0:00:02 > 0:00:08This programme contains some strong language.
0:00:08 > 0:00:11Music of some kind or other, for so many of us,
0:00:11 > 0:00:13is a very important part of life.
0:00:13 > 0:00:15- Oh, wow! Yeah!- Music.
0:00:20 > 0:00:22This is the B-side of our single, sports fans.
0:00:22 > 0:00:23Hope it makes you sick.
0:00:23 > 0:00:27VERY HIGH: # A-a-aaaah! #
0:00:27 > 0:00:30I think, you know what? Hip-hop played a big part in this as well.
0:00:30 > 0:00:31# Can I kick it?
0:00:31 > 0:00:32# Yes, you can
0:00:32 > 0:00:34# Can I kick it?
0:00:34 > 0:00:35# Yes, you can! #
0:00:35 > 0:00:39This is the search for the origins of human music.
0:00:39 > 0:00:41# Get back
0:00:41 > 0:00:45# Get back to where you once belonged... #
0:00:45 > 0:00:48I will lead us from some of the most beautiful music...
0:00:48 > 0:00:52# Every time
0:00:52 > 0:00:57# We say goodbye... #
0:00:57 > 0:01:00..back to the dawn of our species.
0:01:00 > 0:01:03# She's so swishy in her satin and tat
0:01:03 > 0:01:07# And her frock coat and bibbity-bobbity hat
0:01:07 > 0:01:10# Oh, God I could do better than that. #
0:01:12 > 0:01:13And we start with a skylark.
0:01:26 > 0:01:28# Woke up, it was a Chelsea morning
0:01:28 > 0:01:31# And the first thing that I heard
0:01:31 > 0:01:34# Was a song outside my window
0:01:34 > 0:01:37# The traffic wrote the words
0:01:37 > 0:01:40# It came ringing up like Christmas bells
0:01:40 > 0:01:44# Rapping up like pipes
0:01:44 > 0:01:47# And drums
0:01:47 > 0:01:49# Oh, won't you stay?
0:01:49 > 0:01:50# We'll put on the day
0:01:50 > 0:01:51# And we'll wear it
0:01:51 > 0:01:57# Till the night comes
0:01:58 > 0:02:00# Woke up, it was a Chelsea morning
0:02:00 > 0:02:03# And the first thing that I saw
0:02:03 > 0:02:06# Was the sun through yellow curtains
0:02:06 > 0:02:08# And a rainbow on my wall
0:02:08 > 0:02:11# Blue, red, green and gold to welcome you
0:02:11 > 0:02:18# Crimson crystal beads to beckon
0:02:18 > 0:02:20# Oh, won't you stay?
0:02:20 > 0:02:21# We'll put on the day
0:02:21 > 0:02:25# There's a sun show every second... #
0:02:25 > 0:02:28APPLAUSE
0:02:43 > 0:02:45Hello. It's a red letter day in the jazz calendar
0:02:45 > 0:02:47so join our bunch of jazz bands, here
0:02:47 > 0:02:49and also as far as I can see
0:02:49 > 0:02:51pretty well half the musical profession of great Britain
0:02:51 > 0:02:53in paying tribute to the master,
0:02:53 > 0:02:56the man without whom jazz simply couldn't think of existing.
0:02:56 > 0:02:59Ladies and gentlemen, meet our distinguished guest,
0:02:59 > 0:03:00Duke Ellington.
0:03:00 > 0:03:03APPLAUSE
0:03:03 > 0:03:06THE BAND PLAYS
0:03:15 > 0:03:16Thank you.
0:03:18 > 0:03:19Ah!
0:03:22 > 0:03:24Thank you.
0:03:24 > 0:03:26Thanks so very much, ladies and gentlemen.
0:03:26 > 0:03:28All the kids in the band want you to know
0:03:28 > 0:03:30that we do love you madly!
0:03:30 > 0:03:33That was our theme, Take The A Train.
0:03:33 > 0:03:34And now, our next number,
0:03:34 > 0:03:37we give you three guesses as to what the title is.
0:03:37 > 0:03:39Well, we normally do give our audience three guesses
0:03:39 > 0:03:42but you're so hip, we just don't dare.
0:05:16 > 0:05:19APPLAUSE
0:05:19 > 0:05:20'This is BBC Two.'
0:05:33 > 0:05:35# If you like to gamble
0:05:35 > 0:05:37# I tell you I'm your man
0:05:37 > 0:05:39# You win some Lose some
0:05:39 > 0:05:41# It's all the same to me
0:05:47 > 0:05:49# The pleasure is to play
0:05:49 > 0:05:51# It makes no difference what you say
0:05:54 > 0:05:56# I don't share your greed
0:05:56 > 0:05:58# The only card I need
0:05:58 > 0:05:59# The Ace Of Spades
0:05:59 > 0:06:01# The Ace Of Spades
0:06:05 > 0:06:07# Going for the high one
0:06:07 > 0:06:08# Dancing with the devil
0:06:08 > 0:06:10# Going with the flow
0:06:10 > 0:06:12# It's all a game to me
0:06:19 > 0:06:22# Seven or eleven Snake eyes watching you
0:06:26 > 0:06:28# Double up or quit
0:06:28 > 0:06:29# Double stakes or split
0:06:29 > 0:06:31# The Ace Of Spades
0:06:31 > 0:06:33# The Ace Of Spades
0:06:40 > 0:06:41# You know I'm born to lose
0:06:41 > 0:06:43# And gambling's for fools
0:06:43 > 0:06:45# But that's the way I like it, baby
0:06:45 > 0:06:47# I don't wanna live forever
0:06:52 > 0:06:54# And don't forget the joker! #
0:07:17 > 0:07:21# I've been walking in the same way
0:07:21 > 0:07:26# As I did
0:07:26 > 0:07:29# Missing out the cracks in the pavement
0:07:29 > 0:07:31# And tutting my heel
0:07:31 > 0:07:34# And strutting my feet
0:07:34 > 0:07:38# "Is there anything I can do for you, dear?
0:07:38 > 0:07:42# "Is there anyone I could call?"
0:07:42 > 0:07:44# No and thank you
0:07:44 > 0:07:46# Please, Madam
0:07:46 > 0:07:51# I ain't lost, just wandering
0:07:51 > 0:07:55# Round my hometown
0:07:55 > 0:08:00# Memories are fresh
0:08:00 > 0:08:03# Round my hometown
0:08:03 > 0:08:04# Ooh
0:08:04 > 0:08:08# The people I've met, yeah
0:08:08 > 0:08:11# Doo-diddy
0:08:11 > 0:08:16# Da-da-da-da-day, yeah
0:08:16 > 0:08:19# Doo-diddy
0:08:19 > 0:08:24# Da-da-da-da-day, yeah
0:08:24 > 0:08:27# Doo-doo-doo-doo
0:08:27 > 0:08:32# O-o-o-o-oh
0:08:32 > 0:08:39# Yeah
0:08:39 > 0:08:43# Are the wonders of my world
0:08:43 > 0:08:47# Are the wonders of my world
0:08:47 > 0:08:51# Are the wonders of this world
0:08:51 > 0:08:55# Are the wonders
0:08:55 > 0:08:57# Of my world
0:08:59 > 0:09:02# Of my world, yeah
0:09:02 > 0:09:06# Of my world
0:09:06 > 0:09:09# Of my world
0:09:09 > 0:09:15# Yeah. #
0:09:20 > 0:09:23You've got to get on the phone and take the money out of your pocket.
0:09:23 > 0:09:27Don't go to the pub tonight, please. Stay in and give us the money.
0:09:27 > 0:09:30There are people dying NOW so give me the money.
0:09:30 > 0:09:32- And here's the number... - We've probably got to...- No!
0:09:32 > 0:09:34- ..get the address first, don't we? - Let's just...
0:09:34 > 0:09:35No, let's fuck the address.
0:09:35 > 0:09:38Let's get the numbers cos that's how we're going to get it.
0:09:40 > 0:09:42# So don't become
0:09:42 > 0:09:44# Some background noise
0:09:44 > 0:09:48# A backdrop for the girls and boys
0:09:48 > 0:09:50# Who just don't know
0:09:50 > 0:09:52# Or just don't care
0:09:52 > 0:09:56# And just complain when you're not there
0:09:56 > 0:09:58# You had your time
0:09:58 > 0:10:00# You had the power
0:10:00 > 0:10:04# You've yet to have your finest hour
0:10:04 > 0:10:06# Radio... #
0:10:06 > 0:10:08Everybody!
0:10:08 > 0:10:12# All we hear is radio ga ga
0:10:12 > 0:10:14# Radio goo goo
0:10:14 > 0:10:16# Radio ga ga
0:10:16 > 0:10:20# All we hear is radio ga ga
0:10:20 > 0:10:23# Radio blah blah
0:10:23 > 0:10:25# Radio, what's new?
0:10:27 > 0:10:28# Radio
0:10:28 > 0:10:35# Someone still loves you. #
0:10:48 > 0:10:51Studio One's music was made downtown for downtown people.
0:10:51 > 0:10:53The musicianship necessary
0:10:53 > 0:10:56wasn't that easy to achieve if you were poor in Kingston.
0:10:56 > 0:11:00But luckily, there was also a downtown academy.
0:11:00 > 0:11:02If Studio One was Motown,
0:11:02 > 0:11:06the Alpha Boys' School was the Juilliard School Of Music.
0:11:24 > 0:11:26Alpha Boys' School
0:11:26 > 0:11:30is a school that caters to the unfortunate.
0:11:31 > 0:11:33It teaches them trades
0:11:33 > 0:11:37that they can earn a living after they leave here.
0:11:37 > 0:11:39And some go abroad.
0:11:39 > 0:11:44I think you met Rico Rodriguez. He's a trombonist.
0:12:13 > 0:12:17SOMBRE TROMBONE MUSIC
0:12:26 > 0:12:29If it's Tuesday, it must be Whistle Test.
0:12:32 > 0:12:34A point in response to a number of letters
0:12:34 > 0:12:37we've had just lately about the Whistle Test badge.
0:12:37 > 0:12:39Here he is, the star kicker.
0:12:39 > 0:12:42I'm amazed at the number of badge collectors there are.
0:12:42 > 0:12:46YODELLING
0:12:50 > 0:12:56VERY HIGH: # A-a-a-a-a-ah
0:12:56 > 0:12:58# Ah! #
0:13:00 > 0:13:02They don't make them like that any more.
0:13:04 > 0:13:06Well, right about now, in the place to be
0:13:06 > 0:13:08on the da-da-da-de-dance tip.
0:13:08 > 0:13:11The last band in the studio tonight are the living native tongues.
