0:00:02 > 0:00:05'Sex sells and celebrity couples are big business.
0:00:05 > 0:00:08'Global brands who just have to name their price.'
0:00:08 > 0:00:10Look at Posh and Becks, Brad and Angelina,
0:00:10 > 0:00:14they're real people with real relationships. They're not bad to look at, either.
0:00:14 > 0:00:18'For the first time, the search is on to find a real couple
0:00:18 > 0:00:20'who can make it as top models.'
0:00:20 > 0:00:24A real couple who are gorgeous and in love will make a killing.
0:00:24 > 0:00:28'But for every Posh and Becks, there's a Katie and Peter.
0:00:28 > 0:00:31'So just looking the part won't be enough.'
0:00:31 > 0:00:35There's no point investing in a couple who don't have a strong relationship
0:00:35 > 0:00:38cos they'll break up and leave us high and dry.
0:00:38 > 0:00:44'Over six weeks, eight hot couples will live together in this state of the art Manchester mansion.'
0:00:44 > 0:00:47This is how the other half live.
0:00:47 > 0:00:50'As well as facing a series of modelling challenges.'
0:00:50 > 0:00:56- I can't see your face.- God, they're see-through!- 'Their relationships will be put under the microscope.'
0:00:56 > 0:00:59If the house was on fire, what would your partner rescue?
0:00:59 > 0:01:01- His clothes.- My straighteners.
0:01:01 > 0:01:04'They might have modelled before, but never as a couple.
0:01:04 > 0:01:08- 'And that means there'll be slip-ups...' - Have we done both of them?
0:01:08 > 0:01:12- '..tantrums...'- I'll stare at you and tell you to shut up.
0:01:12 > 0:01:14'..and embarrassing challenges ahead...'
0:01:14 > 0:01:18- I'm putting a sock down there.- Some might need a bit more than others.
0:01:18 > 0:01:20'..as they battle it out to impress the judges
0:01:20 > 0:01:24'and avoid being eliminated from the competition.'
0:01:24 > 0:01:27I'm not looking for two separate models, I'm looking for a couple.
0:01:27 > 0:01:31It's about making sure the couple's relationship will stand the test of time.
0:01:32 > 0:01:39- 'The prize for the winning pair is a contract with a top modelling agency.'- We've got it in the bag.
0:01:39 > 0:01:41'They all think they're drop dead gorgeous.'
0:01:41 > 0:01:44I think I'm genetically blessed.
0:01:44 > 0:01:46BOTH: We are 100 percent awesome.
0:01:46 > 0:01:50I was voted the top ten best-looking South Asian male.
0:01:50 > 0:01:54'But how will their relationships cope under pressure?'
0:01:54 > 0:01:57- This show is 50 percent about relationships. - And 50 percent about models.
0:01:57 > 0:02:00'This is Hot Like Us.'
0:02:00 > 0:02:02When you whisper, somebody will be listening.
0:02:13 > 0:02:16# Guess I got caught up in the moment
0:02:16 > 0:02:19# Never meant for it to go this far
0:02:19 > 0:02:22'Last week, things got ugly
0:02:22 > 0:02:28'as the wannabe models made a vampire-themed music video with star rapper Lethal Bizzle.'
0:02:28 > 0:02:30# Never meant for it to go this far
0:02:30 > 0:02:34'Chanel won the star role of vampire lap dancer.'
0:02:34 > 0:02:36You're definitely ticking the hot box right now.
0:02:36 > 0:02:42'And Jay beat off the boys to play Chanel's unsuspecting victim.'
0:02:42 > 0:02:47'But the sexy shoot was all too much for Tyrone and Salina.'
0:02:47 > 0:02:50This is worse than the underwear shoot.
0:02:50 > 0:02:53This is more intimate. It's kind of like sex clothing.
0:02:53 > 0:02:56'And amid accusations of game-playing in the house...'
0:02:56 > 0:03:01Just say, "I don't like you". Just be honest. Everyone's just playing a game.
0:03:01 > 0:03:06'..the couple dramatically quit the competition.'
0:03:06 > 0:03:11We don't need this competition to get us a modelling contract.
0:03:11 > 0:03:14So, Tyrone and Salina have done you lot a massive favour this week.
0:03:14 > 0:03:16Because they quit, there's no elimination.
0:03:16 > 0:03:20'Now only five couples remain.
0:03:21 > 0:03:23'Christian ballrooms dancers Alison and Vaughan.'
0:03:23 > 0:03:27- We have a relationship motto, which is...- You wish you had this.
0:03:27 > 0:03:30'Wrestler Leroy and girlfriend Chloe.'
0:03:30 > 0:03:34You only live once, so make the best of what you've got while you've got it.
0:03:34 > 0:03:38'Ultra-competitive Helen and Stuart.'
0:03:38 > 0:03:40There's no two ways about it, we've come here to win.
0:03:40 > 0:03:46- 'Fiery Damien and Chanel.' - I'd definitely say our relationship is edgy.
0:03:46 > 0:03:50'As well as Page Three girl Becky and her boyfriend Jay.'
0:03:50 > 0:03:55- We're two peas in a pod.- People say it all the time.- What do you think?
0:03:57 > 0:04:00'This week, the aspiring models
0:04:00 > 0:04:05'enter a world of high fashion and fairytales during a classy editorial photo shoot.'
0:04:05 > 0:04:08I don't think you've got one usable picture there. I really don't.
0:04:08 > 0:04:11'In an industry where size is everything,
0:04:11 > 0:04:16- 'can the pairs prove that they are the complete package?' - Why are your trousers undone?
0:04:16 > 0:04:21'And in the relationship challenge, it's time for some tough talking.'
0:04:21 > 0:04:24I like all of you, but I wouldn't trust none of you in my life.
0:04:24 > 0:04:29'And Jody's got hair-raising plans for Helen.'
0:04:29 > 0:04:34- I'd like you to have really short hair, like here. - Jody, man, you cannot do this!
0:04:42 > 0:04:45- I suppose that's a bit more funky. - That is funky.
0:04:47 > 0:04:52'It's breakfast time in the house, so wrestler Leroy reaches for his box of delights.'
0:04:52 > 0:04:56Every morning, we start with a nice protein shake.
0:04:56 > 0:04:59Because you don't get big muscles without one of those.
0:05:07 > 0:05:09Swallow it down, baby.
0:05:10 > 0:05:13'With everyone fed and watered,
0:05:13 > 0:05:17'the would-be models await the arrival of their mentor, Jonathan Phang.'
0:05:21 > 0:05:24'Jonathan knows the modelling industry inside out
0:05:24 > 0:05:28'and he's able to offer the group the benefit of his vast experience.'
0:05:28 > 0:05:30You can't fake the real thing,
0:05:30 > 0:05:33so if we can pull this off and find a real couple
0:05:33 > 0:05:37that are gorgeous and in love, they're going to make a killing.
0:05:39 > 0:05:42- So how are we all feeling today? - ALL: Good.
0:05:42 > 0:05:48For this week's challenge, we're going to take you into the wilds of the Yorkshire Dales
0:05:48 > 0:05:53and you're going to take part in a photo shoot where you have to communicate raw emotion
0:05:53 > 0:05:57- surrounded by the natural beauty of the Dales.- ALL: Oooh!
0:05:57 > 0:06:02Modelling is all about communication through your body language and through your eyes
0:06:02 > 0:06:04and the best models in the world are true chameleons.
0:06:04 > 0:06:10So one day, you might be a bride, the next day, you might be selling a computer.
0:06:10 > 0:06:14This is what models do. It's a different scenario every day
0:06:14 > 0:06:20- and you have to fit into the environment believably. - Where is Yorkshire, anyway?- No idea.
0:06:20 > 0:06:24- THEY LAUGH - Yorkshire's about an hour away further north.
0:06:24 > 0:06:29- But it's really beautiful. You know Heathcliff and Cathy, Wuthering Heights.- Oh, OK.- So see you there!
0:06:29 > 0:06:32- ALL: Thank you.- I'm so excited.
0:06:32 > 0:06:36I'm proper buzzing. Get some hiking...
0:06:39 > 0:06:44'The couples are soon on their way to deepest, darkest Yorkshire.'
0:06:45 > 0:06:49- We're little adventurers.- Yeah, we love it.- We like to trek around.
0:06:49 > 0:06:52We've been to Stonehenge, see all the country. Love it.
0:06:52 > 0:06:57'But some of the wannabe models don't feel quite so enthusiastic about the country life.'
