0:00:34 > 0:00:38Good evening, and welcome to a special event in British theatre,
0:00:38 > 0:00:42the televising of a spanking new production
0:00:42 > 0:00:45of John Webster's gory revenge tragedy,
0:00:45 > 0:00:47The Duchess Of Malfi.
0:00:47 > 0:00:51And it's being performed in a perfect, meticulous re-creation
0:00:51 > 0:00:54of a Jacobean indoor theatre
0:00:54 > 0:00:56so that we can tell for the very first time
0:00:56 > 0:00:58what it was like to be in the audience
0:00:58 > 0:01:03when this play was first performed in 1614.
0:01:05 > 0:01:09Here, hidden away inside Shakespeare's Globe in London,
0:01:09 > 0:01:12something rather amazing has been created.
0:01:12 > 0:01:15This beautiful intimate space is based on drawings
0:01:15 > 0:01:19of a London theatre from around four centuries ago -
0:01:19 > 0:01:23the kind that Shakespeare's last plays were performed in,
0:01:23 > 0:01:26and indeed tonight's play, The Duchess Of Malfi,
0:01:26 > 0:01:29by his near contemporary John Webster.
0:01:29 > 0:01:32And unlike the Globe, it's indoors,
0:01:32 > 0:01:35so for the first time, you could forget about the noise of the city,
0:01:35 > 0:01:37and the rain,
0:01:37 > 0:01:40and concentrate on the extraordinary magical possibilities
0:01:40 > 0:01:44of staging and scenery and lighting.
0:01:45 > 0:01:48No electric lighting, of course, but candles.
0:01:48 > 0:01:51Hundreds of candles.
0:01:51 > 0:01:56These pure-beeswax candles cost around £400 per show.
0:01:56 > 0:01:58Now, it's bold, and perhaps crackers,
0:01:58 > 0:02:01to be trying television by candlelight,
0:02:01 > 0:02:04but as you'll see, the effect is extraordinary.
0:02:06 > 0:02:09So welcome to a world of shadows -
0:02:09 > 0:02:14not just the soft candlelit gloom of the theatre,
0:02:14 > 0:02:15but a moral universe,
0:02:15 > 0:02:20which is dark with jealousy, mistrust and revenge.
0:02:20 > 0:02:23John Webster was the Quentin Tarantino
0:02:23 > 0:02:26of the old English theatre.
0:02:26 > 0:02:29"When the bad bleed, then is the tragedy good,"
0:02:29 > 0:02:31says one character in a similar play.
0:02:31 > 0:02:34And tonight, the bad certainly bleed -
0:02:34 > 0:02:37and so do the good, in buckets.
0:02:37 > 0:02:41But this is more than a standard Jacobean gorefest.
0:02:41 > 0:02:44It's full of beautiful poetry.
0:02:44 > 0:02:49The play is shot through with all the melancholy of the age.
0:02:49 > 0:02:52"What's this flesh?" one character asks.
0:02:52 > 0:02:54"Crudded milk.
0:02:54 > 0:02:57"Fantastical puff paste.
0:02:57 > 0:03:01"Our bodies are weaker than those paper prisons
0:03:01 > 0:03:05"boys use to keep flies in."
0:03:06 > 0:03:10It's a story of jealousy, deceit and murder.
0:03:10 > 0:03:13The Duchess, played by Gemma Arterton,
0:03:13 > 0:03:15is a sexy and attractive widow.
0:03:17 > 0:03:22She has two brothers, the Cardinal and her twin, Ferdinand.
0:03:22 > 0:03:25Ferdinand in particular is determined
0:03:25 > 0:03:28that she shall never marry again.
0:03:28 > 0:03:31There's something seriously unhealthy and possessive
0:03:31 > 0:03:33in his obsession with his sister,
0:03:33 > 0:03:38and his jealousy is a fuse waiting to be lit.
0:03:38 > 0:03:41Well, as you might expect, the witty and vivacious Duchess
0:03:41 > 0:03:43is not about to be condemned
0:03:43 > 0:03:47to a life of chaste and pious spinsterhood - oh, no.
0:03:47 > 0:03:52She has eyes set on her buff young steward, Antonio.
0:03:52 > 0:03:54She offers herself to him.
0:03:54 > 0:03:56He is dazzled.
0:03:56 > 0:03:59And they marry in secret.
0:03:59 > 0:04:02When her brothers, Ferdinand and the Cardinal, find out,
0:04:02 > 0:04:07they are beside themselves, and they plot their revenge.
0:04:09 > 0:04:11And so begins a bloody,
0:04:11 > 0:04:14not to say downright ghoulish,
0:04:14 > 0:04:20chain of events that ends in disaster for the Duchess of Malfi.
0:04:20 > 0:04:23TRADITIONAL MUSIC PLAYS
0:04:45 > 0:04:47MEN: Hey!
0:04:48 > 0:04:51You are welcome to your country, dear Antonio;
0:04:51 > 0:04:53You've been long in France, and you return
0:04:53 > 0:04:56A very formal Frenchman in your habit:
0:04:56 > 0:04:58How do you like the French court?
0:04:58 > 0:05:00I admire it:
0:05:00 > 0:05:02In seeking to restore both state and people
0:05:02 > 0:05:05To a fixed order, their judicious king
0:05:05 > 0:05:08Begins at home; quits first his royal palace
0:05:08 > 0:05:12Of flattering sycophants, of dissolute
0:05:12 > 0:05:15And infamous persons, which he sweetly terms
0:05:15 > 0:05:19His master's masterpiece, the work of heaven;
0:05:19 > 0:05:22Considering duly that a prince's court
0:05:22 > 0:05:26Is like a common fountain, whence should flow
0:05:26 > 0:05:30Pure silver drops in general, but if 't chance
0:05:30 > 0:05:33Some cursed example poison 't near the head,
0:05:33 > 0:05:37Death and diseases through the whole land spread.
0:05:37 > 0:05:40Here comes Bosola, The only court-gall;
0:05:40 > 0:05:42yet I observe his railing
0:05:42 > 0:05:44Is not for simple love of piety:
0:05:44 > 0:05:48Indeed, he rails at those things which he wants;
0:05:48 > 0:05:51Would be as lecherous, covetous, or proud,
0:05:51 > 0:05:53Bloody, or envious, as any man,
0:05:53 > 0:05:55If he had means to be so.
0:05:55 > 0:05:56Here's the cardinal.
0:05:56 > 0:05:58- I do haunt you still.- So.
0:05:58 > 0:06:01I have done you better service than to be slighted thus.
0:06:01 > 0:06:03You enforce your merit too much.
0:06:03 > 0:06:05I fell into the galleys in your service:
0:06:05 > 0:06:07Where, for two years together,
0:06:07 > 0:06:09I wore two towels instead of a shirt,
0:06:09 > 0:06:11with a knot on the shoulder, after the fashion of a Roman mantle.
0:06:11 > 0:06:14Slighted thus! I will thrive some way.
0:06:14 > 0:06:16Blackbirds fatten best in hard weather;
0:06:16 > 0:06:18why not I, in these dog-days?
0:06:18 > 0:06:20Would you could become honest.
0:06:20 > 0:06:23With all your divinity, do but direct me the way to it.
0:06:23 > 0:06:25Are you gone?
0:06:25 > 0:06:27Some fellows, they say, are possessed with the devil,
0:06:27 > 0:06:30but this great fellow were able to possess the greatest devil
0:06:30 > 0:06:31and make him worse.
0:06:31 > 0:06:33He hath denied thee some suit?
0:06:33 > 0:06:35He and his brother are like plum trees
0:06:35 > 0:06:37that grow crooked over standing-pools;
0:06:37 > 0:06:39they are rich and o'erladen with fruit,
0:06:39 > 0:06:41but none but crows, pies, and caterpillars feed on them.
0:06:41 > 0:06:44Fare ye well, sirs: and yet do not you scorn us;
0:06:44 > 0:06:48for places in the court are but like beds in the hospital,
0:06:48 > 0:06:50where this man's head lies at that man's foot,
0:06:50 > 0:06:52and so lower and lower.
0:06:52 > 0:06:54I knew this fellow seven years in the galleys
0:06:54 > 0:06:56For a notorious murder;
0:06:56 > 0:06:58and 'twas thought The Cardinal suborned it.
0:06:58 > 0:07:00'Tis great pity He should be thus neglected:
0:07:00 > 0:07:03I have heard He's very valiant.
0:07:03 > 0:07:07This foul melancholy Will poison all his goodness;
0:07:07 > 0:07:08for, I'll tell you,
0:07:08 > 0:07:10If too immoderate sleep be truly said
0:07:10 > 0:07:13To be an inward rust unto the soul,
0:07:13 > 0:07:15If then doth follow want of action
0:07:15 > 0:07:17Breeds all black malcontents;
0:07:17 > 0:07:19and their close rearing,
0:07:19 > 0:07:22Like moths in cloth, do hurt for want of wearing.
0:07:22 > 0:07:24The presence 'gins to fill.
0:07:24 > 0:07:25You promised me
0:07:25 > 0:07:27To make me the partaker of the natures
0:07:27 > 0:07:29Of some of your great courtiers.
0:07:29 > 0:07:31I shall. Here comes the great Calabrian duke.
0:07:31 > 0:07:33Who took the ring oftenest?
0:07:33 > 0:07:35Antonio Bologna, my lord.
0:07:35 > 0:07:39Oh, it's our sister duchess' great-master of her household?
0:07:39 > 0:07:41Give him the jewel.
0:07:41 > 0:07:44When shall we leave this sportive action,
0:07:44 > 0:07:47and fall to action indeed?
0:07:47 > 0:07:50Methinks, my lord, you should not desire to go to war in person.
0:07:50 > 0:07:54Now for some gravity. Why, my lord?
0:07:54 > 0:07:56It is fitting a soldier arise to be a prince,
0:07:56 > 0:07:59but not necessary a prince descend to be a captain.
0:07:59 > 0:08:00No?
0:08:00 > 0:08:03No, my lord; he were far better do it by a deputy.
0:08:03 > 0:08:07Why should he not as well sleep or eat by a deputy?
0:08:07 > 0:08:09Believe my experience,
0:08:09 > 0:08:12that realm is never long in quiet where the ruler is a soldier.
0:08:12 > 0:08:16Thou toldest me thy wife could not endure fighting.
0:08:16 > 0:08:17True, my lord.
0:08:17 > 0:08:20HE CLEARS HIS THROAT
0:08:20 > 0:08:22How do you like my Spanish gennet?
0:08:22 > 0:08:25Oooh, he's all fire.
0:08:25 > 0:08:26I am of Pliny's opinion,
0:08:26 > 0:08:29I think he was begot by the wind;
0:08:29 > 0:08:33he runs as if he were ballass'd with quicksilver.
0:08:33 > 0:08:35True, my lord, he reels from the tilt often.
0:08:35 > 0:08:38HE LAUGHS LOUDLY
0:08:38 > 0:08:40Why do you laugh?
0:08:41 > 0:08:44Methinks you that are courtiers should be my touch-wood,
0:08:44 > 0:08:46take fire when I give fire;
0:08:46 > 0:08:49that is, laugh when I laugh,
0:08:49 > 0:08:52were the subject never so witty.
0:08:52 > 0:08:55True, my lord: I myself have heard a very good jest,
0:08:55 > 0:08:59and have scorned to seem to have so silly a wit as to understand it.
0:08:59 > 0:09:02But I can laugh at your fool, my lord.
0:09:02 > 0:09:03He cannot speak, you know,
0:09:03 > 0:09:05but he makes faces;
0:09:05 > 0:09:07my lady cannot abide him.
0:09:07 > 0:09:08No?
0:09:08 > 0:09:11Nor endure to be in merry company; for she says too much laughing,
0:09:11 > 0:09:14and too much company, fills her too full of the wrinkle.
0:09:14 > 0:09:16- Oh! - HE LAUGHS
0:09:16 > 0:09:18HE LAUGHS LOUDER
0:09:18 > 0:09:24I would, then, have a mathematical instrument made for her face,
0:09:24 > 0:09:26that she might not laugh out of compass.
0:09:26 > 0:09:27HE CHUCKLES
0:09:27 > 0:09:28THE OTHERS CHUCKLE
0:09:28 > 0:09:31I shall shortly visit you at Milan, Lord Silvio.
0:09:31 > 0:09:33Your brother, the lord cardinal, and sister duchess.
0:09:33 > 0:09:35- Are the galleys come about? - They are, my lord.
0:09:35 > 0:09:38Now, sir, your promise: what's that cardinal?
0:09:38 > 0:09:41I mean his temper. They say he's a brave fellow.
0:09:41 > 0:09:44Some such flashes superficially hang on him for form;
0:09:44 > 0:09:49but observe his inward character: he is a melancholy churchman.
0:09:49 > 0:09:54The spring in his face is nothing but the engendering of toads.
0:09:54 > 0:09:57Where he is jealous of any man, he lays worse plots for them
0:09:57 > 0:09:59than ever was imposed on Hercules,
0:09:59 > 0:10:01for he strews in their way
0:10:01 > 0:10:04flatterers, panders, intelligencers,
0:10:04 > 0:10:08atheists, and a thousand such political monsters.
0:10:08 > 0:10:10Some good he hath done.
0:10:10 > 0:10:12You have given too much of him. What's his brother?
0:10:12 > 0:10:16The duke there? A most perverse and turbulent nature.
0:10:16 > 0:10:19What appears in him mirth is merely outside;
0:10:19 > 0:10:22If he laugh heartily, it is to laugh
0:10:22 > 0:10:25All honesty out of fashion.
0:10:25 > 0:10:29He speaks with others' tongues, and hears men's suits
0:10:29 > 0:10:30With others' ears;
0:10:30 > 0:10:34But for their sister, the right noble duchess,
0:10:34 > 0:10:37You never fixed your eye on three fair medals
0:10:37 > 0:10:40Cast in one figure, of so different temper.
0:10:40 > 0:10:44For her discourse, it is so full of rapture,
0:10:44 > 0:10:46You only will begin then to be sorry
0:10:46 > 0:10:49When she doth end her speech, and wish in wonder
0:10:49 > 0:10:52She held it less vain-glory to talk much,
0:10:52 > 0:10:54Than your penance to hear her.
0:10:54 > 0:10:56Whilst she speaks
0:10:56 > 0:10:59She throws upon a man so sweet a look
0:10:59 > 0:11:02That it were able to raise one to a galliard
0:11:02 > 0:11:04That lay in a dead palsy.
0:11:04 > 0:11:07Let all sweet ladies break their flattering glasses
0:11:07 > 0:11:09And dress themselves in her.
0:11:09 > 0:11:10Fie, Antonio,
0:11:10 > 0:11:12You play the wire-drawer with her commendations.
0:11:12 > 0:11:14I'll case the picture up:
0:11:14 > 0:11:16only thus much;
0:11:16 > 0:11:19All her particular worth grows to this sum:
0:11:19 > 0:11:24She stains the time past, lights the time to come.
0:11:24 > 0:11:26You must attend my lady in the gallery,
0:11:26 > 0:11:28Some half and hour hence.
0:11:28 > 0:11:32- I shall. - Sister, I have a suit to you.
0:11:32 > 0:11:34To me, sir?
0:11:34 > 0:11:36A gentleman here, Daniel de Bosola, One that was in the galleys.
0:11:36 > 0:11:38Yes, I know him.
0:11:38 > 0:11:39A worthy fellow he is:
0:11:39 > 0:11:41pray, let me entreat
0:11:41 > 0:11:43For the provisorship of your horse.
0:11:43 > 0:11:45Your knowledge of him Commends him and prefers him.
0:11:45 > 0:11:46Call him hither.
0:11:46 > 0:11:48We are now upon parting.
0:11:48 > 0:11:49Good Lord Silvio,
0:11:49 > 0:11:51Do us commend to all our noble friends
0:11:51 > 0:11:52At the leaguer.
0:11:52 > 0:11:54- Sir, I shall. - You are for Milan?- I am.
0:11:54 > 0:11:58Bring the caroches. We'll bring you down to the haven.
0:11:58 > 0:12:01Be sure you entertain that Bosola For your intelligence.
0:12:01 > 0:12:02I'd not be seen in it.
0:12:02 > 0:12:06Antonio, the great master of her household,
0:12:06 > 0:12:07Had been far fitter.
0:12:07 > 0:12:10You are deceived in him.
0:12:10 > 0:12:13His nature is too honest for such business.
0:12:13 > 0:12:14He comes: I'll leave you.
0:12:14 > 0:12:16I was lured to you.
0:12:16 > 0:12:18My brother, here, the cardinal, could never
0:12:18 > 0:12:19Abide you.
0:12:19 > 0:12:20Never since he was in my debt.
0:12:20 > 0:12:23Well, maybe some oblique character in your face
0:12:23 > 0:12:25Made him suspect you.
0:12:25 > 0:12:26Doth he study physiognomy?
0:12:26 > 0:12:28There's no more credit to be given to the face
0:12:28 > 0:12:30Than to a sick man's urine.
0:12:30 > 0:12:31He did suspect me wrongfully.
0:12:31 > 0:12:32Well, for that
0:12:32 > 0:12:35You must give great men leave to take their times.
0:12:35 > 0:12:38Distrust doth cause us seldom be deceived.
0:12:38 > 0:12:41You see, the oft shaking of the cedar tree
0:12:41 > 0:12:43Fastens it more at root.
0:12:43 > 0:12:44Yet take heed;
0:12:44 > 0:12:47For to suspect a friend unworthily
0:12:47 > 0:12:49Instructs him the next way to suspect you,
0:12:49 > 0:12:50And prompts him to deceive you.
0:12:50 > 0:12:54- There's gold. - So. What follows?
0:12:54 > 0:12:56Never rained such showers as these
0:12:56 > 0:12:58Without thunderbolts in the tail of them.
0:12:58 > 0:13:00Whose throat must I cut?
0:13:00 > 0:13:03Your inclination to shed blood rides post
0:13:03 > 0:13:05Before my occasion to use you.
0:13:05 > 0:13:09I give you that To live in the court here,
0:13:09 > 0:13:12and observe the duchess;
0:13:12 > 0:13:14To note all the particulars of her 'haviour,
0:13:14 > 0:13:17What suitors do solicit her for marriage
0:13:17 > 0:13:19And whom she best affects.
0:13:19 > 0:13:21She's a young widow: I would not have her marry again.
0:13:21 > 0:13:22No, sir?
0:13:22 > 0:13:24Do not you ask the reason;
0:13:24 > 0:13:26but be satisfied.
0:13:26 > 0:13:28I say I would not.
0:13:28 > 0:13:30It seems you would create me
0:13:30 > 0:13:31One of your familiars.
0:13:31 > 0:13:33Familiar? What's that?
0:13:33 > 0:13:36Why, a very quaint invisible devil in flesh,
0:13:36 > 0:13:37An intelligencer.
0:13:37 > 0:13:40Such a kind of thriving thing I would wish thee;
0:13:40 > 0:13:42and 'ere long thou mayest arrive
0:13:42 > 0:13:43At a higher place by 't.
0:13:43 > 0:13:45Take your devils, Which hell calls angels:
0:13:45 > 0:13:48Sir, I'll take nothing from you that I have given.
0:13:48 > 0:13:51There is a place that I procured for you
0:13:51 > 0:13:54This morning, the provisorship of the horse;
0:13:54 > 0:13:55- Have you heard on it?- No.
0:13:55 > 0:13:58'Tis yours. Well, is it not worth thanks?
0:13:58 > 0:14:01O, that to avoid the ingratitude
0:14:01 > 0:14:02For the good deed you have done me,
0:14:02 > 0:14:03I must do
0:14:03 > 0:14:05All the ill man can invent!
0:14:05 > 0:14:08Thus the devil Candies all sins o'er;
0:14:08 > 0:14:11and what heaven terms vile, That names he complimental.
0:14:11 > 0:14:12Be yourself;
0:14:12 > 0:14:15Keep your old garb of melancholy;
0:14:15 > 0:14:16'twill express
0:14:16 > 0:14:19You envy those that stand above your reach,
0:14:19 > 0:14:21Yet strive not to come near them.
0:14:21 > 0:14:23This will gain Access to private lodgings,
0:14:23 > 0:14:27where yourself May, like a politic dormouse.
0:14:27 > 0:14:28As I have seen some
0:14:28 > 0:14:30Feed in a lord's dish, half asleep, not seeming
0:14:30 > 0:14:32To listen to any talk; and yet these rogues
0:14:32 > 0:14:34Have cut his throat in a dream.
0:14:34 > 0:14:36What's my place?
0:14:36 > 0:14:38- BOTH:- The provisorship o' the horse?
0:14:38 > 0:14:40Say, then, my corruption
0:14:40 > 0:14:42Grew out of horse dung:
0:14:42 > 0:14:43I am your creature.
0:14:43 > 0:14:44Away!
0:14:44 > 0:14:47Let good men, for good deeds, covet good fame,
0:14:47 > 0:14:49Since place and riches oft are bribes of shame.
0:14:49 > 0:14:51Sometimes the devil doth preach.
0:14:51 > 0:14:54Um... Uh-uh.
0:14:55 > 0:14:57Oh.
0:15:02 > 0:15:04We are to part from you,
0:15:04 > 0:15:05and your own discretion
0:15:05 > 0:15:07Must now be your director.
0:15:07 > 0:15:08You are a widow.
0:15:08 > 0:15:11You know already what man is, and therefore
0:15:11 > 0:15:14Let not youth, high promotion, eloquence.
0:15:14 > 0:15:16No, nor anything without the addition, 'honour',
0:15:16 > 0:15:18Sway your high blood.
0:15:18 > 0:15:19Marry?
0:15:19 > 0:15:21They are most luxurious Will wed twice.
0:15:21 > 0:15:22O, fie!
0:15:22 > 0:15:25Their livers are more spotted Than Laban's sheep.
0:15:25 > 0:15:27Diamonds are of most value, They say,
0:15:27 > 0:15:29that have passed through most jewellers' hands.
0:15:29 > 0:15:31Whores by that rule are precious.
0:15:31 > 0:15:34Will you hear me? I'll never marry.
0:15:34 > 0:15:35Oh, so most widows say,
0:15:35 > 0:15:37But commonly that motion lasts no longer
0:15:37 > 0:15:40Than the turning of an hourglass:
0:15:40 > 0:15:41the funeral sermon
0:15:41 > 0:15:43And it end both together.
0:15:43 > 0:15:45Now hear me:
0:15:45 > 0:15:48You live in a rank pasture here in the court;
0:15:48 > 0:15:50There is a kind of honeydew that's deadly;
0:15:50 > 0:15:52'T will poison your fame; look to it.
0:15:52 > 0:15:54Be not cunning;
0:15:54 > 0:15:56For they whose faces do belie their hearts
0:15:56 > 0:15:58Are witches ere they arrive at 20 years,
0:15:58 > 0:16:00Ay, and give the devil suck.
0:16:00 > 0:16:02This is terrible good counsel.