0:13:11 > 0:13:14Playing for us very exclusively off their album,
0:13:14 > 0:13:17People's Instinctive Travels And The Paths Of Rhythm,
0:13:17 > 0:13:22is A Tribe Called Quest with their new single to be in January,
0:13:22 > 0:13:24Can I Kick It?
0:13:24 > 0:13:26And yes! Make some noise!
0:13:33 > 0:13:36Everybody pump your fist, y'all. Pump your fist, y'all.
0:13:36 > 0:13:38Pump your fist, y'all. Pump your fist, y'all.
0:13:38 > 0:13:41- # Can I kick it? - # Yes, you can!
0:13:41 > 0:13:44- # Can I kick it? - # Yes, you can!
0:13:44 > 0:13:46- # Can I kick it? - # Yes, you can!
0:13:46 > 0:13:49- # Can I kick it? - # Yes, you can!
0:13:49 > 0:13:51- # Can I kick it? - # Yes, you can!
0:13:51 > 0:13:54- # Can I kick it? - # Yes, you can!
0:13:54 > 0:13:56- # Can I kick it? - # Yes, you can!
0:13:56 > 0:13:58# Well, I'm gone
0:13:58 > 0:14:00- # Go on then! - # Can I kick it?
0:14:00 > 0:14:02# To all the people who can quest like A Tribe does
0:14:02 > 0:14:05# Before this, did you really know what live was?
0:14:05 > 0:14:06# Comprehend to the track
0:14:06 > 0:14:07# For it's why, cuz
0:14:07 > 0:14:10# Gettin' measures on the tip of the vibers
0:14:10 > 0:14:12# Rock and roll to the beat of the funk fuzz
0:14:12 > 0:14:15# Wipe your feet really good on the rhythm rug
0:14:15 > 0:14:16# If you feel the urge to freak
0:14:16 > 0:14:17# Do the jitterbug
0:14:17 > 0:14:20# Come and spread your arms If you really need a hug
0:14:20 > 0:14:22# Afrocentric living is a big shrug
0:14:22 > 0:14:24# A life filled with fun That's what I love
0:14:24 > 0:14:27# A lower plateau is what we're above
0:14:27 > 0:14:29# If you diss us we won't even think of
0:14:29 > 0:14:32# Will Nipper the doggy give a big shove?
0:14:32 > 0:14:34# This rhythm really fits like a snug glove
0:14:34 > 0:14:37# Like a box of positives it's a plus, love
0:14:37 > 0:14:38# As the Tribe flies high like a dove.. #
0:14:38 > 0:14:41- Yo, everybody say "Ho!"- Ho!
0:14:41 > 0:14:43- Say "Ho, ho!"- Ho, ho!
0:14:43 > 0:14:46- Say "Do that stuff."- Do that stuff!
0:14:46 > 0:14:48- That funky stuff!- Funky stuff!
0:14:48 > 0:14:51- Say "Ho!"- Ho!
0:14:51 > 0:14:54CHEERING AND APPLAUSE
0:14:56 > 0:14:57If we see here,
0:14:57 > 0:15:00this is saying the name of our big guest this week.
0:15:00 > 0:15:02Please welcome the man that really needs little introduction,
0:15:02 > 0:15:04Mr Johnny Cash.
0:15:04 > 0:15:06CHEERING
0:15:15 > 0:15:17# I hear the train a comin'
0:15:17 > 0:15:20# It's rolling round the bend
0:15:20 > 0:15:22# And I ain't seen the sunshine
0:15:22 > 0:15:24# Since I don't know when
0:15:24 > 0:15:27# I'm stuck in Folsom prison
0:15:27 > 0:15:30# And time keeps draggin' on
0:15:34 > 0:15:37# But that train keeps rollin'
0:15:37 > 0:15:39# On down to San Antone
0:15:41 > 0:15:43# When I was just a baby
0:15:43 > 0:15:44# My mama told me
0:15:44 > 0:15:46# Son
0:15:46 > 0:15:48# Always be a good boy
0:15:48 > 0:15:50# Don't ever play with guns
0:15:50 > 0:15:53# But I shot a man in Reno
0:15:53 > 0:15:56# Just to watch him die
0:15:59 > 0:16:02# When I hear that whistle blowing
0:16:02 > 0:16:06# I hang my head and cry
0:16:06 > 0:16:07# Whoa! #
0:16:33 > 0:16:35Well, this is the thing about the guitar.
0:16:35 > 0:16:37Essentially, it's about doing that.
0:16:37 > 0:16:39That's playing the guitar.
0:16:39 > 0:16:41That looks rubbish, doesn't it?
0:16:41 > 0:16:44So it turns into this and, you know, that.
0:16:44 > 0:16:47And standing like that and going like this.
0:16:47 > 0:16:50Well, I've been in spoof bands and I've been in real bands
0:16:50 > 0:16:52and the stance is pretty much the same!
0:16:59 > 0:17:01You know, we don't stand up and play.
0:17:01 > 0:17:04We've developed this right from the start
0:17:04 > 0:17:07where you go into what we call the attack position.
0:17:07 > 0:17:08Which is that.
0:17:16 > 0:17:20If the guitar is jutting out from your crotch to the audience,
0:17:20 > 0:17:22there's quite a clear metaphor.
0:17:24 > 0:17:27Directing their whatever it is at the crowd,
0:17:27 > 0:17:30you sort of think, "Yeah, that's a cock."
0:17:39 > 0:17:40Good evening. We're Pulp
0:17:40 > 0:17:44and we're going to play a song called Common People for you,
0:17:44 > 0:17:48which is the national anthem for the Netto generation
0:17:48 > 0:17:50and it sounds like this.
0:17:50 > 0:17:52ROBOTIC: Common people
0:18:01 > 0:18:05# She came from Greece She had a thirst for knowledge
0:18:05 > 0:18:08# She studied sculpture at Saint Martin's College
0:18:08 > 0:18:09# That's where I
0:18:11 > 0:18:13# Caught her eye
0:18:16 > 0:18:20# She told me that her dad was loaded
0:18:20 > 0:18:21# I said, in that case
0:18:21 > 0:18:22# I'll have a rum and Coca Cola
0:18:22 > 0:18:24# She said fine
0:18:26 > 0:18:29# And then in 30 seconds' time
0:18:29 > 0:18:30# She said
0:18:30 > 0:18:34# I want to live like common people
0:18:34 > 0:18:38# I want to do whatever common people do
0:18:38 > 0:18:41# I want to sleep with common people
0:18:41 > 0:18:46# I want to sleep with common people like you
0:18:46 > 0:18:49# Well, what else could I do?
0:18:50 > 0:18:52# I said I'll... I'll see what I can do
0:18:56 > 0:18:59# I took her to a supermarket
0:18:59 > 0:19:00# I don't know why
0:19:00 > 0:19:02# But I had to start it somewhere
0:19:04 > 0:19:07# So it started there
0:19:09 > 0:19:12# I said Pretend you've got no money
0:19:12 > 0:19:14# She just laughed and said
0:19:14 > 0:19:16# Oh, you're so funny I said, Yeah?
0:19:17 > 0:19:20# Well, I can't see anyone else smiling in here
0:19:21 > 0:19:23# Are you sure
0:19:23 > 0:19:26# You want to live like common people?
0:19:26 > 0:19:29# You want to see whatever common people see?
0:19:29 > 0:19:33# You want to sleep with common people?
0:19:33 > 0:19:37# You want to sleep with common people like me?
0:19:37 > 0:19:40# But she didn't understand
0:19:40 > 0:19:43# She just smiled and held my hand
0:19:45 > 0:19:48# Rent a flat above a shop
0:19:48 > 0:19:51# Cut your hair and get a job
0:19:51 > 0:19:55# Smoke some fags and play some pool
0:19:55 > 0:19:58# Pretend you never went to school
0:19:58 > 0:20:01# But still you'll never get it right
0:20:01 > 0:20:04# Cos when you're laid in bed at night
0:20:04 > 0:20:07# Watching roaches climb the wall
0:20:07 > 0:20:09# If you called your dad
0:20:09 > 0:20:12# He could stop it all, yeah
0:20:12 > 0:20:15# You'll never live like common people
0:20:15 > 0:20:19# You'll never do whatever common people do
0:20:19 > 0:20:22# You'll never fail like common people
0:20:22 > 0:20:25# You'll never watch your life slide out of view
0:20:25 > 0:20:28# And then dance and drink and screw
0:20:28 > 0:20:32# Because there's nothing else to do. #
0:20:44 > 0:20:46# One day without you
0:20:46 > 0:20:52# And I feel just like I'm somebody else
0:20:52 > 0:20:54# One day without you
0:20:54 > 0:21:00# And here come the fear you might find somebody else
0:21:00 > 0:21:03# You know I'd like to keep you
0:21:03 > 0:21:06# To keep you to myself and keep you by my side
0:21:08 > 0:21:10# You know I'd love to keep you
0:21:10 > 0:21:14# Just like I know it's wrong to try
0:21:14 > 0:21:18# Just like babies are born to cry
0:21:18 > 0:21:22# Every bird that sings
0:21:22 > 0:21:25# Is born to fly
0:21:28 > 0:21:30# One day without you
0:21:30 > 0:21:36# And I feel just like I'm somebody else
0:21:36 > 0:21:38# One day without you
0:21:38 > 0:21:43# Here come the fear you might find somebody else
0:21:44 > 0:21:47# You know I'd like to keep you
0:21:47 > 0:21:50# To keep you to myself and keep you by my side
0:21:52 > 0:21:54# You know I'd love to keep you
0:21:54 > 0:21:58# But just like I know that it's wrong to try
0:21:58 > 0:22:01# Just like babies are born to cry
0:22:01 > 0:22:06# Every bird that sings
0:22:06 > 0:22:10# Is born to fly. #
0:22:21 > 0:22:24The album came out and the rest of us go,
0:22:24 > 0:22:25"We've got to go on the road.
0:22:25 > 0:22:27"We've just made a great album
0:22:27 > 0:22:28"Are we going to not push it?"
0:22:28 > 0:22:31And he agreed to do it against his better judgment
0:22:31 > 0:22:33and that all went wrong.
0:22:33 > 0:22:36We'd said the whole tour up and suddenly, boom.
0:22:36 > 0:22:38"I can't do this, I can't face it."
0:22:38 > 0:22:41Because of that guilt I have always had
0:22:41 > 0:22:44about not leaving Fleetwood Mac
0:22:44 > 0:22:47flew off the couch and across the room
0:22:47 > 0:22:49to seriously attack him.
0:22:49 > 0:22:51And I did.
0:22:51 > 0:22:53I mean, and I'm not real scary
0:22:53 > 0:22:56but I can be fairly ferocious.
0:22:56 > 0:23:00And I grabbed him, you know, which almost got me killed.
0:23:00 > 0:23:01It got ugly.
