0:00:28 > 0:00:31MUSIC: "Playing With Fire (Orchestral Version)"
0:01:03 > 0:01:07One's brought up to think that pop music is a very ephemeral thing,
0:01:07 > 0:01:10and it lasts for nothing, so when we first made a record
0:01:10 > 0:01:13and it got in the charts we thought, well, it's good, we'll probably be around
0:01:13 > 0:01:17for a year, maybe a year-and-a-half, and then it's all going to be over.
0:01:17 > 0:01:20- I like the fella that plays the drums.- Charlie?
0:01:20 > 0:01:23- Charlie.- You like him?- Yeah.
0:01:23 > 0:01:26I just took up the drums. I can't read.
0:01:26 > 0:01:28I'm not a musician of that calibre,
0:01:28 > 0:01:31maybe it's just standards I'm looking at.
0:01:31 > 0:01:37Maybe it's just an inferiority complex. Maybe I'm great after all.
0:01:37 > 0:01:39- Who do you like in any group, then? - Brian Jones.- Brian Jones.
0:01:39 > 0:01:44- For what reason?- I just like him. - He just plays it cool.
0:01:44 > 0:01:45Let's face it.
0:01:45 > 0:01:48The future, as a Rolling Stone, is very uncertain.
0:01:48 > 0:01:51My ultimate aim in life was never to be a pop star.
0:01:52 > 0:01:54I enjoy it.
0:01:54 > 0:01:57Er...with reservations.
0:01:57 > 0:02:02But I'm not really sort of satisfied either artistically or personally.
0:02:02 > 0:02:05- Does anybody like Bill Wyman? - Yeah!
0:02:05 > 0:02:08I like his style.
0:02:08 > 0:02:11What do you like about Bill Wyman?
0:02:11 > 0:02:13I always wanted to be a musician.
0:02:13 > 0:02:15I always wanted to be in a band.
0:02:15 > 0:02:19I knew it was so impossible and so unlikely that I would be,
0:02:19 > 0:02:21that I just dismissed it.
0:02:21 > 0:02:25Then suddenly, last year I remembered,
0:02:25 > 0:02:28after all that time, I suddenly remembered I'd always wanted to be,
0:02:28 > 0:02:32and now I was, and it didn't mean a thing to me any more!
0:02:32 > 0:02:34Why are you coming to see the show? Who are you going to see?
0:02:34 > 0:02:37- Keith Richards.- You don't think they're dirty, do you?- No!
0:02:37 > 0:02:39No, you like them.
0:02:41 > 0:02:46- I just like him.- Why do you like Mick?- Because I just like him.
0:02:46 > 0:02:50- Everything.- Well, what's everything? What's everything?
0:02:50 > 0:02:52His jeans!
0:02:52 > 0:02:54- I like his hair.- Just his hair?
0:02:54 > 0:02:56I like all of him.
0:02:56 > 0:02:59I just like him. I don't know why. He's very nice.
0:02:59 > 0:03:02- His movement.- His hair? Do you like his hair?
0:03:02 > 0:03:05- I love his hair. - Do you think he's sexy?
0:03:05 > 0:03:08You're not the same person on stage as you are the rest of the time.
0:03:08 > 0:03:12- What sort of person do you think you are on stage?- I don't really know.
0:03:12 > 0:03:14I don't really know what I am on stage.
0:03:14 > 0:03:18It's very different, because you have to treat everybody differently.
0:03:18 > 0:03:22You have to be very, very, very egotistical, because you're acting.
0:03:22 > 0:03:27You're doing an act. It's not really you.
0:03:28 > 0:03:32What do you set out to do in your act?
0:03:32 > 0:03:35Entertain people.
0:03:36 > 0:03:40MUSIC: "Heart of Stone"
0:03:42 > 0:03:44# There've been so many
0:03:46 > 0:03:49# Girls that I've known
0:03:52 > 0:03:55# I've made so many cry
0:03:57 > 0:03:58# And still I wonder why
0:04:00 > 0:04:02# Here comes a little girl
0:04:04 > 0:04:07# I see her walking down the street
0:04:07 > 0:04:09# She's all by herself
0:04:11 > 0:04:13# I try and knock her off her feet
0:04:14 > 0:04:20# But she'll never break, never break, never break, never break
0:04:20 > 0:04:23# This heart of stone
0:04:23 > 0:04:26# Oh, no, no This heart of stone
0:04:28 > 0:04:32# What's different about her
0:04:33 > 0:04:34# I don't really know
0:04:38 > 0:04:41# No matter how I try
0:04:42 > 0:04:45# I just can't make her cry
0:04:59 > 0:05:05# But she'll never break, never break, never break, never break
0:05:07 > 0:05:08# This heart of stone
0:05:09 > 0:05:13# Oh no, no, no This heart of stone
0:05:13 > 0:05:15MUSIC FADES
0:05:15 > 0:05:17Ray, close that door.
0:05:20 > 0:05:22- Step away.- It's all right.
0:05:28 > 0:05:29That was great.
0:05:48 > 0:05:50MUSIC FADES BACK IN
0:06:13 > 0:06:15# This heart of stone
0:06:18 > 0:06:20# This heart of stone
0:06:22 > 0:06:24# This heart of stone. #
0:06:37 > 0:06:39- Do you play in a group? - Yeah, The Creatures.
0:06:39 > 0:06:41- The?- The Creatures.
0:06:41 > 0:06:44The Creatures. When did you first grow your hair long?
0:06:44 > 0:06:47- About 18 months ago.- Why? - Because I like long hair.
0:06:47 > 0:06:51Oh, I don't know anything about the groups at all.
0:06:51 > 0:06:54Of course, if I was about... What am I now?
0:06:54 > 0:06:56I was about 22 years younger
0:06:56 > 0:06:58I'd have a little group of my own, if I could.
0:06:58 > 0:07:01There's a bit of go in me still, even though I am 40!
0:07:01 > 0:07:05- Has your daughter got their records? - No, not really. Only Off The Hook.
0:07:05 > 0:07:08- Well, you've heard it? - Yes, and Little Red Rooster.
0:07:08 > 0:07:13- Are you going to see them tonight?- No I can't.- Why?- I didn't get a ticket.
0:07:13 > 0:07:15- Did you try?- Yes.- What a shame.
0:07:15 > 0:07:18- Are you going to see the show tonight?- No, I'm not.- You're not?
0:07:18 > 0:07:20- Why not?- There were just no tickets.
0:07:20 > 0:07:23Did you see them when they were in Ireland before?
0:07:23 > 0:07:26- You did, what did you think? - I thought they were fantastic.
0:07:26 > 0:07:28- Is that why you're seeing them again tonight?- Yes.
0:07:28 > 0:07:29MUSICIANS TUNE UP
0:07:29 > 0:07:32Not my day.
0:07:37 > 0:07:40We just sort of hold it back there.
0:07:40 > 0:07:43Going in this direction?
0:07:45 > 0:07:48- Did it work?- It didn't work.
