14:23 > 0:14:26they've preferred the privacy of their own room,
0:14:26 > 0:14:30while the rest of the group have chosen to share.
0:14:30 > 0:14:32If we didn't get our own room, I'd be very upset.
0:14:32 > 0:14:37The couple have a hard exterior and don't make friends easily,
0:14:37 > 0:14:40especially because Salina has fallen out with her family
0:14:40 > 0:14:42for dating Tyrone.
0:14:42 > 0:14:45It's kind of like the Romeo and Juliet story, know what I mean?
0:14:45 > 0:14:49But if you're genuinely in love, you stick at it.
0:14:49 > 0:14:51Since they arrived in the house,
0:14:51 > 0:14:53they've seized the opportunity
0:14:53 > 0:14:56to tell the world about their relationship.
0:14:56 > 0:14:59"Can't you accept who I am for me,
0:14:59 > 0:15:02"because we are in love so let us be."
0:15:02 > 0:15:06But recently, things haven't been going so well.
0:15:06 > 0:15:09Don't you two fucking smile?
0:15:09 > 0:15:11For fuck's sake, can I see teeth?!
0:15:11 > 0:15:14Despite their obvious connection,
0:15:14 > 0:15:16they struggled in the last photo shoot.
0:15:16 > 0:15:20I don't know if you can smile. You look like you don't want to be here.
0:15:20 > 0:15:21It's all so miserable.
0:15:21 > 0:15:25And while most of the group have formed friendships,
0:15:25 > 0:15:29the couple have preferred their own company.
0:15:29 > 0:15:31There's no point in me giving props to anyone else,
0:15:31 > 0:15:34I might as well give all the props to ourselves.
0:15:36 > 0:15:41- Guys, let's have a look.- I see the excitement already. Look, look!
0:15:41 > 0:15:45But they're going to have to put on a show for everyone
0:15:45 > 0:15:49- if they want to win key roles in the music video.- Gorgeous.
0:15:49 > 0:15:53Which is especially difficult, as Salina is Muslim.
0:15:53 > 0:15:55'Her background where she's coming from,'
0:15:55 > 0:15:59it's more pressure for her than any other person.
0:16:01 > 0:16:02'If I do get, like, the main role
0:16:02 > 0:16:05'and I have to dance, obviously, with other guys,
0:16:05 > 0:16:07'it's going to definitely be really hard for me.'
0:16:07 > 0:16:10But it's a sacrifice that I am willing to make.
0:16:10 > 0:16:12APPLAUSE AND CHEERING
0:16:12 > 0:16:14This is the resounding sound of happiness.
0:16:14 > 0:16:16OK, darling, are we ready?
0:16:18 > 0:16:19Next to audition
0:16:19 > 0:16:22is another couple who might struggle to be sexy.
0:16:22 > 0:16:23Oh, look...
0:16:23 > 0:16:25Oh, you've done this before.
0:16:25 > 0:16:29Born-Again Christians Vaughan and Alison
0:16:29 > 0:16:33don't believe in sex before marriage.
0:16:34 > 0:16:37There's definitely another level once you get intimate
0:16:37 > 0:16:38that you can bring to the table.
0:16:38 > 0:16:42And because we don't know each other that way, it can be difficult.
0:16:42 > 0:16:45She did a great job, I mean that worked for me, believe that!
0:16:45 > 0:16:48I was like, "How am I going to stand up?!"
0:16:52 > 0:16:55I'm looking forward to getting married.
0:16:55 > 0:16:57Focus on him, don't think about the mirror.
0:16:59 > 0:17:01As the other hot couples try out for the parts,
0:17:01 > 0:17:03it's clear that some of the girls are naturals.
0:17:03 > 0:17:06Oh, nice!
0:17:06 > 0:17:08Very good.
0:17:08 > 0:17:12- Like glamour model Becky... - Right, let's go for the bites.
0:17:12 > 0:17:14Oooh! Oooh!
0:17:14 > 0:17:16..and 19-year-old Chanel.
0:17:18 > 0:17:20Wicked.
0:17:20 > 0:17:22OK, let's go for the bite.
0:17:22 > 0:17:23If only the same could be said
0:17:23 > 0:17:26for her boyfriend Damien's acting skills.
0:17:26 > 0:17:28Aaah!
0:17:28 > 0:17:30- Sorry.- Muah-ha!
0:17:30 > 0:17:31Muah-ha!
0:17:36 > 0:17:38These two have had a stormy relationship
0:17:38 > 0:17:41since the tender age of 13.
0:17:41 > 0:17:44I'd definitely say our relationship is edgy.
0:17:44 > 0:17:46And no matter how much they disagree,
0:17:46 > 0:17:48it's Chanel that usually wins.
0:17:48 > 0:17:51I'm kind of the one who wears the trousers in the relationship.
0:17:51 > 0:17:54- So if I do it, you just work around me.- I'll work around you.
0:17:54 > 0:17:56You're a team, it's about both of you.
0:17:56 > 0:17:58If they want the 12-month contract,
0:17:58 > 0:18:02they'll need to prove that as models they can be equals.
0:18:02 > 0:18:05You need to man-up and say, "I'm in the shot as well,"
0:18:05 > 0:18:08and you need to work as part of a team.
0:18:08 > 0:18:11I'm not looking for two separate models, I'm looking for a couple.
0:18:12 > 0:18:15But at the dance studio,
0:18:15 > 0:18:17the choreographer isn't convinced
0:18:17 > 0:18:19they've listened to the judges' advice.
0:18:19 > 0:18:22'She picked up everything immediately,'
0:18:22 > 0:18:24however, Damien struggled a bit
0:18:24 > 0:18:28and there wasn't much kind of communication between the two.
0:18:28 > 0:18:29She didn't help him,
0:18:29 > 0:18:32she's just very focused on, "I have to get this right."
0:18:32 > 0:18:34She's not sharing the love.
0:18:34 > 0:18:35Very good, very good.
0:18:35 > 0:18:38Andy has seen all the couples dance,
0:18:38 > 0:18:42but the pair he chooses don't have to be boyfriend and girlfriend,
0:18:42 > 0:18:47and so he wants to have a look at some other options.
