0:00:02 > 0:00:04- Your nurse is here. - Your wrist, please.
0:00:04 > 0:00:07- Are you always so impertinent? - I'm simply doing my job.
0:00:07 > 0:00:08I didn't catch your name.
0:00:08 > 0:00:10Adams.
0:00:10 > 0:00:12Sister Adams.
0:00:12 > 0:00:14This isn't a situation I expected to find myself in.
0:00:15 > 0:00:17He doesn't need it.
0:00:17 > 0:00:19I'm not a bloody child.
0:00:23 > 0:00:25James.
0:00:25 > 0:00:26James!
0:00:29 > 0:00:32Did you tell her why you did this?
0:00:32 > 0:00:35No-one else is to know about this. No-one.
0:00:35 > 0:00:38- On the boat... - Forget the boat.
0:00:38 > 0:00:41I thought you wished you'd never married me.
0:00:41 > 0:00:42I missed you.
0:00:42 > 0:00:44I missed you, too.
0:00:47 > 0:00:49I was glad to receive your letter.
0:00:49 > 0:00:51The hospital will be lucky to have you.
0:00:51 > 0:00:52If they want me, that is.
0:00:52 > 0:00:55I don't want him employing the Adams woman.
0:00:55 > 0:00:57She said she'd be discreet.
0:00:57 > 0:01:00Well, she contacted George because she has no other options.
0:01:00 > 0:01:02She will scuttle off as soon as possible,
0:01:02 > 0:01:05and you'll just have to train someone all over again.
0:01:05 > 0:01:07The job's yours if you want it.
0:01:07 > 0:01:10I thought I made my wishes clear.
0:01:10 > 0:01:11No, you misrepresented her.
0:01:11 > 0:01:15The fact that I want it should suffice.
0:01:15 > 0:01:16Not this time.
0:01:16 > 0:01:20I would like to pay your return passage to England.
0:01:20 > 0:01:21Did you speak to Dr Duncan?
0:01:21 > 0:01:23Did you encourage him against me?
0:01:23 > 0:01:24That is a very generous offer.
0:01:24 > 0:01:26You would be a fool not to accept.
0:01:26 > 0:01:27And you'd be a fool to think I would.
0:01:37 > 0:01:42# How much is that doggy In the window?
0:01:42 > 0:01:47# The one with the waggly tail
0:01:48 > 0:01:52# How much is that doggy In the window?
0:01:54 > 0:01:57# I do hope that doggy's For sale... #
0:02:04 > 0:02:06The most popular song in the country.
0:02:06 > 0:02:07You have to wonder.
0:02:07 > 0:02:09I think HE likes it.
0:02:09 > 0:02:12Now, Doris Collins is the closest thing Inverness has to a town crier.
0:02:16 > 0:02:18Last try. If you stay in the cottage, you get to look after him.
0:02:19 > 0:02:21He can look after himself.
0:02:21 > 0:02:23- Can't you, boy? - Be a weight off my mind.
0:02:23 > 0:02:24But not your mother's.
0:02:26 > 0:02:28I stopped taking orders from my mother years ago.
0:02:28 > 0:02:30Why exacerbate the problem, Mr Bligh?
0:02:30 > 0:02:32I tried. Please.
0:02:34 > 0:02:37One thing I do insist on, though.
0:02:37 > 0:02:38Call me George.
0:02:41 > 0:02:42Don't be a stranger.
0:02:44 > 0:02:46- DOG WHINES - Bye, dog.
0:02:46 > 0:02:47Thanks again...
0:02:49 > 0:02:50..George.
0:02:52 > 0:02:55It must be Miss Adams!
0:02:55 > 0:02:57Of course, it is Sarah.
0:02:57 > 0:02:59Dropped off by Mr Bligh himself.
0:02:59 > 0:03:02Goodness me. I'm Doris Collins.
0:03:02 > 0:03:05Call me Doris. I don't stand on ceremony with my young girls.
0:03:05 > 0:03:07Come in. Welcome. Welcome.
0:03:08 > 0:03:11- We met the Blighs in London, did we? - No.
0:03:12 > 0:03:14On the ship home.
0:03:14 > 0:03:15Oh, you don't say!
0:03:15 > 0:03:17As you can see, simple but clean.
0:03:17 > 0:03:19That's my motto.
0:03:19 > 0:03:21They had cause for a nurse, did they?
0:03:21 > 0:03:24- Sorry? - The Blighs on the boat.
0:03:24 > 0:03:26Otherwise it seems a bit odd, doesn't it?
0:03:26 > 0:03:29No offence, dear, but nurses don't travel top deck.
0:03:29 > 0:03:31I worked my passage.
0:03:31 > 0:03:32Is that the room?
0:03:39 > 0:03:41You look like the sun up there.
0:03:42 > 0:03:44Oh, that's corny!
0:03:45 > 0:03:48My own sun.
0:03:48 > 0:03:50Mi sole mio.
0:03:52 > 0:03:54Get away!
0:03:57 > 0:03:59- I missed you so much. - The hundredth time you've said.
0:03:59 > 0:04:01The thousandth time I've thought it!
0:04:01 > 0:04:04Well, go away more often. It makes you romantic.
0:04:04 > 0:04:06But...
0:04:07 > 0:04:09I don't deserve you.
0:04:10 > 0:04:11Why?
0:04:11 > 0:04:13I can't tell my family about you.
0:04:13 > 0:04:16- I'm a coward. - Don't say that.
0:04:16 > 0:04:19If Gran doesn't think Sarah fits in, what hope do we have?
0:04:21 > 0:04:22You like this Sarah?
0:04:23 > 0:04:25Very much.
0:04:25 > 0:04:28She's... different from anyone I've ever met.
0:04:30 > 0:04:33- She can stand up to Grandmother. - Some day I will, too.
0:04:34 > 0:04:38I'll stand before your family and say how I feel about you.
0:04:39 > 0:04:41How DO you feel about me?
0:04:44 > 0:04:46- You know.- No, I don't!