0:07:48 > 0:07:51I used to work with David Bailey, you know?
0:08:06 > 0:08:10MUSIC: "Playing With Fire"
0:08:14 > 0:08:18# Well, you've got your diamonds
0:08:18 > 0:08:22# And you've got your pretty bows
0:08:22 > 0:08:26# And the chauffeur drives your cars
0:08:26 > 0:08:30# You let everybody know
0:08:30 > 0:08:34# But don't play with me
0:08:34 > 0:08:37# Cos you're playing with fire
0:08:40 > 0:08:43# Your mother, she's an heiress
0:08:43 > 0:08:48# Owns a block in St John's Wood
0:08:48 > 0:08:53# And your father'd be there with her
0:08:53 > 0:08:57# If he only could
0:08:57 > 0:09:00# But don't play with me
0:09:00 > 0:09:03# Cos you're playing with fire
0:09:06 > 0:09:09# So don't you play with me
0:09:09 > 0:09:12# Cos you're playing with fire. #
0:09:18 > 0:09:21- We want the Stones! - We want the Stones!
0:09:24 > 0:09:26We want the Stones!
0:09:43 > 0:09:45Here they are, The Rolling Stones!
0:09:45 > 0:09:48CHEERING
0:09:48 > 0:09:52MUSIC: "The Last Time"
0:09:57 > 0:10:00# Well, I told you once and I told you twice
0:10:02 > 0:10:06# But you never listen to my advice
0:10:07 > 0:10:12# You don't try very hard to please me
0:10:13 > 0:10:16# With what you know it should be easy
0:10:19 > 0:10:21# Well, this could be the last time
0:10:21 > 0:10:24# This could be the last time
0:10:24 > 0:10:30# Maybe the last time, I don't know
0:10:30 > 0:10:31# Oh, no
0:10:33 > 0:10:34# Oh, no
0:10:35 > 0:10:39# Well, I'm sorry, girl but I can't stay
0:10:41 > 0:10:44# Feeling like I do today
0:10:46 > 0:10:49# It's too much pain and too much sorrow
0:10:51 > 0:10:54# I guess I'll feel the same tomorrow
0:10:56 > 0:10:59# Well, this could be the last time
0:10:59 > 0:11:02# This could be the last time
0:11:02 > 0:11:07# Maybe the last time, I don't know
0:11:07 > 0:11:09# Oh, no
0:11:10 > 0:11:11# Oh, no
0:11:34 > 0:11:37# Well, this could be the last time
0:11:37 > 0:11:39# This could be the last time
0:11:39 > 0:11:45# Maybe the last time, I don't know
0:11:46 > 0:11:47# Oh, no
0:11:48 > 0:11:50# Oh, no
0:11:51 > 0:11:54# Well, I told you once and I told you twice
0:11:56 > 0:11:59# Someone'll have to pay the price
0:12:02 > 0:12:06# And here's a chance to change your mind
0:12:07 > 0:12:11# Cos I'll be gone a long, long time
0:12:12 > 0:12:14# Well, this could be the last time
0:12:14 > 0:12:17# This could be the last time
0:12:17 > 0:12:23# Maybe the last time, I don't know
0:12:23 > 0:12:24# Oh, no
0:12:25 > 0:12:27# Oh, no
0:12:28 > 0:12:31# Last time, baby
0:12:31 > 0:12:33# I'll see you no more
0:12:33 > 0:12:38# Well, I can't no more Well, I can't no more
0:12:38 > 0:12:41# Well, I can't no more I gotta go
0:12:41 > 0:12:43# I gotta, oh no, I gotta go
0:12:43 > 0:12:46# Cos I don't know where to go
0:12:46 > 0:12:48# I don't know, well, I know
0:12:48 > 0:12:50# Cos I don't know
0:12:50 > 0:12:55# Oh, no! Oh, no! Oh, no!
0:12:55 > 0:12:58# Baby! Come on, baby! Come on! #
0:13:00 > 0:13:02CROWD CHEERS
0:13:05 > 0:13:11# Time is on my side
0:13:11 > 0:13:13# Oh, yes it is
0:13:13 > 0:13:18# I said, time is on my side
0:13:18 > 0:13:20# Oh, yes it is
0:13:21 > 0:13:25# Now, you always say
0:13:25 > 0:13:28# That you want to be free
0:13:28 > 0:13:32# But you come running back
0:13:32 > 0:13:36# You come running back
0:13:36 > 0:13:43# You come running back to me
0:13:43 > 0:13:48# Time is on my side
0:13:48 > 0:13:49# Oh, yes it is
0:13:49 > 0:13:56# I said, time is on my side
0:13:56 > 0:13:57# Oh, yes it is
0:13:58 > 0:14:02# You're searching for good times
0:14:02 > 0:14:05# Just wait and see
0:14:05 > 0:14:09# You'll come running back
0:14:09 > 0:14:13# You'll come running back
0:14:13 > 0:14:20# You'll come running back to me
0:14:20 > 0:14:22# Go ahead, babe, go ahead!
0:14:24 > 0:14:27# I said, go ahead and light up the town!
0:14:27 > 0:14:32# Baby, do anything your heart desires
0:14:32 > 0:14:35# Remember, I'll be around
0:14:35 > 0:14:39# I know, I know, like I told you so many times before
0:14:39 > 0:14:42# That you're gonna come back, baby
0:14:42 > 0:14:44# Yeah, you want to come back One of these days
0:14:44 > 0:14:48# Knocking, yeah Knocking right on my door
0:14:48 > 0:14:53# Yes, time is on my side
0:14:53 > 0:14:55# Oh, yes it is
0:14:55 > 0:15:01# I said, time is on my side,
0:15:01 > 0:15:03# Oh, yes it is
0:15:04 > 0:15:07# Cos I got the real love
0:15:07 > 0:15:10# The kind that you need
0:15:10 > 0:15:14# You'll come running back
0:15:14 > 0:15:18# You'll come running back
0:15:18 > 0:15:25# You'll come running back to me
0:15:25 > 0:15:27# Time, time, time
0:15:27 > 0:15:31# Is on my side, oh, yes it is
0:15:31 > 0:15:35# I said time, time, time
0:15:35 > 0:15:38# Is on my side, oh, yes it is
0:15:38 > 0:15:45# I said time, time, time is on my side. #
0:15:47 > 0:15:51CROWD CHEERS
0:15:56 > 0:15:57Thank you very much.
