Tabloid: Sex in Chains

0:00:15 > 0:00:18Once upon a time, there was a little princess,

0:00:18 > 0:00:20the most beautiful princess in all the land.

0:00:27 > 0:00:28Her hair was long and blonde,

0:00:28 > 0:00:31and her eyes were as brown as the dark waters of the river

0:00:31 > 0:00:32which ran by her castle.

0:00:32 > 0:00:36But the little princess was unhappy, for she was lonely.

0:00:37 > 0:00:41Someday, she would find her kind, handsome prince,

0:00:41 > 0:00:44and he would sweep her up on a big, white horse,

0:00:44 > 0:00:47and he would take her away and marry her.

0:00:47 > 0:00:50And they would live happily ever after.

0:00:50 > 0:00:52Hi, I'm Joyce McKinney, and that's from my pending book,

0:00:52 > 0:00:54A Very Special Love Story.

0:01:03 > 0:01:06First of all, were you surprised to be put in prison?

0:01:06 > 0:01:08I really didn't feel I'd done anything wrong.

0:01:08 > 0:01:11I still don't feel I did anything wrong.

0:01:11 > 0:01:12Um...

0:01:12 > 0:01:17I would never do anything to hurt Kirk Anderson, or slander him.

0:01:17 > 0:01:19In fact, in my book, um...

0:01:19 > 0:01:23My book is handled in a very tender, nice fashion.

0:01:23 > 0:01:25It's not a porno story

0:01:25 > 0:01:27like these crazy newspapers have tried to make out.

0:01:27 > 0:01:28It's a love story.

0:01:28 > 0:01:31You know, and, I mean, I would never do anything to hurt him

0:01:31 > 0:01:33or to cause him any harm.

0:01:33 > 0:01:34At all.

0:01:34 > 0:01:37And the way that they threw me in prison

0:01:37 > 0:01:39and tried to act like I was some sort of criminal,

0:01:39 > 0:01:42and present this image over, was really what got to me.

0:01:48 > 0:01:52My life started out in a small town in North Carolina.

0:01:52 > 0:01:55I was one of these girls who was going to meet an all-American guy,

0:01:55 > 0:01:58and get married, have a little Leave It To Beaver house

0:01:58 > 0:02:01with a white picket fence, and just have a great little life.

0:02:03 > 0:02:04Started dating very late in life,

0:02:04 > 0:02:06didn't start dating till I was, like, 17,

0:02:06 > 0:02:09was in an accelerated programme for kids with high IQs...

0:02:09 > 0:02:11'How high was your IQ?'

0:02:11 > 0:02:14- 168. - SHE GIGGLES

0:02:14 > 0:02:16I hadn't been out in the world much.

0:02:16 > 0:02:18Till I went to Utah.

0:02:18 > 0:02:21You know, I hadn't been around much.

0:02:21 > 0:02:23'But there were a lot of men attracted to you.'

0:02:23 > 0:02:26Well, I guess so, I don't know, I'm not that vain,

0:02:26 > 0:02:27you know what I'm saying?

0:02:27 > 0:02:30But I wasn't looking for just any guy. I wanted a special guy.

0:02:31 > 0:02:33I wanted a special guy.

0:02:34 > 0:02:35And he had to have certain qualities.

0:02:35 > 0:02:38There are plenty of guys out there, but I wanted a special guy.

0:02:40 > 0:02:41I met this professor and he said,

0:02:41 > 0:02:43"Well, I've got these perfect guys for you,

0:02:43 > 0:02:45"and they're just your type, Joyce."

0:02:45 > 0:02:48"They don't smoke and they don't drink and they're clean-cut,

0:02:48 > 0:02:50"you're just going to love 'em,

0:02:50 > 0:02:52"and why don't you come over to my house and meet them?"

0:02:52 > 0:02:53KNOCK AT DOOR

0:02:53 > 0:02:55They were Mormons.

0:02:55 > 0:02:57They didn't tell me what Mormonism was all about.

0:02:57 > 0:03:01He didn't say, "We're a group that believes that Jesus was a polygamist

0:03:01 > 0:03:03"and was married to Mary Magdalene."

0:03:03 > 0:03:07He didn't say, "We believe that God lives on a star named Kolob."

0:03:08 > 0:03:09He didn't say,

0:03:09 > 0:03:12"We believe that black people are cursed with the Mark of Cain."

0:03:14 > 0:03:17They made me think they were a church.

0:03:17 > 0:03:20They made me think that they were family-oriented.

0:03:22 > 0:03:24And so I was drawn to them as a young 19-year-old teenager,

0:03:24 > 0:03:26like a moth to a flame.

0:03:26 > 0:03:29I was just so happy to go to this place

0:03:29 > 0:03:31where I thought that I would have my pick

0:03:31 > 0:03:34of just all-American friends, people.

0:03:34 > 0:03:36Husband material, I guess.

0:03:38 > 0:03:39I had a Corvette,

0:03:39 > 0:03:44and I had a big Old English Sheepdog that loved to ride the Corvette.

0:03:44 > 0:03:47And I had a good friend, her name was Marilyn Clark.

0:03:48 > 0:03:49There wasn't anything Marilyn didn't do.

0:03:49 > 0:03:52Smoke, drink, have sex with Hell's Angels,

0:03:52 > 0:03:55I mean, this is a wild child. We were exact opposites.

0:03:55 > 0:03:58She used to call me Holier Than Thou McKinney because I was so straight.

0:03:59 > 0:04:01We'd cruise the pizza parlour,

0:04:01 > 0:04:03and we decided to cruise down to Frosty's ice cream parlour,

0:04:03 > 0:04:07and I noticed this really handsome guy driving alongside me,

0:04:07 > 0:04:09also in a Corvette, white Corvette.

0:04:09 > 0:04:12And he kinda looks around at me like he's watching me, and I thought,

0:04:12 > 0:04:14- "Whoa, he's cute!" - SHE GIGGLES

0:04:14 > 0:04:17And, uh, I kept on driving, and Marilyn goes,

0:04:17 > 0:04:21"Hey, McKinn, he's following ya!" and I go, "He is?"

0:04:21 > 0:04:24So I let him chase me. He was quite aggressive.

0:04:25 > 0:04:28He pulled in beside me and cleared his throat,

0:04:28 > 0:04:30then he goes, "Like your car."

0:04:30 > 0:04:34"Well, thanks, I like yours too." He goes, "I really like yours better."

0:04:34 > 0:04:37- I go, "Want to drive it?" - SHE GIGGLES

0:04:45 > 0:04:48When I met my Kirk, it was like in the movies.

0:04:53 > 0:04:56When the girl comes down the stairs and their eyes meet,

0:04:56 > 0:04:58when Juliet looks at Romeo and then, pew!

0:04:58 > 0:05:00That's how it was.

0:05:01 > 0:05:05He had the most beautiful blue eyes and the sexiest smile,

0:05:05 > 0:05:08and he always had the cleanest skin.

0:05:20 > 0:05:27Kirk Anderson was very big, rather flabby, 300 pounds, six foot three.

0:05:27 > 0:05:30Not an athletic or attractive-looking man

0:05:30 > 0:05:33in the accepted sense of the word, with a very shuffly kind of walk.

0:05:33 > 0:05:38The last person in the world that you'd think would be the object

0:05:38 > 0:05:42of this kind of strange sexual passion.

0:05:42 > 0:05:45He had known Joyce McKinney in Salt Lake City,

0:05:45 > 0:05:47and she had fallen in love with him.

0:05:47 > 0:05:49Fallen in love with him, become obsessed by him.

0:05:49 > 0:05:52Cos that's another thing about Joyce is obsession,

0:05:52 > 0:05:54I mean, she just obsesses about things.

0:05:54 > 0:05:57I don't know what the details of their relationship was

0:05:57 > 0:06:02in Salt Lake City, but they obviously had some kind of romance

0:06:02 > 0:06:07or love affair, because if one's to believe Joyce at all,

0:06:07 > 0:06:10he had promised her a family and children.

0:06:10 > 0:06:14He actually told me he loved me the first night I met him.

0:06:14 > 0:06:16And asked me to marry him the second night,

0:06:16 > 0:06:18and then the next thing I know, we're naming our kids.

0:06:18 > 0:06:21And we were going to name them all with Js and Ks,

0:06:21 > 0:06:23J for Joyce, Ks for Kirk.

0:06:23 > 0:06:28Joshua, Jacob, you know, we had the names picked out, Kyle, Kirk...

0:06:31 > 0:06:33And I remember he took me home to meet his Mormon mother,

0:06:33 > 0:06:38she was this big huge woman, about 350 pounds, in a tent dress,

0:06:38 > 0:06:41and she took one look at me with my little beauty queen figure,

0:06:41 > 0:06:44and her eyes went up, her eyes went down, and she goes,

0:06:44 > 0:06:45"She doesn't look like a Mormon to me."

0:06:54 > 0:06:57From the time I was a little girl, I was in pageants.

0:06:59 > 0:07:01It gave me the chance to develop myself

0:07:01 > 0:07:04to be the best person I could be.

0:07:04 > 0:07:05With my looks,

0:07:05 > 0:07:07with my talent,

0:07:07 > 0:07:09with my personality.

0:07:13 > 0:07:16The pageants gave me, as a small-town girl, the chance to perform.

0:07:24 > 0:07:26'So Mom thought you were too sexy for him?'

0:07:26 > 0:07:29I guess she thought I was too pretty, or something.

0:07:30 > 0:07:33Kirk and I were just ready for the big wedding,

0:07:33 > 0:07:35and everything was happy, the only problem is,

0:07:35 > 0:07:37I was wanting to get married in a Christian church,

0:07:37 > 0:07:40he was getting pressure from the other side,

0:07:40 > 0:07:41and so one day he vanished.

0:07:41 > 0:07:44Into thin air. I don't mean he left me, I don't mean he abandoned me,

0:07:44 > 0:07:46I don't mean he left me for another woman,

0:07:46 > 0:07:48I mean he evaporated into thin air.

0:07:48 > 0:07:50He wasn't the kind of person to just run off like that.

0:07:50 > 0:07:53His things were still at my place, and... You know?

0:07:53 > 0:07:55It was just weird.

0:07:56 > 0:07:57I did what any American girl would do

0:07:57 > 0:07:59if her fiance vanished into thin air.

0:07:59 > 0:08:00I looked for him.

0:08:00 > 0:08:03I went to LA and I worked three jobs

0:08:03 > 0:08:06trying to save up enough money to get a private investigator

0:08:06 > 0:08:07to find out what happened to him.

0:08:07 > 0:08:09The private investigator found him in England.

0:08:09 > 0:08:11The Mormons had him.

0:08:11 > 0:08:16All young men in the church, from the time that we're young boys,

0:08:16 > 0:08:19were indoctrinated to prepare to go on mission.

0:08:19 > 0:08:23We sing songs like "I Hope They Call Me On A Mission."

0:08:23 > 0:08:27CHILD'S VOICE: # I hope they call me on a mission. #

0:08:28 > 0:08:32You leave as a boy, you come back as a man.

0:08:32 > 0:08:36For Kirk, when he reached the age of 19,

0:08:36 > 0:08:38he doesn't get whisked away from Joyce,

0:08:38 > 0:08:41he's just fulfilling his religious, spiritual responsibilities.

0:08:46 > 0:08:50Joyce knew where he'd gone, and set up this plan

0:08:50 > 0:08:54with her strange, unexplained friend, Keith May,

0:08:54 > 0:08:56to come over to the UK.

0:08:57 > 0:08:59I had a really good friend from Torrance, California,

0:08:59 > 0:09:02who was an architect, and his name was Keith Joseph May.

0:09:02 > 0:09:03Everybody called him KJ.

0:09:05 > 0:09:07KJ was like my big brother, and he said to me,

0:09:07 > 0:09:09"I don't want you going over there to England by yourself,"

0:09:09 > 0:09:11he said, "You don't know what they're going to do to you."

0:09:11 > 0:09:14All I knew was this powerful group had done something

0:09:14 > 0:09:16to the man I love.

0:09:16 > 0:09:18We got two bodyguards to go with us,

0:09:18 > 0:09:22one was a big guy that was a kind of bodybuilder guy,

0:09:22 > 0:09:24and the other was a pilot.

0:09:27 > 0:09:29I was interested in something a little bit more exciting

0:09:29 > 0:09:30than what I was doing.

0:09:32 > 0:09:33I saw an ad in the newspaper,

0:09:33 > 0:09:37they wanted a pilot to fly short trips in England.

0:09:37 > 0:09:39And it sounded kinda interesting to me.

0:09:39 > 0:09:41So I called the phone number and a gentleman answered,

0:09:41 > 0:09:44and an appointment was made for the following week.

0:09:44 > 0:09:47I was expecting to go to an office or something like that,

0:09:47 > 0:09:49but it turned out to be an apartment building.

0:09:49 > 0:09:50DOOR BUZZER

0:09:53 > 0:09:56I was taken in by a gentleman by the name of Keith.