0:23:02 > 0:23:03Physically ugly.
0:23:07 > 0:23:11# Lookin' out for love... #
0:23:13 > 0:23:17He ended up chasing me all the way out of Christine's maze-like house
0:23:17 > 0:23:19and down the street and then back up the street
0:23:19 > 0:23:21and then he threw me against the car
0:23:21 > 0:23:23and I screamed horrible obscenities at him.
0:23:23 > 0:23:26And I thought he was going to kill me.
0:23:26 > 0:23:29And I think he probably thought he was going to kill me, too.
0:23:29 > 0:23:31And I said to him, "You know,
0:23:31 > 0:23:34"if the rest of the people in the band don't get you,
0:23:34 > 0:23:36"my family will.
0:23:36 > 0:23:38"My dad and my brother will kill you."
0:23:39 > 0:23:42And I just said, "Lindsey, why don't you just leave?"
0:23:45 > 0:23:46He left.
0:23:48 > 0:23:52But what I meant was, "Why don't you just leave the room?!"
0:23:52 > 0:23:53That's true!
0:24:08 > 0:24:12# Standing in the door of the Pink Flamingo
0:24:12 > 0:24:14# Crying in the rain
0:24:17 > 0:24:21# It was a kind of so-so love
0:24:21 > 0:24:24# And I'm going to make sure it never
0:24:24 > 0:24:26# Happens again
0:24:26 > 0:24:29# You and I
0:24:29 > 0:24:30# It had to be
0:24:30 > 0:24:34# The standing joke of the year
0:24:36 > 0:24:38# You were a sleep-around
0:24:38 > 0:24:40# A lost and found
0:24:40 > 0:24:45# And not for me, I fear
0:24:48 > 0:24:51# Whoa, whoa, whoa
0:24:54 > 0:24:57# I tried to make it work
0:24:57 > 0:24:59# You in a cocktail skirt
0:24:59 > 0:25:01# And me in a suit
0:25:01 > 0:25:03# Well, it just wasn't me
0:25:04 > 0:25:06# You're used to wearing less
0:25:06 > 0:25:08# And now your life's a mess
0:25:08 > 0:25:11# So insecure, you see
0:25:13 > 0:25:15# I put up with all the scenes
0:25:15 > 0:25:17# And this is one scene
0:25:17 > 0:25:21# That's going to be played my way
0:25:22 > 0:25:27# Take your hands
0:25:27 > 0:25:32# Off me
0:25:32 > 0:25:36# I don't belong
0:25:36 > 0:25:41# To you, you see
0:25:41 > 0:25:45# Take a look
0:25:45 > 0:25:48# At my face
0:25:48 > 0:25:51# For the last time
0:25:51 > 0:25:53# I never knew you
0:25:53 > 0:25:56# You never knew me
0:25:56 > 0:25:58# Say hello, goodbye. #
0:26:03 > 0:26:06Now, at the piano I'm going to have a little bit of a chat
0:26:06 > 0:26:09with an incredibly talented woman who's got this album out.
0:26:09 > 0:26:10Amy Winehouse!
0:26:10 > 0:26:12Welcome to our show, Amy.
0:26:12 > 0:26:15RESPONSE DROWNED BY APPLAUSE
0:26:15 > 0:26:16Well, I suppose...
0:26:16 > 0:26:19the public displays of affection,
0:26:19 > 0:26:21- do you approve or disapprove of them?- I approve wholeheartedly.
0:26:21 > 0:26:25Yeah. Now, your writing on this record is fantastic,
0:26:25 > 0:26:27- it's really great. - Thank you very much.
0:26:27 > 0:26:29Some great songs that you've written on here.
0:26:29 > 0:26:31- The first one you played, Rehab. - Yeah.- When did write that one?
0:26:31 > 0:26:35I wrote that in February or March,
0:26:35 > 0:26:38in New York, with Mark Ronson.
0:26:38 > 0:26:40And we were just walking down the street
0:26:40 > 0:26:41and I sang the hook.
0:26:41 > 0:26:43And he burst out laughing and said, "Who's that?"
0:26:43 > 0:26:45I said, "I just made it up."
0:26:45 > 0:26:47And he was like, "That would be really cool." And I said,
0:26:47 > 0:26:51"Listen, let's go to the studio now and we can rock it out now."
0:26:51 > 0:26:54# They tried to make me go to rehab
0:26:54 > 0:26:57# I said no, no, no
0:26:57 > 0:26:59# Yes, I've been black
0:26:59 > 0:27:01# But when I come back
0:27:01 > 0:27:04# You'll know, know, know
0:27:04 > 0:27:07# I ain't got the time
0:27:07 > 0:27:10# And if my daddy thinks I'm fine
0:27:10 > 0:27:13# Just try to make me go to rehab
0:27:13 > 0:27:16# I won't go, go, go
0:27:18 > 0:27:20# I'd rather be
0:27:20 > 0:27:22# At home with friends
0:27:25 > 0:27:29# I ain't got 17 days
0:27:30 > 0:27:32# Cos there's nothing
0:27:32 > 0:27:35# There's nothing you can teach me
0:27:38 > 0:27:40# I can't learn
0:27:40 > 0:27:43# From Mr Hathaway
0:27:45 > 0:27:49# I didn't get a lot in class
0:27:50 > 0:27:54# But I know it don't come
0:27:54 > 0:27:57# In a shot glass
0:27:57 > 0:28:00# They tried to make me go to rehab
0:28:00 > 0:28:03# I said no, no, no
0:28:04 > 0:28:06# Yes, I've been black
0:28:06 > 0:28:07# But when I come back
0:28:07 > 0:28:10# You'll know, know, know
0:28:11 > 0:28:14# I ain't got the time
0:28:14 > 0:28:17# And if my daddy thinks I'm fine
0:28:17 > 0:28:20# Just try to make me go to rehab
0:28:20 > 0:28:23# I won't go, go, go. #
0:28:35 > 0:28:37This is the B-side of our single, sports fans.
0:28:37 > 0:28:38Hope it makes you sick.
0:28:41 > 0:28:44I don't really mean that. Honestly, we're very nice chaps really.
0:28:47 > 0:28:51# In the canyons of your mind
0:28:54 > 0:28:58# I will wander through your brain
0:29:00 > 0:29:04# To the ventricles of your heart
0:29:04 > 0:29:05# My dear
0:29:07 > 0:29:12# I'm in love with you again! #
0:29:14 > 0:29:16'This song is offensive.'
0:29:37 > 0:29:40# I love a good bum on a woman It makes my day
0:29:40 > 0:29:43# To me it is palpable proof of God's existence
0:29:43 > 0:29:44# A posterior
0:29:44 > 0:29:47# Also I love breasts and arms and ankles, elbows, knees
0:29:47 > 0:29:49# It is the tongue, the tongue
0:29:49 > 0:29:51# The tongue on a woman that spoils the job for me
0:29:51 > 0:29:55# Please understand I respect and admire the frailer sex
0:29:55 > 0:29:58# And I honour them every bit as much as the next misogynist
0:29:58 > 0:30:02# But give some women the ghost of a chance to talk and thereupon
0:30:02 > 0:30:04# They will go on again, on again On again, on again
0:30:04 > 0:30:05# On again, on again, on
0:30:14 > 0:30:18# Well, believe it or not she appeared to me then and there
0:30:18 > 0:30:19# The Blessed Virgin herself
0:30:19 > 0:30:22# In answer to my prayer Despite the vulgarity
0:30:22 > 0:30:25# Shimmering softly, dressed in blue and holding up a hand
0:30:25 > 0:30:28# I cocked a pious ear as the Mother of God began
0:30:28 > 0:30:31# But she went on again, on again On again, on and I
0:30:31 > 0:30:33# Will have to state how very much
0:30:33 > 0:30:35# I sympathise with the rest of the family
0:30:35 > 0:30:38# Give some women the ghost of a chance to talk and thereupon
0:30:38 > 0:30:42# They will go on again, on again On again, on again
0:30:42 > 0:30:45# And again, and again And again, and again
0:30:45 > 0:30:47# They will go on again, on again On again, on again
0:30:47 > 0:30:49# On again, on again, on. #
0:30:57 > 0:31:01# Suddenly Johnny gets the feeling
0:31:01 > 0:31:05# He's being surrounded by horses
0:31:05 > 0:31:07# Horses, horses, horses
0:31:07 > 0:31:09# Coming in in all directions
0:31:09 > 0:31:12# White, shining silver studs
0:31:12 > 0:31:14# With their nose in flames
0:31:14 > 0:31:17# He saw horses, horses, horses
0:31:17 > 0:31:18# Horses, horses
0:31:18 > 0:31:21# Horses, horses, horses
0:31:21 > 0:31:23# Do you know how to pony
0:31:24 > 0:31:26# Like bony maroney?
0:31:28 > 0:31:29# Do you know how to twist?
0:31:31 > 0:31:32# Well, it goes like this
0:31:32 > 0:31:34# It goes like this
0:31:34 > 0:31:36# Then you mash potato
0:31:37 > 0:31:40# Do the alligator, do the alligator
0:31:40 > 0:31:42# And you twist the twister
0:31:43 > 0:31:45# Like your baby sister
0:31:45 > 0:31:46# I want your baby sister
0:31:46 > 0:31:48# Give me your baby sister
0:31:48 > 0:31:49# Teach your baby sister
0:31:49 > 0:31:51# To rise up from her knees
0:31:52 > 0:31:54# Do the sweet pea
0:31:54 > 0:31:55# Do the sweet pee pee
0:31:55 > 0:31:57# Roll down on your back
0:31:58 > 0:32:00# See you like it like that
0:32:00 > 0:32:03# Like it like that Like it like that
0:32:03 > 0:32:04# Like it like that
0:32:04 > 0:32:06# Then you do the watusi
0:32:08 > 0:32:10# Do the watusi
0:32:10 > 0:32:12# Do the watusi... #
0:32:20 > 0:32:23# I can think of younger days
0:32:24 > 0:32:27# When living for my life
0:32:29 > 0:32:33# Was everything
0:32:33 > 0:32:36# A man could want to do
0:32:36 > 0:32:39# But I could never
0:32:39 > 0:32:45# See tomorrow
0:32:46 > 0:32:50# I was never told
0:32:50 > 0:32:58# About the sorrow
0:32:58 > 0:33:04# And how can you mend
0:33:04 > 0:33:06# A...
0:33:06 > 0:33:08# A broken heart?
0:33:09 > 0:33:10# Yeah
0:33:12 > 0:33:13# How...
0:33:13 > 0:33:16# Can you stop the rain
0:33:16 > 0:33:18# From falling down?
0:33:18 > 0:33:19# Tell me
0:33:19 > 0:33:22# How can you stop
0:33:25 > 0:33:29# The sun from shining?
