0:00:02 > 0:00:03George is on the precipice of a folly.
0:00:03 > 0:00:05A gold-digger?
0:00:05 > 0:00:09Oh, go to the house. Do whatever you can to break this woman's hold.
0:00:09 > 0:00:13You wouldn't be offended if I went to the city, would you?
0:00:13 > 0:00:16Why Andrew? You've shown no interest so far. Why now?
0:00:16 > 0:00:17Where are you going?
0:00:17 > 0:00:20Promise me that, no matter what you hear, that you trust me.
0:00:20 > 0:00:23Well, there's a trade delegation coming through.
0:00:23 > 0:00:26- You'd like me to play host.- The Japanese are no longer our enemies.
0:00:26 > 0:00:28Try telling that to the people at Inverness.
0:00:28 > 0:00:30I saw what the war did to you.
0:00:32 > 0:00:34You go home and you grieve your friend
0:00:34 > 0:00:36like the man you are now,
0:00:36 > 0:00:38not the man I saved you from.
0:00:39 > 0:00:42I should introduce myself. Sarah Adams.
0:00:42 > 0:00:44Ah, yes.
0:00:44 > 0:00:45The Jew.
0:00:54 > 0:00:59RADIO PLAYS "SIDE BY SIDE"
0:01:03 > 0:01:05DOG WHINES
0:01:05 > 0:01:07It's OK.
0:01:10 > 0:01:13It's only once a year. You'll be fine.
0:01:15 > 0:01:18I'm going to show Livvy how we do Guy Fawkes Night down under.
0:01:18 > 0:01:20Want to come?
0:01:20 > 0:01:21I'm happy to get stuck into this.
0:01:21 > 0:01:23Bring me back a toffee apple.
0:01:23 > 0:01:25Sweet tooth.
0:01:25 > 0:01:26Enjoy your evening.
0:01:28 > 0:01:32- Last chance.- I'll stay and keep your father company.
0:01:32 > 0:01:36- He has Leon Uris.- His book.
0:01:36 > 0:01:39Go. Show your lovely wife off. I'm happy here.
0:01:52 > 0:01:54I'm offended.
0:01:54 > 0:01:57Tales of men in battle
0:01:57 > 0:01:59win out over my feminine charms?
0:02:00 > 0:02:02I thought you'd be joining James.
0:02:02 > 0:02:05You've seen one Bonfire Night, you've seen them all.
0:02:05 > 0:02:08And it was a chance for us to have a private chat.
0:02:12 > 0:02:16Sarah Adams, who is she?
0:02:17 > 0:02:18She works at the hospital.
0:02:18 > 0:02:20I know, but... I don't mean to pry.
0:02:21 > 0:02:24Might she be holding a torch for you?
0:02:24 > 0:02:26What makes you think that?
0:02:26 > 0:02:30Everyone at the hospital has been so pleasant,
0:02:30 > 0:02:32but she was rather brusque.
0:02:33 > 0:02:37I know the evil eye when I see it, and I'm not prone to paranoia.
0:02:37 > 0:02:40PHONE RINGS
0:02:40 > 0:02:42Excuse me.
0:02:46 > 0:02:47Ash Park.
0:02:48 > 0:02:49It is, Mildred.
0:02:51 > 0:02:53Put him through.
0:02:54 > 0:02:55Sir Henry.
0:02:55 > 0:02:58Not at all. Any time.
0:02:58 > 0:03:00How can I help you?
0:03:11 > 0:03:14I'd like to keep Elizabeth in for a couple more days.
0:03:14 > 0:03:17She's going to be fine, but the longer she stays in, the better.
0:03:17 > 0:03:20- Stress is the enemy. - I'm sure.
0:03:21 > 0:03:24I didn't invite you here to talk about Mother.
0:03:24 > 0:03:25There's nothing I can get you?
0:03:25 > 0:03:27- No, I'm right.- Sit, please.
0:03:29 > 0:03:31Nearly Armistice Day.
0:03:31 > 0:03:33- The year's raced by.- Yeah.
0:03:36 > 0:03:38I'll spit it out.
0:03:38 > 0:03:42I'm going to ask a favour. A big one.
0:03:42 > 0:03:44And I imagine you'll find it hard to say yes.
0:03:46 > 0:03:47OK.
0:03:48 > 0:03:52Yesterday's enemies are today's friends, Jack,
0:03:52 > 0:03:56for political... economic reasons.
0:03:58 > 0:04:01A Japanese trade delegation are coming here on Monday,
0:04:01 > 0:04:03and I've been asked to play host,
0:04:03 > 0:04:06to meet and greet, to tour the district.
0:04:06 > 0:04:08And what's that got to do with me?
0:04:08 > 0:04:09It's just before Poppy Day.
0:04:11 > 0:04:13The timing stinks.
0:04:13 > 0:04:17Everyone knows that you have more reason to hold a grudge than any local,
0:04:17 > 0:04:19so your involvement would go a long way
0:04:19 > 0:04:22to silencing the 'anti' sentiment.
0:04:22 > 0:04:24I know I'm asking a lot.
0:04:24 > 0:04:26You have no bloody idea, George!
