0:00:20 > 0:00:23MUSIC: "America" by Simon & Garfunkel
0:00:37 > 0:00:40# "Kathy, I'm lost", I said
0:00:40 > 0:00:43# Though I knew she was sleeping
0:00:45 > 0:00:51# "I'm empty and aching And I don't know why"
0:00:51 > 0:00:55# Counting the cars On the New Jersey Turnpike
0:00:55 > 0:00:57# They've all come
0:00:57 > 0:01:02# To look for America
0:01:02 > 0:01:09# All come to look for America
0:01:09 > 0:01:11# All come
0:01:11 > 0:01:16# To look for America... #
0:01:18 > 0:01:22I can feel it in the air that there's something great going on all around.
0:01:22 > 0:01:26And, uh, I'm just...
0:01:26 > 0:01:29I have a feeling that I'm just missing it.
0:01:29 > 0:01:35That it's just right there and I'm right in the midst of it, but I can't quite get it.
0:01:35 > 0:01:41# "Let us be lovers We'll marry our fortunes together"
0:01:43 > 0:01:48# "I've got some real estate Here in my bag"
0:01:50 > 0:01:53# So we bought a pack of cigarettes
0:01:53 > 0:01:58# And Mrs Wagner pies
0:01:58 > 0:02:00# And walked off
0:02:00 > 0:02:04# To look for America
0:02:09 > 0:02:15# "Kathy," I said, as we boarded A Greyhound in Pittsburgh
0:02:17 > 0:02:22# "Michigan seems like a dream To me now
0:02:23 > 0:02:27# "It took me four days to hitch-hike From Saginaw
0:02:27 > 0:02:29# "I've come
0:02:29 > 0:02:35# "To look for America"
0:02:39 > 0:02:41# "Kathy, I'm lost", I said
0:02:41 > 0:02:44# Though I knew she was sleeping
0:02:46 > 0:02:53# "I'm empty and aching And I don't know why"
0:02:53 > 0:02:57# Counting the cars On the New Jersey Turnpike
0:02:57 > 0:02:59# They've all come
0:02:59 > 0:03:04# To look for America
0:03:04 > 0:03:10# All come to look for America
0:03:10 > 0:03:12# All come
0:03:12 > 0:03:17# To look for America... #
0:03:28 > 0:03:30..One, three and five at the last part of it.
0:03:30 > 0:03:34HE HUMS MELODY
0:03:34 > 0:03:36It just doesn't sound good.
0:03:38 > 0:03:42If you're in the harmony game, you learn to scorn harmonies like that.
0:03:43 > 0:03:46The harmony game.
0:03:47 > 0:03:50- That's not a bad -- Beethoven...
0:03:52 > 0:03:54Beethoven's, uh...
0:03:55 > 0:04:00- ..200th birthday's coming up. Did you know that?- No.- 1970.
0:04:00 > 0:04:02What, next Thursday?
0:04:02 > 0:04:07- No, 1970. December, 1970. It's over a year away.- Uh-huh.
0:04:07 > 0:04:10I'm just telling ya. I don't want you to get...
0:04:10 > 0:04:15- Caught short.- Caught from behind. - Are you getting him anything?- No.
0:04:15 > 0:04:18The reason I'm saying this is because of the harmony thing.
0:04:18 > 0:04:21There was this, uh, there was this...
0:04:21 > 0:04:24Beethoven was writing this part
0:04:24 > 0:04:30and parallel fifths were scorned, ironically.
0:04:30 > 0:04:34- Right? You know he wrote in parallel fifths?- Right.
0:04:36 > 0:04:40So the guy said, "You wrote that in parallel fifths?"
0:04:40 > 0:04:43Beethoven said...
0:04:44 > 0:04:49.."Where is there a law that says you can't write in parallel fifths?
0:04:49 > 0:04:50"Where did that law come from?"
0:04:50 > 0:04:54So he says, "This guy and this guy and this guy said it."
0:04:54 > 0:04:57So Beethoven says,
0:04:57 > 0:05:00"I say that you can!"
0:05:02 > 0:05:05"While I'm writing in parallel fifths, I say you can!"
0:05:08 > 0:05:10He was a fool - Beethoven.
0:05:13 > 0:05:16Somebody else's 200th birthday is coming up in not so long.
0:05:16 > 0:05:20- 200th birthday?- Yes. - Who is that?- America's.
0:05:24 > 0:05:27Do you think it's going to make it?
0:05:29 > 0:05:32MUSIC: "Cuba Si, Nixon No" by Simon & Garfunkel
0:05:33 > 0:05:35HE SINGS INDISTINCTLY
0:05:38 > 0:05:40BOTH: # You know he's sittin' In a cockpit
0:05:40 > 0:05:46# Feels like he's in a drea-eam...
0:05:46 > 0:05:48HE HUMS HARMONY
0:05:48 > 0:05:50- We're on the...- Stay on the up. - Stay on the four.
0:05:50 > 0:05:53- HE HUMS - We're still on the four chord.
0:05:53 > 0:05:55- Melody-wise, stay on the higher note. - OK.
0:05:55 > 0:05:58# Feels like he's in
0:05:58 > 0:06:02- # A dream... - THEY HARMONISE
0:06:02 > 0:06:08# Because he's heading to Havana He should be going to New Orleans #
0:06:08 > 0:06:12That sounds... All right, start on the lower note.
0:06:12 > 0:06:15Don't... Just let me get the chords before I get the note.