0:33:29 > 0:33:36# What makes the world go round?
0:33:36 > 0:33:38# And...
0:33:38 > 0:33:41# La-la-la-la
0:33:43 > 0:33:48# La-la-la-la-la-la-la
0:33:48 > 0:33:51# Ooh
0:33:51 > 0:33:53# Oo-ooh
0:33:53 > 0:33:56# La-la-la-la-la-la-la
0:33:56 > 0:33:59- # La-la-ha-how - # Can you stop
0:33:59 > 0:34:01# Oh!
0:34:01 > 0:34:05# The sun from shining?
0:34:05 > 0:34:07# I wanna know
0:34:07 > 0:34:13# What makes the world go round?
0:34:13 > 0:34:15# Only
0:34:15 > 0:34:22# Tears I've cried. #
0:34:32 > 0:34:34'I've finally tracked The Specials down
0:34:34 > 0:34:36to 2 Tone HQ, home of the hits.
0:34:38 > 0:34:41"Next to the poodle parlour," the note said.
0:34:41 > 0:34:44At last, a chance to meet the board of directors
0:34:44 > 0:34:46of the fastest-growing independent record label
0:34:46 > 0:34:48in the country.
0:34:51 > 0:34:54- Hey!- Hi, there. Straight upstairs, right?- Yeah.
0:34:57 > 0:35:00This is where the assault on the nation's airwaves was planned
0:35:00 > 0:35:02with a unique mix of punk and reggae.
0:35:02 > 0:35:04MUSIC AND SHOUTING
0:35:13 > 0:35:14All right?!
0:35:14 > 0:35:17THEY ALL SHOUT
0:35:17 > 0:35:21MUSIC DROWNS SPEECH
0:35:23 > 0:35:24...you got a receipt?
0:35:26 > 0:35:27Got it! Got it!
0:35:27 > 0:35:30LAUGHTER AND CHATTER
0:35:30 > 0:35:32This is it.
0:35:32 > 0:35:34This is where, sort of, 2 Tone...?
0:35:34 > 0:35:37- This is...- This is 2 Tone!
0:35:37 > 0:35:42- LAUGHTER AND INDISTINCT CHATTER - Showing him round the office.
0:35:42 > 0:35:44Here we have the cheque books.
0:35:44 > 0:35:46The receipts.
0:35:46 > 0:35:49The cup... Oh, hang on.
0:35:50 > 0:35:51The plunger.
0:35:53 > 0:35:56I think this is our Bernie Rhodes contract.
0:35:56 > 0:35:58LAUGHTER
0:35:58 > 0:36:01CHEERING
0:36:01 > 0:36:04No, we've got loads of contract actually.
0:36:08 > 0:36:10# Stop your messing around
0:36:10 > 0:36:12# A-a-a-ah
0:36:12 > 0:36:14# Better think of your future
0:36:14 > 0:36:17# A-a-a-ah
0:36:17 > 0:36:19# Time you straightened right out
0:36:19 > 0:36:23- # A-a-a-ah - # Creating problems in town
0:36:23 > 0:36:25# A-a-a-ah
0:36:25 > 0:36:26# Rudy
0:36:27 > 0:36:29# A message to you
0:36:29 > 0:36:32# Rudy. #
0:36:32 > 0:36:37# Souma yergon, sou nou yergon
0:36:37 > 0:36:39# We are shaking the tree
0:36:44 > 0:36:49# Souma yergon, sou nou yergon
0:36:49 > 0:36:51# We are shaking the tree
0:36:56 > 0:36:58# Turning the tide
0:36:58 > 0:36:59# You are on the incoming wave
0:37:02 > 0:37:03# Turning the tide
0:37:03 > 0:37:05# You know you are nobody's slave
0:37:07 > 0:37:09# Find your brothers and sisters
0:37:09 > 0:37:14# Who can hear all the truth in what you say
0:37:14 > 0:37:15# They can support you
0:37:15 > 0:37:18# When you're on your way
0:37:18 > 0:37:19# It's your day
0:37:21 > 0:37:22# A woman's day
0:37:23 > 0:37:25# It's your day
0:37:27 > 0:37:28# A woman's day
0:37:30 > 0:37:35# Souma yergon, sou nou yergon
0:37:35 > 0:37:37# We are shaking the tree. #
0:37:56 > 0:37:58CHEERING
0:38:02 > 0:38:06Now, here comes Billy Paul. Eat your heart out, Mrs Smith.
0:38:38 > 0:38:41# Me and Mrs Jones
0:38:46 > 0:38:50# We got a thing
0:38:50 > 0:38:54# Going on
0:39:00 > 0:39:02# We both know that it's wrong
0:39:04 > 0:39:06# But it's much too strong
0:39:08 > 0:39:12# To let it cool down
0:39:16 > 0:39:18# We meet every day
0:39:19 > 0:39:22# At that same cafe
0:39:22 > 0:39:25# 6.30
0:39:25 > 0:39:28# I know, I know she'll be there
0:39:32 > 0:39:34# Holding hands
0:39:35 > 0:39:38# Making all kinds of plans
0:39:38 > 0:39:44# While the jukebox plays our favourite song
0:39:44 > 0:39:49# Me and Mrs...
0:39:49 > 0:39:51# Mrs Jones
0:39:51 > 0:39:55# Mrs Jones, Mrs Jones, Mrs Jones
0:39:57 > 0:40:01# We've got a thing
0:40:01 > 0:40:03# Going on... #
0:40:03 > 0:40:05APPLAUSE
0:40:07 > 0:40:09Once upon a time, there was a little girl
0:40:09 > 0:40:11who lived in Dagenham, Essex.
0:40:11 > 0:40:12Her name was Sandra Goodrich.
0:40:12 > 0:40:15That doesn't make much of a name for herself at school,
0:40:15 > 0:40:17nor at the Ford factory in Dagenham
0:40:17 > 0:40:19where she got her first job.
0:40:19 > 0:40:22But when she started to sing, she did make a name.
0:40:22 > 0:40:23And the name is of course
0:40:23 > 0:40:25Sandie Shaw.
0:40:26 > 0:40:28# The streets are crowded
0:40:28 > 0:40:30# And it's just as always
0:40:30 > 0:40:34# In this part of the town, here
0:40:35 > 0:40:39# People going into clubs and restaurants
0:40:39 > 0:40:43# Just you look around here
0:40:44 > 0:40:47# There's coloured fluorescent lights
0:40:48 > 0:40:53# That help to add to the sun
0:40:53 > 0:40:56# Oh, how I used to love
0:40:56 > 0:41:01# The long walk home... #
0:41:01 > 0:41:04When I was a little girl, I'd always have big dreams.
0:41:04 > 0:41:06I always wanted to be either a model or a singer or an actress
0:41:06 > 0:41:09or a famous artist or somebody...
0:41:12 > 0:41:13..in the limelight.
0:41:13 > 0:41:20# And I don't like what I must do tomorrow
0:41:21 > 0:41:26# And I don't like what I must do
0:41:26 > 0:41:30# Tomorrow. #
0:41:39 > 0:41:41Right, here's another piece of completely escapist
0:41:41 > 0:41:43light entertainment - Shipbuilding.
0:42:00 > 0:42:03# Is it worth it?
0:42:05 > 0:42:07# A new winter coat
0:42:07 > 0:42:10# And shoes for the wife
0:42:12 > 0:42:17# And a bicycle on the boy's birthday
0:42:17 > 0:42:21# It's just a rumour that was spread around town
0:42:22 > 0:42:24# By the women and children
0:42:24 > 0:42:28# Soon we'll be shipbuilding
0:42:31 > 0:42:33# Well, I ask you
0:42:36 > 0:42:37# The boy said
0:42:37 > 0:42:41# Dad, they're going to take me to task
0:42:43 > 0:42:47# But I'll be back by Christmas
0:42:47 > 0:42:52# It's just a rumour that was spread around town
0:42:52 > 0:42:57# Somebody said that someone got filled in
0:42:57 > 0:43:00# For saying that people get killed
0:43:00 > 0:43:06# In the results of the shipbuilding
0:43:08 > 0:43:13# With all the will in the world
0:43:13 > 0:43:16# Diving for dear life
0:43:16 > 0:43:18# When we could be
0:43:18 > 0:43:23# Diving for pearls. #
0:43:23 > 0:43:25APPLAUSE
0:43:28 > 0:43:29I'd like to ask Dizzee Rascal.
0:43:29 > 0:43:32Mr Rascal, do you feel yourself to be British?
0:43:32 > 0:43:33Of course I'm British, man.
0:43:33 > 0:43:36You know me. I'm here, man, what's good.
0:43:36 > 0:43:38I think it don't matter what colour you are.
0:43:38 > 0:43:41It matters what colour your heart is, man, and your intentions.
0:43:41 > 0:43:43I think a black man, purple man,
0:43:43 > 0:43:45Martian man can run the country. Whatever, man.
0:43:45 > 0:43:48As long as he does right by the people.
0:43:48 > 0:43:50Well, why don't you run for office?
0:43:50 > 0:43:53See, that's a very good idea. I might have to do that one day.
0:43:53 > 0:43:55Dizzee Rascal for Prime Minister, yeah?
0:43:55 > 0:43:56What's happening?!
0:43:57 > 0:43:59# Sup up your beer and collect your fags
0:43:59 > 0:44:02# There's a row going on down near Slough
0:44:02 > 0:44:05# Get out your mat and pray to the West
0:44:05 > 0:44:08# I'll get out mine and pray for myself
0:44:10 > 0:44:12# Thought you were smart when you took them on
0:44:12 > 0:44:16# But you didn't take a peep in their artillery room
0:44:16 > 0:44:19# All that rugby puts hairs on your chest
0:44:19 > 0:44:20# What chance have you got
0:44:20 > 0:44:21# Against a tie and a crest?
0:44:23 > 0:44:26# Hello-hurrah What a nice day
0:44:26 > 0:44:28# For the Eton Rifles
0:44:28 > 0:44:29# Eton Rifles
0:44:29 > 0:44:32# Hello-hurrah I hope rain stops play
0:44:32 > 0:44:33# With the Eton Rifles
0:44:33 > 0:44:35# Eton rifles. #
0:44:48 > 0:44:49Thank you so much.