0:04:26 > 0:04:28- Jack... - Forget me. They killed your wife.
0:04:29 > 0:04:32- Yes, they did. - And you're going to shake their hands?!
0:04:33 > 0:04:34The war's eight years done, Jack.
0:04:34 > 0:04:37The men whose hands I shake didn't drop those bombs...
0:04:37 > 0:04:39No, they were part of it!
0:04:39 > 0:04:40We need to find a way ahead.
0:04:40 > 0:04:42Yeah? Well, you can do that without me.
0:04:42 > 0:04:44I knew this would be hard for you but...
0:04:44 > 0:04:46Shove it up your arse, George!
0:04:48 > 0:04:51I'm sorry, if you want to lick their boots for a few bales of wool...
0:04:52 > 0:04:54..you do it on your own.
0:05:01 > 0:05:02Jack.
0:05:02 > 0:05:03Jack!
0:05:13 > 0:05:16I'm not to be disturbed, for any reason.
0:05:54 > 0:05:55George?
0:06:00 > 0:06:01I gather it went badly.
0:06:03 > 0:06:04It did.
0:06:08 > 0:06:10Well, you have all my support.
0:06:12 > 0:06:15With Elizabeth in hospital, I'm happy to play hostess.
0:06:15 > 0:06:18- I couldn't ask you to... - I want to help.
0:06:18 > 0:06:20In any way I can.
0:06:22 > 0:06:25You couldn't have timed being here more perfectly.
0:06:25 > 0:06:29- I couldn't, could I?- No.
0:06:42 > 0:06:45# Come along and listen to
0:06:45 > 0:06:48# The lullaby of Broadway
0:06:48 > 0:06:51# The hip-hooray and bally-hoo
0:06:51 > 0:06:53# The lullaby of Broadway... #
0:06:54 > 0:06:58I saw it and I said to myself,
0:06:58 > 0:07:01"What better way to cheer up my mooching niece?"
0:07:01 > 0:07:03- You like?- It's nice.
0:07:03 > 0:07:04Nice?
0:07:05 > 0:07:06It's lovely.
0:07:06 > 0:07:08It's yours.
0:07:09 > 0:07:11Thank you.
0:07:12 > 0:07:16- Now you need somewhere to wear it. - I'm happy here.
0:07:16 > 0:07:19You've sat around with that long face for days.
0:07:19 > 0:07:21Come on, why?
0:07:21 > 0:07:22Why what?
0:07:22 > 0:07:24This sudden visit.
0:07:24 > 0:07:26I told you...
0:07:26 > 0:07:28It's more than wanting to get away from Regina.
0:07:28 > 0:07:30Although I wouldn't blame you if you did -
0:07:30 > 0:07:32she is a bitch in sheep's clothing.
0:07:32 > 0:07:34Yeah, well, Father seems to like her.
0:07:34 > 0:07:37He's just blinded by her similarity to your mother.
0:07:38 > 0:07:39Come on, truth.
0:07:40 > 0:07:42Is it Gino? Have you argued?
0:07:43 > 0:07:44I don't want to talk about it.
0:07:46 > 0:07:49Got to be better than burying your head in Forever Amber.
0:07:49 > 0:07:51You like those banned books.
0:07:52 > 0:07:55At least they're honest about things.
0:07:56 > 0:07:58About sex?
0:07:59 > 0:08:01You're never told anything.
0:08:03 > 0:08:05You're just told all the things that you can't do.
0:08:07 > 0:08:09And then you're supposed to make it up as you go along.
0:08:11 > 0:08:15And if you get it wrong, if it just all goes wrong.
0:08:21 > 0:08:23You're not.
0:08:27 > 0:08:30I went to the doctor the day that I arrived.
0:08:33 > 0:08:35And I'm waiting on the test results.
0:09:05 > 0:09:09RADIO PLAYS "BEWITCHED, BOTHERED AND BEWILDERED.
0:09:29 > 0:09:32I'd better get moving.
0:09:32 > 0:09:34This reception won't organise itself.
0:09:34 > 0:09:36Good luck.
0:09:36 > 0:09:38I might need it without Jack's backing.
0:09:41 > 0:09:43I'm glad I've got Regina to help.
0:09:46 > 0:09:48Um, before you go...
0:09:48 > 0:09:50Mmm?
0:09:51 > 0:09:53Regina.
0:09:54 > 0:09:58I don't understand George's fascination.
0:09:58 > 0:10:00The woman's hardly a beauty.
0:10:01 > 0:10:04Oh, it's her strength he admires, I suspect.
0:10:04 > 0:10:05Positively Oedipal.
0:10:05 > 0:10:09You're the only other strong woman in his life.
0:10:10 > 0:10:12There the resemblance ends.
0:10:12 > 0:10:15I should hope so. Oy vey.
0:10:15 > 0:10:20Might be wise to avoid that type of expression with George.
0:10:20 > 0:10:23I adjust my opinion to suit my audience.
0:10:25 > 0:10:27You really do dislike them, don't you?
0:10:29 > 0:10:30After what I saw in Jerusalem?