0:18:47 > 0:18:50Chanel and Becky, right? And then Jay and Damien.
0:18:50 > 0:18:54I want to see you switch partners and see how you handle that, OK?
0:18:54 > 0:18:57Becky, do the same thing with Damien, the whole dance.
0:18:57 > 0:19:01- The whole dance? - The whole thing, yeah, please.
0:19:01 > 0:19:04It is just acting, you know, if you think about Hollywood couples
0:19:04 > 0:19:09and they have to go and be having sex with other people on screen
0:19:09 > 0:19:13and then come back to the wife, you know what I mean?
0:19:13 > 0:19:14Nightmare.
0:19:18 > 0:19:21Is glamour girl Becky professional enough
0:19:21 > 0:19:22to turn it on for someone else?
0:19:22 > 0:19:26If she wants the part, she'll have to be.
0:19:26 > 0:19:28That's nice. Soft... Yes, see with the face -
0:19:28 > 0:19:32it's softer, like a bit Brigitte Bardot sort of buzz.
0:19:32 > 0:19:33Wicked.
0:19:33 > 0:19:37You can't believe your luck cos she's about to sit on your lap.
0:19:39 > 0:19:41Whoa!
0:19:41 > 0:19:42Yeah, mate.
0:19:42 > 0:19:45And then actually bite him.
0:19:45 > 0:19:46Whoa!
0:19:48 > 0:19:50- Very good. - APPLAUSE
0:19:50 > 0:19:52OK. Now... Well done, mate.
0:19:54 > 0:19:57Chanel, darling, do you want to jump in?
0:19:59 > 0:20:02Now Chanel must better Becky's steamy performance with Jay.
0:20:02 > 0:20:07Her boyfriend Damien might be advised to look away now.
0:20:14 > 0:20:17Very good. Yeah, I'm believing that.
0:20:20 > 0:20:24- She's giving him the ass! - Work it!
0:20:24 > 0:20:25OK, go for the bite.
0:20:31 > 0:20:33Argh! Aaah!
0:20:33 > 0:20:37I don't know WHAT you're doing, mate!
0:20:37 > 0:20:41I know what he's doing! I know what he's doing.
0:20:41 > 0:20:44Can we have some Kleenex on set, please?
0:20:44 > 0:20:48The casting session is over - Andy and his choreographer
0:20:48 > 0:20:49have seen enough.
0:20:49 > 0:20:51I would love to do some of that acting -
0:20:51 > 0:20:54love to, do you know what I mean?
0:20:54 > 0:20:56I don't want to blow our own trumpet,
0:20:56 > 0:20:57but we are doing good.
0:20:57 > 0:20:59If she has to lap-dance a guy...
0:20:59 > 0:21:02she has to lap-dance a guy.
0:21:02 > 0:21:05Anyone who doesn't land a main part will be a background artist,
0:21:05 > 0:21:09anything from a member of the band to a backing dancer.
0:21:09 > 0:21:12We've been having a chat about how we thought you did
0:21:12 > 0:21:14and we all think you did really, really well.
0:21:14 > 0:21:19Helen, I've got you as one of the go-go girls as you come in.
0:21:19 > 0:21:23Chloe, that's what I've got earmarked for you as well, darling.
0:21:24 > 0:21:27Salina, I've got you as another podium dancer.
0:21:27 > 0:21:29I think you'll be wicked doing that.
0:21:31 > 0:21:34Stuart, mate, I've got you as a drummer, right?
0:21:34 > 0:21:36So quite dark, moody.
0:21:37 > 0:21:40Tyrone, you were, like, doing some weird shit down here,
0:21:40 > 0:21:43I thought that was really good.
0:21:43 > 0:21:45So that's you.
0:21:45 > 0:21:49Vaughan and Alison, you are a zombie vampire couple.
0:21:49 > 0:21:52You'll be background, but then you're going to be a big part of it
0:21:52 > 0:21:57with the reveal that, "Shit, this whole place is a trap."
0:21:59 > 0:22:02The minor parts have been dished out
0:22:02 > 0:22:06but who has impressed enough to be in the spotlight?
0:22:06 > 0:22:08Leroy, I want you as Bizzle's best mate.
0:22:13 > 0:22:15The role that we're going for now,
0:22:15 > 0:22:18is who would be the featured couple
0:22:18 > 0:22:21that's having the lap dance and doing the seducing thing.
0:22:21 > 0:22:24Mmm, controversial. Mmm.
0:22:26 > 0:22:28Right, what I'm going to go for
0:22:28 > 0:22:31is Chanel with Jay as the featured couple.
0:22:31 > 0:22:35It was such a close one between you two
0:22:35 > 0:22:39but, Chanel, somehow you stole it. So, well done. Yeah?
0:22:39 > 0:22:41APPLAUSE
0:22:41 > 0:22:43The reason Chanel got it where Becky didn't
0:22:43 > 0:22:47is probably more to do with her facial expression
0:22:47 > 0:22:50and how I felt she was taking direction.
0:22:51 > 0:22:54If she went to a modelling job and did a lingerie shoot with a guy
0:22:54 > 0:22:56it would be the same situation.
0:22:56 > 0:23:00Obviously I'd rather it'd be me - obviously, that's without saying.
0:23:00 > 0:23:03Damien may not be starring with Chanel,
0:23:03 > 0:23:06but at least one of them has a major role.
0:23:06 > 0:23:09I'm very shocked.
0:23:09 > 0:23:12Very, very shocked.
0:23:12 > 0:23:15Tyrone and Salina have both been handed background parts
0:23:15 > 0:23:16and to top it all,
0:23:16 > 0:23:20Salina is worried about what she'll have to wear in the video.
0:23:20 > 0:23:23I've never worn these kind of things before in my life.
0:23:23 > 0:23:25It's been a hard day for me today,
0:23:25 > 0:23:28because first I had to do the dance that was so out of my comfort zone,
0:23:28 > 0:23:30but I just blocked it all out.
0:23:30 > 0:23:35Now it's like, this is worse than the underwear shoot I had to do.
0:23:35 > 0:23:37I just feel like THIS
0:23:37 > 0:23:40is going to be the ultimate test for us.
