0:01:13 > 0:01:15Hey!
0:01:17 > 0:01:20Are you international superstar Barbara Windsor?
0:01:20 > 0:01:22Get stuffed.
0:01:23 > 0:01:25What you doing on the floor?
0:01:25 > 0:01:27- The four-poster was taken.- Oh!
0:01:31 > 0:01:34I've got a couple of hours between matinee and the evening,
0:01:34 > 0:01:37- thought I'd grab some kip. - Have you eaten?
0:01:40 > 0:01:43- You need to take better care of yourself.- I'm all right.
0:01:43 > 0:01:47- Do you want me to get you something before you go back on?- Yeah.
0:01:49 > 0:01:51What do you fancy?
0:01:53 > 0:01:56Nice steak - medium rare - side salad, new potatoes
0:01:56 > 0:01:58and a glass of champagne.
0:01:58 > 0:02:01How about I go and see if they've fixed the car
0:02:01 > 0:02:03and then grab fish and chips on the way back?
0:02:03 > 0:02:05Perfect.
0:02:06 > 0:02:07You'll be OK.
0:02:08 > 0:02:11Everything'll be all right.
0:02:11 > 0:02:16I bet the press can't believe their luck, another divorce.
0:02:16 > 0:02:20End-of-the-pier one-nighters...and now a toy boy.
0:02:20 > 0:02:23Well, let them think what they like.
0:02:23 > 0:02:24You and me is all that matters.
0:02:26 > 0:02:28Will you be OK till I get back?
0:02:28 > 0:02:30Course.
0:02:47 > 0:02:49DOOR OPENS AND CLOSES
0:03:09 > 0:03:12LAUGHTER
0:03:22 > 0:03:25LAUGHTER
0:03:29 > 0:03:32Made a right old mess of things, haven't you, love?
0:03:41 > 0:03:43Not exactly the West End, is it?
0:03:43 > 0:03:45THEY LAUGH
0:03:45 > 0:03:47It's not funny, though, Dad.
0:03:47 > 0:03:55Look at me, knocking 60, another marriage down the toilet, skint...
0:03:57 > 0:03:59..and sitting here talking to meself.
0:03:59 > 0:04:02When you got yourself in trouble when you were little,
0:04:02 > 0:04:04what did I always tell you?
0:04:04 > 0:04:07Take some time, think through what happened,
0:04:07 > 0:04:11go back over everything, work out what you did wrong...
0:04:11 > 0:04:13- and... - BOTH:- ..don't do it again.
0:04:13 > 0:04:17Take a deep breath and you'll be crossing over to...
0:04:17 > 0:04:20- The sunny side of the street! - Job done.
0:04:24 > 0:04:26Sometimes it's not that easy, Dad.
0:04:26 > 0:04:28That's your mother talking, that is.
0:04:41 > 0:04:43Barbara Deeks.
0:04:48 > 0:04:52# Grab your coat and get your hat
0:04:52 > 0:04:56# Leave your worries on the doorstep
0:04:56 > 0:04:59# Just direct your feet
0:04:59 > 0:05:02# To the sunny side of the street
0:05:02 > 0:05:05# I used to walk in the shade
0:05:05 > 0:05:08# With those blues on parade
0:05:08 > 0:05:11# But I'm not afraid
0:05:11 > 0:05:15# Cos I'm a rover who's crossed over
0:05:15 > 0:05:18# And if I never had a cent
0:05:18 > 0:05:21# I'd be rich as Rockefeller
0:05:21 > 0:05:24# With gold dust at my feet
0:05:24 > 0:05:28# On the sunny side of the street. #
0:05:41 > 0:05:42Was I all right?
0:05:42 > 0:05:44Why did you do a cartwheel?
0:05:46 > 0:05:48I-I thought it was fun.
0:05:48 > 0:05:50Was it your father's idea?
0:05:52 > 0:05:54Come on.
0:06:35 > 0:06:37'What did I always tell you?
0:06:37 > 0:06:39'Take some time, think through what happened,
0:06:39 > 0:06:43'go back over everything, work out what you did wrong
0:06:43 > 0:06:46'and don't do it again.'
0:07:00 > 0:07:03RADIO PLAYS: On The Sunny Side Of The Street by Louis Armstrong
0:07:10 > 0:07:13Private Deeks, reporting for duty, ma'am.
0:07:19 > 0:07:21Princess Elizabeth.
0:07:22 > 0:07:23Well done.
0:07:28 > 0:07:31# Can't you hear that pitter-pat, babe?
0:07:33 > 0:07:37# The happy tune is your step
0:07:38 > 0:07:41# Life can be so sweet
0:07:42 > 0:07:46# On the sunny side of the street
0:07:46 > 0:07:51# I used to walk in the shade
0:07:52 > 0:07:56# With those blues on parade, whoa
0:07:58 > 0:08:02# But I'm not afraid, baby
0:08:02 > 0:08:07# My rover crossed over, yes
0:08:07 > 0:08:11# If I never have a cent, babe... #
0:08:14 > 0:08:16Bye-bye!
0:08:16 > 0:08:20Bye, Daddy! Say bye.
0:08:32 > 0:08:34TRAIN WHISTLE BLARES
0:08:43 > 0:08:46Will Daddy know where I am?
0:08:46 > 0:08:48I'll write and tell him.
0:08:48 > 0:08:51Now, remember what I told you,
0:08:51 > 0:08:55- you speak nicely to the people you stay with.- I will.
0:09:04 > 0:09:05Go on. In you go.
0:09:31 > 0:09:33It broke my heart when I sent you away.
0:09:58 > 0:10:00That dirty old man touched me.
0:10:02 > 0:10:05Yeah. You oughtn't have sent her off like that.
0:10:05 > 0:10:08We sent her to the Norths as soon as we found out. They were lovely.
0:10:08 > 0:10:10You had no right sending her away!
0:10:10 > 0:10:13How do you know what I should and shouldn't've done?
0:10:13 > 0:10:17- You weren't there!- No, I was... I was fighting a war, wasn't I?
0:10:17 > 0:10:20- They were dropping bombs on us. - Didn't hit you, did they?
0:10:20 > 0:10:22- You ought to have kept her with you! - Stop it!
0:10:22 > 0:10:24- They evacuated all the children. - Not all of 'em.
0:10:24 > 0:10:26I did what I thought was best, John.
0:10:26 > 0:10:29No! You did what you thought was best for you, you mean!
0:10:29 > 0:10:31Stop it! Both of you!
0:10:40 > 0:10:42What are you doing, love?
0:10:46 > 0:10:47I don't know.
0:10:49 > 0:10:51Just working things out.
0:10:53 > 0:10:54Trying to make sense of it.
0:10:57 > 0:10:59And you need me to help you do that?
0:11:02 > 0:11:03I always needed you.
0:11:07 > 0:11:08We both loved you.
0:11:10 > 0:11:12Just had different ways of showing it, that's all.
0:11:16 > 0:11:19It wasn't my fault that she was a miserable cow.
0:11:21 > 0:11:23THEY CHUCKLE
0:11:23 > 0:11:24That's better.
0:11:27 > 0:11:30Sometimes a song would come on the radio...
0:11:30 > 0:11:32RADIO PLAYS
0:11:32 > 0:11:33..and you'd scoop me up...
0:11:35 > 0:11:39..twirl me around the room, singing and dancing...
0:11:42 > 0:11:44..and I'd see Mum watching us,
0:11:44 > 0:11:47all the worries of the world on her shoulders,
0:11:47 > 0:11:49like she had two kids to worry about instead of one.
0:11:49 > 0:11:52Well, she didn't have to be so serious all the time,
0:11:52 > 0:11:54going on at you.
0:11:54 > 0:11:55She didn't want you singing and dancing.
0:11:55 > 0:11:57She wanted what was best for me, is all.
0:11:57 > 0:12:00It was that talent scout, what was his name?
0:12:00 > 0:12:02- Brian Mickey.- He said...
0:12:02 > 0:12:04She's really got something, Mrs Deeks.
0:12:04 > 0:12:07I have no intention of putting my daughter on the stage, thank you very much.
0:12:07 > 0:12:10She's won a scholarship, highest marks in the whole of north London.
0:12:10 > 0:12:13She's going to be a foreign-language telephonist.
0:12:13 > 0:12:15- First I'd heard of it!- See?
0:12:15 > 0:12:17She changed her mind, though.
0:12:17 > 0:12:19Yeah, wonder why that was?
0:12:20 > 0:12:22She talked about nothing else.
0:12:25 > 0:12:29Do you remember Aida Foster, head of my first drama school?
0:12:29 > 0:12:30Should do. Cost me enough.
0:12:30 > 0:12:32Well, Mrs Deeks,
0:12:32 > 0:12:33your daughter isn't the usual little lady
0:12:33 > 0:12:36we have coming through our doors. She's different.
0:12:36 > 0:12:39- But we all think she's got something.- Here we go again.
0:12:39 > 0:12:45We don't know what it is, but she definitely has something.
0:12:45 > 0:12:48Mary, keep those arms up. And point.
0:12:48 > 0:12:50They all said that.
0:12:50 > 0:12:53But whatever it was, it was suddenly getting me a lot of work.
0:12:53 > 0:12:58And up and smile and up...
0:12:58 > 0:12:59Next!
0:13:02 > 0:13:04Next!
0:13:07 > 0:13:09Next!
0:13:12 > 0:13:13Next!
0:13:18 > 0:13:19- She's got...- Something?
0:13:21 > 0:13:24You had something else.
0:13:24 > 0:13:26You had my name!
0:13:30 > 0:13:33Oh, look at this! You know you get this from your father.
0:13:33 > 0:13:37Nine hairs and a nit. It's too thin to do anything with.
0:13:37 > 0:13:39Sorry, Mum.
0:13:39 > 0:13:42Don't be sorry, it's not your fault.
0:13:42 > 0:13:44Just wish you had my hair, that's all.
0:13:44 > 0:13:48Truth is, I'm not sure your father's got anything worth passing on.
0:13:48 > 0:13:50I've got his laugh too. SHE LAUGHS
0:13:50 > 0:13:53Don't remind me.
0:13:53 > 0:13:56Here, talking of things you've inherited from your father.