0:06:15 > 0:06:18You get both parts in your head and then I'll learn it.
0:06:18 > 0:06:21THEY HUM MELODY
0:06:36 > 0:06:38HE HUMS SCALES
0:06:41 > 0:06:43A-ha! Wait. No?
0:06:44 > 0:06:47HE PLAYS MELODY ON GUITAR
0:06:52 > 0:06:56# Cuba si, Nixon, no, no, no
0:06:56 > 0:06:59# No, no, no
0:06:59 > 0:07:01# You know the Spanish-speaking people
0:07:01 > 0:07:03# Got a different way Of running the show #
0:07:03 > 0:07:07- It's nice to have that... - HE HUMS
0:07:09 > 0:07:15You're singing against a B minor and a B major on the track,
0:07:15 > 0:07:17so I don't suggest you chord this...
0:07:17 > 0:07:21- What do we have? - I suggest you hold the F sharp.
0:07:21 > 0:07:23HE HUMS GENTLE MELODY
0:07:28 > 0:07:30HE HUMS TO PIANO
0:07:32 > 0:07:35- Did you get that?- Yes.
0:07:35 > 0:07:36GENTLE MUSIC
0:07:36 > 0:07:39# So soon...
0:07:41 > 0:07:45# I'll remember
0:07:45 > 0:07:50# Frank Lloyd Wright
0:07:50 > 0:07:55# All of the nights We'd harmonize till dawn...
0:07:55 > 0:07:57Love this.
0:07:58 > 0:08:02# I never laughed so long
0:08:02 > 0:08:04# So long
0:08:04 > 0:08:07Love it. Love it! Love it! Love it!
0:08:07 > 0:08:09# So long
0:08:11 > 0:08:14- Edit.- # So long
0:08:16 > 0:08:19# So long #
0:08:19 > 0:08:20I guess...
0:08:20 > 0:08:22All right.
0:08:25 > 0:08:27That's it. We got it.
0:08:29 > 0:08:32Yes. All right.
0:08:32 > 0:08:34I've had an interesting afternoon.
0:08:40 > 0:08:44Will those cameras be inhibiting, Paul?
0:08:44 > 0:08:50I live with these cameras, Artie. Did you ever see them inhibit me?
0:08:50 > 0:08:53GENTLE GUITAR MELODY
0:08:57 > 0:09:01It's such a different... It's such a different medium.
0:09:02 > 0:09:06I forget how much I rely on...
0:09:06 > 0:09:10..the fact that you can make sound without being seen.
0:09:10 > 0:09:12You can create pictures without being seen.
0:09:12 > 0:09:16That's how I write, with pictures,
0:09:16 > 0:09:19but you don't see them, so they evoke pictures.
0:09:19 > 0:09:24But this is pictures. Really pictures.
0:09:24 > 0:09:29It's like, did you ever see any of those movies of the radio shows
0:09:29 > 0:09:32and you'd see the people who made those voices?
0:09:32 > 0:09:34You'd say, "Oh, man! That guy?
0:09:34 > 0:09:36"He's, uh...
0:09:39 > 0:09:43..the Shadow? That can't be."
0:09:43 > 0:09:46# MUSIC: "So Long, Frank Lloyd Wright"
0:09:47 > 0:09:52# I'll remember
0:09:52 > 0:09:57# Frank Lloyd Wright
0:09:57 > 0:10:03# All of the nights We'd harmonise till dawn
0:10:05 > 0:10:09# I never laughed so long
0:10:09 > 0:10:13# So long
0:10:13 > 0:10:16# So long
0:10:18 > 0:10:22# Architects may come And architects may go
0:10:22 > 0:10:26# And never change your point of view
0:10:35 > 0:10:40# So long
0:10:40 > 0:10:44# Frank Lloyd Wright
0:10:44 > 0:10:48# All of the nights we'd harmonise
0:10:48 > 0:10:53# Till dawn
0:10:53 > 0:10:57# I never laughed so long
0:10:57 > 0:10:59# So long
0:11:01 > 0:11:04# So long
0:11:06 > 0:11:08# So long
0:11:10 > 0:11:13# So long
0:11:15 > 0:11:17# So long
0:11:18 > 0:11:21# So long
0:11:23 > 0:11:26# So long
0:11:28 > 0:11:31# So long
0:11:31 > 0:11:33CROWD SING INDISTINCTLY
0:11:40 > 0:11:44# He's got high hopes
0:11:44 > 0:11:49# He's got high hopes... #
0:11:53 > 0:11:56APPLAUSE
0:11:56 > 0:12:00# MUSIC: "Bridge Over Troubled Water" by Simon & Garfunkel
0:12:18 > 0:12:22# When you're weary
0:12:24 > 0:12:28# Feeling small
0:12:28 > 0:12:33# When tears are in
0:12:33 > 0:12:35# Your eyes
0:12:35 > 0:12:39# I will dry them all
0:12:39 > 0:12:43# Oh
0:12:43 > 0:12:48# I'm on your side
0:12:48 > 0:12:54# Oh, when times get rough
0:12:54 > 0:13:01# And friends just can't be found
0:13:01 > 0:13:04# Like a bridge
0:13:04 > 0:13:09# Over troubled water
0:13:09 > 0:13:12# I will lay me down
0:13:12 > 0:13:15# Like a bridge
0:13:15 > 0:13:20# Over troubled water
0:13:20 > 0:13:27# I will lay me down
0:13:39 > 0:13:43# When you're down and out
0:13:45 > 0:13:49# When you're on the street
0:13:49 > 0:13:54# When evening falls
0:13:54 > 0:13:57# So hard
0:13:57 > 0:14:00# I will comfort you
0:14:00 > 0:14:03# Ooh
0:14:04 > 0:14:08# I'll take your part
0:14:08 > 0:14:10# Oh
0:14:10 > 0:14:15# When darkness comes
0:14:15 > 0:14:22# And pain is all around
0:14:22 > 0:14:25# Like a bridge
0:14:25 > 0:14:30# Over troubled water
0:14:30 > 0:14:33# I will lay me down
0:14:33 > 0:14:37# Like a bridge
0:14:37 > 0:14:42# Over troubled water
0:14:42 > 0:14:44# I will lay me
0:14:44 > 0:14:50# Down...
