0:00:02 > 0:00:04A GP for Olivia, or were you after a specialist?
0:00:04 > 0:00:05- A psychiatrist, I think. - I want to go home.
0:00:05 > 0:00:07Your father and your wife signed you in.
0:00:07 > 0:00:09You cannot leave without their consent.
0:00:09 > 0:00:11- Orderlies!- No! No!
0:00:11 > 0:00:14Your kind lacks moral fibre, James, and I'm here to provide it for you.
0:00:14 > 0:00:17Is this why you tried to kill yourself?
0:00:17 > 0:00:19It might be best if you had!
0:00:19 > 0:00:21- I was upset.- You meant it.
0:00:21 > 0:00:24- I'm not proud.- Nor should you be!
0:00:24 > 0:00:26I've just started drawing up a guest list.
0:00:26 > 0:00:28- For?- Our engagement party.
0:00:28 > 0:00:30I've come to talk about our daughter.
0:00:30 > 0:00:32- Who is she?- Anna.
0:00:32 > 0:00:35You're that interested in Anna?
0:00:35 > 0:00:36I'm being badgered to marry,
0:00:36 > 0:00:39and she's the only vaguely interesting candidate.
0:00:39 > 0:00:42I already have investigators at work, in Paris, London and Berlin.
0:00:42 > 0:00:47The talk of the camps. You were a Jew in France at that time.
0:00:47 > 0:00:49I'd rather we concentrate on the future.
0:00:49 > 0:00:51One thing that can be said for the Nazis -
0:00:51 > 0:00:53they kept meticulous records.
0:00:59 > 0:01:02MUSIC: A Kiss To Build A Dream On by Louis Armstrong
0:01:07 > 0:01:11# Give me a kiss to build a dream on
0:01:11 > 0:01:16# And my imagination will thrive upon that kiss
0:01:19 > 0:01:23# Sweetheart, I ask no more than this
0:01:24 > 0:01:26# A kiss to build a dream on
0:01:28 > 0:01:30# Yes
0:01:31 > 0:01:36# Give me a kiss before you leave me
0:01:36 > 0:01:41# And my imagination will feed my hungry heart
0:01:44 > 0:01:48# Leave me one thing before we part
0:01:49 > 0:01:52# A kiss to build a dream on
0:01:58 > 0:02:01# Lend me your chops for just a moment
0:02:01 > 0:02:07# And my imagination will make that moment live
0:02:07 > 0:02:11# Yes
0:02:11 > 0:02:15# Give me what you alone can give
0:02:15 > 0:02:21# A kiss to build a dream on. #
0:02:25 > 0:02:27Welcome to Ash Park.
0:02:27 > 0:02:30Oh, it's like I've stepped into fairyland!
0:02:30 > 0:02:32Hardly.
0:02:32 > 0:02:34Cinderella!
0:02:42 > 0:02:44Mr Bligh, I believe congratulations are in order.
0:02:44 > 0:02:46Thank you. That's why I'm here.
0:02:46 > 0:02:49We're having an engagement party tomorrow.
0:02:49 > 0:02:51We'd like James to join us.
0:02:51 > 0:02:53He's well into his aversion therapy.
0:02:53 > 0:02:56I thought it might be a chance to reconnect.
0:02:56 > 0:02:58It's just for one day.
0:02:58 > 0:03:01I'm afraid that would be counterproductive to his treatment.
0:03:01 > 0:03:03- Oh.- Sorry.
0:03:04 > 0:03:06May I see him?
0:03:06 > 0:03:09Given your part in his breakdown, we'd prefer not.
0:03:09 > 0:03:12Dr Stewart and I believe it's too soon, too raw.
0:03:12 > 0:03:14I see.
0:03:14 > 0:03:18I understand how hard this must be for you, but it is for the best.
0:03:20 > 0:03:24This aversion therapy, what does it involve?
0:03:24 > 0:03:26It's a new treatment, from America.
0:03:26 > 0:03:29Preliminary results have been most encouraging.
0:03:33 > 0:03:37I'm sure you share your son's desire to rid himself of his perversion.
0:03:37 > 0:03:40I ask for your trust. I'm sure I have it.
0:03:46 > 0:03:48When are you finishing up at the hospital?
0:03:48 > 0:03:50I'm staying on.
0:03:50 > 0:03:53Oh. Mr Bligh doesn't mind?