0:13:56 > 0:13:59Do you know this play Mrs Foster wants you to do?
0:13:59 > 0:14:00Love From Judy.
0:14:00 > 0:14:03Well, you'll be travelling all over the country,
0:14:03 > 0:14:05- it will be your first very big part. - I know.
0:14:07 > 0:14:10And Mrs Foster doesn't think Barbara Deeks is a very good stage name.
0:14:10 > 0:14:13- Why not?- Just isn't.
0:14:14 > 0:14:16She said the Barbara's all right,
0:14:16 > 0:14:18it's just the Deeks you'll have to change.
0:14:18 > 0:14:21- Change my name? - Well, lots of people do it.
0:14:24 > 0:14:25But what would Daddy say?
0:14:25 > 0:14:28Barbara, do you want to be on the stage or not?
0:14:28 > 0:14:30- Yeah.- Well, then!
0:14:30 > 0:14:32All this money that we're paying this Mrs Foster,
0:14:32 > 0:14:35- don't you think we ought to listen to her?- I suppose.
0:14:39 > 0:14:41Look, it'll just be like your professional name.
0:14:41 > 0:14:44Like Veronica Lake.
0:14:45 > 0:14:47Isn't that her name, then?
0:14:47 > 0:14:51No, her real name is Constance Ockelman.
0:14:53 > 0:14:55I read it in a magazine only last week.
0:14:57 > 0:14:59So, it'd be like an acting name?
0:14:59 > 0:15:02That should be all right, then, shouldn't it?
0:15:02 > 0:15:04Daddy wouldn't mind that.
0:15:04 > 0:15:07Oh, it's up to your father what he minds and what he doesn't mind.
0:15:07 > 0:15:09Look, this is about what's best for you.
0:15:11 > 0:15:13So, what should I change it to?
0:15:14 > 0:15:18Well, I thought...Ellis. My maiden name.
0:15:18 > 0:15:20Ellis.
0:15:20 > 0:15:23Well, either that or, with it being the Coronation year,
0:15:23 > 0:15:26you could use your Aunt Dolly's married name.
0:15:26 > 0:15:28Windsor.
0:15:31 > 0:15:32Barbara Windsor.
0:15:36 > 0:15:40She hated you having my laugh, having my hair.
0:15:41 > 0:15:44Anything that reminded her of me.
0:15:45 > 0:15:47She couldn't do anything about them, could she?
0:15:47 > 0:15:50- It was Mrs Foster's idea. - Course it was.
0:15:52 > 0:15:54I was still your little girl.
0:16:01 > 0:16:03Walking away again, Dad?
0:16:05 > 0:16:06Hello!
0:16:06 > 0:16:09- Now, did Mrs Foster give you a return ticket?- In my pocket.
0:16:09 > 0:16:11Oh, don't lose it. Come on!
0:16:13 > 0:16:16The judge will ask you some questions about your father
0:16:16 > 0:16:19and we need you to answer them as honestly as you are able.
0:16:20 > 0:16:24- Can you do that?- I'll-I'll try.
0:16:24 > 0:16:27Good girl. Right, now...
0:16:55 > 0:16:58Can someone find something for Barbara Ann to stand on?
0:16:58 > 0:17:01I think it's much better if we can see her.
0:17:06 > 0:17:08That's better.
0:17:08 > 0:17:10Are you all right, Barbara Ann?
0:17:10 > 0:17:11Yes, thank you.
0:17:11 > 0:17:15Now, I am going to ask you some questions.
0:17:15 > 0:17:17No-one is going to get into any trouble,
0:17:17 > 0:17:20we're just trying to work out what's best for you and your parents.
0:17:21 > 0:17:26Barbara Ann, have you ever heard your parents arguing?
0:17:27 > 0:17:29Yes.
0:17:29 > 0:17:33And have you ever heard your father swearing at your mother?
0:17:40 > 0:17:42Yes.
0:17:42 > 0:17:45Do you remember what words he used?
0:17:47 > 0:17:51You don't have to say them out loud, you can write them down.
0:18:30 > 0:18:32Did you ever see your father lose his temper?
0:18:39 > 0:18:41- Sometimes.- With you?- No.
0:18:43 > 0:18:45With your mother?
0:18:47 > 0:18:48Yes.
0:18:48 > 0:18:53Can you tell me the kind of things he'd do when he lost his temper?
0:18:56 > 0:18:59..if you want to walk, if you want to go for a walk,
0:18:59 > 0:19:02yeah, go for a walk, with your coat in the gutter!
0:19:08 > 0:19:11ROSE CRIES
0:19:17 > 0:19:19I don't have to do this!
0:19:19 > 0:19:22How we going to put food on the table?
0:19:29 > 0:19:34And did you ever see your father hit your mother?
0:19:49 > 0:19:50Yes, sir.
0:19:58 > 0:20:02Come on, Mum! Come on!
0:20:02 > 0:20:04LAUGHTER
0:20:04 > 0:20:07- Well done, girl!- Yeah!
0:20:13 > 0:20:15# I know a girl called Rose
0:20:15 > 0:20:18# If she takes off her clothes
0:20:18 > 0:20:21# Then she'll make you propose... #
0:20:27 > 0:20:29There are other things too.
0:20:29 > 0:20:32It's all right, Barbara Ann, you've told us what we needed to know.
0:20:34 > 0:20:35Well done.
0:20:44 > 0:20:46Well done, darling.
0:20:48 > 0:20:51Is-is that it?
0:20:51 > 0:20:54Yes, it's all over now.
0:20:54 > 0:20:56Daddy and I aren't together any more,
0:20:56 > 0:20:59but the judge says that you can live with me.
0:20:59 > 0:21:00- Just you?- Yes.
0:21:02 > 0:21:06But you can still see him once a week and he'll pay for your keep.
0:21:06 > 0:21:07But I didn't tell them everything.
0:21:07 > 0:21:09You told them just what you needed to.
0:21:11 > 0:21:13Here's Daddy!
0:21:36 > 0:21:39Don't worry about your father, you know what he's like.
0:21:39 > 0:21:40He wouldn't even look at me.
0:21:41 > 0:21:44It will all be for the best, I promise.
0:21:44 > 0:21:48Now, chin up, we've got a show to do.
0:21:53 > 0:21:55Go on or you'll miss it.
0:22:11 > 0:22:13WHISTLE BLOWS
0:22:25 > 0:22:27They said I had to tell the truth.
0:22:29 > 0:22:33I thought they'd ask me about Mum as well, but they didn't.
0:22:35 > 0:22:36I know she put you up to it.
0:22:36 > 0:22:38Oh, and none of it was your fault?
0:22:38 > 0:22:41It wasn't you who did all those things?
0:22:45 > 0:22:46Daddy!
0:22:48 > 0:22:50I'm sorry.
0:22:58 > 0:23:01I was angry. You know what I'm like.
0:23:04 > 0:23:07APPLAUSE
0:23:13 > 0:23:15There was only one place in the world
0:23:15 > 0:23:17where people seemed happy to see me.
0:23:20 > 0:23:24People to tell me I was doing all right. Thousands of them.
0:23:26 > 0:23:28Every night.
0:23:31 > 0:23:33But never you.
0:23:37 > 0:23:38PIANO CHORD
0:23:38 > 0:23:41# Grab your coat and grab your hat
0:23:41 > 0:23:44# Leave your worries on the doorstep. #
0:23:44 > 0:23:46I saw you once.
0:24:17 > 0:24:20You didn't ought to have done that, Daddy.
0:24:20 > 0:24:22Work so hard to make me your little girl.
0:24:22 > 0:24:23Not if you were going.
0:24:25 > 0:24:29Leaving a ruddy big hole I'd spend the rest of my life trying to fill.
0:24:32 > 0:24:34Big shoes, eh, love?
0:24:38 > 0:24:40SHE CHUCKLES
0:24:48 > 0:24:50# Playing the clown
0:24:50 > 0:24:54# Trying to drown all of my woes
0:24:56 > 0:24:59# Though things may not look bright
0:24:59 > 0:25:03# I know they'll all turn out all right
0:25:04 > 0:25:11# If I keep painting the clouds with sunshine
0:25:14 > 0:25:18# Painting all the clouds with sunshine, yeah. #
0:25:21 > 0:25:23Hello again.
0:25:23 > 0:25:25You obviously like my number, you watch it every night.
0:25:25 > 0:25:28I-I think it's wonderful Mr Brandon.
0:25:28 > 0:25:30Well, that's very sweet of you.
0:25:31 > 0:25:33How are you doing?
0:25:33 > 0:25:35MUSIC ENDS APPLAUSE
0:25:36 > 0:25:38NEXT NUMBER STARTS
0:25:47 > 0:25:49I think he was my first crush.
0:25:49 > 0:25:52Queer as a nine-bob note.
0:25:52 > 0:25:53Don't knock it till you've tried it, dear.
0:25:53 > 0:25:55Oh!
0:25:57 > 0:26:00Well, you grew up to be such a pretty little thing.
0:26:01 > 0:26:05Boys must've been buzzing round you like bees round a honey pot.
0:26:05 > 0:26:08Well, people did keep telling me I had something.
0:26:08 > 0:26:10When I grew older boys must have thought so, too,
0:26:10 > 0:26:13cos they always seemed to be fumbling around looking for it.
0:26:13 > 0:26:15Those boobs of yours!
0:26:15 > 0:26:17Gawd knows where you got those from.
0:26:17 > 0:26:18Wasn't your mother.
0:26:18 > 0:26:21Well, I must have got 'em from somewhere.
0:26:22 > 0:26:25Barbara Windsor, director says your tits are too big.
0:26:25 > 0:26:28He wants 'em strapped up. Put this on.
0:26:29 > 0:26:31Oh!
0:26:32 > 0:26:36THEY GIGGLE
0:26:40 > 0:26:42Oh!
0:26:42 > 0:26:45Good thing was, once I worked out what boys wanted,
0:26:45 > 0:26:48it came in very handy, 'specially in-between acting jobs.
0:26:50 > 0:26:53Well, you haven't exactly got many qualifications, have you?
0:26:53 > 0:26:55I've been working as an actress.
