Episode 2

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0:00:03 > 0:00:06Don't you think it's astounding that our planet

0:00:06 > 0:00:08supports seven billion of us...

0:00:08 > 0:00:11BABY CRIES

0:00:11 > 0:00:14..and counting?

0:00:20 > 0:00:24Learning to survive in a crowded world is our biggest challenge.

0:00:27 > 0:00:30But there's one corner where we're already

0:00:30 > 0:00:33well on our way to adapting...

0:00:33 > 0:00:35HE SHOUTS IN BENGALI

0:00:36 > 0:00:39Welcome to India.

0:00:41 > 0:00:44Over one in six in the world live here.

0:00:44 > 0:00:47And do you know what? We are thriving on it.

0:00:50 > 0:00:51We're resourceful...

0:00:51 > 0:00:52Steve Jobs.

0:00:52 > 0:00:54We're ambitious.

0:00:54 > 0:00:58We're the ultimate pragmatists.

0:01:02 > 0:01:05And do you know one of our most basic ideas?

0:01:05 > 0:01:06SHE LAUGHS

0:01:06 > 0:01:09Take that thing you call "waste".

0:01:09 > 0:01:13Around here, it's one of our top opportunities.

0:01:18 > 0:01:23So, if you think you're doing well with your recycling,

0:01:23 > 0:01:24come and take a look over here.

0:01:27 > 0:01:31We'll let you in on how we, with so little, can do so much.

0:01:33 > 0:01:37This programme contains some strong language.

0:01:37 > 0:01:41TRAIN HORN BLARES

0:01:41 > 0:01:44MUSIC: "Coppelia Valse" by Leo Delibes

0:01:52 > 0:01:56Let me introduce you to one of our millions of backstreet entrepreneurs.

0:01:57 > 0:02:00Johora lives and works on a railway embankment

0:02:00 > 0:02:02on the outskirts of Kolkata.

0:02:15 > 0:02:17Johora has built her home,

0:02:17 > 0:02:21and a thriving business, from sorting this stuff -

0:02:21 > 0:02:23what you'd call "waste".

0:02:24 > 0:02:28She started out as a rag picker here 23 years ago,

0:02:28 > 0:02:30when she married her husband, Hanan.

0:03:36 > 0:03:38Three years ago, Johora took a punt

0:03:38 > 0:03:41and started specialising in plastic bottles.

0:03:47 > 0:03:49HORN BEEPS

0:03:49 > 0:03:54She bought her eldest son, Nawab, a rickshaw to collect them.

0:03:55 > 0:03:59As head of "acquisitions", he's built up a network of suppliers

0:03:59 > 0:04:04who collect bottles from local rubbish tips, shops and restaurants.

0:04:04 > 0:04:07MUSIC: "Jaan" by Jassi Sidhu

0:04:14 > 0:04:16It is a highly-competitive market,

0:04:16 > 0:04:21with demand for bottles consistently outstripping local supply.

0:04:29 > 0:04:32HE LAUGHS

0:04:44 > 0:04:48Back at base, Johora and four employees strip off the labels

0:04:48 > 0:04:51and sort the bottles by colour.

0:04:51 > 0:04:53They're sold on by weight.

0:04:53 > 0:04:57And Johora has a little trick to make sure she gets the best price.

0:04:57 > 0:04:59SHE LAUGHS

0:05:36 > 0:05:40The bottles are crammed into huge balls weighing up to 100 kilos.

0:05:42 > 0:05:45Each of these fetches around £50 when sold on to the next

0:05:45 > 0:05:48link in the recycling chain.

0:05:50 > 0:05:53Johora relies on this income to support her seven children,

0:05:53 > 0:05:59pay her four full-time employees £2 a day, AND make her a profit.

0:06:13 > 0:06:17The opportunism of our backstreet entrepreneurs

0:06:17 > 0:06:19means we recycle over 60% of our plastic bottles.

0:06:21 > 0:06:26Now, that's a stat you in the UK hope to achieve by 2020.

0:06:26 > 0:06:29MUSIC: "Dying City" by Johann Johannsson

0:06:32 > 0:06:36Where YOU see trash, WE see a livelihood...

0:06:36 > 0:06:41and we don't just confine ourselves to the small stuff.

0:07:04 > 0:07:07Kanhaialal's one of 6,000 workers in Mumbai

0:07:07 > 0:07:11who butcher discarded ships from around the world...by hand.