0:04:46 > 0:04:48Ah! Ow!
0:05:09 > 0:05:11- KNOCK AT DOOR - Come in.
0:05:12 > 0:05:14Grub's up. I thought we could go in together.
0:05:14 > 0:05:16I'd like that. Thank you.
0:05:16 > 0:05:18I'm Alma.
0:05:18 > 0:05:21Don't let the grass grow under you, Sarah.
0:05:21 > 0:05:24This is Maude. And Alma I see you've met.
0:05:24 > 0:05:26- I'm the theatre nurse. - In charge of wards, me.
0:05:26 > 0:05:29Dig in. Doris is a bottler in the kitchen.
0:05:29 > 0:05:31And very nice of you to say so, Alma, dear.
0:05:31 > 0:05:33If a little crudely.
0:05:33 > 0:05:35- So you're the new community nurse? - Yes.
0:05:35 > 0:05:37She's just arrived from London.
0:05:37 > 0:05:39Good friend of Mr Bligh's.
0:05:39 > 0:05:41- It was his idea to take the job, was it?- He mentioned it.
0:05:41 > 0:05:45I thought as much. What a fine man.
0:05:45 > 0:05:46Great catch for somebody.
0:05:46 > 0:05:48Not that you're thinking that way, of course.
0:05:49 > 0:05:51I hear you're joining us on stage.
0:05:51 > 0:05:54I was going to let you settle before I mentioned it.
0:05:54 > 0:05:56A charity matinee.
0:05:56 > 0:05:59- I've already told the committee ladies you would.- Would what?
0:05:59 > 0:06:02We're doing a number from The Mikado.
0:06:02 > 0:06:04You sing? I'm sure you do.
0:06:04 > 0:06:06You look as if you must. You'll pick it up.
0:06:06 > 0:06:09Anyway, it's for the hospital fund, so I won't take no for an answer.
0:06:09 > 0:06:11Well, if it's for a good cause.
0:06:11 > 0:06:13As long as it's not on Sunday. My aunt is visiting.
0:06:13 > 0:06:16Theatricals on the Lord's day is hardly seemly.
0:06:16 > 0:06:17It's Saturday.
0:06:17 > 0:06:20I'd love to meet your aunt.
0:06:20 > 0:06:21She could dine with us.
0:06:21 > 0:06:23Oh, that's kind but unnecessary.
0:06:23 > 0:06:26No, it's no trouble. We're all one happy family here.
0:06:26 > 0:06:29- We'd love to meet her. - No, I insist.- I insist.
0:06:29 > 0:06:31We'll have tea out.
0:06:35 > 0:06:38Mmm. Delicious.
0:06:41 > 0:06:42So where did you end up taking Sarah?
0:06:42 > 0:06:46Miss Adams wanted me to take her to Doris Collins' house today.
0:06:46 > 0:06:47Doris Co...
0:06:47 > 0:06:51Why anyone would choose to live with Doris Collins is beyond me.
0:06:51 > 0:06:53It's her decision. She's a grown woman.
0:06:53 > 0:06:56We should have her for dinner now and then. Give her some relief.
0:06:56 > 0:06:59Wouldn't you agree, Father?
0:06:59 > 0:07:01If she's doing her job properly, I doubt she'll have time.
0:07:01 > 0:07:03Mother, she's a nurse, not the Prime Minister.
0:07:03 > 0:07:05I don't understand your problem.
0:07:05 > 0:07:08I simply don't share your compulsion to embrace her as a friend.
0:07:08 > 0:07:10We barely know her.
0:07:10 > 0:07:12And traditionally that's why you invite someone to dinner.
0:07:12 > 0:07:14To get to know them.
0:07:14 > 0:07:18We found her a job, a place to stay. I think that's enough.
0:07:18 > 0:07:20She found herself the job and she's moved out.
0:07:20 > 0:07:22Why do I get the feeling there's more to this?
0:07:22 > 0:07:27I agree. Must be hard for her. You should have her up.
0:07:29 > 0:07:32- You feeling better, Olivia? - A little, actually. Thank you.
0:07:32 > 0:07:35Wonderful. Cards, I think.
0:07:36 > 0:07:39Who's joining me? James?
0:07:47 > 0:07:48I'm glad we sorted that out.
0:07:56 > 0:07:58- About Sarah Adams...- Yes.
0:07:58 > 0:08:00I do understand the situation.
0:08:00 > 0:08:03- You don't want her raising suspicion.- Exactly.
0:08:03 > 0:08:05The only person doing that right now is you.
0:08:05 > 0:08:07It's your hostility that's causing comment.
0:08:07 > 0:08:09Like it or not, she's here. We have to live with it.
0:08:09 > 0:08:11By making her part of the furniture?
0:08:11 > 0:08:13Not by acting like she's Frankenstein's monster.
0:08:13 > 0:08:16All that does is encourages speculation you're so afraid of.
0:08:16 > 0:08:20And denying people what they want hasn't really worked so far, has it?
0:08:21 > 0:08:25- KNOCK AT DOOR - Hello, my darling. Come in. Canasta or bridge?
0:08:25 > 0:08:26I'm not interrupting?
0:08:26 > 0:08:30Oh, nothing of importance. James was just being a scold.
0:08:30 > 0:08:31And here's our fourth.
0:08:31 > 0:08:33Bridge, I think.
0:08:33 > 0:08:35Perhaps you were right, Anna.
0:08:35 > 0:08:36About?
0:08:37 > 0:08:40Miss Adams probably would enjoy some company,
0:08:40 > 0:08:42if she can find the time.
0:08:42 > 0:08:45I've even thought of a nice way to welcome her to the town.
0:08:47 > 0:08:48James?
0:08:48 > 0:08:50Hmm?
0:08:51 > 0:08:56Does it seems odd, your grandmother's attitude tonight about Sarah Adams?
0:08:56 > 0:08:59Nah. She's never short of opinions.
0:09:00 > 0:09:02It was more her about-face.