0:23:45 > 0:23:48Thumb, thumb, thumb, thumb, thumb, And then uh-uh-uh.
0:23:48 > 0:23:49Back at the house,
0:23:49 > 0:23:53all the couple have some serious rehearsing to do.
0:23:56 > 0:23:58Any challenge we've done thus far,
0:23:58 > 0:24:01this is our challenge, for the sense of Chloe can dance,
0:24:01 > 0:24:05you've got a bit of acting to play up to as well as do a stunt.
0:24:05 > 0:24:09I was like, "Hey, Mr Wrestler and Actor in the house."
0:24:10 > 0:24:13But there's one pair missing from the group practice,
0:24:13 > 0:24:18as usual Tyrone and Salina are keeping themselves to themselves.
0:24:18 > 0:24:20'Everyone does have different issues'
0:24:20 > 0:24:22and sometimes you see it
0:24:22 > 0:24:24and you think it's kind of strange to you
0:24:24 > 0:24:27because you don't have the same issues.
0:24:27 > 0:24:31- We did that lingerie shoot for the first challenge.- We thought that would be the worst thing.
0:24:31 > 0:24:34We thought that would have been the worst thing,
0:24:34 > 0:24:35but then we hit another wall.
0:24:38 > 0:24:42The six couples have undergone a merciless casting session...
0:24:42 > 0:24:44- Aargh!- Argh!- Aaaah!
0:24:44 > 0:24:48..and have now been awarded roles in Lethal Bizzle's next music video.
0:24:48 > 0:24:49Aaaagh!
0:24:49 > 0:24:51It's Lethal Bizzle.
0:24:51 > 0:24:54And while some are out of their comfort zone...
0:24:54 > 0:24:56It's time to dance!
0:24:56 > 0:24:59- ..others are beginning to shine. - Wicked.
0:24:59 > 0:25:01Whether they're a featured role or in the background,
0:25:01 > 0:25:04the hot couples will have to work hard on set
0:25:04 > 0:25:07to make sure that they survive the next casting decision.
0:25:07 > 0:25:11I could find good reason to throw four couples out this week.
0:25:11 > 0:25:14It's either go hard or go home, and I don't want to go home.
0:25:14 > 0:25:17But it's not enough to shine at tomorrow's shoot.
0:25:17 > 0:25:19The judges will only give the modelling contract
0:25:19 > 0:25:22to a pair who are going to stay together.
0:25:23 > 0:25:26Enter relationship judge Emma Kenny.
0:25:26 > 0:25:29I'm the therapist who specialises in relationships.
0:25:29 > 0:25:31I'm not here to judge the couple on what they look like,
0:25:31 > 0:25:35I'm here to assess the strength of the bond that they have between them.
0:25:37 > 0:25:39For a couple to have any chance of winning,
0:25:39 > 0:25:42I need to know that they're going to be together for at least 12 months.
0:25:42 > 0:25:46But what I'm hoping to find is a couple that'll be together in 12 years.
0:25:51 > 0:25:54I'm kind of interested to know how everyone's feeling.
0:25:54 > 0:25:59- How's today been?- Awesome.- Amazing. - Brilliant. 100 per cent.
0:25:59 > 0:26:01Has anyone surprised themselves?
0:26:01 > 0:26:03ALL: Yeah!
0:26:03 > 0:26:05This week is all about seduction
0:26:05 > 0:26:08and Emma's keen to explore the moment the hot couples
0:26:08 > 0:26:11fell in love with each other.
0:26:12 > 0:26:14Boys are going to take a black box each,
0:26:14 > 0:26:16girls are going to take a silver box.
0:26:16 > 0:26:21I want you to think about the moment that you looked at your partner,
0:26:21 > 0:26:25where you suddenly go from, "Oh, this is all right,"
0:26:25 > 0:26:27to, "I really want that person."
0:26:27 > 0:26:30You know, you feel seduced by that moment.
0:26:30 > 0:26:33I want you to go away and just write a few words
0:26:33 > 0:26:36and then we're going to come back.
0:26:36 > 0:26:40I want them to be able to read it and does it trigger.
0:26:42 > 0:26:46To succeed in this challenge, the couples must prove to Emma
0:26:46 > 0:26:50that the initial spark hasn't faded in their relationships
0:26:50 > 0:26:54by conjuring up the memory of that first special moment.
0:26:56 > 0:26:57Yeah, I know mine straight away.
0:26:57 > 0:27:01It's just come straight to me, so it's quite easy, really.
0:27:01 > 0:27:03When it happened, I got that feeling of,
0:27:03 > 0:27:05"Oh, my god, I really want that boy."
0:27:05 > 0:27:07- I did as well.- It was really weird.
0:27:07 > 0:27:08It's really nice,
0:27:08 > 0:27:11because I want to know whether he actually remembers things
0:27:11 > 0:27:12as much as I do.
0:27:12 > 0:27:16She didn't even look at me, she just put her hand round my neck, she was facing that way,
0:27:16 > 0:27:19and I come up behind her. From there on in, "Boom."
0:27:19 > 0:27:22It's about...does the partner remember the same thing,
0:27:22 > 0:27:24does it evoke that memory?
0:27:24 > 0:27:27Maybe we did and didn't want to be together at certain times,
0:27:27 > 0:27:29so I don't think ours will be the same at all.
0:27:29 > 0:27:34Everyone seems to have some basis of a relationship,
0:27:34 > 0:27:36how strong it is though, that's the key.
0:27:36 > 0:27:40That's why Emma's here - to find out the strength of it.
0:27:40 > 0:27:43I would really like you to swap boxes with your partner.
0:27:45 > 0:27:48It's like Christmas.
0:27:48 > 0:27:50- Who wants to start?- Here you go.
0:27:50 > 0:27:53Me?
0:27:53 > 0:27:56So I've got, "Black 206."
0:27:56 > 0:27:59- Oooh.- Our first kiss.
0:27:59 > 0:28:00Was that the memory?
0:28:00 > 0:28:03It wasn't even just the first kiss.
0:28:03 > 0:28:06We went through bit to get to our relationship
0:28:06 > 0:28:08because we were best friends and when you don't know if you
0:28:08 > 0:28:10should be making that jump.
