0:00:00 > 0:00:04# London town, London town london town, London town! #
0:00:08 > 0:00:13'Notting Hill Carnival - it means many things to many people.
0:00:13 > 0:00:16'But one of the most special things about Carnival
0:00:16 > 0:00:21'is hearing massive tunes played on heavyweight sound systems
0:00:21 > 0:00:23'out on the streets.'
0:00:23 > 0:00:26When you walk into Notting Hill Carnival,
0:00:26 > 0:00:29you are seeing every shade of person, every religion,
0:00:29 > 0:00:32every creed, every colour, every sexuality,
0:00:32 > 0:00:36everybody sharing this experience of just having a good time.
0:00:36 > 0:00:38There's just something natural about dancing outside
0:00:38 > 0:00:39when the weather's good.
0:00:41 > 0:00:42It's knowing that you're doing something
0:00:42 > 0:00:44that's kind of like you're not supposed to do
0:00:44 > 0:00:47but you can get away with it for two days of the year.
0:00:47 > 0:00:50There's a few people that have obviously moved into Notting Hill
0:00:50 > 0:00:51having seen the Hugh Grant film,
0:00:51 > 0:00:54thinking that it's all about book shops, rather than Bogling,
0:00:54 > 0:00:56let's be brutally honest.
0:00:56 > 0:00:59Around about August time, THAT is Notting Hill.
0:00:59 > 0:01:03'This is a celebration of Carnival's biggest tunes over the years.
0:01:03 > 0:01:07'And the people who've made them... and played them.'
0:01:07 > 0:01:11It's primarily a party for me, my friends and my family.
0:01:11 > 0:01:14And if we've got that right, the rest is right.
0:01:14 > 0:01:17Playing at Carnival, it's one of them things,
0:01:17 > 0:01:19it separates the men from the boys,
0:01:19 > 0:01:21because everyone... everyone thinks they can do it
0:01:21 > 0:01:25until they get into that situation,
0:01:25 > 0:01:28where they've got 5,000 people in front of their sound system,
0:01:28 > 0:01:31jumping, and then they play the wrong tune,
0:01:31 > 0:01:34and then the crowd stop jumping and walk off.
0:01:34 > 0:01:38'But first, let's rewind to where it all started.'
0:01:39 > 0:01:46Notting Hill Carnival evolved through the Trinidad fraternity.
0:01:46 > 0:01:50Trinidad is the land of calypso. It's the land of calypso.
0:01:50 > 0:01:53When a band was playing a tune,
0:01:53 > 0:01:56it was a calypso, it was either Sparrow or Kitchener.
0:01:56 > 0:01:58# Don't make a row
0:01:58 > 0:02:00# The Yankees gone and Sparrow take over now. #
0:02:00 > 0:02:04Younger calypsonians coming up
0:02:04 > 0:02:07decided they wanted more...more life,
0:02:07 > 0:02:14more hip things, so out of the same calypso came soca.
0:02:14 > 0:02:19I mean, soca is just a faster version of calypso.
0:02:19 > 0:02:20# Mashing up de place
0:02:20 > 0:02:22Jump up and break out of de place... #
0:02:22 > 0:02:24When I hear soca music at Carnival,
0:02:24 > 0:02:26that is like the true essence of Carnival.
0:02:26 > 0:02:27It's like it's in my blood.
0:02:27 > 0:02:29# ..Mashing up de place... #
0:02:29 > 0:02:32It's got to be the soca music.
0:02:32 > 0:02:35MUSIC: "Dollar Wine"
0:02:35 > 0:02:39For instance, you play Dollar Wine, OK?
0:02:39 > 0:02:42As soon as that intro drops and it starts to do the whole Dollar Wine,
0:02:42 > 0:02:45you see people that don't even know how to wine
0:02:45 > 0:02:49but they know the movements so they'll do the waist...you know?
0:02:49 > 0:02:50And people, all of a sudden,
0:02:50 > 0:02:52everyone's in unison doing this movement.
0:02:52 > 0:02:55# Cent, five cent, ten cent, dollar
0:02:55 > 0:02:59# Cent, five cent Ten cent, dollar... #
0:02:59 > 0:03:03REGGAE MUSIC
0:03:03 > 0:03:06Carnival was thought of as a calypso event.