0:09:04 > 0:09:07Do you know anything about it? Her reasons, I mean.
0:09:07 > 0:09:09- Why would I?- I just...
0:09:10 > 0:09:11..wondered.
0:09:13 > 0:09:16It's none of my business. Obviously Father and Anna made their case.
0:09:16 > 0:09:17She's not unreasonable.
0:09:19 > 0:09:21I thought you looked lovely tonight, by the way.
0:09:23 > 0:09:24I did?
0:09:27 > 0:09:28Really beautiful.
0:10:06 > 0:10:07Can I help you, Mrs Collins?
0:10:07 > 0:10:09Oh, there you are!
0:10:09 > 0:10:12I knocked first. This just came for you.
0:10:12 > 0:10:16- I thought I'd leave it on the bed for privacy.- Thank you.
0:10:17 > 0:10:22It was hand-delivered by Norman, the Blighs' man.
0:10:24 > 0:10:27I'm afraid I won't be able to join you for the song after all.
0:10:27 > 0:10:29I've been invited to the concert as their guest.
0:10:29 > 0:10:31What? An afternoon with Mr Bligh?
0:10:32 > 0:10:35- Aren't you the lucky one? - Not quite.
0:10:36 > 0:10:38Mrs Bligh.
0:10:39 > 0:10:42Well...
0:10:42 > 0:10:43That is an honour.
0:10:44 > 0:10:48PIANO PLAYS JAUNTY TUNE
0:11:06 > 0:11:08APPLAUSE
0:11:08 > 0:11:11Thanks to the Evelyn Hutchins Dance Academy!
0:11:12 > 0:11:15Could be a special on sprained ankles after that, girls.
0:11:15 > 0:11:18LAUGHTER And now a recitation.
0:11:18 > 0:11:22Let's hear it for Roy Briggs, our master of the bush ballad.
0:11:22 > 0:11:24APPLAUSE
0:11:28 > 0:11:31How We Beat the Favourite, in 25 verses.
0:11:31 > 0:11:33Verse one.
0:11:33 > 0:11:35WHISTLE
0:11:36 > 0:11:39HE SCREECHES LOUDLY
0:11:39 > 0:11:43And that's a sulphur-crested cockatoo.
0:11:43 > 0:11:46LAUGHTER AND APPLAUSE
0:11:49 > 0:11:52# Three little maids from school
0:11:54 > 0:11:58# Three little maids who, all unwary Come from a ladies' seminary
0:11:58 > 0:12:01# Freed from its genius tutelary
0:12:01 > 0:12:05- # Three little maids from school...- #
0:12:19 > 0:12:22- So glad you could come.- Me too. It's great to see you again.
0:12:22 > 0:12:25I meant to come up to the cottage before you left.
0:12:25 > 0:12:27Would you like to go riding some time?
0:12:27 > 0:12:30I could teach you. We've got lots of quiet horses!
0:12:30 > 0:12:33- That's OK. I can ride. - Really?- Yeah.
0:12:33 > 0:12:34Come up tomorrow, then.
0:12:34 > 0:12:36I can lend you any gear you might need.
0:12:36 > 0:12:39It'll be just like the night on the ship, only... jodhpurs.
0:12:39 > 0:12:40I would love that.
0:12:40 > 0:12:43Who said we left the arts behind in Europe?
0:12:43 > 0:12:44It was charming.
0:12:44 > 0:12:46Now say it as if you mean it.
0:12:46 > 0:12:49- I should introduce you around. Are you up to it?- Of course.
0:12:49 > 0:12:51- Shall I get us drinks? - Thank you.- Yes.
0:12:53 > 0:12:57- I appreciate the invitation. - Oh, you're most welcome.
0:12:58 > 0:13:02- Can I be direct? - When have you been otherwise?
0:13:02 > 0:13:04I didn't stay to spite you.
0:13:04 > 0:13:06I'd like us to start again.
0:13:06 > 0:13:07Lovely to meet you too.
0:13:07 > 0:13:10You're threatened by what I know about James.
0:13:10 > 0:13:13James is doing perfectly well.
0:13:13 > 0:13:17I don't know that a suicidal tendency is so easily fixed.
0:13:17 > 0:13:18In this case it is.
0:13:18 > 0:13:21And if I should happen to be wrong, my eye is on him always.
0:13:21 > 0:13:23Well, then you have nothing to fear.
0:13:23 > 0:13:26I'd only share what I know for his wellbeing.
0:13:26 > 0:13:30Good. Then there will be no need for you to break the confidence.
0:13:30 > 0:13:32Whose idea was this invitation?
0:13:33 > 0:13:35Mine.
0:13:35 > 0:13:37As you say, a new beginning.
0:13:37 > 0:13:39If you'll excuse me.
0:13:48 > 0:13:50Thank you.
0:13:53 > 0:13:56Doris said it was nearly four little maids from school.
0:13:56 > 0:14:00Yes, with my voice, the audience are lucky it stayed at three.
0:14:00 > 0:14:01The Blighs are looking after you, I see.
0:14:02 > 0:14:05I thought I showed you I don't need looking after.
0:14:05 > 0:14:06- Excuse me.- Sister...
0:14:08 > 0:14:11Country town has its class structures
0:14:11 > 0:14:12just as much as where you've come from.
0:14:13 > 0:14:16The Blighs are the closest thing we have to royalty.
0:14:16 > 0:14:18First impressions count.
0:14:18 > 0:14:20You'll have your work cut out for you
0:14:20 > 0:14:22if people think you're above them.
0:14:22 > 0:14:23I see.
0:14:23 > 0:14:25And you look very nice, by the way.
0:14:26 > 0:14:27Pardon?
0:14:27 > 0:14:28As it sounds.
0:14:33 > 0:14:35Everything all right?
0:14:35 > 0:14:37He's a particular kind of man, isn't he?
0:14:37 > 0:14:40- He's a fine doctor, though. - I don't doubt it.
0:14:40 > 0:14:41I'll be back in a moment.