0:09:56 > 0:09:59And after I was there for a few minutes, why, Joyce came out.

0:09:59 > 0:10:02'Tell me about that first meeting.'

0:10:02 > 0:10:04Well, I was favourably impressed,

0:10:04 > 0:10:07she had a totally see-through blouse on.

0:10:07 > 0:10:10I can even remember the colour, it was a light brown,

0:10:10 > 0:10:11totally see-through blouse.

0:10:11 > 0:10:14- 'No bra?' - No bra, see-through blouse.

0:10:19 > 0:10:22She was very, very easy to talk to,

0:10:22 > 0:10:25at one point she came over and sat down next to me.

0:10:25 > 0:10:29I was trying to perceive what type of relationship existed

0:10:29 > 0:10:32between Keith and her at that point.

0:10:32 > 0:10:33Perhaps, maybe down the line,

0:10:33 > 0:10:37I might want to ask this girl out for dinner, or something.

0:10:37 > 0:10:39Joyce had a trunk that she brought out,

0:10:39 > 0:10:43and in it were folders, pictures, tablets,

0:10:43 > 0:10:45letters from a private investigator in England.

0:10:46 > 0:10:50She then unravelled a story to me that was just unreal.

0:10:53 > 0:10:58Joyce had hired bodyguards, she told me, from Gold's Gym.

0:10:58 > 0:11:01She was going to put them up while they were there in England,

0:11:01 > 0:11:07and they were going to liberate her fiance from this cult group.

0:11:07 > 0:11:08In the back of my mind,

0:11:08 > 0:11:10I was trying to figure out how she could have all this money

0:11:10 > 0:11:12to take all these people to England.

0:11:14 > 0:11:16She told me she was a model.

0:11:17 > 0:11:20I didn't realise models made that kind of money.

0:11:23 > 0:11:25We actually hired some guys to go with us,

0:11:25 > 0:11:27from Los Angeles, in case we were attacked or anything.

0:11:27 > 0:11:29I didn't know what was going to happen,

0:11:29 > 0:11:31I didn't know what I was going to be walking into.

0:11:31 > 0:11:35I didn't know if they would release him willingly, or... what.

0:11:35 > 0:11:37I didn't know if they would do something to hurt me.

0:11:37 > 0:11:38I didn't know.

0:11:38 > 0:11:43Joyce called me and wanted to know if I would fly her someplace,

0:11:43 > 0:11:45in an airplane, locally, for dinner.

0:11:45 > 0:11:46That sounded pretty good.

0:11:46 > 0:11:49I though it might possibly be an overnight trip or something,

0:11:49 > 0:11:51and I was more than up for that.

0:11:51 > 0:11:56But when Joyce showed up, much to my surprise, Keith was with her.

0:11:56 > 0:12:00I felt this was a time that I could try to make a determination

0:12:00 > 0:12:03on how real she was, and her financial ability.

0:12:03 > 0:12:07So I did rent the most expensive airplane that was possible,

0:12:07 > 0:12:10single-engine, a Beechcraft A36 Bonanza.

0:12:13 > 0:12:15When you're in an airplane like that,

0:12:15 > 0:12:17you have to give them a credit card,

0:12:17 > 0:12:19and they lock in the approximate amount it's going to be.

0:12:19 > 0:12:21Joyce didn't have a credit card,

0:12:21 > 0:12:24but she did bring out an envelope filled with hundred-dollar bills.

0:12:24 > 0:12:26TILL RINGS

0:12:29 > 0:12:31That brought me a little bit closer to realising,

0:12:31 > 0:12:35maybe she has the money to do what she wants to do.

0:12:35 > 0:12:38So we flew down to San Diego, we had dinner, and we flew back.

0:12:38 > 0:12:40'Didn't stay the night?'

0:12:40 > 0:12:44- No, no. Keith was with her, and so... - HE CHUCKLES

0:12:44 > 0:12:48That was... Three people there. That's not for me.

0:12:51 > 0:12:54'I take it that you were attracted to Joyce.'

0:12:54 > 0:12:55Yes.

0:12:55 > 0:12:59She was in her late twenties, had an outstanding figure,

0:12:59 > 0:13:02had a Southern accent, long blonde hair.

0:13:04 > 0:13:07Any heterosexual male would be attracted to Joyce.

0:13:10 > 0:13:13Prior to our departure from the United States to England,

0:13:13 > 0:13:15they wanted me to meet the bodyguard.

0:13:15 > 0:13:17His name was Gil.

0:13:17 > 0:13:20Gil would come to their place, I would come to their place,

0:13:20 > 0:13:23then we would go down to the beach.

0:13:23 > 0:13:26Then they told me the beach they were going to was a nude beach.

0:13:26 > 0:13:28Well, I'd never been to a nude beach,

0:13:28 > 0:13:31so that really slowed me down a little bit.

0:13:31 > 0:13:33Joyce spread out a blanket,

0:13:33 > 0:13:35and proceeded to take off all her clothes.

0:13:35 > 0:13:37Totally.

0:13:39 > 0:13:42Very quickly, three to four guys showed up around the blanket,

0:13:42 > 0:13:44and started taking pictures.

0:13:44 > 0:13:46I don't know where they came from.

0:13:46 > 0:13:48Joyce protested, tried to stop them,

0:13:48 > 0:13:49she claimed she was a model

0:13:49 > 0:13:51and she didn't want photographs taken of her.

0:13:51 > 0:13:55After about 15 minutes, Joyce put on her clothes and we left the beach.

0:13:56 > 0:14:00And so we met at Los Angeles International Airport.

0:14:00 > 0:14:03Keith May was there, Joyce McKinney, Gil Parker and myself.

0:14:09 > 0:14:13First off, Gil Parker had a problem when he went through customs.

0:14:14 > 0:14:15They asked him what his occupation was,

0:14:15 > 0:14:17and he told them he was a bodyguard.

0:14:17 > 0:14:20And they said, "For whom?" and he said, "For Joyce and Keith."

0:14:20 > 0:14:24Well, that put up a red flag at customs, and they pulled him out.

0:14:24 > 0:14:27Well, that scared Gil right there.

0:14:27 > 0:14:31Then on the second day, we were in a motel room together,

0:14:31 > 0:14:33and Joyce had a lot of baggage.

0:14:33 > 0:14:36I've never seen anybody travel with so many bags.

0:14:36 > 0:14:39They took out wireless microphone and listening devices.

0:14:39 > 0:14:42It surprised me, I wasn't sure what they were going to use it for.

0:14:42 > 0:14:45It was something you could probably just have carried through customs,

0:14:45 > 0:14:48but they had it inside of a portable radio.

0:14:48 > 0:14:50Well, when Gil seen this, that about did it for him.

0:14:50 > 0:14:52That was when he called me outside

0:14:52 > 0:14:54and said he wanted to go back the next day.

0:14:56 > 0:14:58The private investigator had told Joyce

0:14:58 > 0:15:01two or three different places where Kirk was at,

0:15:01 > 0:15:03and Keith was going to go into some of these places

0:15:03 > 0:15:06where this cult group was supposed to be,

0:15:06 > 0:15:10ask questions, and it would be transmitted out to Joyce in the car.

0:15:10 > 0:15:12Wirelessly.

0:15:17 > 0:15:21Keith May and I, we wanted to go out a little bit on our own,

0:15:21 > 0:15:24but Joyce was keeping us so busy, we couldn't.

0:15:24 > 0:15:27- So one day...- 'Keeping you so busy?'

0:15:27 > 0:15:30Yeah, driving places, checking out places, walking places,

0:15:30 > 0:15:33she had this wig, this wig she called Matilda,

0:15:33 > 0:15:37and she'd wear this strange wig when we'd go out driving sometimes,

0:15:37 > 0:15:40and sunglasses, and any time we'd go down near these churches,

0:15:40 > 0:15:41where they were trying to find out

0:15:41 > 0:15:44if Kirk was going to be at that church,

0:15:44 > 0:15:45or if that was the one he frequented,

0:15:45 > 0:15:47she'd have that wig on.

0:15:47 > 0:15:51We were across, in front of a building,

0:15:51 > 0:15:57out come two young men dressed in suits, a tie and a white shirt,

0:15:57 > 0:15:59and she told me, "There is Kirk."

0:15:59 > 0:16:02Well, I was totally surprised, this was nobody being held captive,

0:16:02 > 0:16:05and that's when Joyce kinda levelled with me.

0:16:06 > 0:16:08She showed me a bottle of chloroform,

0:16:08 > 0:16:11and I'd already seen this phoney gun they had.

0:16:12 > 0:16:16I was going to be no part of any of this, and I told her that.

0:16:20 > 0:16:25So she arrives with Keith May, lurks around, waits around,

0:16:25 > 0:16:28outside the Temple of whatever it was,

0:16:28 > 0:16:31the Latter Day Saints of something or other,

0:16:31 > 0:16:33waited for this huge, shuffling figure to come out,

0:16:33 > 0:16:36with his short Mormon haircut,

0:16:36 > 0:16:40and pointed a gun at him, and said, "Get into the car."

0:16:40 > 0:16:42In the final analysis,

0:16:42 > 0:16:45the one way they were able to make contact with Kirk,

0:16:45 > 0:16:47Keith called him and told him he wanted to convert

0:16:47 > 0:16:48to the Mormon religion.

0:16:48 > 0:16:51And they thought they had a new convert.

0:16:51 > 0:16:54Now, I'm not sure this is an exact scenario,

0:16:54 > 0:16:56but at that point, Keith used the gun to get him out to the car.

0:16:56 > 0:16:58GUN CLICKS

0:16:58 > 0:17:02'So you drive up in your rental car with KJ.'

0:17:02 > 0:17:03I waited and KJ went in,

0:17:03 > 0:17:06because they're not supposed to be in the room alone with girls,

0:17:06 > 0:17:09so KJ went in and said, "Joyce is in the car."

0:17:09 > 0:17:12And Kirk turned around and he gave the keys to his companion and said,

0:17:12 > 0:17:14"I've got to go and get something, I'll be right back."

0:17:14 > 0:17:16KEYS CLINK

0:17:16 > 0:17:19'So he goes out with KJ?'

0:17:19 > 0:17:20Yeah.

0:17:20 > 0:17:23And didn't come back, and this poor old dumb companion's sitting there,

0:17:23 > 0:17:26staring like he's catching flies, looking out the window,

0:17:26 > 0:17:28waiting for him to come back.

0:17:28 > 0:17:31SHE LAUGHS

0:17:31 > 0:17:35He got in the car, and he goes, "How long have you been in England?"

0:17:35 > 0:17:36Like a robot.

0:17:36 > 0:17:38He was almost speaking in a monotone voice, and he'd go,

0:17:38 > 0:17:40"They said you didn't love me any more."

0:17:40 > 0:17:43It was like he had a personality alteration.

0:17:43 > 0:17:46Kirk Number One, and Kirk Number Two.

0:17:46 > 0:17:50- Kirk number One was the man I fell in love with. - BIRDS TWEETING

0:17:50 > 0:17:52Kirk Number Two was Cult Kirk.

0:17:57 > 0:18:00According to all the reports of the time,

0:18:00 > 0:18:06he was driven 250 miles to a cottage in Devon.

0:18:06 > 0:18:09She had a suitcase full of all the equipment required,

0:18:09 > 0:18:11including, I gather,

0:18:11 > 0:18:17some Los Angeles Police Department Smith & Wesson handcuffs.

0:18:17 > 0:18:18HANDCUFFS CLINK

0:18:18 > 0:18:21He was taken in and chained to...

0:18:23 > 0:18:27Joyce claims it was ropes, not chains, but chains sounds better.

0:18:27 > 0:18:30Anyway, he was allegedly chained to the bed,

0:18:30 > 0:18:33first by his ankle, so that he could actually reach the toilet,

0:18:33 > 0:18:36the chain was long enough for him to get to the toilet.

0:18:36 > 0:18:39Subsequently, with the help of Keith May, was spreadeagled...

0:18:39 > 0:18:42Spreadeagled, this wonderful bondage word,

0:18:42 > 0:18:44- was spreadeagled to the bed. - EAGLE CALLS

0:18:44 > 0:18:49- WHIP CRACKS - And Keith May discreetly left the room at this point, I think.

0:18:49 > 0:18:54Closed the door behind him, and Joyce had sex with him.

0:18:57 > 0:19:00And she said to him she was going to go on having sex with him

0:19:00 > 0:19:04until she found she'd missed a period,

0:19:04 > 0:19:07and then would hopefully be pregnant by him.

0:19:07 > 0:19:09'She wanted to be inseminated?'

0:19:09 > 0:19:11Yes, I think that's the right word for it.

0:19:15 > 0:19:18Kirk and I went to this cottage down in England,

0:19:18 > 0:19:20I think they called it the Devon area down there.

0:19:20 > 0:19:23Real Franco Zeffirelli,

0:19:23 > 0:19:26you know, like Brother Sun, Sister Moon-type shots?

0:19:26 > 0:19:29If you saw that film, that's what it looked like.