0:03:53 > 0:03:55Not at all.
0:03:55 > 0:03:57Well, I suppose times are changing.
0:03:57 > 0:03:59They are, which is why we're having our party
0:03:59 > 0:04:02for the people important to us, not the important people.
0:04:04 > 0:04:07It may not seem like a fairytale to you, love,
0:04:07 > 0:04:11- but it certainly does to me. - I'm lucky. Very.
0:04:14 > 0:04:19There's that look again, right under your smile.
0:04:19 > 0:04:23You never could hide much from me, you know.
0:04:23 > 0:04:26- You're here to enjoy yourself. - Oh, I am!
0:04:26 > 0:04:27But you...
0:04:29 > 0:04:31- You are all right?- I'm fine.
0:04:37 > 0:04:41As the nausea builds, try to stay focused on the images.
0:04:41 > 0:04:42Yes.
0:04:47 > 0:04:49Are you ready?
0:05:01 > 0:05:03Eyes open.
0:05:19 > 0:05:20Good.
0:05:25 > 0:05:26Shall we continue?
0:05:42 > 0:05:45- At least you were allowed to visit him.- Briefly.
0:05:45 > 0:05:46And he was heavily sedated.
0:05:46 > 0:05:48I don't think it's too much to want to know
0:05:48 > 0:05:50what's being done to your son.
0:05:50 > 0:05:52George, he's in good hands.
0:05:52 > 0:05:56The main thing is, he's being strong, and we owe him as much in return.
0:05:58 > 0:06:03- So, tomorrow's gathering. - You know you're more than welcome.
0:06:03 > 0:06:06In my own home? Well, thank you very much.
0:06:06 > 0:06:08No, I think we both know what's best,
0:06:08 > 0:06:11given the style of celebration that you've chosen.
0:06:11 > 0:06:14But I do hope that you have an enjoyable afternoon.
0:06:14 > 0:06:15Thank you, Mother.
0:06:15 > 0:06:19- That is wicked gossip! - It's true.
0:06:19 > 0:06:21He's been a great help in raising her spirits.
0:06:21 > 0:06:24I think your attempt to visit James is best not mentioned.
0:06:24 > 0:06:27Given our last meeting, I've a lot to make up for.
0:06:27 > 0:06:28Andrew.
0:06:30 > 0:06:31It's lovely to see you.
0:06:31 > 0:06:32It is.
0:06:32 > 0:06:35I was telling George how kind you've been.
0:06:35 > 0:06:37We've been enjoying the company, sir.
0:06:37 > 0:06:40Shouldn't you be at Ash Park preparing for tomorrow?
0:06:40 > 0:06:44I had urgent business. I'm heading back there now.
0:06:44 > 0:06:47Perhaps you would like to come with me.
0:06:47 > 0:06:50I have a car arranged for the morning.
0:06:50 > 0:06:52Of course.
0:06:52 > 0:06:54Why don't I do the honours?
0:06:54 > 0:06:56- Oh, we can't expect you... - It'd be my pleasure.
0:06:56 > 0:06:59Gauche, inviting myself, I know, but all for a good cause.
0:06:59 > 0:07:03There and back with a driver - tres, tres dull.
0:07:03 > 0:07:05That's very kind of you.
0:07:05 > 0:07:08- If you don't mind. - The more the merrier.
0:07:08 > 0:07:10- Settled, then. - I'll see you away, George.
0:07:10 > 0:07:12- There's no need, Mother.- No, no.
0:07:15 > 0:07:17- "The more the merrier," for heaven's sake!- Why not?
0:07:17 > 0:07:19I have spent the entire week
0:07:19 > 0:07:22placing barriers in the way of his visiting Anna.
0:07:22 > 0:07:26- No wonder he jumped in so quickly. - And you've undone it in a moment.
0:07:26 > 0:07:29Inverness may accept Anna absorbing Italian at the Polettis'.
0:07:29 > 0:07:32- Andrew is not as gullible. - I didn't think.
0:07:32 > 0:07:33No, you didn't!
0:07:40 > 0:07:44- So, are you still enjoying it here? - Mm.
0:07:44 > 0:07:47I cooked my first meal on my own last night.
0:07:47 > 0:07:50Ah! I didn't get a call for food poisoning.
0:07:54 > 0:07:56- I'd best... - How's your Italian coming along?
0:07:56 > 0:07:58Molto bene, grazie.