0:16:04 > 0:16:07# I want to tell you something, baby
0:16:07 > 0:16:09# That you don't know
0:16:09 > 0:16:12# No, you don't know
0:16:12 > 0:16:14# Going to tell you
0:16:14 > 0:16:16# Baby, listen to me
0:16:16 > 0:16:17# Cos it's all right
0:16:17 > 0:16:19# Yeah, it's all right
0:16:23 > 0:16:25# It's all right
0:16:25 > 0:16:27# It's all right
0:16:27 > 0:16:29# It's all right
0:16:29 > 0:16:31# It's all right
0:16:31 > 0:16:33# It's all right
0:16:33 > 0:16:35# It's all right
0:16:35 > 0:16:37# It's all right
0:16:37 > 0:16:39# It's all right, all night long
0:16:40 > 0:16:43# All night long
0:16:43 > 0:16:44# All night long
0:16:44 > 0:16:46# All night long
0:16:46 > 0:16:47# Yeah, it's all right
0:16:49 > 0:16:50# It's all right
0:16:50 > 0:16:52# Oh, yeah
0:16:52 > 0:16:54# It's all right
0:16:54 > 0:16:56# All the time
0:16:56 > 0:16:58# I feel all right
0:16:58 > 0:17:00# I feel all right
0:17:00 > 0:17:02# I feel all right
0:17:02 > 0:17:03# I feel all right. #
0:17:05 > 0:17:07# Do you feel it?
0:17:09 > 0:17:11Do you?
0:17:11 > 0:17:13# Do you feel it?
0:17:13 > 0:17:16# Do you? Do you, do you, do you?
0:17:17 > 0:17:20# Do you feel it, baby? #
0:18:10 > 0:18:12CROWD CHEERS
0:18:16 > 0:18:18GUITAR FEEDBACK HOWLS
0:18:27 > 0:18:29SHOUTING
0:18:45 > 0:18:48CLATTERING AND FEEDBACK
0:18:53 > 0:18:56MICROPHONE FEEDBACK WHINES
0:18:59 > 0:19:02SHOUTING AND GUITAR FEEDBACK
0:19:12 > 0:19:14DISTANT SCREAMS
0:19:32 > 0:19:36Contact. That's why they try to get in cars, just physical contact.
0:19:36 > 0:19:40Any sort of physical contact, touching you,
0:19:40 > 0:19:43touching your coat, your hair or pulling you or kissing you
0:19:43 > 0:19:47or whatever it is, just to say, "I touched so-and-so," you know.
0:19:47 > 0:19:51A crowd always seems to make violence because if there's
0:19:51 > 0:19:54a centre of a crowd, all the people
0:19:54 > 0:19:57on the periphery of the crowd
0:19:57 > 0:19:59are trying to get to the middle.
0:19:59 > 0:20:01All the kids at the front row can't see a thing,
0:20:01 > 0:20:03so they stand up on their seats,
0:20:03 > 0:20:05so the row behind stand up and the row behind,
0:20:05 > 0:20:08and in the end you've got everybody standing up and they still can't see
0:20:08 > 0:20:09and they start falling backwards
0:20:09 > 0:20:12and you know, the seats start getting broken and that,
0:20:12 > 0:20:14and the officials keep pushing back all the time
0:20:14 > 0:20:16and the kids are not fighting the officials half the time,
0:20:16 > 0:20:18they're trying to see, you know.
0:20:18 > 0:20:20They tend to do it at everybody's show.
0:20:20 > 0:20:27I wouldn't say the Beatles were the symbol of authority, anti-authority,
0:20:27 > 0:20:30but when the Beatles went to Germany, for instance,
0:20:30 > 0:20:31the same thing happened.
0:20:35 > 0:20:39- Where did she get 'em fractured? In the theatre?- Yeah, in the theatre.
0:20:41 > 0:20:42Well...
0:20:42 > 0:20:45# Try and sit yourself a break
0:20:46 > 0:20:51# I know it's hard, love To find someone to
0:20:51 > 0:20:54# Give you what you don't get now... #
0:20:54 > 0:20:58- I've got another, I had another title for this.- Yeah.
0:20:58 > 0:21:01The ones we duplicate, I had Sitting On A Fence for this.
0:21:01 > 0:21:05SINGS: # Oh, yes I'm sitting on a fence. #
0:21:05 > 0:21:07It's very hard to find a proper title...
0:21:07 > 0:21:08# Da-la, na-na-na... #
0:21:08 > 0:21:10That's leading it, that's good.
0:21:10 > 0:21:12That's all right, but I just wanted to make it, like,
0:21:12 > 0:21:14he was sitting on the fence and could not make up his mind
0:21:14 > 0:21:16between one girl and the other,
0:21:16 > 0:21:18and he couldn't stand sitting on the fence
0:21:18 > 0:21:19cos it was getting very painful.
0:21:19 > 0:21:21That's going to be the last line!
0:21:26 > 0:21:31# You know, it's pretty plain to see
0:21:31 > 0:21:33# That you really haven't found
0:21:33 > 0:21:35# Oh, yeah
0:21:35 > 0:21:38# Though she... #
0:21:38 > 0:21:40HE MUMBLES WORDS
0:21:47 > 0:21:51# I'm sitting on a fence... #
0:21:55 > 0:21:58HE SCAT SINGS OVER GUITAR
0:22:00 > 0:22:02That's got to rhyme, actually.
0:22:02 > 0:22:05That last line's got to rhyme with the first two,
0:22:05 > 0:22:07worked that out in Clearwater, Florida.
0:22:07 > 0:22:09But it doesn't there and it still sounds all right.
0:22:09 > 0:22:12No, but it's better if it does cos I wrote, I wrote...
0:22:12 > 0:22:14Like this.
0:22:14 > 0:22:17# Well, you're sitting on a fence
0:22:19 > 0:22:21# And I think I got no sense
0:22:23 > 0:22:25# Baby, I've had to go
0:22:25 > 0:22:28# Baby, I have to go
0:22:28 > 0:22:30# Now I'm sitting on a fence. #
0:22:30 > 0:22:34That just sort of rounds it off, because it doesn't sound wrong...
0:22:34 > 0:22:36Yeah, actually it would put the title up there.
0:22:36 > 0:22:39You know, it sort of, it sort of rounds it off.
0:22:39 > 0:22:42Doesn't sound wrong if it doesn't rhyme.
0:22:42 > 0:22:45- That was a quick one, Andrew.- Really?
0:22:49 > 0:22:51# I-I-I...