0:03:06 > 0:03:10The thought of involving reggae was a bit alien
0:03:10 > 0:03:13because reggae didn't quite fit, because that was more
0:03:13 > 0:03:19Western Caribbean, as opposed to Eastern Caribbean.
0:03:19 > 0:03:21In discussions, we managed to say,
0:03:21 > 0:03:26"Well, look, there's no east to west, north and south of the Caribbean.
0:03:26 > 0:03:32"It's the Caribbean." So, under that umbrella, reggae was let in,
0:03:32 > 0:03:36and we would deliberately play the latest Bob Marley
0:03:36 > 0:03:40or the latest Toots And The Maytals or the latest Jimmy Cliff.
0:03:40 > 0:03:43# You can get it if you really want
0:03:44 > 0:03:47# You can get if you really want
0:03:47 > 0:03:49# But you must try
0:03:49 > 0:03:51# Try and try
0:03:51 > 0:03:53# Try and try
0:03:53 > 0:03:55# You'll succeed at last... #
0:03:55 > 0:03:58And, of course, people wouldn't frown on that
0:03:58 > 0:03:59because people love reggae.
0:03:59 > 0:04:01MUSIC: "One Love" by Bob Marley
0:04:01 > 0:04:04I never play a session and don't play a Bob Marley.
0:04:04 > 0:04:07Every session I play, I must have to play a Bob Marley,
0:04:07 > 0:04:09by the king of reggae.
0:04:14 > 0:04:16# One love... #
0:04:16 > 0:04:20When you play an old, a really old tune,
0:04:20 > 0:04:22even the kids respect it.
0:04:22 > 0:04:27I mean, you...you play Bob Marley's One Love, and they'll sing it.
0:04:27 > 0:04:30- # ..One love - # Hear the children crying... #
0:04:30 > 0:04:35It seems to touch a chord in people's memory, you know?
0:04:35 > 0:04:38When you play these tunes, you could hear the crowd answer you.
0:04:39 > 0:04:42Far and loud away. You know what I mean?
0:04:42 > 0:04:44# ..And feel all right... #
0:04:44 > 0:04:48Carnival, I would say, it's rooted in Caribbean culture.
0:04:48 > 0:04:53It's dub, it's reggae, it's soca, it's jungle,
0:04:53 > 0:04:54it's UKG.
0:04:54 > 0:04:57More and more, over the last few years, it's house music.
0:04:57 > 0:05:00So, yeah, I guess it's music of black origin.
0:05:00 > 0:05:04You get some of the major radio stations who will...
0:05:04 > 0:05:06They'll be petitioning you before, you know?
0:05:06 > 0:05:10"Yeah, we'd like to get a couple of our guys on your system for the day,"
0:05:10 > 0:05:13and we just let them know. You know what? This is a sound boy team.
0:05:13 > 0:05:15It's a sound boy team.
0:05:15 > 0:05:16It's a sound boy team.
0:05:18 > 0:05:19And that's it.
0:05:19 > 0:05:21It's not about YOUR DJ's profile, it's a sound boy thing.
0:05:21 > 0:05:24# Sound boy, sound boys are in... #
0:05:24 > 0:05:29For us in the UK, the carnival is probably our Holy Grail.
0:05:29 > 0:05:33When I first went, all I can remember was the squash,
0:05:33 > 0:05:36the squeeze, trying to get through, and,
0:05:36 > 0:05:38"You might lose your cousin," and, "Everybody hold hands."
0:05:38 > 0:05:40I think once we got to a certain place
0:05:40 > 0:05:42and it just started to get super busy,
0:05:42 > 0:05:45we knew what was about to happen. I couldn't believe
0:05:45 > 0:05:47how many people there were. It were MENTAL.
0:05:47 > 0:05:49I just remember the atmosphere being ridiculous,
0:05:49 > 0:05:51just so strong, so...
0:05:51 > 0:05:54Just energy. Just amazing. Really infectious and addictive.
0:05:54 > 0:05:59I haven't missed the carnival in 40 years, yeah?
0:05:59 > 0:06:02But I've been playing Carnival for 24 years.
0:06:02 > 0:06:06My earliest memories probably was the smells, you know?
0:06:06 > 0:06:09And this would be the vendors cooking their chicken and jerk
0:06:09 > 0:06:10and whatever.