0:10:32 > 0:10:33I'm not as forgiving as George.
0:10:35 > 0:10:37He's about to kowtow to the Japs.
0:10:39 > 0:10:43So the way that she said the word Jew, that's it?
0:10:43 > 0:10:45Yes.
0:10:46 > 0:10:49Are you sure you're not being overly sensitive?
0:10:49 > 0:10:50She almost spat the word.
0:10:51 > 0:10:54There seems to be some kind of misunderstanding.
0:10:54 > 0:10:57She thinks that... you were rude to her.
0:10:57 > 0:10:59I simply bumped into her and introduced myself
0:10:59 > 0:11:01and got, "Ah, the Jew," for my pains.
0:11:01 > 0:11:03I was nothing but civil.
0:11:03 > 0:11:07And we passed each other on the way here - if looks could kill.
0:11:11 > 0:11:14There might be one possible explanation.
0:11:14 > 0:11:18Her husband was part of the British protectorate in '46...
0:11:19 > 0:11:22..and they were in the Hotel David when it was bombed.
0:11:22 > 0:11:24- In Jerusalem?- Mm-hm.
0:11:24 > 0:11:28- A number of her friends were killed. - I see.
0:11:28 > 0:11:30A Zionist bomb.
0:11:30 > 0:11:32- I'll speak with her.- No.
0:11:32 > 0:11:35No, look, if it is a problem, it's mine.
0:11:36 > 0:11:39Give her another chance? Hmm?
0:11:43 > 0:11:45I thought I said not to...
0:11:47 > 0:11:48You heard.
0:11:50 > 0:11:51Yes.
0:11:51 > 0:11:53Your ticker doesn't need to get mixed up in this.
0:11:53 > 0:11:54No, it doesn't.
0:11:56 > 0:11:57Explain how this is helping.
0:11:59 > 0:12:02It reminds me of who I'd be betraying if I said yes.
0:12:02 > 0:12:04Bill Gregory.
0:12:04 > 0:12:07And every mate I saw suffer at their hands.
0:12:07 > 0:12:08Go back to bed.
0:12:08 > 0:12:11George should never have asked you.
0:12:11 > 0:12:13Probably, but he did.
0:12:16 > 0:12:19Jack, whatever you think you owe us...
0:12:19 > 0:12:22you don't owe us this.
0:12:22 > 0:12:24Even if my refusal makes it tougher for him?
0:12:26 > 0:12:29Oh. Some things come before family.
0:12:33 > 0:12:35But there is one thing I insist on in return.
0:12:36 > 0:12:38That stays untouched.
0:12:44 > 0:12:46Take it.
0:12:48 > 0:12:49Good.
0:12:49 > 0:12:53To protect you from the stress of worrying, not me from myself.
0:12:53 > 0:12:54I'm OK.
0:12:56 > 0:12:57Hmm.
0:12:57 > 0:12:59Even better.
0:13:11 > 0:13:14- You have to eat something. - I'm not hungry.
0:13:18 > 0:13:19One for one?
0:13:22 > 0:13:27Good girl. Time enough to worry when you get the results, IF you have to.
0:13:28 > 0:13:30I have this... feeling.
0:13:30 > 0:13:32Which might be wrong.
0:13:32 > 0:13:35If I am, will you...
0:13:35 > 0:13:37We're not even going to discuss things like that
0:13:37 > 0:13:40- until you know for sure. - But you will help me, won't you?
0:13:41 > 0:13:43With anything except an abortion.
0:13:45 > 0:13:48- But no-one would have to know. - I would.
0:13:49 > 0:13:51Even black sheep have their limits.
0:13:54 > 0:13:58It's not the morals or the ethics.
0:13:59 > 0:14:02- God forbid, it's not even the danger.- What then?
0:14:02 > 0:14:03Tell me.
0:14:07 > 0:14:10If you are pregnant, perhaps, it's very complicated.
0:14:12 > 0:14:15Tea and toast may be enough for you but I am famished.
0:14:20 > 0:14:24It's like listening to a secret world.
0:14:25 > 0:14:27A little girl.
0:14:27 > 0:14:28- SHE GIGGLES - What?
0:14:30 > 0:14:35That is the first time you've even suggested it might be a girl.
0:14:35 > 0:14:37Really?
0:14:40 > 0:14:46I think it's easier to think of soft and pink and little girl things
0:14:46 > 0:14:48when you're happier.
0:14:49 > 0:14:52Just my silly theory.
0:14:52 > 0:14:53It's not so silly.
0:14:55 > 0:14:57I am happy.
0:14:59 > 0:15:00We are.
0:15:03 > 0:15:05I want a little copy of you.
0:15:09 > 0:15:11I love you.
0:15:12 > 0:15:13I love you.
0:15:24 > 0:15:27Jack.
0:15:27 > 0:15:29George.
0:15:32 > 0:15:34Bloody Jap-lover.
0:15:46 > 0:15:49Ah, you're here. Good. We need to talk.
0:15:49 > 0:15:51What's wrong?
0:15:51 > 0:15:55- I've just got a serve from Bert Ford.- About the visit?