0:07:59 > 0:08:03Kanhaialal was 14 when he started working here, 18 years ago.

0:08:03 > 0:08:06He's worked his way up to the role of cutter

0:08:06 > 0:08:11and uses a blowtorch to carve these corroding hulls into manageable chunks.

0:08:11 > 0:08:16This will supply India's construction boom with cheap, recycled steel.

0:08:20 > 0:08:23Today, he's on the team cutting a large bow section

0:08:23 > 0:08:27off a 12,000-tonne cargo ship, built 32 years ago in Japan.

0:08:38 > 0:08:40The team climb on board.

0:08:40 > 0:08:44They'll make their incisions from inside the hull.

0:09:00 > 0:09:03Every section of this beast must be dismantled...

0:09:04 > 0:09:10..including the oil bunkers, which can contain highly-explosive gases.

0:09:14 > 0:09:16Just an hour into the job, a blaze breaks out

0:09:16 > 0:09:19on the bridge of a neighbouring ship.

0:09:51 > 0:09:54They say ship breaking kills around 20 people a year in India...

0:09:54 > 0:09:58and that's the official figures.

0:10:01 > 0:10:04But Kanhaialal's got a wife and two kids to feed.

0:10:07 > 0:10:12By mid afternoon, the bow section of the ship is ready to come off.

0:11:00 > 0:11:03Kanhaialal knows his boss likes to keeps things

0:11:03 > 0:11:08as "flexible" as possible by hiring short-term, freelance staff.

0:11:08 > 0:11:10They've been doing a good job on the Japanese ship,

0:11:10 > 0:11:12but if there's to be more work,

0:11:12 > 0:11:16it's vital another vessel arrives in the next few days.

0:11:42 > 0:11:46Now, we might be the world's largest ship recycler, but if you think

0:11:46 > 0:11:51this appetite for the fruits of recycling is a one-way deal, my friend, think again.

0:11:51 > 0:11:56Next time you put on your lipstick, or lather up with soap,

0:11:56 > 0:11:59bear in mind that some of the ingredients may have started life

0:11:59 > 0:12:05somewhere like this - Mohammed Ashique's fat-processing workshop.

0:12:05 > 0:12:07MUSIC: "Otto E Mezzo" by Nino Rota

0:12:19 > 0:12:22His raw material is prepared by a team of cutters.

0:12:22 > 0:12:26It's beef suet, the fat from around the kidneys and loins,

0:12:26 > 0:12:30which he renders down at high temperature.

0:13:03 > 0:13:07Ashique sources his fat from Kolkata's main abattoir,

0:13:07 > 0:13:12where he barters with the slaughtermen for their daily suet pile.

0:13:17 > 0:13:20Yesterday, he bought up over 200 kilos of the fat

0:13:20 > 0:13:24and must work flat out to process it before it rots in the heat.

0:13:28 > 0:13:31His employees seem less concerned.

0:13:34 > 0:13:37Once he's pressed them into action,

0:13:37 > 0:13:41the rendered fat can be ladled into salvaged tin cans, to cool.

0:13:43 > 0:13:48And, of course, there's value in the by-products.

0:14:11 > 0:14:14It's the solidified oil, or "tallow",

0:14:14 > 0:14:16that earns Ashique his real income.

0:14:17 > 0:14:22It's sold to a local company that turns it into stearic acid,

0:14:22 > 0:14:26a key ingredient for many soaps and lipsticks the world over.

0:14:30 > 0:14:34Ashique's hardly made an impression on his pungent stock

0:14:34 > 0:14:36when he's interrupted.

0:14:36 > 0:14:42A local party representative is taking issue with the sacks of fat.

0:15:36 > 0:15:40Ashique seems oblivious to the stench of his workshop.

0:15:40 > 0:15:43But at the end of an especially tough day he treats himself

0:15:43 > 0:15:46to a full pampering at his favourite barbershop.

0:16:13 > 0:16:14Fresh-faced and transformed,

0:16:14 > 0:16:17Ashique heads for home sweet home.

0:17:01 > 0:17:05With 30% of us under 15-years-old,

0:17:05 > 0:17:09and our under fives numbering twice the population of the UK,

0:17:09 > 0:17:12our kids are one of our most important assets.

0:17:15 > 0:17:19At Johora's, while Nawab works full-time collecting bottles,

0:17:19 > 0:17:24the younger kids are put to good use as a cheap, convenient water supply.

