0:00:02 > 0:00:04Last season on A Place To Call Home...
0:00:06 > 0:00:07I love you with all my heart.
0:00:08 > 0:00:10Marry me.
0:00:11 > 0:00:12Yes.
0:00:12 > 0:00:15We're in love, Papa. We're going to get married.
0:00:15 > 0:00:19I'm suggesting you let them live together for three months
0:00:19 > 0:00:20- as if they were married... - No. Impossible.
0:00:20 > 0:00:23..in every way except sharing a bed.
0:00:23 > 0:00:25Anna could move into your home in a separate room
0:00:25 > 0:00:27and live the life of Gino's wife.
0:00:27 > 0:00:30While Anna lives with the Polettis
0:00:30 > 0:00:33testing her resolve to marry inappropriately,
0:00:33 > 0:00:36you will spend three months at Ash Park doing the same.
0:00:37 > 0:00:40- Mother will do anything to sabotage you.- Let her.
0:00:40 > 0:00:42- She's tough. - I'm tougher.
0:00:42 > 0:00:46I caught a glimpse last night into the true nature of Sarah Adams.
0:00:46 > 0:00:49I saw a very dangerous woman.
0:00:49 > 0:00:51I don't care what it costs.
0:00:51 > 0:00:54Find something that will rid us of her forever.
0:00:55 > 0:00:59The child I had, my darling, it was you.
0:01:00 > 0:01:04Our situation is a complication you don't need in the mix.
0:01:04 > 0:01:06I understand if you don't tell the family just yet.
0:01:06 > 0:01:08I've come to talk about our daughter.
0:01:12 > 0:01:14JAMES: I want you to cure me.
0:01:14 > 0:01:17- I will need your total commitment. - You have it.
0:01:17 > 0:01:20- OLIVIA:- What if Dr Stewart can't cure him?
0:01:20 > 0:01:23- He just said that... - What if he can't?
0:01:23 > 0:01:26I'll still love him. Will you?
0:01:26 > 0:01:28What's it worth to you
0:01:28 > 0:01:31for the world not to find out that your son's a queer?
0:01:33 > 0:01:37He's been seen with Harry Polson. We're being blackmailed.
0:01:37 > 0:01:38You cross me on this...
0:01:39 > 0:01:41..you'll regret it.
0:01:55 > 0:01:59MUSIC BLARES
0:02:17 > 0:02:20DOORBELL RINGS
0:02:20 > 0:02:23- Samantha. - Hiya. How is she?
0:02:24 > 0:02:25Bright.
0:02:26 > 0:02:27Bright.
0:02:29 > 0:02:31Ah, here she is.
0:02:31 > 0:02:34- How are you, Sarah? - Still here.
0:02:38 > 0:02:40Are you ready to get back into it?
0:02:41 > 0:02:43We left off so suddenly last time.
0:02:43 > 0:02:44Coffee and strudel?
0:02:44 > 0:02:46Ooh, thank you, Leah.
0:02:46 > 0:02:48Could you turn the radio off, please?
0:02:51 > 0:02:56- So, how is the writing going? - Good. I'm well into it.
0:02:57 > 0:03:00Um, I couldn't find anything in the records
0:03:00 > 0:03:02about the body you mentioned.
0:03:02 > 0:03:04Body?
0:03:04 > 0:03:07Before we stopped, you mentioned a body in the river.
0:03:07 > 0:03:09I couldn't find any record of it.
0:03:12 > 0:03:15- You don't remember? - Body? No.
0:03:15 > 0:03:18So, where were we, apart from that?
0:03:18 > 0:03:21James had just started his treatment.
0:03:21 > 0:03:22His torture.
0:03:26 > 0:03:28I can't believe they actually used to do that.
0:03:28 > 0:03:31And worse. All in the name of normalcy.
0:03:32 > 0:03:35- How did Gran take it? - Poor Olivia.
0:03:35 > 0:03:38Soon with so many lies of her own.
0:03:47 > 0:03:49But that was later.
0:03:49 > 0:03:53- Anna. - She was moving out to be with Gino.
0:03:53 > 0:03:55Ah, yes. Her new life.
0:03:56 > 0:04:01Such a confusing time, losing a child and gaining a father.
0:04:01 > 0:04:04When did she find out it was Jack Duncan?
0:04:04 > 0:04:07Oh, it was quite some time before that happened.
0:04:08 > 0:04:10She had quite enough to contend with as it was.
0:04:17 > 0:04:20HORN HONKS
0:04:20 > 0:04:21Before I forget,
0:04:21 > 0:04:25you didn't say what Roy felt about you leaving the farm.