0:16:02 > 0:16:07Hypocrisy is woven of a fine small thread,
0:16:07 > 0:16:09Subtler than Vulcan's engine: yet, believe it,
0:16:09 > 0:16:13Your darkest actions, nay, your privatest thoughts,
0:16:13 > 0:16:14Will come to light.
0:16:14 > 0:16:16You may flatter yourself,
0:16:16 > 0:16:18And take your own choice;
0:16:18 > 0:16:20privately be married
0:16:20 > 0:16:21Under the eaves of night.
0:16:21 > 0:16:24Think it the best voyage That e'er you made;
0:16:24 > 0:16:27like the irregular crab,
0:16:27 > 0:16:28Which, though it goes backward,
0:16:28 > 0:16:30thinks that it goes right
0:16:30 > 0:16:31Because it goes its own way.
0:16:31 > 0:16:32But observe,
0:16:32 > 0:16:34Such weddings may more properly be said
0:16:34 > 0:16:36To be executed than celebrated.
0:16:36 > 0:16:38The marriage night Is the entrance into some prison.
0:16:38 > 0:16:41And those joys, Those lustful pleasures,
0:16:41 > 0:16:42are like heavy sleeps
0:16:42 > 0:16:44Which do forerun man's mischief.
0:16:44 > 0:16:45Fare you well.
0:16:46 > 0:16:51Wisdom begins at the end.
0:16:53 > 0:16:54LAUGHTER
0:16:54 > 0:16:56Remember it.
0:16:56 > 0:17:00I think this speech between you both was studied,
0:17:00 > 0:17:02It came so roundly off.
0:17:02 > 0:17:04You are my sister.
0:17:04 > 0:17:06IMITATES SWORD SLICING
0:17:06 > 0:17:08THEY LAUGH
0:17:08 > 0:17:12This was my father's poniard, do you see?
0:17:12 > 0:17:14Mm-hm.
0:17:14 > 0:17:17I'd be loathe to see it look rusty, cos 'twas his.
0:17:17 > 0:17:19I would have you to give over these chargeable revels:
0:17:19 > 0:17:21A visor and a mask are whispering rooms
0:17:21 > 0:17:24That were never built for goodness.
0:17:24 > 0:17:26Fare ye well.
0:17:29 > 0:17:32And women like that part which, like the Lamprey,
0:17:32 > 0:17:34- Hath ne'er a bone in it. - Fie Sir!
0:17:34 > 0:17:36Nay, I meant the tongue!
0:17:36 > 0:17:38Variety of courtship.
0:17:39 > 0:17:42What cannot a neat knave with a smooth tale
0:17:42 > 0:17:44Make a woman believe?
0:17:46 > 0:17:49Farewell, lusty widow.
0:17:50 > 0:17:52Shall this move me?
0:17:53 > 0:17:55If all my royal kindred
0:17:55 > 0:17:58Lay in my way unto this marriage,
0:17:58 > 0:18:00I'd make them my low footsteps.
0:18:00 > 0:18:02And even now,
0:18:02 > 0:18:06Even in this hate, as men in some great battles,
0:18:06 > 0:18:08By apprehending danger, have achieved
0:18:08 > 0:18:10Almost impossible actions -
0:18:10 > 0:18:12I have heard soldiers say so -
0:18:12 > 0:18:17So I through frights and threatenings will assay
0:18:17 > 0:18:20This dangerous venture.
0:18:20 > 0:18:24Let old wives report I winked and chose a husband.
0:18:24 > 0:18:27Cariola, to thy known secrecy I have given up
0:18:27 > 0:18:29More than my life, my fame.
0:18:29 > 0:18:31Both shall be safe;
0:18:31 > 0:18:33For I'll conceal this secret from the world
0:18:33 > 0:18:36As warily as those that trade in poison
0:18:36 > 0:18:38Keep poison from their children.
0:18:38 > 0:18:42Thy protestation Is ingenious and hearty.
0:18:42 > 0:18:43I believe it.
0:18:43 > 0:18:45Is Antonio come?
0:18:45 > 0:18:47- He attends you.- Good!
0:18:47 > 0:18:49Dear soul,
0:18:49 > 0:18:52Leave me;
0:18:52 > 0:18:54but place thyself behind the arras,
0:18:54 > 0:18:55Where thou mayst overhear us.
0:18:55 > 0:18:57Wish me good speed;
0:18:57 > 0:19:00For I am going into a wilderness,
0:19:00 > 0:19:03Where I shall find nor path nor friendly clue
0:19:03 > 0:19:05To be my guide.
0:19:27 > 0:19:30I sent for you: sit down.
0:19:32 > 0:19:35Take pen and ink,
0:19:35 > 0:19:37and write.
0:19:39 > 0:19:41- Are you ready?- Yes.
0:19:41 > 0:19:43What did I say?
0:19:43 > 0:19:47- That I should write somewhat. - O, I remember.
0:19:47 > 0:19:51After these triumphs and this large expense
0:19:51 > 0:19:54It's fit, like thrifty husbands we inquire
0:19:54 > 0:19:56What's laid up for tomorrow.
0:19:56 > 0:19:58So please your beauteous excellence.
0:19:58 > 0:20:02Beauteous! Indeed I thank you:
0:20:02 > 0:20:03I look young for your sake;
0:20:03 > 0:20:06You have ta'en my cares upon you.
0:20:06 > 0:20:08I'll fetch your grace
0:20:08 > 0:20:10The particulars of your revenue and expense.
0:20:10 > 0:20:13O, you are An upright treasurer; but you mistook:
0:20:13 > 0:20:16For when I said I meant to make inquiry
0:20:16 > 0:20:19What's laid up for to-morrow, I did mean
0:20:19 > 0:20:20What's laid up yonder for me.
0:20:20 > 0:20:22Where?
0:20:22 > 0:20:24In heaven.
0:20:24 > 0:20:28I am making my will - as 'tis fit princes should,
0:20:28 > 0:20:31In perfect memory -
0:20:31 > 0:20:33and, I pray, sir, tell me
0:20:33 > 0:20:37Were not one better make it smiling, thus,
0:20:37 > 0:20:41Than in deep groans, and terrible ghastly looks,
0:20:41 > 0:20:44As if the gifts we parted with procur'd
0:20:44 > 0:20:45That violent distraction?
0:20:45 > 0:20:47O, much better.
0:20:47 > 0:20:49If I had a husband now,
0:20:49 > 0:20:52this care were quit:
0:20:52 > 0:20:55But I intend to make you overseer.
0:20:55 > 0:20:58What good deed should we first remember? Say.
0:20:58 > 0:21:01Begin with that first good deed began in the world
0:21:01 > 0:21:04After man's creation, the sacrament of marriage:
0:21:04 > 0:21:07I'd have you first provide for a good husband;
0:21:07 > 0:21:08Give him all.
0:21:08 > 0:21:11- All? - Yes, your excellent self.
0:21:11 > 0:21:13- In a winding-sheet? - In a couple.
0:21:13 > 0:21:16St Winifred, that were a strange will!
0:21:16 > 0:21:19'Twere stranger if there were no will in you
0:21:19 > 0:21:20To marry again.
0:21:22 > 0:21:24What do you think of marriage?
0:21:24 > 0:21:26I take't, as those that deny purgatory,
0:21:26 > 0:21:29It locally contains, or heaven, or hell,
0:21:29 > 0:21:30There's no third place in't.
0:21:30 > 0:21:32How do you affect it?
0:21:32 > 0:21:36My banishment, feeding my melancholy,
0:21:36 > 0:21:38Would often reason thus.
0:21:38 > 0:21:40Pray, let's hear it.
0:21:40 > 0:21:44Say a man never marry, nor have children,
0:21:44 > 0:21:48What takes that from him? only the bare name
0:21:48 > 0:21:51Of being a father, or the weak delight
0:21:51 > 0:21:54To see the little wanton ride a cock-horse
0:21:54 > 0:21:57Upon a painted stick, or hear him chatter
0:21:57 > 0:21:58Like a taught starling.
0:21:58 > 0:22:00Fie, fie, what's all this?
0:22:00 > 0:22:04One of your eyes is blood-shot; use my ring to it,
0:22:04 > 0:22:08They say 'tis very sovereign: 'twas my wedding ring,
0:22:08 > 0:22:10And I did vow never to part with it
0:22:10 > 0:22:11But to my second husband.
0:22:13 > 0:22:15But you have parted with it now.
0:22:15 > 0:22:17Yes, to help your eye-sight.
0:22:17 > 0:22:21You have made me stark blind.
0:22:21 > 0:22:22How?
0:22:22 > 0:22:24There is a saucy and ambitious devil,
0:22:24 > 0:22:25Is dancing in this circle.
0:22:25 > 0:22:27- Remove him. - How?
0:22:27 > 0:22:31There needs small conjuration, when your finger
0:22:31 > 0:22:34May do it; thus; is it fit?
0:22:34 > 0:22:36What said you?
0:22:36 > 0:22:40Sir, this goodly roof of yours is too low built;
0:22:40 > 0:22:43I cannot stand upright in it nor discourse,
0:22:43 > 0:22:47Without I raise it higher; raise yourself;
0:22:47 > 0:22:50Or, if you please, my hand to help you.
0:22:56 > 0:22:58So.
0:22:59 > 0:23:03Ambition, madam, is a great man's madness.
0:23:03 > 0:23:07Conceive not I am so stupid but I aim
0:23:07 > 0:23:10Whereto your favours tend: but he's a fool,
0:23:10 > 0:23:13That being a-cold, would thrust his hands in the fire
0:23:13 > 0:23:15To warm them.
0:23:15 > 0:23:17So now the ground's broke,
0:23:17 > 0:23:18You may discover what a wealthy mine
0:23:18 > 0:23:20I make you lord of.
0:23:20 > 0:23:22O, my unworthiness!
0:23:22 > 0:23:23I must tell you,
0:23:23 > 0:23:27If you will know where breathes a complete man,
0:23:27 > 0:23:30I speak it without flattery, turn your eyes,
0:23:30 > 0:23:32And progress through yourself.
0:23:32 > 0:23:35Were there nor heaven nor hell, I should be honest:
0:23:35 > 0:23:38I have long serv'd virtue, And ne'er ta'en wages of her.
0:23:38 > 0:23:41Now she pays it.
0:23:41 > 0:23:44The misery of us that are born great!
0:23:44 > 0:23:47We are forc'd to woo, because none dare woo us;
0:23:47 > 0:23:50And as a tyrant doubles with his words,
0:23:50 > 0:23:53And fearfully equivocates, so we
0:23:53 > 0:23:56Are forc'd to express our violent passions
0:23:56 > 0:23:58In riddles, and in dreams, and leave the path
0:23:58 > 0:24:01Of simple virtue, that was never made
0:24:01 > 0:24:02To seem the thing it is not.
0:24:04 > 0:24:07Go, go brag
0:24:09 > 0:24:12You have left me heartless; mine is in your bosom:
0:24:14 > 0:24:17I hope 'twill multiply love there.
0:24:17 > 0:24:19You do tremble:
0:24:19 > 0:24:22Make not your heart so dead a piece of flesh,
0:24:22 > 0:24:26To fear, more than to love me. Sir, be confident:
0:24:26 > 0:24:28What is't distracts you?
0:24:28 > 0:24:30This is flesh and blood sir;
0:24:30 > 0:24:32'Tis not the figure cut in alabaster,
0:24:32 > 0:24:36Kneels at my husband's tomb. Awake, awake, man!
0:24:37 > 0:24:39I do here put off all vain ceremony,
0:24:39 > 0:24:42And only do appear to you a young widow
0:24:42 > 0:24:45That claims you for her husband, and like a widow,
0:24:45 > 0:24:47I use but half a blush in't.
0:24:47 > 0:24:50Truth speak for me;
0:24:50 > 0:24:53I will remain the constant sanctuary
0:24:53 > 0:24:54Of your good name.
0:24:54 > 0:24:59I thank you, gentle love:
0:24:59 > 0:25:02And because you shall not come to me in debt,
0:25:02 > 0:25:06Being now my steward, here upon your lips
0:25:06 > 0:25:08I sign your Quietus est.
0:25:11 > 0:25:13This you should have begg'd now.
0:25:13 > 0:25:16I have seen children oft eat sweetmeats thus,
0:25:16 > 0:25:18As fearful to devour them too soon.
0:25:18 > 0:25:19But for your brothers?
0:25:19 > 0:25:21Do not think of them:
0:25:21 > 0:25:24All discord without this circumference
0:25:24 > 0:25:27Is only to be pitied, and not fear'd:
0:25:27 > 0:25:30Yet, should they know it, time will easily
0:25:30 > 0:25:32Scatter the tempest.
0:25:32 > 0:25:34These words should be mine,
0:25:34 > 0:25:38And all the parts you have spoke, if some part of it
0:25:38 > 0:25:39Had not have savour'd flattery.
0:25:39 > 0:25:41Kneel.
0:25:42 > 0:25:43Ha!
0:25:43 > 0:25:47Be not amaz'd; this woman is of my counsel:
0:25:47 > 0:25:51I have heard lawyers say, a contract in a chamber
0:25:51 > 0:25:56Per verba presenti is absolute marriage.
0:26:11 > 0:26:16Bless, heaven, this sacred gordian which let violence
0:26:16 > 0:26:18Never untwine!
0:26:18 > 0:26:21And may our sweet affections, like the spheres,
0:26:21 > 0:26:23Be still in motion!
0:26:23 > 0:26:25Quickening, and make The like soft music.
0:26:25 > 0:26:27That we may imitate the loving palms,
0:26:27 > 0:26:30Best emblem of a peaceful marriage,
0:26:30 > 0:26:32That never bore fruit, divided!
0:26:32 > 0:26:33What can the church force more?
0:26:33 > 0:26:36That fortune may not know an accident,
0:26:36 > 0:26:38Either of joy or sorrow, to divide
0:26:38 > 0:26:40Our fixed wishes.
0:26:40 > 0:26:42How can the church build faster?
0:26:42 > 0:26:45We now are man and wife, and 'tis the church
0:26:45 > 0:26:47That must but echo this.
0:26:51 > 0:26:53Maid, stand apart:
0:26:57 > 0:26:59I now am blind.
0:26:59 > 0:27:01What's your conceit in this?
0:27:01 > 0:27:03I would have you lead your fortune by the hand
0:27:03 > 0:27:05Unto your marriage-bed:
0:27:05 > 0:27:08You speak in me this, for we now are one:
0:27:08 > 0:27:12We'll only lie and talk together, and plot
0:27:12 > 0:27:16To appease my humorous kindred; and if you please,
0:27:16 > 0:27:20Like the old tale in Alexander and Lodowick,
0:27:20 > 0:27:24Lay a naked sword between us, keep us chaste.
0:27:26 > 0:27:29O, let me shroud my blushes in your bosom,
0:27:29 > 0:27:32Since 'tis the treasury of all my secrets!
0:27:34 > 0:27:38Whether the spirit of greatness or of woman
0:27:38 > 0:27:41Reign most in her, I know not; but it shows
0:27:41 > 0:27:45A fearful madness: I owe her much of pity.
0:27:50 > 0:27:52- Castruccio!- Bosola.
0:27:52 > 0:27:55You say you would fain be taken for an eminent courtier?
0:27:55 > 0:27:57'Tis the very main of my ambition.
0:27:57 > 0:28:01Let me see: you have a reasonable good face for it already,
0:28:01 > 0:28:05and your night-cap expresses your ears sufficient largely.
0:28:05 > 0:28:08I would have you learn to twirl the strings of your band
0:28:08 > 0:28:12With a good grace, and in a set speech, at th' end of every sentence,
0:28:12 > 0:28:15to hum three or four times, or blow your nose till it smart again,
0:28:15 > 0:28:17To recover your memory.
0:28:17 > 0:28:19Do not sup o' nights; 'twill beget you
0:28:19 > 0:28:20An admirable wit.
0:28:20 > 0:28:23Rather it would make me have a good stomach to quarrel;
0:28:23 > 0:28:25For they say, your roaring boys eat meat seldom,
0:28:25 > 0:28:27And that makes them so valiant.
0:28:27 > 0:28:29But how shall I know whether the people take me
0:28:29 > 0:28:31For an eminent fellow?
0:28:31 > 0:28:33I will teach a trick to know it:
0:28:33 > 0:28:35Give out you lie a-dying, and if you
0:28:35 > 0:28:37Hear the common people curse you,
0:28:37 > 0:28:40Be sure you are taken for one of the prime night-caps.
0:28:40 > 0:28:41Your wife's gone to Rome. Get you
0:28:41 > 0:28:44To the wells at Lucca, to recover your aches.
0:28:44 > 0:28:46I have other work on foot.
0:28:46 > 0:28:49I observe our duchess
0:28:49 > 0:28:53Is sick a-days, she pukes, her stomach seethes,
0:28:53 > 0:28:57She wanes i' the cheeks, and waxes fat in the flank,
0:28:57 > 0:29:00And, contrary to our Italian fashion,
0:29:00 > 0:29:05Wears a loose-bodied gown: there's somewhat in't.
0:29:05 > 0:29:07I have a trick may chance discover it,
0:29:07 > 0:29:08A pretty one; I have bought some apricocks,
0:29:08 > 0:29:10The first our spring yields...
0:29:10 > 0:29:13And so long since married? You amaze me.
0:29:13 > 0:29:15Let me seal your lips for ever:
0:29:15 > 0:29:17For, did I think that anything but th' air
0:29:17 > 0:29:19Could carry these words from you, I should wish
0:29:19 > 0:29:25You had no breath at all. Now, sir, in your contemplation?
0:29:25 > 0:29:28You are studying to become a great wise fellow.
0:29:28 > 0:29:30O, sir, the opinion of wisdom
0:29:30 > 0:29:32Is a foul tetter that runs
0:29:32 > 0:29:34All over a man's body: for the subtlest folly
0:29:34 > 0:29:36Proceeds from the subtlest wisdom:
0:29:36 > 0:29:38Let me be simply honest.
0:29:38 > 0:29:40I do understand your inside.
0:29:40 > 0:29:41Do you so?
0:29:41 > 0:29:44Because you would not seem to appear to th' world
0:29:44 > 0:29:46Puff'd up with your preferment, you continue
0:29:46 > 0:29:50This out-of-fashion melancholy: leave it, leave it.
0:29:50 > 0:29:52O, sir, you are lord of the ascendant,
0:29:52 > 0:29:54chief man with the duchess: a duke was your
0:29:54 > 0:29:58cousin-german remov'd. Say you were lineally
0:29:58 > 0:30:00Descended from King Pepin, or he himself,
0:30:00 > 0:30:03What of that? Search the heads of the greatest rivers
0:30:03 > 0:30:05In the world, you shall find them
0:30:05 > 0:30:06But bubbles of water.
0:30:06 > 0:30:08Your arm, Antonio:
0:30:08 > 0:30:11Do I not grow fat?
0:30:11 > 0:30:13I am exceeding short-winded. Bosola,
0:30:13 > 0:30:17I would have you, sir, provide for me a litter;
0:30:17 > 0:30:19Such a one as the Duchess of Florence rode in.
0:30:19 > 0:30:22The duchess us'd one when she was great with child.
0:30:22 > 0:30:26I think she did. Come hither, mend my ruff:
0:30:26 > 0:30:31Here, when? thou art such a tedious lady;
0:30:31 > 0:30:35And thy breath smells of lemon-pills: would thou hadst done!
0:30:35 > 0:30:39Shall I swoon under thy fingers? I am
0:30:39 > 0:30:40So troubled with the mother!
0:30:40 > 0:30:42I fear too much.
0:30:42 > 0:30:44- Ah...- Mmm.
0:30:44 > 0:30:47I have heard you say that the French courtiers
0:30:47 > 0:30:50Wear their hats on 'fore that king.
0:30:50 > 0:30:52- I have seen it. - In the presence? - Yes.
0:30:52 > 0:30:55Why should not we bring up that fashion?
0:30:55 > 0:30:57Be you an example to the rest o' th' court;
0:30:57 > 0:30:59Put on your hat first.
0:30:59 > 0:31:01You must pardon me:
0:31:01 > 0:31:04I have seen, in colder countries than in France,
0:31:04 > 0:31:07Nobles stand bare to th' prince; and the distinction
0:31:07 > 0:31:09Methought show'd reverently.
0:31:09 > 0:31:10I have a present for your grace.
0:31:10 > 0:31:12- For me, sir? - Apricocks, madam.
0:31:12 > 0:31:14O, sir, where are they?
0:31:14 > 0:31:16I have heard of none to year.
0:31:16 > 0:31:18Good; her colour rises.
0:31:18 > 0:31:20O, I thank you: they are wondrous fair ones.
0:31:20 > 0:31:23What an unskilful fellow is our gardener!
0:31:23 > 0:31:24We shall have none this month.
0:31:24 > 0:31:26Will not your grace pare them?
0:31:26 > 0:31:30No, they taste of musk, methinks; indeed they do.
0:31:30 > 0:31:33I know not: yet I wish your grace had par'd 'em.
0:31:33 > 0:31:35- Why?- I forgot to tell you, the knave gardener,
0:31:35 > 0:31:37Only to raise his profit by them the sooner,
0:31:37 > 0:31:40Did ripen them in horse-dung.
0:31:40 > 0:31:41O, you jest.
0:31:41 > 0:31:42HE LAUGHS
0:31:42 > 0:31:44Ha ha ha ha ha!
0:31:44 > 0:31:47You shall judge: pray, taste one.
0:31:47 > 0:31:48Indeed, madam,
0:31:48 > 0:31:50I do not love the fruit.
0:31:50 > 0:31:52Sir, you are loath
0:31:52 > 0:31:55To rob us of our dainties. 'Tis a delicate fruit;
0:31:55 > 0:31:57They say they are restorative.
0:31:57 > 0:31:58'Tis a pretty art, This grafting.
0:31:58 > 0:32:00'Tis so; a bettering of nature.
0:32:00 > 0:32:02To make a pippin grow upon a crab,
0:32:02 > 0:32:05A damson on a black-thorn. How greedily she eats them!
0:32:05 > 0:32:07A whirlwind strike off these bawd farthingales!
0:32:07 > 0:32:09For, but for that and the loose-bodied gown,
0:32:09 > 0:32:11I should discover apparently
0:32:11 > 0:32:13The young springal cutting a caper in her belly.
0:32:13 > 0:32:16Indeed, I thank you, Bosola: they were right good ones,
0:32:16 > 0:32:17If they do not make me sick.
0:32:17 > 0:32:19How now, madam?
0:32:19 > 0:32:21This green fruit and my stomach are not friends:
0:32:21 > 0:32:22How they swell me!
0:32:22 > 0:32:24Nay, you are too much swell'd already.
0:32:24 > 0:32:26O, I am in an extreme cold sweat!
0:32:26 > 0:32:27I am very sorry.
0:32:27 > 0:32:29Lights to my chamber! O good Antonio,
0:32:29 > 0:32:31I fear I am undone!
0:32:31 > 0:32:32Lights there, lights!
0:32:32 > 0:32:35O my most trusty Delio, we are lost!