0:28:10 > 0:28:13So we did a few things and he got out of the car and I was thinking
0:28:13 > 0:28:16we're getting... and I just grabbed his hand and he come
0:28:16 > 0:28:20back in and I just kissed him and he skipped off out of the car.
0:28:20 > 0:28:22It got to the point, this is it now, this is
0:28:22 > 0:28:26the girl I want to spend the rest of my life with so why not tell her?
0:28:28 > 0:28:30I have H2O.
0:28:30 > 0:28:31H2O water?
0:28:31 > 0:28:33It's cryptic.
0:28:34 > 0:28:37I get it! Is it Liquid? Ha-ha. It's a club.
0:28:40 > 0:28:44- Forgot the chicken. - That's all I need to say.
0:28:44 > 0:28:47Easter holidays, that's not cryptic at all.
0:28:47 > 0:28:49Do or die.
0:28:49 > 0:28:50It's a bit cryptic.
0:28:50 > 0:28:52Oh, do or die.
0:28:52 > 0:28:55There wasn't one particular moment where
0:28:55 > 0:28:59I was like, I want to be with you, it's been all along.
0:28:59 > 0:29:01And...God, I'm going to cry!
0:29:01 > 0:29:06It's like we have to do everything or just not be together,
0:29:06 > 0:29:08does that make sense?
0:29:08 > 0:29:13There's been a lot between me and Damien and it was when I really realised that I loved him.
0:29:13 > 0:29:15We were dancing and it was like we were in the club by ourselves.
0:29:15 > 0:29:18So we got out the bread, we got out the salad,
0:29:18 > 0:29:21to make our chicken sandwiches and he bloody forgot the chicken.
0:29:21 > 0:29:25He was so sad, he... I kid you not cried.
0:29:25 > 0:29:30He was going, "I forgot the chicken, I've ruined my romantic picnic."
0:29:30 > 0:29:34If he hadn't texted me that message you might not have...
0:29:34 > 0:29:36- Gone.- Yeah.
0:29:38 > 0:29:40I know that we just belong together.
0:29:40 > 0:29:44It is sort of nice to be with someone that doesn't judge you
0:29:44 > 0:29:47too much on the fact that you've got money or you don't.
0:29:47 > 0:29:49With such an emotional display,
0:29:49 > 0:29:53judging the challenge is going to be tough for Emma.
0:29:53 > 0:29:56It's not going to be a case of who deserves to go,
0:29:56 > 0:30:02for me it's going to be a case of who out of a group of really deserving
0:30:02 > 0:30:07couples deserves this less than the others.
0:30:07 > 0:30:1321, which is my house number, and obviously we live together.
0:30:13 > 0:30:17We've had it hard, bro, telling you, seriously.
0:30:17 > 0:30:20When my dad died I was trying to look for her.
0:30:24 > 0:30:28When my dad died I was trying to look for her round the house.
0:30:28 > 0:30:30I went into my dad's room and she kissed my dad on the forehead
0:30:30 > 0:30:33and I thought you're a lovely girl....
0:30:33 > 0:30:34That's the girl for me.
0:30:37 > 0:30:41All the girls I've been with, been using me, bro,
0:30:41 > 0:30:43using me.
0:30:43 > 0:30:46I know they didn't want me for me and this time...
0:30:46 > 0:30:50Feels like for you guys this experience is shifting you
0:30:50 > 0:30:53in a lot of different emotional ways.
0:30:55 > 0:30:58Tyrone and Salina,
0:30:58 > 0:31:00it's just furthered my understanding
0:31:00 > 0:31:04of why they are quite closed sometimes, because I think
0:31:04 > 0:31:08they had to spend so much time just relying on each other that even
0:31:08 > 0:31:12beginning to believe that the world will accept them and they can rely on
0:31:12 > 0:31:16others has felt something that's been far out of reach for them,
0:31:16 > 0:31:18and I just think they're having moment after a moment
0:31:18 > 0:31:20of emotional discovery.
0:31:20 > 0:31:23Honestly this week for me,
0:31:23 > 0:31:28Jody's going to have to be making a decision because I don't know.
0:31:40 > 0:31:43# Here we go, here we go, here we go. #
0:31:43 > 0:31:45Have they left?
0:31:49 > 0:31:50Babe!
0:31:53 > 0:31:56It's midnight in a Mexican whorehouse,
0:31:56 > 0:32:02not 6 o'clock in the morning in a basement in Manchester.
0:32:02 > 0:32:05The music video shoot has begun.
0:32:07 > 0:32:10And as the wannabes go straight into hair and make-up,
0:32:10 > 0:32:15modelling judge Jody Furlong is already watching their every move.
0:32:15 > 0:32:17Everyone thinks it's a glamorous life
0:32:17 > 0:32:20and nine times out of ten it's not. It's quite gruelling
0:32:20 > 0:32:22so I don't want to hear any complaining, any moaning.
0:32:22 > 0:32:26I want people to have smiles on their faces at all times.
0:32:27 > 0:32:29For me it's all about the looks,
0:32:29 > 0:32:32I couldn't care less about the relationship, all I'm bothered
0:32:32 > 0:32:35about is whether they could cut it as models.
0:32:35 > 0:32:38OK so position 1s please.
0:32:38 > 0:32:41First to be called on set are Chanel and Jay,
0:32:41 > 0:32:45who have been chosen to star in the coveted lap dancing scene.
0:32:45 > 0:32:48I'm the one that's obviously going to get seduced
0:32:48 > 0:32:51and then turn into vampire so it's going to be easier just to imagine
0:32:51 > 0:32:53Becky because that's what I'm used to.
0:32:53 > 0:32:55She's done that routine for me many a time,
0:32:55 > 0:32:59- if I can just put that in my mind it'll be fine.- Roll playback.
0:32:59 > 0:33:00Good luck, babe.
0:33:00 > 0:33:02Good luck, Jay.
0:33:04 > 0:33:07And, guys, in your own time, action.
0:33:14 > 0:33:18You're quite boisterous, bit of a geezer.
0:33:18 > 0:33:20Grind your boobies in his face a little bit.
0:33:20 > 0:33:26You're just completely owning, take your time.
0:33:26 > 0:33:28Wicked, cold bitch.