0:06:57 > 0:07:01I'm blatantly going to stand in poo and I've got flip-flops on.
0:07:01 > 0:07:07My mum used to tell me to stand in cow shit, it'll make you grow taller. THEY LAUGH
0:07:11 > 0:07:13I'm quite excited about this.
0:07:15 > 0:07:20- There's not enough buildings. It's weird.- There's no shops.
0:07:20 > 0:07:25There's not enough anything apart from sheep and grass and walls.
0:07:32 > 0:07:35We're in the middle of nowhere with no reception. Anything could happen.
0:07:35 > 0:07:41Helen's a little bit out of place, but Becky takes it to a whole other level. Whole other level.
0:07:41 > 0:07:44- It was meant to be hot and summery. - She's got bloody flip-flops on!
0:07:44 > 0:07:46- THEY LAUGH - In the country.
0:07:46 > 0:07:49- I don't want a sheep to chase me. - SHE LAUGHS
0:07:49 > 0:07:52- Ohh! It's a moth. Wahh! - SHE SCREAMS
0:07:53 > 0:07:56- What is it? - I don't know, it was in my ear.
0:07:56 > 0:08:00- The countryside! I want to go home. - See? Look at this.- I want to go home.
0:08:10 > 0:08:14I can't believe I'm so in the middle of nowhere. Who would've thought it?
0:08:14 > 0:08:16Where the hell are we?
0:08:19 > 0:08:23I'm on my way to Bolton Castle where we're going to be doing an editorial shoot.
0:08:23 > 0:08:27They're going to really need to work hard to pull this one off.
0:08:27 > 0:08:30'This will be the couples' most stylised shoot yet
0:08:30 > 0:08:33'as they attempt to create high fashion photographs
0:08:33 > 0:08:36'that could feature in magazines such as GQ and Vogue.
0:08:36 > 0:08:40'Success in this challenge will prove they can be versatile enough
0:08:40 > 0:08:44'to thrive in the world of commercial modelling.'
0:08:45 > 0:08:49- It's gorgeous.- It's so pretty.
0:08:49 > 0:08:51- Hi.- Hi.
0:08:53 > 0:08:56- Welcome to my house. - THEY LAUGH
0:08:56 > 0:08:59Your photo shoot is all about communication.
0:08:59 > 0:09:02Today's shoot is inspired by fairytales
0:09:02 > 0:09:06and you'll be expected to communicate the emotions of the well-loved stories.
0:09:06 > 0:09:09Stuart and Helen, you're first with The Princess And The Pea.
0:09:09 > 0:09:14So Helen, you're a bit of a diva, you're on 100 mattresses and you can still feel the little petit pois
0:09:14 > 0:09:17at the bottom of it and you're in pain because of it, right?
0:09:17 > 0:09:21And Stuart, you're going to feel joy because you've found your princess,
0:09:21 > 0:09:26- she's a true princess cos she can feel the pea.- Yeah.- She's a diva. "I'll have a bit of that."
0:09:26 > 0:09:29- Vaughan and Alison, you're Cinderella and Prince Charming.- Yes!
0:09:29 > 0:09:35- ALL: Aww!- You're at the ball and you're in a panic cos you've got to get home before midnight.
0:09:35 > 0:09:40You are utterly confused. "I've fallen in love with this beautiful woman and she's legging it,
0:09:40 > 0:09:44- "what have I done wrong?" - THEY LAUGH - Hm, that sounds familiar.
0:09:44 > 0:09:51'Jay and Becky will re-enact Beauty And The Beast, whilst Damien and Chanel will recreate Rapunzel.'
0:09:51 > 0:09:57Chloe and Leroy, Sleeping Beauty. It's quite difficult though, this one, cos you're full of despair
0:09:57 > 0:10:03because she's been asleep for 100 years and you're full of sadness cos you're waiting for your prince.
0:10:03 > 0:10:07Rachel and Nicky are your stylists today. They'll put you in your outfits.
0:10:07 > 0:10:11- So get into character now and good luck on the shoot.- ALL: Thank you!
0:10:11 > 0:10:17- Our emotion is probably the most... - Difficult.- ..real and difficult to convey. I mean, happy, you smile.
0:10:17 > 0:10:24But this is like a deep emotion, so we've really got to pull out the A game right now, I think,
0:10:24 > 0:10:28and just do our best. On this one, we really have to just go for it, I think.
0:10:28 > 0:10:33'Here to observe how professional the would-be models are and to pick the best photographs
0:10:33 > 0:10:37'is top casting agent and judge Jody Furlong.'
0:10:39 > 0:10:42I'm a casting director and I own a model agency.
0:10:42 > 0:10:50'If there's one man who can identify new talent and ensure they'll have a successful career, it's Jody.'
0:10:50 > 0:10:54For me, it's all about the looks. I couldn't care less about their relationship.
0:10:54 > 0:10:58All I'm bothered about is whether they can cut it as models.
0:10:58 > 0:11:02'And this week, Jody's insisting that the conditions of the shoot
0:11:02 > 0:11:05'are as realistic as possible.'
0:11:06 > 0:11:10I've asked for all the clothes to be brought in in a sample size because the reality is,
0:11:10 > 0:11:14on a fashion shoot, that's what you get. The girls would be a size six to eight.
0:11:14 > 0:11:18Some people will struggle. Stuart and Helen, physically, should be perfect.
0:11:20 > 0:11:23So, Helen, a beautiful pea-green dress for you.
0:11:23 > 0:11:29- OK? Stuart, nice little country casual look for you.- I like that.
0:11:29 > 0:11:32- These are sample sizes, so let's see if they fit.- Yep.
0:11:33 > 0:11:39On an editorial shoot like this, it's all about the storytelling, so are they going to be able to do it?
0:11:40 > 0:11:44So for them, the challenge is how well they can channel emotion on the shoot.
0:11:44 > 0:11:47And we haven't seen lots of emotion so far.
0:11:47 > 0:11:50'The pair race to get ready for the shoot,
0:11:50 > 0:11:53'but soon face an unexpected problem.'
0:11:53 > 0:11:55Breathe, Helen, come on!
0:11:55 > 0:12:00'Slimline Helen seems to have the perfect figure for the sample size dress,
0:12:00 > 0:12:03'but even she struggles to fit first time.
0:12:07 > 0:12:10- And you're in. - SHE LAUGHS
0:12:10 > 0:12:12I had to really, really squeeze her in.
0:12:12 > 0:12:16But I suppose that's the situation in the real world, that you might not fit in the dress.
0:12:19 > 0:12:22# There is no-one like me
0:12:22 > 0:12:28'If there's one couple with the looks and self-belief to win the competition, it's these two.'
0:12:28 > 0:12:32With my genetics and Helen's genetics,
0:12:32 > 0:12:35our kids are going to take over the world.
0:12:35 > 0:12:39'But their unusual relationship has left others perplexed.'
0:12:39 > 0:12:45- We don't like "I love you". We say, "You belong with me". - And I belong with you.
0:12:45 > 0:12:50'And last week, they both failed to secure prominent roles in Lethal Bizzle's music video.'
0:12:50 > 0:12:53Helen, I've got you as one of the go-go girls.
0:12:53 > 0:12:56Stuart, I've got you as drummer.
0:12:56 > 0:13:01'If they can't make an impression today, it could be an unhappy ending for the dazzling duo.'
0:13:03 > 0:13:05All my light's going.
0:13:06 > 0:13:10Pain and joy. Pain and joy.
0:13:12 > 0:13:15Forget being natural. We want you looking great.
0:13:15 > 0:13:18'Award-winning portrait photographer Mark Harrison
0:13:18 > 0:13:23'is shooting the five couples and turning their fairytales into reality.'
0:13:23 > 0:13:27I don't want every frame the same, so you need to give me variations on it.
0:13:27 > 0:13:29You can make use of those legs, Helen, as well.
0:13:29 > 0:13:35Big eyes. Half of them are half-closed. Both of you.
0:13:35 > 0:13:38Small changes in your heads and turns.
0:13:38 > 0:13:42'But Stuart and Helen's attempt to convey pain and joy
0:13:42 > 0:13:45'seems to have turned into despair and frustration.'
0:13:45 > 0:13:49A bit coy, Stuart. Lose the expression like that. That's it.
0:13:50 > 0:13:54Stuart, I need to see that pea, yeah? You're looking a little bit uncomfortable.
0:13:55 > 0:13:59We're losing eyes. I can't see any eyes in any pictures.
0:13:59 > 0:14:02Mark, have a look at what's there. I can't see their eyes at all.