0:15:56 > 0:15:58Regina told me.
0:15:58 > 0:16:00He might be the first but he won't be the last.
0:16:00 > 0:16:03For everyone who doesn't understand, there will be others who do.
0:16:03 > 0:16:05We need to look to the future.
0:16:05 > 0:16:08- You're preaching to the converted... - It's not just for trade.
0:16:08 > 0:16:10We need Japan as a buffer against China.
0:16:10 > 0:16:13I am fully aware of the practicalities.
0:16:13 > 0:16:14Now, Jack...
0:16:15 > 0:16:19Look, I understand why you were asking him
0:16:19 > 0:16:22and I can understand why you might try to do it again,
0:16:22 > 0:16:24but don't, please.
0:16:25 > 0:16:28- He's the one man in this town... - Yes, his seal of approval
0:16:28 > 0:16:31could silence a lot of the critics, of course.
0:16:31 > 0:16:33But a man who's been through what he has
0:16:33 > 0:16:37needs to find forgiveness in his own heart in his own time.
0:16:38 > 0:16:40Do you think this is easy for me?
0:16:40 > 0:16:43Oh, George, of course I don't. Of course not.
0:16:44 > 0:16:47But Jack survived unmentionable horrors for years,
0:16:47 > 0:16:50and every one of them had a Japanese face on it.
0:16:52 > 0:16:53Let him be.
0:16:59 > 0:17:00I'll give it a go.
0:17:00 > 0:17:02- Jack...- It's OK.
0:17:04 > 0:17:06Can't guarantee I'll pull it off.
0:17:08 > 0:17:11- Thank you. - It's what you have to do, I know.
0:17:11 > 0:17:13I'm not going to let the likes of Bert Ford use it against you.
0:17:13 > 0:17:16- Now, the minute it gets too hard... - I'll bail out, trust me.
0:17:19 > 0:17:21Given what I owe you both, I have to try.
0:17:31 > 0:17:33You watch him.
0:17:49 > 0:17:51Well, come on in.
0:17:51 > 0:17:53Missy, it's for you.
0:17:55 > 0:17:56I'm guessing it's not me you're after.
0:17:56 > 0:17:58Partly.
0:17:58 > 0:18:01I'm going to the reception for the Japs.
0:18:02 > 0:18:03Spread the word at the pub?
0:18:05 > 0:18:06And tell Bert Ford and his mates
0:18:06 > 0:18:09that if a man who suffered by them can accept it,
0:18:09 > 0:18:11them as never put on a uniform can.
0:18:11 > 0:18:13Good man.
0:18:13 > 0:18:15Was there talk there tonight?
0:18:15 > 0:18:16There was.
0:18:17 > 0:18:20Yeah, well, I hope this might shut it down.
0:18:21 > 0:18:23A moment alone?
0:18:25 > 0:18:28Right. I'll leave yous to it. Good night.
0:18:28 > 0:18:31- You want a cup of tea? - Yeah.
0:18:36 > 0:18:38Can't have been easy.
0:18:39 > 0:18:42We're still burning Guy Fawkes after 400 years,
0:18:42 > 0:18:44but seemingly we're supposed to forgive and forget
0:18:44 > 0:18:46the Japs after eight.
0:18:46 > 0:18:48Something inconsistent there.
0:18:50 > 0:18:52- I need a favour.- Of course.
0:18:53 > 0:18:55I can't walk in alone.
0:18:56 > 0:18:59- I'm not invited. - I'm inviting you.
0:18:59 > 0:19:03- But it's...- I'm there with you, or I'm not there at all.
0:19:05 > 0:19:07I'm not too proud to admit I need help.
0:19:09 > 0:19:10Then you have it.
0:19:12 > 0:19:13Thank you.
0:19:30 > 0:19:34So if they need extra hands at the reception, you will help, yes?
0:19:34 > 0:19:35- Yes, Mamma.- Good.
0:19:35 > 0:19:37If I hear anything, I will tell you.
0:19:37 > 0:19:40She'll come back for tomorrow, I think, yes?
0:19:40 > 0:19:41How would I know?
0:19:42 > 0:19:44- Gino...- Don't.
0:19:44 > 0:19:47Perhaps she is starting to see that this cannot work.
0:19:47 > 0:19:51- No.- Then why has she suddenly gone with hardly a word?
0:19:51 > 0:19:53She told me to trust her.
0:19:53 > 0:19:55And would you be like this if you did?
0:19:56 > 0:20:00I am sorry, caro. I know what I hope for.
0:20:02 > 0:20:04Even if it breaks your heart.
0:20:06 > 0:20:08She loves me.
0:20:14 > 0:20:17Darling, all very scandalous, I know,
0:20:17 > 0:20:19but the sexual indiscretions of horrible Henry
0:20:19 > 0:20:20don't really interest me.
0:20:20 > 0:20:22Andrew Swanson's father.
0:20:24 > 0:20:26Oh, that is not a position I wish to contemplate.
0:20:27 > 0:20:29Bad enough thinking about him on top of her
0:20:29 > 0:20:31let alone collapsing on top of her.