0:33:28 > 0:33:30Down the lens, don't look at him.
0:33:30 > 0:33:32Wow, we've got sexy Chanel back which is absolutely fine
0:33:32 > 0:33:34because it's completely appropriate for this video.
0:33:34 > 0:33:37She looks absolutely amazing.
0:33:39 > 0:33:42You're definitely ticking the hot box right now.
0:33:42 > 0:33:48Chanel is being an absolute knockout, bombastic.
0:33:48 > 0:33:51Baby got pop,
0:33:51 > 0:33:54I don't really know what that means but she's got it.
0:33:57 > 0:34:02- Wish you were Jay in there? - Of course I wish I wish I was Jay, don't you wish you were Jay?
0:34:02 > 0:34:06They're both amazing so I'm really happy.
0:34:09 > 0:34:12Chanel and Jay may have been a hit in their featured roles
0:34:12 > 0:34:17but now the star of the show has arrived, It's Lethal Bizzle.
0:34:17 > 0:34:20What's happening, hello everyone.
0:34:20 > 0:34:23- I think it's amazing how much presence he's got. - Definitely.
0:34:23 > 0:34:26He just walks in the room and everyone's like wow.
0:34:26 > 0:34:29Now that you've got the artist in the building,
0:34:29 > 0:34:31we've got to bring our A game.
0:34:31 > 0:34:35- It's either go hard or go home, and I don't want to go home. - Wicked.
0:34:35 > 0:34:38Now that the hip hop star has arrived,
0:34:38 > 0:34:43ballroom dancer Vaughan wastes no time in collaring the gangster rapper.
0:34:43 > 0:34:46- Me and my girl, who's smoking hot, we've got this scene. - Where is she?
0:34:46 > 0:34:49She's doing something else at the moment but I'll introduce you.
0:34:49 > 0:34:52But urban dancing, that sort of thing,
0:34:52 > 0:34:55is real different to what I'm used to.
0:34:55 > 0:34:59Yeah, yeah... you look a bit flip so you can pop song.
0:34:59 > 0:35:01I'm sure you'll be cool man.
0:35:01 > 0:35:04But rather than get to know his new friend...
0:35:04 > 0:35:06Have a good night, or day. Enjoy the shoot.
0:35:06 > 0:35:08It's going to be a long afternoon.
0:35:08 > 0:35:10Midnight.
0:35:10 > 0:35:15..It seems Mr Bizzle would prefer to meet the female members of the cast.
0:35:15 > 0:35:18Phwoar, there's a couple of girls in there you know
0:35:18 > 0:35:21because there's a few chicks in there like....
0:35:21 > 0:35:24I'll try and be on my best behaviour.
0:35:24 > 0:35:25Do you need any help with that?
0:35:25 > 0:35:27I can help you out if you want.
0:35:34 > 0:35:36Can we get Bizzle on set?
0:35:36 > 0:35:40It's time for the rap star's main performance
0:35:40 > 0:35:43and a key moment for the girls who were given roles as backing dancers.
0:35:44 > 0:35:49Girls, break a leg. Can I have playback, please?
0:35:51 > 0:35:53Loud, loud, loud.
0:35:55 > 0:35:59For a model there's nothing worse than going unnoticed at a shoot
0:35:59 > 0:36:02and glamour girl Becky has been lucky enough to bag
0:36:02 > 0:36:04a place at the front of the shot.
0:36:04 > 0:36:091, 2, 3, 4, 5,6...
0:36:09 > 0:36:13But with no one in front of her she's struggling to stay in time
0:36:13 > 0:36:14with the others.
0:36:22 > 0:36:26That was a right royal mess, to be fair.
0:36:26 > 0:36:28I wouldn't give this job to any of these girls,
0:36:28 > 0:36:30they look like they're flailing about.
0:36:30 > 0:36:32Becky spent the whole time looking behind her at what
0:36:32 > 0:36:35everybody else was doing and she's been put at the front.
0:36:35 > 0:36:38If you're wrong, do it with confidence, so everyone else thinks they're wrong.
0:36:38 > 0:36:41You were here. Chloe was there so you were here.
0:36:41 > 0:36:42OK, OK.
0:36:44 > 0:36:46Well Becky's had her chance to get it right.
0:36:46 > 0:36:49In this business time is money
0:36:49 > 0:36:53so she's sent to the back to be replaced by Chloe.
0:36:53 > 0:36:58You're going to go at the front, you're going to swap places.
0:36:58 > 0:37:01This is my perfect challenge but I need to keep it together,
0:37:01 > 0:37:03and give it my all and everything
0:37:03 > 0:37:05so this is a good challenge.
0:37:17 > 0:37:20She was originally placed at the back
0:37:20 > 0:37:23and I was like, nah, she's better than that.
0:37:23 > 0:37:26I'm glad they realised that because she moved up and up and up
0:37:26 > 0:37:30and now she's right at the very front so really happy with that one.
0:37:31 > 0:37:34Very good!
0:37:34 > 0:37:36That's another top one in the can.
0:37:37 > 0:37:41As the crew set up the next scene, the group relax together...
0:37:43 > 0:37:46..all apart from Tyrone and Salina, who since they failed to win
0:37:46 > 0:37:52key roles in the video are becoming more and more distant from the others.
0:37:52 > 0:37:54Cos we share our own room,
0:37:54 > 0:37:58it's like we're more focused on ourselves, more than interacting
0:37:58 > 0:38:00because that puts you off.
0:38:02 > 0:38:04I haven't really come to make any friends.
0:38:04 > 0:38:06If they're showing me that they're uncomfortable around me,
0:38:06 > 0:38:10I must be doing a tweak of something good.
0:38:13 > 0:38:17But unfortunately for Tyrone, the next scene will require the couples
0:38:17 > 0:38:20to pull together because they're all in it.
0:38:20 > 0:38:25If one of them lets the side down it will waste everyone's precious time.
0:38:26 > 0:38:30In this scene Leroy will star as Lethal Bizzle's best mate.
0:38:30 > 0:38:34Salina and the girls will be pole dancers.
0:38:34 > 0:38:38Stuart and Tyrone are playing in the band,
0:38:38 > 0:38:43and Vaughan and Alison are an undead version of themselves.
