0:02:51 > 0:02:5221?
0:03:07 > 0:03:09Spasiba.
0:03:24 > 0:03:27MODEL SPEAKS RUSSIAN
0:04:02 > 0:04:05She maybe never had the body, though.
0:04:07 > 0:04:08Oh, really? Wow.
0:04:09 > 0:04:11There's some cute girls. There's some nice ones.
0:04:11 > 0:04:13One of these.
0:04:13 > 0:04:15Wow.
0:04:15 > 0:04:16How old is she?
0:04:16 > 0:04:19HE SPEAKS RUSSIAN
0:04:20 > 0:04:21I'll try.
0:04:43 > 0:04:49I'm looking for a specific type of girl
0:04:49 > 0:04:51for the Japanese market.
0:04:51 > 0:04:54Everybody has their own vision of beauty,
0:04:54 > 0:04:59and it's hard, sometimes, to bypass my own personal aesthetic preferences,
0:04:59 > 0:05:04but for Japan, it is quite specific,
0:05:04 > 0:05:08so the girls have to be a certain height, not too tall, cute, young.
0:05:08 > 0:05:11Young is very important.
0:05:16 > 0:05:17It's not entirely up to me.
0:05:17 > 0:05:20I make note of what I see today,
0:05:20 > 0:05:23then I review it with our board in Tokyo.
0:05:23 > 0:05:27We have Musako, a booker, Masaya, the owner,
0:05:27 > 0:05:30Kazumi, another booker, so it's a group decision.
0:05:31 > 0:05:35And often, it's not what I believe is the best.
0:05:35 > 0:05:38Sometimes the girl that I think is so amazing for Japan
0:05:38 > 0:05:42doesn't work at all, so that's what's exciting about this business.
0:05:42 > 0:05:46It's totally unpredictable, so nobody knows.
0:06:07 > 0:06:09Mmm. It's very good for Japan.
0:06:13 > 0:06:14Mmm. Mmm.
0:06:16 > 0:06:18SHE SPEAKS RUSSIAN
0:06:23 > 0:06:24Filming?
0:06:24 > 0:06:26No, no. Yeah, yeah, I'm going to video her.
0:06:43 > 0:06:47OK, stay here, Nadya. Can you come here, closer?
0:06:48 > 0:06:50Closer. Can you open your hair?
0:06:57 > 0:06:59Say hello, Nadya.
0:07:05 > 0:07:06From Novosibirsk.
0:07:10 > 0:07:12OK.
0:07:14 > 0:07:16Just see how long it is, OK?
0:07:26 > 0:07:28Perfect. Thank you. Spasiba.
0:07:31 > 0:07:32OK.
0:07:34 > 0:07:35Hello.
0:07:35 > 0:07:36Hello.
0:10:34 > 0:10:36I love to travel!
0:10:38 > 0:10:43I love the trains, especially the toilets. I miss them!
0:10:43 > 0:10:45I miss this, you know?
0:10:45 > 0:10:48'The concept of Noah was simple.'
0:10:48 > 0:10:50Just like Noah saved all the animals,
0:10:50 > 0:10:53I'm trying to save all these young girls.
0:10:53 > 0:10:56That's what I'm doing. I'm putting them on the plane,
0:10:56 > 0:10:59sending them to the West, giving them a chance
0:10:59 > 0:11:03where they can find themselves, develop as women,
0:11:03 > 0:11:06grow as individuals,
0:11:06 > 0:11:09and I hope that someday they'll do some good to the other people.
0:11:11 > 0:11:13So, in a way, for me, this is a religious matter.
0:11:15 > 0:11:16This is my bible.
0:11:21 > 0:11:24Ashley will be my western partner.
0:11:26 > 0:11:30We also have problems in the West, and it's also a difficult,
0:11:30 > 0:11:34uphill battle there, but it's a different problem,
0:11:34 > 0:11:37so together we'll be a great team.
0:11:39 > 0:11:42The depth of the psychology involved, you know.
0:11:42 > 0:11:44We go very, very deep with the girl, trying to understand
0:11:44 > 0:11:48all her problems, trying to understand the parents.
0:11:48 > 0:11:51We, sort of, at the end, form a profile.
0:11:51 > 0:11:54And we try to replace those fathers
0:11:54 > 0:11:58and support them in any way we can.