0:04:48 > 0:04:50- How did Roy feel? - I heard you, dear.
0:04:51 > 0:04:53He was happy for me.
0:05:14 > 0:05:15Ready?
0:05:15 > 0:05:17Yeah.
0:05:18 > 0:05:20Now...
0:05:21 > 0:05:23..where shall we pick it all up?
0:05:24 > 0:05:31Carolyn, so long the black sheep, so much a part of the future.
0:05:31 > 0:05:33- I know it's out of the blue... - Stop.
0:05:33 > 0:05:34- ..but there are... - Wait!
0:05:37 > 0:05:38We had a child?
0:05:40 > 0:05:41- You left me. - I had no choice.
0:05:41 > 0:05:43- I don't see you for 20 years... - I know.
0:05:43 > 0:05:44- ..and you turn up like this. - I'm sorry.
0:05:44 > 0:05:47- Our daughter? - I'm trying to do the right thing.
0:05:47 > 0:05:50- For who? - Both of us.- Right.
0:05:50 > 0:05:53There were reasons I never told you, but I am trying to fix it.
0:05:55 > 0:05:58- Who is she? Where is she? - I... I...
0:05:58 > 0:06:00- Well, is she here? Overseas? - I can't tell you.
0:06:00 > 0:06:01- Why?- Not yet.
0:06:01 > 0:06:04- Why not?! - It's difficult.
0:06:04 > 0:06:06So, why now?
0:06:07 > 0:06:10She's just found out about me...
0:06:11 > 0:06:13..and it's only a matter of time before she asks about her father.
0:06:15 > 0:06:17I wanted to give you a choice.
0:06:19 > 0:06:24If she does ask, what do I say? I want to do the right thing.
0:06:24 > 0:06:27You may not want this. I don't know.
0:06:27 > 0:06:31I could say you died in the war if you'd rather.
0:06:31 > 0:06:32DOOR OPENS
0:06:32 > 0:06:35Excuse me, Doctor. Mrs Danthers needs you.
0:06:36 > 0:06:38I'm coming.
0:06:40 > 0:06:42Should I wait? Jack!
0:06:44 > 0:06:46Where are you staying?
0:06:46 > 0:06:49The Ash Park guest cottage. No-one knows I'm here.
0:06:50 > 0:06:52Please come.
0:07:02 > 0:07:05Doris Collins, please, Mildred.
0:07:07 > 0:07:09Such a tasteful setting.
0:07:11 > 0:07:12- Thank you. - Thank you, Amy.
0:07:14 > 0:07:17Please do help yourself, Mrs Collins.
0:07:18 > 0:07:20So very good of you to hurry over.
0:07:20 > 0:07:23When you mentioned I may be of assistance,
0:07:23 > 0:07:25if there's anything I can do...
0:07:25 > 0:07:27Well, you've heard the news, I assume.
0:07:29 > 0:07:30About Anna.
0:07:31 > 0:07:34I make it my business never to listen to tittle-tattle.
0:07:34 > 0:07:37Oh, that they were more like you.
0:07:38 > 0:07:40Is there a problem?
0:07:40 > 0:07:42Oh, not at all, no.
0:07:42 > 0:07:44Anna's moved in with the Polettis for a period.
0:07:44 > 0:07:45But they're Italian.
0:07:45 > 0:07:47- Unorthodox. - Unorthodox.
0:07:47 > 0:07:50She has her heart set on Italy for the northern summer.
0:07:50 > 0:07:52She and Carla are very close
0:07:52 > 0:07:54so what better way to learn the language?
0:07:54 > 0:07:55I see.
0:07:55 > 0:07:57But there is an unmarried son in the house
0:07:57 > 0:08:00and baser minds may see gossip where there is none.
0:08:00 > 0:08:02- No! - Sadly.
0:08:03 > 0:08:06As a mother of sorts to two young girls,
0:08:06 > 0:08:08I understand the importance of protecting their reputation.
0:08:08 > 0:08:10If I hear any scurrilous rumours...
0:08:10 > 0:08:12I knew I could count on you.
0:08:13 > 0:08:15Dear Mrs Bligh.
0:08:17 > 0:08:21And then, of course, we have Miss Adams moving in here.
0:08:21 > 0:08:23Ah, yes, indeed. After the wedding.
0:08:23 > 0:08:25Before.
0:08:27 > 0:08:29Mamma, you should see Anna's dresses.
0:08:29 > 0:08:31They don't fit in the wardrobe.
0:08:31 > 0:08:33Mamma says three dresses are enough -
0:08:33 > 0:08:35two for everyday and one for church.
0:08:35 > 0:08:37For a farmer's wife, it is true.