0:06:10 > 0:06:15And when you mix the smells with the sound and the atmosphere,
0:06:15 > 0:06:16it's Carnival.
0:06:16 > 0:06:18# Ooh, yeah, ooh-ooh
0:06:19 > 0:06:23# Police and thieves in the street... #
0:06:24 > 0:06:29The biggest tune for me was Police & Thieves that was...
0:06:29 > 0:06:30by Junior Murvin.
0:06:30 > 0:06:34That was the biggest tune in Carnival at that time
0:06:34 > 0:06:36and the response on that was manic.
0:06:36 > 0:06:37PISTOL SHOT SOUND EFFECT
0:06:39 > 0:06:40JAH SHAKA MUSIC PLAYS
0:06:40 > 0:06:43I came across a sound called Jah Shaka,
0:06:43 > 0:06:47and I've never seen anything like it, you know? The sound was huge.
0:06:47 > 0:06:51I'd never seen so many black men congregating
0:06:51 > 0:06:53together at the time, so I just thought it was amazing.
0:06:55 > 0:06:59I thought to myself at the time, "I'd love to do this."
0:06:59 > 0:07:02What is the feel of playing at Notting Hill Carnival?
0:07:02 > 0:07:04Pfff-fff!
0:07:04 > 0:07:07You're going to make me cry, that's what the feeling is.
0:07:07 > 0:07:10It's like the peacock show, you know, one gets their feathers out.
0:07:10 > 0:07:13It's the one time where you can really go out and do your thing.
0:07:13 > 0:07:18If I think about tunes that have dropped and the place has gone mad...
0:07:18 > 0:07:21Roy Davis Jr, featuring Peven Everett, called Gabriel.
0:07:21 > 0:07:23Wherever you play that record,
0:07:23 > 0:07:26it goes absolutely ballistic, to the point of,
0:07:26 > 0:07:30you couldn't hear the record for the cheering.
0:07:30 > 0:07:32It was that loud. It was... It was epic.
0:07:32 > 0:07:37# Those that stand aside... #
0:07:37 > 0:07:43As a teenager, I was always headed to that Rampage.
0:07:43 > 0:07:46This is the Rampage!
0:07:46 > 0:07:50I've got to pay homage to Rampage because they, still,
0:07:50 > 0:07:52up to now, smash Carnival.
0:07:52 > 0:07:54# Da, da-da, da, da-da
0:07:54 > 0:07:56# Let the boys be boys. #
0:07:56 > 0:07:58The police radiate out from our spot
0:07:58 > 0:08:00because they always get asked two questions -
0:08:00 > 0:08:02where's the toilets and where's Rampage?
0:08:02 > 0:08:05# Yeah! Don't steal our rhymes! #
0:08:05 > 0:08:09The Rampage experience at Carnival is going to be you with
0:08:09 > 0:08:1212,000 other people facing thousands of watts of sound system.
0:08:14 > 0:08:16I would find the quietest corner,
0:08:16 > 0:08:19because Rampage turns into a zoo.
0:08:19 > 0:08:21Sometimes I would go with, like,
0:08:21 > 0:08:23one or two friends and they'd be so like,
0:08:23 > 0:08:24"Oh, we're going to get squashed!"
0:08:24 > 0:08:27And I would be that one in the middle -
0:08:27 > 0:08:30what people would class today as, like,
0:08:30 > 0:08:32mosh-pitting - I was in the middle.
0:08:32 > 0:08:34I'll be starting it, like, "Whagh! Whagh!"
0:08:34 > 0:08:37MUSIC: "Pow" by Lethal Bizzle
0:08:37 > 0:08:39You could not play that record.
0:08:39 > 0:08:41# Yeah, yeah It's Lethal da Bizzle records... #
0:08:41 > 0:08:44Oh. Ohh...
0:08:44 > 0:08:45# It's Lethal da Bizzle records... #
0:08:45 > 0:08:48You couldn't play Lethal Bizzle's Pow at Notting Hill Carnival.
0:08:48 > 0:08:50# ..Pow! Yeah I'm Leth with the B, pow!
0:08:50 > 0:08:52# If you don't know about me pow... #
0:08:52 > 0:08:56The police did not understand what happens to a big group of youths
0:08:56 > 0:08:59when a grime record plays. You could not play that record.