0:32:35 > 0:32:38So, so,
0:32:38 > 0:32:43there is no question but her tetchiness
0:32:43 > 0:32:47And most vulturous eating of the apricocks are
0:32:47 > 0:32:50Apparent signs of breeding.
0:32:50 > 0:32:53Shut up the court-gates! Shut up the court-gates!
0:32:53 > 0:32:55Why, sir? What's the danger?
0:32:55 > 0:32:57Shut up the posterns presently, and call
0:32:57 > 0:33:00- All the officers o' th' court. - I shall instantly.
0:33:00 > 0:33:03- Who keeps the key o' th' park-gate? - Forobosco. - Let him bring it presently.
0:33:03 > 0:33:05O that these apricocks should be poison'd now, Without my knowledge!
0:33:05 > 0:33:07- Are all the officers here? - We are!
0:33:07 > 0:33:09Gentlemen,
0:33:09 > 0:33:12We have lost much plate, you know; and but this evening
0:33:12 > 0:33:15Jewels, to the value of four thousand ducats,
0:33:15 > 0:33:17Are missing from the duchess' cabinet.
0:33:17 > 0:33:20- Are the gates shut? - Yes.
0:33:20 > 0:33:21'Tis the duchess' pleasure
0:33:21 > 0:33:23Each officer be lock'd into his chamber
0:33:23 > 0:33:25Until the sun-rising; and to send the keys
0:33:25 > 0:33:28Of all their chests and of their outward doors
0:33:28 > 0:33:30Into her bed-chamber. She is very sick.
0:33:30 > 0:33:32At her pleasure.
0:33:32 > 0:33:34She entreats you take't not ill: the innocent
0:33:34 > 0:33:36Shall be the more approv'd by it.
0:33:36 > 0:33:37How fares it with the duchess?
0:33:37 > 0:33:39She's expos'd
0:33:39 > 0:33:41Unto the worst of torture, pain, and fear.
0:33:41 > 0:33:43Speak to her all happy comfort.
0:33:43 > 0:33:47How I do play the fool with mine own danger!
0:33:47 > 0:33:51You are this night, dear friend, to post to Rome:
0:33:51 > 0:33:53My life lies in your service.
0:33:53 > 0:33:54Do not doubt me.
0:33:54 > 0:33:57O, 'tis far from me! and yet fear presents me
0:33:57 > 0:33:59Somewhat that looks like danger.
0:33:59 > 0:34:01Believe it, 'Tis but the shadow of your fear, no more:
0:34:01 > 0:34:04How superstitiously we mind our evils!
0:34:04 > 0:34:06The throwing down salt, or crossing of a hare,
0:34:06 > 0:34:09Bleeding at nose, are all of power
0:34:09 > 0:34:12To daunt whole man in us. Sir, fare you well:
0:34:12 > 0:34:16I wish you all the joys of a blest father;
0:34:16 > 0:34:19And, for my faith, lay this unto your breast,
0:34:19 > 0:34:23Old friends, like old swords, still are trusted best.
0:34:35 > 0:34:37Sir,
0:34:37 > 0:34:40you are the happy father of a son:
0:34:40 > 0:34:42Your wife commends him to you.
0:34:42 > 0:34:44Blessed comfort!
0:34:46 > 0:34:50For heaven's sake, tend her well:
0:34:51 > 0:34:52I'll presently
0:34:52 > 0:34:55Go set a figure for 's nativity.
0:34:57 > 0:35:01Sure I did hear a woman shriek:
0:35:01 > 0:35:04And the sound came, if I receiv'd it right,
0:35:04 > 0:35:08From the duchess' lodgings. There's some stratagem
0:35:08 > 0:35:10In the confining all our courtiers
0:35:10 > 0:35:12To their several wards: I must have part of it;
0:35:12 > 0:35:16My intelligence would freeze else. List, again!
0:35:16 > 0:35:17It may be 'twas the melancholy bird,
0:35:17 > 0:35:20Best friend of silence and solitariness,
0:35:20 > 0:35:22The owl, that screamed so. Ha! Antonio!
0:35:22 > 0:35:25I heard some noise. Who's there? What art thou? Speak.
0:35:25 > 0:35:28Antonio, put not your face nor body
0:35:28 > 0:35:29To such a forc'd expression of fear;
0:35:29 > 0:35:31I am Bosola, your friend.
0:35:31 > 0:35:33Bosola!
0:35:33 > 0:35:35This mole does undermine me. Heard you not
0:35:35 > 0:35:37- A noise even now? - From whence?
0:35:37 > 0:35:38From the duchess' lodging.
0:35:38 > 0:35:41- Not I: did you? - I did, or else I dream'd.
0:35:41 > 0:35:44- Let's walk towards it. - No!
0:35:44 > 0:35:45It may be 'twas
0:35:45 > 0:35:47But the rising of the wind.
0:35:47 > 0:35:51Very likely. Methinks 'tis very cold, and yet you sweat:
0:35:51 > 0:35:52You look wildly.
0:35:52 > 0:35:53I have been setting a figure
0:35:53 > 0:35:55For the duchess' jewels.
0:35:55 > 0:35:57Ah, and how falls your question?
0:35:57 > 0:35:59Do you find it radical?
0:35:59 > 0:36:00What's that to you?
0:36:00 > 0:36:03'Tis rather to be question'd what design,
0:36:03 > 0:36:05When all men were commanded to their lodgings,
0:36:05 > 0:36:07Makes you a night-walker.
0:36:07 > 0:36:08In sooth, I'll tell you:
0:36:08 > 0:36:11Now all the court's asleep, I thought the devil
0:36:11 > 0:36:14Had least to do here; I came to say my prayers;
0:36:14 > 0:36:15And if it do offend you I do so,
0:36:15 > 0:36:17You are a fine courtier.
0:36:17 > 0:36:19You gave the duchess apricocks today:
0:36:19 > 0:36:21Pray heaven they were not poison'd!
0:36:21 > 0:36:23Poison'd! a Spanish fig For the imputation!
0:36:23 > 0:36:25Traitors are ever confident
0:36:25 > 0:36:28Till they are discover'd. There were jewels stol'n too:
0:36:28 > 0:36:30In my conceit, none are to be suspected
0:36:30 > 0:36:33- More than yourself. - You are a false steward.
0:36:33 > 0:36:36Saucy slave, I'll pull thee up by the roots.
0:36:36 > 0:36:38Maybe the ruin will crush you to pieces.
0:36:41 > 0:36:43My nose bleeds.
0:36:43 > 0:36:45One that were superstitious would count
0:36:45 > 0:36:48This ominous, when it merely comes by chance:
0:36:54 > 0:36:58Two letters, that are wrought here for my name,
0:36:58 > 0:37:00Are drown'd in blood!
0:37:01 > 0:37:04Mere accident. - For you, sir, I'll take order
0:37:04 > 0:37:07I'the morn you shall be safe - 'tis that must colour
0:37:07 > 0:37:11Her lying-in - Sir, this door you pass not:
0:37:11 > 0:37:13I do not hold it fit you come near
0:37:13 > 0:37:16The duchess' lodgings, till you have quit yourself.
0:37:16 > 0:37:20The great are like the base, nay, they are the same,
0:37:20 > 0:37:24When they seek shameful ways to avoid shame.
0:37:24 > 0:37:27HE SNIFFS
0:37:27 > 0:37:30Antonio hereabout did drop a piece of paper:
0:37:30 > 0:37:33Some of your help, false friend. Here it is.
0:37:33 > 0:37:36What's here?
0:37:36 > 0:37:40A child's nativity calculated!
0:37:40 > 0:37:42The Duchess was deliver'd of a son, tween the hours
0:37:42 > 0:37:46of twelve and one in the night, Anno Dom 1504 - that's this year -
0:37:46 > 0:37:49decimo nono Decembris - that's this night -
0:37:49 > 0:37:52taken according to the Meridian of Malfi -
0:37:52 > 0:37:55our Duchess: happy discovery! -
0:37:55 > 0:38:00Why, now 'tis most apparent; this precise fellow
0:38:00 > 0:38:03Is the duchess' bawd: I have it to my wish!
0:38:03 > 0:38:07If one could find the father now! but that
0:38:07 > 0:38:11Time will discover. Old Castruccio
0:38:11 > 0:38:14I' th' morning posts to Rome: by him I'll send
0:38:14 > 0:38:16A letter to her brothers that shall make their galls
0:38:16 > 0:38:21O'erflow their livers. This was a thrifty way.
0:38:21 > 0:38:25Though lust do mask in ne'er so strange disguise,
0:38:25 > 0:38:27She's oft found witty, but is never wise.
0:38:38 > 0:38:39Sit.
0:38:45 > 0:38:50Thou art my best of wishes. Prithee, tell me
0:38:53 > 0:38:56What trick didst thou invent to come to Rome
0:38:56 > 0:38:57Without your husband?
0:38:57 > 0:38:59Why, my lord, I told him
0:38:59 > 0:39:01I came to visit an old anchorite Here for devotion.
0:39:01 > 0:39:04Thou art a witty false one,
0:39:04 > 0:39:05I mean, to him.
0:39:05 > 0:39:08You have prevail'd with me Beyond my strongest thoughts; I would not now
0:39:08 > 0:39:10Find you inconstant.
0:39:10 > 0:39:12Do not put thyself Into a voluntary torture, which proceeds
0:39:12 > 0:39:14- Out of your own guilt. - How, my lord?
0:39:14 > 0:39:17You fear my constancy, because you have approv'd
0:39:17 > 0:39:20Those giddy and wild turnings in yourself.
0:39:20 > 0:39:21Did you e'er find them?
0:39:21 > 0:39:24Sooth, generally for women,
0:39:24 > 0:39:27A man might strive to make glass malleable,
0:39:27 > 0:39:28Ere he should make them fixed.
0:39:28 > 0:39:30This is very well, my lord.
0:39:30 > 0:39:31Why do you weep?
0:39:31 > 0:39:33SHE SOBS
0:39:33 > 0:39:37Are tears your justification? Those self-same tears
0:39:37 > 0:39:40Will fall into your husband's bosom, lady,
0:39:40 > 0:39:44With a loud protestation that you love him
0:39:44 > 0:39:49Above the world. Come, I'll love thee wisely,
0:39:49 > 0:39:52And that's jealously; since I am very certain
0:39:52 > 0:39:54You cannot make me cuckold.
0:39:54 > 0:39:56I'll go home To my husband.
0:39:56 > 0:39:57You may thank me, lady.
0:39:59 > 0:40:02I have taken you off your melancholy perch,
0:40:03 > 0:40:09Born you upon my fist, and show'd you game,
0:40:09 > 0:40:13And let you fly at it. I pray thee, kiss me.
0:40:18 > 0:40:23When thou wast with thy husband, thou wast watch'd
0:40:23 > 0:40:25Like a tame elephant:
0:40:25 > 0:40:27SHE LAUGHS
0:40:27 > 0:40:29Still you are to thank me:
0:40:31 > 0:40:36Thou hadst only kisses from him, lady, and high feeding;
0:40:36 > 0:40:40But what delight was that? Hmm?
0:40:40 > 0:40:42'Twas just like one
0:40:43 > 0:40:46That hath a little fing'ring on the lute
0:40:46 > 0:40:48Yet cannot tune it
0:40:48 > 0:40:51Still you are to thank me.
0:40:56 > 0:40:58You told me of a piteous wound i' th' heart,
0:40:58 > 0:41:00And a sick liver, when you woo'd me first,
0:41:00 > 0:41:02And spake like one in physic.
0:41:02 > 0:41:03KNOCK ON DOOR
0:41:03 > 0:41:04Who's that?
0:41:04 > 0:41:09Rest firm, for my affection to thee,
0:41:09 > 0:41:12Lightning moves slow to 't.
0:41:12 > 0:41:14Madam, a gentleman,
0:41:14 > 0:41:16That 's come post from Malfi, desires to see you.
0:41:19 > 0:41:21Let him enter: I'll withdraw.
0:41:21 > 0:41:22He says
0:41:22 > 0:41:25Your husband, old Castruccio, is come to Rome,
0:41:25 > 0:41:27Most pitifully tir'd with riding post.
0:41:27 > 0:41:29Signior Delio! 'tis one of my old suitors.
0:41:29 > 0:41:31I was bold to come and see you.
0:41:31 > 0:41:32Sir, you are welcome.
0:41:32 > 0:41:33Do you lie here?
0:41:33 > 0:41:35Sure, your own experience Will satisfy you no:
0:41:35 > 0:41:39our Roman prelates Do not keep lodging for ladies.
0:41:39 > 0:41:43Very well: I have brought you no commendations from your husband,
0:41:43 > 0:41:44For I know none by him.
0:41:44 > 0:41:46I hear he's come to Rome.
0:41:46 > 0:41:48I never knew man and beast, of a horse and a knight,
0:41:48 > 0:41:49So weary of each other.
0:41:49 > 0:41:51If he had had a good back,
0:41:51 > 0:41:53He would have undertook to have borne his horse,
0:41:53 > 0:41:55His breech was so pitifully sore.
0:41:55 > 0:41:57Your laughter Is my pity.
0:41:57 > 0:41:58Lady, I know not whether
0:41:58 > 0:42:01You want money, but I have brought you some.
0:42:01 > 0:42:02From my husband?
0:42:02 > 0:42:05No, from mine own allowance.
0:42:06 > 0:42:10I must hear the condition, ere I be bound to take it.
0:42:10 > 0:42:14Look on 't, 'tis gold; hath it not a fine colour?
0:42:16 > 0:42:18I have a bird more beautiful.
0:42:18 > 0:42:21Try the sound on 't.
0:42:21 > 0:42:24A lute-string far exceeds it.
0:42:24 > 0:42:25Your husband's come,
0:42:25 > 0:42:29Hath deliver'd a letter to the Duke of Calabria
0:42:29 > 0:42:31That, to my thinking, hath put him out of his wits.
0:42:31 > 0:42:32Sir, you hear:
0:42:32 > 0:42:34Pray, let me know your business and your suit
0:42:34 > 0:42:35As briefly as can be.
0:42:35 > 0:42:37With good speed: I would wish you,
0:42:37 > 0:42:41At such time as you are non-resident With your husband, my mistress.
0:42:50 > 0:42:52Sir, I'll go ask my husband if I shall,
0:42:52 > 0:42:54And straight return your answer.
0:42:54 > 0:43:00Very fine! Is this her wit, or honesty, that speaks thus?
0:43:00 > 0:43:02I heard one say the duke was highly mov'd
0:43:02 > 0:43:04With a letter sent from Malfi.
0:43:04 > 0:43:05I do fear Antonio is betray'd.
0:43:05 > 0:43:07I have this night digg'd up a mandrake.
0:43:07 > 0:43:09- Say you? - And I am grown mad with 't.
0:43:09 > 0:43:10What's the prodigy?
0:43:10 > 0:43:15Read there, a sister damn'd: she 's loose i' the hilts;
0:43:15 > 0:43:17Grown a notorious strumpet.
0:43:17 > 0:43:18Speak lower.
0:43:18 > 0:43:20Lower!
0:43:20 > 0:43:23Rogues do not whisper 't now, but seek to publish 't Aloud.
0:43:23 > 0:43:24O, confusion seize her!
0:43:24 > 0:43:28She hath had most cunning bawds to serve her turn,
0:43:28 > 0:43:33And more secure conveyances for lust Than towns of garrison for service.
0:43:33 > 0:43:35Is 't possible? Can this be certain?
0:43:35 > 0:43:38Rhubarb, O, for rhubarb To purge this choler!
0:43:38 > 0:43:40Here 's the cursed day
0:43:40 > 0:43:45To prompt my memory; and here 't shall stick
0:43:45 > 0:43:49Till of her bleeding heart I make a sponge
0:43:49 > 0:43:51To wipe it out.
0:43:51 > 0:43:54Why do you make yourself So wild a tempest?
0:43:54 > 0:43:55Would I could be one,
0:43:55 > 0:43:57That I might toss her palace 'bout her ears,
0:43:57 > 0:44:01Root up her goodly forests, blast her meads,
0:44:01 > 0:44:04And lay her general territory as waste
0:44:04 > 0:44:06As she hath done her honours.
0:44:06 > 0:44:08Shall our blood,
0:44:08 > 0:44:11The royal blood of Arragon and Castile,
0:44:11 > 0:44:13Be thus attainted?
0:44:16 > 0:44:17Apply desperate physic.
0:44:17 > 0:44:21We must not now use balsamum, but fire,
0:44:21 > 0:44:24The smarting cupping-glass, for that's the mean
0:44:24 > 0:44:27To purge infected blood, such blood as hers.
0:44:30 > 0:44:34There is a kind of pity in mine eye,
0:44:34 > 0:44:43I'll give it to my handkercher; and now 'tis here,
0:44:43 > 0:44:46I'll bequeath this to her bastard.
0:44:46 > 0:44:47What to do?
0:44:47 > 0:44:51Why, to make soft lint for his mother's wounds,
0:44:51 > 0:44:53When I have hew'd her to pieces.
0:44:53 > 0:44:54Curs'd creature!
0:44:54 > 0:44:57Unequal nature, to place women's hearts
0:44:57 > 0:44:58So far upon the left side!
0:44:58 > 0:45:00Foolish men,
0:45:00 > 0:45:03That e'er will trust their honour in a bark
0:45:03 > 0:45:05Made of so slight weak bulrush as is woman,
0:45:05 > 0:45:08Apt every minute to sink it!
0:45:11 > 0:45:17Methinks I see her laughing, Excellent hyena!
0:45:17 > 0:45:19Talk to me somewhat quickly,
0:45:19 > 0:45:22Or my imagination will carry me
0:45:22 > 0:45:25To see her in the shameful act of sin.
0:45:25 > 0:45:26With whom?
0:45:26 > 0:45:30Happily with some strong-thigh'd bargeman,
0:45:30 > 0:45:35Or one o' th' wood-yard that can quoit the sledge
0:45:35 > 0:45:39Or toss the bar, or else some lovely squire
0:45:39 > 0:45:43That carries coals up to her privy lodgings.
0:45:43 > 0:45:44You fly beyond your reason.
0:45:44 > 0:45:46Go to, mistress!
0:45:46 > 0:45:49'Tis not your whore's milk that shall quench my wild-fire,
0:45:49 > 0:45:51But your whore's blood.
0:45:54 > 0:45:57How idly shows this rage, which carries you,
0:45:57 > 0:46:01As men convey'd by witches on the air,
0:46:01 > 0:46:03Through violent whirlwinds!
0:46:03 > 0:46:05This intemperate noise
0:46:05 > 0:46:08Fitly resembles deaf men's shrill discourse,
0:46:08 > 0:46:10Who talk aloud, thinking all other men
0:46:10 > 0:46:11To have their imperfection.
0:46:11 > 0:46:14- Have not you My palsy? - Yes,
0:46:17 > 0:46:20But I can be angry Without this rupture.
0:46:23 > 0:46:24There is not in nature
0:46:24 > 0:46:28A thing that makes man so deform'd, so beastly,
0:46:28 > 0:46:31As doth intemperate anger.
0:46:31 > 0:46:36Chide yourself. Come, put yourself in tune.
0:46:42 > 0:46:48So I will only study to seem The thing I am not.
0:46:48 > 0:46:50I am confident, had I been damn'd in hell,
0:46:50 > 0:46:52And should have heard of this, it would have put me
0:46:52 > 0:46:54Into a cold sweat.
0:46:54 > 0:46:56In, in;
0:46:56 > 0:46:59I'll go sleep.
0:47:00 > 0:47:05Till I know who leaps my sister, I'll not stir:
0:47:05 > 0:47:07That known,
0:47:07 > 0:47:10I'll find scorpions to sting my whips,
0:47:10 > 0:47:13And fix her in a general eclipse.
0:47:21 > 0:47:25Our noble friend, my most beloved Delio!
0:47:25 > 0:47:29O, you have been a stranger long at court:
0:47:29 > 0:47:31Came you along with the Lord Ferdinand?
0:47:31 > 0:47:35I did, sir: and how fares your noble duchess?
0:47:35 > 0:47:40Right fortunately well: she's an excellent Feeder of pedigrees;
0:47:40 > 0:47:42since you last saw her,
0:47:42 > 0:47:45She hath had two children more, a son and daughter.
0:47:45 > 0:47:46Pray, sir, tell me,
0:47:46 > 0:47:47Hath not this news arriv'd yet to the ear
0:47:47 > 0:47:48Of the lord cardinal?
0:47:48 > 0:47:49I fear it hath:
0:47:49 > 0:47:52The Lord Ferdinand, that 's newly come to court,
0:47:52 > 0:47:55- Doth bear himself right dangerously. - Pray, why?
0:47:55 > 0:47:57He is so quiet that he seems to sleep
0:47:57 > 0:48:00The tempest out, as dormice do in winter.
0:48:00 > 0:48:03Those houses that are haunted are most still
0:48:03 > 0:48:05Till the devil be up.
0:48:05 > 0:48:06What say the common people?
0:48:06 > 0:48:11The common rabble do directly say She is a strumpet.
0:48:11 > 0:48:12For any obligation
0:48:12 > 0:48:13Of love or marriage between her and me
0:48:13 > 0:48:15They never dream of.
0:48:15 > 0:48:17The Lord Ferdinand
0:48:17 > 0:48:18Is going to bed.
0:48:21 > 0:48:23SHE HUMS QUIETLY
0:48:32 > 0:48:35I'll instantly to bed, For I am weary.
0:48:35 > 0:48:37I am to be your bespeak
0:48:37 > 0:48:39A husband for you.
0:48:39 > 0:48:41For me, sir! Pray, who is 't?
0:48:41 > 0:48:43The great Count Malatesti.
0:48:43 > 0:48:46Fie upon him! A count!
0:48:46 > 0:48:49He's a mere stick of sugar-candy; You may look quite through him.
0:48:49 > 0:48:51When I choose A husband,
0:48:51 > 0:48:53I will marry for your honour.
0:48:53 > 0:48:55You shall do well in 't.
0:48:55 > 0:48:58How is 't, worthy Antonio?
0:48:58 > 0:49:01But, sir, I am to have private conference with you
0:49:01 > 0:49:03About a scandalous report is spread
0:49:03 > 0:49:04Touching mine honour.
0:49:04 > 0:49:06Let me be ever deaf to 't:
0:49:06 > 0:49:10One of Pasquil's paper-bullets, court-calumny,
0:49:10 > 0:49:14A pestilent air, which princes' palaces
0:49:14 > 0:49:15Are seldom purg'd of.
0:49:15 > 0:49:20Yet, say that it were true, I pour it in your bosom,
0:49:22 > 0:49:23my fix'd love
0:49:23 > 0:49:27Would strongly excuse, extenuate, nay, deny
0:49:27 > 0:49:31Faults, were they apparent in you.
0:49:33 > 0:49:34Go, be safe
0:49:34 > 0:49:37In your own innocency.
0:49:37 > 0:49:41O bless'd comfort! This deadly air is purg'd.