0:20:31 > 0:20:33Sir Henry took a turn mid-coitus with his mistress.
0:20:33 > 0:20:35The town is abuzz with the scandal.
0:20:35 > 0:20:36Really?!
0:20:38 > 0:20:39Really?
0:20:41 > 0:20:42Really?
0:20:42 > 0:20:44You have a problem, my darling.
0:20:52 > 0:20:55Ah, good afternoon, Miss. Come through.
0:20:58 > 0:21:00Your call was a pleasant surprise.
0:21:00 > 0:21:02I needed diversion.
0:21:02 > 0:21:04- Thank you for seeing me, Andrew. - So formal.
0:21:04 > 0:21:06Has the gossip reached you?
0:21:06 > 0:21:07Yes.
0:21:07 > 0:21:09The old hypocrite. Serves him right.
0:21:09 > 0:21:12Mother too for turning too blind an eye.
0:21:12 > 0:21:15- Does that sound too harsh? - No.
0:21:15 > 0:21:17So what makes me think this isn't pleasure?
0:21:17 > 0:21:20- I won't beat around the bush. - Please don't.
0:21:20 > 0:21:24I heard you're going to Ash Park tomorrow in place of your father.
0:21:24 > 0:21:27The jungle drums have been beating.
0:21:27 > 0:21:28Are you?
0:21:28 > 0:21:31While he lies in St Vincent's, Mother and I are putting on
0:21:31 > 0:21:33the sort of brave front that's meant to silence gossip.
0:21:33 > 0:21:37- I see.- It's not the time to be cancelling engagements.
0:21:37 > 0:21:40- Will you be there?- No.
0:21:40 > 0:21:42What a shame.
0:21:43 > 0:21:44So?
0:21:44 > 0:21:47My aunt Regina has come to stay with us.
0:21:47 > 0:21:49I wanted to get away from her
0:21:49 > 0:21:52so I made the excuse that I was coming up here to see you.
0:21:52 > 0:21:54Ah.
0:21:55 > 0:21:57And I was wondering if you wouldn't...
0:21:57 > 0:21:59You want me to lie for you.
0:22:01 > 0:22:02Only to save Aunt Reggie's feelings.
0:22:02 > 0:22:06So let me get this right - you lied at home to get away
0:22:06 > 0:22:08and now you're lying to me about why you lied to them,
0:22:08 > 0:22:10and I'm supposed to go along with it?
0:22:12 > 0:22:15This has nothing to do with Auntie Reggie now, does it?
0:22:15 > 0:22:16Well?
0:22:18 > 0:22:21Don't flush so much if you want to be believed.
0:22:24 > 0:22:25All right.
0:22:27 > 0:22:30- What? - I will...keep your secret.
0:22:30 > 0:22:33You're somehow more attractive being so devious.
0:22:33 > 0:22:35So you won't say anything?
0:22:35 > 0:22:37I will weave the most marvellous tales
0:22:37 > 0:22:40of us having fabulous times together.
0:22:42 > 0:22:44And one day I will call in the debt.
0:22:46 > 0:22:47You owe me.
0:22:49 > 0:22:50What do you mean?
0:22:50 > 0:22:52You know.
0:22:54 > 0:22:55Now, food.
0:22:58 > 0:23:02And I will tell you every grisly detail of the old fool's shame.
0:23:18 > 0:23:22There'll be trouble tomorrow Jack or no Jack.
0:23:22 > 0:23:23Pub talk?
0:23:23 > 0:23:26If Bert Ford and his scaly crew get their way,
0:23:26 > 0:23:28the Japs won't even make it up the drive.
0:23:28 > 0:23:32- But it's not your fight. - Isn't it?
0:23:48 > 0:23:51It reminds me of the parties back home.
0:23:51 > 0:23:53More flies.
0:23:53 > 0:23:55Everything is with more flies out here.
0:23:57 > 0:24:00- It's my turn to be proud today. - Why's that?
0:24:00 > 0:24:03Mrs James Bligh.
0:24:05 > 0:24:07You think you can be proud of me after... everything?
0:24:07 > 0:24:08That's the past.
0:24:12 > 0:24:13Thank you.
0:24:13 > 0:24:15I'd better get ready.
0:24:26 > 0:24:28Is that Mrs Bligh?
0:24:28 > 0:24:29Yep.
0:24:33 > 0:24:38Beauty is so wasted on the lower classes.
0:24:38 > 0:24:39Who is he?
0:24:39 > 0:24:41I don't know.
0:24:41 > 0:24:44He makes me wish I was 20 years younger
0:24:44 > 0:24:46and a few rungs down the social ladder.
0:24:46 > 0:24:50Oh, even the newly widowed can have a sense of humour.
0:24:52 > 0:24:54- Have you seen George? - No.
0:24:54 > 0:24:56Then I'll keep looking.
0:25:01 > 0:25:03There you are.
0:25:04 > 0:25:05Dutch courage?
0:25:05 > 0:25:07Something to stiffen the resolve.
0:25:07 > 0:25:09Can't be easy.
0:25:10 > 0:25:12It's harder for some.
0:25:12 > 0:25:17Well, you look very handsome and very distinguished.