0:08:59 > 0:09:02Trees on the road,
0:09:02 > 0:09:03like TREES,
0:09:03 > 0:09:07proper trees - I am 100 years old. I am a tree -
0:09:07 > 0:09:10waving in the wind like it's a hurricane
0:09:10 > 0:09:13for Lethal B's Pow. Don't know how they done it,
0:09:13 > 0:09:15I mean, just 12,000 people
0:09:15 > 0:09:19ALL screaming at you - "Pow!"
0:09:19 > 0:09:21# ..I'm Leth with a B, pow!
0:09:21 > 0:09:22# If you don't know about me, pow! #
0:09:22 > 0:09:25I could die happy after playing Pow at Carnival.
0:09:27 > 0:09:31That's always that question that people ask me,
0:09:31 > 0:09:33"Yeah, yeah, so what's the big tune at Carnival, man?
0:09:33 > 0:09:35"What's the big tune for Carnival?"
0:09:35 > 0:09:36# Because I'm happy
0:09:36 > 0:09:40# Clap along if you feel like a room without a roof... #
0:09:40 > 0:09:43The thing is, I didn't think Happy would be a big record by Pharrell
0:09:43 > 0:09:44at Carnival this year.
0:09:44 > 0:09:46# ..Clap along if you feel... #
0:09:46 > 0:09:51We have lots of records that set our crowd off, both new and classic.
0:09:51 > 0:09:56Who could resist jumping around when you hear James Brown?
0:09:56 > 0:09:59# Watch me! Watch me!
0:09:59 > 0:10:01# I got it... #
0:10:01 > 0:10:03You have to time it right, but Days Like This...
0:10:03 > 0:10:05# I love days like this... #
0:10:05 > 0:10:08You drop that tune, you've got everybody singing.
0:10:08 > 0:10:10# ..I love days like this
0:10:10 > 0:10:11# It's here... #
0:10:11 > 0:10:16If you can have 2,000, 3,000 people in the street all singing in unison
0:10:16 > 0:10:20and you're seeing the whole street dropping and up and down like one,
0:10:20 > 0:10:23you know, it's a rare sight.
0:10:23 > 0:10:26# ..Whoa-oh! Whoa-oh! Whoa-oh! #
0:10:26 > 0:10:29We play something like Valerie, Amy Winehouse,
0:10:29 > 0:10:32not going to play... not going to play the normal version,
0:10:32 > 0:10:34I'll play the a cappella
0:10:34 > 0:10:38and the crowd will sing that tune,
0:10:38 > 0:10:43everybody in the crowd has got a hand in the air, every single person
0:10:43 > 0:10:48is singing that tune, even when the tune cuts out,
0:10:48 > 0:10:49so there's no... There's...
0:10:49 > 0:10:51It's an a cappella, you don't hear...
0:10:51 > 0:10:54you don't hear the bridge, you don't hear none of those things,
0:10:54 > 0:10:57but you see people's heads just doing the beat
0:10:57 > 0:11:00and THAT is a carnival smasher.
0:11:00 > 0:11:04# Oh, why don't you come on over Valerie? #
0:11:04 > 0:11:07I'm always too afraid to play one of my own tunes at Carnival,
0:11:07 > 0:11:09cos it's like there's nothing worse...
0:11:09 > 0:11:13The only thing worse than clearing or just messing up the vibe at Carnival
0:11:13 > 0:11:16would be messing up the vibe with one of your own tunes.
0:11:16 > 0:11:18I always try not to play my own songs in those situations,
0:11:18 > 0:11:22but maybe, now that you've said that, I should try it.
0:11:22 > 0:11:25# Ooooh-ooh-whee!
0:11:25 > 0:11:29# Ooh-ooh-whee, la-la-la-la-la-la! #
0:11:29 > 0:11:31The list is endless of tunes that are real floor bangers.
0:11:31 > 0:11:35You're never going to beat Lisa Lisa, I Wonder If I Take You Home.
0:11:35 > 0:11:37# I wonder if I take you home
0:11:37 > 0:11:40# Would you still be in love, baby?
0:11:40 > 0:11:43# Because I need you tonight hah-hah-hah! #
0:11:43 > 0:11:46Higher, baby.
0:11:46 > 0:11:48White Lines, Grandmaster Flash
0:11:48 > 0:11:52and so you've got 10,000 people going, "Free whiz!"