0:17:30 > 0:17:33This evening, they're off to the standpipe a couple of hundred metres up the road.

0:17:48 > 0:17:51After her 14-hour day sorting bottles,

0:17:51 > 0:17:54Johora's struggling to get dinner ready for her large family.

0:17:54 > 0:17:56But there's a knock at the door.

0:17:58 > 0:18:02A local mobster has sent round a couple of his henchmen.

0:18:06 > 0:18:08They're keen to get hold of her husband.

0:18:33 > 0:18:36The 2,000-rupee payment might "protect" the business,

0:18:36 > 0:18:38but Johora's spending is already maxed out.

0:18:38 > 0:18:43She pays 4,000 rupees, or £50, a month

0:18:43 > 0:18:47to send her two daughters to a religious boarding school

0:18:47 > 0:18:49and term starts tomorrow.

0:20:05 > 0:20:09- Good night.- BOTH: Good night!

0:20:17 > 0:20:20While the children finally get to sleep,

0:20:20 > 0:20:24Johora and Hanan are up, worrying about the gangsters.

0:21:48 > 0:21:53Whether we like it or not, there IS a system around here.

0:21:53 > 0:21:56It's this which allows business to prosper.

0:21:56 > 0:21:58And the mob are an integral part of it.

0:22:02 > 0:22:03Take Coco here -

0:22:03 > 0:22:05a mobster who's semi-retired

0:22:05 > 0:22:10but, in his day, was as big a fish as they come.

0:22:10 > 0:22:13We make a demand. A demand - cash demand,

0:22:13 > 0:22:17that if you're going to do this, you have to look after us.

0:22:17 > 0:22:20Then we take care of you.

0:22:20 > 0:22:22It's like "protection money", you call it.

0:22:22 > 0:22:26Because they are under our guidance and our protection.

0:22:26 > 0:22:31So we're basically providing them social service.

0:22:31 > 0:22:32Is it? Right!

0:22:32 > 0:22:34HE LAUGHS

0:22:34 > 0:22:36If he doesn't pay up,

0:22:36 > 0:22:40then we know what to do to him, or how to settle him, after that.

0:22:40 > 0:22:41That's the important thing.

0:22:41 > 0:22:46The mob's enterprise extends well beyond social welfare.

0:22:46 > 0:22:50They've also branched out into utilities.

0:22:50 > 0:22:52No-one wants to live in darkness.

0:22:52 > 0:22:55This guy, he supplies electricity...

0:22:55 > 0:22:57He tabs the government's line,

0:22:57 > 0:23:00and he takes about 100 for fan, 50 for light...

0:23:01 > 0:23:03..another hundred for TV.

0:23:03 > 0:23:06At least 200, 300 apiece... one room.

0:23:06 > 0:23:09So it's more than 300, 400 a house.

0:23:09 > 0:23:12If he's got 600 houses, my God!

0:23:12 > 0:23:14A few cops will come,

0:23:14 > 0:23:17they take a little money. Corporation guy may come.

0:23:17 > 0:23:19They take some money and they carry on.

0:23:19 > 0:23:22They don't care a hoot about what you are doing.

0:23:22 > 0:23:26As long as my hands are greased, my palms are greased,

0:23:26 > 0:23:29I don't care what you are doing. It's like that.

0:23:38 > 0:23:41Johora's bottles are ready for delivery

0:23:41 > 0:23:45and, with the gangsters on her back, she needs the income more than ever.

0:23:45 > 0:23:48All she requires is a man with a van.

0:23:48 > 0:23:52As ever, she keeps it in the family by using her son-in-law...

0:23:54 > 0:23:58..but reliability isn't one of his strong points.

0:24:01 > 0:24:03HORN BEEPS

0:24:15 > 0:24:16Johora's come a long way

0:24:16 > 0:24:19since she started working for Hanan as a young girl of 12.

0:24:19 > 0:24:21He was married with two kids

0:24:21 > 0:24:25but it wasn't long before he succumbed to her adolescent charms.

0:25:43 > 0:25:46Johora's son-in-law, Tinku,

0:25:46 > 0:25:48finally turns up, hours late.

0:25:51 > 0:25:55But he's not fussed. He holds the key contacts Johora needs.

0:26:14 > 0:26:17When Johora began specialising in plastic bottles,

0:26:17 > 0:26:21she quickly married one of her daughters to Tinku,

0:26:21 > 0:26:24craftily bagging both his van and his bottle industry connections.