0:49:46 > 0:49:47Her guilt treads on
0:49:47 > 0:49:49Hot-burning coulters.
0:49:49 > 0:49:51Now, Bosola,
0:49:51 > 0:49:53How thrives our intelligence?
0:49:53 > 0:49:54Sir, uncertainly:
0:49:54 > 0:49:57'Tis rumour'd she hath had three bastards, but
0:49:57 > 0:49:59By whom we may go read i' the stars.
0:49:59 > 0:50:00Why, some
0:50:00 > 0:50:02Hold opinion all things are written there.
0:50:02 > 0:50:04Yes, if we could find spectacles to read them.
0:50:04 > 0:50:06I do suspect there hath been some sorcery
0:50:06 > 0:50:09- Us'd on the duchess. - Sorcery! to what purpose?
0:50:09 > 0:50:10To make her dote on some desertless fellow
0:50:10 > 0:50:12She shames to acknowledge.
0:50:12 > 0:50:13Can your faith give way
0:50:13 > 0:50:15To think there's power in potions or in charms,
0:50:15 > 0:50:17To make us love whether we will or no?
0:50:17 > 0:50:19- Most certainly. - Away!
0:50:19 > 0:50:21these are mere gulleries, horrid things,
0:50:21 > 0:50:24Invented by some cheating mountebanks
0:50:24 > 0:50:25To abuse us.
0:50:25 > 0:50:29Do you think that herbs or charms Can force the will?
0:50:29 > 0:50:33This night I will force confession from her.
0:50:34 > 0:50:35You told me
0:50:35 > 0:50:38You had got, within these two days, a false key
0:50:38 > 0:50:40- Into her bed-chamber. - I have.
0:50:40 > 0:50:41- As I would wish. - What do you intend to do?
0:50:41 > 0:50:42- Can you guess? - No.
0:50:42 > 0:50:44Do not ask, then:
0:50:44 > 0:50:48He that can compass me, and know my drifts,
0:50:48 > 0:50:53May say he hath put a girdle 'bout the world,
0:50:53 > 0:50:55And sounded all her quick-sands.
0:50:55 > 0:50:56I do not Think so.
0:50:56 > 0:50:58What do you think, then, pray?
0:50:58 > 0:50:59That you
0:50:59 > 0:51:01Are your own chronicle too much, and grossly
0:51:01 > 0:51:03Flatter yourself.
0:51:03 > 0:51:05Give me thy hand;
0:51:09 > 0:51:11I thank thee:
0:51:12 > 0:51:14I never gave pension but to flatterers,
0:51:14 > 0:51:17Till I entertained thee. Farewell.
0:51:18 > 0:51:22That friend a great man's ruin strongly checks,
0:51:22 > 0:51:26Who rails into his belief all his defects.
0:51:33 > 0:51:36THEY SING "ZEFIRO TORNA"
0:52:22 > 0:52:24Bring me the casket hither, and the glass.
0:52:24 > 0:52:26You get no lodging here to-night, my lord.
0:52:26 > 0:52:30Indeed, I must persuade one.
0:52:30 > 0:52:33Very good: I hope in time 'twill grow into a custom,
0:52:33 > 0:52:36That noblemen shall come with cap and knee
0:52:36 > 0:52:38To purchase a night's lodging of their wives.
0:52:41 > 0:52:43I must lie here.
0:52:43 > 0:52:46Must! You are a lord of mis-rule.
0:52:46 > 0:52:49Indeed, my rule is only in the night.
0:52:49 > 0:52:51To what use will you put me?
0:52:51 > 0:52:52We'll sleep together.
0:52:52 > 0:52:56Alas, what pleasure can two lovers find in sleep?
0:52:56 > 0:53:01My lord, I lie with her often and know she will much disquiet you.
0:53:01 > 0:53:03See, you are complained off.
0:53:03 > 0:53:06For she's the sprawling'st bedfellow
0:53:06 > 0:53:08I shall like her the better for that.
0:53:08 > 0:53:10Sir, shall I ask you a question?
0:53:10 > 0:53:12I pray thee, Cariola
0:53:12 > 0:53:18Wherefore still when you lie with my Lady, do you rise so early?
0:53:18 > 0:53:22Labouring men count the clock oftenest, Cariola,
0:53:22 > 0:53:24are glad when their tasks ended.
0:53:24 > 0:53:27I'll stop your mouth.
0:53:27 > 0:53:28Nay, that 's but one;
0:53:28 > 0:53:32Venus had two soft doves To draw her chariot;
0:53:32 > 0:53:34I must have another.
0:53:37 > 0:53:38I prithee,
0:53:38 > 0:53:41When were we so merry?
0:53:41 > 0:53:43My hair tangles.
0:53:43 > 0:53:45Pray thee, Cariola, let's steal forth the room,
0:53:45 > 0:53:48And let her talk to herself: I have divers times
0:53:48 > 0:53:51Serv'd her the like, when she hath chaf'd extremely.
0:53:52 > 0:53:54I love to see her angry. Softly, Cariola.
0:53:54 > 0:53:58Doth not the colour of my hair 'gin to change?
0:53:58 > 0:54:00When I wax gray, I shall have all the court
0:54:00 > 0:54:03Powder their hair with arras, to be like me.
0:54:04 > 0:54:08You have cause to love me; I ent'red you into my heart
0:54:08 > 0:54:12Before you would vouchsafe to call for the keys.
0:54:12 > 0:54:16We shall one day have my brothers take you napping.
0:54:16 > 0:54:18Methinks his presence, being now in court,
0:54:18 > 0:54:22Should make you keep your own bed; but you'll say
0:54:22 > 0:54:26Love mix'd with fear is sweetest.
0:54:26 > 0:54:27I'll assure you,
0:54:27 > 0:54:30You shall get no more children till my brothers
0:54:30 > 0:54:33Consent to be your gossips.
0:54:33 > 0:54:34Have you lost your...?
0:54:39 > 0:54:40'Tis welcome:
0:54:40 > 0:54:43For know, whether I am doom'd to live or die,
0:54:43 > 0:54:45I can do both like a prince.
0:54:48 > 0:54:52Die, then, quickly!
0:54:52 > 0:54:54Virtue, where art thou hid?
0:54:54 > 0:54:56What hideous thing Is it that doth eclipse thee?
0:54:56 > 0:54:59- Pray, sir, hear me. - Or is it true thou art but a bare name,
0:54:59 > 0:55:01- And no essential thing? - Sir...
0:55:01 > 0:55:03- Do not speak. - No, sir...
0:55:03 > 0:55:06I will plant my soul in mine ears, to hear you.
0:55:06 > 0:55:10O most imperfect light of human reason,
0:55:10 > 0:55:13That makest so unhappy to foresee What we can least prevent!
0:55:13 > 0:55:15I pray, sir, hear me: I am married.
0:55:15 > 0:55:16So!
0:55:16 > 0:55:19Happily, not to your liking: but for that,
0:55:19 > 0:55:21Alas, your shears do come untimely now
0:55:21 > 0:55:24To clip the bird's wings that's already flown!
0:55:24 > 0:55:26Will you see my husband?
0:55:26 > 0:55:30Yes, if I could change Eyes with a basilisk.
0:55:30 > 0:55:32Sure, you came hither By his confederacy.
0:55:32 > 0:55:33The howling of a wolf
0:55:33 > 0:55:37Is music to thee, screech-owl: prithee, peace.
0:55:40 > 0:55:44Whate'er thou art that hast enjoy'd my sister,
0:55:45 > 0:55:49For I am sure thou hear'st me, for thine own sake
0:55:49 > 0:55:50Let me not know thee.
0:55:50 > 0:55:51I came hither prepar'd
0:55:51 > 0:55:53To work thy discovery; yet am now persuaded
0:55:53 > 0:55:57It would beget such violent effects As would damn us both.
0:55:57 > 0:56:00I would not for ten millions
0:56:00 > 0:56:04I had beheld thee: therefore use all means
0:56:04 > 0:56:07I never may have knowledge of thy name;
0:56:07 > 0:56:11Enjoy thy lust still,
0:56:11 > 0:56:15and a wretched life,
0:56:16 > 0:56:24On that condition. And for thee, vile woman,
0:56:26 > 0:56:28If thou do wish thy lecher may grow old
0:56:28 > 0:56:31In thy embracements, I would have thee build
0:56:31 > 0:56:33Such a room for him as our anchorites
0:56:33 > 0:56:35To holier use inhabit.
0:56:35 > 0:56:36Let not the sun
0:56:36 > 0:56:38Shine on him till he's dead; let dogs and monkeys
0:56:38 > 0:56:41Only converse with him, and such dumb things
0:56:41 > 0:56:44To whom nature denies use to sound his name;
0:56:44 > 0:56:46Do not keep a paraquito, lest she learn it;
0:56:49 > 0:56:54If thou do love him,
0:56:54 > 0:56:56cut out thine own tongue,
0:56:56 > 0:56:59- Lest it bewray him. - Why might not I marry?
0:56:59 > 0:57:01I have not gone about in this to create
0:57:01 > 0:57:03Any new world or custom.
0:57:03 > 0:57:05Thou art undone;
0:57:06 > 0:57:10And thou hast ta'en that massy sheet of lead
0:57:10 > 0:57:14That hid thy husband's bones, and folded it
0:57:14 > 0:57:15About my heart.
0:57:15 > 0:57:19- Mine bleeds for 't. - Thine! thy heart!
0:57:21 > 0:57:25What should I name 't unless a hollow bullet
0:57:25 > 0:57:28Fill'd with unquenchable wild-fire?
0:57:28 > 0:57:29You are in this
0:57:29 > 0:57:32Too strict; and were you not my princely brother,
0:57:32 > 0:57:34I would say, too wilful: my reputation
0:57:34 > 0:57:37- Is safe. - Dost thou know what reputation is?
0:57:37 > 0:57:41I'll tell thee, to small purpose,
0:57:41 > 0:57:44since the instruction Comes now too late.
0:57:51 > 0:57:54Upon a time Reputation,
0:57:54 > 0:57:55Love, and Death,
0:57:55 > 0:57:58Would travel o'er the world; and it was concluded
0:57:58 > 0:58:01That they should part, and take three several ways.
0:58:01 > 0:58:04Death told them, they should find him in great battles,
0:58:04 > 0:58:06Or cities plagu'd with plagues:
0:58:06 > 0:58:07Love gives them counsel
0:58:07 > 0:58:10To inquire for him 'mongst unambitious shepherds,
0:58:10 > 0:58:13Where dowries were not talk'd of, and sometimes
0:58:13 > 0:58:16'Mongst quiet kindred that had nothing left
0:58:16 > 0:58:18By their dead parents:
0:58:21 > 0:58:24"Stay," quoth Reputation,
0:58:26 > 0:58:29"Do not forsake me; for it is my nature,
0:58:29 > 0:58:35"If once I part from any man I meet, I am never found again."
0:58:37 > 0:58:39And so for you:
0:58:41 > 0:58:44You have shook hands with Reputation,
0:58:44 > 0:58:48And made him invisible.
0:58:56 > 0:58:58So,
0:59:02 > 0:59:05fare you well:
0:59:05 > 0:59:06I-I-I will never see you more.
0:59:06 > 0:59:08Why should only I,
0:59:08 > 0:59:09Of all the other princes of the world,
0:59:09 > 0:59:12Be cas'd up, like a holy relic?
0:59:12 > 0:59:14I have youth And a little beauty.
0:59:14 > 0:59:17So you have some virgins That are witches.
0:59:19 > 0:59:23I will never see thee more.
0:59:31 > 0:59:33You saw this apparition?
0:59:33 > 0:59:36Yes: we are Betray'd.
0:59:36 > 0:59:38How came he hither?
0:59:38 > 0:59:40I should turn This to thee, for that.
0:59:40 > 0:59:41Pray, sir, do; and when
0:59:41 > 0:59:44That you have cleft my heart, you shall read there
0:59:44 > 0:59:45Mine innocence.
0:59:45 > 0:59:47That gallery gave him entrance.
0:59:47 > 0:59:50I would this terrible thing would come again,
0:59:50 > 0:59:52That, standing on my guard, I might relate
0:59:52 > 0:59:53My warrantable love.
0:59:53 > 0:59:55Ha! what means this?
0:59:55 > 0:59:56He left this with me.
0:59:56 > 0:59:59And it seems did wish You would use it on yourself.
0:59:59 > 1:00:02His action seem'd To intend so much.
1:00:02 > 1:00:03This hath a handle to 't,
1:00:03 > 1:00:06As well as a point: turn it towards him,
1:00:06 > 1:00:09And so fasten the keen edge in his rank gall.
1:00:09 > 1:00:11- KNOCK AT DOOR - How now! Who knocks?
1:00:11 > 1:00:12More earthquakes?
1:00:12 > 1:00:14I stand as if a mine beneath my feet were ready
1:00:14 > 1:00:16- To be blown up. - 'Tis Bosola.
1:00:16 > 1:00:18Away! O misery!
1:00:18 > 1:00:21Methinks unjust actions must wear these masks and curtains,
1:00:21 > 1:00:22and not we.
1:00:22 > 1:00:25You must instantly part hence: I have fashion'd it already.
1:00:25 > 1:00:27The duke your brother is ta'en up in a whirlwind;
1:00:27 > 1:00:29Hath took horse, and has rid post to Rome.
1:00:29 > 1:00:32- So late?- He told me, as he mounted into the saddle, you were undone.
1:00:32 > 1:00:35- Indeed, I am very near it. - What's the matter?
1:00:35 > 1:00:37Antonio, the master of our household,
1:00:37 > 1:00:40hath dealt so falsely with me in his accounts.
1:00:40 > 1:00:42My brother stood engaged with me for money
1:00:42 > 1:00:44Ta'en up of certain Neapolitan Jews,
1:00:44 > 1:00:46And Antonio lets the bonds be forfeit.
1:00:46 > 1:00:48Strange! This is cunning.
1:00:48 > 1:00:51And hereupon My brother's bills at Naples are protested
1:00:51 > 1:00:53- Against. Call up our officers. - I shall.
1:00:57 > 1:01:00The place that you must fly to is Ancona. Hire a house there;
1:01:00 > 1:01:02I'll send after you My treasure and my jewels.
1:01:02 > 1:01:04Our weak safety Runs upon enginous wheels:
1:01:04 > 1:01:07short syllables, Must stand for periods.
1:01:07 > 1:01:10I must now accuse you of a feigned crime, a noble lie,
1:01:10 > 1:01:12'cause it must shield our honours. Hark!
1:01:12 > 1:01:13- They are coming. - Will your grace hear me?
1:01:13 > 1:01:16I have got well by you; you have yielded me
1:01:16 > 1:01:17A million of loss:
1:01:17 > 1:01:20I am like to inherit The people's curses for your stewardship.
1:01:20 > 1:01:24Gentlemen, I would have this man be an example to you all,
1:01:24 > 1:01:28So shall you hold my favour; I pray, let him;
1:01:28 > 1:01:30For he has done that, alas,
1:01:30 > 1:01:35you would not think of, And, because I intend to be
1:01:35 > 1:01:38rid of him, I mean not to publish. Use your fortune elsewhere.
1:01:38 > 1:01:42I am all yours; and 'tis very fit
1:01:42 > 1:01:43All mine should be so.
1:01:43 > 1:01:45So, sir, you have your pass.
1:01:45 > 1:01:48You may see, gentlemen, what is to serve
1:01:48 > 1:01:51A prince with body and soul.
1:01:56 > 1:01:58I would know what are your opinions
1:01:58 > 1:02:00Of this Antonio.
1:02:00 > 1:02:04Well, he could not abide to see a pig's head gaping:
1:02:04 > 1:02:06I thought your grace would find him a Jew.
1:02:06 > 1:02:10- I would you had been his officer, for your own sake. - You would have had more money.
1:02:10 > 1:02:15He stopped his ears with black wool, and to those came to him for money, said he was thick of hearing.
1:02:15 > 1:02:19Some said he was an hermaphrodite, for he could not abide a woman.
1:02:19 > 1:02:22How scurvy proud he would look when the treasury was full!
1:02:22 > 1:02:24- Well, let him go.- Leave us.
1:02:28 > 1:02:30What do you think of these?
1:02:30 > 1:02:33That these are rogues that in his prosperity,
1:02:33 > 1:02:36But to have waited on his fortune, could have wish'd
1:02:36 > 1:02:39His dirty stirrup riveted through their noses,
1:02:39 > 1:02:41And follow'd after his mule, like a bear in a ring;
1:02:41 > 1:02:44Would have prostituted their daughters to his lust,
1:02:44 > 1:02:48And do these lice drop off now?
1:02:48 > 1:02:50Well, never look to have the like again:
1:02:50 > 1:02:52He hath left a sort of flattering of rogues behind;
1:02:52 > 1:02:55- Their doom must follow. Alas, poor gentleman!- Poor!
1:02:55 > 1:02:59- He hath amply fill'd his coffers. - Sure, he was too honest.
1:02:59 > 1:03:02Let me show you what a most unvalu'd jewel
1:03:02 > 1:03:06You have in a wanton humour thrown away.
1:03:06 > 1:03:08He was an excellent Courtier and most faithful;
1:03:08 > 1:03:11a soldier that thought it As beastly to know his own value
1:03:11 > 1:03:14too little As devilish to acknowledge it too much.
1:03:14 > 1:03:16Both his virtue and form deserv'd a far better fortune.
1:03:16 > 1:03:20- But he was basely descended.- Will you make yourself a mercenary herald,
1:03:20 > 1:03:22Rather to examine men's pedigrees than virtues?
1:03:22 > 1:03:28You shall want him: For know an honest statesman to a prince
1:03:28 > 1:03:32Is like a cedar planted by a spring; The spring bathes the tree's root,
1:03:32 > 1:03:35the grateful tree Rewards it with his shadow -
1:03:35 > 1:03:37you have not done so.
1:03:37 > 1:03:39I would sooner swim to the Bermoothes on
1:03:39 > 1:03:42Two politicians' rotten bladders, tied
1:03:42 > 1:03:44Together with an intelligencer's heart-string,
1:03:44 > 1:03:47Than depend on so changeable a prince's favour.
1:03:47 > 1:03:49Fare thee well, Antonio!
1:03:49 > 1:03:51It cannot be said yet That any ill happen'd unto thee,
1:03:51 > 1:03:53considering thy fall Was accompanied with virtue.
1:03:53 > 1:03:55O, you render me excellent music!
1:03:55 > 1:03:56Say you?
1:03:56 > 1:03:59This good one that you speak of is my husband.
1:04:00 > 1:04:03Do I not dream?
1:04:04 > 1:04:05Can this ambitious age
1:04:05 > 1:04:08Have so much goodness in it as to prefer
1:04:08 > 1:04:10A man merely for worth, without these shadows
1:04:10 > 1:04:12Of wealth and painted honours?
1:04:12 > 1:04:15- Possible? - I have had three children by him.
1:04:15 > 1:04:19Oh! Fortunate lady!
1:04:19 > 1:04:21For you have made your private nuptial bed
1:04:21 > 1:04:24The humble and fair seminary of peace.
1:04:24 > 1:04:27No question but many an unbenefic'd scholar
1:04:27 > 1:04:29Shall pray for you for this deed, and rejoice
1:04:29 > 1:04:32That some preferment in the world can yet
1:04:32 > 1:04:34Arise from merit.
1:04:34 > 1:04:36The virgins of your land That have no dowries shall
1:04:36 > 1:04:39hope your example Will raise them to rich husbands.
1:04:39 > 1:04:41Should you want Soldiers, 'twould make the very Turks and Moors
1:04:41 > 1:04:45Turn Christians, and serve you for this act.
1:04:45 > 1:04:47Last, the neglected poets of your time,
1:04:47 > 1:04:52In honour of this trophy of a man, Rais'd by that curious engine,
1:04:52 > 1:04:56your white hand, Shall thank you, in your grave, for it.
1:04:56 > 1:04:58For Antonio, His fame shall likewise flow from many a pen,
1:04:58 > 1:05:02As I taste comfort in this friendly speech,
1:05:02 > 1:05:04So would I find concealment.
1:05:04 > 1:05:07O, the secret of my prince, Which I will wear on th' inside of my heart!
1:05:07 > 1:05:09You shall take charge of all my coin and jewels,
1:05:09 > 1:05:12And follow him; for he retires himself To Ancona.
1:05:12 > 1:05:14- So.- Whither, within few days, I mean to follow thee.
1:05:14 > 1:05:17Let me think: I would your grace to feign a pilgrimage
1:05:17 > 1:05:19To our Lady of Loretto, scarce seven leagues
1:05:19 > 1:05:22From fair Ancona; so may you depart
1:05:22 > 1:05:24Your country with more grace and your flight
1:05:24 > 1:05:25Will seem a princely progress, retaining
1:05:25 > 1:05:28- Your usual train about you. - Sir, your direction Shall lead me by the hand.
1:05:28 > 1:05:31In my opinion, She were better progress
1:05:31 > 1:05:33to the baths at Lucca, Or go visit the Spa in Germany;
1:05:33 > 1:05:35For, if you will believe me,
1:05:35 > 1:05:39I do not like This jesting with religion,
1:05:39 > 1:05:40This feigned pilgrimage.
1:05:40 > 1:05:47Thou art a superstitious fool: Prepare us instantly for our departure.
1:05:47 > 1:05:51Past sorrows, let us moderately lament them,
1:05:51 > 1:05:55For those to come, seek wisely to prevent them.
1:06:01 > 1:06:02Oh.
1:06:02 > 1:06:04LAUGHTER
1:06:04 > 1:06:07A politician is the devil's quilted anvil;
1:06:07 > 1:06:10He fashions all sins on him, and the blows
1:06:10 > 1:06:13Are never heard:
1:06:13 > 1:06:16he may work in a lady's chamber, As here for proof.
1:06:16 > 1:06:21What rests but I reveal All to my lord?
1:06:22 > 1:06:24O, this base quality Of intelligencer!
1:06:26 > 1:06:29Why, every quality in the world
1:06:29 > 1:06:31Prefers but gain or commendation.
1:06:31 > 1:06:36Now, for this act I am certain to be rais'd,
1:06:36 > 1:06:40And men that paint weeds to the life are prais'd.
1:06:40 > 1:06:43Must we turn soldier, then?
1:06:43 > 1:06:46The emperor, Hearing your worth that way, ere you attain'd
1:06:46 > 1:06:49This reverend garment, joins you in commission
1:06:49 > 1:06:53With the right fortunate soldier the Marquis of Pescara,
1:06:53 > 1:06:55And the famous Lannoy.
1:06:55 > 1:07:00- He that had the honour Of taking the French king prisoner? - The same.
1:07:00 > 1:07:03He has a plot drawn for a new fortification At Naples.
1:07:03 > 1:07:06This great Count Malatesti, I perceive, Hath got employment?
1:07:06 > 1:07:10No employment, my lord; A marginal note in the muster-book,
1:07:10 > 1:07:12- that he is A voluntary lord.- He's no soldier.
1:07:12 > 1:07:16He has worn gun-powder in his hollow tooth for the tooth-ache.