0:19:29 > 0:19:30FILM SOUNDTRACK: Hey!

0:19:30 > 0:19:32You shouldn't have come!

0:19:32 > 0:19:34But I knew you would, I knew.

0:19:34 > 0:19:37I had to tell you, and I don't care if the whole world knows it!

0:19:37 > 0:19:40From now on, I'm not asking to be loved.

0:19:40 > 0:19:43I want to love!

0:19:51 > 0:19:55OK, if you can get that vision set in your head, Mr Film-maker.

0:19:55 > 0:19:56'How did you find this place?'

0:19:56 > 0:20:00Well, I was looking for someplace peaceful.

0:20:00 > 0:20:01Where he could normalise.

0:20:01 > 0:20:04Someplace where he could...

0:20:05 > 0:20:08..come back to Kirk Number One.

0:20:08 > 0:20:11I had a big fireplace, patchwork quilt,

0:20:11 > 0:20:15silk sheets, blue to match his eyes, with his initials on it,

0:20:15 > 0:20:19cinnamon oil back rub, cos he loved my back rubs,

0:20:19 > 0:20:22and all his favourite foods in the fridge.

0:20:24 > 0:20:27'What were his favourite foods in the fridge?'

0:20:27 > 0:20:29Oh, I had chocolate cake,

0:20:29 > 0:20:33and southern fried chicken, he loved my chicken, mashed potatoes.

0:20:35 > 0:20:37I made everything that he wanted.

0:20:37 > 0:20:39I was like his little, you know...

0:20:39 > 0:20:41Wifey, almost.

0:20:42 > 0:20:44We were slow dancing.

0:20:44 > 0:20:46He got turned on as we were dancing.

0:20:46 > 0:20:48I'll be blunt, he had an erection, OK.

0:20:48 > 0:20:49And, uh...

0:20:49 > 0:20:52We sat down on the bed, and he said, "Can you give me a back rub?"

0:20:52 > 0:20:54And I got the cinnamon oil, which I had warmed,

0:20:54 > 0:20:57and I was giving him a back rub, and he had these ugly garments on.

0:20:57 > 0:20:58I said,

0:20:58 > 0:21:01"How am I supposed to give you a back rub with this Mormon thing on?"

0:21:01 > 0:21:04And I ripped the ugly things off, because they smelled, you know,

0:21:04 > 0:21:06and they had those occultic symbols,

0:21:06 > 0:21:09and I didn't want anything ugly there, in our beautiful moment,

0:21:09 > 0:21:10you know?

0:21:10 > 0:21:12It was like a honeymoon cottage.

0:21:12 > 0:21:13And we burned them.

0:21:13 > 0:21:15We actually burned 'em.

0:21:15 > 0:21:18- And...- 'You ripped off his magic underwear...?'

0:21:18 > 0:21:20And I put it on the fireplace, where they belonged!

0:21:20 > 0:21:23Where they should put 'em all, as far as I'm concerned.

0:21:23 > 0:21:27There's folk stories galore, legends,

0:21:27 > 0:21:30of the temple garment protecting people from harm.

0:21:32 > 0:21:38The hooks, the psychic hooks of the Temple are so high and so deep,

0:21:38 > 0:21:43that even people who don't go to church any more still wear them.

0:21:43 > 0:21:46Because, in the back of their mind, like, "What if I don't wear them?"

0:21:46 > 0:21:47"And then Satan's got me!"

0:21:50 > 0:21:55Kirk was impotent, he was sexually impotent.

0:21:55 > 0:21:57Because of this, uh, brainwashing.

0:21:58 > 0:22:00He's not supposed to have sexual feelings,

0:22:00 > 0:22:02he's not supposed to have emotional feelings.

0:22:02 > 0:22:04He's not supposed to fall in love.

0:22:07 > 0:22:08And we were in love.

0:22:08 > 0:22:10He loved me and I loved him.

0:22:11 > 0:22:14I know there was only one way to get Kirk out of Mormonism,

0:22:14 > 0:22:15and that was to make love with him.

0:22:17 > 0:22:20Because for a Mormon missionary to have a love affair is totally taboo.

0:22:20 > 0:22:23They can't be in a room alone with a girl without a companion with them.

0:22:23 > 0:22:25To even shake hands.

0:22:25 > 0:22:29So if it took giving up my virginity in a romantic moonlit cottage,

0:22:29 > 0:22:30so be it.

0:22:30 > 0:22:32I just wanted him out of that cult.

0:22:33 > 0:22:35We started to make love, and all of a sudden,

0:22:35 > 0:22:37he jumps up on the bed like this, and he goes,

0:22:37 > 0:22:40"By the law of the holy prophet Joseph Smith,

0:22:40 > 0:22:44- "I cannot touch my body or the bodies of other... - SHE BABBLES

0:22:44 > 0:22:47"Hold the Book of Mormon firmly in hand. Sing a Mormon song, sing a Mormon song."

0:22:47 > 0:22:49Because he's turned on. And he's not supposed to be.

0:22:49 > 0:22:51And I go, "Hah!"

0:22:51 > 0:22:53I've come across an ocean to find him,

0:22:53 > 0:22:55and the Mormons are in our bedroom?

0:22:55 > 0:22:59That, that moment, when his garments are coming off,

0:22:59 > 0:23:02that could have been a moment that, like, "Oh, my gosh!"

0:23:02 > 0:23:04"Oh my heck," as they say in Utah.

0:23:04 > 0:23:07"I'm doing something wrong."

0:23:08 > 0:23:11I went back in the kitchen and got myself a real cold glass of water...

0:23:11 > 0:23:14'Does he still have the erection while he's chanting?'

0:23:14 > 0:23:17Well, I came back, to be continued, I came back in there,

0:23:17 > 0:23:19and I'm thinking, "Am I doing something wrong?"

0:23:19 > 0:23:21He started to cry. He had ejaculated, I guess.

0:23:21 > 0:23:25He said, "Please don't tell 'em about the filthy place,

0:23:25 > 0:23:26"what happened at the filthy place."

0:23:26 > 0:23:28And I said, "Honey, what's wrong?"

0:23:28 > 0:23:30He goes, "I don't know."

0:23:30 > 0:23:33I mean, every guy on the planet masturbates and has wet dreams,

0:23:33 > 0:23:36and I ask him, I said, "Honey, don't you have those dreams guys have,

0:23:36 > 0:23:37"or whatever they're called?"

0:23:37 > 0:23:40He goes, "Yeah, but I didn't tell them in the interview."

0:23:40 > 0:23:43I go, "What interview? They talk to you about this stuff?"

0:23:43 > 0:23:47He goes, "Yeah, once a week, they take us in rooms by ourselves,

0:23:47 > 0:23:49"and they say, M1, M2, M3, M1, M2, M3"."

0:23:49 > 0:23:50I go, "What's that?"

0:23:50 > 0:23:53"Masturbation once, masturbation twice, masturbation three times.

0:23:53 > 0:23:55So many times, you're out.

0:23:55 > 0:23:58You're extra-home, you're off your mission, you can't get married in the Temple.

0:23:58 > 0:24:01I go, "Kirk, these people are controlling your sex drive,

0:24:01 > 0:24:04"they're controlling your mind, they're controlling your food,

0:24:04 > 0:24:06you can't have coffee, tea or Pepsi-Cola.

0:24:07 > 0:24:11It was a Christian marriage manual which I bought, which explained...

0:24:11 > 0:24:13sex to young virgins.

0:24:13 > 0:24:16There was a section in there on sexual impotence.

0:24:16 > 0:24:19Im-po-tence, I-M-P-O-T-E-N-C-E.

0:24:19 > 0:24:23And it says, sometimes if a guy was very repressed,

0:24:23 > 0:24:26sexually, which poor Kirk was, Lord knows,

0:24:26 > 0:24:30that you could tie the person up and they could just, ahh, let go,

0:24:30 > 0:24:33you know, "I can finally let go and make love."

0:24:33 > 0:24:37- And so I went and I read that section really quick. Speed-read it! - SHE LAUGHS

0:24:37 > 0:24:38And I came back and I said,

0:24:38 > 0:24:40"Honey, we're going to try some of these exercises."

0:24:40 > 0:24:41And so we did.

0:24:44 > 0:24:46We made love, actually, for three days,

0:24:46 > 0:24:49we sort of, like, didn't get out of bed.

0:24:50 > 0:24:52It was a honeymoon, was what it was, for me.

0:24:56 > 0:24:59I wanted us to have a good sex life, I wanted to be a good wife to Kirk,

0:24:59 > 0:25:01and I wanted to give him lots of babies in my tummy.

0:25:01 > 0:25:03I didn't look at sex as a bad thing with him,

0:25:03 > 0:25:06I looked at it as a melting of two souls.

0:25:06 > 0:25:11Because when he kissed me, it was like we melted into one person.

0:25:11 > 0:25:13It was like...

0:25:14 > 0:25:18I didn't know where I stopped and he began.

0:25:18 > 0:25:19We were lying there holding hands,

0:25:19 > 0:25:22and his little missionary glasses were kind of askew,

0:25:22 > 0:25:24and he goes, "I guess we're married in God's eyes."

0:25:24 > 0:25:25I go, "Yeah, we are."

0:25:25 > 0:25:28He says, "I guess we've got to make it official."

0:25:28 > 0:25:29He said, "Let's go into London."

0:25:29 > 0:25:30"And let's get married."

0:25:30 > 0:25:31CAR STARTS

0:25:33 > 0:25:36We took the rental car, we went into town, to London,

0:25:36 > 0:25:40and we saw Trafalgar Square, they had, like, pigeons,

0:25:40 > 0:25:41we fed the pigeons, and so I said,

0:25:41 > 0:25:44"Oh, Kirk, they've got this cool cafe I want to take you to,

0:25:44 > 0:25:46"it's called the Hard Rock Cafe."

0:25:46 > 0:25:48And there were cops running around everywhere.

0:25:48 > 0:25:51What do they call them, bobbies, or whatever. British cops.

0:25:51 > 0:25:54If Kirk felt kidnapped at any time, he could have said,

0:25:54 > 0:25:57"Hey, this little pint-sized girl here has me kidnapped."

0:25:57 > 0:26:00"Can you please help me, Ossifer," but he didn't.

0:26:00 > 0:26:03Kirk says, "Well, I'm going to go over across the street

0:26:03 > 0:26:06"and get a newspaper." So he went over, by himself.

0:26:07 > 0:26:10Got a newspaper, came back to the table,

0:26:10 > 0:26:12slammed that newspaper down on the table,

0:26:12 > 0:26:13he's white as a ghost.

0:26:15 > 0:26:17And we said, "What's wrong?"

0:26:21 > 0:26:22It was so shocking.

0:26:22 > 0:26:25It sounded like Scotland Yard was after us or something.

0:26:25 > 0:26:28And I'm sitting there with my, quote, kidnapped victim,

0:26:28 > 0:26:29eating a burger.

0:26:29 > 0:26:31With a hundred people in a crowded tourist restaurant.

0:26:31 > 0:26:33Kirk said, "Well, maybe if I call them

0:26:33 > 0:26:34"and let them know I'm alive and OK..."

0:26:34 > 0:26:37He says, "Ah, they're going to ask me about sex."

0:26:37 > 0:26:39"Aah, they're going to ask me about sex."

0:26:39 > 0:26:42"What am I going to say? They're going to ask me about sex."

0:26:42 > 0:26:44I says, "Can't you just tell them?"

0:26:44 > 0:26:47He's, "Oh, no! I can't! Can't tell them we had sex!"

0:26:47 > 0:26:50"Oh, they'll excommunicate me. Oh, my mother'll be so mad."

0:26:50 > 0:26:52We called his mother, we called my dad,

0:26:52 > 0:26:54we called from the phone booth at Trafalgar Square...

0:26:54 > 0:26:58COINS FALL AND PHONE IS DIALLED

0:26:58 > 0:27:00Kirk said to my dad,

0:27:00 > 0:27:02"Mr McKinney, I love your daughter and I'm going to marry her."

0:27:02 > 0:27:04My dad said, "Welcome to the family, son."

0:27:04 > 0:27:05COINS FALL

0:27:05 > 0:27:08When we called his mother, I could hear her screeching across the Atlantic.

0:27:08 > 0:27:12"Aah! You've ruined your eternal probation, don't you know what you've done,

0:27:12 > 0:27:15"how could you get involved with that girl, you've not had sex with her, have you?"

0:27:15 > 0:27:19The mission president was, "Yadda, yadda, yadda, oh, you've been kidnapped, da-da-da."

0:27:19 > 0:27:24Kirk couldn't hardly get a word in edge-wise. He'd say, "But I'm really OK, President Eric."

0:27:24 > 0:27:25SHE BABBLES MANICALLY

0:27:25 > 0:27:27- PHONE HANGS UP - Kirk hung up, and he goes,

0:27:27 > 0:27:30"You know, they've got Scotland Yard and the FBI."