0:26:24 > 0:26:28But working with your mother-in-law isn't always easy.

0:26:49 > 0:26:52Tinku's certainly useful, for now.

0:26:53 > 0:26:56But Johora has an idea for tackling her new cash flow demands

0:26:56 > 0:26:59that he may not be so happy about.

0:27:11 > 0:27:17Kanhaialal, the shipbreaker, has been given a rare afternoon off.

0:27:17 > 0:27:20His job may be dangerous, but the extra pay for such work

0:27:20 > 0:27:22provides a better life for his family.

0:27:22 > 0:27:26He spends almost half his income on renting a family apartment,

0:27:26 > 0:27:28here in the suburbs of Mumbai.

0:27:43 > 0:27:45Half of what is left of his earnings

0:27:45 > 0:27:49are spent on sending his three daughters to school.

0:28:40 > 0:28:44But it not's just Kanhaialal's pay that worries Radha.

0:29:10 > 0:29:13Kanhaialal's dangerous job is a calculated gamble

0:29:13 > 0:29:15against his daughters' future.

0:29:56 > 0:29:57PHONE RINGS

0:30:03 > 0:30:05It's Kanhaialal's boss...

0:30:05 > 0:30:08with the call that every employee dreads.

0:30:24 > 0:30:28The job that Kanhaialal's been doing for the last three months

0:30:28 > 0:30:29is no longer his.

0:31:02 > 0:31:07It's true, we Indians don't have any of your unemployment benefits,

0:31:07 > 0:31:11but search the city, and you'll find there is always work available...

0:31:12 > 0:31:15..if you want it badly enough.

0:31:15 > 0:31:19The conditions at Ashique's fat- rendering factory are getting worse.

0:31:19 > 0:31:23With over 100 kilos of fat still to process,

0:31:23 > 0:31:25his stock's in danger of rotting.

0:31:25 > 0:31:28And today of all days, there's no sign of his workers.

0:31:28 > 0:31:30MUSIC: "Summertime" by George Gershwin

0:31:34 > 0:31:38Ashique is resorting to rounding them up himself.

0:32:27 > 0:32:28Ashique faces competition

0:32:28 > 0:32:32in recruiting staff from other "fragrant operations",

0:32:32 > 0:32:36such as the one using the cramped space of his workshop's veranda.

0:32:43 > 0:32:46Cow's intestine from the abattoir is given a thorough cleaning,

0:32:46 > 0:32:48before being carefully inflated.

0:32:58 > 0:33:01Once dried, it may well be headed your way via the international

0:33:01 > 0:33:04sausage casing market.

0:33:04 > 0:33:06One of our best customers are the Germans,

0:33:06 > 0:33:13who import 2,000 tonnes of our animal guts and bladders a year.

0:33:16 > 0:33:20Ashique's day is going from bad to worse.

0:33:20 > 0:33:22Not only is he short-staffed

0:33:22 > 0:33:25but the rows of cow's intestine is limiting space

0:33:25 > 0:33:26to deal with his fat mountain.

0:33:26 > 0:33:32By mid morning, a new kind of opportunist has moved in.

0:34:19 > 0:34:25It's the local heavies asking Ashiq to clean up or move out.

0:34:25 > 0:34:27When you're working off the books, there's no point turning to

0:34:27 > 0:34:31the official legal system for help in disputes.

0:34:31 > 0:34:36Instead, most turn to these guys, the local political bosses.

0:35:21 > 0:35:24We might be out of sight of tax collectors and the law,

0:35:24 > 0:35:27but there are still some things we have to play along with,

0:35:27 > 0:35:29if we want to get ahead.

0:35:32 > 0:35:35Johora's still feeling the pressure

0:35:35 > 0:35:39of the increased monthly protection payments a fortnight on.

0:35:39 > 0:35:41It's time to deploy her new idea.

0:35:46 > 0:35:49She's used her brother-in-law's bank account to take out a big loan.

0:35:49 > 0:35:51A VERY big loan.

0:35:51 > 0:35:53She's bought herself a van.

0:36:14 > 0:36:17But her purchase is already creating issues.

0:36:17 > 0:36:22Her son-in-law, Tinku, who has always provided her transport,

0:36:22 > 0:36:24now stands to lose out.