0:14:50 > 0:14:52CRASHING CYMBALS
0:15:14 > 0:15:19# Sail on, silvergirl
0:15:21 > 0:15:25# Sail on by
0:15:25 > 0:15:29# Your time has come
0:15:29 > 0:15:32# To shine
0:15:32 > 0:15:37# All your dreams are on their way
0:15:39 > 0:15:44# See how they shine
0:15:44 > 0:15:46# Oh
0:15:46 > 0:15:50# If you need a friend
0:15:50 > 0:15:53# I'm sailing
0:15:53 > 0:15:57# Right behind
0:15:57 > 0:16:00# Like a bridge
0:16:00 > 0:16:05# Over troubled water
0:16:05 > 0:16:09# I will ease your mind
0:16:09 > 0:16:11# Like a bridge
0:16:11 > 0:16:17# Over troubled water
0:16:17 > 0:16:19# I will ease your
0:16:19 > 0:16:24# Mind... #
0:16:43 > 0:16:45UPBEAT GUITAR MELODY
0:17:00 > 0:17:03HE HUMS MELODY
0:17:17 > 0:17:20# Whoa, whoa, whoa, whoa, whoa
0:17:20 > 0:17:22# Mm...
0:17:22 > 0:17:24HE SINGS INDISTINCTLY
0:17:34 > 0:17:36# Orang-utans are sceptical
0:17:36 > 0:17:38# Of changes in their cages
0:17:38 > 0:17:43# And the zookeeper Is very fond of rum
0:17:43 > 0:17:46OK.
0:17:49 > 0:17:51Right. We'll try and make it early.
0:17:51 > 0:17:53Maybe ten or 11 or so.
0:17:55 > 0:17:58We're rehearsing the band for the concerts next week.
0:17:59 > 0:18:01Swell. OK.
0:18:01 > 0:18:04Me, too, Jim. Bye-bye.
0:18:12 > 0:18:15HE HUMS JOLLY TUNE
0:18:19 > 0:18:22Shall we do it once more and make it perfect?
0:18:22 > 0:18:25BAND PLAYS
0:18:28 > 0:18:31# "Kathy, I'm lost," I said
0:18:31 > 0:18:36# Though I knew she was sleeping
0:18:37 > 0:18:43# "I'm empty and aching And I don't know why"
0:18:43 > 0:18:47# Counting the cars On the New Jersey Turnpike
0:18:47 > 0:18:51# They've all come to look for
0:18:51 > 0:18:55# America...
0:18:55 > 0:18:57# All come... #
0:18:57 > 0:19:00Each person feels as though it's his private vision
0:19:00 > 0:19:06that the quality of life should be better and less confusing and simpler and more natural.
0:19:09 > 0:19:13Every time people get a chance to come together,
0:19:13 > 0:19:16it's an uplifting feeling.
0:19:16 > 0:19:20When all of those kids went up to Woodstock,
0:19:20 > 0:19:22you had 300,000 kids at Woodstock,
0:19:22 > 0:19:26there was a great joy of having 300,000 people
0:19:26 > 0:19:29who were related by something,
0:19:29 > 0:19:31by the urge to go to Woodstock,
0:19:31 > 0:19:36or by their age or by the music or something.
0:19:36 > 0:19:40The feeling of belonging is very strong at those times.
0:19:40 > 0:19:43This issue, which, up until that point,
0:19:43 > 0:19:46you may have felt impotent to deal with,
0:19:46 > 0:19:49now at least you feel, "I can touch it,
0:19:49 > 0:19:52"along with these hundreds of thousands of others,
0:19:52 > 0:19:58"and therefore, I'm hopeful. It keeps hope alive."
0:19:58 > 0:20:02MUSIC: "Scarborough Fair" by Simon & Garfunkel
0:20:07 > 0:20:10# Are you going
0:20:10 > 0:20:14# To Scarborough Fair?
0:20:15 > 0:20:17# Parsley, sage
0:20:17 > 0:20:22# Rosemary and thyme
0:20:24 > 0:20:27# Remember me
0:20:27 > 0:20:31# To one who lives there
0:20:31 > 0:20:34# She once was
0:20:34 > 0:20:39# A true love of mine
0:20:42 > 0:20:47- # Tell her to find me an acre of land - # On the side of a hill
0:20:47 > 0:20:49# A sprinkling of leaves...
0:20:49 > 0:20:51# Parsley, sage
0:20:51 > 0:20:53# Rosemary and thyme...
0:20:53 > 0:20:58# Washes the ground With so many tears...
0:20:58 > 0:21:02# Between the salt water And the sea strands...