0:14:02 > 0:14:05- No, I can't. - I can't see any expression.
0:14:05 > 0:14:10You're not giving me much variation here, guys. I want to press the button and see small changes.
0:14:10 > 0:14:13I'm looking at these frames here.
0:14:13 > 0:14:18You're looking at the pea and you're looking out the window. I'm not seeing the connection there at all.
0:14:18 > 0:14:21It's quite a hard prop to use. It's quite awkward.
0:14:21 > 0:14:23It was harder for Stuart, he did a lot of the moving.
0:14:23 > 0:14:28Your right shoulder is a little bit awkward. That's it. Now we can see the dress. That's better.
0:14:28 > 0:14:31Think about your outfit. Good.
0:14:31 > 0:14:35- It's getting a lot better. - Three, two, one, up it goes.
0:14:35 > 0:14:39- Good.- That's the best so far!- OK!
0:14:39 > 0:14:44Hopefully, we've at least got one decent picture. Hopefully.
0:14:44 > 0:14:48- Thank you so much for your time. - 'But is it too little, too late?'
0:14:50 > 0:14:54At some points, it seemed like we were just repeating ourselves and I was having to move.
0:14:54 > 0:14:58- Sorry for that.- No, no, no, don't apologise, just learn.
0:14:58 > 0:15:01- Thank you very much. - Lovely working with you.- Bless you.
0:15:01 > 0:15:03- Well done. - See you later.- See you in a bit.
0:15:03 > 0:15:08He's give us feedback, so for him to not be so positive about it is like,
0:15:08 > 0:15:10"Oh, God, we'll have to really up our game".
0:15:10 > 0:15:14I think they're expecting everything to go perfect and it hasn't, has it?
0:15:14 > 0:15:19We are halfway through a competition. They're meant to have had modelling experience.
0:15:19 > 0:15:21For God sake, how hard is it?
0:15:21 > 0:15:24'Another poor photo shoot for Stuart and Helen,
0:15:24 > 0:15:30'who will now need to impress in the relationship challenge if they want to avoid the chop.'
0:15:32 > 0:15:35So go into a position where you feel comfortable.
0:15:35 > 0:15:37'Throughout Bolton Castle,
0:15:37 > 0:15:40'the wannabe models are rehearsing for their big moment
0:15:40 > 0:15:45'and for Damien and Chanel, it's almost time to make a fairytale entrance.'
0:15:45 > 0:15:49I am playing Rapunzel and my emotion is joy.
0:15:49 > 0:15:52I've got pride, which is...
0:15:52 > 0:15:57It sounds a bit challenging, but I'm just getting round it and trying to think about what I can do.
0:15:57 > 0:16:01I'm interested in finding out how they deal with having clothes that don't fit.
0:16:01 > 0:16:04Ooh! It's freezing!
0:16:04 > 0:16:06Damien should be cool, he's tall and slender-ish.
0:16:06 > 0:16:10But Chanel, she's got really big hips and big boobs, as well,
0:16:10 > 0:16:14which is great for some shoots, but this one I think will be a problem for her.
0:16:14 > 0:16:18- It might be a bit tight across the chest. - We better try the other option.
0:16:18 > 0:16:22Great little figure on her, but she's got these boobs
0:16:22 > 0:16:25that literally were going nowhere near the sample dress.
0:16:25 > 0:16:29So in the end, we had to try and swap the outfit over,
0:16:29 > 0:16:35put a different version on, and even that, to be honest, the silk lining is slightly torn inside.
0:16:35 > 0:16:38Hold on, it's stuck on my chest.
0:16:38 > 0:16:41It's hard to cover my boobs up and try and not have them out there.
0:16:41 > 0:16:44So I think it's kind of good that I was wearing something like this.
0:16:44 > 0:16:47But I think it fits, it works.
0:16:47 > 0:16:50'If the couple struggle with sample sizes now,
0:16:50 > 0:16:53'chances are they'll face the same problems in the future,
0:16:53 > 0:16:58'a fact that could count against them in this week's casting decision.'
0:16:58 > 0:17:01Variety fashion shoot. Keep an eye on where your light is,
0:17:01 > 0:17:04that you're in the light, close together, act it out.
0:17:04 > 0:17:09Here we go. Right. Not too far apart, cos this has got to be close together for this to work.
0:17:09 > 0:17:13Rapunzel. Damien, you're wrapped up with hair, man!
0:17:13 > 0:17:19Come on! You're wrapped up with hair! It's not every day! Joy! There we go.
0:17:19 > 0:17:21Pull it tight round him. Wrap this guy up now.
0:17:24 > 0:17:28Chanel, you've got a problem with the dress. I know it's not your usual thing.
0:17:28 > 0:17:33- It's all right, it's just a bit hard to...- It's a hard one to make gorgeous, I do admit.
0:17:33 > 0:17:35I know that they send sample sizes.
0:17:35 > 0:17:39I am a small size, but I do have slightly larger boobs than the average girl,
0:17:39 > 0:17:43which does make it a bit difficult. But you just have to make it work.
0:17:43 > 0:17:46'Chanel's attempts to convey joy are a success,
0:17:46 > 0:17:49'but Damien looks less comfortable portraying pride.'
0:17:51 > 0:17:54What's that reaction on your face, Damien?
0:17:54 > 0:17:59Not long to go. Every frame different. Think of your body shape in that maternity frock.
0:17:59 > 0:18:02I think, Damien, you haven't moved the whole shoot.
0:18:02 > 0:18:08Is there any way we can change your point of view? Now you're getting it! Cool! Let's go with that!
0:18:08 > 0:18:10The cat that got the cream, Damien.
0:18:10 > 0:18:15We got very good feedback and comments from the photographer.
0:18:15 > 0:18:20- You're looking better. You two are good. OK.- A bit more pride, Damien.
0:18:20 > 0:18:23So, yeah, I felt it went really well.
0:18:23 > 0:18:27- Good.- I think we've probably got it now, don't you?- Last shot.
0:18:27 > 0:18:32You're going to scream at me. Three, two, one. SHE SCREAMS
0:18:32 > 0:18:36- SHE LAUGHS - Lovely! Finally!
0:18:36 > 0:18:41Excellent. Thank God! A good picture, good energy and a bit of modelling finally.
0:18:41 > 0:18:45Yeah, they were good. They were much better. They got it.
0:18:45 > 0:18:50I think that me and Chanel are probably the most versatile couple here.
0:18:50 > 0:18:54It makes the photographer's life so much easier. You just set it up and let them do it.
0:18:54 > 0:18:56Not perfect, but pretty good.
0:18:56 > 0:18:59Come on, darling.
0:18:59 > 0:19:01Wait, give me a ride back.
0:19:01 > 0:19:07'As they wait their turn, one couple use their free time to make the most of their first trip to Yorkshire.
0:19:07 > 0:19:11- 'Now they know where it is.' - Oh, my God, this is so amazing.
0:19:11 > 0:19:13Hop on your stallion.
0:19:20 > 0:19:23'Australian ballroom dancers Vaughan and Alison
0:19:23 > 0:19:25'are the most unconventional couple in the group.'
0:19:25 > 0:19:31- We're practising Christians. We go to church.- We want to think we make being Christian cool.
0:19:31 > 0:19:34'The couple have a rock-solid relationship,
0:19:34 > 0:19:37'but their modelling skills leave something to be desired.'
0:19:37 > 0:19:41It was really awkward. It was difficult to watch.
0:19:41 > 0:19:45'If the couple don't deliver an outstanding performance today,
0:19:45 > 0:19:49'their dreams of becoming professional models could soon be over.'
0:19:50 > 0:19:52Vaughan and Alison worked wonders.
0:19:52 > 0:19:58In fact, probably the sample size was slightly bigger on Alison cos she is teetering on a size six.
0:19:58 > 0:20:00Vaughan, perfect sample size.
0:20:00 > 0:20:02Whoo-hoo! I'm a five.
0:20:02 > 0:20:09'The slipper fits, as does the rest of the clobber for Cinderella Alison and Prince Charming Vaughan.'
0:20:09 > 0:20:11I love your hair especially. You look fantastic.
0:20:11 > 0:20:14- I wonder if you can keep it. - It brings out the prince in me.
0:20:14 > 0:20:20The outfits that they're wearing look like what they probably wear every day when they go dancing.
0:20:20 > 0:20:24- Very lovely.- So they should feel comfortable in the environment.
0:20:24 > 0:20:29But my patience is kind of dwindling at this point. We are more than halfway through the competition.