0:26:55 > 0:26:57Then why do you want to work in a shoe shop?
0:26:57 > 0:27:00I'm in-between parts. I work really hard.
0:27:01 > 0:27:04You'll have to memorise all the shoes, learn about sizes.
0:27:04 > 0:27:06Well, I'm used to learning lines.
0:27:08 > 0:27:10And have you done any selling?
0:27:10 > 0:27:12Oh, yes, loads!
0:27:14 > 0:27:15Liar!
0:27:18 > 0:27:21- Would you like to try them on?- Ta.
0:27:34 > 0:27:36I think you should get 'em, love.
0:27:36 > 0:27:38Are you sure? They're really dear.
0:27:38 > 0:27:40Oh, I'm sure he can afford them, can't you, darlin'?
0:27:48 > 0:27:51'I wasn't a flirt...'
0:27:51 > 0:27:54Well, not really, I just learnt that most men
0:27:54 > 0:27:56are so full of themselves, they think you fancy them anyway.
0:27:56 > 0:27:58I just didn't tell 'em any different.
0:27:58 > 0:28:01The trouble with blokes is if you let 'em think they can,
0:28:01 > 0:28:04- they won't leave you alone. - Voice of experience, Dad?
0:28:04 > 0:28:07I'm Peter Noble. You're very cute in this show.
0:28:07 > 0:28:10I'm producing a film, I could write you in it.
0:28:10 > 0:28:12Course he could!
0:28:12 > 0:28:15My name is Monsieur Vincent, I am from Paris.
0:28:15 > 0:28:16Course he is!
0:28:16 > 0:28:17Course you are.
0:28:17 > 0:28:21You have a beautiful singing voice, I wish for you to sing in my revue.
0:28:21 > 0:28:22Oh!
0:28:24 > 0:28:26I'm Peter Charlesworth,
0:28:26 > 0:28:28I'm a song plugger but I'm setting up as an agent.
0:28:28 > 0:28:30I'd like to handle you.
0:28:30 > 0:28:31- I bet he would. - I bet you would.
0:28:31 > 0:28:33I'm Ronnie Scott.
0:28:33 > 0:28:34BOTH: Course you are.
0:28:34 > 0:28:35No, I am. Really.
0:28:35 > 0:28:38I need a new singer for my club.
0:28:38 > 0:28:41And you, little one, well, you've got something.
0:28:52 > 0:28:56JAUNTY MUSIC INTRODUCTION
0:28:59 > 0:29:04# I've never wanted wealth untold
0:29:04 > 0:29:08# My life has one design
0:29:08 > 0:29:12# A simple little band of gold
0:29:12 > 0:29:16# To prove that you are mine
0:29:17 > 0:29:21# Don't want the world to have and hold
0:29:21 > 0:29:25# For fame is not my line
0:29:26 > 0:29:30# Just want a little band of gold
0:29:30 > 0:29:34# To prove that you are mine
0:29:35 > 0:29:40# Some sail away to Araby
0:29:40 > 0:29:44# And other lands of mystery
0:29:44 > 0:29:48# But all the wonders that they'll see
0:29:48 > 0:29:52# Will never tempt me
0:29:52 > 0:29:56# Oh, their memories will soon grow cold
0:29:56 > 0:30:01# Until the end of time
0:30:01 > 0:30:05# There'll be a little band of gold
0:30:05 > 0:30:09# To prove that you are mine. #
0:30:11 > 0:30:13CHEERING
0:30:19 > 0:30:24SAXOPHONE PLAYS
0:30:32 > 0:30:34MUSIC STOPS
0:30:34 > 0:30:35Bloody musicians.
0:30:35 > 0:30:37Oh, I loved Ronnie.
0:30:37 > 0:30:40He used to take me to a little flat above a salt beef shop.
0:30:40 > 0:30:42Like I said, bloody musicians.
0:30:42 > 0:30:43SHE GIGGLES
0:30:43 > 0:30:47I'm fed up with you wasting your time and talent, Barbara, darling,
0:30:47 > 0:30:49singing at all these clubs.
0:30:49 > 0:30:50But I like singing, Peter.
0:30:50 > 0:30:52Magician's assistant!
0:30:52 > 0:30:54Oh, I really liked that job.
0:30:54 > 0:30:56- Everybody could see you.- What?
0:30:56 > 0:30:58In the box - you were meant to disappear -
0:30:58 > 0:30:59everyone could see your bum!
0:30:59 > 0:31:01And your foot, sticking out the bottom.
0:31:01 > 0:31:03They didn't train me properly.
0:31:03 > 0:31:05You were bloody awful, and do you know why?
0:31:05 > 0:31:07Why?
0:31:07 > 0:31:09Because you're not a magician's assistant.
0:31:09 > 0:31:10You're an actress!
0:31:10 > 0:31:12Then get me an acting job.
0:31:12 > 0:31:13I have.
0:31:13 > 0:31:17You start in The Gimmick opposite Bernard Braden and Barbara Kelly,
0:31:17 > 0:31:19two months on tour then straight into the West End.
0:31:19 > 0:31:21Big stars, they were.
0:31:21 > 0:31:23It was a big break.
0:31:23 > 0:31:24You're sacked!
0:31:24 > 0:31:25Eh?
0:31:25 > 0:31:31Reviews are in. Barbara number two outacts Barbara number one!
0:31:32 > 0:31:33Oh!
0:31:37 > 0:31:41Hi, I'm Slim Cattan, I'm a film producer.
0:31:41 > 0:31:43- Course he is! - Course you are.
0:31:43 > 0:31:45There's a great little part for you.
0:31:45 > 0:31:47You'll have to talk to my agent.
0:31:47 > 0:31:48I'll do that.
0:31:53 > 0:31:57All these blokes wanting something.
0:31:57 > 0:31:59I didn't know who to trust.
0:31:59 > 0:32:02- Oh, and that was my fault, was it? - No!
0:32:02 > 0:32:04Well...
0:32:04 > 0:32:05maybe a bit.
0:32:06 > 0:32:09When I was little you always made me feel safe.
0:32:10 > 0:32:14I suppose part of me was just looking for someone else to do that, really.
0:32:14 > 0:32:15Did a lot of looking.
0:32:15 > 0:32:17Oi! Weren't that many blokes.
0:32:17 > 0:32:19HE SCOFFS There weren't!
0:32:26 > 0:32:28That's not funny.
0:32:28 > 0:32:29Sorry.
0:32:41 > 0:32:43Did you go and ask about that job I told you about, darlin'?
0:32:45 > 0:32:47I was busy.
0:32:47 > 0:32:50I put a word in for you, all you had to do was turn up.
0:32:56 > 0:33:00HE PLAYS SAXOPHONE
0:33:19 > 0:33:20He was bad news.
0:33:22 > 0:33:24Yeah, maybe.
0:33:24 > 0:33:26But not all of them were.
0:33:31 > 0:33:32All right, Neil?
0:33:32 > 0:33:33Yeah, mate.
0:33:33 > 0:33:36Aren't you going to introduce me to this pretty lady?
0:33:36 > 0:33:38Who you calling pretty?
0:33:38 > 0:33:39You.
0:33:39 > 0:33:42You must want your eyes testing, I ain't wearing any make-up.
0:33:42 > 0:33:45- You're still pretty.- Watch him, Babs, he's after something.
0:33:45 > 0:33:48- Ain't they all? - I am after something, as it goes.
0:33:48 > 0:33:49What?
0:33:49 > 0:33:50Your number.
0:33:52 > 0:33:53I'll think about it.
0:34:02 > 0:34:03Ronnie!
0:34:05 > 0:34:08She says she'll be home by 11, you can call her then.
0:34:18 > 0:34:20Oh, Ronnie!
0:34:20 > 0:34:22Stan! How's Jenny and the kids?
0:34:22 > 0:34:25Yeah, eating me out of house and home.
0:34:25 > 0:34:27- Give 'em my best, eh?- Course.
0:34:28 > 0:34:30- All right, Ron.- All right, Billy.
0:34:31 > 0:34:32- Mr Knight.- Frank.
0:34:34 > 0:34:36You've got a lot of friends.
0:34:36 > 0:34:38I am a very friendly fella.
0:34:38 > 0:34:40Oh.
0:34:42 > 0:34:43Remind you of anyone?
0:34:57 > 0:34:59Thank you, I had a lovely evening.
0:34:59 > 0:35:02Me too. We do it again?
0:35:02 > 0:35:03I'd like that.
0:35:10 > 0:35:12Night.
0:35:12 > 0:35:14Night.
0:36:01 > 0:36:03You know he's married?
0:36:05 > 0:36:06What?
0:36:06 > 0:36:08With a daughter.
0:36:09 > 0:36:11And a baby on the way.
0:36:14 > 0:36:15- I just want to see Barbara!- No.
0:36:15 > 0:36:18- I just want to see her.- I told you, Ronnie, you're not welcome.
0:36:18 > 0:36:20- Will you just let me in? - No, out you go. Come on now.
0:36:20 > 0:36:23- I just want to talk to her.- She doesn't want to see you!- I need to explain.
0:36:23 > 0:36:25- Shouldn't you be explaining to your wife?- It's not what you think.
0:36:25 > 0:36:28- Oh, it's exactly what I think. Now out you go!- It's not!
0:36:28 > 0:36:29Out, Ronnie. Out!
0:36:29 > 0:36:30DOOR SLAMS
0:36:30 > 0:36:32- Bar! - THUDDING
0:36:32 > 0:36:34Bar, I just want to talk!
0:36:40 > 0:36:42The least I could do was give him a chance to explain.
0:36:42 > 0:36:44Well, it's your life.
0:36:51 > 0:36:54I met June when we was at school.
0:36:54 > 0:36:56She got pregnant, so I married her.
0:36:57 > 0:37:00Ain't much of a marriage, though. We live very separate lives.
0:37:02 > 0:37:03I was going to tell you.
0:37:03 > 0:37:05I swear I was.
0:37:09 > 0:37:11I'll get a divorce.
0:37:11 > 0:37:12I'll prove it to you.
0:37:14 > 0:37:16I don't want you doing that.
0:37:16 > 0:37:19- What about your kids? - I-I'll see they're all right.