0:22:54 > 0:22:58# Want, I want you back again
0:22:58 > 0:23:00# Ba-ba-ba
0:23:00 > 0:23:04# I, buh-ba, buh-ba
0:23:04 > 0:23:06# Want your love
0:23:06 > 0:23:08- # Ba-ba-ba, ba-ba - Again
0:23:11 > 0:23:15# I know you find it hard
0:23:15 > 0:23:19# To reason with me
0:23:21 > 0:23:24# But this time, it's different
0:23:25 > 0:23:29# Darling, you'll see
0:23:29 > 0:23:33# You gotta tell me you're comin' back to me
0:23:33 > 0:23:36# You gotta... #
0:23:36 > 0:23:37HE SQUAWKS
0:23:37 > 0:23:39# Back to me, you gotta
0:23:39 > 0:23:43# Tell me you're comin' back to me
0:23:43 > 0:23:48# You gotta tell me you're comin' back to me, baby
0:23:48 > 0:23:49# Yeah... #
0:23:51 > 0:23:54HE SINGS WORDLESSLY
0:23:57 > 0:23:59# You
0:24:00 > 0:24:05# Walked out on me before
0:24:08 > 0:24:11# I tried to tell you
0:24:11 > 0:24:16# But you didn't want to know
0:24:18 > 0:24:20# This time it's different
0:24:20 > 0:24:25# You're, you're determined to go
0:24:25 > 0:24:26# Here we go
0:24:26 > 0:24:30# Tell me, you gotta tell me you're comin' back home, baby
0:24:31 > 0:24:34# Tell me you're comin' back to me
0:24:34 > 0:24:37# I got a hole in my heart, baby
0:24:37 > 0:24:41# Ooh, yeah, yeah, yeah
0:24:41 > 0:24:44# You've gotta tell me you're coming back home, yes sir
0:24:44 > 0:24:46# All right
0:24:46 > 0:24:49# Come home, come on, baby
0:24:49 > 0:24:52# It's all right
0:24:52 > 0:24:53# It's all right
0:24:53 > 0:24:55# Bah-bah
0:24:55 > 0:24:57# Wop-bop-mmm-bop-mmm
0:24:57 > 0:24:58# Bah-buh-bah
0:24:58 > 0:25:01# Doo-ahhh... #
0:25:02 > 0:25:09# Da-da-da-da-da, da-da-da-da-da
0:25:09 > 0:25:12# Ah-ah-ah-ah-ah
0:25:12 > 0:25:18# Da-da-da, da-da-da-da-da-da
0:25:18 > 0:25:21# Doo-doo-doo, no
0:25:21 > 0:25:25# Oh, la-la-la-la
0:25:25 > 0:25:29# Falling, ooh, I'm falling
0:25:29 > 0:25:33# And I'm falling back again. #
0:25:35 > 0:25:38A lot of the groups would be.
0:25:38 > 0:25:39Honey-coated.
0:25:42 > 0:25:46# Oh, I need your love
0:25:46 > 0:25:49# Yes, you know it's true
0:25:49 > 0:25:53# Oh, I need your love, babe
0:25:53 > 0:25:55# Girl, you know it's true
0:25:55 > 0:26:00# Ho-hold me, love me
0:26:00 > 0:26:02# Hold me... #
0:26:02 > 0:26:05Popular music wasn't a real thing at all.
0:26:05 > 0:26:10It was very, very romantic. Not only romantic in so far as every song
0:26:10 > 0:26:14was about boy-girl relationships, which is romantic in one sense...
0:26:14 > 0:26:19but every song was just like...
0:26:20 > 0:26:22..just like romantic lyrics,
0:26:22 > 0:26:24just all about things that don't really happen
0:26:24 > 0:26:26or don't really happen all the time.
0:26:26 > 0:26:30If you listen to all the popular songs ten years ago,
0:26:30 > 0:26:32there are very few of them that actually mean anything.
0:26:32 > 0:26:37Or have any relation to what people are doing. They don't...
0:26:37 > 0:26:38Songs didn't have any relation
0:26:38 > 0:26:40to what people actually spend their lives doing,
0:26:40 > 0:26:43like getting up, washing, going to work, coming back.
0:26:43 > 0:26:46And feeling very screwed up about certain things.
0:26:46 > 0:26:49They were just about being unhappy because your girl had left you
0:26:49 > 0:26:52or being very happy because you've just met somebody.
0:26:52 > 0:26:54That's all they were about.
0:26:54 > 0:26:57The moon in June and the sky is blue and I love you.
0:27:00 > 0:27:04MUSIC: "Blue Turns To Grey"
0:27:21 > 0:27:22GIRLS CHATTER EXCITEDLY
0:27:25 > 0:27:30# Then blue turns to grey
0:27:30 > 0:27:34# And try as you may
0:27:34 > 0:27:39# You just don't feel good... #
0:27:45 > 0:27:47TRAIN WHISTLE
0:28:20 > 0:28:23SCREAMING
0:28:24 > 0:28:28CHATTER
0:28:28 > 0:28:29Jeremy...
0:28:29 > 0:28:31get them off.
0:28:31 > 0:28:35TRAIN WHISTLES
0:28:35 > 0:28:37# ..On the baby's knee
0:28:37 > 0:28:39# Where will the baby's dimple be?
0:28:39 > 0:28:40# Da-da-da... #
0:28:40 > 0:28:44- Is that Max Bygraves? - No, Billy Cotton.- Max Bygraves is...
0:28:44 > 0:28:46# You need hands... #
0:28:46 > 0:28:49# Oh, da-da-da-da
0:28:49 > 0:28:53# By the se-e-e-ea... #
0:28:53 > 0:28:54- Oh!- What a bad tune.
0:28:54 > 0:28:57Only last week, Ken Dodd...
0:28:57 > 0:28:59"And here he is, our top-of-the-bill star,
0:28:59 > 0:29:01"someone you've been waiting for, Ken Dodd!"
0:29:01 > 0:29:02On what?
0:29:02 > 0:29:08# She wore white feathers and a hula-hula skirt... #
0:29:21 > 0:29:24Can I have a piece of...? Can I have another sugar, please?
0:29:26 > 0:29:27You need some more tea.
0:29:27 > 0:29:30Another tea for four here. Thank you.
0:29:30 > 0:29:32# We're riding this rock'n'roll train
0:29:32 > 0:29:34# We're riding this rock'n'roll train... #
0:29:34 > 0:29:36Whoo, whoo!
0:29:36 > 0:29:38This is a commercial.
0:29:38 > 0:29:40- Nice tea.- Yes, it's Lipton.
0:29:40 > 0:29:43Don't you think it's nice tea, Keith?
0:29:43 > 0:29:46I think it's lovely tea. Where did you get it?
0:29:46 > 0:29:47Super tea.
0:29:47 > 0:29:50John Lennon says one shouldn't drink it.
0:29:50 > 0:29:54# Maybe it's because I'm a Londoner
0:29:54 > 0:29:57# That I love London Town
0:29:59 > 0:30:03# Maybe it's because I'm a Londoner
0:30:03 > 0:30:08# That I think of her wherever I go
0:30:08 > 0:30:09# Ba-ba-ba
0:30:09 > 0:30:13# Da-dada-da-dum inside of me
0:30:13 > 0:30:14# Ba-ba-ba
0:30:14 > 0:30:18# A-da-da-da-da-daa
0:30:18 > 0:30:19# La-la-lala-la
0:30:19 > 0:30:23# Maybe it's because I'm a Londoner
0:30:23 > 0:30:27# That I love London Town. #
0:31:25 > 0:31:27WHISTLE BLOWS
0:31:31 > 0:31:35Our sort of success is a first-class ticket to a lot of...
0:31:35 > 0:31:36a lot of things.
0:31:38 > 0:31:41On the other hand, there's not much physical freedom.
0:31:41 > 0:31:43We have to choose very carefully where we go
0:31:43 > 0:31:47and where we socialise, where we go for holidays.
0:31:47 > 0:31:51Because of our peculiar sort of success.
0:31:53 > 0:31:57I can afford, shall we say, to do exactly what I want.