0:45:05 > 0:45:09# Every time
0:45:09 > 0:45:13# We say goodbye
0:45:14 > 0:45:17# I die a little
0:45:18 > 0:45:22# Every time
0:45:22 > 0:45:25# We say goodbye
0:45:26 > 0:45:31# I wonder why a little
0:45:32 > 0:45:37# Why the Gods above me
0:45:37 > 0:45:44# Who must be in the know
0:45:45 > 0:45:51# Think so little of me
0:45:51 > 0:45:54# They allow you
0:45:54 > 0:45:59# To go
0:45:59 > 0:46:04# When you're near
0:46:04 > 0:46:07# There's such an air
0:46:07 > 0:46:12# Of spring about it
0:46:12 > 0:46:17# I can hear a lark
0:46:17 > 0:46:20# Somewhere
0:46:20 > 0:46:25# Begin to sing about it
0:46:26 > 0:46:31# There's no love song finer
0:46:31 > 0:46:34# But how strange
0:46:34 > 0:46:35# The change
0:46:35 > 0:46:40# From major to minor
0:46:40 > 0:46:46# Every time we say
0:46:47 > 0:46:55# Goodbye
0:46:58 > 0:47:06# Goodbye. #
0:47:08 > 0:47:11APPLAUSE
0:47:13 > 0:47:15SCREAMING
0:47:27 > 0:47:29# E-V-I-L E and Ice-T are on a jack move
0:47:29 > 0:47:32# Layin' down the dope groove Smokin' those who disapprove
0:47:32 > 0:47:34# Wreckin' the deck You'll regret if you cross, punk
0:47:34 > 0:47:36# Rollin' like a truck Waxin' those who talk junk
0:47:36 > 0:47:38# Violent your end Got your face in my crosshairs
0:47:38 > 0:47:40# Wanna see your dome bust Cos I don't care
0:47:40 > 0:47:42# Nuttin' bout you, your crew, cos you talk mess
0:47:42 > 0:47:44# I'm the Lethal Weapon, boy Ridin' the apocalypse
0:47:44 > 0:47:46# If you're in my way you'll lay beneath the ground soon
0:47:46 > 0:47:49# Violence is my business The microphone of doom
0:47:49 > 0:47:51# Mission that's to cure all punks as I bust caps
0:47:51 > 0:47:53# Peelin' your back My ammunition hollow-point raps
0:47:53 > 0:47:55# You try to run That makes it even more fun
0:47:55 > 0:47:57# I just cold lamp and vamp you with the shotgun
0:47:57 > 0:47:58# Cops try to flex
0:47:58 > 0:48:00# But guns they'll never find
0:48:00 > 0:48:03# My lethal weapon's my mind!
0:48:03 > 0:48:05# Lethal weapon
0:48:05 > 0:48:07# The lethal weapon
0:48:07 > 0:48:08# The lethal weapon
0:48:08 > 0:48:11# Assassinator if the people ain't steppin'
0:48:11 > 0:48:13# The lethal weapon
0:48:13 > 0:48:14# The lethal weapon. #
0:48:14 > 0:48:17We're very fortunate enough to have Leonard Cohen with us.
0:48:17 > 0:48:21You are an unusual thing in music in that you are a genuine poet.
0:48:21 > 0:48:23What got you into the poetry?
0:48:23 > 0:48:25Well, I don't know.
0:48:25 > 0:48:28I thought that was the way to kind of win women's hearts.
0:48:28 > 0:48:30- Did it work?- Yes, it did!
0:48:30 > 0:48:33LAUGHTER
0:48:34 > 0:48:35I must try that.
0:48:35 > 0:48:39Now, I think we've got a clip of you in 1967,
0:48:39 > 0:48:42that neither of us have seen yet, with Julie Felix in 1967.
0:48:42 > 0:48:45- Perhaps we could have... - OK.- There you are.
0:48:45 > 0:48:52# I loved you in the morning Our kisses deep and warm
0:48:52 > 0:48:55# Your hair upon the pillow
0:48:55 > 0:48:59# Like a sleepy golden storm
0:48:59 > 0:49:02# Yes, many loved before us
0:49:02 > 0:49:05# I know that we are not new
0:49:05 > 0:49:09# In city and in forest
0:49:09 > 0:49:12# They smiled like me and you
0:49:12 > 0:49:17# But let's not talk of love or chains
0:49:17 > 0:49:19# And things we can't untie
0:49:19 > 0:49:23# Your eyes are soft with sorrow
0:49:25 > 0:49:26# Hey, that's
0:49:26 > 0:49:33# No way to say goodbye
0:49:37 > 0:49:40# Goodbye. #
0:49:46 > 0:49:48APPLAUSE
0:49:53 > 0:49:58- That's a fantastic song. Have you seen that recently?- No, I haven't.
0:49:58 > 0:50:01I never saw that. I remember the evening.
0:50:01 > 0:50:05It was the first television show that I ever did in England
0:50:05 > 0:50:08and one of the first I ever did everywhere
0:50:08 > 0:50:10and Julie Felix invited me over to do it.
0:50:10 > 0:50:12So I have never seen that clip.
0:50:16 > 0:50:19Now, when I was working in Edinburgh during the summer,
0:50:19 > 0:50:22lots of arts lovers were dribbling their claret down their cravats
0:50:22 > 0:50:24and getting very excited over a young dancer
0:50:24 > 0:50:25by the name of Michael Clark.
0:50:25 > 0:50:28But when it comes to dancing, I'm a bit of a philistine myself,
0:50:28 > 0:50:30although I did have to sit up and take notice
0:50:30 > 0:50:33when I heard that this lad was dancing to music by The Fall.
0:50:40 > 0:50:43All the group stayed up to watch The Old Grey Whistle Test,
0:50:43 > 0:50:45not that I would, personally.
0:50:46 > 0:50:50But you couldn't see the group, that was the funniest bit.
0:50:55 > 0:50:58They stayed up to watch it with all the parents.
0:51:04 > 0:51:08And all you could see was Michael Clark baring his arse.
0:51:08 > 0:51:09It was dead funny.
0:51:12 > 0:51:16Good evening and welcome to another GBE, a Gary Byrd Experience,
0:51:16 > 0:51:19as the funky forces of the universe come together for us
0:51:19 > 0:51:21to bring another set of Big Apple jams your way.
0:51:21 > 0:51:23That's right, the perfect beat for you,
0:51:23 > 0:51:26especially if you are up at Planet Rock, the Bronx,
0:51:26 > 0:51:29where the Zulu Nation is in dance formation tonight.
0:51:36 > 0:51:39I am the funk overlord.
0:51:41 > 0:51:45I have come to take control of your mind.
0:51:47 > 0:51:51MUSIC: "Looking For The Perfect Beat" by Afrika Bambaataa
0:52:02 > 0:52:05So this is how Bam sends them to the street, hip-hopping,
0:52:05 > 0:52:07looking for the perfect beat.
0:52:19 > 0:52:21Rapping, scratching, breaking, shaking.
0:52:21 > 0:52:23The success of hip-hop is in the making.
0:52:27 > 0:52:28On TV and on radio,
0:52:28 > 0:52:31you hear and see it wherever you go.
0:52:36 > 0:52:38Graffiti began on the walls
0:52:38 > 0:52:40and now it's sold in stores and malls.
0:53:00 > 0:53:02APPLAUSE
0:53:07 > 0:53:11# Tonight, you're mine
0:53:11 > 0:53:14# Completely
0:53:18 > 0:53:22# You give your love
0:53:22 > 0:53:25# So sweetly
0:53:28 > 0:53:33# Tonight, the light
0:53:33 > 0:53:38# Of love is in your eyes
0:53:40 > 0:53:45# But will you love me
0:53:45 > 0:53:48# Tomorrow?
0:53:51 > 0:53:56# Is this a lasting
0:53:56 > 0:53:59# Treasure?
0:54:02 > 0:54:07# Or just a moment's
0:54:07 > 0:54:10# Pleasure?
0:54:12 > 0:54:17# Can I believe
0:54:17 > 0:54:22# The magic of your sighs?
0:54:24 > 0:54:28# Will you still love me
0:54:28 > 0:54:31# Tomorrow? #
0:54:33 > 0:54:35APPLAUSE
0:54:37 > 0:54:42Five, four, three, two, one.
0:54:42 > 0:54:44Happy New Year!
0:54:46 > 0:54:47Happy New Year!
0:54:50 > 0:54:52- I'm so happy to be here tonight. - Yeah!
0:54:53 > 0:54:57- Once again, I'm so glad to be in your wonderful country.- Oh, yeah.
0:54:57 > 0:54:59- Hello, England.- Yeah!
0:54:59 > 0:55:02- I got a little message for you. - All right!
0:55:02 > 0:55:05I want to tell every woman and every man tonight,
0:55:05 > 0:55:08that's ever needed anybody, someone to love,
0:55:08 > 0:55:10that's ever had someone to love.
0:55:10 > 0:55:11That's right.
0:55:11 > 0:55:15- # You got yourself somebody - Whoa!
0:55:15 > 0:55:18- # Hold on to what you got - Hold on!
0:55:18 > 0:55:20# Don't try to get no more
0:55:20 > 0:55:23- # Sometimes you get what you want - Yeah!
0:55:23 > 0:55:26# Then you lose what you had
0:55:26 > 0:55:29# But there is a song I sing
0:55:29 > 0:55:30# That I believe
0:55:32 > 0:55:34# And I believe... #
0:55:34 > 0:55:36Everybody, would you clap your hands?
0:55:36 > 0:55:38Everybody. Everybody, come on.
0:55:38 > 0:55:40Everybody. Everybody.
0:55:42 > 0:55:44# Everybody... #
0:55:44 > 0:55:45Let's sing it.
0:55:45 > 0:55:48# Somebody
0:55:48 > 0:55:51# Everybody
0:55:51 > 0:55:53# Wants somebody
0:55:53 > 0:55:56# To love
0:55:56 > 0:55:58# Honey to cuddle
0:55:59 > 0:56:01# Sugar to kiss
0:56:02 > 0:56:05# Sometimes to miss
0:56:06 > 0:56:09- # I need you, you - You-ooh
0:56:09 > 0:56:12- # I need you, you - You-ooh
0:56:12 > 0:56:15- # And I need you, you - You-ooh
0:56:15 > 0:56:18- # And I need you, you - You-ooh
0:56:18 > 0:56:21# Oh, sometimes I feel
0:56:23 > 0:56:26# I feel a little sad inside
0:56:26 > 0:56:28# My baby mistreats me
0:56:28 > 0:56:31# And I get, get, get a little mad
0:56:31 > 0:56:34- # But I need you - You, you, you-ooh
0:56:34 > 0:56:37- # Just to see me through - You, you, you-ooh... #
0:56:37 > 0:56:40Everybody. Come on, everybody.
0:56:40 > 0:56:42This is a brand-new year.
0:56:42 > 0:56:45And I want you to have the best of everything.
0:56:48 > 0:56:51Oh, yeah! Happy New Year!
0:56:51 > 0:56:54# And many, many, many, many, many
0:56:54 > 0:56:57# Many more! #
0:57:00 > 0:57:042003. Lookin' at you.