0:37:23 > 0:37:26I don't know, Ronnie.
0:37:26 > 0:37:28Look.
0:37:28 > 0:37:32Look, whether I'm with you or not, I'm still not going to be with her.
0:37:32 > 0:37:34It's over between us.
0:37:35 > 0:37:37I want to be with you.
0:37:49 > 0:37:51Well, don't look at me!
0:38:26 > 0:38:28Can I trust you?
0:38:28 > 0:38:30I'll never let you down.
0:38:30 > 0:38:32I promise.
0:38:34 > 0:38:36You're not hiding anything else?
0:38:36 > 0:38:38- Nothing.- No more surprises?
0:38:38 > 0:38:40No.
0:38:40 > 0:38:42I swear to God.
0:38:56 > 0:38:59Oh, please! Don't tell me you didn't see that coming.
0:38:59 > 0:39:02I didn't! He swore he was innocent.
0:39:02 > 0:39:04- RONNIE:- I'm innocent, Barb.
0:39:04 > 0:39:07I swear it.
0:39:07 > 0:39:0815 months.
0:39:10 > 0:39:11Wait for me!
0:39:11 > 0:39:13- Come along, then.- Yeah, all right.
0:39:15 > 0:39:19Slim Cattan, film producer. We met a month or so back.
0:39:19 > 0:39:20Did we?
0:39:20 > 0:39:23Yeah, I said I was making a movie. There was a great little part for you.
0:39:23 > 0:39:25You said I should speak to your agent.
0:39:25 > 0:39:28- Oh, that's right.- Yeah.
0:39:28 > 0:39:29Well, I did.
0:39:29 > 0:39:31And if you're still interested...
0:39:31 > 0:39:34I've sort of got a job. I'm singing in a club.
0:39:34 > 0:39:36I... I'm sure we can work around that.
0:39:36 > 0:39:39The movie's called Too Hot To Handle,
0:39:39 > 0:39:41starring Jayne Mansfield.
0:39:41 > 0:39:43THE Jayne Mansfield?
0:39:43 > 0:39:45That's right. So you interested?
0:39:45 > 0:39:47She's interested.
0:39:47 > 0:39:50That's great. I'll be in touch.
0:39:50 > 0:39:52Can I ask you something?
0:39:52 > 0:39:55- Sure, kid.- This part -
0:39:55 > 0:39:56why me?
0:39:58 > 0:40:00You've just got...
0:40:00 > 0:40:02- HE SIGHS - ..something.
0:40:07 > 0:40:10Jayne Mansfield!
0:40:19 > 0:40:20Is there anything else, Miss Mansfield?
0:40:20 > 0:40:22I want flowers in my dressing room.
0:40:22 > 0:40:25- Flowers.- Orchids.- Orchids, right.
0:40:25 > 0:40:27And a bottle of champagne on ice for guests.
0:40:27 > 0:40:29I always have guests.
0:40:29 > 0:40:31Orchids. Champagne.
0:40:31 > 0:40:32And in the chorus line,
0:40:32 > 0:40:35I want all the tall girls with big chests moved to the back.
0:40:35 > 0:40:38Tall girls with boobs at the back.
0:40:38 > 0:40:41Er, who's this?
0:40:41 > 0:40:43This is Miss Barbara Windsor, Miss Mansfield.
0:40:43 > 0:40:45She's playing Ponytail.
0:40:45 > 0:40:47She's blonde.
0:40:47 > 0:40:50Sure. Is that a problem?
0:40:50 > 0:40:52Have it coloured. Light brown.
0:40:52 > 0:40:54Oh, sorry, you can't do that.
0:40:54 > 0:40:57Only I've got another job singing at a club, you see,
0:40:57 > 0:41:00and if I'm not blonde tonight, well, I'll get the sack.
0:41:00 > 0:41:01Oh.
0:41:02 > 0:41:05And do something about those, too.
0:41:13 > 0:41:15Stuck-up cow.
0:41:16 > 0:41:18You all right, love?
0:41:18 > 0:41:20You've gone white as a sheet.
0:41:20 > 0:41:21I feel a bit sick.
0:41:23 > 0:41:24He's in Hans Crescent.
0:41:24 > 0:41:28It's a bit more expensive, but you're up and about quicker.
0:41:28 > 0:41:31Shoves amyl nitrates up your hooter, then gets rid.
0:41:31 > 0:41:32Doesn't sound very nice.
0:41:34 > 0:41:35You could always keep it.
0:41:38 > 0:41:41DISTANT SOBBING
0:42:06 > 0:42:08SOBBING CONTINUES
0:42:11 > 0:42:12I needed you then.
0:42:14 > 0:42:18Because your bloke was still in the nick.
0:42:18 > 0:42:21And your mum was playing happy families with her new bloke.
0:42:21 > 0:42:24I needed you!
0:42:24 > 0:42:25Does it matter why?
0:42:58 > 0:43:00'I was pregnant.'
0:43:03 > 0:43:05Is it mine?
0:43:07 > 0:43:09Who else's would it be?
0:43:13 > 0:43:17Wait, you... You said, "was", "was pregnant".
0:43:19 > 0:43:20I got rid of it.
0:43:23 > 0:43:24Oh.
0:43:26 > 0:43:28OK.
0:43:33 > 0:43:35You still working at the club?
0:43:36 > 0:43:38Yeah.
0:43:38 > 0:43:40I got a bit part in a film.
0:43:40 > 0:43:41Oh, yeah?
0:43:41 > 0:43:44Lots of blokes in it, is there?
0:43:44 > 0:43:45No.
0:43:47 > 0:43:48Still waiting for me, then?
0:43:50 > 0:43:51Of course I am, Ronnie.
0:43:55 > 0:43:56I'm sorry.
0:43:56 > 0:43:58What for?
0:43:58 > 0:44:00All this.
0:44:00 > 0:44:03And the...
0:44:03 > 0:44:05You know.
0:44:05 > 0:44:07Me, too.
0:44:08 > 0:44:10You know I love you, don't you?
0:44:24 > 0:44:26Waste of space.
0:44:26 > 0:44:28- Don't say that.- True, wasn't it?
0:44:28 > 0:44:29He was good to me.
0:44:31 > 0:44:32And I loved him.
0:44:34 > 0:44:36You deserve better!
0:44:38 > 0:44:41Spent too much time with him.
0:44:41 > 0:44:43Got yourself in a...right mess.
0:44:43 > 0:44:45Oh, and your life was so perfect, was it?
0:44:45 > 0:44:49I'm not the one in an empty theatre talking to myself.
0:44:54 > 0:44:56I'm thinking.
0:44:56 > 0:44:59Drowning, more like.
0:44:59 > 0:45:00FOOTSTEPS
0:45:03 > 0:45:08Wyndham Theatre, Charing Cross Road, tomorrow morning.
0:45:08 > 0:45:10- Oh, what is it?- Ten sharp.
0:45:24 > 0:45:26- Morning.- What you after?
0:45:26 > 0:45:27I'm here for the audition at ten.
0:45:27 > 0:45:29It's only quarter to.
0:45:29 > 0:45:30Oh, I know. I'm always early.
0:45:30 > 0:45:33- Mind your feet, mind your feet.- Oh!
0:45:33 > 0:45:34So what part are you up for, then?
0:45:34 > 0:45:37I dunno. I'm only here cos my agent told me to be.
0:45:39 > 0:45:41Don't you want to be here, then?
0:45:41 > 0:45:43They said it's for a musical at Stratford East.
0:45:43 > 0:45:45I'd rather be in the West End.
0:45:45 > 0:45:48See your name up there in lights, can you?
0:45:48 > 0:45:49I ain't being grand!
0:45:49 > 0:45:51My nan's a cleaner at the Pimm's factory in Shoreditch.
0:45:51 > 0:45:53It's just I was born in the East End,
0:45:53 > 0:45:55and my mum worked really hard to get us away from there.
0:45:55 > 0:45:58Wouldn't be much point if we ended up back where we started.
0:45:58 > 0:46:00Well, aren't you a cute little thing?
0:46:00 > 0:46:03- Go on in, there's a kettle in the green room.- Ta.
0:46:18 > 0:46:20Hello?
0:46:20 > 0:46:21Who are you?
0:46:21 > 0:46:22Barbara Windsor.
0:46:22 > 0:46:24Hello, Babs.
0:46:24 > 0:46:26Lionel. Lionel Bart.
0:46:26 > 0:46:29- Oh, hello, darling! Is this one of yours?- Yeah.
0:46:29 > 0:46:30I couldn't see you there.
0:46:30 > 0:46:32Still at the Winston Club with Danny La Rue?
0:46:32 > 0:46:35- Yeah, you'll have to come down. - I will.
0:46:35 > 0:46:37Are you ready?
0:46:37 > 0:46:40Yeah, I've had a cup of tea, the cleaner let me in early.
0:46:40 > 0:46:43Do you know what part you're up for?
0:46:43 > 0:46:45No. Not really.
0:46:45 > 0:46:48It's the part of Rosie, an Irish prostitute.
0:46:48 > 0:46:50Can you do an Irish accent?
0:46:50 > 0:46:51No. Sorry.
0:46:51 > 0:46:53So where are you from?
0:46:53 > 0:46:54Shoreditch.
0:46:54 > 0:46:57Do they have prostitutes in Shoreditch?
0:46:57 > 0:46:58A few.
0:46:58 > 0:47:00Then give me an East End Rosie.
0:47:02 > 0:47:04When you're ready.
0:47:07 > 0:47:11IN AN EAST LONDON ACCENT: 'Ello! Short time, mister?
0:47:11 > 0:47:13It's five bob for a J Arthur,
0:47:13 > 0:47:14ten bob for a plate,
0:47:14 > 0:47:17and a quid for a full card trick!
0:47:17 > 0:47:19SHE GIGGLES
0:47:19 > 0:47:22- LAUGHING - That was very good.
0:47:22 > 0:47:24Thank you.
0:47:24 > 0:47:26- Can you sing?- Yes.
0:47:26 > 0:47:27Have you got something prepared?
0:47:27 > 0:47:29You going to play piano, Lionel?
0:47:29 > 0:47:31If you can sing, you don't need him.
0:47:31 > 0:47:33Go on, love, just give it to them!