0:31:57 > 0:31:59- Do you have much time to do the things you want to do?- No.
0:31:59 > 0:32:01No, not really.
0:32:01 > 0:32:05But then again, I haven't got much time to do what I want.
0:32:07 > 0:32:08That's what I just said.
0:32:27 > 0:32:28Now, boys, let's go. Quick.
0:32:28 > 0:32:31SCREAMING AND CHEERING
0:32:48 > 0:32:51- Come on, then. We're late.- OK.
0:32:53 > 0:32:54Doesn't matter.
0:32:59 > 0:33:01Don't show that thing at me,
0:33:01 > 0:33:03that's Percy Thrower's birdwatching equipment.
0:33:03 > 0:33:05And here is the lesser-spotted nighthawk.
0:33:05 > 0:33:07SCREECHES
0:33:07 > 0:33:10And here we are on Nether Wick.
0:33:10 > 0:33:12And, as you can see,
0:33:12 > 0:33:15there is a colony of lesser-spotted gredgewicks.
0:33:15 > 0:33:19And I think they're in the mating season now. Let me have a look.
0:33:19 > 0:33:22Oh, yes, here it comes, a lesser-spotted nedgewick.
0:33:22 > 0:33:26And if you see, he's tottering up to the female lesser-spotted nedgewick
0:33:26 > 0:33:29and, yes, and it looks like he's trying to mate.
0:33:29 > 0:33:32Notice the fluttering of the wings here.
0:33:32 > 0:33:36Yes, and my father once told me, when he was touring in the South Pole...
0:33:36 > 0:33:38LAUGHTER
0:34:59 > 0:35:05In the last two or three years, young people have been...
0:35:05 > 0:35:08This especially applies to America.
0:35:08 > 0:35:12Instead of just carrying on the way their parents told them to,
0:35:12 > 0:35:15they've started a big thing where they're anti-war
0:35:15 > 0:35:21and they love everybody and their sexual lives have become freer.
0:35:23 > 0:35:26The kids are looking for something else, or some different moral value,
0:35:26 > 0:35:29because they know they're going to get all of the things
0:35:29 > 0:35:32that were thought impossible 50 years ago.
0:35:32 > 0:35:34The whole sort of basis of society
0:35:34 > 0:35:39and values which were accepted could be changed, but it's up to them
0:35:39 > 0:35:42to carry on those ideals that they have instead of just
0:35:42 > 0:35:48falling into the same old routine that their parents have fallen into.
0:35:48 > 0:35:54So it's not until the people of 21 now reach the age of 75,
0:35:54 > 0:35:56those kids actually have to be grandfathers
0:35:56 > 0:35:58before the whole thing is changed.
0:36:00 > 0:36:04MUSIC: "I Can't Get No Satisfaction"
0:36:39 > 0:36:42EXCITED CHATTER
0:36:45 > 0:36:47CHEERING
0:37:04 > 0:37:06I mean, just because you work together...
0:37:06 > 0:37:09you work together a lot, you see each other a lot of the time.
0:37:09 > 0:37:11People expect, when you go out, Like we go shopping or something,
0:37:11 > 0:37:13they expect to see five of you.
0:37:13 > 0:37:15They always say, "Where are the others?"
0:37:15 > 0:37:16LAUGHTER
0:37:27 > 0:37:30- Last night was bad enough. - Last night is a good example.
0:37:33 > 0:37:34No, no, no.
0:37:34 > 0:37:37But it was pretty bad, because we all got pulled down at one stage.
0:37:39 > 0:37:42- I think probably...- Long Beach. - Long Beach, California.
0:37:42 > 0:37:44There were about 5,000 people around the car.
0:37:44 > 0:37:47The roof of the car was pushed in, there were police everywhere,
0:37:47 > 0:37:51there were two policeman injured. And the car was wrecked.
0:37:51 > 0:37:55And we had a helicopter waiting for us to take us to a TV show
0:37:55 > 0:37:58and we just about got away in time. That was very dangerous.
0:37:58 > 0:38:01We knocked a policeman off his bike and he broke his leg or something.
0:38:01 > 0:38:06Yeah, he was very cool on his bike. Until we ran into him.
0:38:06 > 0:38:09Guns flying everywhere!
0:38:11 > 0:38:13About...50 odd.
0:38:24 > 0:38:26"Acting"?
0:38:26 > 0:38:29Well, I suppose, all of it's acting, you know.
0:38:29 > 0:38:31I mean, there is a difference between acting...
0:38:31 > 0:38:34A GIRL SCREAMS >
0:38:34 > 0:38:36How do you sort of define acting?
0:38:36 > 0:38:38You could say that people in a club dancing
0:38:38 > 0:38:41or people in the dance hall dancing, it's the same answer.
0:38:41 > 0:38:43You could ask, "Are they acting?" Cos they are.
0:38:43 > 0:38:46There is a difference between acting and not enjoying it
0:38:46 > 0:38:48and acting and doing what you want to do.
0:38:48 > 0:38:49It's like getting into a part.
0:38:49 > 0:38:52You know, say you're doing a play, and you just act it.
0:38:52 > 0:38:53Or, really, you get inside it.
0:38:53 > 0:38:57The most successful entertainers have always been the most
0:38:57 > 0:39:00egotistical ones on stage.
0:39:00 > 0:39:03They might not be as egotistical as that offstage,
0:39:03 > 0:39:06but all that ego is got rid of on stage.
0:39:06 > 0:39:10What sort of person do you think you are off the stage?
0:39:10 > 0:39:12About half as egotistical.
0:39:20 > 0:39:23- What's that tune? - HE PLAYS A CHORD
0:39:23 > 0:39:25- No, er... - HE PLAYS A DIFFERENT CHORD
0:39:33 > 0:39:35And it comes around about there, the airline pilot.
0:39:35 > 0:39:37HE PLAYS "SALTY DOG"
0:39:45 > 0:39:48A French fighter pilot, eh?
0:39:51 > 0:39:53# I want to be your salty dog
0:39:53 > 0:39:55# I don't want to be your man at all
0:39:55 > 0:39:58# I just want to be your salty dog
0:39:59 > 0:40:01# I want to be your salty dog
0:40:01 > 0:40:03# I don't want to be your man at all
0:40:03 > 0:40:05# I just want to be your salty dog
0:40:07 > 0:40:09# Hunt me down and lead me on...
0:40:09 > 0:40:10# Ba-ba-bada
0:40:14 > 0:40:17# I don't want to be your man at all
0:40:17 > 0:40:19# I want to be your salty dog
0:40:34 > 0:40:38# Da-da-da-dee
0:40:38 > 0:40:40# Da-dee-ee
0:40:40 > 0:40:42# Da-da-da-dee
0:40:42 > 0:40:45# Da-da-da-dee-ee
0:40:47 > 0:40:49# Ai-ee-ee-um. #
0:40:54 > 0:40:56No, don't... Go on.
0:40:56 > 0:41:01HE PLAYS "NEEDLE OF DEATH" BY BERT JANSCH
0:41:40 > 0:41:41£2.10, please.