0:11:59 > 0:12:04You know, in certain cities you must have trustworthy people,
0:12:04 > 0:12:11so then they can find the girls at much earlier stages
0:12:11 > 0:12:13and pre-screen them until we get there.
0:12:15 > 0:12:18This is strategically very important.
0:12:18 > 0:12:21Before anybody else can get there, we'll have the girls.
0:12:27 > 0:12:29Yeah, those are pretty.
0:12:30 > 0:12:32She's so cute.
0:12:32 > 0:12:33Yes.
0:12:33 > 0:12:35Can you send me her pictures just to follow?
0:12:35 > 0:12:36Yeah, sure.
0:12:39 > 0:12:42'They love skinny girls in Japan,'
0:12:42 > 0:12:45and she has a fresh, young face.
0:12:45 > 0:12:49She looks young, almost like a prepubescent girl.
0:12:56 > 0:13:01DANCE MUSIC PLAYS
0:16:10 > 0:16:12It's a great freedom not be employed...
0:16:15 > 0:16:18..in a nine-to-five job.
0:16:22 > 0:16:25But I don't know.
0:16:25 > 0:16:30The business of modelling is not something
0:16:30 > 0:16:35I feel necessarily passionate about,
0:16:35 > 0:16:41because it really has no weight.
0:16:45 > 0:16:49It changes minute by minute, and it's based on nothing.
0:16:51 > 0:16:53If you start to look at all those girls,
0:16:53 > 0:16:57and you really look at each one and you bring them close to you,
0:16:57 > 0:16:59and you look in their eyes and look in their faces,
0:16:59 > 0:17:05you can start to see their age and their experience,
0:17:05 > 0:17:07and the business is obsessed with youth,
0:17:07 > 0:17:10and especially my business in Japan.
0:17:10 > 0:17:15You can't be young enough,
0:17:15 > 0:17:19and youth is beautiful,
0:17:19 > 0:17:22because there's a luminosity, there's something in the skin.
0:17:26 > 0:17:29There's something innocent.
0:17:34 > 0:17:37That's what my eye has been trained to see from Japan.
0:17:39 > 0:17:43So I look at beauty and I think of young girls, beautiful.
0:21:56 > 0:21:59We had a really good casting yesterday.
0:21:59 > 0:22:01Really beautiful girls, quite productive.
0:22:01 > 0:22:03There were, like, 200 girls.
0:22:08 > 0:22:12Probably, like, six girls, seven girls.
0:22:12 > 0:22:14So I want to pick, maybe,
0:22:14 > 0:22:1630 really great girls that I know I can confirm.
0:22:16 > 0:22:19OK, Tigran, I'll talk to you again. OK, bye.
0:22:23 > 0:22:26Tigran is a really hard-core business.
0:22:26 > 0:22:29He's done what nobody else in this business has done, like,
0:22:29 > 0:22:30the money he's made.
0:22:35 > 0:22:41Whereas, when I work with Japan, they don't know what I do, where I go.
0:22:41 > 0:22:43As long as I bring them the girls.
0:22:43 > 0:22:49I have no job description of what I do or what I'm supposed to bring them.
0:22:49 > 0:22:55They cover my expenses and I get a commission of whatever I bring them.
0:22:55 > 0:22:57So that is freedom.
0:22:58 > 0:23:02I can kind of get away with not really caring about this business that much.
0:23:06 > 0:23:09But I never like to think of myself as an ex-model.
0:23:09 > 0:23:11I never like to bring that point up.
0:23:13 > 0:23:16But, of course, it does bring a different insight.
0:23:17 > 0:23:20But I was the person that hated this business more than anybody,
0:23:20 > 0:23:24and now I'm 15 years in it.
0:23:42 > 0:23:46This whole place is hurting me too much.
0:23:46 > 0:23:48Even if I do ten jobs in the next two weeks,
0:23:48 > 0:23:52there won't be any money for me by the time I cover my expenses.
0:23:54 > 0:23:56Fashion is so boring to me these days.
0:23:56 > 0:23:58I don't even like to look at the magazines.
0:23:58 > 0:24:02I mean, I do, but it's just all the same stuff all the time.
0:24:03 > 0:24:06Anyone who does it must be an idiot.
0:24:06 > 0:24:09So what are you trying to say?
0:24:12 > 0:24:13What would you rather do?