0:38:43 > 0:38:47This is what we do, wait, wait, wait, dance. That seems to be how it works.
0:38:52 > 0:38:55Right, are we ready for a take?
0:38:55 > 0:38:59A little bit of pressure's always good, brings out the best in you,
0:38:59 > 0:39:02either makes you crumble or makes you amazing.
0:39:02 > 0:39:04Make me amazing hopefully. I hope.
0:39:04 > 0:39:07And action, guys.
0:39:37 > 0:39:41Everything is running smoothly but there's no room for error.
0:39:44 > 0:39:46We're really running out of time now.
0:39:46 > 0:39:49There's still a lot to film so the pressure's really on
0:39:49 > 0:39:51the models, they've got to perform almost like one take.
0:39:51 > 0:39:53Mate, we don't have time.
0:39:53 > 0:39:57You don't seem to understand we lose the artist in about 2 minutes.
0:39:59 > 0:40:02And with one last shot to get...
0:40:02 > 0:40:03We need you on set.
0:40:03 > 0:40:04Yeah, I'm ready.
0:40:04 > 0:40:07Quickly put your clothes back on.
0:40:10 > 0:40:15Tyrone and Salina have already changed out of their costumes.
0:40:15 > 0:40:20I thought I was done with my scene but obviously...
0:40:20 > 0:40:22yeah, I've got my clothes.
0:40:22 > 0:40:26The guy said that he wants a wide shot so I've just slipped back on my trainers,
0:40:26 > 0:40:29and we're going to run back and do the wide shot.
0:40:32 > 0:40:36Salina got changed because she thought we'd finished with her
0:40:36 > 0:40:38because we'd finished shooting her close-up
0:40:38 > 0:40:43but I need to her for the wide so now we're all waiting for her to get changed back.
0:40:43 > 0:40:45So this is costing money.
0:40:48 > 0:40:54We won't have time to coordinate so dance and we'll film. Cool.
0:40:54 > 0:40:56OK, guys, so seconds away. Tick, tick, keep going.
0:40:56 > 0:40:59Now action, in your own time.
0:41:02 > 0:41:06A costly five minutes later they're back on set.
0:41:21 > 0:41:24Everybody, Lethal Bizzle is wrapped. Thank you.
0:41:24 > 0:41:28Lethal Bizzle's final scene is in the can.
0:41:31 > 0:41:32But before the rap star leaves,
0:41:32 > 0:41:38judge Jody wants to hear his thoughts on their performances.
0:41:38 > 0:41:41The girls have been well behaved, conducting themselves properly.
0:41:41 > 0:41:44Salina, I think she was one of the ones that struggled
0:41:44 > 0:41:48with the routines and you can tell she was a bit uncomfortable,
0:41:48 > 0:41:49a few times she messed up.
0:41:49 > 0:41:51And who stood out for you?
0:41:51 > 0:41:54- The short girl with the dark hair. - Chloe.
0:41:54 > 0:41:57She was really, really good, you can tell she's got a passion for dancing.
0:41:57 > 0:41:59There's some people here today who I think just
0:41:59 > 0:42:02fit in exactly in your video, Chanel for one.
0:42:02 > 0:42:06- Yeah, yeah.- She looks like she's born to be in a hip-hop video.
0:42:06 > 0:42:10She definitely could get a lead role in one of my videos.
0:42:10 > 0:42:12Cool. And what about on the boys' side?
0:42:12 > 0:42:15I was speaking to one of them, the ballroom dancer guy...
0:42:15 > 0:42:19- Vaughan.- Yeah, he's really cool, very interesting for both of us
0:42:19 > 0:42:22because he's never done anything like this.
0:42:22 > 0:42:24You don't know till you try, man.
0:42:24 > 0:42:26- And everyone's trying.- That's one thing I'm happy with.
0:42:26 > 0:42:32My thing is it's just people wanting to learn and give it their all.
0:42:33 > 0:42:37With the hip-hop star on his way back to London,
0:42:37 > 0:42:39the couples have one final scene to shoot,
0:42:39 > 0:42:43Leroy's featured stunt in which he's to be chased by the entire cast.
0:42:43 > 0:42:463 - 2 - 1, action.
0:42:50 > 0:42:52Zombies out, zombies come!
0:42:52 > 0:42:54That's everyone except Tyrone and Salina,
0:42:54 > 0:42:57who after their earlier mistake are feeling a little paranoid about
0:42:57 > 0:42:59what the others could be saying.
0:42:59 > 0:43:01What does it mean to you?
0:43:01 > 0:43:05I haven't really come in this competition with my partner to make any friends.
0:43:08 > 0:43:12To tell you the truth, I do feel sometimes that we get kind of, like, picked on in the sense
0:43:12 > 0:43:16that everybody will be whispering cos there are three couples what share a room together
0:43:16 > 0:43:18and they'll be all laughing and giggling.
0:43:18 > 0:43:20Zombies, get in.
0:43:20 > 0:43:23Get in there.
0:43:23 > 0:43:27When you whisper, somebody will be listening.
0:43:27 > 0:43:29That is a wrap.
0:43:31 > 0:43:36A bit bloody, a bit sweaty, dirty. Yeah, good times.
0:43:37 > 0:43:38Whoo!
0:43:38 > 0:43:40Mate.
0:43:40 > 0:43:41Well done.
0:43:41 > 0:43:43Within moments of the shoot finishing,
0:43:43 > 0:43:48all the other couples can think about is tomorrow's casting decision.
0:43:48 > 0:43:50If I was in the bottom three,
0:43:50 > 0:43:53I definitely wouldn't want to be in the bottom three with Damien and Chanel
0:43:53 > 0:43:56because I'm not going lie, she stole the show today,
0:43:56 > 0:44:00and also Leroy and Chloe. I think they're really going to nail this task.
0:44:01 > 0:44:03So wrap!
0:44:10 > 0:44:16They just disappeared, they didn't say anything just walked off. They went in the toilet for 45 minutes.
0:44:16 > 0:44:22Back at the house, the whereabouts of Tyrone and Selena is the cause of much debate.