0:57:04 > 0:57:06APPLAUSE AND CHEERING
0:57:13 > 0:57:15- Hello, I'm John Peel. - And I'm Jo Whiley.
0:57:15 > 0:57:18We're at the Glastonbury Festival in this Bedouin tent
0:57:18 > 0:57:21which has been constructed really as a tribute to the important part
0:57:21 > 0:57:24that Bedouin culture has played in popular music over the years.
0:57:24 > 0:57:27We're here not really blending in very well, looking like
0:57:27 > 0:57:29a pair of extras from Waiting For Godot or something.
0:57:29 > 0:57:32And the theme of this event, of course, so far has been mud.
0:57:32 > 0:57:34And it's good, British mud at that.
0:57:34 > 0:57:37And there have been muddier festivals. There was one at the...
0:57:37 > 0:57:39in the hills above Buxton in 1969.
0:57:39 > 0:57:42Unspeakable. Unimaginably terrible.
0:57:42 > 0:57:43This is nothing by comparison.
0:57:43 > 0:57:46I have to say, this is like nothing I've ever been to in my life
0:57:46 > 0:57:48or particularly want to go through again.
0:57:48 > 0:57:51This should give you a rough idea of the festival so far.
0:57:52 > 0:57:55MUSIC: "Sun Hits The Sky" by Supergrass
0:57:55 > 0:58:01# I know a place where the sun hits the sky
0:58:02 > 0:58:07# Everything changes and blows out the night
0:58:08 > 0:58:13# Everyone knows why my tongue can't be tied. #
0:58:14 > 0:58:16We'll be back at 11.35 with live music from Blur,
0:58:16 > 0:58:18also Roni Size's Reprazent.
0:58:18 > 0:58:22There is constant coverage all day long and all night long on Radio One.
0:58:22 > 0:58:25You realise this is the end of the world we're witnessing here.
0:58:25 > 0:58:26- Good night.- See you.
0:58:29 > 0:58:30We welcome now to the show,
0:58:30 > 0:58:33one of America's top rhythm and blues singers.
0:58:33 > 0:58:37From Mississippi, it's that famous boom-boom boy, John Lee Hooker.
0:58:46 > 0:58:47# Boom, boom, boom, boom
0:58:49 > 0:58:50# I'm gonna shoot you right down
0:58:52 > 0:58:54# Right off of your feet
0:58:55 > 0:58:57# Take you home with me
0:58:58 > 0:59:00# Put you in my house
0:59:02 > 0:59:03# Boom, boom, boom, boom
0:59:04 > 0:59:06# I love to see you strut
0:59:08 > 0:59:10# Up and down the floor
0:59:11 > 0:59:13# When you're talking to me
0:59:14 > 0:59:16# That baby talk
0:59:17 > 0:59:19# I like it like that
0:59:20 > 0:59:22# Oh, oh, oh, oh
0:59:23 > 0:59:26# Whoa, baby
0:59:27 > 0:59:29# Yes, ma'am
0:59:30 > 0:59:31# Yes, ma'am
0:59:32 > 0:59:35# Walk the walk, baby
0:59:36 > 0:59:38# Whoa, baby!
0:59:40 > 0:59:42# Walk the walk, baby
0:59:44 > 0:59:45# Yes, ma'am. #
1:00:37 > 1:00:41Even when, you know, you go to see your careers officer,
1:00:41 > 1:00:43our Liam told him he wanted to be a pop star
1:00:43 > 1:00:46when he went to see his careers officer. Can you imagine that?
1:00:46 > 1:00:47And he said, "No," you know,
1:00:47 > 1:00:49"Thou shalt work at Ford or McVities."
1:00:49 > 1:00:51He was going, "No, you asked me what I wanted to do.
1:00:51 > 1:00:53"I want to be in a band. I want to be a pop star."
1:00:53 > 1:00:54And he kicked him out.
1:00:54 > 1:00:56I said a rock'n'roll star.
1:00:56 > 1:00:58He said, "You can't be that." I said, "Right then, a lumberjack.
1:00:58 > 1:01:02"Get me a fucking job as a lumberjack, chopping trees down."
1:01:09 > 1:01:11And then I went back about three months later and said,
1:01:11 > 1:01:13"Yeah, can I sign off?" He went, "Why's that then?"
1:01:13 > 1:01:15I went, "Cos I'm a rock'n'roll star.
1:01:15 > 1:01:17"I've got a six album deal. Ta-ra."
1:01:17 > 1:01:19MUSIC: "Fade In-Out" by Oasis
1:01:20 > 1:01:23# Get on the roller coaster
1:01:23 > 1:01:25# The fair's in town today
1:01:25 > 1:01:28# You got to be bad enough
1:01:28 > 1:01:30# To beat the brave. #
1:01:30 > 1:01:33This next right. Not this one.
1:01:33 > 1:01:37- We used to live down there.- We used to live down there. Ashburn Avenue.
1:01:37 > 1:01:40This is where we spent our childhoods round here.
1:01:40 > 1:01:43- Knocking about round here. - I miss not being near me mam.
1:01:43 > 1:01:46- That's what I miss. - Straight up here.
1:01:46 > 1:01:48On the right up here is McVities, where me mam used to work.
1:01:48 > 1:01:51- Big biscuit factory. - We used to knock about in the park.
1:01:51 > 1:01:54She'd work here. We'd meet her from the park about 11 at night.
1:01:54 > 1:01:56- Walk her home.- And walk her home. Load of biscuits.
1:01:58 > 1:02:01Big boxes of Jaffa cakes. It was top. Penguins and...
1:02:01 > 1:02:04BOTH: # Five, four, three, two, one Doo, doo-doo, doo, doo, doo-doo
1:02:04 > 1:02:07# Five, four, three, two, one Doo, doo-doo, doo, doo, doo-doo
1:02:07 > 1:02:09# Five, four, three, two, one. #
1:02:10 > 1:02:13Me mam always drummed into us that we were no different,
1:02:13 > 1:02:15we were no better or no worse than anybody else.
1:02:15 > 1:02:18We were just the same as everybody else and whatever we wanted in life,
1:02:18 > 1:02:19we could go and get it, you know,
1:02:19 > 1:02:24if we believed in it enough. She was right. Weren't you?
1:02:24 > 1:02:28# And all the roads we have to walk are winding
1:02:30 > 1:02:33# And all the lights that light the way are blinding
1:02:35 > 1:02:40# There are many things that I would like to say to you
1:02:40 > 1:02:42# But I don't know how
1:02:42 > 1:02:44# I said I don't know how
1:02:45 > 1:02:48# I said maybe
1:02:49 > 1:02:53# You're going to be the one that saves me
1:02:55 > 1:02:58# And after all
1:02:59 > 1:03:03# You're my wonderwall. #
1:03:07 > 1:03:10MUSIC: "Everyday Robots" by Damon Albarn
1:03:23 > 1:03:27# We are everyday robots on our phones
1:03:29 > 1:03:33# In the process of getting home. #
1:03:33 > 1:03:37'It became a record where I was singing about
1:03:37 > 1:03:39'very much my own experiences.
1:03:41 > 1:03:44'You know, how do we know that we really exist
1:03:44 > 1:03:48'other than that little beam of light which is our history.
1:03:48 > 1:03:50'I sort of started going
1:03:50 > 1:03:53'back to places which I felt might
1:03:53 > 1:03:58'give me some sense of who am I now and how do I feel about stuff?
1:03:58 > 1:04:00'So I went back to Leytonstone.'
1:04:05 > 1:04:09TANNOY: 'Please remember to take all your personal items with you
1:04:09 > 1:04:11'when you leave the train.'
1:04:17 > 1:04:20The first time I came back and I came out of the Tube,
1:04:20 > 1:04:23I literally felt like a giant
1:04:23 > 1:04:30because all my memories are from up to the age of nine.
1:04:34 > 1:04:38I grew up in 1970s multicultural London.
1:04:38 > 1:04:41From the smells coming out of people's back kitchens
1:04:41 > 1:04:45to the people I went to school with, to the music, to just the general
1:04:45 > 1:04:47sort of flavour of the place.
1:04:47 > 1:04:51'I think that definitely played a big part in who I am.'
1:04:57 > 1:05:02People try...to put us down.
1:05:08 > 1:05:11# People try to put us down
1:05:11 > 1:05:13# Talkin' about my generation
1:05:13 > 1:05:15# Yeah, just because we get around
1:05:15 > 1:05:17# Talkin' about my generation
1:05:17 > 1:05:20# Things they do look awful c-cold. #
1:05:20 > 1:05:22The Who on stage.
1:05:22 > 1:05:26Here's an interview I did with Pete Townshend, the leader of The Who.
1:05:26 > 1:05:29I started by asking him about his parents, who were both musicians.
1:05:29 > 1:05:33My father was in a band called The Squadronaires.
1:05:33 > 1:05:34- The Squadronaires?- Yes.
1:05:34 > 1:05:37- I used to hear them in Butlins. - At Butlins?
1:05:37 > 1:05:40You probably used to see me then because I was always there.
1:05:40 > 1:05:43My first sort of taste of show business sort of came from seeing
1:05:43 > 1:05:47my father on the stage and hearing my mother on record
1:05:47 > 1:05:52cos my mother started as a singer with The Squadronaires.
1:05:52 > 1:05:54And seeing my father on stage,
1:05:54 > 1:05:57he always used to smile this plastic smile like this.
1:05:57 > 1:05:59That's show business.
1:05:59 > 1:06:00IT HOWLS
1:06:19 > 1:06:23# Sa kimi we nonaka
1:06:23 > 1:06:26# No ibara no hana ka
1:06:26 > 1:06:28# Sa yui yui
1:06:28 > 1:06:31# Kurete kaereba
1:06:31 > 1:06:34# Yarehoni hiki tomeru
1:06:34 > 1:06:39# Mata hari no chindara kanushama yo
1:06:39 > 1:06:45# Sa takusa toru nara izayoi tsukiyo
1:06:45 > 1:06:47# Sa yui yui
1:06:47 > 1:06:53# Futari de kigane mo yarehoni mizu irazu
1:06:53 > 1:06:57# Mata hari no chindara kanushama yo
1:06:57 > 1:07:04# Sa somete agemasho konji no kosode
1:07:04 > 1:07:06# Sa yui yui
1:07:06 > 1:07:12# Kakete okureyo nasake no tasuki
1:07:12 > 1:07:18# Mata hari no chindara kanushama yo. #
1:07:18 > 1:07:22THEY CHANT
1:07:34 > 1:07:36WHISTLING
1:08:04 > 1:08:07Now we're going to talk about the music we hear on the radio,
1:08:07 > 1:08:09or rather the music we don't hear on the radio.