0:25:17 > 0:25:19I'm sure the Japanese won't be able to wait
0:25:19 > 0:25:21to throw millions of yen at our wool trade.
0:25:21 > 0:25:24- You don't think I'm wrong? - Why would I?
0:25:24 > 0:25:25Elaine was your sister.
0:25:28 > 0:25:30We have to put the past behind us.
0:25:30 > 0:25:31We do.
0:25:33 > 0:25:35Not just from the Japanese.
0:25:37 > 0:25:39I spoke with Sister Adams.
0:25:40 > 0:25:43She seems to think you're anti-Semitic.
0:25:44 > 0:25:46- That's ridiculous. - You must have said something
0:25:46 > 0:25:49- to give her that idea. - Not that I'm aware of.
0:25:50 > 0:25:52Honestly, I know the Jews have suffered,
0:25:52 > 0:25:55but it does make them overly sensitive.
0:25:56 > 0:26:00Oh, dear. That seems to support her case, doesn't it?
0:26:00 > 0:26:03I have overcome things, George.
0:26:03 > 0:26:04Trust me.
0:26:06 > 0:26:09I'll apologise to the good sister next time I see her
0:26:09 > 0:26:11for whatever slight she imagines I've offered her.
0:26:11 > 0:26:14And I stress - imagines.
0:26:14 > 0:26:15Thank you.
0:26:15 > 0:26:18You'll have your chance today. She's coming with Jack.
0:26:18 > 0:26:19- Is she?- Mmm.
0:26:19 > 0:26:21Wonderful.
0:26:22 > 0:26:24It'll be an afternoon for forgiveness all around.
0:26:25 > 0:26:27Let's hope so.
0:26:33 > 0:26:35You're early.
0:26:35 > 0:26:37Yeah, the sooner we're in, the sooner we can get out.
0:26:42 > 0:26:46These will be the first Jap faces I'll have seen since the camp.
0:26:46 > 0:26:48What's your favourite song?
0:26:49 > 0:26:51- Why?- What is it?
0:26:51 > 0:26:53Uh, I'm not really big on music.
0:26:53 > 0:26:55You must have one.
0:26:58 > 0:26:59Danny Boy?
0:26:59 > 0:27:03Yeah, Mum used to sing it to me as a kid, except she'd sing Jacky boy.
0:27:03 > 0:27:07OK, in that moment, when you see them, when it's...
0:27:10 > 0:27:11..hum it.
0:27:13 > 0:27:17The calming power of music - I've seen it work wonders.
0:27:25 > 0:27:27Hey up!
0:27:28 > 0:27:29Come on, boys!
0:27:32 > 0:27:34SHOUTING
0:27:43 > 0:27:46You let me through or do I have to go in swinging?
0:27:46 > 0:27:48Hey, mate, he's brought his backup.
0:27:48 > 0:27:51You're going to spit on your mates' graves, are ya?
0:27:51 > 0:27:54I wouldn't take that from a real man, let alone you.
0:27:55 > 0:27:57Look at ya, huh?!
0:27:57 > 0:28:00All lining up to help him do his dirty work.
0:28:00 > 0:28:04Cos this isn't about the Japs, it's about him and his grudges.
0:28:04 > 0:28:07- Don't listen to him, boys. - Shut up! I wasn't talking to you!
0:28:09 > 0:28:11Now, if there's anyone here with more reason to hate today...
0:28:13 > 0:28:15step forward.
0:28:15 > 0:28:17Step forward.
0:28:17 > 0:28:20Tell me not to go in there, I'll turn around now. Huh?
0:28:20 > 0:28:22I don't see one man here who served.
0:28:24 > 0:28:27So who has the right to tell me I can't go in there?
0:28:29 > 0:28:31That's right.
0:28:32 > 0:28:34Now stand aside.
0:28:36 > 0:28:39- Stand aside.- Don't move.
0:28:39 > 0:28:40Stand aside.
0:28:40 > 0:28:42Oi! Hey, hey, hey.
0:28:42 > 0:28:46If I hear of anyone stopping the Japs getting in,
0:28:46 > 0:28:50I'll be down and I'll show you how much of my army training I can remember.
0:28:50 > 0:28:52Go home.
0:28:52 > 0:28:54If I can forget, you can!
0:28:54 > 0:28:56You're not serious?
0:28:56 > 0:28:59Shut your filthy wife-beating mouth, Ford!
0:29:02 > 0:29:03- Come on, mate.- Yeah, mate.
0:29:03 > 0:29:06- Yeah, mate. - Let's go. Come on. Hey!
0:29:06 > 0:29:08- Yeah, you'll keep.- Any time.
0:29:08 > 0:29:10Let's go.
0:29:11 > 0:29:14- Don't worry about him.- Nah.
0:29:17 > 0:29:19You all right?
0:29:49 > 0:29:52- Miss Adams.- Thank you, Gino.
0:29:52 > 0:29:55Uh, just lemonade, thanks, mate.
0:29:56 > 0:29:57You're a hero, you know.
0:29:59 > 0:30:00Everyone's saying so.