0:08:38 > 0:08:40- Tomatoes. - Can Anna come?
0:08:40 > 0:08:41Anna is helping me.
0:08:41 > 0:08:43- You can't cook? - I will learn.
0:08:43 > 0:08:46I will teach you as my mamma taught me.
0:08:46 > 0:08:47This is a special meal.
0:08:47 > 0:08:49- Pollo - chicken. - Oh.
0:08:49 > 0:08:51CHICKENS CLUCK
0:08:51 > 0:08:54First, we kill. Then, we pluck.
0:09:11 > 0:09:14I shall be your eyes and ears.
0:09:14 > 0:09:16Well, I'm most grateful.
0:09:16 > 0:09:20- Norman will drive you back to town. - Oh, how kind.
0:09:23 > 0:09:25The hospital, please, Norman.
0:09:27 > 0:09:31Oh, and give my regards to Miss Carolyn.
0:09:31 > 0:09:32Carolyn?
0:09:32 > 0:09:35I saw her at the station. She has luggage.
0:09:35 > 0:09:38I assume she's staying. Is she not staying?
0:09:38 > 0:09:39- Of course.- Indeed.
0:09:39 > 0:09:42I shall be sure to give her your regards.
0:09:42 > 0:09:43Norman.
0:09:50 > 0:09:54- How is it so far? - I plucked a chicken.
0:09:54 > 0:09:57- Will wonders never cease? - I hope not.
0:09:58 > 0:10:01I'm allowed to worry. That's what fathers do.
0:10:01 > 0:10:03Yes.
0:10:03 > 0:10:05- What? - Nothing.
0:10:06 > 0:10:09- Is it your grandmother? - No, it's not that.
0:10:09 > 0:10:10Then what?
0:10:12 > 0:10:17Anna, after what I've agreed to, I hope I've earned your trust.
0:10:19 > 0:10:20You and I...
0:10:22 > 0:10:23..we're...
0:10:28 > 0:10:30Whatever you felt you had to do,
0:10:30 > 0:10:33whatever lies you told, I forgive you.
0:10:33 > 0:10:35You're still my little girl...
0:10:36 > 0:10:37..and you always will be.
0:11:01 > 0:11:03Do you skulk into town often?
0:11:04 > 0:11:07PHONE RINGS
0:11:07 > 0:11:08Sorry.
0:11:11 > 0:11:12I have to take this.
0:11:12 > 0:11:14- Let's have a break. - Five minutes?
0:11:14 > 0:11:18See if you can remember what you were going to tell me about Roy.
0:11:20 > 0:11:21Hi. It's Sam.
0:11:38 > 0:11:40Roy, what's the matter?
0:12:44 > 0:12:46I thought our communicating by telephone
0:12:46 > 0:12:49was simply a necessarily evil consequence
0:12:49 > 0:12:51of your living in the city.
0:12:52 > 0:12:54Clearly, you simply prefer the separation.
0:12:54 > 0:12:56This visit isn't about you.
0:12:57 > 0:12:59May I inquire what it is about?
0:13:00 > 0:13:03I'm here to meet my future sister-in-law.
0:13:05 > 0:13:08Where Sarah Adams walks, division follows.
0:13:08 > 0:13:11That's exactly the attitude that encourages skulking.
0:13:11 > 0:13:14George seems happier than he's been in years.
0:13:14 > 0:13:16Whilst the family is in splinters.
0:13:16 > 0:13:18Blighs are in splinters, mother. Put down the axe.
0:13:18 > 0:13:20Oh, spare me the metaphors.
0:13:20 > 0:13:23I'm doing what I must to protect us all.
0:13:23 > 0:13:26- From what? - The woman's influence.
0:13:27 > 0:13:30You'll end up with no-one if you're not careful.
0:13:30 > 0:13:33Then what's left for you to protect?
0:13:33 > 0:13:34Our good name...
0:13:35 > 0:13:37..which the rest of you seem intent on ruining.
0:13:39 > 0:13:43So, if you could resist adding fuel to any flames whilst you're here,
0:13:43 > 0:13:44I would appreciate it.
0:13:46 > 0:13:47I'll do my best.
0:14:23 > 0:14:25You should wash up.
0:14:33 > 0:14:35- I know it's not... - I'll be in in a sec.
0:14:39 > 0:14:41Are you right with what we've done?
0:14:44 > 0:14:46We saved more lives from being ruined.
0:14:48 > 0:14:50You know the alternative.
0:14:56 > 0:14:58I've done it again, haven't I?
0:15:00 > 0:15:03I'm starting to think you want to tell me.