0:27:30 > 0:27:32"How about if I just go back in, and you guys stay here

0:27:32 > 0:27:35"so they can't do nothing like arrest you guys or anything,

0:27:35 > 0:27:37and I go back in and show 'em I'm OK."

0:27:37 > 0:27:41And I'll never forget that day, it was a real Kodak moment.

0:27:41 > 0:27:44Victoria Station in those days had a beautiful old-fashioned train

0:27:44 > 0:27:46that pulled out with one of those, pa-pa-pa-pa-pa...

0:27:46 > 0:27:48STEAM ENGINE AND GUARD'S WHISTLE

0:27:49 > 0:27:52And the last thing I remember of Kirk Number One

0:27:52 > 0:27:56is he got on the train, and he mouthed the words, "I love you."

0:27:56 > 0:27:59And I go, "I love you too, baby."

0:27:59 > 0:28:01If Kirk went away with Joyce...

0:28:02 > 0:28:03..willingly..

0:28:04 > 0:28:06..and had sex with her...

0:28:08 > 0:28:14..the guilt that would come over him so strongly after the fact

0:28:14 > 0:28:15could be overwhelming.

0:28:17 > 0:28:21KJ, I turned to him, and he goes, "Don't worry, he'll be OK."

0:28:21 > 0:28:24"He loves you. You've got the man you love, what you worried about?"

0:28:24 > 0:28:28I says, "I don't know, KJ. Some nagging feeling, I'm worried."

0:28:28 > 0:28:31So we went back to the cottage and we packed everything up.

0:28:32 > 0:28:34I remember I had my wedding dress,

0:28:34 > 0:28:37a pretty white dress I was going to use for our wedding,

0:28:37 > 0:28:41put flowers in my hair, also our wedding bands,

0:28:41 > 0:28:44with our names engraved inside, they said,

0:28:44 > 0:28:48"Joyce and Kirk, he lift thee and thee lift me,

0:28:48 > 0:28:50"and we will ascend together."

0:28:53 > 0:28:55Even after we grew old and died,

0:28:55 > 0:28:58we would rise into the heavens together as man and wife.

0:29:07 > 0:29:11This bizarre story began here last Wednesday.

0:29:11 > 0:29:13Kirk Anderson, a young Mormon missionary,

0:29:13 > 0:29:16was talking outside to a man with a Canadian accent.

0:29:16 > 0:29:17He then disappeared.

0:29:17 > 0:29:20But early today, he phoned police and told them he was kidnapped,

0:29:20 > 0:29:22a blanket had been placed over his head,

0:29:22 > 0:29:25he'd been driven to a house where he'd been blindfolded,

0:29:25 > 0:29:27and his legs shackled.

0:29:30 > 0:29:32When I got back to my apartment in Long Beach,

0:29:32 > 0:29:33the landlady called me in

0:29:33 > 0:29:36and said the Long Beach Homicide Department had been there,

0:29:36 > 0:29:39and they wanted me to come down to the police station.

0:29:39 > 0:29:42And that really freaked me out. Why the homicide department?

0:29:42 > 0:29:44I don't know.

0:29:44 > 0:29:45I told them everything.

0:29:45 > 0:29:47Then we went down, had a cup of coffee,

0:29:47 > 0:29:51then they asked me to come back and tell them again, same story.

0:29:51 > 0:29:53They had tape recorded the first time I said it,

0:29:53 > 0:29:56and they wanted to that when I told it the second time,

0:29:56 > 0:29:58it was exactly the same story.

0:29:58 > 0:30:00Which it was, I told them the truth.

0:30:01 > 0:30:03They got kind of a big kick out of it,

0:30:03 > 0:30:06considering they hadn't found anything yet, about the whole story.

0:30:06 > 0:30:09- 'Fanatical Mormon.'- Yeah, that's what it boiled down to!

0:30:11 > 0:30:15I was a Mormon missionary in Exeter, OK, this is in Devon.

0:30:15 > 0:30:19And I was at a church member's house,

0:30:19 > 0:30:20and they were a younger couple,

0:30:20 > 0:30:26and they sort of sat down and told us the whole story of Joyce McKinney and the manacled Mormon.

0:30:26 > 0:30:30It reminds me of those cultures that have stories of

0:30:30 > 0:30:33the vagina dentata -

0:30:33 > 0:30:36the women with the toothed vagina.

0:30:36 > 0:30:39They become cautionary tales about sexual impropriety,

0:30:39 > 0:30:42the dangerous powers of women.

0:30:45 > 0:30:50Women that can seduce young missionary, who are on God's errand.

0:30:51 > 0:30:55When young men receive what's called the Melchizedek priesthood,

0:30:55 > 0:30:58they're endowed with power from on high,

0:30:58 > 0:31:03they go through what I went through - an elaborate endowment through the Mormon temples

0:31:03 > 0:31:08where we received sacred underwear and sacred knowledge

0:31:08 > 0:31:10of keys to heaven.

0:31:10 > 0:31:12You re-enact the Garden of Eden scenario,

0:31:12 > 0:31:14and there is an actor that performs Lucifer.

0:31:14 > 0:31:17And he says, in a menacing tone,

0:31:17 > 0:31:21"Those of you who don't live up to the covenants that you make

0:31:21 > 0:31:24"on the altar of the temple this day

0:31:24 > 0:31:26"will be in my power."

0:31:28 > 0:31:30And one of the covenants that you make

0:31:30 > 0:31:34is the law of chastity - that you will only have sexual relationships

0:31:34 > 0:31:39with he or she to whom you are legally and lawfully wedded.

0:31:47 > 0:31:50'Manacled Mormon Sex Slave wrecks that, doesn't it?'

0:31:50 > 0:31:51Completely wrecks that.

0:31:51 > 0:31:57If Kirk Anderson was a willing manacled Mormon,

0:31:57 > 0:32:00he will have violated his temple covenants,

0:32:02 > 0:32:06violated the law of chastity...

0:32:06 > 0:32:09What he risks is excommunication from the church,

0:32:09 > 0:32:13and, greater than that, unless he repents,

0:32:13 > 0:32:17he won't be able to ultimately become a god

0:32:19 > 0:32:20and have his own planet.

0:32:22 > 0:32:25That's Mormon theology, That's what they're working towards.

0:32:30 > 0:32:32I got this weird phone call.

0:32:32 > 0:32:35I had an answering service, it said "It's been really crazy here,

0:32:35 > 0:32:40"but I've finally got 'em off my back. I still love you. Call me, urgent.

0:32:40 > 0:32:43Epsom 25724, urgent.

0:32:46 > 0:32:49So I called the number, and some Mormon answered.

0:32:49 > 0:32:53"Who is this? What do you want?" Very suspicious voice.

0:32:53 > 0:32:57And I said, "I want to talk to Kirk. I mean, Elder Anderson."

0:32:57 > 0:33:01So I said, "This is Sister er...Kelmsley,

0:33:01 > 0:33:05"calling regarding the baptism for my daughter Millie..."

0:33:05 > 0:33:10Millie was my sheepdog. And I knew Kirk wouldn't know that.

0:33:10 > 0:33:13And I said, honey, "Where do you want to meet? He says, "About two o'clock..."

0:33:13 > 0:33:16I said, "Don't say where it is over the phone. He goes, "OK."

0:33:16 > 0:33:18I was worried about an extension phone.

0:33:18 > 0:33:20It went further than that, it was a phone tap.

0:33:24 > 0:33:26On my way to meet him,

0:33:26 > 0:33:30I remember me and KJ were going along the motorway and I'm singing,

0:33:30 > 0:33:32"I'm getting married in the morning..."

0:33:32 > 0:33:36And I'm so happy - I was just like a young bride on her honeymoon,

0:33:36 > 0:33:38I was just so full of so much love for him.

0:33:40 > 0:33:44These cop cars ran us off the road, they just literally edged us off the road.

0:33:44 > 0:33:47And then, when they threw us up against the police car and said,

0:33:47 > 0:33:50"You're under arrest for false imprisonment and carrying away Kirk Anderson,"

0:33:50 > 0:33:53I couldn't believe it, it was just like, shock.

0:33:59 > 0:34:02The law was required to take seriously

0:34:02 > 0:34:06an act involving a woman with a gun pointing it at a priest.

0:34:06 > 0:34:09Forcing him - although this was a sort of fantasy -

0:34:09 > 0:34:11forcing him into a car,

0:34:11 > 0:34:14spreadeagling him to a bed and having sex with him.

0:34:14 > 0:34:18I mean, there are so many possible crimes involved in all of that,

0:34:18 > 0:34:23and yet everyone suspected there wasn't really a crime here at all.

0:34:23 > 0:34:26Scenario number one is Kirk's story - fake gun,

0:34:26 > 0:34:29chloroform, kidnapped, tied up, forced to have sex.

0:34:29 > 0:34:32The second version is Joyce's story -

0:34:32 > 0:34:34They were going to be married and have children.

0:34:34 > 0:34:37He needed to escape from the Mormon church.

0:34:37 > 0:34:42She goes to rescue him, they rush away and have this magical,

0:34:42 > 0:34:44wonderful night, weekend together,

0:34:44 > 0:34:47and then they get him, they brainwash him,

0:34:47 > 0:34:49and all of a sudden he's claiming rape.

0:34:49 > 0:34:54The third scenario, is something in between.

0:34:54 > 0:34:57There was a consensual aspect to his getaway with her,

0:34:58 > 0:35:02but then somewhere along the line

0:35:02 > 0:35:04he had second thoughts.

0:35:04 > 0:35:08And he wanted it to stop, and it didn't.

0:35:08 > 0:35:10'Do you think a woman can rape a man?'

0:35:10 > 0:35:13No. I think that's like putting a marshmallow in a parking meter.

0:35:13 > 0:35:17A guy either wants to have sex or he doesn't, he has an erection or he doesn't.

0:35:19 > 0:35:24She spent about three months in Holloway Prison, the famous woman's prison in London.

0:35:26 > 0:35:29There was a little sliding door that they would slide open

0:35:29 > 0:35:31with just a little slit of light,

0:35:31 > 0:35:34and they would slide it open maybe once a day and say

0:35:34 > 0:35:38"Are you ready to sign a confession?" I kept screaming, "Please get Kirk."

0:35:38 > 0:35:43I beat my fists bloody on this cold steel prison door, screaming "Please, somebody get Kirk."

0:35:46 > 0:35:53There was a picture of her in all the papers, looking out of the back of a police van.

0:35:59 > 0:36:04She had scrawled on a piece of paper which she was holding up to the press,

0:36:04 > 0:36:08"Kirk was cooperative all along."

0:36:11 > 0:36:14When I went to the prison library, I got a Bible,

0:36:14 > 0:36:18and in the back of the Bible there was two white pages of blank paper.

0:36:18 > 0:36:20I was like, God put it there.

0:36:21 > 0:36:24I wrote two letters on those two blank pages.

0:36:24 > 0:36:27One to my parents, and one to the press.

0:36:27 > 0:36:32I put them up inside... I hate to sound gross, but I put one in my vagina and one in my rectum.

0:36:33 > 0:36:37I got out the prison van, and I pushed 'em out and I grunted 'em out

0:36:37 > 0:36:40and I popped 'em out the window.

0:36:40 > 0:36:44And this man saw them, and I go, "Pick it up."

0:36:44 > 0:36:47He goes... "Pick it up. Mail it."

0:36:47 > 0:36:51Now, I was trying to motion to him - cos I knew he couldn't hear me inside the prison van -

0:36:51 > 0:36:54to mail it at the post office. And he goes...

0:36:54 > 0:36:56SHE MOUTHS

0:36:56 > 0:36:59And so, he mailed it,

0:36:59 > 0:37:03and of course the next time I go back for my bail hearing, the whole planet was there.

0:37:24 > 0:37:28I asked my lawyer, "If you can't talk, would you let me? Cos I can sure talk."

0:37:28 > 0:37:30"Let me tell people what happened."

0:37:30 > 0:37:33So I got up there, and I had 'em laughing, I had 'em crying,

0:37:33 > 0:37:36I had 'em throwing spitballs at the Mormons...! You know.

0:37:36 > 0:37:41Thank God for all those years at drama school! Thank you.

0:37:41 > 0:37:44Everyone was just mesmerised by her performance.

0:37:44 > 0:37:47I mean, there was no sense of fear or shame or anything -

0:37:47 > 0:37:51she just took on the court with great confidence,

0:37:51 > 0:37:55and she said, "I loved him so much I would have skied down Mount Everest

0:37:55 > 0:37:58"nude, with a carnation up my nose, for the love of that man."

0:38:07 > 0:38:10There was standing room only,

0:38:10 > 0:38:14there was little old ladies with their shopping carts ogling for places to stand.

0:38:14 > 0:38:18The banners outside - Free Joyce, Free Joyce...

0:38:18 > 0:38:20These judges with their white wigs sitting there, you know,

0:38:20 > 0:38:23unable to comprehend any of this,

0:38:23 > 0:38:26and there was nothing in the statute books which would deal with it.