0:21:02 > 0:21:06# A soldier cleans and polishes a gun...
0:21:06 > 0:21:07# Then she'll be
0:21:07 > 0:21:12# A true love of mine
0:21:16 > 0:21:19# Tell her to reap it In a sickle of leather...
0:21:19 > 0:21:23# War bellows Blazing in scarlet battalions...
0:21:23 > 0:21:27# Parsley, sage, rosemary And thyme...
0:21:27 > 0:21:32# Generals order their soldiers To kill...
0:21:32 > 0:21:35# And gather it all
0:21:35 > 0:21:38- In a bunch of heather - # And to fight for a cause
0:21:38 > 0:21:40# They've long ago forgotten...
0:21:40 > 0:21:42# Then she'll be
0:21:42 > 0:21:47# A true love of mine
0:21:50 > 0:21:52# Are you going
0:21:52 > 0:21:58# To Scarborough Fair?
0:21:58 > 0:22:00# Parsley, sage
0:22:00 > 0:22:06# Rosemary and thyme
0:22:06 > 0:22:10# Remember me
0:22:10 > 0:22:14# To one who lives there
0:22:14 > 0:22:17# She once was
0:22:17 > 0:22:22# A true love of mine #
0:22:29 > 0:22:31It's very easy to lose sight of what it means
0:22:31 > 0:22:34for a bullet to come into another person's insides
0:22:34 > 0:22:38and for a man to be killed by somebody else's gun.
0:22:38 > 0:22:41For a man to be out in...
0:22:41 > 0:22:46He's home, he's in Iowa one day, and the next day, he's in a state that...
0:22:46 > 0:22:49he's supposed to feel...
0:22:49 > 0:22:51He's supposed to feel, "This is worth it.
0:22:51 > 0:22:54"For me to be in this bush now, trying to kill that guy
0:22:54 > 0:22:57"and be in the position where this guy could kill me,
0:22:57 > 0:23:01"I'm supposed to feel this all makes sense to me and it's worth it.
0:23:01 > 0:23:02"I'm fighting for something
0:23:02 > 0:23:05"that makes it worth me being in this state."
0:23:05 > 0:23:08It's...incredible.
0:23:09 > 0:23:13- I mean -- I think, though, much of what we say,
0:23:13 > 0:23:18if not all of what we're saying, is extremely obvious.
0:23:18 > 0:23:23As obvious that it is that, uh, we shouldn't be in Vietnam,
0:23:23 > 0:23:29or as obvious as it is that people are starving in this country and...
0:23:29 > 0:23:33Or as obvious as it is that there's inequality in this country.
0:23:33 > 0:23:37And maybe, as annoying as it is to hear it,
0:23:37 > 0:23:41it has to be said, until they stop the war,
0:23:41 > 0:23:46until they feed the people, until they make...
0:23:47 > 0:23:50..make everyone free and have equal opportunity,
0:23:50 > 0:23:53or as much as that can be done within this society,
0:23:53 > 0:23:59until that happens, it's the function of, uh...
0:23:59 > 0:24:05..it's the function of people to point it out and remind us of it.
0:24:07 > 0:24:12'I must remind you that starving a child is violence.
0:24:12 > 0:24:16'Suppressing a culture is violence.
0:24:17 > 0:24:21'Neglecting school children is violence.
0:24:22 > 0:24:26'Punishing a mother and her family is violence.
0:24:27 > 0:24:29JANGLING GUITARS
0:24:33 > 0:24:36OVERLAPPING PROTESTS
0:24:38 > 0:24:40OVERLAPPING SHOUTING
0:24:40 > 0:24:44MUSIC: "El Condor Pasa (If I Could)" by Simon & Garfunkel
0:24:45 > 0:24:48# I'd rather be a sparrow
0:24:48 > 0:24:51# Than a snail
0:24:51 > 0:24:54# Yes, I would
0:24:54 > 0:24:57# If I could
0:24:57 > 0:25:01# I surely would
0:25:01 > 0:25:05# Mm, mm-mm-mm
0:25:05 > 0:25:10# I'd rather be a hammer than a nail
0:25:10 > 0:25:14Yes, I would
0:25:14 > 0:25:17# If I only could
0:25:17 > 0:25:21# I surely would
0:25:21 > 0:25:24# Mm, mm-mm-mm
0:25:24 > 0:25:26# Away
0:25:26 > 0:25:30# I'd rather sail away
0:25:30 > 0:25:33# Like a swan
0:25:33 > 0:25:37# That's here and gone
0:25:37 > 0:25:43# A man gets tied up to the ground
0:25:43 > 0:25:46# He gives the world
0:25:46 > 0:25:49# Its saddest sound
0:25:49 > 0:25:53# Its saddest sound
0:26:00 > 0:26:05# I'd rather be a forest Than a street
0:26:06 > 0:26:08# Yes, I would
0:26:09 > 0:26:12# If I could
0:26:12 > 0:26:15# I surely would
0:26:16 > 0:26:21# I'd rather feel the earth Beneath my feet
0:26:22 > 0:26:25# Yes, I would
0:26:25 > 0:26:28# If I only could
0:26:28 > 0:26:32# I surely would
0:26:44 > 0:26:46CHEERING
0:26:51 > 0:26:54THEY CHANT
0:27:04 > 0:27:06OVERLAPPING SHOUTING
0:27:15 > 0:27:18THEY CHANT
0:27:23 > 0:27:28American productive achievements in recent years have kept real income rising
0:27:28 > 0:27:33while also meeting the requirements of a rapidly expanding defence effort.