0:07:58 > 0:08:00- Quick learner.- No, not really.
0:08:00 > 0:08:02- So, I should...- Yeah, of course.
0:08:02 > 0:08:04- Sorry.- Dr Duncan.
0:08:04 > 0:08:07Gino. Just checking on your sister. She's doing much better.
0:08:08 > 0:08:10Yes.
0:08:11 > 0:08:13Well, I've got to go.
0:08:15 > 0:08:17- Good luck with the lingo.- Thanks.
0:08:22 > 0:08:25The last three days he comes, he looks at Gilda...
0:08:25 > 0:08:27then he talks to you.
0:08:27 > 0:08:29I can't help it if I'm fascinating.
0:08:30 > 0:08:34- It's like he comes to see you. - Don't be silly!
0:08:34 > 0:08:37- It's a little strange, is all I'm saying.- You're strange.
0:08:37 > 0:08:40- You're jealous.- Of an old man? - He's not that old.
0:08:40 > 0:08:42- You're imagining things.- Maybe.
0:08:42 > 0:08:44But I know what I do imagine.
0:08:46 > 0:08:48Gino!
0:08:54 > 0:08:56- We promised.- Yeah.
0:09:14 > 0:09:17- I'll leave you both to catch up. - Don't hurry off on my account.
0:09:17 > 0:09:21I would stay on your account, but I have an errand.
0:09:21 > 0:09:22We'll see you in the morning. The big day!
0:09:22 > 0:09:24- Good night.- Good night.
0:09:29 > 0:09:30She's lovely.
0:09:30 > 0:09:32Yes, I feel like I've known her for years.
0:09:36 > 0:09:39So, is it...
0:09:40 > 0:09:44Is it Mrs Bligh who's caused this, um, whatever it is?
0:09:44 > 0:09:46I told you. I'm fine.
0:09:47 > 0:09:49No, you're not.
0:09:50 > 0:09:52But no more prying.
0:09:56 > 0:09:58I hope you have the perfect day for it.
0:10:04 > 0:10:06There are things that have happened recently
0:10:06 > 0:10:08that have brought up the past.
0:10:10 > 0:10:13There's something I've tried to ignore. It's...
0:10:17 > 0:10:19..something I've never told anyone.
0:10:23 > 0:10:26Tomorrow's party makes our relationship official.
0:10:28 > 0:10:31If I'm going to tell George, it has to be before.
0:10:32 > 0:10:35He'd never forgive me if he learned about it after.
0:10:37 > 0:10:40SMOOTH JAZZ PLAYS ON RADIO
0:10:44 > 0:10:45KNOCK ON DOOR
0:10:50 > 0:10:53Guess you haven't eaten. Leftovers.
0:10:57 > 0:10:59Look! A telephone.
0:11:01 > 0:11:03Don't know what to say.
0:11:03 > 0:11:05It is a lot to take in.
0:11:08 > 0:11:10So, what have you been doing?
0:11:10 > 0:11:12Finding excuses to see Anna.
0:11:13 > 0:11:15Finding others to avoid seeing George.
0:11:15 > 0:11:17I said I mightn't make the party.
0:11:17 > 0:11:20You'd be conspicuous by your absence.
0:11:20 > 0:11:22How can I look him in the eye, knowing what I do?
0:11:24 > 0:11:26I'll be there. We'll do it together.
0:11:30 > 0:11:32All those years playing Aunt Carolyn.
0:11:33 > 0:11:35How did you manage?
0:11:37 > 0:11:39It broke my heart.
0:11:39 > 0:11:40For a long time.
0:11:42 > 0:11:44And then it didn't.
0:11:44 > 0:11:45Time heals.
0:11:46 > 0:11:48So I understand, I really do.
0:11:53 > 0:11:56My husband Rene and I were arrested.
0:11:56 > 0:11:58In Paris.
0:11:58 > 0:12:01For distributing anti-Nazi material.
0:12:02 > 0:12:05He convinced them that he'd been acting alone.
0:12:05 > 0:12:06They let me go.
0:12:07 > 0:12:09I got as far as the Spanish border.
0:12:10 > 0:12:13I could have got out, but I turned back, to fight.
0:12:14 > 0:12:17- The Resistance.- I did what I could.
0:12:17 > 0:12:20Killed who I had to to shorten the war.
0:12:22 > 0:12:25I was caught. I was sent to a camp.