0:38:26 > 0:38:28They're so prim and proper, you know.

0:38:28 > 0:38:32They wear these little powdered wigs which look like dumb little hats,

0:38:32 > 0:38:36and they sit up and down and wiggle on their heads...

0:38:36 > 0:38:38One of the questions they asked him was

0:38:38 > 0:38:40"Did you ask for a back rub?" And he said yes.

0:38:40 > 0:38:43They said, "Was it cinnamon oil she rubbed on your back?" And he goes, "Yes..."

0:38:43 > 0:38:46Like he had remembered!

0:38:46 > 0:38:48They ask him, "Were you willing or unwilling?"

0:38:48 > 0:38:53And he did like that really fast, and looked at the head Mormon right on the front row, like,

0:38:53 > 0:38:56"What am I supposed to say?" And the head Mormon went, like,

0:38:56 > 0:38:58"You say what we told you to say." Like that.

0:38:58 > 0:39:01And he goes, "I was unwilling! I was unwilling."

0:39:01 > 0:39:03"Were you unwilling all seven times?"

0:39:03 > 0:39:08"Well, I wasn't as unwilling the third time as I was the first."

0:39:08 > 0:39:10I wanted him to be strong and say, "Yes. I love her -

0:39:10 > 0:39:13"I'm going to tell the truth right now, let's get rid of this."

0:39:13 > 0:39:15But he was so scared.

0:39:15 > 0:39:19You know, you can tell a lie long enough, till you believe it.

0:39:21 > 0:39:24For 55 minutes, Miss McKinney poured out her statement to

0:39:24 > 0:39:27an occasionally confused magistrate -

0:39:27 > 0:39:29at one point he stopped her and said, "I'm lost."

0:39:29 > 0:39:31And Miss McKinney, speaking in a North Carolina drawl,

0:39:31 > 0:39:33put the whole case in this way.

0:39:33 > 0:39:37Referring to the young Mormon, Kirk Anderson, she said, "He put me

0:39:37 > 0:39:41"in prison, to save himself from excommunication and family disgrace."

0:39:41 > 0:39:44This was a phoney kidnap, according to Miss McKinney.

0:39:44 > 0:39:47Referring to the episode down in the Devon cottage, she said,

0:39:47 > 0:39:50"We had three days of fun, food and sex."

0:39:54 > 0:39:58By this time the British Isles was on fire

0:39:58 > 0:40:01with the Joyce McKinney story. All that was being talked about

0:40:01 > 0:40:03in the pubs, and taverns, and restaurants -

0:40:03 > 0:40:07"Where were you when you read the Joyce McKinney story?"

0:40:08 > 0:40:13It had kinky sex, it had religion, it had a beauty queen, kidnap

0:40:13 > 0:40:18at gunpoint, chains, being spreadeagled, it had Mormon missionaries -

0:40:18 > 0:40:22there was something in that story for everyone. It was a perfect tabloid story.

0:40:22 > 0:40:25I could never understand the public's fascination with my love life.

0:40:25 > 0:40:29I'm not a movie star, I'm just a person, a human being

0:40:29 > 0:40:32that was caught in an extraordinary circumstance.

0:40:36 > 0:40:41The Daily Express and the Mirror were locked in almost deadly combat

0:40:41 > 0:40:49over the Joyce McKinney story. And then it all kind of went away until she was released on bail.

0:40:50 > 0:40:53And then there was a kind of burst of stuff again.

0:40:57 > 0:41:02I was let out on bail to await the upcoming trial to clear my name.

0:41:02 > 0:41:05Somebody sent a limousine to pick me up at the prison, and here I exit

0:41:05 > 0:41:10the prison, I've got lice powder in my hair and I'm supposed to be this ex-beauty queen!

0:41:10 > 0:41:13All the cameras are there, you know, I look like, eurgh...

0:41:13 > 0:41:15That was my first taste of the press,

0:41:15 > 0:41:17and when I got back to the bed and breakfast,

0:41:17 > 0:41:19I started to very quietly get out of the limousine.

0:41:19 > 0:41:23I'm thinking, "I wonder who sent this car from prison to pick me up?"

0:41:23 > 0:41:27And I was going to go in and hug my mum and dad can say, "I'm home."

0:41:27 > 0:41:32All of a sudden the sky lit up with flashbulbs. Suddenly night became day.

0:41:33 > 0:41:35I was suddenly a celebrity.

0:41:35 > 0:41:39I didn't ask to be a celebrity, I didn't want to be a celebrity...

0:41:39 > 0:41:42But it was like a wave, it was like a phenomenimum.

0:41:43 > 0:41:46'So what have these last few months been like for you?'

0:41:46 > 0:41:52Well, I've been very busy. It's been amazing the way the public

0:41:52 > 0:41:53has responded to my case.

0:41:53 > 0:41:58I got close to a thousand letters from the British public.

0:41:58 > 0:42:00The rest of the time that I'm not answering letters

0:42:00 > 0:42:04- I'm working on my book. - What kind of book is that?

0:42:04 > 0:42:09Well, this is my life story, and it's the story of how I met Kirk,

0:42:09 > 0:42:11and the name of it is A Very Special Love Story.

0:42:18 > 0:42:21I had said something like I loved Kirk so much

0:42:21 > 0:42:24I'd have skied naked down Mount Everest with a carnation in my nose.

0:42:24 > 0:42:26When I went into the bed and breakfast,

0:42:26 > 0:42:29there were pink carnations all over the room.

0:42:29 > 0:42:32There were pink carnations in the closet, in the sink,

0:42:32 > 0:42:36on the floor, on the bed... Sacks of mail, from all over the world.

0:42:36 > 0:42:41People wanted me to autograph their babies' bellies, their elbows..

0:42:41 > 0:42:45I got marriage proposals. I got maps with directions to guys' houses

0:42:45 > 0:42:48saying "Please come and kidnap and rape ME any time, honey."

0:42:48 > 0:42:50It kind of got a life of its own.

0:43:06 > 0:43:07I remember I was at a party.

0:43:07 > 0:43:11It was an after party for Saturday Night Fever, and Johnny Travolta

0:43:11 > 0:43:15was there, and the Bee Gees came over and asked me to dance.

0:43:15 > 0:43:18Keith Moon - he was the drummer for The Who - spied me,

0:43:18 > 0:43:20and he told one of the reporters "I want to meet the girl."

0:43:20 > 0:43:23He was with his girlfriend, there was nothing between me

0:43:23 > 0:43:24and Keith, but he came over and he says

0:43:24 > 0:43:27"Joycie girl, I'm going to give you a big old smooch."

0:43:27 > 0:43:29And that was just getting started.

0:43:29 > 0:43:33Peter McKay, my editor, said to me,

0:43:33 > 0:43:36"Why don't you hire a Rolls-Royce

0:43:36 > 0:43:41"and take Joyce to the premiere of The Stud,

0:43:41 > 0:43:44"and upstage the showbusiness element?"

0:43:44 > 0:43:48'Was there a chance that you could actually do this? Could you upstage Joan Collins?'

0:43:48 > 0:43:52Well, we did. We stepped out of this Rolls-Royce, and the press went mad.

0:43:52 > 0:43:58It was as if, I don't know, Marilyn Monroe had got out, or the Queen.

0:43:58 > 0:44:01Certainly more excitement than when John Collins got out of her limousine.

0:44:07 > 0:44:10She returned home at midnight, like Cinderella.

0:44:10 > 0:44:14Presumably Keith May had been packing their bags,

0:44:14 > 0:44:17because they disappeared a day later.

0:44:17 > 0:44:22'The police had opposed bail, believing that the couple would leave the country if it were granted.

0:44:22 > 0:44:24'Since their disappearance was discovered on Thursday,

0:44:24 > 0:44:27'the police have kept a watch on all air and sea ports,

0:44:27 > 0:44:32'but they were last seen by neighbours on Wednesday evening.'

0:44:35 > 0:44:38I never fled, don't use the word "fled". I resent the word "fled", I left.

0:44:38 > 0:44:43They went to the airport as deaf-mutes, I gather.

0:44:43 > 0:44:45Quite clever, really.

0:44:51 > 0:44:54I went and I got the birth certificates of two dead people.

0:44:54 > 0:44:57I didn't figure they'd mind. And I got me a travel visa.

0:44:57 > 0:45:01I put on a granny wig and I made me a fat suit, like in Norbit?

0:45:01 > 0:45:03I said, "Keith, we're going home."

0:45:05 > 0:45:07So I dye his hair coal black,

0:45:07 > 0:45:11and I made him a little handlebar moustache, and darkened his skin.

0:45:12 > 0:45:15I found out there was a troupe of deaf actors

0:45:15 > 0:45:19going to the States via Canada. I put some little signs on us,

0:45:19 > 0:45:23and it said, "I am deaf, but I can lip-read.

0:45:23 > 0:45:26"Please enunciate your words slowly and speak clearly."

0:45:26 > 0:45:29I remember the stewardess said, "Get these dummies on the plane."

0:45:29 > 0:45:33Someone said, "They'll hear you." She said, "No, they're stone deaf."

0:45:37 > 0:45:39We got to Canada,

0:45:39 > 0:45:43and it's at night, and they stop us in immigration. I had 13 suitcases, full of news clips.

0:45:45 > 0:45:48In the suitcases are hundreds of pictures of me,

0:45:48 > 0:45:51magazine covers and all this stuff.

0:45:51 > 0:45:54They're going to look at me and say, "Oh. Oh!"

0:45:54 > 0:45:57They go, "13 suitcases. You emigrating?" I go...

0:45:59 > 0:46:02She goes, "Oh, you're deaf.

0:46:02 > 0:46:06"OK, we cannot get our interpreter at night."

0:46:06 > 0:46:08She's talking louder and louder.

0:46:08 > 0:46:11She gives me a pencil and I write down,

0:46:11 > 0:46:15"I tired. May I go now, please?" She goes, "Ah, go on."

0:46:16 > 0:46:21Ten days later I was in my office in the Daily Express building.

0:46:21 > 0:46:25The telephone rang one evening about six o'clock.

0:46:25 > 0:46:27PHONE RINGS

0:46:27 > 0:46:30And I picked it up and it was Joyce.

0:46:30 > 0:46:33She said that she wanted to sell her story

0:46:33 > 0:46:37to the Daily Express for £40,000.

0:46:37 > 0:46:40We arranged there and then for me to fly out to Atlanta

0:46:40 > 0:46:45and wait in the Atlanta Airport Hilton hotel.

0:46:45 > 0:46:48I went to the door and there outside were these two Indians.

0:46:48 > 0:46:50Like Indians from Calcutta.

0:46:52 > 0:46:56They should've been arrested for bad acting

0:46:56 > 0:47:00far more than abducting Mormon priests.

0:47:01 > 0:47:04She was having really the time of her life.

0:47:04 > 0:47:08There was no sense of anxiety, she was just enjoying it.

0:47:08 > 0:47:10And giving us all this nonsense,

0:47:10 > 0:47:13a totally sanitised version of the truth.

0:47:13 > 0:47:16And we were falling for it of course.

0:47:16 > 0:47:19Getting all of it onto these little tape recorders and thinking,

0:47:19 > 0:47:22"God, hasn't the Express got a great story here?"

0:47:24 > 0:47:25Joyce brought in this suitcase.

0:47:25 > 0:47:28It took about three of us to get it in the room.

0:47:28 > 0:47:32She just put her finger on the button and it exploded.

0:47:32 > 0:47:35All these disguises and wigs and...

0:47:35 > 0:47:39Not bondage gear, I hasten to add. Or at least I didn't see any.

0:47:39 > 0:47:43I expected the FBI to come crashing through the widows at any minute

0:47:43 > 0:47:49because, as far as I knew, we were aiding and abetting a fugitive.

0:47:51 > 0:47:54It wasn't clear really what Keith May's motive was

0:47:54 > 0:47:57except that he adored Joyce.

0:47:58 > 0:48:01And Joyce kind of did, from time to time,

0:48:01 > 0:48:07treat him as if he was in some kind of mistress/slave fantasy.

0:48:07 > 0:48:10"Down, slave," she would say to him.

0:48:11 > 0:48:13"Down, slave! Down, slave!"

0:48:13 > 0:48:15She'd say it humorously, jokingly,

0:48:15 > 0:48:17but it did occur to us at the time

0:48:17 > 0:48:21that this is all the language of the world of bondage.

0:48:22 > 0:48:25- I speak as if I'm an expert but I mean... - 'I assume that you are.'

0:48:27 > 0:48:30But it's all this kind of master/mistress power thing,

0:48:30 > 0:48:34domination thing that seems to run through this whole story.

0:48:34 > 0:48:36It seems to be a theme.

0:48:36 > 0:48:40Keith had probably an obsession for Joyce just like Joyce had

0:48:40 > 0:48:42an obsession for her.

0:48:42 > 0:48:44The fact that he was just able to be around her

0:48:44 > 0:48:48and helping her where he could satisfied his emotions.