0:47:33 > 0:47:35Right.
0:47:38 > 0:47:41# Grab your coat and get your hat
0:47:41 > 0:47:45# Leave your worries on the doorstep
0:47:45 > 0:47:48# Just direct your feet
0:47:48 > 0:47:51# To the sunny side of the street
0:47:51 > 0:47:54# Can you hear that pitter-pat?
0:47:54 > 0:47:58# And a happy tune is your step
0:47:58 > 0:48:00# Life can be so sweet
0:48:00 > 0:48:03# On the sunny side of the street
0:48:03 > 0:48:07# I used to walk in the shade
0:48:07 > 0:48:10# With those blues on parade
0:48:10 > 0:48:13# But I'm not afraid
0:48:13 > 0:48:16# Cos I'm a rover that's crossed over
0:48:16 > 0:48:19# And if I never had a cent
0:48:19 > 0:48:23# I'd be rich as Rockefeller
0:48:23 > 0:48:25# With gold dust at my feet
0:48:25 > 0:48:28# On the sunny side of the street! #
0:48:34 > 0:48:38Where have you been all my life?
0:48:38 > 0:48:40You're a wonderful little bird.
0:48:40 > 0:48:43Well, not quite a bird, not yet. More an egg.
0:48:43 > 0:48:46Oh, you're the cleaner!
0:48:48 > 0:48:49It's Joan Littlewood, Babs.
0:48:49 > 0:48:53And you, little bird's egg, got the job at the stage door.
0:48:53 > 0:48:55SHE GASPS
0:48:58 > 0:49:00All right, everyone.
0:49:00 > 0:49:02Fings Ain't Wot They Used T'Be.
0:49:02 > 0:49:04Get yourselves into a circle
0:49:04 > 0:49:06and we'll do a first read-through of the script.
0:49:06 > 0:49:09But I want you to all play each other's parts.
0:49:09 > 0:49:11So, Barbara, I want you to play Tosher, the ponce.
0:49:11 > 0:49:13Oh! But you said I was playing Rosie.
0:49:13 > 0:49:16Yes, but for now I want you to play Tosher.
0:49:16 > 0:49:19Find out what his character's about, what his problems are.
0:49:19 > 0:49:21Who he is.
0:49:21 > 0:49:23But he's a bloke.
0:49:23 > 0:49:27See! You're learning already, bird's egg.
0:49:28 > 0:49:30Costumes.
0:49:31 > 0:49:33Here, grab a hat.
0:49:33 > 0:49:35I want you to improvise.
0:49:35 > 0:49:39Now switch genders, fully inhabit each other's roles.
0:49:39 > 0:49:41Now get into character.
0:49:41 > 0:49:43Push his masculinity, little bird.
0:49:43 > 0:49:46Yes. Oh, that boa's very good on you.
0:49:46 > 0:49:47Now switch characters.
0:49:49 > 0:49:51This is a trust exercise.
0:49:51 > 0:49:53Back-to-back, up and down.
0:49:53 > 0:49:57Now work together.
0:49:57 > 0:49:59Stab and mould.
0:50:00 > 0:50:03Very centred, very earthed.
0:50:04 > 0:50:06Think about the underbelly of the city.
0:50:08 > 0:50:12Bigger, stronger, more liquid.
0:50:12 > 0:50:15Smooth like you're moving through oil.
0:50:15 > 0:50:16Now stab! Stab!
0:50:16 > 0:50:19- THEY GRUNT - Very good. Yeah, really kill.
0:50:21 > 0:50:22Now look at the model box.
0:50:22 > 0:50:25Here we've got Fings Ain't Wot They Used T'Be.
0:50:25 > 0:50:26It comes down here like that.
0:50:26 > 0:50:28Brechtian set. Stripped back.
0:50:29 > 0:50:31Nothing for you to hide behind.
0:50:31 > 0:50:33Back to the script!
0:50:33 > 0:50:35THEY MURMUR
0:50:35 > 0:50:38Right, let us do it all again, everyone switch characters
0:50:38 > 0:50:42and this time don't sing the songs, speak them.
0:50:42 > 0:50:44I mean, I don't get it.
0:50:44 > 0:50:46We've done it backwards, sideways, read each other's parts,
0:50:46 > 0:50:49pulled the story apart, and put it back together again.
0:50:49 > 0:50:50I mean...
0:50:52 > 0:50:54You've changed the songs, the lines,
0:50:54 > 0:50:58who does what... And then changed it all back again.
0:50:58 > 0:51:00Why can't we just learn our parts,
0:51:00 > 0:51:03learn the songs and just get on with it?
0:51:03 > 0:51:05You're not really enjoying yourself, are you, bird's egg?
0:51:05 > 0:51:08- No, I'm not. - Too much like hard work?
0:51:08 > 0:51:09No.
0:51:09 > 0:51:12What, then? You don't like doing new things?
0:51:12 > 0:51:14Doing things differently?
0:51:14 > 0:51:17I'm just asking why we can't rehearse it normally.
0:51:17 > 0:51:19Because I'm trying to find something else,
0:51:19 > 0:51:21to make it better than it has a right to be.
0:51:21 > 0:51:25- But I hate it. - Well, why don't you piss off, then?
0:51:25 > 0:51:27- What? - You heard me.
0:51:27 > 0:51:29Piss off to the West End if that's where you'd rather be.
0:51:32 > 0:51:35All right, then! I will.
0:51:35 > 0:51:36That's it, girl, you tell her!
0:51:38 > 0:51:40That was terrible, I think you should do
0:51:40 > 0:51:42it ALL again.
0:51:42 > 0:51:44I've spoken to the Wyndham.
0:51:44 > 0:51:46They've got some flamin' cheek.
0:51:46 > 0:51:49Joan Littlewood is the most innovative theatre director
0:51:49 > 0:51:52this country's ever seen and you've just walked out on her.
0:51:52 > 0:51:53She told me to piss off.
0:51:53 > 0:51:56That didn't mean to say you had to actually piss off!
0:51:56 > 0:51:58Yeah, well, I did.
0:51:58 > 0:52:01Oh, do you know how many actors, with ten times the experience
0:52:01 > 0:52:04you've got, would give their right arm to work with Joan Littlewood?
0:52:04 > 0:52:08- Well, let them, then. - Barbara, please - don't do this.
0:52:08 > 0:52:12You've worked really hard for an opportunity like this...
0:52:13 > 0:52:14..don't waste it.
0:52:23 > 0:52:26Stubborn. Just like your father!
0:52:26 > 0:52:27Oi, oi!
0:52:33 > 0:52:35SHE SIGHS
0:52:41 > 0:52:44More articulate, more dynamic.
0:52:47 > 0:52:49Hello, bird's egg!
0:52:51 > 0:52:53Carry on, everyone, don't stop.
0:52:58 > 0:53:00Had a nice time up West?
0:53:00 > 0:53:02See your name up in lights, did you?
0:53:02 > 0:53:05Yes, it was very nice, thank you.
0:53:08 > 0:53:10Can I play Rosie now?
0:53:13 > 0:53:15Someone find her a script.
0:53:18 > 0:53:20Here you are, Barb.
0:53:20 > 0:53:21What's this?
0:53:21 > 0:53:24Joan asked me to write a song for you.
0:53:24 > 0:53:26She really thinks you've got something.
0:53:26 > 0:53:29Want to give it a go?
0:53:29 > 0:53:31- What, just sing it...properly? - Yeah!
0:53:37 > 0:53:39- Sit her on a box. - What?
0:53:39 > 0:53:41Centre stage. On a box.
0:53:45 > 0:53:47Now, sit on your hands, bird's egg.
0:53:47 > 0:53:50- My hands? - Yes, your hands.
0:53:50 > 0:53:53Otherwise you'll go all West End on us,
0:53:53 > 0:53:56waving your arms about like you're flamin' Judy Garland.
0:53:59 > 0:54:02PIANO STARTS
0:54:07 > 0:54:11# Where do little birds go to?
0:54:13 > 0:54:17# In the wintertime?
0:54:19 > 0:54:23# There'll be blizzards and snow too
0:54:24 > 0:54:30# In the wintertime
0:54:30 > 0:54:40# And the thought of it horrifies me so
0:54:41 > 0:54:52# Where do, where do, where do little birds go?
0:54:52 > 0:55:05# Where do, where do, where do little birds, ooooh. #
0:55:05 > 0:55:07APPLAUSE
0:55:22 > 0:55:24You got a minute, Bar?
0:55:24 > 0:55:26I've got some friends in, they'd really like to meet you.
0:55:26 > 0:55:28Course, darlin', bring 'em in.
0:55:31 > 0:55:33Bar, these are the Kray twins,
0:55:33 > 0:55:36Ronnie and Reggie, and their brother Charlie.
0:55:36 > 0:55:37Oh. Hello, boys.
0:55:37 > 0:55:39Very nice to meet you.
0:55:39 > 0:55:41Oh. You too.
0:55:41 > 0:55:43We really enjoyed the show.
0:55:43 > 0:55:45- Oh. - You were fantastic.
0:55:45 > 0:55:47Thank you. Can I get you all a drink?
0:55:47 > 0:55:49Oh, no, thank you.
0:55:49 > 0:55:51We don't want to take up any more of your time.
0:55:51 > 0:55:54We've got a club on the Mile End Road, the Kentucky.
0:55:54 > 0:55:57You should try and drop in. Chuck knows where it is.
0:55:57 > 0:55:59Might just do that.
0:56:00 > 0:56:03Come on, then, let's leave the lady in peace.
0:56:03 > 0:56:05Oh, well, all right.
0:56:05 > 0:56:07I mean, it was lovely to meet you, boys.
0:56:14 > 0:56:16That drink you offered?
0:56:16 > 0:56:18Thought I might take you up on it.
0:56:18 > 0:56:19Oh.
0:56:19 > 0:56:22Tomorrow night. Maybe have a bit of dinner first.
0:56:22 > 0:56:25Blimey, you're not shy, are ya?
0:56:25 > 0:56:26Well, is that a yes?
0:56:26 > 0:56:28We'll see!
0:56:33 > 0:56:34Thanks for that, Bar.