0:41:48 > 0:41:50INAUDIBLE SPEECH
0:41:59 > 0:42:00Come on, Bill.
0:42:04 > 0:42:08CHEERING
0:42:08 > 0:42:13- CHANTING:- We want Mick! We want Mick! We want Mick! We want Mick!
0:42:13 > 0:42:16Give it up for the Rolling Stones!
0:42:18 > 0:42:21MUSIC: "Everybody Needs Somebody To Love"
0:42:28 > 0:42:30# Everybody needs somebody
0:42:30 > 0:42:33# Everybody loves somebody
0:42:33 > 0:42:36# Everybody needs somebody
0:42:36 > 0:42:38# Everybody loves somebody
0:42:38 > 0:42:40# Yes
0:42:40 > 0:42:43# And I need you, you, you
0:42:43 > 0:42:46# I need you, you, you
0:42:46 > 0:42:49# I need you, you, you
0:42:49 > 0:42:52# I need you, you, you
0:42:56 > 0:42:59# Pain in my heart
0:43:00 > 0:43:02# Treatin' me poor
0:43:04 > 0:43:09# Where can my baby be?
0:43:09 > 0:43:11# Lord, no-one knows
0:43:13 > 0:43:15# Pain in my heart
0:43:16 > 0:43:18# Won't let me sleep
0:43:18 > 0:43:20# Oh-oh-oh-oh
0:43:20 > 0:43:23# I wake up restless nights
0:43:23 > 0:43:26# But I guess you're gone
0:43:29 > 0:43:30# Lord, one day
0:43:32 > 0:43:34# My days are gettin' tough
0:43:34 > 0:43:40# Oh, won't you come back, come back, come back, baby?
0:43:41 > 0:43:44# Well, sometime
0:43:45 > 0:43:46# Pain in my heart
0:43:48 > 0:43:50# Won't let me be
0:43:50 > 0:43:52# Oh-oh-oh-oh
0:43:52 > 0:43:55# I wake up restless nights
0:43:55 > 0:43:58# In misery, Lord
0:44:06 > 0:44:07# Won't somebody stop this pain?
0:44:16 > 0:44:18# And then one day
0:44:19 > 0:44:22# My days are pretty rough
0:44:22 > 0:44:25# Won't you love me, love me, love me
0:44:25 > 0:44:27# Baby
0:44:29 > 0:44:32# Love me
0:44:32 > 0:44:34# Pain in my heart
0:44:35 > 0:44:37# Somebody stop this
0:44:37 > 0:44:39# This pain in my heart
0:44:39 > 0:44:41# Oh-oh-oh-oh
0:44:41 > 0:44:43# Pain in my heart
0:44:43 > 0:44:45# Oh-oh-oh-oh
0:44:45 > 0:44:48# Oh, my, my, my, my, my, my, my. #
0:44:55 > 0:44:58SCREAMING AND CHEERING
0:45:00 > 0:45:02# Say the joint was rocked
0:45:02 > 0:45:04# Going round and round
0:45:04 > 0:45:07# Yeah, reelin' and rockin'
0:45:07 > 0:45:09# What a crazy sound
0:45:09 > 0:45:12# But they never stopped rockin'
0:45:12 > 0:45:15# Till the moon went down
0:45:15 > 0:45:17# Well, it sound so sweet
0:45:17 > 0:45:20# I had to take me a chance
0:45:20 > 0:45:23# I rose out of my seat
0:45:23 > 0:45:25# Just had to dance
0:45:25 > 0:45:27# Started movin' my feet
0:45:27 > 0:45:30# Whoa, and clappin' my hands
0:45:30 > 0:45:33# The joint was rockin'
0:45:33 > 0:45:36# Going round and round
0:45:36 > 0:45:38# Yeah, reelin' and rockin'
0:45:38 > 0:45:40# What a crazy sound
0:45:40 > 0:45:43# And we never stopped rockin'
0:45:43 > 0:45:45# Till the moon went down
0:45:51 > 0:45:55SCREAMING
0:46:14 > 0:46:16# Well, at 12 o'clock
0:46:16 > 0:46:18# Yeah, the place was packed
0:46:18 > 0:46:20# Front doors were locked
0:46:20 > 0:46:23# Yeah, the place was packed
0:46:24 > 0:46:26# When the police knocked
0:46:26 > 0:46:27# No doors flew back
0:46:28 > 0:46:31# We kept on rockin'
0:46:31 > 0:46:33# Goin' round and round
0:46:33 > 0:46:35# Yeah, reelin' and rockin'
0:46:35 > 0:46:38# What a crazy sound
0:46:38 > 0:46:40# And they never stopped rockin'
0:46:40 > 0:46:42# Till the moon went down
0:46:42 > 0:46:45# Yeah, the joint was rockin'
0:46:45 > 0:46:47# Goin' round and round
0:46:47 > 0:46:50# Yeah, reelin' and rockin'
0:46:50 > 0:46:51# What a crazy sound
0:46:51 > 0:46:55# And it never stopped rockin'
0:46:55 > 0:46:56# Till the moon went down
0:47:03 > 0:47:05SCREAMING
0:47:13 > 0:47:17SCREAMING AND CHEERING
0:47:23 > 0:47:27SONG: "(I Can't Get No) Satisfaction"
0:47:27 > 0:47:30SCREAMING AND CHEERING
0:47:35 > 0:47:37# I can't get no
0:47:37 > 0:47:42# Satisfaction
0:47:42 > 0:47:44# I can't get no
0:47:44 > 0:47:46# Satisfaction
0:47:46 > 0:47:48# And I try
0:47:48 > 0:47:50# And I try
0:47:50 > 0:47:51# And I try
0:47:51 > 0:47:52# And I try
0:47:52 > 0:47:54# I can't get no
0:47:56 > 0:47:57# I can't get no
0:47:58 > 0:48:02# When I'm drivin' in my car
0:48:02 > 0:48:05# And a man comes on the radio
0:48:05 > 0:48:08# Tellin' me more and more
0:48:08 > 0:48:10# About some useless information
0:48:10 > 0:48:14# Supposed to buy my imagination
0:48:14 > 0:48:17# I can't get no
0:48:17 > 0:48:19# No, no, no
0:48:20 > 0:48:21# Hey, hey, hey
0:48:23 > 0:48:24# What I said
0:48:24 > 0:48:27# All right
0:48:27 > 0:48:30# I can't get no
0:48:30 > 0:48:33# Satisfaction
0:48:33 > 0:48:36I can't get no
0:48:36 > 0:48:38# Satisfaction
0:48:38 > 0:48:40# And I try
0:48:40 > 0:48:42# And I try
0:48:42 > 0:48:44# And I try And I try
0:48:44 > 0:48:46# I can't get no
0:48:47 > 0:48:50# But I can't get no
0:48:50 > 0:48:54# When I'm watchin' my TV
0:48:54 > 0:48:57# And a man comes on to tell me
0:48:57 > 0:49:00# How white my shirts can be
0:49:00 > 0:49:03# But he can't be a man Cos he doesn't smoke
0:49:03 > 0:49:06# The same cigarettes as me
0:49:06 > 0:49:08# I can't get no
0:49:08 > 0:49:10# No, no
0:49:10 > 0:49:11# No
0:49:11 > 0:49:13# Hey, hey, hey