0:24:13 > 0:24:15Poetry? Yeah.
0:24:19 > 0:24:22Girl, what happened to you in Tokyo, huh?
0:24:23 > 0:24:26What's this twister taking you away for?
0:24:30 > 0:24:31Is it really worth it?
0:25:54 > 0:25:55Model?
0:25:55 > 0:25:56Yes.
0:26:47 > 0:26:48OK?
0:26:48 > 0:26:49OK.
0:27:05 > 0:27:07Take off your shoes.
0:27:07 > 0:27:09OK.
0:27:09 > 0:27:12What? Shoes?
0:27:12 > 0:27:14Take off shoes.
0:27:15 > 0:27:16Ah.
0:27:16 > 0:27:18Oh. Yeah?
0:27:18 > 0:27:19Yeah.
0:28:48 > 0:28:50To live in a glass house.
0:28:55 > 0:28:58It's great in the daytime, but scary at night.
0:28:58 > 0:29:00When I stay here alone, I get scared.
0:29:03 > 0:29:07It's like, if you're inside with the lights on, people can see you,
0:29:07 > 0:29:11but you can't see them, and then there's, like, weird sounds.
0:29:11 > 0:29:13It's pretty isolated.
0:29:23 > 0:29:24They're sleeping.
0:29:28 > 0:29:29One boy and one girl.
0:29:34 > 0:29:37I got them from a dollar store, or something.
0:29:38 > 0:29:41When I bought my house, I got the babies at the same time.
0:29:41 > 0:29:46I felt like I had a home, so I should have a baby.
0:29:47 > 0:29:49I was 23 at the time.
0:29:51 > 0:29:54I had three, but then I dissected one.
0:29:57 > 0:30:00I mean, the models that we meet in Russia are really little girls,
0:30:00 > 0:30:03just the babies, but they're not my children.
0:30:03 > 0:30:06I mean, I'm not at that point yet.
0:30:06 > 0:30:09I'm in that precarious place where they don't really know,
0:30:09 > 0:30:11like, can they be my friend?
0:30:11 > 0:30:17I care about the girls a lot. I don't feel, like, inspired by...
0:30:22 > 0:30:26I don't know. No, I do really care about the girls. It's just...
0:30:27 > 0:30:28I don't feel so...
0:30:30 > 0:30:34Like I have some, you know,
0:30:34 > 0:30:38big truth to tell them about the amazing business,
0:30:38 > 0:30:43that I'm going to change their lives and make them be fulfilled,
0:30:43 > 0:30:45because it's very tough.
0:30:45 > 0:30:46Very tough business.
0:32:59 > 0:33:05I'm trying to remember how I felt the first time I landed in Japan.
0:33:08 > 0:33:11I'm having a hard time remembering the first flight,
0:33:11 > 0:33:14but I remember walking into the agency,
0:33:14 > 0:33:17and meeting with Sako, who was my booker.
0:33:23 > 0:33:25The Japanese always want something new.
0:33:26 > 0:33:28And it's the best place for the new face to come,
0:33:28 > 0:33:31so Tigran wants to send his models to Japan,
0:33:31 > 0:33:34then Messiah wants to receive the new models.
0:33:35 > 0:33:38It's more convenient to have me in New York
0:33:38 > 0:33:40where I can meet girls in New York,
0:33:40 > 0:33:42fly to Europe, cover certain regions,
0:33:42 > 0:33:46so they pay me a small commission to be the scout.
0:33:48 > 0:33:52Messiah owns Switch. He loves, I mean...
0:33:55 > 0:33:56Loves models.
0:34:00 > 0:34:01By foot, we go.
0:34:27 > 0:34:30Three, two, action.
0:34:30 > 0:34:33Hello, my name is Nadya and I'm 15 years old.
0:37:11 > 0:37:13Many, many questions.
0:37:14 > 0:37:20But don't answer. I don't hear answer.
0:37:20 > 0:37:22Why?
0:37:27 > 0:37:28Discuss.
0:37:46 > 0:37:49I think that the main issue for me is that there is a lot of 13,
0:37:49 > 0:37:5214, 15 years old girls.
0:37:52 > 0:37:54I mean, there is, too, in Europe,
0:37:54 > 0:37:57and all of them say that no,
0:37:57 > 0:38:00in Europe and America they don't use any girl under 16 any more,
0:38:00 > 0:38:03but the girls, I see them at the casting, I talk to them.