0:20:29 > 0:20:33They've got to start modelling and delivering what they're here to deliver.
0:20:35 > 0:20:39And we're going now. Three, two, one.
0:20:39 > 0:20:45Vaughan, shapes. You're in the shot, as well, mate, don't forget. Good.
0:20:45 > 0:20:49'The couple are supposed to portray the emotions of panic and confusion,
0:20:49 > 0:20:52'but they're struggling to settle into their roles.'
0:20:52 > 0:20:57You don't look very happy. You guys all right? OK. So move and settle.
0:20:58 > 0:21:01Ooh, that's very theatrical. OK.
0:21:01 > 0:21:07It just looks really posed. It looks beautiful. You both look gorgeous, but for a different brief.
0:21:07 > 0:21:10You've also got to sell me these clothes, all right?
0:21:10 > 0:21:12This is an editorial shoot.
0:21:13 > 0:21:17- It's an editorial shoot with four minutes left and it's not Swan Lake. - OK.
0:21:17 > 0:21:21Closer together. Can we do closer together?
0:21:21 > 0:21:25- But not too balletic. - I keep doing it!- You do. Stop it.
0:21:25 > 0:21:30'Despite encouragement from Mark, it just doesn't get any better.'
0:21:30 > 0:21:34That was really hard. I'm trying to think of something positive to say.
0:21:34 > 0:21:37- There is nothing positive to say. - No.
0:21:37 > 0:21:41They would've been sent home so fast
0:21:41 > 0:21:43because they just didn't get it at all.
0:21:43 > 0:21:48That wasn't a fashion shoot, that was like a dance shoot
0:21:48 > 0:21:50- or a... - They're not even ballet dancers,
0:21:50 > 0:21:56but it was total balletic, sort of, Black Swan, wasn't it? I don't know what she thought she was doing.
0:21:56 > 0:22:00I was just trying to follow direction, but honestly,
0:22:00 > 0:22:02I was just standing there going,
0:22:02 > 0:22:08"I'm trying to do what I'm told and I'm trying to do what they asked us to do," but there was too many cooks.
0:22:08 > 0:22:11I don't think you've got one usable picture there. I really don't.
0:22:12 > 0:22:16So everything off apart from your knickers, please.
0:22:16 > 0:22:20'Next up, Jay and Becky.
0:22:21 > 0:22:26'The couple's mismatched appearance has led to criticism from some photographers.'
0:22:26 > 0:22:29You look quite odd together. It's a bit brother and sister.
0:22:31 > 0:22:37'So on this shoot, they'll have to work extra hard to look like the perfect couple.
0:22:37 > 0:22:44- 'And to make things tougher, Jay will have to pose with an unusual prop.'- What do you think?
0:22:44 > 0:22:50- 'But Becky's got bigger problems to deal with.' - It's very long.- Very long!
0:22:50 > 0:22:54It's a full-length gown, on a five-foot-seven girl, absolutely perfect.
0:22:54 > 0:22:58On a five-foot-three girl, it's absolutely drowning her.
0:22:58 > 0:23:04- I was going to do you with no shoes on.- OK.- But cos of the height, I'll put shoes on you to lift it.- OK.
0:23:04 > 0:23:09Becky said she was five-foot-three. Are we sure she is? Maybe five-foot-one.
0:23:12 > 0:23:16Becky and Jay are starring in Beauty And The Beast.
0:23:16 > 0:23:19It's going to be quite a role reversal for these two
0:23:19 > 0:23:22because he's very mild and gentle,
0:23:22 > 0:23:26so I really can't wait to see if he can give us the emotion we need in this shot.
0:23:26 > 0:23:30- Right, let's do this. - OK. Three, two, one and...
0:23:30 > 0:23:35Editorially speaking, would they ever be booked together with their height difference? I'm not sure.
0:23:35 > 0:23:41So they've got to really, really turn it on and prove to us that they look good together today.
0:23:41 > 0:23:44Every one different. Change the way you're standing.
0:23:44 > 0:23:47- I'm going to look over my shoulder, OK?- Three, two, one and...
0:23:47 > 0:23:53- How are you coping with the dress? I'm guessing you're not sample size. How did you adapt it?- We pinned it.
0:23:53 > 0:23:57- I think we need to give her a nicer shape.- Tighter.
0:23:57 > 0:24:03This is a size six to eight, but I'm quite slim, so it was a bit baggy,
0:24:03 > 0:24:06so they're trying to clip everything to make it tighter.
0:24:06 > 0:24:08Three, two, one and...
0:24:08 > 0:24:11Right, fear.
0:24:12 > 0:24:16- Done. Thank you!- Really well done.
0:24:16 > 0:24:20- We've waited all day for that.- You can never tell how well things go,
0:24:20 > 0:24:24- but under the pressure we were under, I think we did... - We did the best we could.
0:24:24 > 0:24:29She's a little bit similar in what she does. Given half a chance, she'll stick her hand on her hip
0:24:29 > 0:24:34- and that's it.- I think that's her Page Three background. - Ah. I didn't know that.- Yeah.
0:24:36 > 0:24:42'Finally, it's bodybuilder Leroy and novice model Chloe's moment in front of the camera.
0:24:42 > 0:24:47'After stealing the show on last week's video shoot, is there anything Leroy can't do?'
0:24:47 > 0:24:51- He can do stuntman, trampolining. - Wrestling.
0:24:51 > 0:24:54- Acting, spiritualist. - Spiritualist.- Modelling.
0:24:54 > 0:24:58- Modelling.- Break dancing. - Singing, rapping.- Yep
0:24:58 > 0:25:02- He writes.- Yes. - He writes songs.- He writes songs.
0:25:02 > 0:25:05Many talents, that boy. Loads of talents.
0:25:05 > 0:25:09'The couple will be trying to depict a scene from Sleeping Beauty
0:25:09 > 0:25:13'and Leroy's making sure they've got the beauty part covered.'
0:25:13 > 0:25:17- I think your hair's flat. SHE LAUGHS - Well, you can never be too sure.
0:25:20 > 0:25:26Chloe and Leroy are up next and I'm a bit worried, because the sample sizes won't suit them at all.
0:25:26 > 0:25:28So step in.
0:25:28 > 0:25:31How do you feel about wearing full-length?
0:25:31 > 0:25:34- Erm...- Cos you are the shortest girl, aren't you?
0:25:34 > 0:25:38- I think Becky's shorter than me. - So how tall are you?
0:25:38 > 0:25:42- Five foot.- Five foot?- Yeah. SHE LAUGHS - So bra off.
0:25:42 > 0:25:45Chloe has just revealed that she's only five foot
0:25:45 > 0:25:48and she's just told me that Becky's smaller.
0:25:48 > 0:25:52So that means Becky is below five foot. It's crazy!
0:25:52 > 0:25:54Can I have some pins, Rach?
0:25:54 > 0:25:58We've just had Chloe in a beautiful white gown and the whole thing just swamped her.
0:25:58 > 0:26:02We just have to pin like a maniac and it's literally all over the floor.
0:26:02 > 0:26:05So, to be honest, it's a godsend that she's laid down.
0:26:05 > 0:26:10- Can we get you down to the nitty-gritty? - No problem.- Trousers, top off.
0:26:10 > 0:26:15Oh, I've been dreading it all day. Leroy just isn't the shape of a model.
0:26:15 > 0:26:20What makes us laugh, it's elimination, right? You're all lined up and then Jody goes,
0:26:20 > 0:26:25"I really love you guys, you've done a great picture, but Leroy, you're just too big".
0:26:25 > 0:26:28And he goes, "All right."
0:26:28 > 0:26:31- Walks out the door, crack, protein bar, shake.- Do you know what I mean?
0:26:31 > 0:26:35And then you ask, "What you doing when you get home?" "Going to smash the gym."
0:26:35 > 0:26:38"I'm going to get bigger. I'm going to get bigger."
0:26:38 > 0:26:45He sits there and he goes, "Because of my size and because I intimidate everyone..."
0:26:45 > 0:26:51- I know you're big, I've got eyes! - I'm thinking, "I can see you've got muscles. I can see that. Very good."
0:26:51 > 0:26:56He had a shirt on him that he was quite lucky with and I think that's only because he was short.
0:26:56 > 0:27:01- So shirt's OK.- Yep.- I think that was the luck of the draw.
0:27:01 > 0:27:04- And his trousers.- Let's try it.
0:27:04 > 0:27:06He looked like two green sausages.
0:27:06 > 0:27:10They're sitting on the butt at the moment. They're tight on the butt at the minute.