1:07:16 > 1:07:18He comes to the leaguer with a full intent
1:07:18 > 1:07:20To eat fresh beef and garlic, means to stay
1:07:20 > 1:07:23Till the scent be gone, and straight return to court.
1:07:23 > 1:07:27- He hath read all the late service As the City-Chronicle relates it: - Then he'll fight by the book.
1:07:27 > 1:07:30He would run away from a battle, to save it from taking his mistress' scarf prisoner.
1:07:30 > 1:07:34He is horribly afraid gun-powder will spoil the perfume on him.
1:07:34 > 1:07:37Bosola arriv'd! What should be the business?
1:07:37 > 1:07:39Some falling-out amongst the cardinals.
1:07:39 > 1:07:43These factions amongst great men, they are like
1:07:43 > 1:07:46Foxes, when their heads are divided, They carry fire in their tails,
1:07:46 > 1:07:49and all the country About them goes to wrack for it.
1:07:49 > 1:07:54- What's that Bosola? - I knew him in Padua, a fantastical scholar, like such who study to know
1:07:54 > 1:07:57how many knots was in Hercules' club, of what colour Achilles'
1:07:57 > 1:08:00beard was, or whether Hector were not troubled with the tooth-ache.
1:08:00 > 1:08:03He hath studied himself half blear-eyed to know the true symmetry
1:08:03 > 1:08:05of Caesar's nose by a shoeing-horn;
1:08:05 > 1:08:10and this he did to gain the name of a speculative man.
1:08:10 > 1:08:14Mark Prince Ferdinand: A very salamander lives in his eye,
1:08:14 > 1:08:16To mock the eager violence of fire.
1:08:16 > 1:08:19That cardinal hath made more bad faces with his oppression
1:08:19 > 1:08:21than ever Michelangelo made good ones.
1:08:21 > 1:08:25- He lifts up his nose, like a foul porpoise before a storm. - LAUGHTER
1:08:25 > 1:08:27The Lord Ferdinand laughs.
1:08:27 > 1:08:30Like a deadly cannon That lightens ere it smokes.
1:08:30 > 1:08:33These are your true pangs of death, The pangs of life,
1:08:33 > 1:08:35that struggle with great statesmen.
1:08:35 > 1:08:39In such a deformed silence witches whisper their charms.
1:08:39 > 1:08:41Doth she make religion her riding-hood
1:08:41 > 1:08:43- To keep her from the sun and tempest? - That, that damns her.
1:08:43 > 1:08:48Methinks her fault and beauty, Blended together, show like leprosy, The whiter, the fouler.
1:08:48 > 1:08:49I make it a question
1:08:49 > 1:08:52Whether her beggarly brats were ever christ'ned.
1:08:52 > 1:08:55I will instantly solicit the state of Ancona and have them banish'd.
1:08:55 > 1:08:59You are for Loretto: I shall not be at your ceremony; fare you well.
1:09:01 > 1:09:03Antonio!
1:09:04 > 1:09:07A slave that only smell'd of ink and counters,
1:09:07 > 1:09:10And never in his life look'd like a gentleman,
1:09:10 > 1:09:13But in the audit-time. Go, go presently,
1:09:13 > 1:09:16Draw me out an hundred and fifty of our horse,
1:09:16 > 1:09:18And meet me at the footbridge.
1:09:19 > 1:09:22HE BLOWS A RASPBERRY
1:09:27 > 1:09:29LAUGHTER
1:09:29 > 1:09:32BELL RINGS
1:09:32 > 1:09:35CHORAL SINGING
1:10:00 > 1:10:03I have not seen a goodlier shrine than this, Yet I have visited many.
1:10:03 > 1:10:07The Cardinal of Arragon comes this day to resign his cardinal's hat:
1:10:07 > 1:10:09His sister duchess likewise is arriv'd
1:10:09 > 1:10:11To pay her vow of pilgrimage. I expect a noble ceremony.
1:10:11 > 1:10:13No question. They come.
1:10:13 > 1:10:16BELL RINGS
1:10:19 > 1:10:24CHORAL SINGING
1:11:13 > 1:11:18# Arms and honours deck thy story
1:11:18 > 1:11:24# To thy fame's eternal glory
1:11:24 > 1:11:30# Adverse fortune ever fly thee
1:11:30 > 1:11:35# No disastrous fate come nigh thee
1:11:35 > 1:11:41# I alone will sing thy praises
1:11:41 > 1:11:47# Whom to honour virtue raises
1:11:47 > 1:11:53# And thy study, that divine is
1:11:53 > 1:11:59# Bent to martial discipline is
1:11:59 > 1:12:04# Lay aside all robes lie by thee
1:12:04 > 1:12:09# Crown thy arts with arms
1:12:09 > 1:12:17# They'll beautify thee. #
1:12:19 > 1:12:20Alas, Antonio!
1:12:20 > 1:12:24If that a man be thrust into a well, No matter who sets hand to it,
1:12:24 > 1:12:27his own weight Will bring him sooner to the bottom.
1:12:27 > 1:12:31Come, let's hence. Fortune makes this conclusion general,
1:12:31 > 1:12:35All things do help the unhappy man to fall.
1:12:35 > 1:12:36Banish'd Ancona!
1:12:36 > 1:12:40Yes, you see what power Lightens in great men's breath.
1:12:40 > 1:12:42Is all our train Shrunk to this poor remainder?
1:12:42 > 1:12:45These poor men Which have got little in your service, vow
1:12:45 > 1:12:49To take your fortune: but your wiser buntings,
1:12:49 > 1:12:51Now they are fledg'd, are gone.
1:12:51 > 1:12:53They have done wisely.
1:12:53 > 1:12:56This puts me in mind of death: physicians thus,
1:12:56 > 1:12:58With their hands full of money, use to give o'er
1:12:58 > 1:13:01- Their patients. - Right the fashion of the world.
1:13:01 > 1:13:02I had a very strange dream to-night.
1:13:02 > 1:13:06- What was it?- Methought I wore my coronet of state,
1:13:06 > 1:13:08And on a sudden all the diamonds Were chang'd to pearls.
1:13:08 > 1:13:11My interpretation Is, you'll weep shortly;
1:13:11 > 1:13:15for to me the pearls Do signify your tears.
1:13:15 > 1:13:17The birds that live i' th' field
1:13:17 > 1:13:19On the wild benefit of nature live
1:13:19 > 1:13:24Happier than we; for they may choose their mates,
1:13:24 > 1:13:26And carol their sweet pleasures to the spring.
1:13:26 > 1:13:28- You are happily o'erta'en. - From my brother?
1:13:28 > 1:13:32Yes, from the Lord Ferdinand your brother All love and safety.
1:13:32 > 1:13:34Thou dost blanch mischief, Would'st make it white.
1:13:34 > 1:13:37See, see, like to calm weather At sea before a tempest,
1:13:37 > 1:13:40false hearts speak fair To those they intend most mischief.
1:13:42 > 1:13:46"Send Antonio to me; I want his head in a business."
1:13:46 > 1:13:48A politic equivocation!
1:13:48 > 1:13:50He doth not want your counsel, but your head;
1:13:50 > 1:13:53That is, he cannot sleep till you be dead.
1:13:53 > 1:13:55And here's another pitfall that's strew'd o'er
1:13:55 > 1:13:59With roses; mark it, 'tis a cunning one:
1:13:59 > 1:14:03"I stand engaged for your husband for several debts at Naples:
1:14:03 > 1:14:05"let not that trouble him;
1:14:05 > 1:14:09"I had rather have his heart than his money." And I believe so too.
1:14:09 > 1:14:12- What do you believe?- That he so much distrusts my husband's love,
1:14:12 > 1:14:15He will by no means believe his heart is with him
1:14:15 > 1:14:19Until he see it: the devil is not cunning enough
1:14:19 > 1:14:21To circumvent us In riddles.
1:14:21 > 1:14:24Will you reject that noble and free league
1:14:24 > 1:14:26Of amity and love which I present you?
1:14:26 > 1:14:28Their league is like that of some politic kings,
1:14:28 > 1:14:32Only to make themselves of strength and power To be our after-ruin; tell them so.
1:14:32 > 1:14:33And what from you?
1:14:33 > 1:14:35Thus tell him; I will not come.
1:14:35 > 1:14:37And what of this?
1:14:37 > 1:14:40My brothers have dispers'd Bloodhounds abroad;
1:14:40 > 1:14:43which till I hear are muzzl'd, I'll not come at them.
1:14:43 > 1:14:44This proclaims your breeding.
1:14:44 > 1:14:47Every small thing draws a base mind to fear,
1:14:47 > 1:14:49As the adamant draws iron.
1:14:49 > 1:14:52Fare you well, sir; You shall shortly hear from us.
1:14:52 > 1:14:55I suspect some ambush; Therefore by all my love
1:14:55 > 1:14:59I do conjure you To take your eldest son, and fly towards Milan.
1:14:59 > 1:15:02Let us not venture all this poor remainder
1:15:02 > 1:15:04In one unlucky bottom.
1:15:04 > 1:15:08You...counsel safely.
1:15:10 > 1:15:14Best of my life, farewell.
1:15:15 > 1:15:18Since we must part, Heaven hath a hand in it;
1:15:18 > 1:15:22but no otherwise, Than as some curious artist takes in sunder
1:15:22 > 1:15:25A clock or watch, when it is out of frame,
1:15:25 > 1:15:27To bring it in better order.
1:15:27 > 1:15:28I know not which is best,
1:15:28 > 1:15:31To see you dead, or part with you.
1:15:31 > 1:15:33Farewell, boy:
1:15:33 > 1:15:36Thou art happy thou hast not understanding
1:15:36 > 1:15:38To know thy misery; for all our wit
1:15:38 > 1:15:41And reading bring us to a truer sense
1:15:41 > 1:15:42Of sorrow.
1:15:45 > 1:15:49In the eternal church, sir, I do hope we shall not part thus.
1:15:49 > 1:15:52O, be of comfort!
1:15:52 > 1:15:55Make patience a noble fortitude,
1:15:55 > 1:15:58And think not how unkindly we are used:
1:15:58 > 1:16:03Man, like to cassia, is prov'd best, being bruis'd.
1:16:03 > 1:16:06Must I, like to slave-born Russian,
1:16:06 > 1:16:09Account it praise to suffer tyranny?
1:16:09 > 1:16:13And yet, O heaven, thy heavy hand is in it!
1:16:13 > 1:16:17I have seen my little boy oft scourge his top, And compar'd
1:16:17 > 1:16:22myself to it: naught made me e'er go right but heaven's scourge-stick.
1:16:22 > 1:16:25Do not weep:
1:16:25 > 1:16:29Heaven fashioned us of nothing;
1:16:29 > 1:16:32and we strive To bring ourselves to nothing.
1:16:36 > 1:16:38Farewell, Cariola,
1:16:38 > 1:16:40And thy sweet armful.
1:16:42 > 1:16:44If I do never see thee more, Be a good mother
1:16:44 > 1:16:48to your little ones,
1:16:48 > 1:16:50And save them from the tiger:
1:16:53 > 1:16:55fare you well.
1:16:56 > 1:16:58Let me look upon you once more,
1:16:58 > 1:17:02for that speech Came from a dying father.
1:17:02 > 1:17:05Your kiss is colder Than I have seen an holy anchorite
1:17:05 > 1:17:07Give to a dead man's skull.
1:17:07 > 1:17:10My heart is turn'd to a heavy lump of lead,
1:17:10 > 1:17:14With which I sound my danger:
1:17:16 > 1:17:17Fare you well.
1:17:23 > 1:17:26My laurel is all withered.
1:17:26 > 1:17:28Look, madam, what a troop of armed men
1:17:28 > 1:17:30Make toward us!
1:17:30 > 1:17:32O, they are very welcome: When Fortune's wheel is
1:17:32 > 1:17:36over-charg'd with princes, The weight makes it move swift:
1:17:36 > 1:17:38I would have my ruin Be sudden.
1:17:38 > 1:17:41I am your adventure, am I not?
1:17:41 > 1:17:43You are: you must see your husband no more.
1:17:43 > 1:17:46What devil art thou that counterfeits heaven's thunder?
1:17:46 > 1:17:47Is that terrible?
1:17:47 > 1:17:52I would have you tell me whether Is that note worse that dost fright
1:17:52 > 1:17:54the silly birds Out of the corn,
1:17:54 > 1:17:56or that which doth allure them To the nets?
1:17:56 > 1:17:59You have heark'ned to the last too much.
1:17:59 > 1:18:01O misery! like to a rusty o'ercharg'd cannon,
1:18:01 > 1:18:04Shall I never fly in pieces? Come, to what prison?
1:18:04 > 1:18:06- To none.- Whither, then? - To your palace.
1:18:06 > 1:18:09I have heard That Charon's boat serves to convey all o'er
1:18:09 > 1:18:12The dismal lake, but brings none back again.
1:18:12 > 1:18:14Your brothers mean you safety and pity.
1:18:14 > 1:18:16Pity!
1:18:16 > 1:18:19With such a pity men preserve alive Pheasants and quails,
1:18:19 > 1:18:21when they are not fat enough To be eaten.
1:18:21 > 1:18:24- These are your children?- Yes. - Can they prattle?- No!
1:18:24 > 1:18:26But I intend, since they were born accurs'd,
1:18:26 > 1:18:28Curses shall be their first language.
1:18:28 > 1:18:30Fie, madam! Forget this base, low fellow.
1:18:30 > 1:18:35Were I a man, I 'd beat that counterfeit face into thy other.
1:18:35 > 1:18:36One of no birth.
1:18:36 > 1:18:40Say that he were born mean, Man is most happy when his own actions
1:18:40 > 1:18:43Be arguments and examples of his virtue.
1:18:43 > 1:18:46- A barren, beggarly virtue. - I prithee, who is greatest?
1:18:46 > 1:18:47Can you tell?
1:18:47 > 1:18:50Sad tales befit my woe: I'll tell you one.
1:18:51 > 1:18:53A salmon, as she swam unto the sea.
1:18:53 > 1:18:55Met with a dog-fish, who encounters her
1:18:55 > 1:18:57With this rough language;
1:18:57 > 1:18:59"Why art thou so bold
1:18:59 > 1:19:02"As to mix thyself in our high state of floods,
1:19:02 > 1:19:04"Being no eminent courtier,
1:19:04 > 1:19:07"but one That for the calmest and fresh time o' th' year
1:19:07 > 1:19:10"Dost live in shallow rivers
1:19:10 > 1:19:13"And darest thou
1:19:13 > 1:19:15"Pass by our dog-ship without reverence?"
1:19:15 > 1:19:19"O," quoth the salmon,
1:19:19 > 1:19:23"sister, be at peace: Thank Jupiter we both have pass'd the net!
1:19:24 > 1:19:27"Our value never can be truly known,
1:19:27 > 1:19:32"Till in the fisher's basket we be shown: In the market then my
1:19:32 > 1:19:34"price may be the higher,
1:19:34 > 1:19:37"Even when I am nearest to the cook and fire."
1:19:38 > 1:19:42So to great men the moral may be stretched;
1:19:42 > 1:19:45Men oft are valu'd high, when they're most wretched.
1:19:48 > 1:19:51But come, whither you please.
1:19:51 > 1:19:54I am arm'd 'gainst misery;
1:19:54 > 1:19:58Bent to all sways of the oppressor's will:
1:19:58 > 1:20:02There's no deep valley but near some great hill.
1:20:04 > 1:20:08SOMBRE MUSIC PLAYS
1:20:39 > 1:20:42Well, that brings to a close the third act of this five-act play.
1:20:42 > 1:20:46The brothers have discovered whom the Duchess has married
1:20:46 > 1:20:49and they are thirsty for destruction.
1:20:49 > 1:20:53The Duchess and her husband, Antonio, have been forced to separate -
1:20:53 > 1:20:58he into hiding and she into prison where her deeply unpleasant brothers
1:20:58 > 1:21:01plot a series of foul tortures for her.
1:21:05 > 1:21:08And these tortures are pretty vile, as we'll see.
1:21:13 > 1:21:17But through all these horrors, the Duchess grows in stature.
1:21:17 > 1:21:22Suffering turns her from a romantic widow into a tragic heroine.
1:21:22 > 1:21:27She seems able to take everything that the brothers throw at her.
1:21:27 > 1:21:30And yet all the while, her own destruction is approaching.
1:21:30 > 1:21:33As is the destruction of almost everybody else.
1:21:35 > 1:21:39But before the final two acts begin, a word of warning -
1:21:39 > 1:21:42the play is about to get darker.
1:21:42 > 1:21:43Literally.
1:21:43 > 1:21:48The two brothers are about to play a very nasty trick on the Duchess,
1:21:48 > 1:21:52but this trick requires to be played in the dark.
1:21:52 > 1:21:56So for just over a minute, as the Duchess tries to work out
1:21:56 > 1:22:01what is going on, the stage, and therefore your screen, will go dark.
1:22:01 > 1:22:04It doesn't matter how many thousands of pounds you've spent on it,
1:22:04 > 1:22:08whether it's widescreen, flatscreen, HD, it will go black.
1:22:08 > 1:22:10So do not adjust your set,
1:22:10 > 1:22:14the final part of The Duchess Of Malfi is about to begin.
2:00:15 > 2:00:16MAN SINGS
2:00:18 > 2:00:20BANGING
2:00:23 > 2:00:27How doth our sister duchess bear herself in her imprisonment?
2:00:27 > 2:00:29Nobly - I'll describe her.
2:00:29 > 2:00:31She's sad as one long us'd to 't, and she seems
2:00:31 > 2:00:33Rather to welcome the end of misery
2:00:33 > 2:00:38Than shun it - a behaviour so noble as gives a majesty to adversity.
2:00:38 > 2:00:40You may discern the shape of loveliness
2:00:40 > 2:00:44More perfect in her tears than in her smiles.
2:00:44 > 2:00:47She will muse for hours together - and her silence,
2:00:47 > 2:00:49Methinks, expresseth more than if she spake.
2:00:49 > 2:00:54Her melancholy seems to be fortified With a strange disdain.
2:00:54 > 2:00:56'Tis so - and this restraint,
2:00:56 > 2:00:59Like English mastiffs that grow fierce with tying,
2:00:59 > 2:01:02Makes her too passionately apprehend Those pleasures she is kept from.
2:01:02 > 2:01:04Curse upon her!
2:01:04 > 2:01:07I will no longer study in the book Of another's heart.
2:01:07 > 2:01:10Inform her what I told you.
2:01:12 > 2:01:15SHE SINGS
2:01:17 > 2:01:20- All comfort to your grace! - I will have none.
2:01:20 > 2:01:23Pray thee, why dost thou wrap thy poison'd pills
2:01:23 > 2:01:24In gold and sugar?
2:01:24 > 2:01:25Your elder brother, the Lord Ferdinand,
2:01:25 > 2:01:28Is come to visit you, and sends you word,
2:01:28 > 2:01:30'Cause once he rashly made a solemn vow
2:01:30 > 2:01:33Never to see you more, he comes i' th' night -
2:01:33 > 2:01:36And prays you gently neither torch nor taper
2:01:36 > 2:01:38Shine in your chamber.
2:01:38 > 2:01:41He will kiss your hand, And reconcile himself -
2:01:41 > 2:01:43but for his vow He dare not see you.
2:01:43 > 2:01:45At his pleasure. Put out the lights.
2:02:05 > 2:02:06He's come.
2:02:09 > 2:02:12MAN BREATHES HEAVILY
2:02:14 > 2:02:15Where are you?
2:02:15 > 2:02:16Here, sir.
2:02:18 > 2:02:20This darkness suits you well.
2:02:20 > 2:02:21I would ask you pardon.
2:02:21 > 2:02:25You have it - For I account it the honorabl'st revenge,
2:02:25 > 2:02:27Where I may kill, to pardon.
2:02:27 > 2:02:31It had been well, Could you have liv'd thus always - for, indeed,
2:02:31 > 2:02:35You were too much i' th' light - but no more -
2:02:38 > 2:02:41I come to seal my peace with you.
2:02:43 > 2:02:45Here's a hand
2:02:45 > 2:02:48To which you have vow'd much love - the ring upon 't
2:02:48 > 2:02:50- You gave. - I affectionately kiss it.
2:02:50 > 2:02:53Pray, do, and bury the print of it in your heart.
2:02:54 > 2:02:57I will leave this ring with you for a love-token -
2:02:57 > 2:02:59And the hand as sure as the ring -
2:02:59 > 2:03:01and do not doubt But you shall have the heart too.
2:03:03 > 2:03:07When you need a friend, Send it to him that ow'd it -
2:03:07 > 2:03:10you shall see Whether he can aid you.
2:03:10 > 2:03:14You are very cold - I fear you are not well after your travel.
2:03:14 > 2:03:17- Ha! lights! O, horrible! - Let her have lights enough.
2:03:17 > 2:03:20What witchcraft doth he practise, that he hath left
2:03:20 > 2:03:21A dead man's hand here?
2:03:21 > 2:03:25Look you, here's the piece from which 'twas ta'en.
2:03:25 > 2:03:28He doth present you this sad spectacle,
2:03:28 > 2:03:30That, now you know directly they are dead,
2:03:30 > 2:03:33Hereafter you may wisely cease to grieve
2:03:33 > 2:03:34For that which cannot be recovered.
2:03:34 > 2:03:36There is not between heaven
2:03:36 > 2:03:39and earth one wish I stay for after this.
2:03:39 > 2:03:42It wastes me more Than were 't my picture,
2:03:42 > 2:03:43fashion'd out of wax,
2:03:43 > 2:03:46Stuck with a magical needle, and then buried
2:03:46 > 2:03:51In some foul dunghill - and yon's an excellent property
2:03:51 > 2:03:54For a tyrant, which I would account mercy.
2:03:54 > 2:03:56- What's that?- If they would bind me to that lifeless trunk,
2:03:56 > 2:03:59- And let me freeze to death. - Come, you must live.
2:03:59 > 2:04:01That's the greatest torture souls feel in hell,
2:04:01 > 2:04:06In hell, that they must live, and cannot die.
2:04:07 > 2:04:09Portia, I'll new kindle thy coals again,
2:04:09 > 2:04:12And revive the rare and almost dead example
2:04:12 > 2:04:13Of a loving wife.
2:04:13 > 2:04:15O, fie! despair? Remember You are a Christian.
2:04:15 > 2:04:18The church enjoins fasting - I'll starve myself to death.
2:04:18 > 2:04:19Leave this vain sorrow.
2:04:19 > 2:04:22Things being at the worst begin to mend - the bee
2:04:22 > 2:04:24When he hath shot his sting into your hand,
2:04:24 > 2:04:27- May then play with your eye-lid. - Good comfortable fellow,
2:04:27 > 2:04:29Persuade a wretch that 's broke upon the wheel
2:04:29 > 2:04:31To have all his bones new set -
2:04:31 > 2:04:34entreat him live To be executed again.
2:04:35 > 2:04:38Who must despatch me?