0:56:34 > 0:56:37Ah, no problem, darlin'. They seem like nice boys.
0:56:37 > 0:56:39Yeah.
0:56:39 > 0:56:40HE CHUCKLES
0:57:12 > 0:57:15You've been doing all right for yourself, Barb.
0:57:17 > 0:57:19I work hard.
0:57:21 > 0:57:23I been dreaming about you doing me a fry-up.
0:57:23 > 0:57:26Don't get your hopes up, I ain't much of a cook.
0:57:26 > 0:57:28You missed me, then?
0:57:28 > 0:57:30Course I have.
0:57:34 > 0:57:36Been in the papers a lot.
0:57:36 > 0:57:39Like I said, been working hard.
0:57:39 > 0:57:41Things are going really well.
0:57:41 > 0:57:42Well...
0:57:44 > 0:57:47We can enjoy them together now, can't we?
0:57:47 > 0:57:48Yeah.
0:57:50 > 0:57:52So you ready for this, then?
0:57:54 > 0:57:55Oh, not half.
0:58:09 > 0:58:13Hardly your scene, was it, darlin'? Housewife.
0:58:15 > 0:58:18Just had a call, actually I've had a lot of calls.
0:58:18 > 0:58:20How do you fancy doing some telly?
0:58:20 > 0:58:22Oh, not really.
0:58:22 > 0:58:24Good, I'll tell them you'll be there.
0:58:24 > 0:58:26Well, hang on, you haven't even told me what it is yet.
0:58:26 > 0:58:30It's a new comedy set in a dress factory, called The Rag Trade.
0:58:33 > 0:58:35They love you, it's a hit.
0:58:35 > 0:58:37The Tony Hancock people want to see you.
0:58:37 > 0:58:40And there's a part in a film called Sparrows Can't Sing.
0:58:40 > 0:58:42Now, the director wants you but the producers don't,
0:58:42 > 0:58:44so we'll just have to see how it plays out.
0:58:44 > 0:58:46PHONE RINGS Well, who's the director?
0:58:46 > 0:58:49Either bird's egg does it, or you can all piss off.
0:58:51 > 0:58:53I've just heard, you've got the part. Mwah!
0:58:53 > 0:58:55THEY CHUCKLE
0:58:58 > 0:59:00So you're married to a Jimmy Booth, who goes off to sea,
0:59:00 > 0:59:02comes back and you've buggered off.
0:59:02 > 0:59:04We'll be shooting in Stepney mostly,
0:59:04 > 0:59:07so you'll feel right at home, bird's egg.
0:59:07 > 0:59:10Oh, there's a scene at the end, in a nightclub,
0:59:10 > 0:59:12do you know anywhere we could use?
0:59:15 > 0:59:18We don't normally allow shooting in our club, Miss Littlewood, but on
0:59:18 > 0:59:22this occasion, as you're a friend of Barbara's, it would be a pleasure.
0:59:22 > 0:59:23Well, we're very grateful.
0:59:28 > 0:59:29Do you mind if we get a picture?
0:59:29 > 0:59:31Course not, darlin'.
0:59:37 > 0:59:40Right. Smile.
0:59:44 > 0:59:46- Thank you. - Oh, you're very welcome.
0:59:50 > 0:59:53- The bloody hyenas are gathering, bird's egg.- Eh?
0:59:53 > 0:59:55The press are outside.
0:59:55 > 0:59:57Apparently your boyfriend's been arrested again.
1:00:01 > 1:00:02It was a fit-up, Barb.
1:00:02 > 1:00:04Well, it always is.
1:00:04 > 1:00:06They can't prove nothing, they're just trying it on,
1:00:06 > 1:00:08my brief reckons she'll get me off.
1:00:08 > 1:00:11You can't keep doing this, Ronnie, I'm in the West End now, I'm doing
1:00:11 > 1:00:16a new film. The papers are all over me, you have to tell me the truth!
1:00:16 > 1:00:19I'm the one stuck out here trying to deal with all this!
1:00:19 > 1:00:21Shouldn't you be worrying about me and not yourself?
1:00:21 > 1:00:24Or are you getting too grand for me now you're a big star?
1:00:24 > 1:00:26No. I am worried about you.
1:00:28 > 1:00:30Then act like it.
1:00:32 > 1:00:34Sorry.
1:00:38 > 1:00:40Hey, wait a minute, who's that?
1:00:40 > 1:00:43Look, Charlie, I've made up my mind, I ain't coming back to you.
1:00:43 > 1:00:46- I don't want to ever meet you again. - You've already met me, ain't ya?
1:00:46 > 1:00:48Yeah, worse luck. Anyway, I'm going home.
1:00:48 > 1:00:49I might go with ya.
1:00:49 > 1:00:51Shut up. Can't think when you look at me.
1:00:51 > 1:00:53HE CHUCKLES
1:00:53 > 1:00:55"Miss Barbara Windsor's latest film role
1:00:55 > 1:01:00"in Sparrows Can't Sing has proved a success on both sides of
1:01:00 > 1:01:04"the Atlantic with Miss Windsor nominated for a Bafta award,
1:01:04 > 1:01:08"cementing her place at the very top of her profession.
1:01:08 > 1:01:12"In other news, Miss Windsor's current beau, Ronnie Knight,
1:01:12 > 1:01:16"has been found not guilty of theft from a Chelsea power station."
1:01:17 > 1:01:20- What did I tell ya?- Ronnie!
1:01:22 > 1:01:23HE SIGHS HAPPILY
1:01:23 > 1:01:25HE CHUCKLES
1:01:25 > 1:01:26What do you want?
1:01:27 > 1:01:30I'm talking to my client, if it's all the same.
1:01:32 > 1:01:34It's work, Ronnie.
1:01:34 > 1:01:37You go on home and I'll be home later, cook you a nice meal.
1:01:48 > 1:01:51You don't know him like I do, nobody does.
1:01:51 > 1:01:55Be that as it may, it seems that in typical Windsor fashion,
1:01:55 > 1:01:58you have two tigers by the tail.
1:01:58 > 1:02:01- Eh? - Ronnie Knight and your career.
1:02:01 > 1:02:05The offers are flooding in,
1:02:05 > 1:02:08the best of which seems to be from a producer called Peter Rogers.
1:02:08 > 1:02:11- Peter Rogers! - Yes, he wants you for his next film.
1:02:11 > 1:02:14- Well, that's amazing! What is it? - It's a comedy.
1:02:14 > 1:02:16Oh!
1:02:16 > 1:02:19No, I think it'll be good for you to do something funny after Sparrows.
1:02:19 > 1:02:21What's it called?
1:02:21 > 1:02:23Carry On Spying.
1:02:23 > 1:02:28Oh, and, er, I almost forgot, June's agreed to a divorce.
1:02:28 > 1:02:30So I was thinking...
1:02:30 > 1:02:32What?
1:02:32 > 1:02:36Well, everywhere I go, everybody calls me Mr Windsor, so I thought...
1:02:36 > 1:02:37Oh, Ronnie, don't do this.
1:02:37 > 1:02:40- Do what? - You're going to propose.
1:02:40 > 1:02:42Don't you want to marry me, then?
1:02:42 > 1:02:44I just like things the way they are.
1:02:46 > 1:02:49Good, then they'll be exactly the way they are.
1:02:49 > 1:02:51Only we'll be married.
1:02:51 > 1:02:53Ronnie!
1:02:53 > 1:02:57I mean it, Barb - either you marry me or I'm off.
1:02:57 > 1:02:58You don't mean that.
1:02:58 > 1:02:59Don't I?
1:03:01 > 1:03:03Would it really be so bad, eh?
1:03:03 > 1:03:05Being my wife?
1:03:07 > 1:03:08No.
1:03:12 > 1:03:14- All right, then. - You're a good girl.
1:03:14 > 1:03:17You're not going to get down on one knee or anything?
1:03:17 > 1:03:18HE SCOFFS
1:03:18 > 1:03:20Nah!
1:03:44 > 1:03:48All right, everyone, settle down, this is Barbara,
1:03:48 > 1:03:50she'll be playing Daphne Honeybutt.
1:03:51 > 1:03:53Don't worry, Babs, they're a good lot.
1:03:55 > 1:03:57Right! Arrival at the restaurant.
1:03:57 > 1:04:00- All right, Babs? - Yes, ta.
1:04:00 > 1:04:02Watch out for Kenny, he can be difficult.
1:04:02 > 1:04:04He doesn't really like new people.
1:04:04 > 1:04:07- I've heard he's a pain in the bum. - Watch he doesn't hear you.
1:04:07 > 1:04:09Oh, don't care if he does.
1:04:09 > 1:04:11Didn't he have a fallout with Fenella Fielding?
1:04:11 > 1:04:14- This is Kenny, Babs, he's fallen out with everyone.- Oh.
1:04:15 > 1:04:17All right, let's make a start, please.
1:04:19 > 1:04:20BELL RINGS
1:04:20 > 1:04:23Hiya.
1:04:23 > 1:04:25And...turn over.
1:04:25 > 1:04:27117, take one.
1:04:29 > 1:04:32And...action!
1:04:32 > 1:04:34You can come in now.
1:04:34 > 1:04:38Oh, hello, good evening. My cloak, thank you.
1:04:38 > 1:04:40May I have your hat, sir?
1:04:40 > 1:04:41Thank you very much.
1:04:41 > 1:04:43Thank you, sir.
1:04:43 > 1:04:44Mm, ta.
1:04:45 > 1:04:48Oh, yes, here... Oh, never mind!
1:04:48 > 1:04:50Hair today, gone tomorrow.
1:04:50 > 1:04:52HE LAUGHS WILDLY
1:04:52 > 1:04:54HE CLEARS THROAT What do we do now, sir?
1:04:54 > 1:04:57Well, now we'd better split up, you two go in together.
1:04:57 > 1:05:00But from now on, you don't know me and I don't know you.
1:05:00 > 1:05:02Understood?
1:05:02 > 1:05:05Of course, sir. We don't know you.
1:05:05 > 1:05:06Cut!
1:05:06 > 1:05:08BELL RINGS
1:05:08 > 1:05:12Er, Babs, er, the line is - "Yes, of course, sir,
1:05:12 > 1:05:14"we don't know who you are..."