0:15:03 > 0:15:05I do keep rambling back to it.
0:15:07 > 0:15:11Talking to you has unearthed so many ghosts.
0:15:11 > 0:15:14I can keep a secret. I promise.
0:15:15 > 0:15:1860 years, no-one's known.
0:15:19 > 0:15:21There. Off the record.
0:15:27 > 0:15:28There was a murder...
0:15:29 > 0:15:31..and Roy and I disposed of the body.
0:15:33 > 0:15:35Did Roy kill someone?
0:15:35 > 0:15:39Roy? No, no, someone else. Someone we needed to protect.
0:15:39 > 0:15:41Who?
0:15:43 > 0:15:45You can't just tell me about a murder...
0:15:45 > 0:15:46Enough!
0:15:51 > 0:15:52Let's get back to your grandmother.
0:15:58 > 0:15:59Olivia!
0:16:00 > 0:16:03Andrew. What are you doing here?
0:16:03 > 0:16:05I'm not sure you're meant to ask that at the loony bin.
0:16:06 > 0:16:09Sorry. Um, I was just passing.
0:16:09 > 0:16:12You seem to be heading towards, not past.
0:16:13 > 0:16:15A friend from London.
0:16:15 > 0:16:19She lives here now and she has a nervous complaint.
0:16:21 > 0:16:22One tries to be discreet.
0:16:22 > 0:16:24I didn't think you had friends in Australia.
0:16:25 > 0:16:27An old school friend.
0:16:27 > 0:16:30Well, I'm checking up on father. He's drying out.
0:16:30 > 0:16:32- Oh, I didn't... - Look, don't feel uncomfortable.
0:16:32 > 0:16:35The lecherous old reprobate has forfeited his right to discretion.
0:16:36 > 0:16:40Well, I won't keep you. Wish him my best.
0:16:40 > 0:16:42What are you doing in the city?
0:16:42 > 0:16:47Um...James and I are spending time here.
0:16:47 > 0:16:49A holiday of sorts.
0:16:49 > 0:16:50And where's he?
0:16:50 > 0:16:52James? At the hotel.
0:16:54 > 0:16:58You really should visit Anna, you know.
0:16:58 > 0:16:59She'd love to see you.
0:16:59 > 0:17:02- Really?- Of course.
0:17:02 > 0:17:05Without us at Ash Park, she'd relish the company.
0:17:05 > 0:17:07I have been thinking of her lately.
0:17:09 > 0:17:10I won't detain you.
0:17:11 > 0:17:12Give James my best.
0:17:46 > 0:17:48How are you feeling, my darling?
0:17:49 > 0:17:50I think...
0:17:53 > 0:17:55I don't know what...
0:17:59 > 0:18:01I hate seeing you like this.
0:18:04 > 0:18:06Come back to me.
0:18:09 > 0:18:10Who are you?
0:18:12 > 0:18:15If you don't want to do this anymore,
0:18:15 > 0:18:18you just say.
0:18:18 > 0:18:20Do you hear me?
0:18:20 > 0:18:24If it gets too much, just say.
0:18:24 > 0:18:26Ah, we're awake.
0:18:26 > 0:18:29How are we feeling, James?
0:18:29 > 0:18:31- Foggy. - Mm-hm.
0:18:31 > 0:18:34You must be Mrs Bligh. I'm Dr Wilson.
0:18:34 > 0:18:36I oversee James's daily treatment.
0:18:36 > 0:18:38I thought Dr Stewart was in charge.
0:18:38 > 0:18:41Rest assured, I work closely with Dr Stewart.
0:18:41 > 0:18:44I specialise in this particular form of deviancy.
0:18:44 > 0:18:47His memory still isn't back.
0:18:47 > 0:18:49- Is that normal? - It is.
0:18:49 > 0:18:51Are you ready for your next treatment, old man?
0:18:52 > 0:18:55But he's barely rested from the last.
0:18:55 > 0:18:56Mrs Bligh...
0:18:56 > 0:18:59Shouldn't you at least wait until he's himself again?
0:18:59 > 0:19:01Being himself is precisely the problem.
0:19:01 > 0:19:03This is the treatment.
0:19:03 > 0:19:05This is what Dr Stewart discussed with you.
0:19:05 > 0:19:06- Yes, but... - James trusts me.
0:19:06 > 0:19:10- Don't you, James? - Yes.
0:19:11 > 0:19:14So, if you could wait outside, we'll talk in a moment.
0:19:24 > 0:19:26Livy.
0:19:27 > 0:19:30Excuse me, I'm meeting Mrs James Bligh here.
0:19:30 > 0:19:33I was hoping you might tell me where I could find her.