2:04:39 > 2:04:41I account this world a tedious theatre,
2:04:41 > 2:04:44For I do play a part in 't 'gainst my will.
2:04:44 > 2:04:46Come, be of comfort - I will save your life.
2:04:46 > 2:04:51Indeed, I have not leisure to tend so small a business.
2:04:51 > 2:04:53Now, by my life, I pity you.
2:04:53 > 2:04:56Thou art a fool, then, To waste thy pity on a thing
2:04:56 > 2:05:00so wretched As cannot pity it.
2:05:02 > 2:05:04I am full of daggers.
2:05:04 > 2:05:09Puff, let me blow these vipers from me.
2:05:10 > 2:05:11What are you?
2:05:13 > 2:05:15One that wishes you long life.
2:05:15 > 2:05:17I would thou wert hang'd for the horrible curse
2:05:17 > 2:05:20Thou hast given me - I shall shortly grow one
2:05:20 > 2:05:21Of the miracles of pity.
2:05:21 > 2:05:25I'll go pray - No, I'll go curse.
2:05:25 > 2:05:27- O, fie! - I could curse the stars.
2:05:27 > 2:05:30- O, fearful!- And those three smiling seasons of the year
2:05:30 > 2:05:32Into a Russian winter - nay, the world
2:05:32 > 2:05:34To its first chaos.
2:05:34 > 2:05:36Look you, the stars shine still.
2:05:36 > 2:05:39O, but you must remember, My curse hath a great way to go.
2:05:41 > 2:05:45Plagues, that make lanes through largest families,
2:05:45 > 2:05:47- Consume them!- Fie, lady!
2:05:47 > 2:05:48Let them, like tyrants,
2:05:48 > 2:05:51Never be remembered but for the ill they have done -
2:05:51 > 2:05:55Let all the zealous prayers of mortified Churchmen forget them!
2:05:55 > 2:05:59- O, uncharitable!- Let heaven a little while cease crowning martyrs,
2:05:59 > 2:06:00To punish them!
2:06:03 > 2:06:08Go, howl them this, and say, I long to bleed -
2:06:08 > 2:06:11It is some mercy when men kill with speed.
2:06:18 > 2:06:23Excellent, as I would wish...
2:06:23 > 2:06:25HE LAUGHS
2:06:26 > 2:06:29..she's plagu'd in art.
2:06:29 > 2:06:33These presentations are but fram'd in wax
2:06:33 > 2:06:36and she takes them For true substantial bodies.
2:06:36 > 2:06:38- Why do you do this? - To bring her to despair.
2:06:38 > 2:06:42Faith, end here, And go no farther in your cruelty.
2:06:42 > 2:06:44Send her a penitential garment to put on
2:06:44 > 2:06:46Next to her delicate skin, and furnish her
2:06:46 > 2:06:50- With beads and prayer-books. - Damn her! that body of hers.
2:06:50 > 2:06:53While that my blood run pure in 't, was more worth
2:06:53 > 2:06:56Than that which thou wouldst comfort, call'd a soul.
2:06:56 > 2:06:59I will send her masques of common courtezans,
2:06:59 > 2:07:01Have her meat serv'd up by bawds and ruffians,
2:07:01 > 2:07:04And, 'cause she'll needs be mad,
2:07:04 > 2:07:07I am resolv'd To move forth the common hospital
2:07:07 > 2:07:09All the mad-folk, and place them near her lodgings,
2:07:09 > 2:07:13and there let them practise together,
2:07:13 > 2:07:15sing and dance,
2:07:15 > 2:07:20And act their gambols to the full o' th' moon.
2:07:20 > 2:07:22If she can sleep the better for it, let her.
2:07:24 > 2:07:27- Your work is almost ended. - Must I see her again?
2:07:27 > 2:07:28- Yes.- Never.- You must.
2:07:28 > 2:07:31Never in mine own shape - That's forfeited by my intelligence
2:07:31 > 2:07:32And this last cruel lie.
2:07:32 > 2:07:35When you send me next, The business shall be comfort.
2:07:35 > 2:07:39Very likely - Thy pity is nothing of kin to thee,
2:07:40 > 2:07:43Antonio lurks about Milan - thou shalt shortly thither,
2:07:43 > 2:07:45To feed a fire as great as my revenge,
2:07:45 > 2:07:49Which nev'r will slack till it hath spent his fuel.
2:07:51 > 2:07:56Intemperate agues make physicians cruel.
2:08:13 > 2:08:15SHE SINGS TO BAROQUE-STYLE MUSIC
2:08:50 > 2:08:52SINGING CONTINUES
2:09:16 > 2:09:19- SHOUTING OUTSIDE - How now? What hideous noise is that?
2:09:19 > 2:09:21'Tis the wild consort Of madmen, lady,
2:09:21 > 2:09:24which your tyrant brother Hath plac'd about your lodging.
2:09:24 > 2:09:27This tyranny, I think, was never practis'd till this hour.
2:09:27 > 2:09:29Indeed, I thank him.
2:09:29 > 2:09:33Nothing but noise and folly Can keep me in my right wits -
2:09:33 > 2:09:37whereas reason And silence make me stark mad.
2:09:37 > 2:09:38Sit down.
2:09:39 > 2:09:43- Discourse to me some dismal tragedy. - O, 'twill increase your melancholy!
2:09:43 > 2:09:45Thou art deceiv'd.
2:09:45 > 2:09:49To hear of greater grief would lessen mine.
2:09:49 > 2:09:50This is a prison?
2:09:50 > 2:09:53Yes, but you shall live To shake this durance off.
2:09:53 > 2:09:55Thou art a fool. The robin-red-breast
2:09:55 > 2:09:58and the nightingale Never live long in cages.
2:09:58 > 2:10:00Pray, dry your eyes.
2:10:00 > 2:10:03What think you of, madam?
2:10:03 > 2:10:06Of nothing - When I muse thus, I sleep.
2:10:06 > 2:10:09Like a madman, with your eyes open?
2:10:09 > 2:10:12Do you think we will know one another In th' other world?
2:10:12 > 2:10:14Yes, out of question.
2:10:14 > 2:10:17O, that it were possible we might But hold some two days'
2:10:17 > 2:10:19conference with the dead!
2:10:19 > 2:10:21From them I should learn somewhat, I am sure,
2:10:21 > 2:10:23I should never learn here.
2:10:23 > 2:10:28I'll tell thee a miracle. I am not mad yet,
2:10:28 > 2:10:32to my cause of sorrow. Th' heaven o'er my head seems
2:10:32 > 2:10:34made of molten brass,
2:10:34 > 2:10:38The earth of flaming sulphur, yet I am not mad.
2:10:39 > 2:10:41I am acquainted with sad misery
2:10:41 > 2:10:44As the tann'd galley-slave is with his oar -
2:10:44 > 2:10:46Necessity makes me suffer constantly,
2:10:46 > 2:10:48And custom makes it easy.
2:10:48 > 2:10:50Who do I look like now?
2:10:50 > 2:10:53Like to your picture in the gallery, A deal of life in show,
2:10:53 > 2:10:55but none in practice -
2:10:55 > 2:10:59Or rather like some reverend monument
2:10:59 > 2:11:01Whose ruins are even pitied.
2:11:01 > 2:11:03Very proper -
2:11:03 > 2:11:06And Fortune seems only to have her eye-sight
2:11:06 > 2:11:08To behold my tragedy. How now!
2:11:08 > 2:11:11- SHOUTING - What noise is that?
2:11:11 > 2:11:12I am come to tell you
2:11:12 > 2:11:15Your brother hath intended you some sport.
2:11:15 > 2:11:17A great physician, when the Pope was sick
2:11:17 > 2:11:19Of a deep melancholy, presented him
2:11:19 > 2:11:23With several sorts of madmen, which wild object
2:11:23 > 2:11:26Being full of change and sport, forc'd him to laugh,
2:11:26 > 2:11:28And so the imposthume broke.
2:11:28 > 2:11:31The self-same cure The duke intends on you.
2:11:31 > 2:11:32Let them come in.
2:11:34 > 2:11:39There's a mad lawyer, and a secular priest,
2:11:39 > 2:11:41A doctor that hath forfeited his wits
2:11:41 > 2:11:46By jealousy - an astrologian That in his works
2:11:46 > 2:11:49said such a day o' the month Should be the day of doom,
2:11:49 > 2:11:51and, failing of 't, Ran mad -
2:11:51 > 2:11:54an English tailor craz'd i' the brain
2:11:54 > 2:11:56With the study of new fashions;
2:11:56 > 2:11:58You'd think the devil were among them.
2:11:58 > 2:12:02Sit, Cariola. Let them loose when you please,
2:12:02 > 2:12:04For I am chain'd to endure all your tyranny.
2:12:04 > 2:12:07BELL RINGS
2:12:07 > 2:12:15# O, let us howl some heavy note, Some deadly dogged howl... #
2:12:15 > 2:12:18THEY HOWL
2:12:18 > 2:12:22# Sounding as from the threatening throat
2:12:22 > 2:12:26# Of beasts and fatal fowl!
2:12:26 > 2:12:28ALL: # Fowl.
2:12:28 > 2:12:32# We'll sing, like swans, to welcome death,
2:12:32 > 2:12:37# And die in being blessed. #
2:12:37 > 2:12:39Doom's-day not come yet!
2:12:39 > 2:12:41I'll draw it nearer by a perspective or make a glass
2:12:41 > 2:12:44that shall set all the world on fire upon an instant.
2:12:44 > 2:12:48I cannot sleep - my pillow is stuffed with a litter of porcupines.
2:12:48 > 2:12:52Hell is a mere glass-house, where the devils are continually
2:12:52 > 2:12:58blowing up women's souls on hollow irons, and the fire never goes out.
2:12:58 > 2:13:00Greek is turned Turk -
2:13:00 > 2:13:03we are only to be saved by the Helvetian translation.
2:13:03 > 2:13:07Come on, sir, I will lay the law to you.
2:13:07 > 2:13:10O, rather lay a corrosive - the law will eat to the bone.
2:13:10 > 2:13:14He that drinks but to satisfy nature is damn'd.
2:13:14 > 2:13:17If I had my glass here,
2:13:17 > 2:13:23I would show a sight should make all the women here call me mad doctor.
2:13:23 > 2:13:25What's he? A rope-maker?
2:13:25 > 2:13:31No, no, no, a snuffling knave that, while he shows the tombs,
2:13:31 > 2:13:35will have his hand in a wench's placket.
2:13:35 > 2:13:37Woe to the caroche that brought
2:13:37 > 2:13:41home my wife from the masque at three o'clock in the morning!
2:13:41 > 2:13:43It had a large feather-bed in it.
2:13:43 > 2:13:45BELL RINGS
2:13:52 > 2:13:54BAROQUE-STYLE MUSIC
2:14:32 > 2:14:33Is he mad too?
2:14:33 > 2:14:35Pray, question him. I'll leave you.
2:14:41 > 2:14:43I am come to make thy tomb.
2:14:43 > 2:14:46Ha! my tomb!
2:14:46 > 2:14:48Thou speak'st as if I lay upon my death-bed,
2:14:48 > 2:14:49Gasping for breath.
2:14:50 > 2:14:52Dost thou perceive me sick?
2:14:52 > 2:14:56Yes, and the more dangerously, since thy sickness is insensible.
2:14:56 > 2:14:59Thou art not mad, sure - dost know me?
2:14:59 > 2:15:02- Yes.- Who am I?
2:15:02 > 2:15:06Thou art a box of worm-seed, at best.
2:15:06 > 2:15:08What's this flesh?
2:15:08 > 2:15:13A little cruddedmilk, fantastical puff-paste.
2:15:13 > 2:15:17Our bodies are weaker than those paper-prisons boys use to keep
2:15:17 > 2:15:23flies in - more contemptible, since ours is to preserve earth-worms.
2:15:24 > 2:15:28Didst thou ever see a lark in a cage?
2:15:29 > 2:15:34Such is the soul in the body - this world is like her little
2:15:34 > 2:15:39turf of grass, and the heaven o'er our heads like her looking-glass,
2:15:39 > 2:15:43only gives us a miserable knowledge of the small compass of our prison.
2:15:43 > 2:15:45Am not I thy duchess?
2:15:45 > 2:15:50Thou art some great woman, sure, for riot begins to sit on thy forehead
2:15:50 > 2:15:56clad in gray hairs twenty years sooner than on a merry milk-maid's.
2:15:56 > 2:15:59Thou sleepest worse than
2:15:59 > 2:16:04if a mouse should be forced to take up her lodging in a cat's ear -
2:16:04 > 2:16:08a little infant that breeds its teeth, should it lie with thee,
2:16:08 > 2:16:11would cry out, as if thou wert the more unquiet bedfellow.
2:16:11 > 2:16:14I am Duchess of Malfi still.
2:16:14 > 2:16:18That makes thy sleep so broken -
2:16:18 > 2:16:22Glories, like glow-worms, afar off shine bright,
2:16:22 > 2:16:26But, look'd to near, have neither heat nor light.
2:16:26 > 2:16:28Thou art very plain.
2:16:28 > 2:16:32My trade is to flatter the dead, not the living - I am a tomb-maker.
2:16:32 > 2:16:34And thou comest to make my tomb?
2:16:34 > 2:16:39- Yes.- Let me be a little merry - of what stuff wilt thou make it?
2:16:39 > 2:16:41Nay, resolve me first, of what fashion?
2:16:41 > 2:16:43Why, do we grow fantastical on our deathbed?
2:16:43 > 2:16:47- Do we affect fashion in the grave? - Most ambitiously.
2:16:47 > 2:16:49Let me know fully therefore the effect
2:16:49 > 2:16:51Of this thy dismal preparation,
2:16:51 > 2:16:53This talk fit for a charnel.
2:16:53 > 2:16:57Now I shall -
2:16:57 > 2:17:01Here is a present from your princely brothers -
2:17:01 > 2:17:04And may it arrive welcome, for it brings
2:17:04 > 2:17:07Last benefit, last sorrow.
2:17:07 > 2:17:08Let me see it.
2:17:09 > 2:17:11BELL RINGS
2:17:12 > 2:17:13BELL RINGS
2:17:15 > 2:17:17BELL RINGS
2:17:17 > 2:17:20I have so much obedience in my blood,
2:17:20 > 2:17:23I wish it in their veins to do them good.
2:17:23 > 2:17:26- This is your last presence-chamber. - O my sweet lady!
2:17:26 > 2:17:27Peace - it affrights not me.
2:17:27 > 2:17:29I am the common bellman
2:17:29 > 2:17:31That usually is sent to condemn'd persons
2:17:31 > 2:17:33The night before they suffer.
2:17:33 > 2:17:35Even now thou said'st Thou wast a tomb-maker.
2:17:35 > 2:17:40'Twas to bring you By degrees to mortification. Listen.
2:17:40 > 2:17:42BELL RINGS
2:17:46 > 2:17:51Hark, now everything is still,
2:17:51 > 2:17:54The screech-owl and the whistler shrill
2:17:54 > 2:17:57Call upon our dame aloud,
2:17:57 > 2:18:01And bid her quickly don her shroud!
2:18:01 > 2:18:04Much you had of land and rent -
2:18:04 > 2:18:08Your length in clay's now competent.
2:18:08 > 2:18:15A long war disturb'd your mind - Here your perfect peace is sign'd.
2:18:15 > 2:18:19Of what is 't fools make such vain keeping?
2:18:19 > 2:18:23Sin their conception, their birth weeping,
2:18:23 > 2:18:27'Tis now full tide 'tween night and day -
2:18:27 > 2:18:30End your groan, and come away.
2:18:30 > 2:18:33Hence, villains, tyrants, murderers!
2:18:33 > 2:18:37Alas! What will you do with my lady? Call for help!
2:18:37 > 2:18:40To whom? To our next neighbours? They are mad-folks.
2:18:40 > 2:18:42- Remove that noise. - Farewell, Cariola.
2:18:42 > 2:18:45In my last will I have not much to give.
2:18:45 > 2:18:47A many hungry guests have fed upon me -
2:18:47 > 2:18:49Thine will be a poor reversion.
2:18:49 > 2:18:50- I will die with her. - I pray thee,
2:18:50 > 2:18:53look thou giv'st my little boy
2:18:53 > 2:18:55Some syrup for his cold, and let the girl
2:18:55 > 2:18:56Say her prayers ere she sleep.
2:18:59 > 2:19:03Now what you please - What death?
2:19:03 > 2:19:06Strangling - here are your executioners.
2:19:06 > 2:19:07I forgive them.
2:19:08 > 2:19:11The apoplexy, catarrh, or cough o' th' lungs,
2:19:11 > 2:19:13- Would do as much as they do. - Doth not death fright you?
2:19:13 > 2:19:15Who would be afraid on 't,
2:19:15 > 2:19:18Knowing to meet such excellent company
2:19:18 > 2:19:20- In th' other world? - Yet, methinks,
2:19:20 > 2:19:22The manner of your death should much afflict you -
2:19:22 > 2:19:24This cord should terrify you.
2:19:24 > 2:19:26Not a whit. What would it pleasure me
2:19:26 > 2:19:29to have my throat cut With diamonds?
2:19:29 > 2:19:30Or to be smothered With cassia?
2:19:30 > 2:19:33Or to be shot to death with pearls?
2:19:34 > 2:19:36I know death hath ten thousand several doors
2:19:36 > 2:19:40For men to take their exits - and 'tis found
2:19:40 > 2:19:44They go on such strange geometrical hinges,
2:19:44 > 2:19:48You may open them both ways - any way, for heaven-sake,
2:19:48 > 2:19:51So I were out of your whispering.
2:19:52 > 2:19:53Tell my brothers
2:19:53 > 2:19:57That I perceive death, now I am well awake,
2:19:57 > 2:20:01Best gift is they can give or I can take.
2:20:03 > 2:20:05I would fain put off my last woman's-fault,
2:20:05 > 2:20:07I'd not be tedious to you.
2:20:07 > 2:20:08We are ready.
2:20:08 > 2:20:11Dispose my breath how please you - but my body
2:20:11 > 2:20:14Bestow upon my women, will you?
2:20:14 > 2:20:15Yes.
2:20:15 > 2:20:20Pull, and pull strongly, for your able strength
2:20:20 > 2:20:23Must pull down heaven upon me -
2:20:23 > 2:20:27Yet stay - heaven-gates are not so highly arch'd
2:20:27 > 2:20:31As princes' palaces - they that enter there
2:20:31 > 2:20:34Must go upon their knees...
2:20:36 > 2:20:39..Come, violent death,
2:20:39 > 2:20:41Serve for mandragora to make me sleep!
2:20:42 > 2:20:45Go tell my brothers, when I am laid out,
2:20:45 > 2:20:47They then may feed in quiet.
2:20:56 > 2:20:59SHE GASPS FOR BREATH
2:21:15 > 2:21:18HE SIGHS Where's the waiting-woman?
2:21:18 > 2:21:21Fetch her: some other Strangle the children.
2:21:24 > 2:21:26Look you, there sleeps your mistress.
2:21:26 > 2:21:31Oh, you are damned Perpetually for this!
2:21:31 > 2:21:34My turn is next, Is't not so ordered?
2:21:34 > 2:21:37Yes, and I am glad You are so well prepared for't.
2:21:37 > 2:21:39You are deceived, sir,
2:21:39 > 2:21:42I am not prepared for't, I will not die;
2:21:42 > 2:21:46I will first come to my answer, and know
2:21:46 > 2:21:48- How I have offended. - Come, despatch.
2:21:48 > 2:21:51You kept her counsel; now you shall keep ours.
2:21:51 > 2:21:53I will not die, I must not;
2:21:53 > 2:21:55I am contracted To a young gentleman.
2:21:55 > 2:21:58- Here's your wedding-ring. - Let me but speak with the duke;
2:21:58 > 2:22:00I'll discover Treason to his person.
2:22:00 > 2:22:02- Delays: throttle her. - She bites and scratches.
2:22:02 > 2:22:04If you kill me now, I am damned:
2:22:04 > 2:22:07I have not been at confession This two years.
2:22:07 > 2:22:08When?
2:22:08 > 2:22:09I am quick with child.
2:22:09 > 2:22:11Why, then, Your credit's saved.
2:22:11 > 2:22:13EXECUTIONER GROANS
2:22:13 > 2:22:16SHE CHOKES
2:22:26 > 2:22:28Bear her to th' next room;
2:22:29 > 2:22:31Let these lie still.
2:22:33 > 2:22:35Is she dead?
2:22:35 > 2:22:37She's what You'd have her.
2:22:37 > 2:22:39But here begin your pity: Alas, how have these offended?
2:22:39 > 2:22:40The death Of young wolves
2:22:40 > 2:22:42is never to be pitied.
2:22:42 > 2:22:44- Fix your eye here. - Constantly.
2:22:44 > 2:22:45Do you not weep?
2:22:45 > 2:22:48Other sins only speak; murder shrieks out:
2:22:48 > 2:22:50The element of water moistens the earth,
2:22:50 > 2:22:52But blood flies upwards and bedews the heavens.
2:22:52 > 2:22:53Cover her face;
2:22:54 > 2:22:57Oh, mi-mine eyes dazzle:
2:22:59 > 2:23:00She died young.
2:23:00 > 2:23:03I think not so; her infelicity Seemed to have years too many.
2:23:03 > 2:23:07She and I were twins; And should I die this instant,
2:23:07 > 2:23:09I had lived Her time to a minute.
2:23:09 > 2:23:11It seems she was born first:
2:23:11 > 2:23:14Let me see her face Again.
2:23:23 > 2:23:25Why didst thou not pity her?
2:23:25 > 2:23:27Oh, what An excellent honest man
2:23:27 > 2:23:28mightst thou have been,
2:23:28 > 2:23:30If thou hadst borne her to some sanctuary!
2:23:30 > 2:23:32Or, bold in a good cause, opposed thyself,
2:23:32 > 2:23:34With thy advanced sword above thy head,
2:23:34 > 2:23:37Between her innocence and my revenge!
2:23:39 > 2:23:41I bade thee, when I was distracted of my wits,
2:23:41 > 2:23:46Go kill my dearest friend, and thou hast done't.
2:23:47 > 2:23:48For thee, as we observe in tragedies
2:23:48 > 2:23:50That a good actor many times is cursed
2:23:50 > 2:23:53For playing a villain's part, I hate thee for't,
2:23:53 > 2:23:56And, for my sake, say thou hast done much ill well.
2:23:56 > 2:23:58Let me quicken your memory, for I perceive
2:23:58 > 2:24:00You are falling into ingratitude: I challenge
2:24:00 > 2:24:02The reward due to my service.
2:24:02 > 2:24:03- O, I'll tell thee What I'll give thee. - Do.
2:24:03 > 2:24:05- I'll give thee a pardon For this murder. - Ha!
2:24:05 > 2:24:08Yes, and 'tis The largest bounty
2:24:08 > 2:24:09I can study to do thee.
2:24:09 > 2:24:13By what authority didst thou execute This bloody sentence?
2:24:13 > 2:24:15- By yours. - Mine!
2:24:16 > 2:24:17Was I her judge?