0:48:56 > 0:49:01There are tabloids in England that are filth

0:49:01 > 0:49:03but top of the list would be the Daily Mirror.

0:49:05 > 0:49:08The Daily Mirror, meantime,

0:49:08 > 0:49:11had their reporters in Los Angeles digging up all this stuff

0:49:11 > 0:49:16about her activities as a...not a call girl but...

0:49:16 > 0:49:18Well, I suppose she was.

0:49:18 > 0:49:21She was being paid for sexual services

0:49:21 > 0:49:25but this was all long before her escapades in the UK.

0:49:26 > 0:49:29This was earlier Joyce McKinney history.

0:49:29 > 0:49:32They had a tip, I think it was from a police officer in London.

0:49:32 > 0:49:35One of our reporters that was covering the story.

0:49:35 > 0:49:38He said that it might be worth looking up an address

0:49:38 > 0:49:40that we know she had in Los Angeles

0:49:40 > 0:49:44and a boyfriend called Steve Moskowitz.

0:49:48 > 0:49:51Joyce had been in touch with him from England saying,

0:49:51 > 0:49:55"Destroy any pictures. If any journalists turn up, do not talk to anybody."

0:49:55 > 0:49:58Steve was very uncooperative when I first met him.

0:49:58 > 0:50:00Once he told me that he was still madly in love with her,

0:50:00 > 0:50:02I said, "Look, Steve,

0:50:02 > 0:50:05"if you want to be by her side for the trial at the Old Bailey,

0:50:05 > 0:50:07we will pay a first class air ticket for you

0:50:07 > 0:50:09and put you up in a hotel in London so you can be with her.

0:50:09 > 0:50:11The next morning,

0:50:11 > 0:50:15I'm in a hotel in Santa Monica, 8 o'clock Monday morning,

0:50:15 > 0:50:18the phone goes. It's Steve. "I'm downstairs."

0:50:18 > 0:50:21He produced six strips of black and white contacts.

0:50:21 > 0:50:24There was nothing really that bad on them.

0:50:24 > 0:50:26She was sitting on a horse.

0:50:26 > 0:50:27They were glamour pictures, as such.

0:50:30 > 0:50:34I said, "Look, Steve, this doesn't take us very much further.

0:50:34 > 0:50:37"But I will hang on to them. We need more.

0:50:37 > 0:50:41"By the way, the editor in London wants me to take a picture of you."

0:50:41 > 0:50:45He said, "Can you make it look as if I've not posed for it?"

0:50:45 > 0:50:46I said, "What do you mean?"

0:50:46 > 0:50:49"He said, "Well, I've got Joyce's car here and I've got Millie.

0:50:49 > 0:50:53"I often take the dog out, put him in the car, take the dog for a walk."

0:50:53 > 0:50:55CAMERA CLICK

0:50:57 > 0:51:01He didn't want Joyce to know he was cooperating.

0:51:01 > 0:51:05'So he's betraying her. He knows he's betraying her.'

0:51:05 > 0:51:07I don't think he realised how much he was giving us.

0:51:09 > 0:51:11It was only when he said to me,

0:51:11 > 0:51:14"She placed these ads in a Hollywood free press." Free.

0:51:14 > 0:51:16He took us to one of their offices

0:51:16 > 0:51:21which had back numbers of some of the ads that she posted in there

0:51:21 > 0:51:23and it read...

0:51:42 > 0:51:48"Your fantasy is her speciality. S&M, B&D, escort service,

0:51:48 > 0:51:51nude wrestling, modelling, erotic phone calls,

0:51:51 > 0:51:53dirty panties or pictures.

0:51:53 > 0:51:56"Mail your fantasy or speciality to Joey."

0:51:56 > 0:51:58I love this bit.

0:51:58 > 0:52:02"PS Joey says, 'I love shy boys, dirty old men and sugah daddies.'"

0:52:02 > 0:52:05I couldn't believe what I was seeing.

0:52:05 > 0:52:09I could not believe that that was Joyce advertising those services.

0:52:09 > 0:52:12But that was only the beginning because once we had all of that,

0:52:12 > 0:52:15we then had to start thinking who's got pictures of all this?

0:52:15 > 0:52:17It was only when he named that photographer.

0:52:17 > 0:52:19PHONE RINGS

0:52:19 > 0:52:22He said, "I don't have a photograph of Joyce McKinney.

0:52:22 > 0:52:24"I've no idea who she is."

0:52:24 > 0:52:27And I said, "Well, according to a friend of mine and a friend of hers,

0:52:27 > 0:52:32"she always came on model assignments with a dog." "Ah!"

0:52:33 > 0:52:37He dug out some magazines. As soon as I saw them I said "That's her".

0:52:42 > 0:52:44I took that away and thought job well done.

0:52:44 > 0:52:46We were getting somewhere.

0:52:47 > 0:52:53We went back to Steve's apartment and he brought out a phone bill.

0:52:53 > 0:52:55Every itemised phone call Joyce had made from the apartment

0:52:55 > 0:52:58in the last three/four months.

0:52:59 > 0:53:02Right. Away we went with the phone bill.

0:53:02 > 0:53:06Frank and I spent three hours hitting every one of those numbers on there.

0:53:06 > 0:53:11Nobody had heard of Joyce McKinney. No idea who she was.

0:53:11 > 0:53:14The dog was the link. Always the dog.

0:53:16 > 0:53:19It was only when Steve told me that she took the dog with her

0:53:19 > 0:53:22that the photographer could put a face to an alias.

0:53:26 > 0:53:28You learn when you're famous who your friends are.

0:53:28 > 0:53:31When the payrollies come out, the cheque-book journalists,

0:53:31 > 0:53:34people that are real jealous or maybe didn't like you or need money...

0:53:34 > 0:53:37it's, "Yeah, what do you want to know about her? How much you paying me?"

0:53:37 > 0:53:41I had a false friend and his name was Steve and he was a creep.

0:53:41 > 0:53:44He had the key to the outside of my apartment

0:53:44 > 0:53:46so he could go in and walk my dog.

0:53:46 > 0:53:48He broke into a steamer trunk.

0:53:48 > 0:53:52I had huge pictures of me in there from the modelling portfolio.

0:53:52 > 0:53:55He sold those to The Sun and the Daily Mirror,

0:53:55 > 0:53:59both who were in contest to see who could do the worst Joyce McKinney story.

0:53:59 > 0:54:03When those Daily Mirror reporters turned up on his doorstep

0:54:03 > 0:54:05they turned him and bragged about it.

0:54:05 > 0:54:10They sent him and his prostitute crony to Mexico

0:54:10 > 0:54:12so that they wouldn't be prosecuted

0:54:12 > 0:54:15for breaking and entering my apartment.

0:54:15 > 0:54:20We were worried about Steve, that somebody was going to get to him.

0:54:20 > 0:54:24So we kept Steve out of the way of all our opposition, in Mexico,

0:54:24 > 0:54:27for about ten days until we were finished with the story.

0:54:27 > 0:54:29They didn't realise it was to keep them out the way.

0:54:29 > 0:54:32He could've made a lot of money by telling his side of the story.

0:54:32 > 0:54:36All he got from us was a promise to be at the Old Bailey

0:54:36 > 0:54:39when Joyce goes to trial.

0:54:39 > 0:54:43We were coming up with more material than you could believe.

0:54:43 > 0:54:45Unpublishable material.

0:54:45 > 0:54:48Bondage pictures, her wrestling with Thai girls, mud wrestling, nudes.

0:54:49 > 0:54:53The service that they were offered was oral sex, massage or bondage.

0:54:53 > 0:54:57Laura would have the full intercourse if they paid enough money.

0:54:59 > 0:55:02Joyce would do the bondage and anything else they needed,

0:55:02 > 0:55:04including oral sex, but that was it.

0:55:06 > 0:55:09I said to them, "What happens if this ever got out of control?"

0:55:09 > 0:55:12He said, "Oh, we had that fixed." I won't try and get his accent.

0:55:12 > 0:55:16He said, "I bugged the dog's collar." I said, "You did what?"

0:55:16 > 0:55:18He said, "I put a bug in the collar of the dog."

0:55:18 > 0:55:21I said, "The dog went with her on these sexual encounters?"

0:55:21 > 0:55:24"Oh, yeah, always, and if it got out of hand I'd be sitting outside

0:55:24 > 0:55:26"with a couple of other guys and we would go in."

0:55:26 > 0:55:28'Was he sitting in a coffee shop with headphones?'

0:55:28 > 0:55:31He was sitting in the car.

0:55:33 > 0:55:37Steve was very much in love with Joyce. We asked him if he'd ever

0:55:37 > 0:55:39had sex with her and he said,

0:55:39 > 0:55:42"Shoot, man, nobody's ever had sex with Joyce."

0:55:42 > 0:55:45- That was the quote from him. - 'Nobody?'

0:55:45 > 0:55:47Nobody. That was the quote.

0:55:50 > 0:55:53When Mike Molloy, who was the editor of The Mirror at that time, asked me

0:55:53 > 0:55:55how I was getting on, I said, "It's interesting, Michael.

0:55:55 > 0:55:57"You'll be pleased to see what we've got."

0:55:57 > 0:55:59"Do you have a picture of her in a swimsuit?"

0:55:59 > 0:56:01I said, "Oh, yes. I've got that."

0:56:08 > 0:56:11I mean, worms crawl out of the woodwork

0:56:11 > 0:56:14when you become famous. Worms, cockroaches!

0:56:18 > 0:56:21Mike called me to say, "I'd better let you know that tomorrow

0:56:21 > 0:56:24"we're going to run for a week with the real McKinney story,"

0:56:24 > 0:56:26and that was the front page - The Real McKinney.

0:56:31 > 0:56:36Their front page was going to be Joyce naked but lying on her stomach.

0:56:36 > 0:56:40Ours is going to be these pictures of her as a nun.

0:56:40 > 0:56:46One paper projecting her as an innocent sweet-natured woman,

0:56:46 > 0:56:49a God-fearing, religious woman

0:56:49 > 0:56:52who was the victim of cruel circumstances and the other,

0:56:52 > 0:56:58The Daily Mirror, projecting her as a kind of manipulating, sex-crazed

0:56:58 > 0:57:00part-time hooker.

0:57:00 > 0:57:03Somewhere in between, maybe, is the truth.

0:57:03 > 0:57:07The Express came and they actually let me tape record what I said,

0:57:07 > 0:57:11and they printed it word for word. In that same week,

0:57:11 > 0:57:13The Mirror came out with the story.

0:57:13 > 0:57:17They had painted a totally different picture of me.

0:57:17 > 0:57:20If I was well-educated, they made me stupid.

0:57:20 > 0:57:24If I was a virgin in real life, they made me a slut.

0:57:24 > 0:57:28We did the fantasy that Joyce wanted promoted

0:57:28 > 0:57:31to the millions of English readers.

0:57:31 > 0:57:33'Yeah, you became her tool, her sleeve.'

0:57:33 > 0:57:36Totally, I became her slave, yes. We were all her slaves.

0:57:39 > 0:57:44The Daily Express did buy the story and it was only Joyce's story,

0:57:44 > 0:57:46what she wanted to say about the kidnapping.

0:57:46 > 0:57:47What she did or did not do with Kurt.

0:57:47 > 0:57:50She wasn't going to tell a story about the hooker assignments.

0:57:50 > 0:57:52She can't say it never happened

0:57:52 > 0:57:55because there it is in black and white.

0:57:55 > 0:57:56It was Joyce.

0:57:59 > 0:58:02'Well, her claim is of course that the pictures were doctored.'

0:58:02 > 0:58:04You don't doctor negatives.

0:58:04 > 0:58:07We had the negative, print and the magazine.

0:58:07 > 0:58:08Get out of that, Joyce.

0:58:08 > 0:58:10The Sun put my head on another person's naked body,

0:58:10 > 0:58:12and she was flat-chested as a board.

0:58:12 > 0:58:15I mean, the girl was flat in her front.

0:58:15 > 0:58:17As you see, I'm not flat in my front.

0:58:17 > 0:58:20'So, it was clear that this woman's breasts...'

0:58:20 > 0:58:21Were not me.

0:58:21 > 0:58:23Those are fried eggs.

0:58:23 > 0:58:27- The Sun admitted it was a fake picture.- They came out and said

0:58:27 > 0:58:31this is a composite picture, but The Daily Mirror didn't.

0:58:31 > 0:58:34The Daily Mirror tried to make it look like I was a whore.

0:58:34 > 0:58:37On the only occasion when I did meet her a bit later,

0:58:37 > 0:58:39she said in her accent, she went, "I don't pose nude."

0:58:39 > 0:58:42Of course, sitting on the editor's desk

0:58:42 > 0:58:45was over 1,000 pictures of magazines and negatives of her

0:58:45 > 0:58:48that we already had. She never knew that, of course.

0:58:48 > 0:58:51I never took a picture which was really unusual for me.

0:58:51 > 0:58:54The only thing I ever wanted to do was photograph Joyce with no clothes on

0:58:54 > 0:58:57and I ended up picking up hundreds of other people who did it.