0:38:03 > 0:38:05But who is to blame?
0:38:05 > 0:38:08We can't blame the girls, because they're just being sent.
0:38:08 > 0:38:10We can't blame the families, because maybe they are in need.
0:38:10 > 0:38:12Can we blame the agency that took them on,
0:38:12 > 0:38:14because a client will take them?
0:38:14 > 0:38:17Can we blame the clients that will pretend or won't know,
0:38:17 > 0:38:19actually, how old those girls are?
0:38:19 > 0:38:22There's no-one to blame, but the whole thing is so wrong.
0:38:22 > 0:38:25They all play blind, really,
0:38:25 > 0:38:28and if they used 13 or 14-year-old girls, it means, did you not
0:38:28 > 0:38:33want any girls that are the shape of a woman, really.
0:38:47 > 0:38:50Seven for Russia, so you start from area code.
0:38:52 > 0:38:54I don't know, it's your number.
0:38:56 > 0:38:57You got area code?
0:38:59 > 0:39:01Area. Do you have a dictionary?
0:39:02 > 0:39:03Dictionary.
0:39:05 > 0:39:07Dictionary. Do you have a book?
0:39:09 > 0:39:12No. Russian-English book, you have.
0:39:12 > 0:39:13Ah.
0:39:13 > 0:39:15Bring, bring. Yes.
0:39:19 > 0:39:21This, Russian. Ah, English.
0:39:25 > 0:39:26So,
0:39:28 > 0:39:31seven is Russia, and you put...
0:39:36 > 0:39:38Erm, yes.
0:39:38 > 0:39:39Press.
0:39:46 > 0:39:48No.
0:39:48 > 0:39:50Write down your number.
0:39:56 > 0:39:58Ah, it's not in service.
0:39:58 > 0:40:02We cannot call from this number. This phone doesn't work.
0:42:00 > 0:42:02Here is me, getting my hair done in Japan.
0:42:04 > 0:42:08I remember the birth, being a model,
0:42:08 > 0:42:10and I hated it so much.
0:42:10 > 0:42:13I've never been so down.
0:42:13 > 0:42:16I remember days where I would just literally stay in my apartment
0:42:16 > 0:42:18and stay in my bed all day.
0:42:18 > 0:42:20I just couldn't even get out of bed.
0:42:20 > 0:42:22I didn't know what to do with myself. I felt so depressed.
0:42:24 > 0:42:25All I would think about is,
0:42:25 > 0:42:28"OK, what am I going to really do with my life?
0:42:28 > 0:42:30"Why am I doing this?"
0:42:30 > 0:42:32"When can I go home?"
0:42:34 > 0:42:37I realised that I didn't actually have to have
0:42:37 > 0:42:39a death of modelling, because I started scouting,
0:42:39 > 0:42:44and I could actually now be in control, and that was fun,
0:42:44 > 0:42:46because I could decide when I want to travel,
0:42:46 > 0:42:49and I could pick the models, and I was still a model,
0:42:49 > 0:42:53so all my friends were models, a lot of them, so I just started
0:42:53 > 0:42:58sending them to Japan, so right away, I had an instantaneous business.
0:43:00 > 0:43:03The best thing I did was buy my little house.
0:43:03 > 0:43:06And then I made more money when I sold it, which I'm doing now,
0:43:06 > 0:43:09so I'm actually reaping the benefits of my modelling career right now.
0:43:22 > 0:43:24So this is my favourite little spot.
0:43:27 > 0:43:30I had these boxes made for these little mini prints.
0:43:32 > 0:43:34Stockings.
0:43:37 > 0:43:39Hands, gestures.
0:43:45 > 0:43:47See, I'm trying to hide my camera under the table...
0:43:50 > 0:43:53..so that they don't know that I'm photographing.
0:43:53 > 0:43:56Sometimes I wouldn't photograph the girl's face,
0:43:56 > 0:43:59I would just photograph her feet or her hands.
0:44:07 > 0:44:11Sometimes I would try and find the legs, match the legs,
0:44:11 > 0:44:14which legs went with which body.
0:44:16 > 0:44:18Hey, does that work? That works.
0:44:19 > 0:44:21Doesn't it?
0:44:21 > 0:44:23Oh, no. Doesn't work.