0:30:03 > 0:30:05- I just turned up.- Exactly.
0:30:06 > 0:30:09Late. Must be on Tokyo time.
0:30:09 > 0:30:10- Shall we mingle?- Nah, not yet.
0:30:12 > 0:30:15- Food?- Couldn't keep it down.
0:30:20 > 0:30:23Please, be my guest.
0:30:32 > 0:30:34Hum.
0:30:38 > 0:30:41ECHO OF MEN WHIMPERING
0:30:50 > 0:30:52Jack!
0:31:05 > 0:31:07VOICE ECHOES: Hey!
0:31:17 > 0:31:19MAN SOBS: Please. Oh, no, no!
0:31:23 > 0:31:25MAN SOBS: Please!
0:31:28 > 0:31:30Jack.
0:31:32 > 0:31:34- # Oh, Jacky boy...- #
0:32:19 > 0:32:23We look forward to long business with your father and with you.
0:32:23 > 0:32:25As do I, Hiroshi-san.
0:32:25 > 0:32:28Domo arigato gozaimasu.
0:32:28 > 0:32:31- He's full of surprises. - He is, isn't he?
0:32:32 > 0:32:35Mr Hiroshi, there are some guests I'd like you to meet.
0:32:38 > 0:32:40Where did you pick that up?
0:32:41 > 0:32:43One of the benefits of having a well-travelled aunt.
0:32:44 > 0:32:47I don't want you to get cross, but...
0:32:47 > 0:32:49there's something about her I don't like.
0:32:51 > 0:32:55Whenever she talks to me, I feel as if I'm the mouse and she's the cat.
0:32:55 > 0:32:57What, you think she's playing with you?
0:32:57 > 0:33:02It's more as if she's playing being herself.
0:33:02 > 0:33:06Years as a diplomat's wife, being a chameleon in her surroundings,
0:33:06 > 0:33:08that's all it is.
0:33:09 > 0:33:11James.
0:33:11 > 0:33:12I'll be right back.
0:33:16 > 0:33:18Gentlemen, my son, James.
0:33:18 > 0:33:20Who's that woman talking to the doctor?
0:33:20 > 0:33:22Why do you ask?
0:33:22 > 0:33:25George keeps circling back to her from time to time.
0:33:25 > 0:33:28- A romance?- Hardly.
0:33:29 > 0:33:33- A local nurse.- Ah. - A Jew.
0:33:34 > 0:33:37Dear me. Mmm, she converted.
0:33:38 > 0:33:41Oh, to be born one is unfortunate.
0:33:41 > 0:33:45But to become one? My dear, positively perverse.
0:33:46 > 0:33:48Miss Adams.
0:33:48 > 0:33:51He's done well. You've done well.
0:33:51 > 0:33:52I think he's reached his limit.
0:33:52 > 0:33:55- Will you thank him again for me? - Why don't you?
0:33:56 > 0:33:58- What?- I wish you were on my arm.
0:33:58 > 0:34:01- I wish I was in your arms. - Later at the cottage?
0:34:01 > 0:34:04- I should be done here by five. - I'll meet you there at six.
0:34:04 > 0:34:07Why don't you tell Jack I need to powder my nose
0:34:07 > 0:34:08and I'll meet him out the front.
0:34:11 > 0:34:15- Can I borrow him for a moment? - Yes. Yes, certainly.
0:34:18 > 0:34:19Sarah said she'll meet you outside.
0:34:21 > 0:34:23Thank you for today.
0:34:25 > 0:34:27- Done my duty? - Above and beyond.
0:34:29 > 0:34:31I'd better go before I run out of goodwill.
0:34:31 > 0:34:33Jack.
0:34:33 > 0:34:34You're OK?
0:34:46 > 0:34:48Sister.
0:34:48 > 0:34:51Ah, the Gentile. Quick.
0:34:51 > 0:34:54You ran crying to George, I hear.
0:34:54 > 0:34:55I mentioned our meeting.
0:34:55 > 0:34:57A wise friend once said,
0:34:57 > 0:35:01"They should call it the Whining Wall, the amount they whine."
0:35:01 > 0:35:02That answers one question.
0:35:03 > 0:35:06You've done a good job at keeping that side of yourself from George.
0:35:07 > 0:35:09I always choose my audience.
0:35:11 > 0:35:13Feel free to scurry to him again.
0:35:13 > 0:35:15I'll make sure you end up seeming paranoid.
0:35:15 > 0:35:18- I can fight my own battles. - As can I.
0:35:21 > 0:35:25That smile takes me right back to Germany.
0:35:25 > 0:35:27And yours me to Jerusalem.
0:35:27 > 0:35:30Israel's still there. Nazi Germany isn't.
0:35:35 > 0:35:39I tell you, you should come to the city. Even Anna's warmed to it.
0:35:39 > 0:35:41- Really?- Really. - I don't believe you.
0:35:41 > 0:35:44We're going to the theatre next week, Dial M for Murder.
0:35:44 > 0:35:46I know she'll love it.
0:35:48 > 0:35:52Harry, you can stay and help us clear away, yes?
0:35:52 > 0:35:54I'm not feeling too bright, sorry.