0:19:47 > 0:19:51- Ah, Doctor, a moment, if I may. - Rather not.
0:19:51 > 0:19:55There's an issue of some import I wish to canvass with you, Doctor.
0:19:55 > 0:19:59No doubt you saw me arrive earlier in the Bligh car.
0:19:59 > 0:20:00I didn't.
0:20:00 > 0:20:04Oh, well, I'm sure the staff was abuzz
0:20:04 > 0:20:06and I would hate the girls to think I'm somehow above them
0:20:06 > 0:20:08after the experience.
0:20:08 > 0:20:11Rest assured, I'm still the same Doris Collins.
0:20:11 > 0:20:14I must say, even Norman seemed a little disconcerted
0:20:14 > 0:20:16to be addressed so openly from the rear seat.
0:20:16 > 0:20:19One imagines he's unused to passengers
0:20:19 > 0:20:20bridging the social divide,
0:20:20 > 0:20:23but front seat or back, I'm the same woman.
0:20:23 > 0:20:25Doctor?
0:20:39 > 0:20:41- I was starting to give up on you. - I'm not here to chat.
0:20:42 > 0:20:44Please, can't we just...?
0:20:44 > 0:20:46What happens if she doesn't want to know about me?
0:20:46 > 0:20:47If she doesn't ask?
0:20:48 > 0:20:50Come inside. Let me get you a drink.
0:20:50 > 0:20:53I'm teetotal, which you'd know if you hadn't ignored me for 20 years.
0:20:53 > 0:20:56I'm sure she will ask.
0:20:56 > 0:20:58If she doesn't, what will you tell her?
0:20:58 > 0:20:59Will you tell her about me anyway?
0:21:02 > 0:21:03That's what I thought.
0:21:03 > 0:21:05It's not that simple. She has a father.
0:21:05 > 0:21:09- Damn right she does! Me! - She comes first.
0:21:09 > 0:21:11If she asks, I will tell her, but if she doesn't...
0:21:11 > 0:21:13You made me miss her whole life!
0:21:14 > 0:21:17Then you hold her in front of me and tell me maybe I can't have it.
0:21:17 > 0:21:18No, I don't need your permission.
0:21:18 > 0:21:20- Jack! - You can shove your bloody offer.
0:21:20 > 0:21:22- Can we just...? - Wherever she is, I'll find her.
0:21:22 > 0:21:24I will find her.
0:21:55 > 0:21:58You'll be here, of course, when Sarah arrives.
0:21:58 > 0:22:00Naturally.
0:22:02 > 0:22:03Naturally.
0:22:05 > 0:22:07I think it's best Anna is left to her own devices,
0:22:07 > 0:22:09for a few days at least.
0:22:09 > 0:22:10I agree.
0:22:10 > 0:22:14I've already taken steps to quash gossip on both accounts.
0:22:14 > 0:22:15Good.
0:22:15 > 0:22:18CLOCK CHIMES
0:22:18 > 0:22:19Well, excuse me.
0:22:20 > 0:22:22When did you intend telling me?
0:22:23 > 0:22:26- What?- About your sister.
0:22:38 > 0:22:40George!
0:22:43 > 0:22:44Well, if you're here to see Sarah,
0:22:44 > 0:22:46you have a strange way of showing it.
0:22:46 > 0:22:48- You didn't tell mother, did you? - No, no, no.
0:22:48 > 0:22:50I was quick enough on my feet to cover for you.
0:22:50 > 0:22:54- Assuming it's Anna you're here for. - Yes.
0:22:54 > 0:22:55I should have guessed with all the trips to the city.
0:22:55 > 0:22:57She's been talking to you about Gino.
0:22:57 > 0:22:59- You know about him? - I do now.
0:23:00 > 0:23:04- She needed someone. - I'm glad it was you.
0:23:04 > 0:23:06I've been so caught up in my own problems, I didn't see it.
0:23:06 > 0:23:10- She loves him.- Yes.
0:23:10 > 0:23:11Have you been to the farm?
0:23:12 > 0:23:15- Mother didn't tell you? - Tell me what?
0:23:15 > 0:23:17Anna's living with the Polettis for three months.
0:23:17 > 0:23:20- She's...? - We struck a deal.
0:23:20 > 0:23:23She's there to get a taste of married life.
0:23:23 > 0:23:26- Separate beds, I assume. - Only you would ask that.
0:23:26 > 0:23:29If they can make it work, they have my blessing.
0:23:29 > 0:23:31- I'm impressed. - It was Sarah's idea.
0:23:31 > 0:23:33But you agreed to it.
0:23:33 > 0:23:35I like your Sarah.