2:24:17 > 2:24:20Did any ceremonial form of law Doom her to not-being?
2:24:20 > 2:24:22Did a complete jury
2:24:22 > 2:24:24Deliver her conviction up i' th' court?
2:24:24 > 2:24:27Where shalt thou find this judgment registered,
2:24:27 > 2:24:29Unless in hell?
2:24:29 > 2:24:32See, like a bloody fool, Thou hast forfeited thy life,
2:24:32 > 2:24:34and thou shalt die for't.
2:24:34 > 2:24:36O, the office of judgement is perverted quite
2:24:36 > 2:24:37When one thief hangs another.
2:24:37 > 2:24:39Who shall dare To reveal this?
2:24:39 > 2:24:43O, I'll tell thee; The wolf shall find her grave,
2:24:43 > 2:24:45and scrape it up,
2:24:45 > 2:24:47Not to devour the corpse, but to discover
2:24:47 > 2:24:49The horrid murder.
2:24:49 > 2:24:51- You, not I, shall quake for't. - Leave me.
2:24:51 > 2:24:53- I will first receive my pension. - You are a villain.
2:24:53 > 2:24:55When your ingratitude Is judge, I am so.
2:24:55 > 2:24:56Never look upon me more.
2:24:56 > 2:24:57Why, fare thee well:
2:24:59 > 2:25:01Your brother and yourself are worthy men:
2:25:02 > 2:25:04You have a pair of hearts are hollow graves,
2:25:04 > 2:25:06Rotten, and rotting others;
2:25:06 > 2:25:08I stand like one That long hath ta'en
2:25:08 > 2:25:09a sweet and golden dream:
2:25:09 > 2:25:11I'm angry with myself, now that I wake.
2:25:11 > 2:25:13Get thee into some unknown part o' th' world,
2:25:13 > 2:25:15That I may never see thee.
2:25:15 > 2:25:18Let me know Wherefore I should be thus neglected?
2:25:18 > 2:25:21Sir, I serv'd your tyranny,
2:25:21 > 2:25:23and rather strove To satisfy yourself,
2:25:23 > 2:25:24than all the world:
2:25:24 > 2:25:26And though I loath'd the evil, yet I lov'd
2:25:26 > 2:25:28You that did counsel it; and rather sought
2:25:28 > 2:25:30To appear a true servant, than an honest man.
2:25:30 > 2:25:33I'll go hunt the badger by owl-light:
2:25:35 > 2:25:37'Tis a deed of darkness.
2:25:38 > 2:25:40FERDINAND SNARLS
2:25:42 > 2:25:43Off, my painted honour!
2:25:45 > 2:25:47HE INHALES
2:25:47 > 2:25:49What would I do, were this to do again?
2:25:49 > 2:25:51I would not change my peace of conscience
2:25:51 > 2:25:52For all the wealth of Europe.
2:25:55 > 2:25:57She stirs; here's life:
2:25:57 > 2:26:01Return, fair soul, from darkness, and lead mine
2:26:01 > 2:26:07Out of this sensible hell: she's warm, she breathes:
2:26:07 > 2:26:11Upon thy pale lips I will melt my heart,
2:26:11 > 2:26:13To store them with fresh colour:
2:26:13 > 2:26:16HE GASPS Who's there!
2:26:16 > 2:26:18Some cordial drink! Alas! I dare not call out:
2:26:18 > 2:26:20So pity would destroy pity.
2:26:21 > 2:26:24Her eye opes, And heaven in it seems to ope,
2:26:24 > 2:26:26that late was shut, To take me up to mercy.
2:26:26 > 2:26:28Antonio!
2:26:28 > 2:26:31Yes, madam, he's living; The dead bodies you saw
2:26:31 > 2:26:33were but feign'd statues:
2:26:33 > 2:26:36He's reconciled with your brothers: the Pope hath wrought
2:26:36 > 2:26:38- The atonement. - Mercy!
2:26:40 > 2:26:43HIS BREATH RATTLES
2:26:43 > 2:26:44Oh, she's gone again!
2:26:50 > 2:26:52There the cords of life broke.
2:26:53 > 2:26:57Oh, sacred innocence, that sweetly sleeps
2:26:57 > 2:27:00On turtles' feathers, whilst a guilty conscience
2:27:00 > 2:27:03Is a black register wherein is writ All our good deeds and bad,
2:27:03 > 2:27:06a perspective That shows us hell!
2:27:06 > 2:27:09That we cannot be suffered To do good when we have a mind to it!
2:27:18 > 2:27:23This is manly sorrow; these tears, I am very certain,
2:27:23 > 2:27:25Never grew in my mother's milk:
2:27:25 > 2:27:28HE INHALES DEEPLY
2:27:30 > 2:27:33My estate Is sunk below the degree of fear:
2:27:33 > 2:27:36Where were These penitent fountains
2:27:36 > 2:27:37when she was living?
2:27:38 > 2:27:39They were frozen up!
2:27:42 > 2:27:46Here is a sight As direful to my soul
2:27:46 > 2:27:49as is a sword Unto a wretch hath slain his father.
2:27:50 > 2:27:52Come, I'll bear thee hence.
2:28:11 > 2:28:15What course do you mean to take, Antonio?
2:28:15 > 2:28:17This night I mean to venture all my fortune,
2:28:17 > 2:28:20Which is no more than a poor lingering life,
2:28:20 > 2:28:23To the Cardinal's worst of malice:
2:28:23 > 2:28:26I have got Private access to his chamber;
2:28:26 > 2:28:29and intend To visit him about the mid of night,
2:28:29 > 2:28:32As once his brother did our noble duchess.
2:28:32 > 2:28:35It may be that the sudden apprehension
2:28:35 > 2:28:37Of danger, for I'll go in mine own shape,
2:28:37 > 2:28:41When he shall see it fraight with love and duty,
2:28:41 > 2:28:44May draw the poison out of him, and work
2:28:44 > 2:28:46A friendly reconcilement:
2:28:47 > 2:28:50AUDIENCE LAUGHS
2:28:50 > 2:28:51If it fail, Yet it shall rid me
2:28:51 > 2:28:53of this infamous calling;
2:28:53 > 2:28:56For better fall once than be ever falling.
2:28:56 > 2:28:59I'll second you in all danger; and, howe'er,
2:28:59 > 2:29:02My life keeps rank with yours.
2:29:02 > 2:29:05You are still my loved And best friend.
2:29:05 > 2:29:08- PESCARA:- Now, doctor, may I visit your patient?
2:29:08 > 2:29:09If't please your lordship:
2:29:09 > 2:29:12but he's instantly To take the air here in the gallery
2:29:12 > 2:29:13By my direction.
2:29:13 > 2:29:15Pray thee, what's his disease?
2:29:15 > 2:29:18A very pestilent disease, my lord, They call lycanthropia.
2:29:18 > 2:29:20What's that? I need a dictionary to't.
2:29:20 > 2:29:22I'll tell you.
2:29:23 > 2:29:25In those that are possessed with't there o'erflows
2:29:25 > 2:29:29Such melancholy humour they imagine Themselves to be transformed
2:29:29 > 2:29:30into wolves;
2:29:30 > 2:29:33Steal forth to churchyards in the dead of night,
2:29:33 > 2:29:35And dig dead bodies up: as two nights since
2:29:35 > 2:29:38One met the duke 'bout midnight in a lane
2:29:38 > 2:29:40Behind Saint Mark's Church, with the leg of a man
2:29:40 > 2:29:41Upon his shoulder;
2:29:42 > 2:29:44And he howled fearfully;
2:29:45 > 2:29:47Said he was a wolf, only the difference
2:29:47 > 2:29:49Was, a wolf's skin was hairy on the outside,
2:29:49 > 2:29:52His on the inside; bade them take their swords,
2:29:52 > 2:29:54Rip up his flesh, and try:
2:29:54 > 2:29:57straight I was sent for, And, having ministered to him,
2:29:57 > 2:29:59found his grace Very well recovered.
2:29:59 > 2:30:00I am glad on't.
2:30:00 > 2:30:03Yet not without some fear Of a relapse.
2:30:03 > 2:30:06If he grow to his fit again, I'll go a nearer way to work with him
2:30:06 > 2:30:08Than ever Paracelsus dreamed of; if
2:30:08 > 2:30:11They'll give me leave, I'll buffet his madness
2:30:11 > 2:30:12Out of him.
2:30:12 > 2:30:14- FERDINAND SHOUTS - Stand aside; he comes.
2:30:14 > 2:30:15Leave me.
2:30:15 > 2:30:17Why doth your lordship love this solitariness?
2:30:17 > 2:30:22Oh, eagles commonly fly alone: they are crows, daws,
2:30:22 > 2:30:25and starlings that flock together.
2:30:25 > 2:30:27- HE SHRIEKS - Look, what's that follows me?
2:30:27 > 2:30:28Nothing, my lord.
2:30:28 > 2:30:31- Oh, yes, yes, yes. - Why 'tis your shadow.
2:30:31 > 2:30:32Stay it; let it not haunt me.
2:30:32 > 2:30:34Impossible, if you move, and the sun shine.
2:30:34 > 2:30:36I will throttle it.
2:30:36 > 2:30:38O, my lord, you are angry at nothing.
2:30:38 > 2:30:41Oh, you are a fool: how is't possible
2:30:41 > 2:30:43I should catch my shadow, unless I fall upon't?
2:30:43 > 2:30:46- Rise, good my lord. - Shhh, shhh, shhh, shhh.
2:30:47 > 2:30:50I am studying the art of patience.
2:30:50 > 2:30:51'Tis a noble virtue.
2:30:51 > 2:30:54HE SINGS
2:31:02 > 2:31:06To drive six snails before me from this town to Moscow;
2:31:06 > 2:31:12neither use goad nor whip to them, but let them take their own time;
2:31:12 > 2:31:16and I'll crawl after like a sheep-biter.
2:31:16 > 2:31:18- CARDINAL:- Force him up.
2:31:18 > 2:31:21Use me well, you were best.
2:31:21 > 2:31:23- HE HOWLS - What I have done, I have done:
2:31:23 > 2:31:25I'll confess nothing.
2:31:25 > 2:31:26Now let me come to him.
2:31:27 > 2:31:29Are you mad, my lord?
2:31:31 > 2:31:33Are you out of your princely wits?
2:31:33 > 2:31:35- What's he? - PESCARA:- Your doctor.
2:31:35 > 2:31:37- HE RAMBLES - Let me have his beard sawed off,
2:31:37 > 2:31:39and his eyebrows filed more civil.
2:31:41 > 2:31:43I must do mad tricks with him, for that's the only way on't.
2:31:43 > 2:31:47I have brought Your grace a salamander's skin,
2:31:47 > 2:31:48to keep you From sun-burning.
2:31:48 > 2:31:53- HE WHIMPERS - I have cruel sore eyes.
2:31:53 > 2:31:56The white of a cicatrix's egg is present remedy.
2:31:56 > 2:31:58Oh, let it be a new-laid one, you were best.
2:31:58 > 2:32:00Hide me from him: physicians are like kings,
2:32:00 > 2:32:02They brook no contradiction.
2:32:02 > 2:32:05Now he begins to fear me: Now let me alone with him.
2:32:05 > 2:32:07- CARDINAL:- How now? Put off your gown!
2:32:07 > 2:32:09- DOCTOR:- Let me have Some forty urinals
2:32:09 > 2:32:10filled with rose-water:
2:32:10 > 2:32:13He and I'll go pelt one another with them.
2:32:13 > 2:32:18Now he begins to fear me. Can you fetch a frisk, sir?
2:32:18 > 2:32:20Mm, mm, mm?
2:32:20 > 2:32:22Let him go, let him go upon my peril:
2:32:22 > 2:32:23I find by his eye
2:32:23 > 2:32:27he stands in awe of me; I'll make him as tame as a dormouse.
2:32:28 > 2:32:32- HE GIGGLES - Can you fetch your frisks, sir!
2:32:32 > 2:32:33Hey?
2:32:33 > 2:32:36I'll stamp him Into a cullis,
2:32:36 > 2:32:39I'll flay off his skin, to cover one of the anatomies
2:32:39 > 2:32:42This rogue hath set i'th' cold yonder
2:32:42 > 2:32:44In Barber-Chirugeon's-hall.
2:32:44 > 2:32:50Hence, hence! You are all of you like beasts for sacrifice:
2:32:50 > 2:32:53HE YELLS
2:32:58 > 2:33:02There is nothing left of you, but tongue and belly,
2:33:04 > 2:33:06Flattery and lechery.
2:33:08 > 2:33:12Doctor, he did not fear you thoroughly.
2:33:12 > 2:33:15AUDIENCE LAUGHS
2:33:19 > 2:33:24True; I was somewhat too forward.
2:33:24 > 2:33:28Mercy upon me, what a fatal judgment Hath fall'n upon this Ferdinand!
2:33:28 > 2:33:29Sir, I would speak with you.
2:33:29 > 2:33:32- PESCARA:- We'll leave your grace, Wishing to the sick prince,
2:33:32 > 2:33:35our noble lord, All health of mind and body.
2:33:35 > 2:33:38You are most welcome. Are you come? So.
2:33:38 > 2:33:41This fellow must not know By any means I had intelligence
2:33:41 > 2:33:46In our duchess' death; Now, sir, how fares our sister?
2:33:46 > 2:33:49I do not think but sorrow makes her look
2:33:49 > 2:33:51Like to an oft-dyed garment: she shall now
2:33:51 > 2:33:54Take comfort from me, but be you of happy comfort:
2:33:54 > 2:33:57If you'll do one thing for me which I'll entreat,
2:33:57 > 2:33:59Though he had a cold tombstone o'er his bones,
2:33:59 > 2:34:02I'd make you what you would be.
2:34:02 > 2:34:04Give it me in a breath, and let me fly to't:
2:34:04 > 2:34:07- Sir, will you come in to supper? - I'm busy;
2:34:14 > 2:34:15Leave me.
2:34:23 > 2:34:26What an excellent shape hath that fellow!
2:34:34 > 2:34:36Thus it is.
2:34:36 > 2:34:40Antonio lurks here in Milan: Inquire him out, and kill him.
2:34:40 > 2:34:44Whilst he lives, Our sister cannot marry.
2:34:44 > 2:34:46Do this, and style me Thy advancement.
2:34:46 > 2:34:48Well, I'll not freeze i'th' business:
2:34:48 > 2:34:49I would see that wretched thing, Antonio,
2:34:49 > 2:34:51Above all sights i'th' world.
2:34:51 > 2:34:55Do, and...be happy.
2:34:57 > 2:35:00This fellow doth breed basilisks in's eyes,
2:35:00 > 2:35:03He's nothing else but murder; and yet he seems
2:35:03 > 2:35:05Not to have notice of the duchess' death.
2:35:05 > 2:35:08'Tis his cunning: I must follow his example;
2:35:08 > 2:35:11There cannot be a surer way to trace Than that of an old fox.
2:35:11 > 2:35:14- So, sir, you are well met. - How now?
2:35:14 > 2:35:15Nay, the doors are fast enough:
2:35:15 > 2:35:19Now, sir, I will make you confess your treachery.
2:35:19 > 2:35:21- Treachery! - Yes, confess to me
2:35:21 > 2:35:23Which of my women 'twas you hired...
2:35:24 > 2:35:26..to put Love-powder into my drink?
2:35:28 > 2:35:32- Love-powder! - Yes, when I was at Malfi.
2:35:32 > 2:35:36Why should I fall in love with such a face else?
2:35:36 > 2:35:38I have already suffered for thee so much pain,
2:35:38 > 2:35:41The only remedy to do me good Is to kill my longing.
2:35:41 > 2:35:43Sure, your pistol holds
2:35:43 > 2:35:46Nothing but perfumes or kissing-comfits.
2:35:46 > 2:35:47Excellent lady!
2:35:47 > 2:35:49You have a pretty way on't...
2:35:52 > 2:35:53..To discover Your longing.
2:35:53 > 2:35:57Come, I'll disarm you, And arm you thus:
2:35:58 > 2:36:00Why, this is most wondrous strange.
2:36:00 > 2:36:02Compare thy form and my eyes together,
2:36:02 > 2:36:04you'll find My love no such great miracle.
2:36:04 > 2:36:06And know you me, I am a blunt soldier.
2:36:06 > 2:36:07Oh, the better.
2:36:07 > 2:36:11Sure, there wants fire where there are no lively sparks
2:36:11 > 2:36:13- Of roughness. - And I want compliment.
2:36:13 > 2:36:14Why, ignorance
2:36:14 > 2:36:16In courtship cannot make you do amiss,
2:36:16 > 2:36:17If you have a heart to do well.
2:36:17 > 2:36:18You are very fair.
2:36:18 > 2:36:22Nay, if you lay beauty to my charge, I must plead unguilty.
2:36:22 > 2:36:24Your bright eyes carry A quiver of darts in them
2:36:24 > 2:36:25sharper than sunbeams.
2:36:25 > 2:36:28Uh! You will mar me with commendation,
2:36:30 > 2:36:32Put yourself to the charge of courting me,
2:36:32 > 2:36:34Whereas now I woo you.
2:36:34 > 2:36:37I have it, I will work upon this creature.
2:36:39 > 2:36:43Let us grow most amorously familiar:
2:36:47 > 2:36:49If the great cardinal now should see me thus,
2:36:49 > 2:36:52- Would he not count me a villain? - No, he might count me a wanton,
2:36:52 > 2:36:56Not lay a scruple of offence on you; For if I see, and steal a diamond,
2:36:56 > 2:36:58The fault is not i'th' stone, but in me the thief
2:36:58 > 2:37:00That purloins it.
2:37:01 > 2:37:04Oh, I am sudden with you:
2:37:04 > 2:37:06We that are great women of pleasure, use to cut off
2:37:06 > 2:37:09These uncertain wishes and unquiet longings,
2:37:09 > 2:37:11And in an instant join the sweet delight
2:37:11 > 2:37:14And the pretty excuse together.
2:37:14 > 2:37:16O, you are an excellent lady!
2:37:16 > 2:37:18Bid me do somewhat for you presently,
2:37:18 > 2:37:20To express I love you.
2:37:20 > 2:37:23I will, and if you love me, Fail not to effect it.
2:37:23 > 2:37:25The cardinal is grown wondrous melancholy:
2:37:25 > 2:37:28Demand the cause, let him not put you off
2:37:28 > 2:37:31With feign'd excuse; discover the main ground on't.
2:37:31 > 2:37:32Why would you know this?
2:37:32 > 2:37:34I have depended on him, And I hear he's
2:37:34 > 2:37:36fall'n in some disgrace With the emperor;
2:37:36 > 2:37:39if he be, like the mice That forsake falling houses,
2:37:39 > 2:37:40I would shift To other dependance.
2:37:40 > 2:37:45You shall have no need follow wars: I'll be thy maintenance.
2:37:45 > 2:37:46- Will you do this? - Cunningly.
2:37:46 > 2:37:49To-morrow I'll expect th' intelligence.
2:37:49 > 2:37:53To-morrow? Get you into my cabinet; You shall have it with you.
2:37:53 > 2:37:55Do not delay me, No more than I do you:
2:37:55 > 2:37:57I am like one That is condemned;
2:37:57 > 2:37:59I have my pardon promised, But I would see it sealed.
2:38:01 > 2:38:03Go, get you in:
2:38:03 > 2:38:05You shall see me wind my tongue about his heart
2:38:05 > 2:38:07- Like a skein of silk. - THEY LAUGH
2:38:13 > 2:38:15Yond's my lingering consumption:
2:38:17 > 2:38:19I am weary of her, and would by any means
2:38:19 > 2:38:21- Be quit of... - How now, my lord?
2:38:23 > 2:38:26- What ails you? - Nothing.
2:38:26 > 2:38:30Oh, you are much altered: come, I must be
2:38:30 > 2:38:32Your secretary, and remove this lead From off your bosom:
2:38:32 > 2:38:33what's the matter?
2:38:33 > 2:38:35I may not Tell you.
2:38:35 > 2:38:40Are you so far in love with sorrow You cannot part with part of it?
2:38:40 > 2:38:42Or think you I cannot love your grace
2:38:42 > 2:38:45when you are sad As well as merry? Or do you suspect
2:38:45 > 2:38:46I, that have been a secret to your heart
2:38:46 > 2:38:48These many winters, cannot be the same
2:38:48 > 2:38:49Unto your tongue?
2:38:49 > 2:38:51Satisfy your longing,
2:38:51 > 2:38:53The only way to make thee keep my counsel
2:38:53 > 2:38:54Is, not to tell thee.
2:38:54 > 2:38:57- Tell your echo this, and not me; - What, will you rack me?
2:38:57 > 2:38:59No, judgment shall Draw it from you:
2:38:59 > 2:39:00it is an equal fault,
2:39:00 > 2:39:03To tell one's secrets unto all or none.
2:39:03 > 2:39:06- The first argues folly. - But the last tyranny.
2:39:06 > 2:39:09HE SIGHS
2:39:10 > 2:39:13Very well: why, imagine I have committed...
2:39:18 > 2:39:21Some secret deed which I desire the world
2:39:21 > 2:39:22May never hear of.
2:39:22 > 2:39:25Therefore may not I know it?
2:39:25 > 2:39:28You have concealed for me as great a sin
2:39:28 > 2:39:33As adultery. Sir, never was occasion For perfect trial of my constancy
2:39:33 > 2:39:35Till now: sir, I beseech you...
2:39:35 > 2:39:37- You'll repent it. - Never.
2:39:37 > 2:39:40It hurries thee to death: I'll not tell thee.
2:39:40 > 2:39:42Look, be well advised, and...
2:39:42 > 2:39:44Look, think what danger 'tis
2:39:44 > 2:39:49To receive a prince's secrets: they that do,
2:39:49 > 2:39:51Had need have their breasts hooped with adamant
2:39:51 > 2:39:53To contain them.
2:39:53 > 2:39:54Now, I pray thee, yet be satisfied;
2:39:58 > 2:40:01- Examine your own frailty; - SHE GIGGLES
2:40:01 > 2:40:04'Tis more easy To tie knots than unloose them:
2:40:04 > 2:40:07It is a secret That, like a lingering poison,
2:40:07 > 2:40:09may chance lie Spread in your veins,
2:40:09 > 2:40:10and kill thee seven year hence.
2:40:10 > 2:40:14- Oh, now you dally with me. - Oh, no more; thou shalt know it.
2:40:20 > 2:40:22By my appointment the...
2:40:23 > 2:40:25..great Duchess of Malfi...
2:40:27 > 2:40:29- HE SIGHS - ..And two of her young children,
2:40:29 > 2:40:31four nights since, Were strangled.
2:40:31 > 2:40:34SHE CACKLES
2:40:44 > 2:40:48O Heaven! Sir, what... What have you done!
2:40:48 > 2:40:49How now? How settles this?
2:40:49 > 2:40:50Think you your bosom
2:40:50 > 2:40:52To be a grave dark and obscure enough
2:40:52 > 2:40:55- For such a secret? - You have undone yourself, sir.