0:44:22 > 0:44:25I'll be honest, because everyone else was doing a really good job anyway,
0:44:25 > 0:44:29everyone else done really well so you didn't really notice
0:44:29 > 0:44:31but at the end they wasn't there, was they?
0:44:31 > 0:44:36And finally at 1am, they've returned.
0:44:36 > 0:44:38Hello.
0:44:38 > 0:44:42Why is everyone acting all weird?
0:44:42 > 0:44:45The loners of the group are convinced that the house has turned against them
0:44:45 > 0:44:50and want to have it out with the rest of the couples.
0:44:50 > 0:44:54I've got some things to say. Think honesty is the best policy.
0:44:54 > 0:44:57You seem like when you first got it, it was like "wow!"
0:44:57 > 0:45:02Everyone's got a style, everyone's good looking, everyone's raring to go,
0:45:02 > 0:45:07but, to tell you the truth, you can't talk behind someone's back
0:45:07 > 0:45:11and then at the next breath talk to their face, you can't do that.
0:45:11 > 0:45:13I'm confused, I'll be honest with you.
0:45:13 > 0:45:16This is what I'm trying to say.
0:45:16 > 0:45:20We're getting attacked for no reason, we haven't attacked you and you're saying...
0:45:20 > 0:45:23I thought you liked me. Do you not like me?
0:45:23 > 0:45:27I don't have any dislike for anyone in the house.
0:45:27 > 0:45:31I'd rather everyone be more honest, to tell you the truth.
0:45:31 > 0:45:34We tried to be friendly with you the other day.
0:45:34 > 0:45:39You were chatting away, so obviously you've been fake.
0:45:39 > 0:45:41You are not going to talk to me like that,
0:45:41 > 0:45:44you can shove that whole thing up your backside.
0:45:44 > 0:45:51You cannot say anything like I'm fake because I'm not fake so you can just go and get stuffed.
0:45:51 > 0:45:57I've been speaking to you all bloody week, what the hell is this shit?
0:45:57 > 0:45:58An absolute load of rubbish.
0:45:58 > 0:46:00Let me just say one thing, yeah?
0:46:00 > 0:46:06Where were you in the last scene, the last one?
0:46:06 > 0:46:10You do realise you might have thrown away the best opportunity
0:46:10 > 0:46:12potentially you two could have ever got.
0:46:16 > 0:46:20Tyrone and Selena retire to their room once again.
0:46:23 > 0:46:31To tell you the truth, I feel like I've completed what I came in here for.
0:46:31 > 0:46:39If I want to model, I want to just go straight into modelling. I don't need to run crazy tasks.
0:46:39 > 0:46:42If my partner's not happy here then I'm not going to be happy here
0:46:42 > 0:46:44and if that means I have to get modelling,
0:46:44 > 0:46:49I have to do modelling in a different way or take a different path, then I'll do that.
0:47:01 > 0:47:06- They haven't come down yet and they haven't had any breakfast. - # Da-da-na! #
0:47:06 > 0:47:10As the hopeful models prepare for the casting decision,
0:47:10 > 0:47:15across Manchester, Tyrone and Selena have arranged a meeting with relationship judge Emma.
0:47:17 > 0:47:18Hi, guys.
0:47:18 > 0:47:22How's it going? I heard things have been going on.
0:47:22 > 0:47:25They've decided to leave the competition.
0:47:29 > 0:47:31Talk me through, talk me through.
0:47:31 > 0:47:34We come in here with high expectations, you know,
0:47:34 > 0:47:38that's what I think it was - too much of high expectations.
0:47:38 > 0:47:44So we're actually realising that the thing that we're doing is not what we want to do.
0:47:44 > 0:47:49I don't want to be in a grind video because I don't listen to grind. I don't want to be in a grind video.
0:47:49 > 0:47:52It's... And that's the thing, like,
0:47:52 > 0:47:56I can stay here and be happy and enjoy everything that we're doing still
0:47:56 > 0:48:01but he won't be happy so it's not going to work. We need to be on the same wavelength.
0:48:01 > 0:48:03I'm really, really sad that you're going
0:48:03 > 0:48:07because I think your story was so strong and I think you shared so much with us,
0:48:07 > 0:48:11and you're really going to be missed.
0:48:24 > 0:48:30Unaware of the morning's events, the other couples are on their way to the casting studio.
0:48:33 > 0:48:37After the shock departure of Tyrone and Selena, just five couples remain in the fight
0:48:37 > 0:48:41to win a modelling contract with a top modelling agency.
0:48:52 > 0:48:57With the obvious candidates for the chop out of the running, nobody is safe.
0:49:11 > 0:49:14So, Tyrone and Selena, although I'm sad to see them leave
0:49:14 > 0:49:20and I'm sad about the circumstances under which they left, because for me they were a very strong couple.
0:49:20 > 0:49:23From the industry's perspective you can't walk off set.
0:49:23 > 0:49:25- We need you on set.- Yeah, I'm ready.
0:49:25 > 0:49:28- I'm almost done with my scene.- This is costing money.
0:49:28 > 0:49:34You're paid to stay there and do a job and it might get tiring and it might get monotonous
0:49:34 > 0:49:39and you might have been ignored for hours - it doesn't matter, you stick it out to the end.
0:49:43 > 0:49:45So this week was all about seduction.
0:49:47 > 0:49:54In the relationship challenge, the couples relived the moments they first got together.
0:49:54 > 0:49:55I just thought, "I really want this guy."
0:49:55 > 0:49:59It's like we just have to do everything or might as well not be together.
0:49:59 > 0:50:02- You might not have, like...- Gone. - Yeah.
0:50:02 > 0:50:08But they all performed so well, Emma was unable to make a judgment.
0:50:08 > 0:50:11Jody's going to have to be making a decision because I don't know.
0:50:16 > 0:50:22So, this week, their performance in the modelling challenge will decide their fate.
0:50:26 > 0:50:30Your challenge was to make a music video with Lethal Bizzle.
0:50:30 > 0:50:31Let's have a look at the video.
0:51:19 > 0:51:22APPLAUSE
0:51:23 > 0:51:25The most important person is the editor
0:51:25 > 0:51:28because they can cut you out if they don't like you.
0:51:28 > 0:51:32You could be shooting all day and you don't get featured, which happened to some of you.