0:14:41 > 0:14:44I might have a small favour to ask.
0:14:49 > 0:14:51I liked your poem, Roy.
0:14:51 > 0:14:52It's not called a poem, see.
0:14:52 > 0:14:54It's a bush ballad.
0:14:54 > 0:14:55Sorry.
0:14:57 > 0:14:58I was wondering...
0:15:00 > 0:15:03- Just up here. - Well, I do owe you one.
0:15:03 > 0:15:05- Uh, do you mind, miss? - Oh! Course not.
0:15:05 > 0:15:07Thank you.
0:15:10 > 0:15:12What about the old girl?
0:15:12 > 0:15:15After your bush ballad, Roy, I'm sure she'll be honoured.
0:15:15 > 0:15:17HE SCOFFS
0:15:23 > 0:15:24I'll explain.
0:15:24 > 0:15:27That's not going to help her cause with Grandmother.
0:15:30 > 0:15:34- Are you all right? - Just a little warm.
0:15:34 > 0:15:36APPLAUSE
0:15:36 > 0:15:40ACCORDIAN PLAYS
0:15:45 > 0:15:53# Che bella cosa E 'na jurnata al sole
0:15:53 > 0:15:59# N'aria serena Doppo 'na tempesta... #
0:15:59 > 0:16:00I'm sorry!
0:16:00 > 0:16:06# Ma natu sole
0:16:06 > 0:16:10# Chiu bello, oi ne
0:16:10 > 0:16:14# O, sole mio
0:16:14 > 0:16:18# Sta nfronte a te!
0:16:19 > 0:16:23# O, sole
0:16:23 > 0:16:28# O, sole mio
0:16:28 > 0:16:33# Sta nfronte a te
0:16:36 > 0:16:43# Sta nfronte a te! #
0:16:46 > 0:16:49APPLAUSE
0:16:53 > 0:16:55I'm so sorry. I shouldn't have come.
0:16:55 > 0:16:57I just...
0:16:57 > 0:16:59I thought I was over all of this.
0:16:59 > 0:17:01Your results are in.
0:17:01 > 0:17:03Didn't open.
0:17:03 > 0:17:06- I'm sure they'll tell the tale. - Do you really think so?
0:17:07 > 0:17:08Here you go.
0:17:10 > 0:17:12What have you eaten today?
0:17:12 > 0:17:14I can't keep anything down, really.
0:17:14 > 0:17:16Here we are.
0:17:16 > 0:17:17Now drink this.
0:17:17 > 0:17:19The sugar will help until you can eat.
0:17:19 > 0:17:20- You'll see to that?- Yes.
0:17:21 > 0:17:24- It's time for your speech. - It can wait.
0:17:24 > 0:17:26Don't stay on my behalf, honestly.
0:17:26 > 0:17:29- I'm feeling much better. - You're sure?
0:17:30 > 0:17:32Come and see me tomorrow.
0:17:32 > 0:17:34I'll be in my office all afternoon.
0:17:34 > 0:17:35Any time.
0:17:41 > 0:17:43I'm starting to feel quite silly.
0:17:46 > 0:17:49Gino Poletti with Armo on the squeezebox.
0:17:49 > 0:17:50APPLAUSE
0:17:50 > 0:17:54You know what they say about those Italians. They've got a way with a song.
0:17:54 > 0:17:56Just wish we knew what they were singing about.
0:17:56 > 0:17:58LAUGHTER
0:17:58 > 0:18:01Right, well, I'll keep it short.
0:18:01 > 0:18:02Thank you for coming.
0:18:03 > 0:18:06LAUGHTER
0:18:06 > 0:18:09Uh, we've raised a fair whack for the hospital, so thank you.
0:18:09 > 0:18:12Or for another night on the town for you, eh, Jack?
0:18:12 > 0:18:15LAUGHTER If there's any left over, Roy.
0:18:15 > 0:18:16While I'm here,
0:18:16 > 0:18:19I might as well introduce our newest member of staff.
0:18:19 > 0:18:21Stand up, Sarah.
0:18:21 > 0:18:23Come on. Don't be shy.
0:18:23 > 0:18:25She's the one who fixed my leg up.
0:18:25 > 0:18:29Sister Adams will be starting soon as our new community nurse.
0:18:29 > 0:18:33So I hope you all make her feel right at home. Hmm?
0:18:33 > 0:18:35APPLAUSE
0:18:53 > 0:18:54Oh!
0:18:54 > 0:18:56That's our cultural duty done for a while.
0:18:56 > 0:18:59- Using the term very loosely. - Duty?- Culture.
0:19:04 > 0:19:08- We'll take dinner in our room if you don't mind.- Oh, not at all.
0:19:08 > 0:19:10- Are you sure you're feeling all right?- I'm fine. Thank you.
0:19:10 > 0:19:12You rest. If there's anything you need...
0:19:12 > 0:19:15Have I got time for a bath before dinner?
0:19:15 > 0:19:17I am happy to delay dinner if you are, George?
0:19:17 > 0:19:21After being force-fed by the CWA. I'll let Cook know.
0:19:21 > 0:19:23Goody! Time for a long soak.
0:19:24 > 0:19:25You're rather cheerful for someone
0:19:25 > 0:19:28drawn into Miss Adams' game of musical chairs.
0:19:28 > 0:19:31You do understand what she was doing?
0:19:31 > 0:19:33Yeah, your father explained.
0:19:33 > 0:19:35But it simply highlights exactly what I've been saying.
0:19:35 > 0:19:38Including her in our world is not doing her any favours.
0:19:38 > 0:19:42This is 1953, Grandmother.
0:19:42 > 0:19:44Some standards are timeless.
0:19:44 > 0:19:46I shudder to think of the long-term effects
0:19:46 > 0:19:48of unfettered social mobility.
0:19:50 > 0:19:53I don't see why that's funny.
0:19:53 > 0:19:54That's what makes it funny.
0:19:57 > 0:19:59You're becoming cheeky, madam.
0:19:59 > 0:20:01I know.