0:44:23 > 0:44:24Wait, almost works.
0:44:25 > 0:44:29This is the same. This is the same bathing suit, though, look.
0:44:31 > 0:44:35That fits that. If I had it on a tripod, then I could.
0:46:25 > 0:46:27A lot of times, you do shoots,
0:46:27 > 0:46:30and you never see the pictures in the end.
0:46:30 > 0:46:32The pictures can be sold to a magazine afterwards,
0:46:32 > 0:46:34and so you won't make any money,
0:46:34 > 0:46:37because agencies don't want you to know what's going on, anyway.
0:46:37 > 0:46:41It's better for them, because if you don't really know what's going on,
0:46:41 > 0:46:43how much you're getting paid, what are your expenses,
0:46:43 > 0:46:45they can get more money out of you.
0:46:46 > 0:46:49You have to be really on top of everything,
0:46:49 > 0:46:52and at 13 years old, she won't be on top of everything,
0:46:52 > 0:46:55she'll be like, "Oh, my God, I'm going to Japan. I have all those jobs booked,
0:46:55 > 0:46:57"I'm going to make that much money at least."
0:46:57 > 0:47:01But they don't know that they're not getting those jobs.
0:47:01 > 0:47:02They'll just take advantage of her.
0:47:23 > 0:47:24Taxi.
0:47:25 > 0:47:27S'il vous plait.
0:47:27 > 0:47:28Concorde? Concorde.
0:47:30 > 0:47:32Taxi!
0:47:36 > 0:47:40I don't know if short-term would be defined by, like,
0:47:40 > 0:47:4212 years of travelling.
0:47:42 > 0:47:45It's more than short-term. It's an addiction.
0:47:49 > 0:47:51It really is an addiction.
0:47:54 > 0:48:00I stick with what I know, because I'm afraid to try new things.
0:48:04 > 0:48:08Once you've travelled and seen so much,
0:48:08 > 0:48:12you sort of want that stimulus again,
0:48:12 > 0:48:14because there's a certain stimulus with new places.
0:48:22 > 0:48:26Sorry, Tigran. I was just wanting to make sure I had it right.
0:48:26 > 0:48:28You had it right.
0:48:28 > 0:48:31I mean, this is what I know the most.
0:48:31 > 0:48:33I started doing this when I was 17.
0:48:33 > 0:48:35It's just, like, something I know,
0:48:35 > 0:48:37but it's not something that I necessarily...
0:48:37 > 0:48:39I need to be more business, like you.
0:48:41 > 0:48:44Your business and this business.
0:48:44 > 0:48:47So many people aren't business in this business, so...
0:49:00 > 0:49:02I mean, if you catch the girl at 12,
0:49:02 > 0:49:05when these girls are in these very delicate stages of their lives,
0:49:05 > 0:49:08then you have more power, or more influence to guide and direct.
0:49:08 > 0:49:11It's not really the age, it's how mature they are,
0:49:11 > 0:49:13because at the age of 13,
0:49:13 > 0:49:16she has something that most people rarely have,
0:49:16 > 0:49:17and that's called dignity.
0:49:17 > 0:49:22A 13-year-old will never go with a rich man, you know, for money,
0:49:24 > 0:49:27Because she'll understand that
0:49:27 > 0:49:29she's much happier with the 100,000
0:49:29 > 0:49:32that she earned, or with the 50,000
0:49:32 > 0:49:34that she earned, than with the
0:49:34 > 0:49:363 million that she gets from this
0:49:36 > 0:49:39rich man, doing nothing other than
0:49:39 > 0:49:41spreading her legs in front of him.
0:49:41 > 0:49:44A 12-year-old or 13-year-old would never do it.
0:49:44 > 0:49:46OK?
0:49:46 > 0:49:48They're difficult girls.
0:49:48 > 0:49:53So, to have a good effect of education,
0:49:53 > 0:49:56we sometimes take these girls to the morgue, and we show them
0:49:56 > 0:50:01these young girls or boys who did drugs and passed away.
0:50:01 > 0:50:03That has an everlasting effect,
0:50:03 > 0:50:06and if the model is still too hard-headed,
0:50:06 > 0:50:08we have the autopsy done in front of them.
0:50:08 > 0:50:10Believe me, that affects them so strongly.
0:50:10 > 0:50:11You do that?
0:50:11 > 0:50:13Yeah.