1:05:14 > 1:05:16Oh, sorry, everyone. My fault.
1:05:16 > 1:05:19Dah-ling, do please get it right.
1:05:19 > 1:05:23Don't you talk to me like that with Fenella Fielding's minge hair
1:05:23 > 1:05:26stuck round your chops, cos I won't bloody stand for it!
1:05:38 > 1:05:41Ha-ha-ha! Oh, isn't she wonderful! I love her!
1:05:43 > 1:05:44I'm Kenny.
1:05:44 > 1:05:46I'm Barbara.
1:05:46 > 1:05:48Oh, how lovely to meet you. You are funny, aren't you?
1:05:48 > 1:05:50BOTH GIGGLE
1:05:50 > 1:05:52Hey, how did you know about all that?
1:05:52 > 1:05:54THEY LAUGH
1:05:54 > 1:05:57From now on, you don't know me and I don't know you.
1:05:57 > 1:06:00Yes, of course, sir. We don't know who you are.
1:06:00 > 1:06:02- That's right. Mum's the word. - Hello, bird's egg.
1:06:02 > 1:06:06- Hiya.- I've been asked to do Oh! What A Lovely War on Broadway,
1:06:06 > 1:06:07do you fancy it?
1:06:07 > 1:06:10I dunno, I'm not sure it's my cup of tea.
1:06:10 > 1:06:13- Why?- Well, it's a company piece, isn't it?
1:06:13 > 1:06:15Nothing really to get my teeth into.
1:06:15 > 1:06:17Too grand for it now you're a movie star?
1:06:17 > 1:06:20No. I-I just like what I'm doing, that's all.
1:06:20 > 1:06:21Carry On Spying?
1:06:21 > 1:06:23Well, now who's being bleedin' grand?
1:06:23 > 1:06:26Did I mention it was bleedin' Broadway?
1:06:26 > 1:06:28I know and I'd love to do that one day, with the right play,
1:06:28 > 1:06:31I'm just not sure that this is it.
1:06:31 > 1:06:34If you're not careful, you'll end up playing this
1:06:34 > 1:06:37sexy little blonde for the rest of your life.
1:06:37 > 1:06:40Spread your wings, little bird.
1:06:40 > 1:06:42Can I let you know?
1:06:42 > 1:06:44I'll have to talk to Ronnie.
1:06:44 > 1:06:46- Quick as you can, bird's egg. - Right.
1:06:50 > 1:06:53If that's what you want to do, babe, then do it.
1:06:53 > 1:06:55It's for a few months.
1:06:56 > 1:06:58- I got 15 months, remember. - Mmm.
1:06:58 > 1:07:00We lived through that.
1:07:06 > 1:07:08He said I can go.
1:07:08 > 1:07:11Good girl. See you in New York.
1:07:12 > 1:07:14DRUMS PLAY
1:07:19 > 1:07:22# Oh, oh, oh, it's a lovely war
1:07:22 > 1:07:24# Who wouldn't be a soldier, eh?
1:07:24 > 1:07:26# Oh, it's a shame to take the pay
1:07:26 > 1:07:28# As soon as reveille is gone
1:07:28 > 1:07:30# We feel just as heavy as lead
1:07:30 > 1:07:32# But we never get up till the sergeant
1:07:32 > 1:07:34# Brings our breakfast up to bed
1:07:34 > 1:07:37# Oh, oh, oh, it's a lovely war
1:07:37 > 1:07:39# Oh, what do we want with eggs and ham
1:07:39 > 1:07:41# When we've got plum and apple jam?
1:07:41 > 1:07:43# Form fours, right turn
1:07:43 > 1:07:45# How shall we spend the money we earn?
1:07:45 > 1:07:48# Oh, oh, oh, it's a lovely war. #
1:07:49 > 1:07:52CHEERING AND APPLAUSE
1:08:13 > 1:08:16I think we might have another hit.
1:08:16 > 1:08:17Oh, do you think so?
1:08:17 > 1:08:20You're the toast of Broadway, Babs, enjoy it.
1:08:20 > 1:08:22Come on. Someone wants to meet you.
1:08:22 > 1:08:25- Who?- You'll see.- Oh.
1:08:25 > 1:08:27HE CLEARS THROAT
1:08:27 > 1:08:28Warren.
1:08:28 > 1:08:31Here she is!
1:08:32 > 1:08:34Hi.
1:08:34 > 1:08:35Oh. Oh, hello.
1:08:38 > 1:08:43I just wanted to say I saw the show, I-I thought you were terrific.
1:08:43 > 1:08:46And congratulations on your Tony nomination.
1:08:46 > 1:08:49Thank you. Sorry, have we met?
1:08:49 > 1:08:51Only, you look really familiar.
1:08:51 > 1:08:54I-I'm Warren Beatty.
1:08:54 > 1:08:55Yes, you are.
1:08:55 > 1:08:57- CHUCKLING:- Yes, I am.
1:08:57 > 1:08:59Well, I'm glad we cleared that up.
1:08:59 > 1:09:00LAUGHTER
1:09:00 > 1:09:03Maybe we could have a drink while you're in New York?
1:09:03 > 1:09:05Tea at Sardi's, maybe?
1:09:05 > 1:09:07Oh, sounds really nice.
1:09:07 > 1:09:09- I'll give you a call.- Oh.
1:09:13 > 1:09:15He's got the hots for you.
1:09:15 > 1:09:17Me? Don't be stupid, no, he hasn't.
1:09:17 > 1:09:23- He's Warren Beatty, he's got the hots for everyone.- Oh!
1:09:23 > 1:09:24To you.
1:09:24 > 1:09:26MUSIC STARTS
1:09:38 > 1:09:40Wasn't all work, though, was it?
1:09:46 > 1:09:48Shepard Coleman?
1:09:49 > 1:09:50Oh, no, Dad, don't!
1:09:50 > 1:09:53I thought that's why we were here. You trying to make sense of things.
1:09:53 > 1:09:55I am.
1:09:55 > 1:09:58Well, then, you shouldn't miss things out, might be important.
1:10:04 > 1:10:06I was a long way from home.
1:10:10 > 1:10:13I'd never met anyone quite like him before.
1:10:14 > 1:10:20It wasn't about sex, we spent most of the time talking. Till three
1:10:20 > 1:10:22or four in the morning, sometimes.
1:10:24 > 1:10:26The most conversation I'd ever had with Ronnie was about how
1:10:26 > 1:10:28many eggs he wanted with his fry-up.
1:10:31 > 1:10:34SAXOPHONE PLAYS
1:10:41 > 1:10:43I didn't know it could be like that.
1:10:47 > 1:10:50Being with Shep in New York made me realise that marrying Ronnie
1:10:50 > 1:10:52had been a mistake.
1:10:59 > 1:11:00He wanted me to stay.
1:11:04 > 1:11:05But we both knew I couldn't.
1:11:09 > 1:11:10See?
1:11:10 > 1:11:12It's better to talk about it.
1:11:16 > 1:11:18Yeah, you're right.
1:11:24 > 1:11:26So shall we talk about when I came back?
1:11:30 > 1:11:32Are you Barbara Deeks?
1:11:32 > 1:11:33I was.
1:11:34 > 1:11:36Do I know you?
1:11:39 > 1:11:41I'm married to your father.
1:11:44 > 1:11:46Well, that was a nice surprise, wasn't it?
1:11:46 > 1:11:48So I remarried, big deal.
1:11:48 > 1:11:50Well, didn't you want me to be your bridesmaid?
1:11:50 > 1:11:52You weren't part of my life then.
1:11:54 > 1:11:56You were always a part of mine.
1:12:03 > 1:12:05I'd had a heart attack.
1:12:10 > 1:12:11Come in.
1:12:25 > 1:12:27Daddy.
1:12:29 > 1:12:30Hello, love.
1:12:33 > 1:12:36How are you? Julie said you've been ill.
1:12:36 > 1:12:39You need to look after yourself better.
1:12:39 > 1:12:41Stop fussing.
1:12:44 > 1:12:48Well, you've been making quite a name for yourself, I see.
1:12:51 > 1:12:53I wasn't sure you knew.
1:12:53 > 1:12:55Made me very proud.
1:12:57 > 1:12:59Should be proud of yourself too.
1:13:01 > 1:13:02Doing so well.
1:13:07 > 1:13:11Every audition I went to, I sung Sunny Side Of The Street,
1:13:11 > 1:13:12just like you showed me.
1:13:12 > 1:13:13HE CHUCKLES
1:13:13 > 1:13:15And every time, I got the job.
1:13:18 > 1:13:22Well, you always was Daddy's little girl, weren't you?
1:13:32 > 1:13:35I still will be. If you'll let me.
1:13:38 > 1:13:39Not been much of a dad, have I?
1:13:39 > 1:13:46Don't say that. It wasn't easy, I know that.
1:13:48 > 1:13:53But all this time, whatever I was doing, part of me was hoping
1:13:53 > 1:13:58that you'd be watching, and that maybe you'd come and see me.
1:13:58 > 1:14:01I nearly did, about a hundred times.
1:14:04 > 1:14:06You're here now, though, eh?
1:14:10 > 1:14:11Yeah.
1:14:17 > 1:14:19It was like I was five years old again.
1:14:22 > 1:14:25# Grab your coat and grab your hat
1:14:26 > 1:14:31# Leave your worries on the doorstep
1:14:31 > 1:14:34# Just direct your feet
1:14:34 > 1:14:38# To the sunny side of the street... #
1:14:41 > 1:14:44I think that's enough now, he's getting tired.
1:14:45 > 1:14:47I've only just got here.
1:14:47 > 1:14:49Oh, she's all right.
1:14:49 > 1:14:51The doctor said you weren't to get excited.
1:14:51 > 1:14:52He needs peace and quiet.
1:14:54 > 1:14:59Oh, OK, erm, well, maybe I can come back, then.
1:14:59 > 1:15:02Or...you can come to dinner.
1:15:02 > 1:15:05At mine. When you're feeling up to it.
1:15:05 > 1:15:07I'd like that.
1:15:07 > 1:15:09Right, then, I'll show you out.
1:15:24 > 1:15:26He will be all right, won't he?