0:27:33 > 0:27:37Unemployment has been reduced to the lowest levels in nearly two decades.
0:27:37 > 0:27:40The dollar is strong and respected in the world,
0:27:40 > 0:27:42in spite of recent inflationary...
0:27:42 > 0:27:45# Wish I was a Kellogg's Cornflake
0:27:45 > 0:27:50# Floatin' in my bowl takin' movies
0:27:52 > 0:27:55# Relaxin' awhile
0:27:55 > 0:27:58# Livin' in style
0:27:58 > 0:28:03# Talkin' to a raisin Who occasionally plays LA
0:28:06 > 0:28:09# Casually glancing at his toupee
0:28:16 > 0:28:19# Wish I was an English muffin
0:28:19 > 0:28:23# 'Bout to make the most Out of a toaster
0:28:25 > 0:28:28# I'd ease myself down
0:28:29 > 0:28:32# Comin' up brown
0:28:32 > 0:28:37# I prefer boysenberry More than any ordinary jam
0:28:37 > 0:28:39These figures suppress...
0:28:39 > 0:28:43# I'm a Citizens for Boysenberry Jam fan
0:28:45 > 0:28:48# Ah...
0:28:48 > 0:28:52# South California... #
0:28:53 > 0:28:55WHISTLING
0:29:03 > 0:29:07GENTLE PIANO INTRODUCTION And here it goes.
0:29:10 > 0:29:15# When you're weary
0:29:16 > 0:29:21# Feeling small
0:29:21 > 0:29:26# When tears are in
0:29:26 > 0:29:29# Your eyes
0:29:29 > 0:29:33# I will dry them all
0:29:33 > 0:29:37# Oh
0:29:37 > 0:29:42# I'm on your side
0:29:42 > 0:29:49# Oh, when times get rough
0:29:50 > 0:29:54# And friends just can't
0:29:54 > 0:29:57# Be found
0:29:57 > 0:30:00# Like a bridge
0:30:00 > 0:30:05# Over troubled water
0:30:05 > 0:30:09# I will lay me down
0:30:09 > 0:30:12# Like a bridge
0:30:12 > 0:30:18# Over troubled water
0:30:18 > 0:30:23# I will lay me down
0:30:28 > 0:30:32BOTH: # Sail on, silvergirl...
0:30:32 > 0:30:34Paul's mic.
0:30:34 > 0:30:38# Sail on by
0:30:38 > 0:30:42- # Your time has come... - Where's my mic?
0:30:42 > 0:30:46- Hold it.- # ..To shine
0:30:46 > 0:30:53# All your dreams are on their way
0:30:53 > 0:30:57# See how they shine
0:30:57 > 0:30:59# Oh
0:30:59 > 0:31:04# If you need a friend
0:31:04 > 0:31:06# I'm sailing
0:31:06 > 0:31:11# Right behind
0:31:11 > 0:31:13# Like a bridge
0:31:13 > 0:31:19# Over troubled water
0:31:19 > 0:31:22# I will ease your mind
0:31:22 > 0:31:25# Like a bridge
0:31:25 > 0:31:30# Over troubled water... #
0:31:32 > 0:31:35We're staying in the Beverly Wilshire Hotel.
0:31:35 > 0:31:40I get my guitar, head downstairs, I get in the elevator to go to the studio.
0:31:40 > 0:31:44And in the elevators they have newspapers.
0:31:44 > 0:31:48I see the headlines on the newspapers and I think,
0:31:48 > 0:31:51"Why am I going to make this album?
0:31:51 > 0:31:55"What's the point of this album? The world is crumbling..."
0:31:56 > 0:32:00The chaos of "What the hell is the whole thing about?"
0:32:00 > 0:32:04is a violent, screaming reaction to...
0:32:05 > 0:32:09..the confusion of "What is this thing?"
0:32:09 > 0:32:15I'm moving along this mill, I'm halfway finished with it all, I haven't begun to sort it out,
0:32:15 > 0:32:19what the point of it is, what is it, why didn't I feel what I feel?
0:32:19 > 0:32:22- Keep this offstage, Paul? - No, no, no.
0:32:22 > 0:32:27Why Don't You Write Me? Feelin' Groovy...
0:32:34 > 0:32:38Feelin' Groovy, Scarborough Fair, Only Living Boy, At The Zoo,
0:32:38 > 0:32:41Emily, Angie, Sounds Of Silence.
0:32:42 > 0:32:44Make way!
0:32:44 > 0:32:49- Aren't you ready?- You guys would never make it without the band!
0:32:55 > 0:33:00The kids are doing it again, one year later! How long can this go on?
0:33:00 > 0:33:02THEY LAUGH
0:33:02 > 0:33:05Are you two ready?
0:33:07 > 0:33:11Anything we're forgetting that we always did in the old shows?
0:33:11 > 0:33:14We never used to carry a purse. We don't need that.
0:33:14 > 0:33:17OVERLAPPING CONVERSATIONS
0:33:19 > 0:33:22APPLAUSE
0:33:25 > 0:33:28UPBEAT GUITAR MELODY
0:33:32 > 0:33:34Go.