0:49:15 > 0:49:17# What I say
0:49:17 > 0:49:19# All right
0:49:19 > 0:49:23# I can't get no
0:49:23 > 0:49:25# Satisfaction
0:49:25 > 0:49:29# I can't get no
0:49:29 > 0:49:31# Satisfaction
0:49:31 > 0:49:33# And I try
0:49:33 > 0:49:34# And I try
0:49:34 > 0:49:35# And I try
0:49:35 > 0:49:37# And try
0:49:37 > 0:49:38# I can't get no
0:49:40 > 0:49:41# I can't get no
0:49:43 > 0:49:46# When I'm runnin' around the world
0:49:46 > 0:49:50# And then I'm doin' this And I'm a-signin' that
0:49:50 > 0:49:53# And I'm tryin' to make some girl Tell me
0:49:53 > 0:49:56# Baby, better come back Maybe next week
0:49:56 > 0:49:59# But you see I'm on a losing streak
0:49:59 > 0:50:00# I can't get no
0:50:00 > 0:50:03# No, no, no, no
0:50:03 > 0:50:06SCREAMING
0:50:11 > 0:50:14# I can't get no satisfaction
0:50:14 > 0:50:17# I can't get no satisfaction
0:50:17 > 0:50:20- # Satisfaction - Satisfaction
0:50:20 > 0:50:23- # Satisfaction - Satisfaction
0:50:23 > 0:50:27- # Satisfaction - Early in the mornin'
0:50:27 > 0:50:29# Satisfaction
0:50:29 > 0:50:33- # Satisfaction - I can't get no
0:50:33 > 0:50:35# Satisfaction. #
0:50:44 > 0:50:47SCREAMING AND CHEERING
0:51:14 > 0:51:16Did you enjoy it?
0:51:16 > 0:51:18No, I think the screaming was a little bit much.
0:51:18 > 0:51:19The screaming was too much.
0:51:19 > 0:51:22On the next house we'll turn the screaming down.
0:51:22 > 0:51:24But did you enjoy the overall effect of it?
0:51:24 > 0:51:25On the whole, quite a good effect.
0:51:25 > 0:51:28It's the people themselves, I think, cause any immoral effect.
0:51:28 > 0:51:31It's nothing to do with the Stones themselves, as far as I'm concerned.
0:51:31 > 0:51:34But the Stones themselves, I think, are good artists.
0:51:34 > 0:51:38It's better that they got all their high spirits out in the cinema watching that?
0:51:38 > 0:51:40As long as they don't damage the cinema. Or the Stones.
0:51:40 > 0:51:42Right. I'll second that.
0:51:42 > 0:51:45On stage, I suppose, there is a sexual thing
0:51:45 > 0:51:48between the audience and the group.
0:51:50 > 0:51:52As far as lyrics go,
0:51:52 > 0:51:59sex doesn't play as important a part as... As is generally believed.
0:52:01 > 0:52:03If you hadn't been a music maker, what would you like to be?
0:52:04 > 0:52:06Designer.
0:52:06 > 0:52:10- Design what? - A designer. Cos I was one.
0:52:10 > 0:52:12I don't know, just do graphic design.
0:52:12 > 0:52:15Well, I'm very interested in making a film.
0:52:15 > 0:52:20I'm not doing it for any commercial gain at all,
0:52:20 > 0:52:23I'm just doing it because I feel it's something I want to do.
0:52:23 > 0:52:25What's your ambition now?
0:52:25 > 0:52:26To be a musician.
0:52:28 > 0:52:32I'm... I'm not a musician, I just play in a band, you know.
0:52:32 > 0:52:34I used to think, well, I have to go back to college then.
0:52:34 > 0:52:38That was what I thought, but it hasn't worked out like that.
0:52:38 > 0:52:41And it hasn't worked like that for lots and lots of people.
0:52:41 > 0:52:43All those groups,
0:52:43 > 0:52:46and people that started off when we were starting off,
0:52:46 > 0:52:47are all still going,
0:52:47 > 0:52:48all still working.
0:52:48 > 0:52:51KEITH PLAYS PIANO
0:53:01 > 0:53:03Mmm, I feel like Robert Browning.
0:53:09 > 0:53:11Robert Browning!
0:53:11 > 0:53:14That sort of early Jewish poet.
0:53:15 > 0:53:18Who do you like - Keats?
0:53:18 > 0:53:22- Keats. Keats, baby. - INTERVIEWER: Do you like Keats?
0:53:22 > 0:53:24Actually, I was thinking of Shelley.
0:53:24 > 0:53:26I wandered lonely as a cloud.
0:53:26 > 0:53:29- That was Wordsworth. - I wandered lonely as a cloud.
0:53:29 > 0:53:31Don't call me a berk!
0:53:48 > 0:53:53# Santa, bring my baby back to me
0:53:55 > 0:53:58# Santa, bring my baby back to me
0:54:00 > 0:54:03# Wa-wee, wa-hello-wa
0:54:03 > 0:54:06# Yeah, you ask me to
0:54:06 > 0:54:09# Where I roll home
0:54:09 > 0:54:13# Oh, Santa, hear my plea
0:54:13 > 0:54:16# Santa, bring my baby back to me
0:54:16 > 0:54:19- # Santa, bring my baby back to me - # Do-wa!
0:54:19 > 0:54:22# Santa, bring my baby back to me, yeah... #
0:54:22 > 0:54:23Ha-ha-ha! >
0:54:23 > 0:54:25- # To still, oh, yeah - # Ba-da-dup
0:54:27 > 0:54:30# On Blueberry Hill
0:54:30 > 0:54:32# Ba ba-da-dup
0:54:32 > 0:54:35# On Blueberry Hill
0:54:35 > 0:54:37# Ba ba-ba-da-dup
0:54:37 > 0:54:40# Where I, baby
0:54:40 > 0:54:43- # Ba-ba-ba ba-ba-ba... # - Bit late.
0:54:43 > 0:54:45- # The way it... - Nah, you're going to get it.
0:54:45 > 0:54:49# The will
0:54:49 > 0:54:54# The sweet melody
0:54:55 > 0:55:01Ow! # With all those vows we made
0:55:01 > 0:55:04# Were never to be! #
0:55:04 > 0:55:07- Thank you.- Great, I am.- Thank you.
0:55:09 > 0:55:11- This number has been like... - A number that has been broken!
0:55:11 > 0:55:13This number has been to me
0:55:13 > 0:55:16like maybe your father or mother were to you.
0:55:16 > 0:55:20As you know, my mother and father died in my early years, and...
0:55:23 > 0:55:26When I was a little boy of five years old...