0:23:35 > 0:23:37You'd like her even more when you meet her.
0:23:37 > 0:23:39Being there for Anna's taken all my attention,
0:23:39 > 0:23:41but I promise I will make up for it.
0:23:43 > 0:23:47It must be hard sometimes, being Aunt Carolyn.
0:23:50 > 0:23:52It's the price I pay.
0:24:01 > 0:24:04- What are you doing? - What are YOU doing?
0:24:04 > 0:24:08Turns out that a French polish isn't compatible with doing the dishes.
0:24:08 > 0:24:12They're just nails.
0:24:12 > 0:24:13Well, they're beautiful.
0:24:14 > 0:24:17And I love you for doing this.
0:24:17 > 0:24:18Gino!
0:24:21 > 0:24:23- Gino's kissing Anna! - Hey, get out of here!
0:24:23 > 0:24:24Gino's kissing Anna!
0:24:24 > 0:24:26- Get out of here! - Please get out.
0:24:26 > 0:24:29- Mamma! Mamma! Gino's kissing Anna! - No, we weren't.
0:24:29 > 0:24:32ALL SPEAK ITALIAN
0:24:32 > 0:24:33I didn't do anything!
0:24:33 > 0:24:39ALL SPEAK ITALIAN
0:24:41 > 0:24:42Sit.
0:24:47 > 0:24:50We have one rule - no touching.
0:24:50 > 0:24:51- You touch, she goes. - Mamma, please...
0:24:51 > 0:24:53"Mamma," nothing.
0:24:53 > 0:24:55Anna, to the kitchen.
0:25:00 > 0:25:02Your papa is right.
0:25:03 > 0:25:06A man controls himself. A decent man.
0:25:07 > 0:25:09- Hmm?- Si.
0:25:10 > 0:25:11Si.
0:25:25 > 0:25:27Thought I saw you arrive.
0:25:27 > 0:25:30- Where's James? - In his treatment.
0:25:30 > 0:25:32He has it in the afternoon.
0:25:32 > 0:25:34Twice a day now.
0:25:34 > 0:25:36- That's too much. - Mrs Bligh.
0:25:36 > 0:25:38It is too much.
0:25:39 > 0:25:41Mrs Bligh, I'm afraid I'm going to have to ask you
0:25:41 > 0:25:43- to stay away for a while. - No!
0:25:43 > 0:25:46Any progress we make with James, you undo with your displays of distress.
0:25:46 > 0:25:47I don't!
0:25:47 > 0:25:49You fret over him, aggravating his fears,
0:25:49 > 0:25:50making treatment nigh on impossible.
0:25:50 > 0:25:53You are counter-productive to his health
0:25:53 > 0:25:56and your own, not to mention the unborn.
0:25:59 > 0:26:04Do you want James cured of this perversion or not?
0:26:05 > 0:26:06I...
0:26:09 > 0:26:11I want him better.
0:26:11 > 0:26:15Then we will review the advisability of you visiting him in a few weeks.
0:26:15 > 0:26:17But Dr Stewart said...
0:26:17 > 0:26:19He's in complete agreement.
0:26:24 > 0:26:25Excellent.
0:27:02 > 0:27:04Not exactly the sort of farewell I wanted for you.
0:27:05 > 0:27:06Me neither.
0:27:08 > 0:27:10You look after her, Mr Bligh.
0:27:11 > 0:27:13Don't worry. She's in good hands.
0:27:13 > 0:27:14DOG BARKS
0:27:14 > 0:27:16Just like he is.
0:27:16 > 0:27:18Looks like you'll have two old dogs to come visit, eh?
0:27:30 > 0:27:31If you can't live with it...
0:27:31 > 0:27:33I will.
0:28:00 > 0:28:01Good luck, Missy.
0:28:31 > 0:28:32Point of no return.
0:28:34 > 0:28:35Miss Adams, welcome.
0:28:35 > 0:28:37Oh, it was kind of you to meet me, Mrs Bligh.
0:28:37 > 0:28:39The least any guest can expect.
0:28:39 > 0:28:42The grey room for Miss Adams, I think, Amy.
0:28:42 > 0:28:43Yes, Mrs Bligh.
0:28:43 > 0:28:44Actually, Amy, Anna offered her room.
0:28:44 > 0:28:47- It'll be much nicer. - Yes, sir.
0:28:47 > 0:28:50But who knows when she'll be back. No, the grey room, Amy.
0:28:50 > 0:28:51Anna's determined to stay the course.
0:28:51 > 0:28:54Best err on the side of caution.
0:28:54 > 0:28:56- Sarah's more than a guest. - And will be treated accordingly.