0:12:27 > 0:12:28Ravensbruck.
0:12:31 > 0:12:33You have to understand the depth of my love for Rene
0:12:33 > 0:12:34to understand what I did.
0:12:36 > 0:12:38All that mattered was to remain alive.
0:12:40 > 0:12:42To see him again.
0:12:43 > 0:12:45There's no shame in surviving, love.
0:12:47 > 0:12:48It's how I survived.
0:13:00 > 0:13:01I used my body.
0:13:05 > 0:13:06They used it.
0:13:18 > 0:13:21My poor darling, poor darling girl.
0:13:21 > 0:13:23The women who resisted were shot.
0:13:24 > 0:13:27The rest of us were taken to a special barracks
0:13:27 > 0:13:30every day for over a year.
0:13:32 > 0:13:33Oh, it breaks my heart.
0:13:37 > 0:13:39Hark at me.
0:13:39 > 0:13:41Just making it worse. I should be comforting you.
0:13:41 > 0:13:44- I'm so sorry. - You have nothing to be sorry for.
0:13:46 > 0:13:48There is no shame when there's no choice.
0:13:50 > 0:13:52How can I marry without telling him?
0:13:55 > 0:13:57What good would it do?
0:13:57 > 0:14:00You've suffered so much.
0:14:00 > 0:14:01You deserve happiness now.
0:14:03 > 0:14:04You both do.
0:14:07 > 0:14:12I...I am sure he's a lovely man.
0:14:15 > 0:14:19But, see, he's a man.
0:14:20 > 0:14:22Don't risk destroying this.
0:14:28 > 0:14:30- What's wrong?- Nothing's wrong.
0:14:30 > 0:14:34I need to ask your cooperation in something.
0:14:34 > 0:14:37Andrew Swanson is coming with Olivia tomorrow.
0:14:37 > 0:14:38So?
0:14:38 > 0:14:41I'd like you to be there before the guests arrive
0:14:41 > 0:14:43and leave after they're gone.
0:14:44 > 0:14:46You mean, not arrive with Gino.
0:14:46 > 0:14:48Act like we mean nothing to each other.
0:14:48 > 0:14:51- During the party, yes. - You still think we won't work.
0:14:51 > 0:14:54- I'm simply trying to protect you. - I don't need protecting!
0:14:54 > 0:14:56- If this experiment doesn't work... - This is my future!
0:14:56 > 0:14:58- Anna, please.- It is.
0:14:58 > 0:15:00That breeze you feel is the winds of change, Father.
0:15:00 > 0:15:02Accept it.
0:15:02 > 0:15:04Which one of your books did you get that from?
0:15:04 > 0:15:08I wrote it myself. I am capable of independent thought.
0:15:08 > 0:15:09I had noticed.
0:15:11 > 0:15:12Is it too much to ask?
0:15:12 > 0:15:14- Yes.- Anna.
0:15:15 > 0:15:17Tomorrow is your papa's special day.
0:15:19 > 0:15:20We'll do what makes him happy.
0:15:20 > 0:15:23- It's not what's right. - It is what is right.
0:15:26 > 0:15:29Just like he will do on the day of our engagement party.
0:15:29 > 0:15:31When we do have it.
0:15:31 > 0:15:33Fair deal.
0:15:36 > 0:15:38- Anna?- All right.
0:15:40 > 0:15:41Thank you both.
0:15:43 > 0:15:44Good night.
0:15:50 > 0:15:54- You're not worried? About Andrew? - Should I be?
0:15:54 > 0:15:56- No.- Then I'm not worried.
0:16:02 > 0:16:04KNOCK ON DOOR
0:16:04 > 0:16:05Sarah.
0:16:07 > 0:16:09Are you awake?
0:16:31 > 0:16:32Good morning!
0:16:33 > 0:16:36- What time is it?- 9:30.
0:16:36 > 0:16:40- It's too early. - We're up at six on the farm.
0:16:40 > 0:16:42Uncivilised.
0:16:42 > 0:16:44There's a dress I want to wear.
0:16:48 > 0:16:51Your father and I had a chat when he got home.
0:16:51 > 0:16:55- Good girl for doing what he asked. - I suppose.
0:16:55 > 0:16:58But since I'm forced into being here...
0:16:58 > 0:17:00What are you up to?
0:17:00 > 0:17:02I'm using luncheon to make a point.
0:17:03 > 0:17:05Ah!