0:20:01 > 0:20:04What did you think of Gino Poletti's song?
0:20:04 > 0:20:07Oh, well... Yeah, he has a lovely voice.
0:20:07 > 0:20:09Rather wasted on a simple farmer.
0:20:28 > 0:20:29I'm worried about you.
0:20:30 > 0:20:32I'm fine.
0:20:32 > 0:20:34- Really. - Are you happy?
0:20:37 > 0:20:39Of course I am.
0:20:39 > 0:20:40Because I want you to be.
0:20:40 > 0:20:43I do. You know I love you.
0:20:52 > 0:20:54Show me.
0:20:58 > 0:20:59I want you.
0:21:02 > 0:21:04I'm all right.
0:21:06 > 0:21:07Please.
0:21:31 > 0:21:34You ride really well for a nurse.
0:21:34 > 0:21:36How are nurses meant to ride?
0:21:36 > 0:21:38Where did you learn?
0:21:38 > 0:21:39In Spain.
0:21:39 > 0:21:40Race you to that tree.
0:21:52 > 0:21:54It's wonderful here.
0:21:56 > 0:21:58So you lived in Spain for a time?
0:22:00 > 0:22:03I was a nurse during the Spanish civil war.
0:22:03 > 0:22:06- Was that terrible?- Yes.
0:22:08 > 0:22:11It's where I met my husband, so it's not all bad memories.
0:22:14 > 0:22:16He passed away.
0:22:20 > 0:22:24"O, sole mio." Should I ask?
0:22:24 > 0:22:25Sorry?
0:22:25 > 0:22:27You seem very taken with the singer yesterday.
0:22:27 > 0:22:29- Gino?- Yes.
0:22:30 > 0:22:32Do you understand Italian?
0:22:32 > 0:22:33Tell me.
0:22:34 > 0:22:37"O, sole. O, sole mio."
0:22:37 > 0:22:40The sun. My own sun.
0:22:40 > 0:22:43"Sta 'nfronte a te. Sta 'nfronte a te."
0:22:43 > 0:22:45It's upon your face.
0:22:45 > 0:22:46It's...
0:22:47 > 0:22:49Anna.
0:22:49 > 0:22:50I'm fine.
0:22:50 > 0:22:52He's just a friend.
0:22:53 > 0:22:55All right.
0:22:57 > 0:22:58Is it that obvious?
0:22:58 > 0:23:01For anyone who understood the words.
0:23:01 > 0:23:04Oh, thank God none of them know Italian.
0:23:04 > 0:23:06They'd stop it.
0:23:09 > 0:23:14To them, he's just a farmer, and I'd be just a fool.
0:23:14 > 0:23:16Your father might surprise you.
0:23:17 > 0:23:18Gran wouldn't.
0:23:31 > 0:23:33You did very well with Sarah Adams yesterday.
0:23:33 > 0:23:36- I fulfilled my obligations. - For now.
0:23:36 > 0:23:39We should have her up for dinner once she's settled.
0:23:39 > 0:23:41Jack Duncan made a good point about community acceptance.
0:23:41 > 0:23:43All the more reason to entertain her privately.
0:23:45 > 0:23:47Perhaps I'll ask Roy Briggs to join us.
0:23:49 > 0:23:52Your sense of humour is rather perverse.
0:23:52 > 0:23:53I would like to have her to dine.
0:23:59 > 0:24:01I can keep a secret, you know.
0:24:03 > 0:24:05I wish it didn't have to be one.
0:24:06 > 0:24:10Gino promised he'd say how he felt about me in front of everyone,
0:24:10 > 0:24:11and he did.
0:24:11 > 0:24:13Even if he sang it and they didn't understand.
0:24:15 > 0:24:17I'm going to end up like James.
0:24:17 > 0:24:19He only married Olivia because he had to.
0:24:19 > 0:24:21Because Grandmother made him.
0:24:21 > 0:24:23You sure of that?
0:24:23 > 0:24:24I have no proof,
0:24:24 > 0:24:27but I think he had a girlfriend in England they didn't approve of.
0:24:27 > 0:24:30Olivia was just his best friend's sister.
0:24:30 > 0:24:33He never even mentioned her in four years,
0:24:33 > 0:24:35and suddenly they're married.
0:24:35 > 0:24:39He's miserable and we have an aristocrat in the family.
0:24:39 > 0:24:41GUNSHOT
0:24:41 > 0:24:43HORSE NEIGHS
0:24:43 > 0:24:45- Mercury!- Anna!
0:24:46 > 0:24:48Whoa! Whoa!
0:24:52 > 0:24:54SHE SCREAMS
0:24:54 > 0:24:57HORSE SCREAMS
0:24:57 > 0:24:58Mercury!
0:24:58 > 0:24:59Are you all right?
0:24:59 > 0:25:01Yes. Yes, I think so.
0:25:03 > 0:25:05Oh!
0:25:05 > 0:25:07No. No. No, don't be hurt!
0:25:07 > 0:25:10Oh, we have to get him to a vet! HORSE WHINNIES
0:25:11 > 0:25:13We have to get the truck and we have to move him!
0:25:13 > 0:25:15The vet can fix him!
0:25:18 > 0:25:20We can't do nothing!
0:25:20 > 0:25:22HORSE SNORTS AND WHINNIES
0:25:22 > 0:25:24Stay here.
0:25:25 > 0:25:27It's OK.
0:25:37 > 0:25:39No! What are you doing?
0:25:39 > 0:25:40He's in agony.
0:25:40 > 0:25:44- No.- It's not fair to let him suffer. Walk away.
0:25:46 > 0:25:48GUNSHOT
0:25:49 > 0:25:51Oh, hello, Mildred.
0:25:51 > 0:25:53Could you put me through to Doris Collins, please?
0:25:53 > 0:25:55PHONE RINGS
0:26:00 > 0:26:01Hello?
0:26:01 > 0:26:02'Mrs Collins.'
0:26:04 > 0:26:05Mrs Bligh?