0:27:12 > 0:27:15- SHE LAUGHS - I'm really scared.
0:27:15 > 0:27:17- Oh, no! - SHE LAUGHS
0:27:17 > 0:27:23- I feel like the Incredible Hulk about to rip out. Shall we not rip the jacket?- Let's drop.
0:27:23 > 0:27:27'Leroy's forced on set without his jacket and wearing ill-fitting trousers.
0:27:27 > 0:27:32'On a real editorial shoot, Leroy and Chloe could both be sent home.
0:27:32 > 0:27:35'They'll be hoping the judges don't reach the same conclusion.'
0:27:35 > 0:27:39- Beauty, Chloe!- OK, stand by.
0:27:40 > 0:27:44Taller, Leroy. Keep it tall, mate.
0:27:44 > 0:27:48- Why are your trousers undone? - Erm, because they don't fit round the legs.- Oh.
0:27:48 > 0:27:51I've got to try and style it out as best as possible.
0:27:51 > 0:27:55Unfortunately, the trousers just wasn't working.
0:27:55 > 0:27:58- Is this a problem you normally have with trousers?- Yeah.
0:27:58 > 0:28:03- Do you want to borrow mine? - HE LAUGHS - Please. It'd help.
0:28:03 > 0:28:06If I had other trousers, it would've felt more natural.
0:28:06 > 0:28:12'The constant clothing issues are causing both despair and sadness.
0:28:12 > 0:28:17- 'Fortunately, they're the emotions they have to convey.'- Change head position, Chloe. That's it.
0:28:17 > 0:28:23Leroy, it's not working, mate. I think you need to stay taller cos all I'm getting is the lean forward.
0:28:23 > 0:28:26- You're coming to get her! - Stay there.
0:28:26 > 0:28:30Turn of the head. Beautiful. Good.
0:28:30 > 0:28:35- This shoot was one of the harder challenges for us.- Especially as we've never modelled in this...
0:28:35 > 0:28:40We're having to think about emotion and clothes, the style, the fantasy of it.
0:28:40 > 0:28:42- That's it!- Last few frames now.
0:28:42 > 0:28:47- Last couple of frames. Done. Thank you, everyone!- Well done!
0:28:47 > 0:28:51For tomorrow's elimination, I do feel a little bit nervous
0:28:51 > 0:28:56that we might be in the bottom three, but I think, towards the end, we did quite well.
0:28:56 > 0:29:00- So you just don't know. You don't know what anyone else has done. - Yeah.- But we did our best.
0:29:00 > 0:29:04- We did our best. Love you, baby. - Love you, too.
0:29:04 > 0:29:08'With all five couples photographed, the shoot is drawing to an end.
0:29:08 > 0:29:13'And for photographer Mark Harrison, it's had an element of horror story as well as fairytale.'
0:29:13 > 0:29:17I think overall my favourite couple would be Becky and Jay.
0:29:17 > 0:29:22They looked great, they listened, they made interesting pictures. Straightforward, easy.
0:29:23 > 0:29:26The worst couple for me were probably Alison and Vaughan.
0:29:26 > 0:29:29The dance thing just took over too much.
0:29:29 > 0:29:33I can't photograph people if they're endlessly going to do balletic poses
0:29:33 > 0:29:36and Alison just looks very slightly terrified.
0:29:38 > 0:29:43'All the couples are thankful that it's time to head back to civilisation.
0:29:43 > 0:29:47'And with Damien behind the camera, they reflect on how the day has gone.'
0:29:47 > 0:29:51- How did we find it today? - Hard.- Hard.- Hard.
0:29:51 > 0:29:54- Really easy and enjoyable. - Buggered.- Lots of fun.
0:29:56 > 0:29:59'The search is on for Britain's hottest couple.'
0:30:00 > 0:30:06You can't fake the real thing. If we find a real couple who are gorgeous and in love, they'll make a killing.
0:30:06 > 0:30:11'Awaiting the winners is a lucrative modelling contract with a top London agency.'
0:30:11 > 0:30:15I'll be remembered for being the guy who came in and said, "I'm going to win this".
0:30:15 > 0:30:18'But looking the part is just half the battle.'
0:30:18 > 0:30:21You're dressed appropriately to go to a wedding in the 80s.
0:30:21 > 0:30:26- 'As their relationships are also under the microscope.'- For a couple to have any chance of winning,
0:30:26 > 0:30:29I need to know they'll be together for at least 12 months.
0:30:29 > 0:30:34I hope to find a couple who will be together in 12 years.
0:30:34 > 0:30:39'So far this week, they've taken part in a challenging editorial shoot
0:30:39 > 0:30:42- 'where they had to communicate raw emotions.' - SHE SCREAMS
0:30:42 > 0:30:47'Something they'll be asked to do again as the attention turns to their relationships.'
0:30:47 > 0:30:53Damien and Chanel, there's more fire in your relationship than you let out. That'll cause a problem.
0:30:59 > 0:31:03I don't want to go in there! THEY LAUGH
0:31:03 > 0:31:05Why do we get this room?
0:31:05 > 0:31:09'After a gruelling day's work, the would-be models are relieved to return to
0:31:09 > 0:31:14'their luxury house in Manchester. And now that there are only five couples left in the competition,
0:31:14 > 0:31:17'they can all have a bedroom of their own.'
0:31:17 > 0:31:20Show me where your room is.
0:31:20 > 0:31:23'As the household sort out their new rooms,
0:31:23 > 0:31:27'judge Emma arrives to put them through this week's relationship challenge.'
0:31:28 > 0:31:32I'm a therapist who specialises in relationships
0:31:32 > 0:31:35and I'm here to check our couples are fully committed to each other.
0:31:36 > 0:31:41'Over the weeks, relationship judge Emma has been putting the hot couples through their paces
0:31:41 > 0:31:44'with some interesting results.'
0:31:44 > 0:31:47We never say "I love you" to each other, ever.
0:31:47 > 0:31:50I might cry! SHE LAUGHS
0:31:50 > 0:31:53Oh, my God, they're see-through!
0:31:53 > 0:31:55'It's Emma's job to make sure that
0:31:55 > 0:32:00'the winning couple survive the pressures of the modelling industry.'
0:32:00 > 0:32:02I want a couple with real chemistry
0:32:02 > 0:32:06who are there for each other and support each other. A real partnership.
0:32:08 > 0:32:15'But now Emma faces a new test after Tyrone and Salina dramatically quit the competition last week,
0:32:15 > 0:32:18'claiming their rivals weren't being honest.'
0:32:20 > 0:32:24They all bitch about each other and we're in the middle.
0:32:24 > 0:32:28I'm thinking, "Wow, why don't they just be genuine for the cameras?"
0:32:28 > 0:32:33Just say, "I don't like you." Just be honest. But everyone's just playing a game.
0:32:33 > 0:32:35Sit down.
0:32:35 > 0:32:40'Emma is now keen to uncover any issues being kept hidden by the remaining competitors.'
0:32:40 > 0:32:46If they can show me that they can have arguments and be constructive around those arguments
0:32:46 > 0:32:49and move forward and still be able to connect and live with people,
0:32:49 > 0:32:53then I know their relationship will survive, and more importantly,
0:32:53 > 0:32:58in an industry where everybody else is going to want to beat them down, they'll be able to handle it.
0:32:58 > 0:33:02Tyrone and Salina were an incredibly strong couple.
0:33:02 > 0:33:08What they told me was people have been saying things about each other
0:33:08 > 0:33:14and that they felt very unhappy that people were saying those things and not fronting those things.
0:33:14 > 0:33:19I don't really care whether you're fighting with each other, because actually that's normal.
0:33:19 > 0:33:23But why are we not communicating that?
0:33:23 > 0:33:27Generally, I like all of you, but I wouldn't trust none of you.
0:33:27 > 0:33:32I'm very honest. I'll stare at you in the face and tell you to shut up, but I'm looking at you.
0:33:32 > 0:33:37But I don't want to come across, not arrogant, but aggressive.
0:33:37 > 0:33:40I think in you there is this real fire
0:33:40 > 0:33:44- that doesn't often get its chance to shine.- I watch and observe.
0:33:44 > 0:33:47But then there's times when you have to shout and shout and shout.
0:33:47 > 0:33:51It's all about communication.
0:33:51 > 0:33:57Cos part of this process, for me, isn't just about your relationships with each other.
0:33:57 > 0:34:01It's about a relationship with an industry that will rip you up.
0:34:01 > 0:34:04So, cards on the table,
0:34:04 > 0:34:06who's struggling with who and why?