0:17:05 > 0:17:07- Shouldn't we wait for Anna? - She'll be along.
0:17:07 > 0:17:09Something about a surprise.
0:17:09 > 0:17:11A pleasant one, I hope.
0:17:11 > 0:17:14- Guest of honour first. - Oh, you're spoiling me.
0:17:14 > 0:17:16We're thrilled you're here.
0:17:16 > 0:17:19If I may, I would like to propose a toast
0:17:19 > 0:17:22to the future happiness of you both.
0:17:22 > 0:17:24- To happiness. - Happiness.
0:17:24 > 0:17:26Long happiness.
0:17:30 > 0:17:32Luncheon is served!
0:17:32 > 0:17:34Spaghetti napolitana.
0:17:34 > 0:17:36Alla Poletti.
0:17:37 > 0:17:39Oh, please, miss, it's my job to carry.
0:17:39 > 0:17:41Yes, and it's Cook's job to cook, but she didn't.
0:17:41 > 0:17:43Did she, Amy?
0:17:43 > 0:17:46You should have seen her, sir. She wouldn't let us lift a finger.
0:17:46 > 0:17:49You did that? Just like Mamma makes.
0:17:49 > 0:17:51To the winds of change.
0:17:53 > 0:17:55Auntie Peg.
0:18:08 > 0:18:11Oh, it's so beautiful!
0:18:13 > 0:18:16Remember our last reception here, for the Japanese?
0:18:16 > 0:18:20I said how wonderful it would be if you were by my side.
0:18:20 > 0:18:21And now look.
0:18:21 > 0:18:24I want a perfect day for my perfect bride-to-be.
0:18:27 > 0:18:30Yes, a perfect day for everyone.
0:18:33 > 0:18:36Sir, your first guests.
0:18:36 > 0:18:37Oh. Ready?
0:18:39 > 0:18:40Ready.
0:18:40 > 0:18:42CAR HORN SOUNDS
0:18:45 > 0:18:47Are you sure it's wise not to be there?
0:18:47 > 0:18:49And appear to endorse the whole fiasco?
0:18:51 > 0:18:53Thank you, Diane. I'll serve.
0:18:57 > 0:18:58Now, Prudence,
0:18:58 > 0:19:01there's a matter in which I'd appreciate your assistance.
0:19:01 > 0:19:03I expected this tete-a-tete days ago.
0:19:05 > 0:19:07May I hazard a guess?
0:19:07 > 0:19:10You want my support in bringing down the Jewess?
0:19:11 > 0:19:14And she's a nurse, you say.
0:19:14 > 0:19:17Oh, there's a lot more to her than that.
0:19:17 > 0:19:20I'm having inquiries made into her background.
0:19:20 > 0:19:22Eminently sensible.
0:19:23 > 0:19:25The woman has many admirable qualities,
0:19:25 > 0:19:28and oddly I find myself somewhat rejuvenated by her presence,
0:19:28 > 0:19:32but I... I cannot sit by and watch her be anointed
0:19:32 > 0:19:34as the future mistress of Ash Park.
0:19:34 > 0:19:36The union is doomed.
0:19:36 > 0:19:39Poor George has suffered quite enough.
0:19:39 > 0:19:40What do you propose?
0:19:41 > 0:19:45Mixing with the Inverness locals is one thing.
0:19:45 > 0:19:48Socialising with our kind is quite another.
0:20:00 > 0:20:03# Give me a kiss to build a dream on
0:20:03 > 0:20:07# And my imagination will thrive upon that kiss
0:20:09 > 0:20:12# Sweetheart, I ask no more than this
0:20:12 > 0:20:16- # A kiss to build a dream on... # - Jack, you made it.
0:20:16 > 0:20:20- Couldn't miss this one, eh? - You wouldn't have been forgiven.
0:20:20 > 0:20:22You're a lucky man.
0:20:22 > 0:20:24No arguments there.
0:20:24 > 0:20:26You're on my side, aren't you?
0:20:27 > 0:20:29I've been forcing Father to see that I've changed.
0:20:29 > 0:20:32Leave innocent bystanders out of this, Anna.
0:20:32 > 0:20:34Dr Duncan understands me far better than you do.
0:20:34 > 0:20:37- You've seen it first-hand, haven't you?- I...
0:20:37 > 0:20:40He shows interest and asks questions about how my Italian's going.