0:11:56 > 0:12:01When that bass line kicks in on a proper, proper bass bin
0:12:01 > 0:12:06and I mean a proper, home-made, 25-year-old bass bin,
0:12:06 > 0:12:08there's nothing else quite like it.
0:12:10 > 0:12:12Since I first made the record, it was massive
0:12:12 > 0:12:14and garage was really exploding.
0:12:14 > 0:12:17We played it and you could feel the road shake and I mean, like,
0:12:17 > 0:12:21the tarmac, and after Carnival had finished and everyone had left,
0:12:21 > 0:12:22we went and looked at the metal barriers,
0:12:22 > 0:12:28just solid metal tubing and they were bent back by about 70 degrees.
0:12:28 > 0:12:31# Get it with da rhythm now get me started
0:12:31 > 0:12:33# Me nah cum fer dex me just on raves. #
0:12:33 > 0:12:35It's very raw, it's very visceral.
0:12:35 > 0:12:39Her flow on it is just incredible, it sums up UK music, that.
0:12:39 > 0:12:41I love Carnival.
0:12:41 > 0:12:44Every year without fail, for it to be something that I'm looking forward to
0:12:44 > 0:12:47in the same way that I'm looking forward to Christmas
0:12:47 > 0:12:50and I ain't getting no presents, it's just, like, vibes.
0:12:50 > 0:12:52- # I'm just Ms - # Dy-na-mitee! #
0:12:52 > 0:12:53Being in the Carnival,
0:12:53 > 0:12:56hearing your music or being on that stage performing your music,
0:12:56 > 0:12:59it's just, like, real, like, home, proud moment of being home,
0:12:59 > 0:13:03and, like, having achieved something with your people there around you.
0:13:03 > 0:13:05# No matter what you do, I know
0:13:05 > 0:13:07# I know You should be in love with me... #
0:13:07 > 0:13:11Performing at Carnival is just a totally different experience.
0:13:13 > 0:13:17Because men have grown up going to Carnival and wanting it,
0:13:17 > 0:13:18there's not much better.
0:13:18 > 0:13:21You may do bigger events, you may do events for more money,
0:13:21 > 0:13:23but Carnival you don't even get paid as well
0:13:23 > 0:13:26and that's the most brilliant about it, cos it is a genuine love.
0:13:26 > 0:13:27INDISTINCT
0:13:27 > 0:13:29CHEERING
0:13:29 > 0:13:33The thing about a lot of, the kind of, the foundation garage records,
0:13:33 > 0:13:36things like So Solid Crew's 21 Seconds...
0:13:36 > 0:13:37# I've got 21 seconds to go
0:13:37 > 0:13:39# Cos if you'd like to let me know
0:13:39 > 0:13:40# Let me in the studio
0:13:40 > 0:13:41# I've got 21 seconds before I got to go
0:13:41 > 0:13:43# Did you see me in the video? Oh, no
0:13:43 > 0:13:45# Did you see me in the video? Oh, no
0:13:45 > 0:13:47# So would you like to let me know? Let me in the studio
0:13:47 > 0:13:48# I got 21 seconds before I got to go
0:13:48 > 0:13:50# Did you see me on the video? #
0:13:50 > 0:13:54You can play that now and you're going to get the same reaction that
0:13:54 > 0:13:59they would've got back in 2000, 2001, everybody knows every lyric.
0:13:59 > 0:14:03It's a BIG tune, it literally... It gets the fingers in the air,
0:14:03 > 0:14:07it gets everybody going and because it's such a perennial,
0:14:07 > 0:14:09there's no way that that fails.
0:14:09 > 0:14:10# Rudeboy... #
0:14:10 > 0:14:11Jungle.
0:14:11 > 0:14:14# ..Original madmah madmah mad nuttah... #
0:14:14 > 0:14:18Original Nuttah by Shy is just ape and it goes off everywhere.
0:14:18 > 0:14:23I can remember, like, literally just going into some cra...
0:14:23 > 0:14:25like I had been electrocuted in the middle of the street.
0:14:25 > 0:14:27I didn't care who was watching me.
0:14:27 > 0:14:30There is the most hard-core reggae sound to the most raviest
0:14:30 > 0:14:33and the hip-hop, that is just Carnival in a record.