1:15:26 > 1:15:28Yeah, I'll look after him. Just like I have been doing.
1:15:28 > 1:15:30HE COUGHS
1:15:30 > 1:15:32Well, I'm here now, I can help.
1:15:32 > 1:15:34Well, if I need anything, I'll be sure to let you know.
1:15:36 > 1:15:40After I came to see you, I kept calling, writing you letters.
1:15:42 > 1:15:44Why didn't I ever hear from you?
1:15:46 > 1:15:47But we weren't expecting ya.
1:15:47 > 1:15:49Well, we thought with it being Christmas.
1:15:49 > 1:15:51Well, you should've phoned first!
1:15:51 > 1:15:54I have been trying. I want to see my dad.
1:15:54 > 1:15:56Who is it?
1:15:56 > 1:15:59- Merry Christmas, Daddy. - I don't want nothing off you.
1:15:59 > 1:16:02- Hold on, Mr D, what you doing? - You can stay out of it an' all.
1:16:02 > 1:16:03She's your daughter.
1:16:03 > 1:16:05Not any more, she ain't.
1:16:05 > 1:16:08You ain't been to see me for months!
1:16:08 > 1:16:10Well, now, I don't have time for you.
1:16:11 > 1:16:14I have tried to see you, Dad, I called. Ask her!
1:16:14 > 1:16:17I said, get out!
1:16:17 > 1:16:20You know what, John, if you wasn't an old man, so help me...
1:16:22 > 1:16:23HE CHUCKLES
1:16:25 > 1:16:27Get out!
1:16:27 > 1:16:31You heard him. We want you to leave.
1:16:32 > 1:16:34Daddy, please don't do this!
1:16:34 > 1:16:36Come on.
1:16:38 > 1:16:40Come on.
1:16:47 > 1:16:50DOOR OPENS AND CLOSES
1:16:52 > 1:16:54How could you have done that?
1:16:56 > 1:16:59She didn't tell me that you were calling.
1:16:59 > 1:17:02I thought you'd just forgotten about me.
1:17:02 > 1:17:05- Well, you could've asked. - I saw red.
1:17:05 > 1:17:07Like you did that day in court?
1:17:07 > 1:17:09Oh, there you go, drag all that up again, why don't ya!
1:17:09 > 1:17:11This isn't dragging it up, it's my life!
1:17:14 > 1:17:19All I ever did was love you, think the best of you.
1:17:21 > 1:17:22SHE SNIFFLES
1:17:22 > 1:17:24All you ever did was push me away.
1:17:26 > 1:17:28Didn't do you any harm, did it?
1:17:29 > 1:17:32Taught you to stand on your own two feet.
1:17:32 > 1:17:34- Toughened you up. - You really believe that, don't you?
1:17:34 > 1:17:36It's true, isn't it?
1:17:36 > 1:17:38And you're always right, aren't you, Dad?
1:17:38 > 1:17:41I was right about that bloke of yours.
1:17:54 > 1:17:56Barb...wait! Barb.
1:17:59 > 1:18:03So, while the police were kicking in your front door and
1:18:03 > 1:18:08questioning you all night, guess what - he was shagging someone else.
1:18:08 > 1:18:10All right! I know!
1:18:10 > 1:18:13I'm a bad judge of men, story of my bleedin' life.
1:18:13 > 1:18:18And you know why, Dad? Because I believe them.
1:18:18 > 1:18:22I believed them when they said everything will be all right,
1:18:22 > 1:18:25that I'm the only girl they've ever really loved and that we'll
1:18:25 > 1:18:27live happily ever after.
1:18:29 > 1:18:31Just like I believed you when you said it.
1:18:37 > 1:18:40- So you want to go back to work? - Yes, please.
1:18:40 > 1:18:42Well, they've offered you a Carry On film. Carry On Doctor.
1:18:42 > 1:18:44Oh, don't tell me, I'm a sexy little blonde nurse?
1:18:44 > 1:18:47- How did you guess? - Who else is in it?
1:18:47 > 1:18:49Usual crowd, they're trying to get Sid James back.
1:18:49 > 1:18:52He's been ill but said he'd do it as long as he could stay in bed.
1:18:52 > 1:18:53SHE CHUCKLES
1:18:53 > 1:18:56Oh, go on, then, I just want to be busy.
1:19:02 > 1:19:05MAN CACKLES LOUDLY
1:19:05 > 1:19:08'You're a proper actress, little bird. If you do this,
1:19:08 > 1:19:11'that's all you'll ever be, the sexy little blonde.
1:19:15 > 1:19:18'You always was Daddy's little girl, weren't ya?
1:19:20 > 1:19:23- 'You don't know him like I do. - I'll never let you down.
1:19:23 > 1:19:26- 'You're a wonderful little bird. - Barbara number two outacts...
1:19:26 > 1:19:28- 'The movie's called... - I need a new singer for my club.
1:19:28 > 1:19:31'"Miss Windsor nominated for a Bafta award."
1:19:31 > 1:19:33'Where have you been all my life?!'
1:19:40 > 1:19:44Can't turn the clock back, can we, love?
1:19:44 > 1:19:45SEAGULLS CRY
1:19:45 > 1:19:48- No. - What you doing here, love?
1:19:53 > 1:19:54Phone's not ringing like it did, Dad.
1:19:54 > 1:19:57You'll always get work.
1:19:57 > 1:20:00There's not much call for 50-year-old sexy blondes.
1:20:00 > 1:20:02You're much more than that.
1:20:02 > 1:20:06And all this is just a blip, you wait and see.
1:20:06 > 1:20:10Any time now, you'll be crossing over.
1:20:10 > 1:20:12# Grab your coat and grab your hat
1:20:12 > 1:20:13# Leave your troub... #
1:20:13 > 1:20:16My whole life...
1:20:16 > 1:20:17I've never been able to find it.
1:20:18 > 1:20:23The sunny side of the street. And you know why, Dad?
1:20:23 > 1:20:26Cos there was always your shadow across it.
1:20:32 > 1:20:35Always making me think I'd done something wrong...
1:20:36 > 1:20:38..that I'd let you down somehow.
1:20:41 > 1:20:43So I could never quite see the sun.
1:20:44 > 1:20:47SEAGULLS CRY
1:20:47 > 1:20:50It left me trying to make it better all the time...
1:20:51 > 1:20:52..to please you.
1:20:55 > 1:20:57To make you happy with me again.
1:21:00 > 1:21:03To make you pick me up and twirl me around again.
1:21:09 > 1:21:11Only you weren't bloody there, were you?
1:21:13 > 1:21:15I don't need this.
1:21:18 > 1:21:21So I tried to make everybody else happy instead.
1:21:21 > 1:21:24Hoping that just one of them would make me feel the way that you did.
1:21:31 > 1:21:33And that's all I've ever been doing.
1:21:35 > 1:21:39Since the day you walked past me in that courtroom like I didn't exist.
1:21:41 > 1:21:45A little girl trying to make her dad happy with her again.
1:21:52 > 1:21:54How could I have kids when I'm still a kid myself?
1:21:56 > 1:21:58And how could I love anybody else?
1:22:01 > 1:22:03I can't do it any more, Daddy.
1:22:05 > 1:22:07I need to be happy.
1:22:11 > 1:22:12It's my time now.
1:22:45 > 1:22:47FOOTSTEPS RECEDE
1:23:23 > 1:23:24Ta-da!
1:23:26 > 1:23:29Car's done, it was 200 quid.
1:23:29 > 1:23:32Still, they reckoned if we hadn't stopped when we did, it'd've been
1:23:32 > 1:23:33a whole new engine.
1:23:33 > 1:23:37So at least we don't have to go to Wimbledon on the bus.
1:23:37 > 1:23:42Oh, that'd be something, wouldn't it? YOU turning up on a bus!
1:23:49 > 1:23:50What?
1:23:52 > 1:23:55Ain't you lovely?
1:23:55 > 1:23:57Yeah, I am.
1:23:58 > 1:24:00What's brought this on?
1:24:00 > 1:24:03Just had a walk around, cleared me head.
1:24:03 > 1:24:06Good, you'll need a clear head, munchkin, cos we're going to get
1:24:06 > 1:24:10you out of these one-nighters and into a proper acting job.
1:24:10 > 1:24:12Show 'em what you can do.
1:24:12 > 1:24:13You reckon?
1:24:14 > 1:24:16Nobody knows who I am any more.
1:24:16 > 1:24:20Don't be daft, you're Barbara bleedin' Windsor.
1:24:20 > 1:24:23Here - maybe we should change the posters.
1:24:23 > 1:24:27"One night only - "Miss Barbara Bleedin' Windsor!"
1:24:27 > 1:24:29THEY CHUCKLE
1:24:29 > 1:24:31It'll do, until they make you a dame.
1:24:33 > 1:24:36We're going to be all right, aren't we, darlin'?
1:24:38 > 1:24:40Me and you.
1:24:40 > 1:24:41Course we are.
1:24:45 > 1:24:47THEY GIGGLE
1:25:01 > 1:25:04FOOTSTEPS ECHO
1:25:20 > 1:25:23# Grab your coat and get your hat
1:25:25 > 1:25:28# Leave your worries on the doorstep
1:25:28 > 1:25:31# Life can be so sweet
1:25:31 > 1:25:34# On the sunny side of the street
1:25:35 > 1:25:38# Can't you hear that pitter-pat?
1:25:39 > 1:25:43# And that happy tune is your step
1:25:43 > 1:25:46# Life can be so sweet
1:25:46 > 1:25:49# On the sunny side of the street
1:25:49 > 1:25:53# I used to walk in the shade
1:25:53 > 1:25:56# With those blues on parade
1:25:56 > 1:25:59# But I'm not afraid
1:25:59 > 1:26:03# Cos I'm a rover who's crossed over
1:26:03 > 1:26:07# And if I never, never had a cent
1:26:07 > 1:26:11# I'd be rich as Rockefeller
1:26:11 > 1:26:14# Gold dust at my feet
1:26:14 > 1:26:24# On the sunny, sunny side of the street. #
1:26:24 > 1:26:26APPLAUSE AND CHEERING
1:26:38 > 1:26:40SHE GIGGLES