0:20:40 > 0:20:42All right, Anna.
0:20:42 > 0:20:45I'm sure Sarah's more qualified to give an opinion. Excuse me.
0:20:45 > 0:20:47- Ciao.- Everything going well?
0:20:47 > 0:20:49Apart from you staring at me all the time.
0:20:49 > 0:20:51- I've been mingling too.- Mingle more.
0:20:51 > 0:20:55- They're all slightly intimidated. - Except for Doris.
0:20:55 > 0:20:57Yes, I had noticed.
0:20:59 > 0:21:03I think that's an SOS. Excuse me.
0:21:03 > 0:21:06From the moment Miss Adams walked up my front path,
0:21:06 > 0:21:08I said to myself, "This one's special."
0:21:08 > 0:21:11And now she's marrying a Bligh.
0:21:11 > 0:21:15It's like something out of Portia Faces Life.
0:21:15 > 0:21:17Her serial.
0:21:17 > 0:21:21I sometimes feel as if I shot Cupid's arrow myself.
0:21:23 > 0:21:26Oh, Miss Adams! Oh, it's a lovely party.
0:21:26 > 0:21:28- Just lovely. - I'm glad you're enjoying it.
0:21:28 > 0:21:31Such a pity that Mrs Bligh couldn't attend.
0:21:31 > 0:21:34Yes. I was wondering if I might steal you away.
0:21:34 > 0:21:37- Need some help with the speeches. - Oh, if I could assist...
0:21:37 > 0:21:40I'll see you later then, Mr Briggs.
0:21:40 > 0:21:42On the dance floor.
0:21:44 > 0:21:48Thank you, missy. A man can work up a thirst talking to that woman.
0:21:48 > 0:21:52- You're on her dance card. - I ain't promised nothing.
0:21:52 > 0:21:54I owe you.
0:21:54 > 0:21:56I owe you in more ways than I can count.
0:21:56 > 0:21:59After what we've been through of late, today's a real tonic.
0:21:59 > 0:22:00It is.
0:22:02 > 0:22:03- Good luck.- Cheers.
0:22:06 > 0:22:09If George is to see her as a fish out of water,
0:22:09 > 0:22:12- we must construct a suitable pond. - Mm.
0:22:12 > 0:22:16I think these names will constitute a formidable gathering.
0:22:16 > 0:22:18Oh, indeed.
0:22:18 > 0:22:21At the very least, George will witness her discomfort.
0:22:21 > 0:22:25At best, she may be provoked to some form of outburst.
0:22:26 > 0:22:28The Jews can be so sensitive.
0:22:29 > 0:22:32Now, what's the pretext? What is the occasion?
0:22:32 > 0:22:35It has to be something he can't decline.
0:22:37 > 0:22:40- Ah.- Yes?
0:22:40 > 0:22:41Who arrives next month,
0:22:41 > 0:22:44bringing a hive of social activity not to be missed?
0:22:49 > 0:22:52- God save our Queen.- Indeed.
0:22:57 > 0:23:00Miriam, Isaac, I'm so glad you're here.
0:23:00 > 0:23:02For you, even on Shabbat.
0:23:02 > 0:23:06- And you, out amongst people again. - She hardly slept last night.
0:23:06 > 0:23:08- So excited.- Auntie!
0:23:08 > 0:23:11- Neither did I. - So, where's the lucky man?
0:23:13 > 0:23:15There he is.
0:23:15 > 0:23:18Gentlemen really do prefer blondes.
0:23:18 > 0:23:21You and your Marilyn Monroe!
0:23:21 > 0:23:24A drink first, and then you can meet my auntie.
0:23:24 > 0:23:28Roy Briggs, Doris Collins and now the Jewish community.
0:23:28 > 0:23:29Mother would expire.
0:23:30 > 0:23:32Ah! Right on cue.
0:23:34 > 0:23:38Amo! Carla! Gilda. Gino.
0:23:38 > 0:23:39Miss Anna.
0:23:39 > 0:23:41What a silly charade.
0:23:41 > 0:23:43Si. Ah, remember, just friends, hm?
0:23:46 > 0:23:48Hello, handsome.
0:23:48 > 0:23:52If you want to be a Poletti, act like a Poletti.
0:23:57 > 0:23:58It was a joke.
0:23:58 > 0:24:01They're just worried we're going to start kissing in front of everyone.
0:24:01 > 0:24:04- Let's.- Anna!