0:28:56 > 0:28:59The grey room sounds lovely, thank you.
0:29:01 > 0:29:03Um, the grey room?
0:29:04 > 0:29:06The grey room.
0:29:07 > 0:29:10I can't believe I'm actually here.
0:29:10 > 0:29:12I want Ash Park to feel like your home.
0:29:13 > 0:29:15This is home.
0:29:15 > 0:29:18It's hardly our most luxurious accommodation.
0:29:18 > 0:29:20I think it's perfect.
0:29:21 > 0:29:23Well, don't get too used to it.
0:29:23 > 0:29:25In a few months, you'll be in with me.
0:29:26 > 0:29:28- Perhaps a guided tour. - Don't tempt me.
0:29:28 > 0:29:33I'm here to win over your mother and that is not the way to do it.
0:29:43 > 0:29:45KNOCK AT DOOR I'm busy.
0:29:45 > 0:29:46We need you in the ward.
0:29:46 > 0:29:48DOOR RATTLES I'm coming!
0:29:48 > 0:29:50It's urgent, Doctor.
0:30:02 > 0:30:05BOTH SPEAK ITALIAN
0:30:11 > 0:30:13- Miss Carolyn! - Sorry to drop in unannounced.
0:30:15 > 0:30:16So many years, we no see you.
0:30:16 > 0:30:19How beautiful you are and still so young.
0:30:19 > 0:30:20Oh, you make me blush!
0:30:20 > 0:30:22Look at you, madam! What a difference.
0:30:22 > 0:30:25And all worth it. This is Gino.
0:30:25 > 0:30:28Course it is. The pleasure is all mine.
0:30:28 > 0:30:31We make coffee. Real Italian coffee. You like?
0:30:31 > 0:30:34- I love. - We'll bring it to you. Anna.
0:30:35 > 0:30:37It's nice to meet you...
0:30:37 > 0:30:38(..Mamma.)
0:30:40 > 0:30:44- He knows? - Everything. You can trust him.
0:30:44 > 0:30:45What do you think?
0:30:47 > 0:30:49Gorgeous.
0:30:49 > 0:30:52And he loves you, so rather special.
0:30:54 > 0:30:56I'm happy it worked out.
0:30:56 > 0:30:58Me too.
0:30:59 > 0:31:01What's that look for, then?
0:31:01 > 0:31:02Father was here yesterday.
0:31:04 > 0:31:06I couldn't tell him that I know.
0:31:06 > 0:31:08He was so sweet.
0:31:08 > 0:31:12You don't have to say anything. Not yet. Not ever, if you prefer.
0:31:12 > 0:31:15You're my mother. I want everyone to know.
0:31:15 > 0:31:17In time. This first.
0:31:19 > 0:31:21Do you think George will be hurt?
0:31:21 > 0:31:24- He is still your father. - But he won't be.
0:31:24 > 0:31:25No.
0:31:29 > 0:31:32And your real father? You're not curious?
0:31:32 > 0:31:34Of course.
0:31:36 > 0:31:38It's complex enough already.
0:31:55 > 0:31:56JAMES: Hey.
0:32:00 > 0:32:03You're back with us. You're doing very well, James.
0:32:03 > 0:32:06Where...where's Livy?
0:32:06 > 0:32:10Mrs Bligh won't be with us for some time.
0:32:10 > 0:32:14Thought it best that you have some peace and quiet to recover
0:32:14 > 0:32:16and to allow the treatment the best chance of success.
0:32:17 > 0:32:19It's what you want, isn't it?
0:32:20 > 0:32:22To enjoy your wife and your family
0:32:22 > 0:32:24without the spectre of perversion hovering?
0:32:24 > 0:32:26My head hurts.
0:32:26 > 0:32:30We're making you better and that's what we want.
0:32:30 > 0:32:31Yes?
0:32:38 > 0:32:41We're on voltage two at the moment. We'll take it up to five.
0:33:36 > 0:33:38WOMAN: Just down here to the right, Mr Richards.
0:34:24 > 0:34:27Oh, Miss Adams! More than punctual.
0:34:27 > 0:34:30I hoped we might talk before dinner.
0:34:32 > 0:34:34I come in peace.
0:34:35 > 0:34:38We both know that you'll try to stop this marriage
0:34:38 > 0:34:40and we also know I'm not about to let you.
0:34:41 > 0:34:43So, this is your line drawn in the sand?
0:34:43 > 0:34:47- More our Geneva Convention. - Oh, your rules of engagement.
0:34:47 > 0:34:48A rule.
0:34:49 > 0:34:52Whatever blows we land, we leave George out of it.