0:58:57 > 0:58:59A bit strange.

0:58:59 > 0:59:01'Do you still have the photographs?'

0:59:01 > 0:59:03Unfortunately, only the pictures

0:59:03 > 0:59:05that were published in The Mirror at the time.

0:59:05 > 0:59:08The file, which was between 800 and 1,000 pictures,

0:59:08 > 0:59:11were all locked up in the safe but unfortunately the Mirror Group

0:59:11 > 0:59:14changed ownership and along with a lot of other things,

0:59:14 > 0:59:15all that dossier went missing.

0:59:18 > 0:59:22We were in the hotel room and Joyce was constantly calling her friend

0:59:22 > 0:59:25in north London saying, "Have you seen the papers yet?"

0:59:25 > 0:59:29She'd got the newspapers, the early editions of the newspapers,

0:59:29 > 0:59:33and had them laid in front of her and was on the telephone saying,

0:59:33 > 0:59:35"And the Mirror says this and the Mirror says that.

0:59:35 > 0:59:38"There's a photograph of you here with no clothes on.

0:59:40 > 0:59:45"And there's another photograph of you here standing on a man in a bedroom."

0:59:45 > 0:59:47This is when Joyce freaked out.

0:59:50 > 0:59:56She was so appalled and enraged and distressed about all this stuff

0:59:56 > 0:59:59that The Mirror had been printing about her,

0:59:59 > 1:00:02because she had no idea this was going to happen at all.

1:00:02 > 1:00:05She just went crazy. Went absolutely crazy.

1:00:05 > 1:00:08Brian realised that he had to stop this conversation

1:00:08 > 1:00:12and that she mustn't learn any more because we didn't know

1:00:12 > 1:00:13what she was going to do.

1:00:13 > 1:00:17He didn't even bother to disconnect the telephone in a civilised way.

1:00:17 > 1:00:20He just grabbed the wires and pulled them out of the wall.

1:00:23 > 1:00:25He didn't unplug them.

1:00:25 > 1:00:27Bits of plaster came out, I remember, with it.

1:00:27 > 1:00:32'This is very unusual kind of behaviour though, wouldn't you just hang the phone up?'

1:00:32 > 1:00:37Well, Joyce McKinney had it in both hands screwed into her ear.

1:00:37 > 1:00:41She's really scary, really scary. She appeared to fly across the room,

1:00:41 > 1:00:44as far as I remember, and clung onto the curtains

1:00:44 > 1:00:48which partly came away on the rail.

1:00:48 > 1:00:50She was completely hysterical.

1:00:50 > 1:00:51Then she went for the balcony.

1:00:51 > 1:00:54I'd dived after her and grabbed her by the ankles.

1:00:54 > 1:00:58I don't know whether she was going to jump off, because if she had done,

1:00:58 > 1:01:01I think there were probably tourists on deckchairs underneath.

1:01:01 > 1:01:04She would have probably taken them out too so it would have been

1:01:04 > 1:01:06very embarrassing, to say the least.

1:01:06 > 1:01:09I wrote down and I could see all the reporters milling around outside

1:01:09 > 1:01:12trying to get their shot, trying to get their shot.

1:01:12 > 1:01:15Even as far up as I was, they were trying to get their shot.

1:01:15 > 1:01:18I thought, all I have to do is just climb up on this rail

1:01:18 > 1:01:21and just splatter and I will be dead. I'll be in heaven,

1:01:21 > 1:01:25there will be no more tabloid reporters ever

1:01:25 > 1:01:28to ruin my life.

1:01:28 > 1:01:30She went a bit up the wall.

1:01:30 > 1:01:33She tried to climb up and jump off the balcony.

1:01:33 > 1:01:35"I'm going to meet my maker."

1:01:36 > 1:01:42KJ came running in the motel room. He's just, "Don't let them win!"

1:01:42 > 1:01:46"If you die, the truth dies with you and nobody will ever know

1:01:46 > 1:01:49"what really happened. Nobody will know how much you loved him."

1:01:49 > 1:01:51She was screaming, she was hysterical.

1:01:51 > 1:01:56She was completely out of control. We got her to a hospital.

1:01:56 > 1:02:01We were thinking in terms of a pill of some kind but the nurse appeared

1:02:01 > 1:02:04with a large syringe and just stuck it in her.

1:02:04 > 1:02:09We wheeled her out in this wheelchair that was provided, unconscious,

1:02:09 > 1:02:11and got her back to the hotel.

1:02:11 > 1:02:15Her father, this gentle man, came in with his wife,

1:02:15 > 1:02:18and tried to put his arms round Joyce.

1:02:18 > 1:02:23She just sunk her teeth into his forearm and there was an awful kind

1:02:23 > 1:02:26of tussle and he managed to get himself free and there was blood

1:02:26 > 1:02:30trickling down his arm. He'd been attacked by a vampire.

1:02:33 > 1:02:39Joyce then fled the whole lot of us in her nightie, and we kind of

1:02:39 > 1:02:43followed and chased her down and there was this freeway that went past

1:02:43 > 1:02:48the back of the hotel with huge trucks and cars whizzing past

1:02:48 > 1:02:51in both directions. I remember seeing her run

1:02:51 > 1:02:56across this freeway, miraculously being missed by all these vehicles.

1:02:58 > 1:03:01Kind of disappearing somewhere into the distance.

1:03:11 > 1:03:13Would you believe, McKinney is back.

1:03:13 > 1:03:16Joyce McKinney, the "sex in chains" girl arrested.

1:03:16 > 1:03:19She kept us all entertained in 1977.

1:03:19 > 1:03:22She used to phone me up every day, two or three times for months,

1:03:22 > 1:03:24saying, "Lawks-a-mercy, I'll kill myself

1:03:24 > 1:03:27"what the Daily Mirror said about me." Seven years later,

1:03:27 > 1:03:30she's still pursuing this unfortunate Mormon.

1:03:30 > 1:03:32- Can you believe it?- Oh dear.

1:03:34 > 1:03:36'You saw him in 1984?'

1:03:36 > 1:03:41Yeah. Yeah, I was at the airport. His overweight Mormon wife saw me

1:03:41 > 1:03:44and I guess she was disturbed I was using a public airport.

1:03:44 > 1:03:48She went and called the police and said, "McKinney's here, go get her."

1:03:48 > 1:03:50'What was his job at the airport?'

1:03:50 > 1:03:53I hate to say this but he was a doo-doo dipper.

1:03:53 > 1:03:58- 'A doo-doo dipper?' - Yeah.- 'What is a doo-doo dipper?'

1:03:58 > 1:04:01That's someone who takes the doo-doo off the back of the plane.

1:04:01 > 1:04:04He was married to this overweight women

1:04:04 > 1:04:07and they told her to start having kids as quick as possible

1:04:07 > 1:04:10so that he would get over me. The fact that I could have

1:04:10 > 1:04:13given him children, I guess, was bypassed.

1:04:13 > 1:04:16I was kind of glad she was not too good looking. I mean, if she'd been

1:04:16 > 1:04:19really great looking, I'd have probably felt awful, you know,

1:04:19 > 1:04:20and cried my eyes out.

1:04:20 > 1:04:23There wasn't any competition, if you know what I mean.

1:04:23 > 1:04:25One thing she had that I didn't have was 100 extra pounds

1:04:25 > 1:04:26and she was a Mormon.

1:04:26 > 1:04:30She was found lurking outside his office.

1:04:33 > 1:04:37I think she was arrested for stalking him or something.

1:04:41 > 1:04:43'Do you still love him?'

1:04:43 > 1:04:47I'll die loving him. I never got married because of him.

1:04:57 > 1:05:00I'm the incurable romantic. You know.

1:05:00 > 1:05:03The idea of marrying somebody that I didn't love

1:05:03 > 1:05:07and having to sleep with him and have his kids and live

1:05:07 > 1:05:10a humdrum blase life with half a love,

1:05:10 > 1:05:15I would rather have a short few weeks with someone

1:05:15 > 1:05:18who was the star in the crown,

1:05:18 > 1:05:22than to spend my life with someone and be miserable.

1:05:23 > 1:05:28Love is not a changing thing. It's a steadfast and eternal thing.

1:05:28 > 1:05:31It's like an eternal flame. It doesn't just stop

1:05:31 > 1:05:33because of circumstances or situations.

1:05:33 > 1:05:35It goes on even past death.

1:05:35 > 1:05:37It's a very bleak future you paint for yourself.

1:05:37 > 1:05:39What is going to happen to you?

1:05:39 > 1:05:42Well, first of all, I'm going to write my book and make sure that

1:05:42 > 1:05:46the truth comes out, because regardless of what you've heard,

1:05:46 > 1:05:49I haven't sold my life story to anyone, to any newspapers.

1:05:49 > 1:05:52The only newspaper I have talked to has been The Express

1:05:52 > 1:05:54who did the article about my adventures in America,

1:05:54 > 1:05:56and that's it. I want my story to be told.

1:05:56 > 1:05:59Are you really prepared to condemn yourself, because that's what it is,

1:05:59 > 1:06:03- to a very solitary life?- Yeah.

1:06:09 > 1:06:12Today's date is September 25th, 1986.

1:06:12 > 1:06:17September 25th, 1986. It is the interior of the McKinneys' house.

1:06:17 > 1:06:22The office. This is the office where the McKinney daughter

1:06:22 > 1:06:26is currently working on a book. Could you work at this computer

1:06:26 > 1:06:30with the Benfield coondogs barking outside your window?

1:06:30 > 1:06:33BARKING

1:06:33 > 1:06:35My father's trying to take a nap.

1:06:38 > 1:06:42BARKING

1:06:44 > 1:06:47Outside, both Benfield hounds are barking.

1:06:47 > 1:06:49The shot has dented the screen.

1:06:56 > 1:06:59This shot made on August 8th, 1986.

1:06:59 > 1:07:02There is absolutely nothing around.

1:07:05 > 1:07:12This shot shows absolutely nothing in the picture.

1:07:12 > 1:07:16This shot made on August 8th, 1986

1:07:16 > 1:07:21shows absolutely nothing in the picture.

1:07:21 > 1:07:23BARKING

1:07:23 > 1:07:25This shot made on August 8th, 1986

1:07:25 > 1:07:30shows absolutely no other animals or anything in the picture

1:07:30 > 1:07:33to agitate the barking Benfield hound.

1:07:34 > 1:07:38It's the same dog, of course, that's been barking in the other pictures.

1:07:54 > 1:07:58I finally got what's called agoraphobia.

1:07:58 > 1:08:01It's when you can't go out of the house.

1:08:01 > 1:08:04We had a big old farmhouse with a river on one side

1:08:04 > 1:08:05and woods on the other.

1:08:08 > 1:08:13We thought that was, like, a natural barrier to paparazzi

1:08:13 > 1:08:15but they would just put on fisherman boots

1:08:15 > 1:08:17and just wade right through that river.

1:08:20 > 1:08:22I remember one time a woman came on our property

1:08:22 > 1:08:24and ignored the, "No Trespassing" sign

1:08:24 > 1:08:26and she was just yonking in the window.

1:08:26 > 1:08:30Trying to get up to see what Joyce McKinney looked like.

1:08:30 > 1:08:32It went on like that for years.

1:08:35 > 1:08:38I could barely get out to go feed the horses.

1:08:46 > 1:08:48So, finally, I got me this big old guard dog.

1:08:48 > 1:08:50His name was Tough Guy.

1:08:50 > 1:08:53He was a huge dog, he weighed about 150lbs, solid muscle.

1:08:53 > 1:08:57Pit bull mastiff bulldog, jaws like an alligator

1:08:57 > 1:08:59and I just put him right out in the front yard,

1:08:59 > 1:09:01like, "Come on, boys. Come on!"

1:09:03 > 1:09:05One day he got beestung.

1:09:07 > 1:09:10These two women that worked at the pharmacy, who didn't like me,

1:09:10 > 1:09:13decided it would just be a hoot to add a zero on to that prednisone

1:09:13 > 1:09:16on the prescription for Joyce McKinney's guard dog.

1:09:16 > 1:09:19Wouldn't that be funny? Probably drive him nutty, wouldn't it?

1:09:19 > 1:09:21Well, it drove him more than nutty.

1:09:21 > 1:09:24The capillaries in his brain exploded...

1:09:24 > 1:09:28but not before he attacked me.

1:09:28 > 1:09:30He didn't know who I was.

1:09:30 > 1:09:35He amputated, I can't raise this arm up, but he amputated my left arm,

1:09:35 > 1:09:36he tore off three fingers on this hand,

1:09:36 > 1:09:39he ripped my intestines out of my stomach wall,

1:09:39 > 1:09:42he shredded my knee.

1:09:42 > 1:09:45From my right knee cap to my ankle. I was bleeding to death.

1:09:47 > 1:09:48I was dying.

1:09:51 > 1:09:55A few months before this I'd found a little dog by the side of the road,

1:09:55 > 1:09:58going through garbage cans. I named him Booger.