0:37:41 > 0:37:43Despite Tinku's protests,

0:37:43 > 0:37:47the new van is modified and is now ready for service.

0:37:49 > 0:37:52Johora can't resist a celebratory lap.

0:37:52 > 0:37:55She's even bought a new dress for the occasion.

0:37:55 > 0:37:58HORN BEEPS

0:37:58 > 0:38:00A stop at the local shrine ensures

0:38:00 > 0:38:04spiritual support for the venture -

0:38:04 > 0:38:06a kind of "holy vehicle warranty plan".

0:38:14 > 0:38:18It's 4AM, and Johora's wasting no time putting her plan into action.

0:38:20 > 0:38:24The more she can squeeze on, the bigger her profits.

0:38:34 > 0:38:38But before that, she wants to ensure first impressions count.

0:38:50 > 0:38:53Johora and Hanan are no longer simply bottle sorters,

0:38:53 > 0:38:57they're wholesalers in their own right.

0:38:57 > 0:38:59SHE LAUGHS

0:39:16 > 0:39:18But their promotion brings a new pressure.

0:39:18 > 0:39:22They must shift their bottles for at least 42 rupees a kilo

0:39:22 > 0:39:25to cover the loan for the van.

0:39:44 > 0:39:47The trouble is, we've become so efficient at recycling

0:39:47 > 0:39:51plastic bottles in India that there aren't always enough to go round.

0:39:51 > 0:39:55So we've started importing from overseas

0:39:55 > 0:39:59and a shipment earlier this week has depressed prices.

0:40:21 > 0:40:22Leaving Hanan to close the deal,

0:40:22 > 0:40:25Johora sneaks off to do some industrial espionage.

0:40:31 > 0:40:36So far, so familiar, but a piece of machinery catches her eye.

0:40:41 > 0:40:45The flakes spat out by this shredder fetch 45 rupees a kilo,

0:40:45 > 0:40:49seven more than the current rate for bottles.

0:40:49 > 0:40:52It's sold on to manufacturers of polysynthetic fibre,

0:40:52 > 0:40:56who in turn supply the world with everything from polar fleeces

0:40:56 > 0:40:59to stuffing for your sofa cushions.

0:41:06 > 0:41:09While Hanan is being knocked down even further,

0:41:09 > 0:41:12Johora has snuck a glimpse of the future.

0:41:21 > 0:41:25Their first direct deal is done

0:41:25 > 0:41:27and the price is still better

0:41:27 > 0:41:30than they would have got through their son-in-law.

0:41:39 > 0:41:42Johora's got to play the long game

0:41:42 > 0:41:45if she wants to grow her enterprise into the business of her dreams.

0:41:45 > 0:41:47But for now, at least,

0:41:47 > 0:41:50the protection gangsters can be paid off.

0:42:01 > 0:42:03Down at Darukhana shipyard,

0:42:03 > 0:42:05it's Kanhaialal's second day without any work.

0:42:57 > 0:43:00Early next morning, Kanhaialal goes to meet

0:43:00 > 0:43:04his fellow ship breakers before they start work.

0:43:37 > 0:43:41The good news is there's rumour of a new arrival in the yards.

0:44:03 > 0:44:06It's a promising lead but Kanhaialal's late

0:44:06 > 0:44:08for today's round of hiring.

0:44:35 > 0:44:40Kanhaialal has only one chance to secure the job his family needs.

0:44:50 > 0:44:54But his new boss is notoriously difficult to please.

0:45:34 > 0:45:36The news is good.

0:45:43 > 0:45:46And the payment is just the start of it.

0:45:53 > 0:45:56Guaranteed wages for three whole months.

0:45:56 > 0:45:59It's as good as Kanhaialal could dare hope for.

0:45:59 > 0:46:04His home and daughter's education are safe...for now.

0:46:05 > 0:46:08MUSIC: "Jan Pechachan Ho" by Mohammed Rafi

0:46:08 > 0:46:09CAR HORNS BEEP

0:46:13 > 0:46:15You can probably tell,

0:46:15 > 0:46:18we're a pragmatic lot.

0:46:22 > 0:46:25Making money is our top priority.

0:46:25 > 0:46:29But it doesn't mean we don't know how to have fun.

0:46:29 > 0:46:33Next week is the Islamic festival of Eid-al-Adha.

0:46:33 > 0:46:35For Kolkata's large Muslim population,

0:46:35 > 0:46:37it's time to push the boat out.