0:33:36 > 0:33:40BOTH # And here's to you, Mrs Robinson
0:33:40 > 0:33:44# Jesus loves you more Than you will know
0:33:44 > 0:33:46# Wo, wo, wo
0:33:46 > 0:33:50# God bless you please, Mrs Robinson
0:33:50 > 0:33:54# Heaven holds a place For those who pray
0:33:54 > 0:33:56# Hey, hey, hey
0:33:56 > 0:33:58# Hey, hey, hey
0:34:01 > 0:34:06# We'd like to know a little bit About you for our files
0:34:07 > 0:34:11# We'd like to help you learn To help yourself
0:34:12 > 0:34:17# Look around you All you see are sympathetic eyes
0:34:18 > 0:34:22# Stroll around the grounds Until you feel at home
0:34:22 > 0:34:25# And here's to you, Mrs Robinson
0:34:25 > 0:34:29# Jesus loves you more Than you will know
0:34:29 > 0:34:31# Wo, wo, wo
0:34:31 > 0:34:34# God bless you please, Mrs Robinson
0:34:34 > 0:34:38# Heaven holds a place For those who pray
0:34:38 > 0:34:41# Hey, hey, hey
0:34:41 > 0:34:43# Hey, hey, hey
0:34:46 > 0:34:51# Hide it in a hiding place Where no-one ever goes
0:34:52 > 0:34:57# Put it in your pantry With your cupcakes
0:34:57 > 0:35:02# It's a little secret Just the Robinsons' affair
0:35:02 > 0:35:06# Most of all You've got to hide it from the kids
0:35:06 > 0:35:09# Where have you gone, Joe DiMaggio?
0:35:09 > 0:35:13# A nation turns its lonely eyes To you
0:35:13 > 0:35:15# Woo, woo, woo
0:35:15 > 0:35:19# What's that you say, Mrs Robinson?
0:35:19 > 0:35:22# Joltin' Joe has left and gone away
0:35:22 > 0:35:25# Hey, hey, hey
0:35:25 > 0:35:27# Hey, hey, hey #
0:35:30 > 0:35:32APPLAUSE
0:35:41 > 0:35:44'I can't see myself doing this five years from now.'
0:35:45 > 0:35:49I speak of the whole spiritual sphere,
0:35:49 > 0:35:51that whole, that whole, uh,
0:35:51 > 0:35:54aspect about my life.
0:35:56 > 0:35:59This whole... This entertaining...
0:36:00 > 0:36:02..it has nothing to do with that.
0:36:02 > 0:36:06To say that, "That's all I have to do is
0:36:06 > 0:36:13"to be a professional songwriter or entertainer," is inaccurate.
0:36:13 > 0:36:16I'm doing a lot else, personally.
0:36:16 > 0:36:21- Do you feel any need -- To do something else on a national scale? - Yes.
0:36:21 > 0:36:24Would you like to be president?
0:36:24 > 0:36:26Oh, I don't know.
0:36:27 > 0:36:29Some days.
0:36:33 > 0:36:35Why are you smiling?
0:36:35 > 0:36:39- Some days you'd like to be president? - Some days I wouldn't want to be.
0:36:39 > 0:36:42What do you feel like the days you want to be president?
0:36:42 > 0:36:45I straighten it all out
0:36:45 > 0:36:48and get on back to my song writing in peace!
0:36:48 > 0:36:51THEY LAUGH
0:36:51 > 0:36:54I would like to develop myself as an artist
0:36:54 > 0:36:56as much as I could.
0:36:57 > 0:37:01And to be president, I just don't have time. Really, I don't.
0:37:01 > 0:37:04He wants to develop himself as an artist!
0:37:04 > 0:37:07Do you have enough time to be president?
0:37:07 > 0:37:10- I feel I'd make the time. - ALL LAUGH
0:37:11 > 0:37:14GENTLE GUITAR MELODY
0:37:14 > 0:37:16PAUL HUMS
0:37:18 > 0:37:22- MUSIC DROWNS OUT SPEECH - ..I like this song.
0:37:22 > 0:37:24I couldn't get over that.
0:37:26 > 0:37:30# Slow down, you move too fast
0:37:30 > 0:37:33# You got to make the morning last
0:37:33 > 0:37:38# Just kicking down the cobblestones
0:37:38 > 0:37:42# Looking for fun And feelin' groovy...
0:37:42 > 0:37:45# Ba, da, da, da, da, da, da
0:37:45 > 0:37:49PAUL WHISTLES
0:37:49 > 0:37:53THEY HUM MELODY
0:37:53 > 0:37:54I know.
0:37:57 > 0:38:01# Ain'tcha got no rhymes for me?
0:38:01 > 0:38:06# Doot-in, doo-doo Feelin' groovy...
0:38:06 > 0:38:09THEY HUM MELODY
0:38:09 > 0:38:11# Ba, da, da, da, da, da, da...
0:38:16 > 0:38:20# I got no deeds to do No promises to keep
0:38:20 > 0:38:26- # Do, do, do, do, do, do, do... - # Ba, da, da, da, da, da, da...
0:38:29 > 0:38:33# Life, I love you, all is groovy #
0:38:33 > 0:38:36EDGY GUITAR MELODY
0:38:45 > 0:38:48# Train, train
0:38:54 > 0:38:57# Train, train
0:38:58 > 0:39:03# Moving down the line
0:39:05 > 0:39:08# Train, train
0:39:10 > 0:39:14# Moving down the line
0:39:16 > 0:39:20# Well, she's taken my baby
0:39:20 > 0:39:23# Oh, and she's right on time #
0:39:31 > 0:39:36It amazed me, since we're now performing for the first time after a year's break,
0:39:36 > 0:39:42that I'm still, in my opinion, no good at talking to an audience.