0:14:33 > 0:14:34# ..Watch ya
0:14:34 > 0:14:37# You never know di gangsta mi she dem inna jungle... #
0:14:37 > 0:14:41I believe you can play any good record at the right time
0:14:41 > 0:14:42and that would set off the crowd.
0:14:42 > 0:14:46Pick something like D'Angelo Cruisin', for instance,
0:14:46 > 0:14:49a song that... It's a slow jam.
0:14:49 > 0:14:54# Away from here... #
0:14:54 > 0:15:00The thing about playing Carnival is...when you've got it right,
0:15:00 > 0:15:01you so have it right,
0:15:01 > 0:15:07you know when you put a tune on what's going to happen
0:15:07 > 0:15:09because you've made it so, you stand there
0:15:09 > 0:15:11and you're conducting.
0:15:11 > 0:15:13Everyone out there is the instrument
0:15:13 > 0:15:15and you're standing there, saying to them, "Yeah, you know what?
0:15:15 > 0:15:17"You know what's going to happen now?
0:15:17 > 0:15:18"You're going to sing really loudly here."
0:15:18 > 0:15:21# ..We're going to fly away... #
0:15:21 > 0:15:24Just... You get this little kind of fizzy feeling inside.
0:15:25 > 0:15:30# ..I love you when we're cruisin' together... #
0:15:33 > 0:15:34# Snoop... #
0:15:34 > 0:15:36Every DJ has that, like,
0:15:36 > 0:15:41a tiny bit of that internal, egomaniac, puppet-master vibe,
0:15:41 > 0:15:43you know, where we like to control...
0:15:43 > 0:15:45# ..Snoop... #
0:15:45 > 0:15:46..not in a bad way,
0:15:46 > 0:15:49but you like to be able to kind of determine the mood in a room.
0:15:50 > 0:15:53With great power comes great responsibility.
0:15:53 > 0:15:55# ..When the ... in the crib, Imma
0:15:55 > 0:15:56# Drop it like it's hot
0:15:56 > 0:15:59# Drop it like it's hot Drop it like it's hot... #
0:15:59 > 0:16:01The sense of pride, playing in your home town,
0:16:01 > 0:16:03it's the gift and the curse.
0:16:03 > 0:16:05You know they're going to be looking at you screw-faced
0:16:05 > 0:16:08if you don't give them what they've come for, you have to deliver.
0:16:08 > 0:16:12To be able to stand on the back of the van or up on that stage
0:16:12 > 0:16:15and entertain three, four, five thousand people
0:16:15 > 0:16:18is the highlight of my DJ career.
0:16:18 > 0:16:21# Murder, she wrote
0:16:21 > 0:16:22# Murder, she wrote... #
0:16:22 > 0:16:25It used to be a celebration of Caribbean culture
0:16:25 > 0:16:28and now I think it's a celebration of multi-culture.
0:16:28 > 0:16:31# Ah come out to live meh life Somebody say
0:16:31 > 0:16:32# Live meh life
0:16:32 > 0:16:35# Play ah mas and live meh life
0:16:35 > 0:16:36# I'm the happiest man alive... #
0:16:36 > 0:16:41It's Europe's biggest festival and it's one of a kind, where...
0:16:41 > 0:16:45You don't get the floats in other little festivals,
0:16:45 > 0:16:48you don't get a barrage of sound systems
0:16:48 > 0:16:50and you don't get a million and a half people attending
0:16:50 > 0:16:52- over the two days. - If not more.
0:16:52 > 0:16:55I cannot think of any other event on the planet that is like that.
0:16:55 > 0:16:57# Feel it in the one drop
0:16:57 > 0:16:59# Oooh-ooh-ooh
0:16:59 > 0:17:02# And we'll still find time to rap
0:17:02 > 0:17:05# We're makin' the one stop... #
0:17:05 > 0:17:08If they come to the UK in the summertime,
0:17:08 > 0:17:09they're going to go to Buckingham Palace
0:17:09 > 0:17:12and they're going to go the Notting Hill Carnival.
0:17:12 > 0:17:15It's a celebration, a true celebration,
0:17:15 > 0:17:18of everything that is great about Britain.
0:17:18 > 0:17:20I'm so proud of it as a British person,
0:17:20 > 0:17:21to be from somewhere that can do that
0:17:21 > 0:17:23and I think a lot of people think that
0:17:23 > 0:17:25and it's just a right good party.