1:08:09 > 1:08:12Are we being conditioned by radio producers and DJs into liking
1:08:12 > 1:08:16what they want us to like? Do they actually stifle a lot of
1:08:16 > 1:08:19the stuff we do want to hear as they don't think it's good for us?
1:08:19 > 1:08:21With me is Tony Wilson,
1:08:21 > 1:08:23a television journalist who, in his spare time,
1:08:23 > 1:08:25is one of the people behind Factory Records,
1:08:25 > 1:08:28one of the new independent labels,
1:08:28 > 1:08:30Radio One DJ Paul Burnett
1:08:30 > 1:08:33and Steve Morris from Joy Division.
1:08:33 > 1:08:35Steve, I'd like to ask you the first question.
1:08:35 > 1:08:37As a member of an up-and-coming band,
1:08:37 > 1:08:39do you think you get a fair deal from the radio?
1:08:39 > 1:08:43- Not really, no. - And why do you think this is?
1:08:43 > 1:08:46Well, by the radio, I assume you are referring to Radio One.
1:08:46 > 1:08:50Well, the only times that our records have actually been
1:08:50 > 1:08:53played on Radio One has been late at night on the John Peel show
1:08:53 > 1:08:59and once on the Mike Read show on a Saturday on a Manchester special.
1:08:59 > 1:09:02Is there an automatic right that you have
1:09:02 > 1:09:05when you bring a record out that it should get played on Radio One?
1:09:05 > 1:09:06If it's a brilliant record.
1:09:06 > 1:09:08If it's better than most of the dross that's around,
1:09:08 > 1:09:11and there are records that are better than most of the dross
1:09:11 > 1:09:14that's around that don't get played cos they're slightly unsettling,
1:09:14 > 1:09:17for the simple reason that they come from somewhere slightly
1:09:17 > 1:09:21deeper within the soul than the level of a pure Hit Factory.
1:09:21 > 1:09:25# Dance, dance, dance, dance dance to the radio
1:09:27 > 1:09:31# Dance, dance, dance, dance dance to the radio
1:09:33 > 1:09:36# Dance, dance, dance, dance dance to the radio
1:09:39 > 1:09:43# Dance, dance, dance, dance dance to the radio
1:09:45 > 1:09:48# Well, I could call out when the going gets tough
1:09:48 > 1:09:51# The things you've learnt are no longer enough
1:09:51 > 1:09:54# No language, just sound that's all we need now
1:09:54 > 1:09:57# To synchronise love to the beat of the show
1:09:59 > 1:10:02# And we could dance
1:10:02 > 1:10:07# Dance, dance, dance, dance dance to the radio
1:10:08 > 1:10:13# Dance, dance, dance, dance dance to the radio. #
1:10:13 > 1:10:19# I'm a rolling stone all alone and lost. #
1:10:20 > 1:10:23HE PLAYS: "Wildwood Flower" by Maybelle Carter
1:10:39 > 1:10:43That was Mother Maybelle's Wildwood Flower
1:10:43 > 1:10:46and she played it much better than that
1:10:46 > 1:10:50but you could tell immediately who it was that was playing it.
1:10:51 > 1:10:54Anyone who plays traditional country music
1:10:54 > 1:10:56owes a debt to the Carter family.
1:10:56 > 1:10:58If you listen to their music only
1:10:58 > 1:11:02and if you didn't know anything about the Carters, you'd think
1:11:02 > 1:11:05they were this wonderful close-knit family like the Waltons.
1:11:05 > 1:11:07Nothing could be further from the truth.
1:11:10 > 1:11:13Although they continued to record songs together,
1:11:13 > 1:11:16the reality was that, behind the scenes, Sarah had left AP.
1:11:17 > 1:11:22She left on her own. She didn't take the kids with her.
1:11:22 > 1:11:26That's unbelievable in 1936.
1:11:38 > 1:11:41# Punctured bicycle
1:11:41 > 1:11:46# On a hillside, desolate
1:11:46 > 1:11:50# Will nature make a man of me yet?
1:11:52 > 1:11:54# And in this charming car
1:11:55 > 1:11:59# This charming man
1:12:01 > 1:12:03# Why pamper life's complexities
1:12:03 > 1:12:08# When the leather runs smooth on the passenger seat?
1:12:10 > 1:12:12# I would go out tonight
1:12:12 > 1:12:16# But I haven't got a stitch to wear
1:12:18 > 1:12:20# This man said it's gruesome
1:12:20 > 1:12:26# That someone so handsome should care
1:12:27 > 1:12:29# Ah!
1:12:29 > 1:12:31# A jumped-up pantry boy
1:12:31 > 1:12:33# Who never knew his place
1:12:33 > 1:12:36# He said return the ring
1:12:36 > 1:12:40# He knows so much about these things
1:12:41 > 1:12:45# He knows so much about these things
1:12:45 > 1:12:48# He knows so much
1:12:48 > 1:12:53# About these things. #
1:13:05 > 1:13:06CHEERING
1:13:06 > 1:13:08MORRISSEY: Thank you.
1:13:13 > 1:13:14What we're going to show you
1:13:14 > 1:13:18is a visualisation and newsification
1:13:18 > 1:13:21of a poem of a young poet, John Lennon.
1:13:21 > 1:13:24And the poem is called, quite simply,
1:13:24 > 1:13:27Deaf Ted, Danoota (And Me).
1:13:28 > 1:13:32Thorg hilly grove and burly ive
1:13:33 > 1:13:35Big daleys grass and tree
1:13:37 > 1:13:39We clobber ever gallup
1:13:41 > 1:13:45Deaf Ted, Danoota, and me
1:13:46 > 1:13:50So if you hear a wondrous sight
1:13:50 > 1:13:52Am blutter or at sea
1:13:54 > 1:13:58Remember whom the mighty say
1:13:58 > 1:14:01Deaf Ted, Danoota, and me
1:14:04 > 1:14:06ALL: Sometimes we bring our friend, Malcolm.
1:14:06 > 1:14:08CHEERING
1:14:09 > 1:14:11HE MOUTHS
1:14:14 > 1:14:15SQUEAK! SQUEAK!
1:14:16 > 1:14:18IT SQUEAKS
1:14:25 > 1:14:29# Jojo was a man who thought he was a loner
1:14:29 > 1:14:31# But he knew it couldn't last
1:14:33 > 1:14:36# Jojo left his home in Tucson, Arizona
1:14:36 > 1:14:38# For some California grass
1:14:40 > 1:14:41# Get back
1:14:41 > 1:14:43# Get back
1:14:43 > 1:14:47# Get back to where you once belonged
1:14:47 > 1:14:50# Get back
1:14:50 > 1:14:51# Get back
1:14:51 > 1:14:55# Get back to where you once belonged
1:14:55 > 1:14:56# Get back, Jo
1:15:02 > 1:15:03# Go home
1:15:11 > 1:15:12# Get back
1:15:12 > 1:15:14# Get back
1:15:14 > 1:15:17# Get back to where you once belonged
1:15:18 > 1:15:20# Get back
1:15:20 > 1:15:22# Get back
1:15:22 > 1:15:27# Get back to where you once belonged
1:15:27 > 1:15:30# Ooh
1:15:30 > 1:15:33# Ooh-ooh, ooh-ooh
1:15:33 > 1:15:35# Ooh... #
1:15:35 > 1:15:37CHEERING Do you want to get back?
1:15:37 > 1:15:38CHEERING
1:15:38 > 1:15:40Do YOU want to get back?
1:15:40 > 1:15:41OK. Me too.
1:15:49 > 1:15:51# Get back, Loretta
1:15:52 > 1:15:54# Your momma's waiting for you
1:15:54 > 1:15:57# In her high-heel shoes
1:15:57 > 1:15:59# And low-neck sweater
1:15:59 > 1:16:01# Get back
1:16:01 > 1:16:03# Yeah
1:16:03 > 1:16:05# Oh, yeah!
1:16:05 > 1:16:07# Get back!
1:16:07 > 1:16:09# Oh, get back
1:16:09 > 1:16:13# Get back to where you once belonged
1:16:13 > 1:16:15# Get back
1:16:15 > 1:16:17# Oh, get back
1:16:17 > 1:16:20# Back to where you once belonged
1:16:20 > 1:16:22# Get back
1:16:22 > 1:16:23# Get back!
1:16:23 > 1:16:25# Get back, go home
1:16:25 > 1:16:27# Oh, yeah. #
1:16:32 > 1:16:33CHEERING AND APPLAUSE
1:16:36 > 1:16:39Tonight, they play live on television for the first time.
1:16:39 > 1:16:40The Stone Roses.
1:17:00 > 1:17:05# Your knuckles whiten on the wheel
1:17:05 > 1:17:08# The last thing that your hands will feel
1:17:08 > 1:17:12# Your final flight can't be delayed
1:17:17 > 1:17:21# No earth, just sky It's so serene
1:17:21 > 1:17:25# Your pink, fat lips let go a scream
1:17:25 > 1:17:29# You fry and melt I love the scene
1:17:32 > 1:17:35# Sometimes I
1:17:35 > 1:17:38# Fantasize
1:17:39 > 1:17:43# When the streets are cold and lonely
1:17:43 > 1:17:45# And the... #
1:17:48 > 1:17:50- What's happened? - She's coming.
1:17:50 > 1:17:52Hey, get back.
1:17:52 > 1:17:53Well, I'm sorry about that.
1:17:53 > 1:17:56Looks like we've had a power shortage or something.
1:17:56 > 1:17:57HE SHOUTS
1:17:57 > 1:18:00So we'll move on to the next item. And...
1:18:00 > 1:18:02And they ask you to come and then they mess with the power.
1:18:02 > 1:18:05Martin Parr is one of Britain's leading photographers,
1:18:05 > 1:18:07known for his innovative colour work
1:18:07 > 1:18:10and for creating a new school of British documentary photography.
1:18:10 > 1:18:13We've wasted our time, lads.
1:18:13 > 1:18:16We'll do it... We'll sort it out in a minute.
1:18:16 > 1:18:17His latest book, The Cost Of Living,
1:18:17 > 1:18:21chronicles how the comfortable classes spend their time and money.
1:18:21 > 1:18:23But, like some of his previous work,
1:18:23 > 1:18:25the latest photographs are controversial.
1:18:25 > 1:18:29Critics allege he is exploiting his subjects rather than making
1:18:29 > 1:18:31- social commentary. - Amateurs! Amateurs!
1:18:33 > 1:18:35MUSIC: "I'm Afraid Of Me" by Culture Club
1:18:35 > 1:18:38# Fire, desire, love and reaction
1:18:38 > 1:18:40# He must be someone... #
1:18:40 > 1:18:42John was always going on about,
1:18:42 > 1:18:44"Don't worry, we'll get on Top Of The Pops
1:18:44 > 1:18:45"and we'll have a number one."