0:46:40 > 0:46:45Every family that can will spend a small fortune on a sacrificial animal.

0:46:45 > 0:46:50For a few short days, one of these is every kid's must-have accessory...

0:46:52 > 0:46:55..and you think Christmas is expensive!

0:47:04 > 0:47:06Business is booming with Johora's new van,

0:47:06 > 0:47:09and she's made her youngest son, Naushad, a promise.

0:47:09 > 0:47:13This year, if he behaves, the family cow will be his to look after.

0:48:52 > 0:48:56Hanan has decided to head for an out-of-town mega market.

0:49:02 > 0:49:05It's got the best seasonal deals to suit every pocket,

0:49:05 > 0:49:09from scrawny yearlings to the fully grown and carefully groomed.

0:49:18 > 0:49:20Hanan's teaching Naushad how to cut a deal,

0:49:20 > 0:49:25and traders don't come any sharper than these wily cattle hustlers.

0:49:37 > 0:49:41Nothing seems to be up to Naushad's mark,

0:49:41 > 0:49:43and the choice is dwindling fast.

0:49:51 > 0:49:54Naushad spots the cow of his dreams.

0:50:40 > 0:50:43The biggest item of festival shopping is in the bag.

0:50:43 > 0:50:46MUSIC: "Mera Naam Chin Chin Chu" by Geeta Dutt

0:50:49 > 0:50:52Naushad can't wait to show off his new toy

0:50:52 > 0:50:55with a spin round the block.

0:50:55 > 0:50:57And he's not the only one.

0:51:01 > 0:51:04If you really want to impress the neighbours,

0:51:04 > 0:51:07there's nothing like rolling up with a brand-new camel.

0:51:26 > 0:51:30Johora's two daughters are back from their religious boarding school for the festival.

0:51:34 > 0:51:36They've been away for two whole months.

0:51:47 > 0:51:51Even Ashique's taking time out from his fat rendering to be with his family.

0:52:03 > 0:52:08Top on both his daughter and his wife's list is some make-up.

0:52:13 > 0:52:18These are the very products that may contain his fat.

0:52:30 > 0:52:33The tally is mounting fast.

0:52:50 > 0:52:56MUSIC: "Photo Rakh Ke" by Bups Saggu

0:52:56 > 0:52:59It's the morning of the festival.

0:52:59 > 0:53:02Johora must feed the entire extended family

0:53:02 > 0:53:05for the biggest gathering of the year.

0:53:07 > 0:53:11The business is going well and the gangsters are off her back.

0:53:11 > 0:53:13But there's one remaining problem -

0:53:13 > 0:53:18the rift over the new van with her son-in-law, Tinku.

0:53:20 > 0:53:23Today is her opportunity to resolve it.

0:53:32 > 0:53:37At the heart of the family's festival is Naushad's new companion.

0:53:39 > 0:53:42But the slaughter of his cow is the day's central moment.

0:53:42 > 0:53:46It marks Prophet Ibrahim's willingness

0:53:46 > 0:53:49to sacrifice his son as proof of his devotion to God.

0:54:10 > 0:54:12The sight of all this fresh meat

0:54:12 > 0:54:17is reminds the men of the house that they are able to cook, after all.

0:54:53 > 0:54:59Shabnam is married to Tinku, Johora's estranged business partner.

0:55:20 > 0:55:25The feast is ready and there's still no sign of Tinku and Shabnam.

0:55:25 > 0:55:30Keen not to let the whole day be spoilt, Johora dishes up.

0:55:52 > 0:55:56But Johora's festival isn't complete.

0:56:13 > 0:56:17At last, the family's together for the final celebrations.

0:56:59 > 0:57:02There's nothing like the promise of a new baby

0:57:02 > 0:57:04to patch up family relations.

0:57:15 > 0:57:21Tinku's so happy he even offers to buy a round of ice creams.

0:57:30 > 0:57:33The festival's been a huge success.

0:57:34 > 0:57:38The family's back together and have held a feast to be proud of.

0:57:39 > 0:57:44And looking ahead, there are big plans for the business.

0:57:44 > 0:57:49Things for Johora and family are certainly looking up.

0:57:50 > 0:57:53HE LAUGHS

0:57:53 > 0:57:58MUSIC: "Streets Of Calcutta" by Ananda Shankar

0:58:16 > 0:58:19Subtitles by Red Bee Media Ltd