0:34:06 > 0:34:12I definitely, when I walked in, straight away, Vaughan, I just thought,
0:34:12 > 0:34:17"I think he's a bit straight." Just a couple of little things where he was a bit short with people
0:34:17 > 0:34:20and a bit... I thought rude and a bit snappy.
0:34:20 > 0:34:25I said to Stuart, "Are you an s-stirrer? A shit-stirrer?
0:34:25 > 0:34:30"Is that what you do? Do you just go around trying to put people off?"
0:34:30 > 0:34:34- Cos that's what I thought. That was my first impression. - Vaughan, what people see in you,
0:34:34 > 0:34:40those snap judgements where you're kind of being very on-the-line and trying to be as honest as possible
0:34:40 > 0:34:45and trying to be part of it, the big thing for you, it's always about self-protection.
0:34:45 > 0:34:50'Not only is Vaughan happy to accept criticism, he's also happy to give it out.'
0:34:50 > 0:34:56I'm struggling with Damien and Chanel, because we all have the chance to adapt and to change,
0:34:56 > 0:35:00but their personalities are quite strong. You're a strong girl.
0:35:00 > 0:35:05I feel there's more fire in your relationship than you're letting out. That will cause a problem.
0:35:05 > 0:35:11Yeah, we've always said we're a fiery couple. We both have such strong opinions and we debate a lot.
0:35:11 > 0:35:16The big thing for us, coming into this house, was we knew we're going to be constantly around each other
0:35:16 > 0:35:20and there'll be points where we'll want to rip each other's heads off.
0:35:20 > 0:35:23We've been trying to calm down and grow up a bit.
0:35:23 > 0:35:29We're trying to think of other methods where we can both stay calm and then voice our opinions,
0:35:29 > 0:35:31rather than letting it out in front of all of you lot.
0:35:31 > 0:35:37That's why you two are very well suited, because there's this real sensitive undercurrent.
0:35:37 > 0:35:40Ideally, obviously, I want you to talk about your feelings.
0:35:40 > 0:35:45I want you to confront issues as they arrive and be unafraid of each other's reactions,
0:35:45 > 0:35:47cos we can resolve things that go wrong.
0:35:47 > 0:35:51No-one will get eliminated because they're arguing.
0:35:51 > 0:35:55But I want to know that the people who make it
0:35:55 > 0:35:57are resilient, well-rounded couples
0:35:57 > 0:36:02who can live with each other and with competition.
0:36:02 > 0:36:05- Yeah?- ALL: Yeah.
0:36:05 > 0:36:09'But will Emma consider the group session to be a success?'
0:36:09 > 0:36:12- Thank you!- Take care, sweetheart.
0:36:12 > 0:36:17I think that, as far as people connecting and getting on, that exists, they do get on.
0:36:17 > 0:36:20I think the love-fest is beginning to crumble
0:36:20 > 0:36:24because even though I've gone in, people still have a right to say nothing.
0:36:24 > 0:36:27I make it safe for them to vent.
0:36:27 > 0:36:31I loved that session and, like, Emma hit a raw nerve
0:36:31 > 0:36:37with what that was all about, cos she was spot-on with her intuition.
0:36:42 > 0:36:48'As the evening draws in, the aspiring models take some time out to cool down.
0:36:49 > 0:36:52'Before heading upstairs for an early night
0:36:52 > 0:36:55'to finally enjoy having their own bedrooms.'
0:36:55 > 0:37:00I think everybody's definitely going to up the ante now we're in separate rooms.
0:37:00 > 0:37:02- Do you think?- Yeah, definitely. - I don't know.
0:37:02 > 0:37:05Because everyone's going to get more of an opportunity
0:37:05 > 0:37:08to discuss winning, to discuss the challenges.
0:37:08 > 0:37:11- Moving rooms, I think it's quite a good thing for us.- Yeah.
0:37:11 > 0:37:17- Cos we wanted to be alone for a bit. - It might be our last night, so we get one night together at least.
0:37:17 > 0:37:21I'm quietly confident about tomorrow. I think we'll do all right.
0:37:21 > 0:37:25It's just whether they gave us a good picture or not. You never know what they'll give us.
0:37:25 > 0:37:28- So...- We'll see.
0:37:38 > 0:37:43- Should I wear jeans or shorts today? - You should do whatever makes you feel happy.
0:37:43 > 0:37:48'It's the day of the judges' casting decision. But before the couple have time to worry about who could leave,
0:37:48 > 0:37:53'judge Jody's about to surprise them with a new, unexpected challenge.'
0:37:53 > 0:37:57This week's been all about communication and to me that means honesty.
0:37:57 > 0:38:03I need to see the real model. I've come to the house to surprise them and give them a little challenge.
0:38:03 > 0:38:06- Oh, good morning!- Hi, guys. - ALL: Hi!
0:38:06 > 0:38:09Today I'm going to be doing a photo shoot with you
0:38:09 > 0:38:11as if you'd come to my office
0:38:11 > 0:38:14and I want you stripped back of everything.
0:38:14 > 0:38:20Yeah? You're going to be getting rid of all your makeup, all your hair extensions,
0:38:20 > 0:38:22all your fake eyelashes, everything.
0:38:22 > 0:38:26- Polaroid-style photos.- Whoo!
0:38:26 > 0:38:29OK, that's your challenge. Off you go to your rooms and get ready.
0:38:31 > 0:38:34I literally haven't got anything to do.
0:38:34 > 0:38:37I don't really wear makeup day-to-day, anyway.
0:38:37 > 0:38:39It's not a struggle for me to be natural at all.
0:38:39 > 0:38:44I think you've just got to, you know, be happy with what you've got and try to make the best of it.
0:38:44 > 0:38:48'And Jody's targeting one would-be model in particular.'
0:38:48 > 0:38:53- Helen, you're going to be getting rid of your makeup.- Yes.- Let's look at how much makeup you've got on.
0:38:53 > 0:38:55- Quite a lot. Quite a lot. - HE LAUGHS
0:38:55 > 0:38:59- I tried to do it quite natural today.- Can we just see this wipe?
0:38:59 > 0:39:03- And that's just one. We could probably do another five.- About five.
0:39:03 > 0:39:06'Jody's advice isn't limited to makeup.
0:39:06 > 0:39:11'He also thinks losing the hair extensions will help Helen's modelling career.'
0:39:11 > 0:39:15You've got a really strong face and if you've got a strong face, just go with it.
0:39:15 > 0:39:19Don't try and hide it behind long hair. I'd like you to have really short hair, like, here.
0:39:19 > 0:39:23- Please don't cut my hair and send me home.- Might do.- Jody, man!
0:39:23 > 0:39:26- You cannot do this! - HE LAUGHS
0:39:26 > 0:39:30'If Helen wants to prove that she can be flexible, she must take the judges' advice
0:39:30 > 0:39:33- 'and agree to the chop.'- Stuart!
0:39:33 > 0:39:39I can't even imagine it right now. I don't even know. I'll be like, "Oh, my God, I've got no hair".
0:39:39 > 0:39:43- Hi, Helen. Are you OK? Are you nervous?- Yeah.
0:39:43 > 0:39:49'Jody's even arranged for hair stylist Vince to carry out the emergency procedure.'
0:39:49 > 0:39:54She's quite an insecure girl, Helen. When I tell people that, they go, "She can't be insecure!"
0:39:54 > 0:39:58cos she's stunning, but she is, and I think all the hair extensions is part of that.
0:39:59 > 0:40:03- As short as what? - 'As Helen and Vince get to work,
0:40:03 > 0:40:05'the rest of the household go au naturel.'
0:40:06 > 0:40:10What I'm doing in this photo today is if you've just come to a go-see.
0:40:10 > 0:40:15So I'm only going to take four photos. One head-on, one full-length and a couple of poses.
0:40:15 > 0:40:18- That's all.- OK. - But I won't give you any direction.
0:40:18 > 0:40:21Head and shoulders picture.
0:40:21 > 0:40:23OK. Two poses for me.
0:40:35 > 0:40:38You've not looked at me once. HE LAUGHS
0:40:38 > 0:40:44- This is the nervous thing. I get so nervous.- But I can't have models who don't like to look at the camera.
0:40:44 > 0:40:51- I get... I hate it.- Well, you're in the wrong job, then.- I know.
0:40:51 > 0:40:56So, I've just done a blank canvas, natural shoot, like I'd do in my office if people came to a go-see,
0:40:56 > 0:41:00and it was very interesting, some of the things I found out about the models.