0:35:54 > 0:35:58There's food in the kitchen to take, for little Colin, huh?
0:35:58 > 0:36:00Gino, put this on the table.
0:36:02 > 0:36:04Wait, I'll get it for you.
0:36:04 > 0:36:07I saw her two or three times. We had a wonderful lunch yesterday.
0:36:07 > 0:36:09So you've beaten down her resistance?
0:36:09 > 0:36:13Girls like Anna take patience, and my patience is being rewarded.
0:36:20 > 0:36:22What's wrong?
0:36:24 > 0:36:25I was sick again.
0:36:27 > 0:36:29Oh, for goodness' sake!
0:36:30 > 0:36:34You're getting your results in a few hours. It was just nerves.
0:36:36 > 0:36:37I hope so.
0:36:50 > 0:36:52Thank you.
0:36:54 > 0:36:55Stay for a while.
0:36:55 > 0:36:56I'm fine.
0:36:57 > 0:36:59Done now.
0:36:59 > 0:37:01I'll see you tomorrow, huh?
0:37:26 > 0:37:28SCREAMING AND BANGING
0:37:28 > 0:37:32CAR RADIO PLAYS "ROCK AROUND THE CLOCK"
0:38:08 > 0:38:11Miss Bligh, the doctor will see you now.
0:38:11 > 0:38:13I can come in with you.
0:38:13 > 0:38:15As long as you're here when I come out.
0:38:41 > 0:38:43Jack?
0:38:43 > 0:38:45# Oh, Jacky boy...
0:38:46 > 0:38:49# The pipes, the pipes are calling...
0:38:51 > 0:38:52Jack?
0:38:52 > 0:38:54# And down the... #
0:38:54 > 0:38:56- Are you all right?- Go away.
0:38:57 > 0:38:59Come on, come here.
0:38:59 > 0:39:01- Sit up. - No. Shhh. I don't need your help.
0:39:01 > 0:39:05I don't need your help. I don't need your help. All right?
0:39:05 > 0:39:08- What time is it, I've got to... - What have you done to yourself?
0:39:08 > 0:39:10I've got to get... What?
0:39:12 > 0:39:14Come on, let's go to Roy's and you can sleep this off.
0:39:14 > 0:39:16No.
0:39:16 > 0:39:18- Well, you can't stay here.- No!
0:39:23 > 0:39:24What kind of man am I?
0:39:27 > 0:39:29- I shook their bloody hands. - Sh. Come on now.
0:39:29 > 0:39:32What they did to Bill...
0:39:34 > 0:39:36He hung himself.
0:39:36 > 0:39:39- And I shook their blood... - It's over.
0:39:39 > 0:39:40- I shook their hands.- It's over.
0:39:40 > 0:39:44No! No, it's not over! You don't know what they did in that place.
0:39:44 > 0:39:47OK? You don't know. You don't know.
0:39:48 > 0:39:51I was in a German camp.
0:39:52 > 0:39:53Huh?
0:39:53 > 0:39:55Ravensbruck. For two years.
0:39:57 > 0:39:59I understand.
0:40:01 > 0:40:04And that's why I admire what you did
0:40:04 > 0:40:06because I don't know if I could have.
0:40:08 > 0:40:09Hey.
0:40:13 > 0:40:16I always knew there was something with you.
0:40:26 > 0:40:29You're a good woman. Sh.
0:40:29 > 0:40:33Sarah, I know, I know, I know I love you.
0:40:33 > 0:40:35I love you, Sarah.
0:40:35 > 0:40:36I always have.
0:40:36 > 0:40:38You must know that.
0:40:38 > 0:40:40Sh. Shhh. Shhh.
0:41:02 > 0:41:04Oh, my darling.
0:41:04 > 0:41:06What am I going to do?
0:41:16 > 0:41:18Sarah?
0:41:19 > 0:41:21Sorry I'm late. They wouldn't leave.
0:41:23 > 0:41:24Sarah?
0:41:27 > 0:41:29SWITCHES ON RADIO
0:41:29 > 0:41:32# The world still is the same
0:41:32 > 0:41:35# You'll never change it
0:41:37 > 0:41:43# As sure as the stars shine above
0:41:45 > 0:41:52# You're nobody till somebody loves you
0:41:53 > 0:41:59# You're nobody till somebody cares... #
0:42:01 > 0:42:04And that's the last drink you'll ever take.
0:42:06 > 0:42:07Oh...
0:42:09 > 0:42:11Yeah.
0:42:14 > 0:42:16- I should be better than this. - You are.
0:42:20 > 0:42:21What did I say?
0:42:22 > 0:42:24You don't remember?
0:42:25 > 0:42:26I remember drinking.
0:42:28 > 0:42:29And then I woke up and then...
0:42:31 > 0:42:33- What?- Nothing.
0:42:35 > 0:42:37You just sang.
0:42:37 > 0:42:42# Somebody loves you
0:42:42 > 0:42:49# So find yourself somebody to love
0:42:52 > 0:42:57# You're nobody till somebody loves you
0:43:00 > 0:43:05# You're nobody till someone cares... #