0:51:32 > 0:51:35Some of you filmed quite a lot and it gets down to that.
0:51:36 > 0:51:40One couple who featured heavily in the video has stuntman Leroy
0:51:40 > 0:51:44and Chloe, who was promoted to lead dancer.
0:51:44 > 0:51:47So, Leroy and Chloe, how did the challenge go for you?
0:51:47 > 0:51:49The challenge as a whole was a good experience
0:51:49 > 0:51:54and it taught me a lot about a side of Chloe that I didn't quite know was there.
0:51:54 > 0:51:58- That you're quite liking?- Hey, that's it. Know what I mean?
0:51:58 > 0:52:03Chloe, in the video, I know you were the person everyone was talking about.
0:52:03 > 0:52:07Bizzle said to me you were the stand-out person of the whole thing, he said you really went for it.
0:52:07 > 0:52:09You looked great on set,
0:52:09 > 0:52:14so I've got nothing but positive to say about both of you on the video yesterday.
0:52:14 > 0:52:16So, Stuart and Helen...
0:52:16 > 0:52:22Neither Stuart nor Helen were given decent parts in the video,
0:52:22 > 0:52:26will Jody be as positive about their performance?
0:52:31 > 0:52:36What was interesting is I'm the casting director usually so I pick who I call into a casting.
0:52:36 > 0:52:40I had nothing to do with that, so it was interesting to see what roles you'd been allocated
0:52:40 > 0:52:45and whether I'd do the same. With you two, I wouldn't have called into a casting in the first place.
0:52:47 > 0:52:51However hot you looked, it didn't fit, so, yeah...
0:52:55 > 0:53:02Another couple who failed to land major roles were Australian ballroom dancers, Vaughan and Alison.
0:53:02 > 0:53:06What I've been saying to Stuart and Helen about you wouldn't have got
0:53:06 > 0:53:08near the casting goes doubly for you.
0:53:10 > 0:53:13It felt like they'd made up something for you to do in the video.
0:53:14 > 0:53:18- This challenge doesn't suit you. - Yeah, sure,
0:53:18 > 0:53:20but I still think we brought it. We did very good hip-hop.
0:53:20 > 0:53:24I think, looking at myself, I don't really fit the bill, but that's OK.
0:53:28 > 0:53:30So Damien and Chanel...
0:53:34 > 0:53:37Chanel was picked for the role as lead lap dancer
0:53:37 > 0:53:41but did she do enough to make up for the fact that her boyfriend
0:53:41 > 0:53:43found himself as a background artist?
0:53:45 > 0:53:49It doesn't surprise me that you weren't cast together,
0:53:49 > 0:53:53you were kind of going separate ways for separate things.
0:53:53 > 0:53:54Especially Chanel, you nailed it.
0:53:54 > 0:53:59I mean it was perfect for you, you were made for that job.
0:53:59 > 0:54:04It was such a new experience, though, dancing on a table in stilettos and kicking Jay.
0:54:04 > 0:54:07That was a big experience for me
0:54:07 > 0:54:13because obviously I've never come into a situation where I've had her dancing like that to another man.
0:54:17 > 0:54:20Another to outshine their other half was Jay,
0:54:20 > 0:54:22on the receiving end of the lap dance,
0:54:22 > 0:54:26while girlfriend Becky found herself replaced as lead backing dancer.
0:54:27 > 0:54:31Just looking at the edit, it looks to me like you did such a good job
0:54:31 > 0:54:35they actually gave you extra scenes. Definitely they've edited it so you're in it more.
0:54:35 > 0:54:39You've surprised me, to be honest, I didn't see that coming.
0:54:39 > 0:54:42I didn't realise it was going to be acting - something I wanted to do,
0:54:42 > 0:54:45- and given the opportunity I was just loving it.- Yeah, it was amazing.
0:54:45 > 0:54:51One thing I will say, you look great together, but you don't look like a couple in modelling terms.
0:54:51 > 0:54:56I wouldn't book you on the same job as a couple because you need for you two to look united
0:54:56 > 0:55:00and you've got quite a preppy look and you're quite pale,
0:55:00 > 0:55:05and, Becky, I'd like to see you literally with no make-up.
0:55:05 > 0:55:06We've got a lot to think about.
0:55:23 > 0:55:28To be honest, I could find good reason to throw four couples out this week.
0:55:31 > 0:55:36So Tyrone and Selena have done you lot a massive favour this week.
0:55:36 > 0:55:39Because they decided to quit, there's no elimination.
0:55:39 > 0:55:42SIGHS OF RELIEF
0:55:44 > 0:55:47So, congratulations, guys, you are the final five.
0:55:47 > 0:55:50You've all made it halfway,
0:55:50 > 0:55:54so you are that much closer to walking away with the prize.
0:55:54 > 0:55:58What that means is the competition really starts now,
0:55:58 > 0:56:03but I know all of you can up your game and I'm expecting to see a lot more.
0:56:03 > 0:56:05APPLAUSE
0:56:10 > 0:56:13- Hello!- Whoo!- Congratulations!
0:56:13 > 0:56:15- You're all still here.- Yes.
0:56:15 > 0:56:16Well done.
0:56:16 > 0:56:19- It's amazing.- Gets a bit real now, though, don't it?
0:56:19 > 0:56:22It's all there for the taking.
0:56:22 > 0:56:25If you want it, you've got to just go and fight for it and get it yourself.
0:56:28 > 0:56:33Next time, the remaining five couples enter the world of high fashion and fairytales
0:56:33 > 0:56:36in a classy editorial photo shoot.
0:56:36 > 0:56:38What do you think?
0:56:38 > 0:56:43In an industry where size is everything, can they prove that they are the complete package?
0:56:44 > 0:56:46Why are your trousers undone?
0:56:46 > 0:56:50I don't think you've got one useable picture there, I really don't.
0:56:50 > 0:56:55And as one more couple faces the boot there are some home truths...
0:56:55 > 0:56:58I like all of you, but I wouldn't trust none of you with my life.
0:56:59 > 0:57:04It was just a big joke, the whole thing. This week, I could have quite easily sent all of you home.
0:57:23 > 0:57:26Subtitles by Red Bee Media Ltd