0:26:05 > 0:26:07I hope I haven't caught you at an awkward moment.
0:26:07 > 0:26:08Oh, no. Goodness me, no.
0:26:08 > 0:26:11Let me congratulate you on your yum-yum.
0:26:11 > 0:26:13Oh, thank you!
0:26:13 > 0:26:15Now, I was hoping perhaps I could come in
0:26:15 > 0:26:17for a little chat this afternoon.
0:26:17 > 0:26:18With me?
0:26:18 > 0:26:20If it's not inconvenient.
0:26:20 > 0:26:21Oh, dear.
0:26:21 > 0:26:23I'm terribly... Look...
0:26:23 > 0:26:26It's just that I promised the ladies I'd go back down to the hall
0:26:26 > 0:26:27and help the clean-up.
0:26:27 > 0:26:30Well, of course, I'd like to thank them, too.
0:26:30 > 0:26:32Perhaps I could come to the hall?
0:26:32 > 0:26:34If it's not inconvenient.
0:26:34 > 0:26:37No. No, not at all. I'll let the ladies know.
0:26:37 > 0:26:39Very good. As long as we can have our moment alone.
0:26:39 > 0:26:43Absolutely. Goodbye for n... LINE GOES DEAD
0:26:43 > 0:26:44Off to town?
0:26:44 > 0:26:45Yes. Do you need anything?
0:26:46 > 0:26:48Sir. There's been an accident.
0:26:50 > 0:26:51What happened?
0:26:51 > 0:26:53Her horse startled and ran through a fence.
0:26:53 > 0:26:55Sarah had to put him down!
0:26:55 > 0:26:57At whose suggestion?
0:26:57 > 0:26:58It was the only thing to do.
0:26:58 > 0:27:00I didn't realise you were also a veterinarian.
0:27:00 > 0:27:02See to Anna, Mother. I'll be in.
0:27:03 > 0:27:05The leg was broken through. I'll take you to him.
0:27:05 > 0:27:08No, you don't need to see that again. Glen, will you stay with the horse and find James?
0:27:08 > 0:27:12- You weren't hurt?- Anna was thrown. She seems fine, but perhaps Dr Duncan should double-check.
0:27:12 > 0:27:17- Won't you come inside?- No, I'll get back.- I'll get the car.- I'd like the walk. Thank you, anyway.
0:27:19 > 0:27:22She asked me to walk away, and so I did, and...
0:27:22 > 0:27:24and then she shot him.
0:27:25 > 0:27:28But I didn't see it and she didn't do anything wrong.
0:27:28 > 0:27:31Whoa, whoa, whoa. You don't need to defend her.
0:27:31 > 0:27:34Do you have any idea what Mercury was worth?
0:27:34 > 0:27:36Nothing lame. Are you all right? Sarah said you were thrown.
0:27:36 > 0:27:39No, I'm fine. It's just a shock.
0:27:39 > 0:27:41I still think you should go and lie down.
0:27:41 > 0:27:44I'll be up to check on you soon. Come on.
0:27:49 > 0:27:51Calm as you like.
0:27:53 > 0:27:56The woman fetches a gun, tells Anna to walk away and pulls the trigger.
0:27:56 > 0:27:58Which is exactly what I would have done.
0:27:58 > 0:28:00- You're a landowner, George. - What's your point?
0:28:00 > 0:28:03She is a middle-aged nurse who's been living in London,
0:28:03 > 0:28:05who somehow rides like a stockman
0:28:05 > 0:28:09- and handles shotguns without a moment's hesitation. - And so what?
0:28:09 > 0:28:13- We don't know anything about her. - We do.
0:28:13 > 0:28:15We know that she just looked after Anna,
0:28:15 > 0:28:18and all you can do is vilify her. She deserves better.
0:28:18 > 0:28:21Who is she, George? How many times do I have to say it?
0:28:21 > 0:28:23We have no idea who she is.
0:28:26 > 0:28:28I'll look after the burial.
0:28:36 > 0:28:37There you are!
0:28:37 > 0:28:39What time does your aunt get in? Oh, my!
0:28:39 > 0:28:41You look as though you've had a run through an abattoir.
0:28:41 > 0:28:44I won't be needing afternoon tea. We discussed this.
0:28:44 > 0:28:46Has there been an accident?
0:28:46 > 0:28:49Don't tell me it happened on your ride with young Miss Bligh!
0:28:49 > 0:28:52Mrs Collins! If I want to tell you more, I will.
0:28:54 > 0:28:55Sorry.
0:28:55 > 0:28:57That was uncalled for.
0:28:57 > 0:28:59Oh, no. I have to run.
0:28:59 > 0:29:04I've put myself at risk of being very late for an important rendezvous by doing this.
0:29:04 > 0:29:06If you change your mind, it'll be there on the table,
0:29:06 > 0:29:08set for just the two of you, of course.
0:29:16 > 0:29:18Gino!
0:29:18 > 0:29:19Where have you been?
0:29:23 > 0:29:25It's Mercury. SHE SOBS
0:29:25 > 0:29:27What's happened?
0:29:28 > 0:29:29He broke a leg.
0:29:31 > 0:29:33We had to put him down.
0:29:33 > 0:29:35And I can't stop crying.
0:29:35 > 0:29:37Sh. Hey, hey...
0:29:41 > 0:29:44Mama says, "If you can't cry, you can't feel."
0:29:46 > 0:29:48I...I...
0:29:52 > 0:29:54- I love you so much. - You don't have to say it.
0:29:54 > 0:29:57No. No, I should have said it well before now.
0:29:57 > 0:29:59You said it now.
0:30:00 > 0:30:01I love you.
0:30:04 > 0:30:05So much.
0:30:18 > 0:30:22It really was a wonderful day.
0:30:22 > 0:30:24You all put in so much hard work.
0:30:24 > 0:30:28Well, very nice to be appreciated by someone.
0:30:28 > 0:30:32I don't mean to pry, but is Anna all right?