0:41:00 > 0:41:05And very interesting for them to know I don't want to see all the fakery, I want to see what they look like.
0:41:05 > 0:41:08So, guys, I'll see you all later on at judging.
0:41:08 > 0:41:11Do I want to see you with no makeup and white T-shirts? No.
0:41:11 > 0:41:14Because it's an occasion, to make an impression.
0:41:14 > 0:41:19But do I want to see loads of fake hair and fake tan and fake eyelashes? I don't want that, either.
0:41:19 > 0:41:24- I need a middle ground and it's for you to work out what that is. Good luck.- ALL: Thank you!
0:41:24 > 0:41:30'Jody is pleased with the results, but he won't get to see how Helen's new hairdo turns out
0:41:30 > 0:41:33'until they meet again at the casting studio.'
0:41:33 > 0:41:37- There you go. All done. - Oh, thanks, angel.
0:41:37 > 0:41:40I am happy with my new hair, but if I go home today,
0:41:40 > 0:41:44I'll think, "Oh, why did they even put me in that position?"
0:41:48 > 0:41:51THEY LAUGH
0:41:51 > 0:41:54- I like it!- Do you?- Yeah.
0:41:55 > 0:41:59- Do you like it? - I do, I like it. I love it. I knew they'd go that short.
0:41:59 > 0:42:02I promise I'd tell you. You know I'd tell you.
0:42:06 > 0:42:09ALL: Oooh!
0:42:10 > 0:42:12APPLAUSE
0:42:16 > 0:42:20- That look really amazing, really stylish.- And it suits your face shape.- Do you think?
0:42:20 > 0:42:25It gives you the major jaw line, as well. It brings all the attention to your jaw line.
0:42:25 > 0:42:27You look so mature like that.
0:42:27 > 0:42:32- I don't think you need makeup at all.- Shut up! I do.
0:42:32 > 0:42:39'But after a difficult photo shoot in Yorkshire, will the new look save the couple at the casting decision?
0:42:40 > 0:42:42'It's time to find out.
0:42:57 > 0:43:01'It's here at the casting studio that the fate of the would-be models
0:43:01 > 0:43:04'will be decided by top agent Jody Furlong,
0:43:04 > 0:43:08'and relationship expert Emma Kenny.'
0:43:28 > 0:43:33So, guys, we did a natural shoot today and you've all come here with a much more natural look,
0:43:33 > 0:43:37which I'm very pleased to see. The whole point of coming to a casting
0:43:37 > 0:43:40is you've got two minutes to show the best of you.
0:43:40 > 0:43:43You need to be very professional and know what your best angles are.
0:43:43 > 0:43:47So when you go into a casting you just go snap, snap, done.
0:43:47 > 0:43:51The other thing is your hair. What do you think of it?
0:43:51 > 0:43:55At first I thought, "Oh, you're going to cut it!" But I thought, well, if this is
0:43:55 > 0:43:58the way I want to be styled and looked at as a model, I have to do it."
0:43:58 > 0:44:04You still have some length there. It's versatile. You could wear it up, there's lots you can do with it.
0:44:04 > 0:44:07You could have it in a sharp bob. You've messed it up a bit today.
0:44:07 > 0:44:10So there's still versatility there for you to play with.
0:44:10 > 0:44:13It's a hair style, you didn't have a hair style before.
0:44:13 > 0:44:19- You had horrible ratty extensions. I don't want to see them ever again. - Never.
0:44:20 > 0:44:26So this week you had a photo shoot inspired by fairytales where you had to communicate emotions.
0:44:26 > 0:44:29You also had a session with me this week about honest communication.
0:44:29 > 0:44:34So, Vaughan and Alison, let's see your picture.
0:44:37 > 0:44:40I actually think it was better than what I thought it would be.
0:44:40 > 0:44:43She's inherited my hand.
0:44:43 > 0:44:48That scares me because this picture, it's a joke.
0:44:48 > 0:44:53- Is that confusion and panic? - No.- No. You did nothing.
0:44:53 > 0:44:58You stood there looking, actually, for the first time a bit like a model.
0:44:58 > 0:45:03But with nothing, no emotion, there wasn't any movement at all, you just stood there like a plank.
0:45:05 > 0:45:12Every single image, apart from when you decided to do jazz hands, that was the only time you moved.
0:45:12 > 0:45:17And all you did was ballet poses. Every single pose was a dance move.
0:45:17 > 0:45:21It was just a big joke, the whole thing. It was abominable.
0:45:22 > 0:45:29- But Vaughan, you look very handsome. - Thank you.- I thought he was very handsome.- Thank you.- I'm sorry.
0:45:31 > 0:45:37- So how did my session with you guys go?- I love getting honesty out of everyone. Lovely.
0:45:37 > 0:45:42I thought it was good because we sometimes are a little afraid to say this is hard sometimes.
0:45:42 > 0:45:47- Or we find something difficult. - Or say, "Damn it, I'm pissed off today!"- Yeah.
0:45:47 > 0:45:51There's a bit of me, when I see you in the photo and I talk to you,
0:45:51 > 0:45:57I kind of want to go, "Just relax". Everything is so presented.
0:45:57 > 0:46:02And I just want to know whether you could bring down those barriers a little bit,
0:46:02 > 0:46:06and let us just see you being OK, or not OK, or a bit of a mess.
0:46:06 > 0:46:10- He's definitely taken that onboard. - I've been like that the last few days.
0:46:10 > 0:46:14'Stuart and Helen have struggled in previous shoots.
0:46:14 > 0:46:18'And this week, another photographer was left frustrated.'
0:46:18 > 0:46:21You're not giving me much variation here, guys.
0:46:21 > 0:46:25- I can't see their eyes at all. - No.- I can't see any expression.
0:46:29 > 0:46:32Helen, you were really good.
0:46:32 > 0:46:38Really good. Looking through all the frames there's lots of pictures with a stroppy look, just woken up.
0:46:38 > 0:46:41It was really good.
0:46:41 > 0:46:47Stuart, I've no clue what you were doing. Every single picture, it's the side of your face, side, side, side.
0:46:48 > 0:46:51There's no hint of trying to look to the camera.
0:46:51 > 0:46:54In lots, you're not looking at Helen. We picked one where you are.
0:46:54 > 0:46:59There was no sense of joy. I think we had one smile. It was really weird.
0:47:01 > 0:47:04I know I can do better than that. I know I can do it.
0:47:04 > 0:47:07That is of no interest to me, cos I don't know it right now.
0:47:10 > 0:47:15I think you're losing confidence. because you're dealing with things emotionally which are tougher
0:47:15 > 0:47:21and when you entered this challenge, this whole environment, it was about you being a modelling couple.
0:47:21 > 0:47:25And what it's turned out to be is you being in a relationship and modelling.
0:47:28 > 0:47:30So, Jay and Becky, let's see your photo.
0:47:32 > 0:47:38- I look pretty scary there.- Do you know why, Jay? Because you were absolutely phenomenal.- Thank you.
0:47:40 > 0:47:46Out of everybody here, you were the only one the photographer thought had done any modelling before.
0:47:46 > 0:47:51In every shot, you had a different pose, you had a different emotion. You were brilliant.
0:47:51 > 0:47:55'For this shoot, the couples were given sample-sized outfits,
0:47:55 > 0:47:58'which only highlighted Becky's little problem.'
0:47:58 > 0:48:00Very long! Very long!
0:48:00 > 0:48:03- How tall are you, Becky? - Five-foot-three.
0:48:04 > 0:48:07- How tall are you, Becky? - I am five-foot-three!
0:48:07 > 0:48:11When I last got measured, I was five-foot-two and three quarters.
0:48:11 > 0:48:16I think you're smaller than that. The stylist thinks you're much smaller than that.
0:48:16 > 0:48:19- She had to pin stuff up, and it's a struggle.- OK.
0:48:19 > 0:48:24'During Emma's session, Jay and Becky were the quietest members of the group.'
0:48:24 > 0:48:29You are very open, very honest, but the thing about honest communication is,
0:48:29 > 0:48:33it has to be firstly honest, and secondly communicated.
0:48:33 > 0:48:36- So I would like to see a bit more. - OK, thank you.
0:48:36 > 0:48:41'Becky wasn't the only model to struggle with the sample-sized clothes.'
0:48:41 > 0:48:45- So how tall are you?- Five foot. - Five foot?- Yeah.- Oh, my God.
0:48:45 > 0:48:48- Shall we not rip the jacket? - Let's drop.