0:50:13 > 0:50:15So you call up the morgue in St Petersburg?
0:50:15 > 0:50:16That's right.
0:50:16 > 0:50:18And you find out?
0:50:18 > 0:50:19That's right.
0:50:19 > 0:50:21You know, the worst part is when they realise
0:50:21 > 0:50:25they could be in their place,
0:50:25 > 0:50:28and that has a very, very strong effect on them.
0:50:28 > 0:50:32Believe me, seeing a dead, young girl in front of you
0:50:32 > 0:50:34has a really strong effect.
0:50:35 > 0:50:37With an open body, you know.
0:50:47 > 0:50:50I think I was a very bad person in my past life.
0:50:52 > 0:50:55So I'm back to pay my debt.
0:50:58 > 0:51:01I think I was a military person.
0:51:01 > 0:51:04I know that, and I killed a lot of people.
0:51:04 > 0:51:08So I think I'm back to now help people.
0:51:11 > 0:51:12So...
0:52:26 > 0:52:28Maybe...
0:52:34 > 0:52:35It's my contract.
0:52:57 > 0:52:59PHONE RINGS.
0:52:59 > 0:53:00Hello?
0:53:06 > 0:53:08Alyo?
0:53:08 > 0:53:09Alyo?
0:54:48 > 0:54:51I've been scouting with Tigran,
0:54:51 > 0:54:53and this is Noah Models' most recent find.
0:54:55 > 0:54:58But they have a real monopoly on the Russian market
0:54:58 > 0:55:01because they have agencies stretching all the way across Russia,
0:55:01 > 0:55:06and they have 20 little offices, so they're scouting in that area,
0:55:06 > 0:55:09and they're really getting first option on all the girls,
0:55:09 > 0:55:11because there's little agencies.
0:55:53 > 0:55:55This is the bathroom?
0:55:57 > 0:55:58Oh, my gosh!
0:55:59 > 0:56:01Wow.
0:56:01 > 0:56:02That is a pretty bad one.
0:56:04 > 0:56:06That's pretty bad!
0:56:08 > 0:56:11What do we have out here?
0:56:11 > 0:56:13A garden?
0:56:13 > 0:56:14Yeah, we know.
0:56:35 > 0:56:38So, yes, it's not... Yeah.
0:56:41 > 0:56:43It's not the best model's apartment.
0:56:44 > 0:56:46But I guess it's OK.
0:56:46 > 0:56:47Yeah.
0:56:47 > 0:56:48OK.
0:56:52 > 0:56:56You're going to, I mean, you're pretty busy with the castings,
0:56:56 > 0:56:59and then, this weekend, I think you have a shooting.
0:57:01 > 0:57:02Why, why is that funny?
0:57:07 > 0:57:09Oh.
0:57:20 > 0:57:22I don't work. Nadya and I.
0:57:23 > 0:57:25We don't know yet.
0:57:25 > 0:57:28I know, I don't work.
0:57:28 > 0:57:29Why?
0:57:29 > 0:57:30I don't know why.
0:57:30 > 0:57:31You feel you don't work?
0:57:32 > 0:57:39I don't work in this week, next week.
0:57:39 > 0:57:41Nadya doesn't work this week and next week.
0:57:41 > 0:57:42Why?
0:57:42 > 0:57:43I don't know.
0:57:43 > 0:57:45This is your feeling.
0:57:45 > 0:57:50This is not the reality, because we don't know.
0:57:50 > 0:57:53Still every day you're doing castings, right?
0:57:53 > 0:57:54Yeah.
0:57:54 > 0:57:55But this week we know no job.
0:57:55 > 0:57:57No job.
0:57:57 > 0:57:58And then next week, casting, casting.
0:57:58 > 0:58:00Casting, casting, no job.
0:58:00 > 0:58:03But maybe the next week you have a job.
0:58:03 > 0:58:05I don't know.
0:58:15 > 0:58:17All right.
0:58:24 > 0:58:26Nadya.
0:58:41 > 0:58:42OK.
0:58:59 > 0:59:04What I wanted out of life was...
0:59:06 > 0:59:09..I want my own security.
0:59:09 > 0:59:13When I go back and read a lot of my writings,
0:59:13 > 0:59:17a lot of the times I've been modelling I feel really scared.
0:59:20 > 0:59:22I obsess about money and I just have to chill out.