0:39:43 > 0:39:47MUSIC: "For Emily, Whenever I May Find Her"
0:39:52 > 0:39:56# What a dream I had
0:39:57 > 0:40:00# Pressed in organdie
0:40:00 > 0:40:04# Clothed in crinoline
0:40:04 > 0:40:09# Of smoky burgundy
0:40:09 > 0:40:15# Softer than the rain
0:40:16 > 0:40:18# I wandered empty streets
0:40:18 > 0:40:23# Down past the shop displays
0:40:23 > 0:40:27# I heard cathedral bells
0:40:27 > 0:40:31# Tripping down the alleyways
0:40:31 > 0:40:37# As I walked on
0:40:37 > 0:40:40# And when you ran to me
0:40:40 > 0:40:41# Your...
0:40:41 > 0:40:45# Cheeks flushed with the night
0:40:45 > 0:40:49# We walked on frosted fields
0:40:49 > 0:40:54# Of juniper and lamplight
0:40:54 > 0:40:56# I held your
0:40:56 > 0:41:00# Hand...
0:41:02 > 0:41:04GENTLE GUITAR MELODY
0:41:20 > 0:41:23# And when I awoke
0:41:23 > 0:41:27# And felt you warm and near
0:41:27 > 0:41:32# I kissed your honey hair
0:41:32 > 0:41:36# With my grateful tears
0:41:36 > 0:41:39# Oh, I love you
0:41:39 > 0:41:44# Girl...
0:41:44 > 0:41:49# Oh, I...
0:41:49 > 0:41:51# Love...
0:41:51 > 0:41:56# You #
0:41:56 > 0:41:58APPLAUSE
0:42:02 > 0:42:05It's really ironic for me to look at myself and say,
0:42:05 > 0:42:07"That guy looks like he's Mr Hip."
0:42:07 > 0:42:11I feel like what I project is a sense of...
0:42:11 > 0:42:15..knowing answers. I know it, basically.
0:42:15 > 0:42:17You know? I'm not confused.
0:42:17 > 0:42:22That's why the falsest things about all people is
0:42:22 > 0:42:24that they all look like they're not confused,
0:42:24 > 0:42:29like they've got it pretty well set.
0:42:29 > 0:42:32MUSIC: "The Boxer"
0:42:37 > 0:42:42# Now the years are rolling by me They are rocking evenly
0:42:42 > 0:42:45# I am older than I once was
0:42:45 > 0:42:47# And younger than I'll be
0:42:47 > 0:42:51# That's not unusual
0:42:51 > 0:42:53# It isn't strange
0:42:53 > 0:42:55# After changes upon changes
0:42:55 > 0:42:58# We are more or less the same
0:42:58 > 0:43:03# After changes We are more or less the same
0:43:03 > 0:43:05# Lie-la-lie
0:43:06 > 0:43:08# La-la-la-la, lie-lie-lie
0:43:08 > 0:43:10# Lie-la-lie
0:43:11 > 0:43:17# Lie-lie-lie-lie, lie-le-lie La-la-la-la-lie #
0:43:17 > 0:43:20APPLAUSE
0:43:20 > 0:43:23I don't write to get something through to somebody.
0:43:25 > 0:43:28I write for various reasons.
0:43:28 > 0:43:33Some songs I write for the pleasure of writing a song.
0:43:33 > 0:43:35It doesn't have any great meaning.
0:43:35 > 0:43:38It's just a song.
0:43:38 > 0:43:40Songs are nice. People...
0:43:40 > 0:43:42People sing songs,
0:43:42 > 0:43:46kids sing songs all the time for the pleasure of the singing,
0:43:46 > 0:43:49the pleasure of a rhythm.
0:43:49 > 0:43:52"London Bridge is falling down..."
0:43:52 > 0:43:56"One, two, three, and girls bounce balls and sing..."
0:43:56 > 0:43:58Those are songs.
0:43:58 > 0:44:02There's a pleasure in sing songs, there's a pleasure in writing songs.
0:44:02 > 0:44:06Some songs, you try and express yourself emotionally.
0:44:06 > 0:44:09Those are different songs for me.
0:44:09 > 0:44:13They express what I feel and they relieve...
0:44:13 > 0:44:17..the tensions that I feel when I express them.
0:44:17 > 0:44:20But I don't think about getting through to somebody.
0:44:21 > 0:44:24# Homeward bound
0:44:24 > 0:44:26# I wish I was
0:44:26 > 0:44:30# Homeward bound
0:44:30 > 0:44:32BOTH: # Home, where my thoughts escape
0:44:32 > 0:44:34# At home
0:44:34 > 0:44:35# Where my music's playing
0:44:35 > 0:44:38# Home, where my love lies
0:44:38 > 0:44:42# Waiting silently for me
0:44:44 > 0:44:47# Tonight I'll sing my songs again
0:44:47 > 0:44:51- # I'll play the game and pretend - # Ooh...