0:24:04 > 0:24:05He's staring again.
0:24:10 > 0:24:14- It feels odd being back. - It's a gothic old pile.
0:24:14 > 0:24:16James and I were both keen to leave.
0:24:16 > 0:24:19I imagine living with Mrs Bligh has its challenges.
0:24:19 > 0:24:21Somewhat of an understatement.
0:24:22 > 0:24:26This happy event, however, gives me hope.
0:24:26 > 0:24:28Let's hope Anna gives me some too.
0:24:32 > 0:24:35I'm planning to propose.
0:24:35 > 0:24:36Today?
0:24:36 > 0:24:38We've been circling each other for months,
0:24:38 > 0:24:40and I have the feeling someone else is circling,
0:24:40 > 0:24:42so I best not leave my run too late.
0:24:42 > 0:24:44Did Anna mention someone else?
0:24:44 > 0:24:46She's been making excuses to go to the city.
0:24:46 > 0:24:47I think a man was involved.
0:24:49 > 0:24:51Shall we?
0:24:51 > 0:24:53Good luck.
0:25:04 > 0:25:06How are you managing with George?
0:25:06 > 0:25:08Luckily he's distracted.
0:25:09 > 0:25:11He's like a teenager.
0:25:11 > 0:25:13Takes you back.
0:25:14 > 0:25:15It does.
0:25:18 > 0:25:21How have you avoided being dragged to the altar so far?
0:25:21 > 0:25:22Who says I have?
0:25:23 > 0:25:26I've got four wives, three at the hospital, one at home.
0:25:26 > 0:25:29It's a serious question. It can't be for lack of opportunity.
0:25:31 > 0:25:34The right one or not at all is my motto.
0:25:34 > 0:25:36And the right one hasn't come along?
0:25:37 > 0:25:38Twice.
0:25:43 > 0:25:44Oh, I see.
0:25:45 > 0:25:46The better man won.
0:25:48 > 0:25:49And the other?
0:25:50 > 0:25:52There was no winner there.
0:25:57 > 0:26:00- Mystery solved.- Hm?
0:26:00 > 0:26:02What better way to get on her good side than to get on mine?
0:26:02 > 0:26:05He knows we're close. That's why he's been hanging around me.
0:26:05 > 0:26:07Romance if ever I saw it.
0:26:09 > 0:26:11He hardly knows her.
0:26:11 > 0:26:13Who wouldn't fall in love with her?
0:26:13 > 0:26:15Oh, no. Quickly, say something in Italian.
0:26:15 > 0:26:16Amo!
0:26:16 > 0:26:18HE SPEAKS ITALIAN
0:26:18 > 0:26:19Si, si, certo!
0:26:19 > 0:26:20- Mrs Collins.- Si! Si!
0:26:20 > 0:26:25- Oh, Mr Poletti.- Mrs Collins, ciao. - Oh, hello!
0:26:25 > 0:26:29I haven't seen you for a long, long time.
0:26:29 > 0:26:31Close. What did you say?
0:26:31 > 0:26:34- "You look as pretty as a picture." - Really?
0:26:34 > 0:26:37Really, no. I... I said she talks too much.
0:26:48 > 0:26:51Anna, do what you must.
0:26:51 > 0:26:52It's OK.
0:26:57 > 0:27:00Hello! How have you been?
0:27:06 > 0:27:08- There you are!- Oh.
0:27:11 > 0:27:12Such a beautiful day.
0:27:14 > 0:27:16I'm a silly old woman.
0:27:16 > 0:27:18Don't you talk about my aunt like that.
0:27:20 > 0:27:23It just breaks my heart what you suffered.
0:27:27 > 0:27:29You made the right decision.
0:27:31 > 0:27:33- He doesn't need to know.- No.
0:27:40 > 0:27:41Ma'am. A telegram.
0:27:41 > 0:27:43Oh, thank you.
0:27:48 > 0:27:54'Arrived. Inquiries already promising. Will elaborate by post.
0:27:54 > 0:27:56'Regina.'
0:28:03 > 0:28:07- Aren't we being a little unsociable? - Coming from you!
0:28:08 > 0:28:12The first time we met, you arrived half an hour late, in jodhpurs.
0:28:12 > 0:28:14I was trying to make a bad impression.
0:28:14 > 0:28:16- You failed.- I'll have to try harder.