0:30:32 > 0:30:35Miss Adams mentioned something about an accident.
0:30:35 > 0:30:38I assumed it must have happened after we spoke.
0:30:38 > 0:30:40Well, thankfully no-one was hurt.
0:30:40 > 0:30:45But the good sister did feel the need to shoot one of our horses.
0:30:45 > 0:30:49- She never did. - We know so little about the woman.
0:30:49 > 0:30:53She does seem to... keep things to herself, doesn't she?
0:30:53 > 0:30:55I have wondered about that.
0:30:55 > 0:30:57Mmm.
0:30:57 > 0:31:00Well, in my experience, one doesn't guard a door
0:31:00 > 0:31:02unless there's something in the room.
0:31:03 > 0:31:05You think she's hiding something?
0:31:05 > 0:31:07One can't be too careful.
0:31:07 > 0:31:11Well, I'll be sure to keep my eyes peeled, if it helps.
0:31:11 > 0:31:12That is very kind.
0:31:14 > 0:31:16I'm positive there's nothing to worry about.
0:31:16 > 0:31:18Oh, no. Me too.
0:31:32 > 0:31:35SCREAM ECHOES
0:31:35 > 0:31:38GUNFIRE AND SHOUTING
0:31:40 > 0:31:43WOMAN GASPS
0:31:46 > 0:31:47GUNSHOT
0:31:47 > 0:31:49SHE GASPS
0:31:59 > 0:32:01It's pretty bold of you, just off the boat in a new country
0:32:01 > 0:32:03and you slip away for a pregnancy test.
0:32:05 > 0:32:08They were all so focused on Elizabeth seeing her specialist.
0:32:08 > 0:32:09It was easy.
0:32:09 > 0:32:11Hardly the actions of a wilting violet.
0:32:11 > 0:32:14Is that how they've characterised me?
0:32:14 > 0:32:16It's how Elizabeth seems to see you.
0:32:18 > 0:32:20Perhaps I've earned the title.
0:32:20 > 0:32:22It's not me. Not really.
0:32:28 > 0:32:29Well?
0:32:30 > 0:32:33I'm sure you're going to love being a mother.
0:32:37 > 0:32:38Are they happy tears?
0:32:40 > 0:32:44It's been so hard not to say something.
0:32:44 > 0:32:46I didn't want to get their hopes up.
0:32:47 > 0:32:49I didn't want to get mine up.
0:32:57 > 0:33:00Everything's going to be fine now.
0:33:00 > 0:33:01Wasn't it?
0:33:04 > 0:33:07I'm trying to be a good wife, but...
0:33:09 > 0:33:12..I'm just failing everything.
0:33:12 > 0:33:13Where'd you get that idea?
0:33:15 > 0:33:17I know a disappointed man when I see one.
0:33:20 > 0:33:24I wasn't exactly anyone's first choice back home.
0:33:27 > 0:33:29Then... James...
0:33:30 > 0:33:34..suddenly seemed to see me in a different light.
0:33:34 > 0:33:36After years of never noticing me.
0:33:37 > 0:33:38I was so happy.
0:33:44 > 0:33:46And he's been so sad.
0:33:48 > 0:33:49But this.
0:33:49 > 0:33:51This will make a difference.
0:34:08 > 0:34:09Auntie Peg.
0:34:11 > 0:34:13Hello, love.
0:34:15 > 0:34:18I knew you'd find your feet. SHE CHUCKLES
0:34:19 > 0:34:21And they're treating you well enough?
0:34:25 > 0:34:26Has Mother asked after me?
0:34:28 > 0:34:34No, but now that you're here, we've got time to mend bridges.
0:34:36 > 0:34:39- She'll come round. - I wish I shared your confidence.
0:34:39 > 0:34:40Don't be like that.
0:34:40 > 0:34:41Because time...
0:34:43 > 0:34:46..time heals every wound.
0:34:47 > 0:34:49Look, I've brought you something.
0:34:49 > 0:34:51Oh.
0:34:51 > 0:34:53Every home needs one.
0:34:53 > 0:34:55Thank you.
0:35:00 > 0:35:02- SHE LAUGHS - Thank you!
0:35:02 > 0:35:05I'll be sure to put it out when I find one.
0:35:05 > 0:35:07You don't think that could be here in Inverness?
0:35:07 > 0:35:09No, I'm still not sure.
0:35:10 > 0:35:12The last time I had what I call a home
0:35:12 > 0:35:15was over ten years ago in Paris.
0:35:15 > 0:35:16You were happy there.
0:35:18 > 0:35:19Oh, yes.
0:35:21 > 0:35:23We were in love.
0:35:28 > 0:35:30And then the Germans came.
0:35:32 > 0:35:33Well...
0:35:35 > 0:35:37I'm sure you'll find a spot for that mat.
0:35:37 > 0:35:39One day.
0:35:39 > 0:35:40You mark my words.
0:35:46 > 0:35:51SHE PLAYS 'CLAIR DE LUNE' BY DEBUSSY
0:36:12 > 0:36:15Have you seen James?
0:36:15 > 0:36:18- Oh, what did Jack say? - It's nothing to worry about.
0:36:18 > 0:36:20I can't find him anywhere.
0:36:20 > 0:36:23- I believe he's at the sheds. - He's not.
0:36:23 > 0:36:25Well, I'm sure that's where he said he'd be.
0:36:25 > 0:36:27He did, but they haven't seen him all morning.
0:36:27 > 0:36:29Sorry to interrupt. I'll keep looking.
0:36:29 > 0:36:32No, no, no. You should be resting. Come on. Sit.
0:36:32 > 0:36:35There's fresh tea. I'll bring him to you.
0:36:41 > 0:36:42James!
0:36:43 > 0:36:45James!
0:36:49 > 0:36:51Oh, James.
0:36:59 > 0:37:00James!
0:37:01 > 0:37:04- James. Oh, God. - Something wrong?
0:37:04 > 0:37:07Didn't you hear me? I've been calling.