1:18:45 > 1:18:48I mean, that was what he would say. He would keep saying it.
1:18:48 > 1:18:50And he knew it was going to happen.
1:18:50 > 1:18:53For the first time on Top Of The Pops, it's Culture Club.
1:18:53 > 1:18:55MUSIC: "Do You Really Want To Hurt Me?" by Culture Club
1:18:55 > 1:18:58# Give me time
1:18:59 > 1:19:05# To realise my crime
1:19:06 > 1:19:12# Let me love and steal... #
1:19:12 > 1:19:15I didn't think everyone was going to go mad over me.
1:19:15 > 1:19:18I thought we'd have a full-on freak following, which is what
1:19:18 > 1:19:23we had in the beginning. Boys in make-up, girls, ex-punks.
1:19:23 > 1:19:25You know, sort of freaky girls and boys.
1:19:25 > 1:19:30That was our audience and then, overnight, after being on TV,
1:19:30 > 1:19:32we became pop pin-ups.
1:19:32 > 1:19:35But, certainly, that's not what I expected or planned.
1:19:37 > 1:19:40# Do you really want to hurt me?
1:19:42 > 1:19:45# Do you really want to make me cry... #
1:19:45 > 1:19:49Basically, all I knew is, with the band, is that they just
1:19:49 > 1:19:51had to see the band, George in particular.
1:19:51 > 1:19:54I went home and told my mum, "I've just started a band with this guy"
1:19:54 > 1:19:56She looked and went, "Don't tell your father."
1:19:56 > 1:19:58That was the reaction.
1:19:58 > 1:20:00But George actually didn't tone himself down
1:20:00 > 1:20:03but he brought himself down from being an out-and-out thing
1:20:03 > 1:20:04that was out there, queen of the night,
1:20:04 > 1:20:08into some sort of image, really sort of quite beautiful, but...
1:20:08 > 1:20:09He had an image.
1:20:09 > 1:20:12He even had a shape, George, he had that sort of shape. I don't know.
1:20:12 > 1:20:14George was sort of like a living logo.
1:20:14 > 1:20:17# Do you really want to hurt me?
1:20:19 > 1:20:23# Do you really want to make me cry? #
1:20:43 > 1:20:45# Stir it up
1:20:47 > 1:20:49# Little darling
1:20:49 > 1:20:52# Stir it up
1:20:52 > 1:20:54# Come on, baby
1:20:56 > 1:20:57# Stir it up
1:21:00 > 1:21:02# Little darling
1:21:02 > 1:21:04# Stir it up
1:21:05 > 1:21:07# Whoa
1:21:08 > 1:21:12- # It's been a long, long time - Stir it together
1:21:12 > 1:21:18- # Since I've got you on my mind - Ooh-ooh-ooh-ooh
1:21:18 > 1:21:21# Whoa-oh, yeah
1:21:21 > 1:21:24- # And now you are here - Stir it together
1:21:24 > 1:21:28# I say it's OK
1:21:28 > 1:21:31# To see what we could do, baby
1:21:31 > 1:21:34# Just me and you
1:21:34 > 1:21:36# Come on and stir it up
1:21:38 > 1:21:41# Little darling
1:21:41 > 1:21:42# Stir it up
1:21:43 > 1:21:46# Come on, baby
1:21:46 > 1:21:47# It's our business
1:21:47 > 1:21:49# Stir it up
1:21:49 > 1:21:51# Ooh, yeah, mama
1:21:51 > 1:21:54# Little darling
1:21:54 > 1:21:55# Stir it up
1:21:57 > 1:22:00# Whoa, yeah, yeah. #
1:22:30 > 1:22:32# Well, I'm up on the 11th floor
1:22:32 > 1:22:34# And I'm watching the cruisers below
1:22:37 > 1:22:39# You know, my heart's in the basement
1:22:39 > 1:22:41# My weekend's at an all-time low
1:22:44 > 1:22:45# Well, he's down on the street
1:22:45 > 1:22:48# And he's trying hard to pull Sister Flo
1:22:51 > 1:22:53# Cos she's hoping to score
1:22:53 > 1:22:56# Well, I can't see her letting him go
1:22:56 > 1:22:58# Walk out of her heart
1:22:58 > 1:23:00# Walk out of her mind
1:23:00 > 1:23:02# Oh, no, no
1:23:02 > 1:23:04# She's so swishy in her satin and tat
1:23:05 > 1:23:08# In her frock coat and bipperty-bopperty hat
1:23:08 > 1:23:11# Oh, God, I could do better than that. #
1:23:13 > 1:23:17I saw Ziggy on stage and it looked like... It looked like he was dead.
1:23:17 > 1:23:21It looked like a tribute. Like someone else was playing the part.
1:23:21 > 1:23:24Oh, yes. Very much.
1:23:24 > 1:23:29I get occasional flashes of what he used to be like but it's...
1:23:29 > 1:23:32The actual performance is a little more perfunctory, I think,
1:23:32 > 1:23:33than it ever was before.
1:23:33 > 1:23:34BACKGROUND THUD
1:23:34 > 1:23:37- So what's happening... - Absolute Ruhe, bitte!
1:23:52 > 1:23:55I noticed that the music, now, is more...
1:23:55 > 1:23:57more daring, more adventurous, more fractured.
1:23:57 > 1:23:59Is there a danger that by following your instinct,
1:23:59 > 1:24:02your aesthetic instincts, if you like, your artistic instincts,
1:24:02 > 1:24:06that you will jeopardise that, you know, the money and the good life?
1:24:06 > 1:24:08No shit, Sherlock.
1:24:10 > 1:24:11Yes, I think...
1:24:11 > 1:24:15I think I've rather sort of hit that one on the head at the moment.
1:24:16 > 1:24:23It's quite a relief, really. I feel a lot more free in what I do.
1:24:25 > 1:24:36# From all the unborn chicken voices in my head
1:24:38 > 1:24:45# What's there?
1:24:47 > 1:24:54# What's there?
1:24:57 > 1:25:05# When I am king you will be first against the wall
1:25:14 > 1:25:26# With your opinion, which is of no consequence at all
1:25:27 > 1:25:36# What's there?
1:25:36 > 1:25:45# What's there?
1:25:46 > 1:25:48# You don't remember You don't remember
1:25:48 > 1:25:51# Why don't you remember my name?
1:25:51 > 1:25:54# Off with his head, man Off with his head, man
1:25:54 > 1:26:00# Why don't he remember my name I guess he does
1:26:31 > 1:26:33APPLAUSE AND CHEERING
1:26:35 > 1:26:39- JAY Z:- Yes. So crazy right now.
1:26:39 > 1:26:41Most incredibly.
1:26:41 > 1:26:43It's your girl, B.
1:26:43 > 1:26:45It's your boy, Young.
1:26:45 > 1:26:48Glastonbury, are you ready? Sing.
1:26:48 > 1:26:50# Uh-oh, uh-oh, uh-oh, oh-no-no... #
1:26:50 > 1:26:53- Come on! - # Uh-oh, uh-oh, uh-oh, oh-no-no
1:26:53 > 1:26:56# Uh-oh, uh-oh, uh-oh, oh-no-no. #
1:26:56 > 1:26:58Play it. One, two, three, four.
1:26:58 > 1:27:03History in the making. Part two. It's so crazy right now.
1:27:03 > 1:27:05# I look and stare so deep in your eyes
1:27:05 > 1:27:08# I touch on you more and more every time
1:27:08 > 1:27:10# When you leave I'm begging you not to go
1:27:10 > 1:27:13# Call your name two or three times in a row
1:27:13 > 1:27:15# Such a funny thing for me to try to explain
1:27:15 > 1:27:19# How I'm feeling and my pride is the one to blame
1:27:19 > 1:27:20# I still don't understand
1:27:20 > 1:27:22# Just how your love can do what no-one else can
1:27:22 > 1:27:24# Got me looking so crazy right now
1:27:24 > 1:27:27- # Your love's got me looking so crazy right now... #- Sing it!
1:27:27 > 1:27:29# Got me looking so crazy right now
1:27:29 > 1:27:32# Your touch got me looking so crazy right now
1:27:32 > 1:27:34# Got me hoping you'll page me right now
1:27:34 > 1:27:37# Your kiss got me looking to save me right now
1:27:37 > 1:27:39# Looking so crazy Your love's got me looking
1:27:39 > 1:27:41- # Got me looking so crazy Your love... #- Oh, yeah!
1:27:41 > 1:27:44# Uh-oh, uh-oh, uh-oh, oh-no-no
1:27:44 > 1:27:46# Uh-oh, uh-oh, uh-oh, oh-no-no
1:27:46 > 1:27:49# Uh-oh, uh-oh, uh-oh, oh-no-no
1:27:49 > 1:27:51# Uh-oh, uh-oh, uh-oh, oh-no-no
1:27:51 > 1:27:54# When I talk to my friends so quietly
1:27:54 > 1:27:56- # Who he think he is? - Look at what you did to me
1:27:56 > 1:27:58# Tennis shoes Don't even need to buy a new dress
1:27:58 > 1:28:01# If you ain't there ain't nobody else to impress
1:28:01 > 1:28:03# It's the way that you know what I thought I knew
1:28:03 > 1:28:07# The beat in my heart skips when I'm with you
1:28:07 > 1:28:08# I still don't understand
1:28:08 > 1:28:11# Just how your love will do what no-one else can
1:28:11 > 1:28:13# Got me looking so crazy right now
1:28:13 > 1:28:15# Your love's got me looking so crazy right now
1:28:15 > 1:28:18- # So crazy! - Got me looking so crazy right now
1:28:18 > 1:28:20- # Right now! - Got me looking so crazy right now
1:28:20 > 1:28:22# Crazy!
1:28:22 > 1:28:25# Crazy!
1:28:25 > 1:28:28# Bom-bom, bo-bom-bom, bom, bo-bom Hey, yeah!
1:28:29 > 1:28:30# Whoo!
1:28:30 > 1:28:32# Got me looking so crazy right now
1:28:32 > 1:28:35# Your love's got me looking so crazy right now
1:28:35 > 1:28:37# Got me looking so crazy right now
1:28:37 > 1:28:40# Your touch got me looking so crazy right now
1:28:40 > 1:28:42# Got me hoping you'll page me right now
1:28:42 > 1:28:44# Your kiss got me looking to save me right now
1:28:44 > 1:28:46# Looking so crazy Your love's got me looking
1:28:46 > 1:28:49# Got me looking so crazy, your love
1:28:49 > 1:28:51# Looking so crazy Your love's got me looking
1:28:51 > 1:28:55# Got me looking so crazy your love. #
1:28:55 > 1:28:57CHEERING