0:59:24 > 0:59:26I don't know.
0:59:26 > 0:59:29Sometimes I think I'm not being professional, you know.
0:59:29 > 0:59:32There's a lot of things that I've done that are bad in the business,
0:59:32 > 0:59:35but I always try to play it off like I'm so good.
0:59:35 > 0:59:37Maybe I'm not really that good at all.
0:59:44 > 0:59:45It's just growing.
0:59:46 > 0:59:48It's producing. It's very active, you know.
0:59:48 > 0:59:50It's just doing its own thing.
0:59:51 > 0:59:55I mean, I would be happy to be four months pregnant
0:59:55 > 0:59:59with a healthy thing, but this is just something that's growing
0:59:59 > 1:00:02for no reason, that eventually will have to be taken out.
1:00:02 > 1:00:05One's here,
1:00:05 > 1:00:07and one's here.
1:00:07 > 1:00:09They said it's right at the top.
1:00:09 > 1:00:12They just open it and there it is, sitting right there.
1:00:16 > 1:00:17So...
1:00:20 > 1:00:23One is a fibroid, and one is a cyst.
1:00:27 > 1:00:31But hopefully it will be all right in ten days from now...
1:00:34 > 1:00:38..when I get operated on by a robot.
1:00:44 > 1:00:45Thank you so much.
1:02:37 > 1:02:42I have diaries, probably more videotapes.
1:02:43 > 1:02:46This is the truest evidence.
1:03:00 > 1:03:02All the girls just want to get out, so they try.
1:03:02 > 1:03:04They can be athletes, they can be gymnasts,
1:03:04 > 1:03:06they can be ballerinas, they can be models,
1:03:06 > 1:03:07they can be prostitutes.
1:03:13 > 1:03:17Most of the time, they do a combination of both,
1:03:17 > 1:03:19I mean, often, yeah.
1:03:19 > 1:03:21They do.
1:03:21 > 1:03:24There are certain agencies, high-class agencies that will
1:03:24 > 1:03:29help facilitate, and especially ones if you have the experience
1:03:29 > 1:03:32of making money and you are a model,
1:03:32 > 1:03:35you only know how to make money as a model.
1:03:35 > 1:03:36If you're not making money
1:03:36 > 1:03:38as a model, you just know you're
1:03:38 > 1:03:40a beautiful girl who uses her body,
1:03:40 > 1:03:43so it's kind of natural to think,
1:03:43 > 1:03:47"Well, I sell my body for the camera.
1:03:47 > 1:03:49"What's the difference?"
1:03:49 > 1:03:54You know the DVDs I gave you, and you could see, sometimes,
1:03:54 > 1:03:56the girl presented herself in a certain way
1:03:56 > 1:03:58at the castings in Russia.
1:03:58 > 1:04:00Sometimes it was clearly like
1:04:00 > 1:04:02she was presenting herself as a sex object.
1:04:02 > 1:04:04Sometimes she was just a young girl.
1:04:04 > 1:04:07I mean, those tapes are widely distributed.
1:04:09 > 1:04:10And, of course, the goal is
1:04:10 > 1:04:11that they get placed at modelling
1:04:11 > 1:04:15agencies, but the reality is...
1:04:18 > 1:04:20..that they get placed other places, too.
1:04:21 > 1:04:26And I don't have first hand experience of these things.
1:04:26 > 1:04:28I mean, I'm not, obviously,
1:04:28 > 1:04:31participating in this, so...
1:04:32 > 1:04:35It's just normal to be a prostitute.
1:04:38 > 1:04:40For them, you know.
1:04:41 > 1:04:44Maybe it's easier than being a model.
1:04:44 > 1:04:45I don't know.
1:04:50 > 1:04:52I mean, in a lot of countries,
1:04:52 > 1:04:58prostitution is not considered a terrible thing.
1:05:00 > 1:05:01Erm...
1:05:04 > 1:05:08I don't really acknowledge that it exists.
1:06:12 > 1:06:14I don't understand how new girls
1:06:14 > 1:06:17like Nadya and Madlen can make you money,
1:06:17 > 1:06:19can make Tigran money, can make Ashley money.
1:06:37 > 1:06:39If they don't make money, why do you bring them in?
1:07:17 > 1:07:19Here is some literature just on the procedure you had.