1:09:58 > 1:10:00And Booger was a little pit bull.

1:10:00 > 1:10:03I hit the brakes and I backed up and I got out and I said,

1:10:03 > 1:10:05"Could you use a friend?

1:10:05 > 1:10:09"I could use a friend too. OK, I'm a softy, get in the car."

1:10:09 > 1:10:12So he went, "Rargh, ah, ah, ah, ah!"

1:10:12 > 1:10:16He had a little five deep musical bark, Booger did.

1:10:16 > 1:10:17"Booger, booger, booger"!

1:10:17 > 1:10:18I had taken home with me,

1:10:18 > 1:10:21not realising that he was going to be famous some day

1:10:21 > 1:10:23or that he would save my life or change the lives,

1:10:23 > 1:10:26my life, and the lives of so many people.

1:10:27 > 1:10:29The night that this big mastiff attacked me, the guard dog,

1:10:29 > 1:10:32I got next door to where Booger was and I said, "Help me, Booger!"

1:10:32 > 1:10:35Booger shot out, jumped on that other dog and pulled it off me.

1:10:35 > 1:10:38"Rargh, rargh, rargh!" It was a fight to the death and I thought,

1:10:38 > 1:10:39"Poor little Booger,

1:10:39 > 1:10:42"he's going to give himself in Christ-like love for me."

1:10:42 > 1:10:45When I came home from hospital, he sat on the bed beside me

1:10:45 > 1:10:48and we healed together, and we formed a bond, a friendship.

1:10:50 > 1:10:52Booger was a very special dog.

1:10:54 > 1:10:57Not only was he a licensed service dog

1:10:57 > 1:10:59but one day he just got up and unlocked the door

1:10:59 > 1:11:01and then he started dialling 911 with his paw.

1:11:01 > 1:11:05He had a big button phone and I'd say, "Booger, help, dial 911!"

1:11:05 > 1:11:06He'd go, "WOMP".

1:11:06 > 1:11:09"Booger, I need a towel. Go and get a towel out of the dryer, buddy."

1:11:09 > 1:11:11He'd go to the dryer and get me a towel.

1:11:11 > 1:11:14"Hey, Booger, get me a pop out of the refrigerator."

1:11:14 > 1:11:16He go get me one and he'd so gently carry it,

1:11:16 > 1:11:19so he wouldn't last it with his teeth, and drop it in my lap.

1:11:27 > 1:11:32He got me through that tough time. For 10 years he was my, my helper.

1:11:32 > 1:11:36My beloved old friend Booger passed away in my arms, of cancer,

1:11:36 > 1:11:38in April of 2006.

1:11:38 > 1:11:39I tried everything in the world to save him.

1:11:39 > 1:11:42I took into every veterinary hospital I could.

1:11:42 > 1:11:44I said, "You can't die, buddy, you're all I have.

1:11:44 > 1:11:47"We're a package deal. You can't die."

1:11:47 > 1:11:50It was the last command I gave him, "You can't die."

1:11:50 > 1:11:53And he looked at me as if he didn't want to disappoint me

1:11:53 > 1:11:58and those eyes, with age-old wisdom, those dark brown eyes,

1:11:58 > 1:12:02looked at me like, "Don't worry, I'll see you again.

1:12:02 > 1:12:05"This is not the end for us."

1:12:05 > 1:12:06I just wanted to go to heaven

1:12:06 > 1:12:10and I thought God would just have Booger there on a cloud for me or something.

1:12:10 > 1:12:14And I'd had such a sad life, you know, with all the tabloidments,

1:12:14 > 1:12:18and I thought, "I just want the hurt to stop and I can't do without him."

1:12:18 > 1:12:20Then I heard about cloning

1:12:20 > 1:12:23and I thought, "Well, I'll just give it a stab."

1:12:23 > 1:12:28I contacted Dr Byeong-chun Lee and asked him if it was possible.

1:12:28 > 1:12:30I wrote him a letter in Korean, translated it,

1:12:30 > 1:12:32and then tracked down his phone number and he goes,

1:12:32 > 1:12:34- IMITATES ACCENT: - "I can clone your dog."

1:12:34 > 1:12:35I said, "Are you sure?!

1:12:35 > 1:12:41"I mean, is it possible I could have my old boy back?" He goes, "I can."

1:12:44 > 1:12:45Do you ever feel like God?

1:12:48 > 1:12:49SPEAKS IN KOREAN

1:13:12 > 1:13:13What their plan was,

1:13:13 > 1:13:17is to take a little piece of tissue from Booger's tummy,

1:13:17 > 1:13:21put it in liquid nitrogen for its safe trip back to Seoul, Korea.

1:13:22 > 1:13:25They flew back with the help of Homeland Security!

1:13:25 > 1:13:30- Homeland Security guarding these little cells!- Guarding Booger!

1:13:30 > 1:13:32Well, to me it was spirit Booger, that's what we called it.

1:13:32 > 1:13:34It was like an orb of light.

1:13:34 > 1:13:37It moved along the fuselage of the plane

1:13:37 > 1:13:39and people said, "What is that?"

1:13:39 > 1:13:42But I knew, I knew it was old spirit Booger.

1:13:42 > 1:13:45And I closed my eyes and I said a silent prayer.

1:13:45 > 1:13:48And I said, "Oh, heavenly Father, please take care of him."

1:13:48 > 1:13:52And it was like he spoke to my heart and said,

1:13:52 > 1:13:56"Don't worry, he's with me and he's fine.

1:13:56 > 1:14:02"And you, you're going to be fine too because I've got Booger one

1:14:02 > 1:14:06"and I'm sending you back Booger two AND a little something extra."

1:14:07 > 1:14:09SPEAKS IN KOREAN

1:14:40 > 1:14:44This long-distance phone call and it's Dr Hong.

1:14:44 > 1:14:47- IMITATES ACCENT:- "Miss, pardon, what is best news I can bring to you?"

1:14:47 > 1:14:51And I said, "We're pregnant?! Oh, we're pregnant!"

1:14:51 > 1:14:53And he said, "We are!"

1:14:53 > 1:14:57On August 5 I flew to Seoul, Korea.

1:15:04 > 1:15:06NEWSREADER SPEAKING KOREAN

1:15:12 > 1:15:15Well, I found out what the, "little something extra," was

1:15:15 > 1:15:18that Heavenly Father had promised me. There were five!

1:15:18 > 1:15:23- Five?!- Five cloned puppies, all exactly like Booger,

1:15:23 > 1:15:26five bitty Boogers lying there like little black jelly rolls,

1:15:26 > 1:15:29with half the world press crowding around.

1:15:29 > 1:15:31They just looks like a little tiny mini Boogers.

1:15:31 > 1:15:32It was the strangest feeling.

1:15:36 > 1:15:41The weirdest thing is, I was sitting in a hotel, in Seoul, Korea,

1:15:41 > 1:15:43and one of them got up and opened the door

1:15:43 > 1:15:45and he was four months old and I just went...

1:15:45 > 1:15:46"Ha-ha-ha."

1:15:46 > 1:15:49I thought, "How did he know that? I didn't train him to do that."

1:15:49 > 1:15:54You know, they have those little refrigerators with little wooden doors, like a cabinet, in hotels?

1:15:54 > 1:15:56And he just reached right up and got that silver knob

1:15:56 > 1:15:59and jerked it open with his teeth, just like old Booger used to do.

1:15:59 > 1:16:03And then when one of them got the leash and went over to the door and dropped it like, "Walk me, now,"

1:16:03 > 1:16:05like Booger did, it blew me away.

1:16:07 > 1:16:08I said, "these are his clones!"

1:16:08 > 1:16:11It was 25,000 if I can remember.

1:16:11 > 1:16:14- Well, the original price was, I believe, 150,000.- Was it?!

1:16:14 > 1:16:19God, she must like her dogs! No, no, no, some girl!

1:16:19 > 1:16:21It was in all the papers,

1:16:21 > 1:16:25"Dog cloning girl turns out to be THE Joyce McKinney,"

1:16:25 > 1:16:27and she pretended it wasn't her to start with.

1:16:27 > 1:16:30She called herself Brennan McKinney,

1:16:30 > 1:16:32or something like Brennan, was it?

1:16:32 > 1:16:36Bernann McKinney or something like that, I forget what name she used.

1:16:36 > 1:16:38I knew right away it was Joyce.

1:16:38 > 1:16:41- Why?- Well, I think there was a photograph.

1:16:41 > 1:16:43And she hadn't changed that much.

1:16:44 > 1:16:46I thought if I used my middle name

1:16:46 > 1:16:48that I would just be left alone by the press

1:16:48 > 1:16:50because I don't see any connection at all

1:16:50 > 1:16:54between cloned puppies and a 32-year-old sex-in-chains story.

1:16:54 > 1:16:57I'm sorry, but I don't see the connection.

1:16:57 > 1:16:59But you should've seen the way Associated Press,

1:16:59 > 1:17:01those people slandered me so bad.

1:17:01 > 1:17:03In fact, if there is an attorney listening to this

1:17:03 > 1:17:04and wants a good libel suit, I've got one.

1:17:04 > 1:17:08"I'll sue anybody!" she said, "who says I'm THAT Joyce McKinney

1:17:08 > 1:17:12and I'm not that Joyce McKinney!" but she had to admit that she was.

1:17:15 > 1:17:17NEWSREADER SPEAKING KOREAN

1:17:22 > 1:17:25I was afraid to have a love affair of any kind after Kirk.

1:17:25 > 1:17:29I was afraid to kiss a guy so I chose just to be celibate and...

1:17:29 > 1:17:31as Brigitte Bardot once said,

1:17:31 > 1:17:35"I gave my youth to men and my old age I give to dogs that I trust."

1:17:35 > 1:17:36Dogs and children love me,

1:17:36 > 1:17:41they love Joyce McKinney because they sense in me an innocence.

1:17:41 > 1:17:44You know, they sense in me a gentleness

1:17:44 > 1:17:48and they don't read tabloid papers. They love me for me.

1:17:48 > 1:17:49She's not an evil person.

1:17:49 > 1:17:52I mean, she's, she's just a bit crazy,

1:17:52 > 1:17:55eccentric, and self-obsessed, and self-involved, and manipulative,

1:17:55 > 1:17:58and...barking mad, probably, basically.

1:17:58 > 1:18:02- But, erm...- "Barking mad"?- Yeah.

1:18:02 > 1:18:05- I wish we had that expression over here.- You can have it!

1:18:06 > 1:18:11You can tell yourself a million times, "God knows the truth,"

1:18:11 > 1:18:15and it would be nice if all you had to deal with every day was God.

1:18:16 > 1:18:18But you don't, you have to deal with people.

1:18:25 > 1:18:28I didn't plan on any of the tabloids destroying my life, or the Mormons,

1:18:28 > 1:18:31or the press, or the wire services, that was not in my plans.

1:18:34 > 1:18:35I really didn't have much choice,

1:18:35 > 1:18:39other than to make some kind of move in my life.

1:18:39 > 1:18:42I'd promised God that I was going to write the book...

1:18:42 > 1:18:45finally, no matter how much hurt me.

1:18:47 > 1:18:50But someone broke into my pickup truck.

1:18:51 > 1:18:54I had an entire cab full of materials.

1:18:54 > 1:18:57I had court cases, court records,

1:18:57 > 1:19:00I had all the interview witnesses, I had all the exhibits...

1:19:00 > 1:19:03I had the original modelling portfolio,

1:19:03 > 1:19:06which matched the head that was put on the naked body.

1:19:07 > 1:19:11My whole life was in those three suitcases...

1:19:11 > 1:19:13and this is an old pickup.

1:19:13 > 1:19:16They prised the wing open with an orange screwdriver

1:19:16 > 1:19:20and they took coat hangers, pulled the door open...

1:19:21 > 1:19:25..took absolutely everything documenting the story I've just told you.

1:19:25 > 1:19:29Took everything with exception of one little yellow laundry basket,

1:19:29 > 1:19:32which had somehow wedged under the seat.

1:19:34 > 1:19:39At least I have something to show that this nightmare ordeal happened

1:19:39 > 1:19:42to what was once a normal all-American kid.

1:19:50 > 1:19:52"After her miraculous escape to America,

1:19:52 > 1:19:56"Joyce retreats into seclusion to write a book about her love story.

1:19:56 > 1:19:58"She vows never to marry,

1:19:58 > 1:20:02"knowing fully that she could never love another man other than Kirk.

1:20:02 > 1:20:04"For she will grow old alone.

1:20:06 > 1:20:11"The love that once spanned an entire continent and ocean still exists.

1:20:17 > 1:20:20"Time changes but the scene is still the same.

1:20:20 > 1:20:23"Joyce is now a lonely old woman.

1:20:23 > 1:20:28"Like Narcissus, she is pining to death, dying of a broken heart."

1:20:44 > 1:20:47That's the conclusion of my book but the love has never ended.

1:21:53 > 1:21:57Subtitles by Red Bee Media Ltd