0:37:07 > 0:37:09- You shouldn't be exerting yourself. - I'm not an invalid.
0:37:11 > 0:37:13You said you'd be at the sheds. I couldn't find you.
0:37:14 > 0:37:16You didn't think...?
0:37:18 > 0:37:20I'm fine.
0:37:21 > 0:37:24I'm beyond doing anything foolish. I promise.
0:37:34 > 0:37:37- We just finished burying Mercury. - Why didn't you answer when I called?
0:37:37 > 0:37:39I didn't hear you.
0:37:39 > 0:37:41Don't.
0:37:41 > 0:37:42Please.
0:37:43 > 0:37:47Your wife is back from the hospital looking for you.
0:37:47 > 0:37:49Get dressed.
0:37:54 > 0:37:56I wish you could stay longer.
0:37:56 > 0:37:58Next time.
0:37:58 > 0:38:00This is a lovely little town.
0:38:02 > 0:38:03Give it a go.
0:38:04 > 0:38:05We'll see.
0:38:08 > 0:38:10What did happen?
0:38:10 > 0:38:11During the war?
0:38:11 > 0:38:13Not a word for five years.
0:38:21 > 0:38:22I lost everything.
0:38:24 > 0:38:26They nearly killed me.
0:38:28 > 0:38:30It's hard enough to go there in my mind,
0:38:30 > 0:38:32let alone in the telling.
0:38:36 > 0:38:38When you can, sweetheart.
0:38:42 > 0:38:44There you are!
0:38:44 > 0:38:46I was busy with something. What's happened?
0:38:46 > 0:38:50I wanted to tell you alone but everyone simply arrived.
0:38:51 > 0:38:53We're going to have a baby, James.
0:38:53 > 0:38:54Oh!
0:38:54 > 0:38:56That is wonderful news!
0:38:56 > 0:38:58I'm going to be Aunt Anna!
0:38:58 > 0:38:59Congratulations.
0:38:59 > 0:39:02I'm... going to be a father?
0:39:02 > 0:39:05- Champagne with dinner, I think. - Oh, a baby!
0:39:05 > 0:39:06Aren't you happy?
0:39:08 > 0:39:09James.
0:39:10 > 0:39:12Yes.
0:39:12 > 0:39:14100 times, yes.
0:39:26 > 0:39:28Oh, good afternoon, sister.
0:39:28 > 0:39:30I trust the visit with your aunt went well.
0:39:30 > 0:39:32Thank you.
0:39:34 > 0:39:36My aunt very much appreciated your effort.
0:39:36 > 0:39:37I'm glad.
0:39:37 > 0:39:40I'm sure a long, hot soak is very much in order
0:39:40 > 0:39:42- after such an eventful day.- It is.
0:40:45 > 0:40:47Thought you might feel like some tea.
0:40:47 > 0:40:49Aren't you lovely?
0:40:55 > 0:40:57We're going to have a baby, Livvy.
0:40:58 > 0:41:02- What do you think it is? - A boy. I'm sure of it.
0:41:02 > 0:41:05I've even started picking names. Is that silly?
0:41:05 > 0:41:07- Not at all. - I like William.
0:41:08 > 0:41:11I...I think that's perfect.
0:41:11 > 0:41:12Your brother will be chuffed.
0:41:12 > 0:41:14It's also my father's name, of course.
0:41:14 > 0:41:15I was thinking more of him.
0:41:15 > 0:41:18Of course. How silly of me.
0:41:18 > 0:41:20But you're right.
0:41:20 > 0:41:22William is your dearest friend.
0:41:22 > 0:41:24You must miss him as much as I do.
0:41:24 > 0:41:25Sometimes.
0:41:27 > 0:41:29William it is.
0:41:38 > 0:41:40Can we talk?
0:41:47 > 0:41:51The suspicion you had earlier...
0:41:51 > 0:41:53I...
0:41:53 > 0:41:55I accept that you're past harming yourself.
0:41:56 > 0:42:00I meant the other one.
0:42:00 > 0:42:04I want you to know that I'm going to be a good father
0:42:04 > 0:42:06and a good husband.
0:42:06 > 0:42:08I know I've disappointed you and I'll make up for it.
0:42:08 > 0:42:10I promise.
0:42:11 > 0:42:13I hope so.
0:42:13 > 0:42:15PHONE RINGS
0:42:20 > 0:42:23Yes. Of course. She's right here.
0:42:23 > 0:42:25Doris Collins for you.
0:42:25 > 0:42:27Thank you, James.
0:42:27 > 0:42:29I'll take this in private.
0:42:33 > 0:42:36- 'Mrs Collins.' - I'm sorry to disturb you.
0:42:36 > 0:42:38I know you're frightfully busy,
0:42:38 > 0:42:44but I've just discovered something very disturbing about Miss Adams.
0:42:45 > 0:42:46Or whoever she is.
0:43:07 > 0:43:10UPBEAT MUSIC PLAYS
0:43:12 > 0:43:14MUSIC STOPS Oh!
0:43:16 > 0:43:17Our rooms have locks.
0:43:17 > 0:43:19I want the key to mine.
0:43:19 > 0:43:22I...I can't do that. It's a house rule.
0:43:22 > 0:43:24It may be your house but it's my room.
0:43:24 > 0:43:25I want that key or I leave.
0:43:40 > 0:43:42Stay out of my belongings.
0:43:45 > 0:43:48MUSIC STARTS AGAIN
0:43:52 > 0:43:54Did you do a background check on her?
0:43:54 > 0:43:57Of course. Her references were in order. What's the point of this?
0:43:57 > 0:43:59The point is,
0:43:59 > 0:44:03you checked the references of a woman called Sarah Adams.
0:44:03 > 0:44:05That is not her real name.
0:44:05 > 0:44:07So who did we employ, Doctor?
0:44:07 > 0:44:10- I'll get to the bottom of it, Elizabeth.- I certainly hope so.
0:44:10 > 0:44:16Because it is high time we knew exactly who Miss BRIDGET Adams really is.