0:44:52 > 0:44:54# Mm-mm, mm, mm
0:44:54 > 0:44:59# But all my words come back to me In shades of mediocrity
0:44:59 > 0:45:02# Like emptiness and harmony
0:45:02 > 0:45:06# I need someone to comfort me
0:45:06 > 0:45:09# Homeward bound
0:45:09 > 0:45:12# I wish I was
0:45:12 > 0:45:15# Homeward bound
0:45:15 > 0:45:19# Home, where my thoughts escape At home
0:45:19 > 0:45:20# Where my music's playing
0:45:20 > 0:45:23# Home, where my love lies
0:45:23 > 0:45:29# Waiting silently for me
0:45:29 > 0:45:34# Silently for me #
0:45:39 > 0:45:41APPLAUSE
0:45:42 > 0:45:45MUSIC: "America"
0:45:51 > 0:45:53# "Let us be lovers
0:45:53 > 0:45:58"We'll marry our fortunes together"
0:46:00 > 0:46:05# "I've got some real estate Here in my bag"
0:46:05 > 0:46:07# Ooh, ooh
0:46:07 > 0:46:12# So we bought a pack of cigarettes
0:46:12 > 0:46:15# And Mrs Wagner pies
0:46:15 > 0:46:18# And walked off
0:46:18 > 0:46:23# To look for America... #
0:46:24 > 0:46:26People from so many different countries came here
0:46:26 > 0:46:29and made this conglomeration.
0:46:29 > 0:46:33We're like, we're shy children, we have to look around and say,
0:46:33 > 0:46:37"There's a Chinese kid in my class, there's a black boy, there's a..."
0:46:37 > 0:46:39Our group is so varied
0:46:39 > 0:46:45and here we are together, and we have to warm up slowly.
0:46:45 > 0:46:49We look at each other under our brows,
0:46:49 > 0:46:51sort of embarrassed about, uh...
0:46:53 > 0:46:57I think we all see the, uh...
0:46:57 > 0:47:01..the value of getting together.
0:47:01 > 0:47:04Here we are, we have this country, we can, uh...
0:47:04 > 0:47:08..we can do great things.
0:47:08 > 0:47:14We have a spotlight on us. We have the power to do great things.
0:47:14 > 0:47:17And I think we all feel that
0:47:17 > 0:47:22it's tremendously valuable for us to fuse, but it's very difficult.
0:47:22 > 0:47:26All human beings have, uh,
0:47:26 > 0:47:29this wish to take their inner self
0:47:29 > 0:47:34and fuse it with the rest of humanity.
0:47:34 > 0:47:36And in-so-far as they are unable to do that,
0:47:36 > 0:47:40they are constantly reminded of this obstacle.
0:47:40 > 0:47:43They defend it, they find reasons to keep their isolation
0:47:43 > 0:47:48as a necessary ingredient of their beliefs or whatever,
0:47:48 > 0:47:50but it's not true to what they feel.
0:47:50 > 0:47:54MUSIC: "The Sound Of Silence" APPLAUSE
0:48:01 > 0:48:05# Hello, darkness, my old friend
0:48:05 > 0:48:10# I've come to talk with you again
0:48:10 > 0:48:16# Because a vision softly creeping
0:48:16 > 0:48:21# Left its seeds while I was sleeping
0:48:21 > 0:48:24# And the vision
0:48:24 > 0:48:29# That was planted in my brain
0:48:29 > 0:48:33# Still remains
0:48:33 > 0:48:36# Within the sound
0:48:36 > 0:48:39# Of silence
0:48:39 > 0:48:45BOTH: # In restless dreams I walked alone
0:48:45 > 0:48:50# Narrow streets of cobblestone
0:48:50 > 0:48:55# 'Neath the halo of a streetlamp
0:48:55 > 0:49:00# I turned my collar To the cold and damp
0:49:00 > 0:49:03# When my eyes were stabbed
0:49:03 > 0:49:07# By the flash of a neon light
0:49:08 > 0:49:10# That split the night
0:49:12 > 0:49:15# And touched the sound
0:49:15 > 0:49:18# Of silence
0:49:18 > 0:49:24# And the people bowed and prayed
0:49:24 > 0:49:29# To the neon god they made
0:49:29 > 0:49:34# And the sign flashed its warning
0:49:34 > 0:49:38# In the words that it was forming
0:49:38 > 0:49:42# And the sign said "The words of the prophets
0:49:42 > 0:49:47# "Are written on subway walls
0:49:47 > 0:49:50# "And tenement halls
0:49:50 > 0:49:57# "And whispered in the sounds
0:49:57 > 0:50:02# "Of silence" #
0:50:06 > 0:50:09APPLAUSE
0:50:14 > 0:50:16MUSIC: "Song For The Asking (Live)"
0:50:29 > 0:50:31# Here is my song
0:50:31 > 0:50:35# For the asking
0:50:35 > 0:50:38# Ask me and I will play
0:50:38 > 0:50:45# So sweetly, I'll make you smile
0:50:48 > 0:50:54# This is my tune for the taking
0:50:54 > 0:50:58# Take it, don't turn away
0:50:58 > 0:51:01# I've been waiting
0:51:01 > 0:51:05# All my life
0:51:08 > 0:51:13# Thinking it over, I've been sad
0:51:13 > 0:51:17# Thinking it over I'd be more than glad
0:51:17 > 0:51:21# To change my ways
0:51:21 > 0:51:24# For the asking
0:51:24 > 0:51:28# Ask me and I will play
0:51:28 > 0:51:31# All the love that I
0:51:31 > 0:51:34# Hold inside... #
0:51:51 > 0:51:55Subtitles by Red Bee Media Ltd
0:51:55 > 0:51:59E-mail subtitling@bbc.co.uk