0:34:53 > 0:34:56We both love him. We don't want him hurt.
0:34:56 > 0:34:59- Agreed.- Thank you.
0:34:59 > 0:35:01Although we did make an agreement once before.
0:35:01 > 0:35:03- James.- Yes.
0:35:05 > 0:35:06Break this one at your peril.
0:35:08 > 0:35:11- Sherry?- Thank you.
0:35:14 > 0:35:18- Anna should do that. - Ma, she's tired.
0:35:18 > 0:35:22A farmer's wife doesn't rest so SHE doesn't rest.
0:35:22 > 0:35:23Ma!
0:35:45 > 0:35:49(Ma, let her sleep.)
0:35:49 > 0:35:51Tonight.
0:35:52 > 0:35:53Tomorrow, dishes.
0:36:01 > 0:36:03Now, I hope you won't mind
0:36:03 > 0:36:06if I leave you both alone for a few days.
0:36:06 > 0:36:09- Where are you going? - I'd like to visit James and Olivia
0:36:09 > 0:36:11so I intend to leave on Sunday after Matins,
0:36:11 > 0:36:12unless you have any objections.
0:36:12 > 0:36:14No, no. By all means.
0:36:14 > 0:36:17- I thought not. - It's not your heart, is it?
0:36:17 > 0:36:20Oh, don't be so dramatic, George.
0:36:20 > 0:36:22Although I do intend to see my specialist.
0:36:22 > 0:36:25I thought Miss Adams might like the chance to settle in,
0:36:25 > 0:36:26to adjust.
0:36:26 > 0:36:28That's very thoughtful.
0:36:29 > 0:36:32Well, it's been a long day. If you'll excuse me.
0:36:34 > 0:36:35- Good night, Miss Adams. - Good night.
0:36:35 > 0:36:37- Good night, mother. - Good night, George.
0:36:43 > 0:36:45That's the last thing I expected.
0:36:58 > 0:37:00Yes, I'd like to make a long-distance call
0:37:00 > 0:37:02to Sydney, please, Mildred.
0:37:02 > 0:37:04To the Australia Hotel.
0:37:05 > 0:37:06Mm-hm.
0:37:06 > 0:37:11And I want to speak to a guest, Mrs Regina Standish.
0:37:13 > 0:37:15There are things I haven't told you.
0:37:17 > 0:37:21Mother has reason to be concerned about James.
0:37:23 > 0:37:26Best you settle before I burden you with family problems.
0:37:26 > 0:37:29- When it's right. - Soon.
0:37:30 > 0:37:33And then, no secrets between us...
0:37:34 > 0:37:36..ever.
0:37:42 > 0:37:44I had to lie.
0:37:44 > 0:37:47I had no choice.
0:37:50 > 0:37:53That's enough for today. It's getting late.
0:37:54 > 0:37:56So many secrets.
0:37:57 > 0:38:01- Did you finally tell him? - Never about the murder.
0:38:03 > 0:38:06Other secrets refused to stay silent.
0:38:07 > 0:38:10Even some I didn't know myself.
0:38:23 > 0:38:26- Bye, Samantha. - Bye, Leah. Thank you.
0:38:29 > 0:38:31She told me something extraordinary...
0:38:32 > 0:38:34..in confidence.
0:38:34 > 0:38:36She's led an extraordinary life.
0:38:37 > 0:38:39Just hope my book can do her justice.
0:38:39 > 0:38:41See you.
0:38:49 > 0:38:53CLASSICAL MUSIC PLAYS ON RADIO
0:38:56 > 0:38:58HORN HONKS
0:39:09 > 0:39:11HORSES' HOOVES APPROACH
0:40:00 > 0:40:01Turn it off.
0:40:01 > 0:40:03Turn it off!
0:40:07 > 0:40:09- Turn it off! - What is it?
0:40:11 > 0:40:12MUSIC STOPS
0:40:12 > 0:40:14We had no choice.
0:40:14 > 0:40:18- It was him or them. - Who? Sarah?
0:40:20 > 0:40:22It was him or them.
0:40:22 > 0:40:24WOMAN: Please, Bert. Louise needs you.
0:40:44 > 0:40:45BABY CRIES
0:40:45 > 0:40:47Bert! Bert!
0:40:50 > 0:40:53What have you done? Colin, what have you done?
0:40:56 > 0:40:58What have you done? Colin?
0:40:58 > 0:41:01HORSE WHINNIES
0:41:03 > 0:41:05Come on!
0:41:05 > 0:41:07Oh, no.
0:41:14 > 0:41:15No secrets.
0:41:18 > 0:41:20Ever.