1:07:19 > 1:07:21This is very broad,
1:07:21 > 1:07:25and it's not truly specific to exactly what you had done.
1:07:25 > 1:07:28You want to make sure you continue to eat well, but things to look out
1:07:28 > 1:07:33for that you would need to call your doctor is if you notice any separation.
1:07:34 > 1:07:36So it sometimes takes a little while
1:07:36 > 1:07:39for the body to process all that you've received.
1:07:41 > 1:07:42- OK, so I'll be right back. - OK.
1:07:50 > 1:07:51It's painful to cough.
1:07:53 > 1:07:55It's a small incision.
1:07:57 > 1:08:00The fibroid they had to cut in 20 pieces to take it out.
1:08:00 > 1:08:04They thought it was ten centimetres, but it was actually 15.
1:08:04 > 1:08:09A baby's head, like, that big, that came out of me.
1:08:12 > 1:08:15And then another one, this one.
1:08:18 > 1:08:19This thing.
1:08:20 > 1:08:24So disgusting. Oh, my God. This is the cyst.
1:08:24 > 1:08:28This is blonde hair. They've never seen one with so much blonde hair.
1:08:28 > 1:08:30My egg, splitting on its own.
1:08:33 > 1:08:36They said I could have a baby in six months.
1:08:36 > 1:08:40I mean, I want a baby, because that's what I'm born to do.
1:08:43 > 1:08:45I mean, I'm born with these organs.
1:08:51 > 1:08:52I want a little bit of everything,
1:08:52 > 1:08:53but I do want a baby.
1:08:55 > 1:08:57Hopefully that could travel
1:08:57 > 1:08:58with me to Russia.
1:09:01 > 1:09:06So when I go to have a baby, I'll, like, decide which date and then
1:09:06 > 1:09:09just go and have the same operation that I just had, basically.
1:11:54 > 1:11:56THEY SPEAK IN RUSSIAN
1:12:01 > 1:12:05THEY SPEAK IN RUSSIAN
1:12:11 > 1:12:15NADYA'S MOTHER SPEAKS RUSSIAN
1:12:31 > 1:12:34NADYA'S MOTHER SPEAKS RUSSIAN
1:13:03 > 1:13:05OK.
1:13:05 > 1:13:07Which girls, particularly, are you looking for?
1:13:07 > 1:13:11For my market, which is Japan, we are quite specific,
1:13:11 > 1:13:13so we like young girls,
1:13:13 > 1:13:15fresh girls, new faces.
1:13:15 > 1:13:17The girls that I see today,
1:13:17 > 1:13:19the chances are I will book some of them.
1:13:19 > 1:13:21They should expect to work
1:13:21 > 1:13:22very hard in Japan,
1:13:22 > 1:13:25but it's a very safe place,
1:13:25 > 1:13:28and every model has success in Japan.
1:13:28 > 1:13:30Unlike other markets,
1:13:30 > 1:13:31where they might go into debt,
1:13:31 > 1:13:33they never do in Japan.
1:13:33 > 1:13:35They only win.
1:13:35 > 1:13:36Very good.
1:13:43 > 1:13:45Oh, she's cute.
1:13:45 > 1:13:47Hello.
1:13:47 > 1:13:48Hello.
1:13:48 > 1:13:50Do you speak English?
1:13:51 > 1:13:52Yes.
1:13:52 > 1:13:53Yes, you do?
1:13:55 > 1:13:57A little English?
1:13:59 > 1:14:01Yes.
1:14:01 > 1:14:03She's so cute.
1:14:03 > 1:14:04Yes.
1:14:06 > 1:14:08Maria.
1:14:08 > 1:14:09Can you introduce yourself?
1:14:09 > 1:14:12# My name is Maria, Maria. #
1:14:12 > 1:14:14My name is Maria.
1:14:14 > 1:14:16And you are 13 years old?
1:14:18 > 1:14:19Your age is 13?
1:14:22 > 1:14:2313.
1:14:28 > 1:14:30Beautiful.
1:14:30 > 1:14:32Can you put your hair back?
1:14:33 > 1:14:36You're so cute!
1:14:36 > 1:14:39Do you think she'll grow a little bit? She'll grow, right? She's 13.
1:14:39 > 1:14:40Yes, for sure.
1:15:33 > 1:15:36Additional subtitles by Red Bee Media Ltd