0:55:30 > 0:55:32My musical arranger and director...
0:55:44 > 0:55:45Thank you.
0:55:45 > 0:55:47Yeah, well...
0:55:47 > 0:55:51- You know...- You know... - Sometimes a man...
0:55:53 > 0:55:54What's that do?
0:55:54 > 0:55:57- # If you - # If you
0:55:57 > 0:56:02# Find your sweetheart in the arms of... #
0:56:03 > 0:56:09No, what's that one? # Are you...lonesome tonight?
0:56:11 > 0:56:14# Are you lonesome tonight? #
0:56:14 > 0:56:18Who do you think you are? Mick Jagger.
0:56:18 > 0:56:23Yes, and here he is, er, entertaining the sick children's hospital in Northern Ireland.
0:56:23 > 0:56:27And, er, we think he could really be something, so...
0:56:27 > 0:56:35# Why must I be-e-e a teenager in love?
0:56:36 > 0:56:39# A-a-a-a-a-h U-u-u-u-u-u-u-h
0:56:39 > 0:56:42# U-u-u-u-u-u-u-h U-u-u-u-u-h
0:56:42 > 0:56:46# O-o-o-h a-ooh-da
0:56:46 > 0:56:49# Uh-da do-da # Oo-ba-doo! #
0:56:58 > 0:56:59Yeah.
0:57:01 > 0:57:04# Dee-e-e-e-e-e
0:57:04 > 0:57:06# Ow-w-w-w-w-w
0:57:06 > 0:57:08# Ooo-eh
0:57:08 > 0:57:10# Di-diddle, dee-nee-nee!
0:57:10 > 0:57:12# Bing-bang dee-nay ni-na-ni! #
0:57:12 > 0:57:15HE IMITATES GUITAR RIFF FROM BEATLES: "I Feel Fine"
0:57:21 > 0:57:23Yow!
0:57:23 > 0:57:25Now!
0:57:26 > 0:57:29- IMITATES ELVIS: Uh huh-huh-huh. - Haw-haw-haw?- Uh-huh-huh.
0:57:30 > 0:57:33Wish this was all on film, man. Could be great.
0:57:33 > 0:57:36# I'll go see my doll and want to make sweet-sweet love
0:57:36 > 0:57:40# A-sweet-sweet love
0:57:40 > 0:57:43# A-sweet-sweet a-sweet love to you, baby
0:57:43 > 0:57:47# But in the middle of the night
0:57:47 > 0:57:49# Early in the morning
0:57:50 > 0:57:54# Early in the morning
0:57:54 > 0:57:58# Early in the morning
0:57:58 > 0:58:01# Early in the morning
0:58:01 > 0:58:04# Ooh, the midnight hour
0:58:08 > 0:58:10# She make me feel so good
0:58:11 > 0:58:14# She'll make me feel all right
0:58:14 > 0:58:17# She make me feel so good... #
0:58:17 > 0:58:19Ow!
0:58:19 > 0:58:21# So good! #
0:58:21 > 0:58:23It makes you wonder whether...
0:58:23 > 0:58:25there's an easier way of earning a living, you know.
0:58:25 > 0:58:28But, er... Cos we don't do it for earning a living.
0:58:29 > 0:58:32# That's all I'd like to say
0:58:32 > 0:58:36# Cos I'm a-going to pack my bags
0:58:36 > 0:58:38# Mm-hm... #
0:58:38 > 0:58:40Yes, I've never thought very far ahead at all.
0:58:41 > 0:58:47I've always been a little, er, apprehensive about the future.
0:58:47 > 0:58:48# Your pretty smile
0:58:48 > 0:58:51# Your pretty smile
0:58:51 > 0:58:52# Your pretty smile
0:58:52 > 0:58:56# Your pretty smile, pretty clothes
0:59:04 > 0:59:06# Uh! #
0:59:10 > 0:59:12'When I try and make a judgement
0:59:12 > 0:59:15'as to what's going to happen in the next year,
0:59:15 > 0:59:17'I'm always wrong. I always think,'
0:59:17 > 0:59:20"Oh, well, this time next year we won't be able to do that
0:59:20 > 0:59:21"cos we'll have to do something else."
0:59:21 > 0:59:23'And we do do something different,
0:59:23 > 0:59:25'but it's never as different as I think.
0:59:25 > 0:59:29'What I mean is, things don't move as fast as you think they are.'
0:59:29 > 0:59:31# Now, come on!
0:59:31 > 0:59:33# Come on!
0:59:33 > 0:59:35# A-come on!
0:59:35 > 0:59:38# I see my baby! I'm going home!
0:59:38 > 0:59:42# I'm going home! I've come home!
0:59:42 > 0:59:45# I've got to get out! I'm getting out... #
0:59:45 > 0:59:48'You see, this is where maybe I differ from the rest,
0:59:48 > 0:59:50'in the fact that...'
0:59:50 > 0:59:53That when I'm at home, I can pick a book up and play a record.
0:59:53 > 0:59:55You know... And, er...
0:59:56 > 0:59:59..I have a wife and that makes you a bit...sort of...
1:00:02 > 1:00:06..cosy, in a way, I suppose, but...I like it.
1:00:06 > 1:00:09I'm happier at home. I'm happiest at home.
1:00:20 > 1:00:22# When the gang
1:00:22 > 1:00:25# Got all dressed up to kill
1:00:26 > 1:00:31# Yes, I'd much rather be with the boys
1:00:31 > 1:00:35# Than be with you
1:00:37 > 1:00:40# La la la la la la
1:00:40 > 1:00:46- # When I walk down the street - Ba-ba-ba!
1:00:46 > 1:00:50# I hold my head up high
1:00:50 > 1:00:54# And stand on my two feet
1:00:56 > 1:00:59# Now I'm a man without a... #
1:00:59 > 1:01:03THEY ALL SING DIFFERENT LYRICS
1:01:03 > 1:01:07# And now that I know that
1:01:07 > 1:01:11# I don't need you any more
1:01:11 > 1:01:15# Don't put me on
1:01:15 > 1:01:17# It's over
1:01:17 > 1:01:22# And you've had all you're getting from me
1:01:22 > 1:01:26# Cos I'd much rather be with the boys
1:01:26 > 1:01:31# Cos I'd much rather be with the boys
1:01:31 > 1:01:34# Cos I'd much rather be with the boys
1:01:34 > 1:01:39# And the boys, they would much rather be with the boys
1:01:39 > 1:01:44# Than with girls like you
1:01:44 > 1:01:47# Girls like you
1:01:49 > 1:01:51# Girls like you!
1:01:51 > 1:01:53# Woo-oo-oo!
1:01:53 > 1:01:56# Girls like you
1:01:57 > 1:01:59# Woo oo-oo! #
1:01:59 > 1:02:01Will we remember the words?
1:02:01 > 1:02:04Subtitles by Red Bee Media Ltd
1:02:04 > 1:02:06What do you think the secret of your success is, then?
1:02:06 > 1:02:10There isn't any SECRET. It's all very obvious.