0:48:50 > 0:48:54The struggle we had with you on set was both of you with clothes.
0:48:55 > 0:48:59Chloe, you were safe laying down because if you'd had to stand up,
0:48:59 > 0:49:02that dress would've been all over the floor.
0:49:02 > 0:49:07And Leroy, your trousers, we couldn't get them done up, we had problems with jackets.
0:49:07 > 0:49:12There's pictures with your flies completely open cos you couldn't get your trousers done up.
0:49:12 > 0:49:17Chloe, you do look really nice in this picture. But your job wasn't to look nice.
0:49:17 > 0:49:19Your job was to look sad.
0:49:19 > 0:49:23Leroy, you're hanging from a tree. You look like King Kong.
0:49:24 > 0:49:27So, overall...
0:49:27 > 0:49:32Just a shame really, unfortunately, because I didn't feel comfortable.
0:49:32 > 0:49:35Because I wasn't able to move. I literally wasn't.
0:49:36 > 0:49:40From my point of view, I want to get to know you more.
0:49:40 > 0:49:46And Chloe particularly, I want you to start being more real about the way it feels.
0:49:46 > 0:49:51- My advice to you would be find your voice and keep it.- Thank you.
0:49:51 > 0:49:55'Damien and Chanel performed well, both on the photo shoot and in Emma's session.
0:49:55 > 0:49:59'But have they done enough to avoid being sent home?'
0:49:59 > 0:50:03That's it, make it longer. Now you're getting it! Cool! Right, let's go with that.
0:50:03 > 0:50:05SHE SCREAMS
0:50:05 > 0:50:07Let's see your picture.
0:50:08 > 0:50:11HE LAUGHS
0:50:12 > 0:50:15- Do you know what?- Go for it. You try and explain this to me.
0:50:15 > 0:50:21I tell you what, the funny thing is, our emotions were joy, she looks very joyous, obviously,
0:50:21 > 0:50:27and mine was pride. Now, the last two shots we had of ours was Chanel screaming
0:50:27 > 0:50:33and me trying to keep my pride element, but also being, like, "What the hell is she doing?"
0:50:33 > 0:50:37You did all right, Damien, you were sat being proud. But that's all you did.
0:50:37 > 0:50:42You sat there, being proud. In every shot you didn't move, you did exactly the same shot.
0:50:42 > 0:50:48Chanel, this wasn't your best shot. But it summed up for me what all your pictures were about.
0:50:48 > 0:50:53Every time I ask you to talk about things, you're always really willing to partake in that,
0:50:53 > 0:50:58- so good job.- No problem. I hope I don't talk too much, though. - No, I want you to, more and more.
0:51:01 > 0:51:06'With mixed performances from the wannabe models, the judges have a lot to consider.
0:51:06 > 0:51:12'It's now time to decide which of the couples will be in the bottom three.'
0:51:12 > 0:51:16He might as well not be there, I don't understand what's going on with him at the moment.
0:51:16 > 0:51:20I think, as a couple, they are the least connected.
0:51:20 > 0:51:23There's a side to them that seems very contrived.
0:51:26 > 0:51:33'Vaughan and Alison, Stuart and Helen, and Leroy and Chloe are in the bottom three.
0:51:33 > 0:51:39'Now they have one last chance to explain why they should stay in the competition.'
0:51:39 > 0:51:43- So, Vaughan and Alison, why should you stay this week? - We really want this.
0:51:43 > 0:51:46From a relationship point of view, we've nailed it.
0:51:46 > 0:51:52We have adapted very quickly, and as a brand, we could represent very well.
0:51:52 > 0:51:56- Stuart and Helen. - I think we just want to be able to show more of what we can do
0:51:56 > 0:51:59and excel in other areas like our relationship, as well.
0:51:59 > 0:52:06- Leroy and Chloe, why should you stay? - I know I'm a bit larger than the average guy, which is fair enough,
0:52:06 > 0:52:11but generally, I think from where the competition is concerned, from the photos that I've seen,
0:52:11 > 0:52:14for the lack of experience that Chloe and I both have,
0:52:14 > 0:52:19I genuinely do feel that every shoot we have turned out pretty much the best pictures.
0:52:19 > 0:52:22Thank you, guys. We're going to go away and make our decision.
0:52:28 > 0:52:32Stuart and Helen, this should have been their week, and he was rubbish.
0:52:32 > 0:52:37Vaughan and Alison, they're not models, they're never going to be models.
0:52:37 > 0:52:40But the strength of their relationship is really unusual.
0:52:40 > 0:52:43I've had an issue with Leroy and Chloe from the first week.
0:52:43 > 0:52:48The thing is, all I'm hearing off you at the moment is that most of our models can't model.
0:52:50 > 0:52:55- I'm not going to be happy with any result this week, but... - So have you made a decision?
0:52:56 > 0:52:59- I've made a decision. - OK. Let's go and tell them.
0:53:07 > 0:53:10It's been tough.
0:53:13 > 0:53:15But we have made our decision.
0:53:15 > 0:53:19This week I could have quite easily sent all of you home.
0:53:22 > 0:53:25But overall, the decision is...
0:53:27 > 0:53:30..going home is Leroy and Chloe.
0:53:32 > 0:53:34Sorry, guys.
0:53:35 > 0:53:38Give me a cuddle.
0:53:41 > 0:53:44I'd like you to know that this isn't a reflection on your relationship,
0:53:44 > 0:53:48and, in fact, we agreed that your relationship is really strong.
0:53:48 > 0:53:53And that you've been a credible part of this group.
0:53:53 > 0:53:57But there is a point where this is a competition about both relationships and modelling.
0:53:57 > 0:54:01And on that level, unfortunately, you just didn't quite make the grade.
0:54:04 > 0:54:07- Is it sweat? - It's you starting me off.
0:54:07 > 0:54:11- Is it all right to say something? - Absolutely.- Just really quick.
0:54:11 > 0:54:16Whenever you try to do something, you are always met with an opposition, you know?
0:54:16 > 0:54:20And the most important thing is to never give up on any hope and dream that you have ever got.
0:54:20 > 0:54:26Regardless of this, I go home with my prize, anyway. So I'm happy.
0:54:33 > 0:54:35- APPLAUSE - We couldn't fight it, or I couldn't.
0:54:35 > 0:54:38It's more about me, I guess, because we're a pair.
0:54:40 > 0:54:44- Guys, how are you feeling?- OK.
0:54:44 > 0:54:46I'm so sorry that it's you two.
0:54:46 > 0:54:51- Do you think you will take something positive away from this? - Oh, definitely. I've learnt so much.
0:54:51 > 0:54:56We've done so much that we'd never have been able to do. Definitely, we've learnt lots.
0:54:56 > 0:55:00- I think it's just made us grow more as a couple. - Yeah, definitely.- Probably more so...
0:55:00 > 0:55:04- Have you realised how tight you are as a couple?- Yeah.
0:55:04 > 0:55:08To be honest, that was something I didn't ever doubt, but it made me realise how strong the bond is,
0:55:08 > 0:55:14- which is quite nice.- It takes a long time to get to the standard that you got to really quite quickly.
0:55:14 > 0:55:18You should be proud of yourselves for that, and keep taking the protein shakes and...
0:55:18 > 0:55:24- Yeah, and the protein bars and the flapjacks.- And the bars and the flapjacks because it works for you.
0:55:24 > 0:55:28- OK, good luck to you both. - Thank you.- Give me a hug.
0:55:30 > 0:55:36- It was the most intense thing I've ever been through.- The most intense, it's definitely getting harder.
0:55:36 > 0:55:42I'm really relieved. I'm so happy that we're still here now because I think we need to up our game.
0:55:42 > 0:55:47I think we need to be more confident and really shine.
0:55:47 > 0:55:51- Well, it's me, just me. - It's not just you, it's not, Stuart. It's both of us.
0:55:51 > 0:55:54I know we're lucky cos I nearly threw it away for both of us.
0:55:56 > 0:56:02- 'Next time on Hot Like Us...' - She wanted a threesome with you.
0:56:02 > 0:56:07'..the couples must win over the public, answer some probing questions...'
0:56:07 > 0:56:12- Where is the strangest place you and your partner have ever had sex? - The side of a motorway.
0:56:12 > 0:56:18- '..and swap partners in a bid to scene steal from their rivals.' - Dirty bitch.
0:56:21 > 0:56:25Subtitles by Red Bee Media Ltd
0:56:25 > 0:56:29E-mail subtitling@bbc.co.uk
0:56:29 > 0:56:29.