2:40:55 > 2:40:58- Why? - It lies not in me to conceal it.
2:40:58 > 2:41:01No? Come, I'll swear thee to't
2:41:01 > 2:41:03upon this book.
2:41:03 > 2:41:05- Most religiously. - Huh!
2:41:08 > 2:41:09Kiss it.
2:41:14 > 2:41:15Ow!
2:41:17 > 2:41:19Now you shall Never utter it; thy curiosity
2:41:19 > 2:41:22Hath undone thee; thou'rt poisoned by this book;
2:41:22 > 2:41:26- No. No. No! - SHE SHRIEKS
2:41:26 > 2:41:30See, because I knew thou couldst not keep my secret,
2:41:30 > 2:41:32I bound thee to't by death.
2:41:32 > 2:41:33For pity sake, Hold!
2:41:33 > 2:41:34Ha! Bosola?
2:41:34 > 2:41:36SHE GROANS
2:41:36 > 2:41:37I forgive you
2:41:37 > 2:41:39This equal piece of justice you have done;
2:41:39 > 2:41:40For...
2:41:40 > 2:41:43SHE LAUGHS
2:41:43 > 2:41:46..I betrayed your counsel to that fellow:
2:41:46 > 2:41:49He overheard it; that was the cause I said
2:41:49 > 2:41:51It lay not in me to conceal it.
2:41:51 > 2:41:54O foolish woman, Couldst not thou have poisoned him?
2:41:54 > 2:41:56SHE LAUGHS
2:41:56 > 2:41:58SHE SNARLS
2:41:58 > 2:42:00'Tis weakness, Too much to think
2:42:00 > 2:42:01what should have been done.
2:42:02 > 2:42:04I go, I know not whither.
2:42:04 > 2:42:06Who placed thee there?
2:42:06 > 2:42:09Her lust, as she intended.
2:42:09 > 2:42:11Oh, very well:
2:42:15 > 2:42:16Oh.
2:42:20 > 2:42:23Well, now you know me for your fellow-murderer.
2:42:24 > 2:42:26- HE GRUMBLES - No more; there is
2:42:26 > 2:42:28A fortune in store for thee.
2:42:28 > 2:42:30Must I go sue to Fortune any longer?
2:42:30 > 2:42:31'Tis the fool's Pilgrimage.
2:42:31 > 2:42:33I have honours in store for thee.
2:42:33 > 2:42:35There are a many ways that conduct to seeming Honour,
2:42:35 > 2:42:36some of them very dirty ones.
2:42:36 > 2:42:38Oh, throw to the devil your melancholy.
2:42:38 > 2:42:40The fire burns well: What need we keep a stirring of it,
2:42:40 > 2:42:42to make A greater smother?
2:42:42 > 2:42:44- Thou wilt kill Antonio?- Yes.
2:42:44 > 2:42:45Take up that body.
2:42:45 > 2:42:49I think I shall shortly grow the common bier for the church-yards.
2:42:49 > 2:42:51I will allow thee some dozen of attendants
2:42:51 > 2:42:53to aid thee in the murder.
2:42:53 > 2:42:55Hm.
2:42:55 > 2:42:57Come to me after midnight, to help to remove
2:42:57 > 2:42:59that body to her own lodging.
2:42:59 > 2:43:03I'll give out that she died of the plague.
2:43:03 > 2:43:07'Twill breed the less inquiry after her death.
2:43:07 > 2:43:10Believe me, you have done a very happy turn.
2:43:10 > 2:43:11Fail not to come.
2:43:11 > 2:43:14There is the master-key of my lodgings,
2:43:14 > 2:43:21by the which you may conceive what trust I plant in you.
2:43:21 > 2:43:23You shall find me ready.
2:43:23 > 2:43:24Hm.
2:43:26 > 2:43:30How this man bears up in blood!
2:43:30 > 2:43:32Seems fearless!
2:43:32 > 2:43:36Why, 'tis well. Security some men call the suburb of hell,
2:43:36 > 2:43:38only a dead wall between.
2:43:38 > 2:43:42Well, good Antonio, I'll seek thee out,
2:43:42 > 2:43:45and all my care shall be to put thee into safety from the reach
2:43:45 > 2:43:49Of these most cruel biters that have got some of thy blood already.
2:43:49 > 2:43:52It may be, I'll join with thee in a most just revenge.
2:43:52 > 2:43:57The weakest arm is strong enough that strikes with the sword of justice.
2:43:57 > 2:44:01Still methinks the duchess haunts me there, there!
2:44:01 > 2:44:05'Tis nothing but my melancholy.
2:44:05 > 2:44:09O Penitence, let me truly taste thy cup,
2:44:09 > 2:44:11That throws men down only to raise them up!
2:44:34 > 2:44:36Yond's the cardinal's window.
2:44:36 > 2:44:39I do love these ancient ruins.
2:44:39 > 2:44:41We never tread upon them but we set
2:44:41 > 2:44:44Our foot upon some reverend history
2:44:44 > 2:44:48And, questionless, here in this open court,
2:44:48 > 2:44:51which now lies naked to the injuries
2:44:51 > 2:44:54Of stormy weather, some men lie interr'd
2:44:54 > 2:44:59Loved the church so well, and gave so largely to it,
2:44:59 > 2:45:03they thought it should have canopied their bones till dooms-day.
2:45:03 > 2:45:08But all things have their end - churches and cities,
2:45:08 > 2:45:13which have diseases like to men, must have like death that we have.
2:45:13 > 2:45:14ECHO: Like death that we have.
2:45:14 > 2:45:16Now the echo hath caught you.
2:45:16 > 2:45:19It groan'd, methought, and gave a very deadly accent.
2:45:19 > 2:45:20ECHO: Deadly accent.
2:45:20 > 2:45:22I told you 'twas a pretty one.
2:45:22 > 2:45:25You may make it a huntsman, or a falconer, a musician,
2:45:25 > 2:45:27or a thing of sorrow.
2:45:27 > 2:45:28ECHO: A thing of sorrow.
2:45:28 > 2:45:30'Twas very like my wife's voice.
2:45:30 > 2:45:33- ECHO: Ay, wife's voice. - Come, let us walk further from it.
2:45:33 > 2:45:35I would not have you go to the cardinal's tonight.
2:45:35 > 2:45:40Wisdom doth not more moderate wasting sorrow than time.
2:45:40 > 2:45:42Take time for it. Be mindful of thy safety.
2:45:42 > 2:45:44ECHO: Be mindful of thy safety.
2:45:44 > 2:45:46Necessity compels me.
2:45:46 > 2:45:49Make scrutiny through the passages Of your own life.
2:45:49 > 2:45:52You'll find it impossible to fly your fate.
2:45:52 > 2:45:53ECHO: O, fly your fate!
2:45:53 > 2:45:55Hark! The dead stones seem to have pity on you,
2:45:55 > 2:45:57and give you good counsel.
2:45:57 > 2:46:02Echo, I will not talk with thee, for thou art a dead thing.
2:46:02 > 2:46:05ECHO: Thou art a dead thing.
2:46:05 > 2:46:10My duchess is asleep now, and her little ones, I hope sweetly.
2:46:10 > 2:46:12O heaven, Shall I never see her more?
2:46:12 > 2:46:14ECHO: Never see her more.
2:46:14 > 2:46:17I mark'd not one repetition of the echo
2:46:17 > 2:46:19But that, and on the sudden a clear light
2:46:19 > 2:46:21Presented me a face folded in sorrow.
2:46:21 > 2:46:24Your fancy merely.
2:46:24 > 2:46:28Come, I'll be out of this ague,
2:46:28 > 2:46:31For to live thus is not indeed to live.
2:46:31 > 2:46:35It is a mockery and abuse of life.
2:46:35 > 2:46:38I will not henceforth save myself by halves.
2:46:38 > 2:46:40Lose all, or nothing.
2:46:40 > 2:46:43Your own virtue save you!
2:46:43 > 2:46:44Fare you well.
2:46:46 > 2:46:50Though in our miseries fortune have a part,
2:46:50 > 2:46:54yet in our noble suffering she hath none.
2:46:54 > 2:46:59Contempt of pain that we may call our own.
2:46:59 > 2:47:02MAN SINGS
2:47:06 > 2:47:10You shall not watch to-night by the sick prince.
2:47:10 > 2:47:12His grace is very well recovered.
2:47:12 > 2:47:14Good my lord, suffer us.
2:47:14 > 2:47:16By no means. The noise, and change of object in his eye,
2:47:16 > 2:47:18the more distracts him.
2:47:18 > 2:47:21I pray you all to bed. And though you hear him in his violent fit,
2:47:21 > 2:47:23do not rise, I entreat you.
2:47:23 > 2:47:25So, sir, we shall not.
2:47:25 > 2:47:29Now, I must have your promise upon your honours,
2:47:29 > 2:47:31for I was enjoined to it by himself
2:47:31 > 2:47:33and he seemed to urge it sensibly.
2:47:33 > 2:47:34Let our honours bind this trifle.
2:47:34 > 2:47:36- Nor any of your followers.- Neither.
2:47:38 > 2:47:41It may be, to make trial of your promise,
2:47:41 > 2:47:44When he's asleep, myself will rise and feign
2:47:46 > 2:47:50some of his mad tricks, and cry out for help,
2:47:50 > 2:47:53and feign myself in danger.
2:47:53 > 2:47:55If your throat were cutting, I'd not come at you.
2:47:55 > 2:47:58Now I have protested against it.
2:47:58 > 2:47:59Why, I thank you.
2:48:01 > 2:48:03'Twas a foul storm to-night.
2:48:03 > 2:48:06The Lord Ferdinand's chamber shook like an osier.
2:48:06 > 2:48:09'Twas nothing put pure kindness in the devil to rock his own child.
2:48:09 > 2:48:12The reason why I would not suffer these about my brother is
2:48:12 > 2:48:16because at midnight I might with better privacy convey
2:48:16 > 2:48:18Julia's body to her lodgings.
2:48:21 > 2:48:23O, my... my conscience!
2:48:25 > 2:48:27Ha!
2:48:27 > 2:48:30LAUGHTER
2:48:30 > 2:48:31I would pray now,
2:48:31 > 2:48:34but the devil takes away my heart
2:48:34 > 2:48:36For having any confidence in prayer.
2:48:37 > 2:48:40About this hour I appointed Bosola should fetch the body.
2:48:40 > 2:48:44When he hath served my turn, he dies.
2:48:44 > 2:48:47Ha! 'Twas the cardinal's voice. I heard him name Bosola and my death.
2:48:47 > 2:48:49Listen. I hear one's footing.
2:48:49 > 2:48:52Strangling is a very quiet death.
2:48:52 > 2:48:55Nay, I see I must stand upon my guard.
2:48:55 > 2:48:57What say to that? Whisper softly.
2:48:57 > 2:48:58LAUGHTER
2:48:58 > 2:49:01Will you agree to it?
2:49:03 > 2:49:04So...
2:49:06 > 2:49:10it must be done in the dark - the cardinal would
2:49:10 > 2:49:13not for a thousand pounds the doctor should see it.
2:49:16 > 2:49:22My death...is plotted.
2:49:22 > 2:49:24Here's the consequence of murder.
2:49:24 > 2:49:26We value not desert nor Christian breath,
2:49:26 > 2:49:30When we know black deeds must be cured with death.
2:49:30 > 2:49:32Here stay, sir, and be confident, I pray.
2:49:32 > 2:49:34I'll fetch you a dark lantern.
2:49:34 > 2:49:36Could I but take him at his prayers, there were hope of pardon.
2:49:36 > 2:49:38Fall right, my sword!
2:49:38 > 2:49:40Aargh!
2:49:40 > 2:49:43I'll not give thee so much leisure as to pray.
2:49:43 > 2:49:44O, I am gone!
2:49:44 > 2:49:46Thou hast ended a long suit in a minute.
2:49:46 > 2:49:48What art thou?
2:49:48 > 2:49:51A most wretched thing, that only have thy benefit in death,
2:49:51 > 2:49:52to appear myself.
2:49:52 > 2:49:54Where are you, sir?
2:49:54 > 2:49:55Very near my home.
2:49:56 > 2:49:58- Bosola!- O, misfortune!
2:49:58 > 2:50:01Smother thy pity, thou art dead else.
2:50:07 > 2:50:11Antonio! The man I would have saved 'bove mine own life!
2:50:11 > 2:50:14We are merely the stars' tennis-balls,
2:50:14 > 2:50:18struck and banded which way please them.
2:50:18 > 2:50:21Antonio,
2:50:21 > 2:50:24I'll whisper one thing in thy dying ear
2:50:24 > 2:50:26shall make thy heart break quickly!
2:50:27 > 2:50:30Thy fair duchess and two sweet children...
2:50:30 > 2:50:33Their very names kindle a little life in me.
2:50:33 > 2:50:36Are murder'd.
2:50:42 > 2:50:44Some men have wish'd to die
2:50:44 > 2:50:47at the hearing of sad tidings.
2:50:47 > 2:50:50I am glad that I shall do it in sadness.
2:50:51 > 2:50:55I would not now wish my wounds balm'd nor heal'd,
2:50:55 > 2:50:58for I have no use to put my life to.
2:50:59 > 2:51:02In all our quest of greatness,
2:51:02 > 2:51:06like wanton boys whose pastime is their care,
2:51:06 > 2:51:10we follow after bubbles blown in th' air.
2:51:10 > 2:51:14Pleasure of life, what is it?
2:51:14 > 2:51:17Only the good hours of an ague,
2:51:17 > 2:51:20merely a preparative to rest,
2:51:20 > 2:51:22to endure vexation.
2:51:22 > 2:51:28I do not ask the process of my death. Only commend me to Delio.
2:51:28 > 2:51:32- Break, heart!- And let my son fly the courts of princes.
2:51:38 > 2:51:40Thou seem'st to have lov'd Antonio.
2:51:40 > 2:51:43I brought him hither, to have reconcil'd him to the cardinal.
2:51:43 > 2:51:46I do not ask thee that. Take him up, if thou tender thine own life,
2:51:46 > 2:51:49and bear him where lady Julia was wont to lodge. My fate moves swift!
2:51:49 > 2:51:51I have this cardinal in the forge already.
2:51:51 > 2:51:54Now I'll bring him to the hammer.
2:51:54 > 2:51:56O direful misprision!
2:51:58 > 2:52:00I will not imitate things glorious.
2:52:00 > 2:52:04No more than base. I'll be mine own example.
2:52:09 > 2:52:11I am puzzled in a question about hell.
2:52:13 > 2:52:17He says, in hell there's one material fire,
2:52:17 > 2:52:22and yet it shall not burn all men alike.
2:52:23 > 2:52:25Hm?
2:52:25 > 2:52:27LAUGHTER
2:52:27 > 2:52:29Lay it by.
2:52:31 > 2:52:33How tedious is a guilty conscience!
2:52:35 > 2:52:40When I look into the fish-ponds in my garden,
2:52:40 > 2:52:45methinks I see a thing arm'd with a rake, that seems to strike at me.
2:52:45 > 2:52:46Ah, are you come?
2:52:46 > 2:52:49Thou look'st ghastly.
2:52:49 > 2:52:52There sits in thy face some great determination
2:52:52 > 2:52:55mix'd with some fear.
2:52:55 > 2:52:59Thus it lightens into action. I am come to kill thee.
2:53:02 > 2:53:05- Help! My guard!- Thou art deceived. They are out of thy howling.
2:53:05 > 2:53:08Hold, and I will faithfully divide revenues with you.
2:53:08 > 2:53:10Thy prayers and proffers are both unseasonable.
2:53:10 > 2:53:13- Raise the watch! I am betrayed! - I have confin'd your flight.
2:53:13 > 2:53:16I'll suffer your retreat to Julia's chamber, but no further.
2:53:16 > 2:53:19- Help! I am betray'd!- Listen! - My dukedom for rescue!
2:53:19 > 2:53:21Fie upon his counterfeiting!
2:53:21 > 2:53:23- Why, 'tis not the cardinal. - Yes, yes, 'tis he.
2:53:23 > 2:53:26Here's a plot upon me - I am assaulted!
2:53:26 > 2:53:29I am lost, Unless some rescue!
2:53:29 > 2:53:32He doth this pretty well, But it will not serve to laugh me
2:53:32 > 2:53:35- out of mine honour. - The sword is at my throat!
2:53:35 > 2:53:36You would not bawl so loud then.
2:53:36 > 2:53:39Come, come, let 's go to bed.
2:53:39 > 2:53:42He told us this much aforehand.
2:53:42 > 2:53:44He wish'd you should not come at him
2:53:44 > 2:53:47but, believe 't, the accent of the voice sounds not in jest:
2:53:47 > 2:53:50I'll down to him, howsoever, and with engines force ope the doors.
2:53:50 > 2:53:54Let's follow him aloof, and note how the cardinal will laugh at him.
2:53:54 > 2:53:56There's for you first,
2:53:56 > 2:53:58'cause you shall not unbarricade the door
2:53:58 > 2:53:59to let in rescue.
2:54:03 > 2:54:05What cause hast thou to pursue my life?
2:54:05 > 2:54:06Look there.
2:54:06 > 2:54:08Antonio!
2:54:08 > 2:54:11Slain by my hand unwittingly.
2:54:11 > 2:54:13Pray, and be sudden.
2:54:13 > 2:54:15When thou kill'd'st thy sister,
2:54:15 > 2:54:18Thou took'st from Justice her most equal balance,
2:54:18 > 2:54:20and left her naught but her sword.
2:54:20 > 2:54:21O, mercy!
2:54:23 > 2:54:27Now it seems thy greatness was only outward,
2:54:27 > 2:54:30for thou fall'st faster of thyself than calamity can drive thee.
2:54:30 > 2:54:32I'll not waste longer time. There!
2:54:36 > 2:54:37Thou hast hurt me.
2:54:37 > 2:54:39Again!
2:54:41 > 2:54:44Shall I die like a leveret, without any resistance?
2:54:44 > 2:54:46Help, help, help!
2:54:46 > 2:54:49- I am slain! - The alarum!
2:54:49 > 2:54:50Give me a fresh horse.
2:54:50 > 2:54:52Rally the vaunt-guard, or the day is lost.
2:54:52 > 2:54:55Yield, yield! I give you the honour of arms
2:54:55 > 2:54:57I shake my sword over you - will you yield?
2:54:57 > 2:54:59Help me! I am your brother!
2:54:59 > 2:55:00The devil!
2:55:00 > 2:55:02My brother fight upon the adverse party!
2:55:04 > 2:55:06There flies your ransom.
2:55:06 > 2:55:07O justice!
2:55:07 > 2:55:10I suffer now for what hath former bin.
2:55:10 > 2:55:13Sorrow is held the eldest child of sin.
2:55:13 > 2:55:15Now you're brave fellows.
2:55:15 > 2:55:17You both died in the field.
2:55:18 > 2:55:20The pain's nothing.
2:55:20 > 2:55:22Pain many times is taken away
2:55:22 > 2:55:24with the apprehension of greater,
2:55:24 > 2:55:28as the tooth-ache with the sight of a barber that comes to pull it out.
2:55:28 > 2:55:30There's philosophy for you.
2:55:30 > 2:55:31Now my revenge is perfect.
2:55:31 > 2:55:35Sink, thou main cause of my undoing!
2:55:38 > 2:55:41The last part of my life hath done me best service.
2:55:43 > 2:55:45Give me some wet hay. I am broken-winded.
2:55:52 > 2:55:57I do account this world but a dog-kennel.
2:55:59 > 2:56:04I will vault credit and affect high pleasures beyond death.
2:56:04 > 2:56:07He seems to come to himself, now he's so near the bottom.
2:56:10 > 2:56:12My sister, O my sister!
2:56:13 > 2:56:15There's the cause on it.
2:56:18 > 2:56:25Whether we fall by ambition, blood, or lust,
2:56:25 > 2:56:29like diamonds, we are cut with our own dust.
2:56:36 > 2:56:38Thou hast thy payment too.
2:56:38 > 2:56:42Yes, I hold my weary soul in my teeth.
2:56:42 > 2:56:44'Tis ready to part from me.
2:56:44 > 2:56:49I do glory that thou, which stoodest like a huge pyramid
2:56:49 > 2:56:52begun upon a large and ample base,
2:56:52 > 2:56:56shallt end in a little point, a kind of nothing.
2:56:58 > 2:56:59How now, my lord!
2:57:01 > 2:57:03Look to my brother.
2:57:03 > 2:57:06He gave us these large wounds, as we were struggling.
2:57:06 > 2:57:10And now, I pray.
2:57:10 > 2:57:14Let me be laid by...
2:57:14 > 2:57:19and never thought of.
2:57:20 > 2:57:22How fatally, it seems, he did withstand
2:57:22 > 2:57:23His own rescue!
2:57:23 > 2:57:27Thou wretched thing of blood, how came Antonio by his death?
2:57:27 > 2:57:28In a mist.
2:57:28 > 2:57:30I know not how,
2:57:30 > 2:57:33Such a mistake as I have often seen in a play.
2:57:35 > 2:57:38O, I am gone!
2:57:38 > 2:57:41We are only like dead walls or vaulted graves, that, ruin'd,
2:57:41 > 2:57:43yield no echo.
2:57:43 > 2:57:45Fare you well.
2:57:46 > 2:57:49It may be pain, but no harm, to me to die
2:57:49 > 2:57:50In so good a quarrel.
2:57:52 > 2:57:54O, this gloomy world!
2:57:56 > 2:58:00In what a shadow, or deep pit of darkness
2:58:00 > 2:58:04doth womanish and fearful mankind live!
2:58:06 > 2:58:08Let worthy minds ne'er stagger in distrust
2:58:08 > 2:58:13to suffer death or shame for what is just.
2:58:13 > 2:58:15Mine is another voyage.
2:58:17 > 2:58:20O sir, you come too late!
2:58:20 > 2:58:23I heard so, and was arm'd for 't, ere I came.
2:58:25 > 2:58:29Let us make noble use of this great ruin
2:58:29 > 2:58:32and join all our force
2:58:32 > 2:58:34to establish this young hopeful gentleman
2:58:34 > 2:58:36in his mother's right.
2:58:36 > 2:58:39These wretched eminent things
2:58:39 > 2:58:41leave no more fame behind 'em
2:58:41 > 2:58:44than should one fall in a frost,
2:58:44 > 2:58:46and leave his print in snow.
2:58:46 > 2:58:51As soon as the sun shines, it ever melts both form and matter.
2:58:53 > 2:58:55I have ever thought
2:58:55 > 2:58:58Nature doth nothing so great for great men
2:58:58 > 2:59:01as when she's pleas'd to make them lords of truth.
2:59:04 > 2:59:07Integrity of life is fame's best friend
2:59:08 > 2:59:13Which nobly, beyond death, shall crown the end.
2:59:13 > 2:59:16HARPSICHORD PLAYS
3:02:09 > 3:02:11MUSIC ENDS
3:02:11 > 3:02:13APPLAUSE
3:03:26 > 3:03:28CHEERING