0:28:16 > 0:28:18I've rather missed you.
0:28:18 > 0:28:21I'm sure you've had plenty to keep you amused.
0:28:21 > 0:28:23Not as much as you think.
0:28:23 > 0:28:27And it does all start to wear a bit thin after a while.
0:28:27 > 0:28:29I'm thinking of entering politics.
0:28:29 > 0:28:32- Good choice for you. - Which means it's time I married.
0:28:32 > 0:28:33Anyone in mind?
0:28:37 > 0:28:39Why do you think I came today?
0:28:42 > 0:28:44I don't expect an immediate answer.
0:28:44 > 0:28:46All I'm asking is that you consider it.
0:28:46 > 0:28:48There's no point. The answer will be no.
0:28:49 > 0:28:53- You gave that some serious thought. - I'm sorry, Andrew, but it will be.
0:28:55 > 0:28:58You're not still seeing your chap in the city, are you?
0:28:58 > 0:29:00The mystery one I was your alibi for.
0:29:00 > 0:29:03Since you hadn't been up lately I'd rather assumed that it ended.
0:29:03 > 0:29:06- It has. - Is there someone else then?
0:29:06 > 0:29:08Someone closer to home?
0:29:08 > 0:29:10I'm not about to share my private life with you.
0:29:10 > 0:29:11There is!
0:29:13 > 0:29:15You can't tell me that a girl like you
0:29:15 > 0:29:17wants to spend the rest of her life here amongst them.
0:29:17 > 0:29:20What's wrong with them?
0:29:20 > 0:29:23You don't honestly think you'll do better than me here?
0:29:24 > 0:29:26Excuse me.
0:29:57 > 0:29:59I'm glad you told me about this, James.
0:29:59 > 0:30:02It proves what you have been unwilling to accept.
0:30:04 > 0:30:06You lust for the male form in general
0:30:06 > 0:30:08rather than desire one or two individuals.
0:30:09 > 0:30:12Perhaps now you'll accept the severity of your case.
0:30:15 > 0:30:17There are other treatments,
0:30:17 > 0:30:21more extreme but more effective, which we may need to consider.
0:30:23 > 0:30:26Whatever it takes. Hm?
0:30:27 > 0:30:29Your own words, yes?
0:30:32 > 0:30:34I tried to see him.
0:30:34 > 0:30:36I wanted him here today.
0:30:37 > 0:30:40They wouldn't allow it.
0:30:40 > 0:30:43As long as he knows he was welcome.
0:30:43 > 0:30:45I asked them to tell him that.
0:30:47 > 0:30:48I'm not proud of that day.
0:30:50 > 0:30:52I can see that.
0:30:56 > 0:30:59- Andrew Swanson.- He is a good friend.
0:30:59 > 0:31:02But obviously he shouldn't know the full story.
0:31:02 > 0:31:04No. Nor about Anna.
0:31:04 > 0:31:05Anna?
0:31:07 > 0:31:09Anna and Gino.
0:31:09 > 0:31:10Mother didn't tell you?
0:31:20 > 0:31:22I only just found out.
0:31:24 > 0:31:27I'm so sorry.
0:31:27 > 0:31:28Who is he?
0:31:30 > 0:31:32No-one you know.
0:31:32 > 0:31:35I would never have encouraged you if I'd even suspected.
0:31:35 > 0:31:37Her loss.
0:31:38 > 0:31:41I don't see the point in staying.
0:31:41 > 0:31:44- You?- I must.
0:31:44 > 0:31:47What are we hiding up here for?
0:31:47 > 0:31:49Everyone for the hokey-pokey.
0:31:49 > 0:31:51Come along, Mrs Bligh.
0:31:51 > 0:31:53And no shirking.
0:31:53 > 0:31:55Now, there's an offer you can't refuse.
0:32:03 > 0:32:06# You put your right arm in, you put your right arm out
0:32:06 > 0:32:10# You put your right arm in and you shake it all about
0:32:10 > 0:32:14# You do the hokey-pokey and you turn yourself around
0:32:14 > 0:32:17# That's what it's all about
0:32:18 > 0:32:22# Do the hokey-pokey
0:32:22 > 0:32:25# Do the hokey-pokey
0:32:26 > 0:32:28# Do the hokey-pokey
0:32:30 > 0:32:32# That's what it's all about
0:32:33 > 0:32:37# You put your left arm in, you put your left arm out
0:32:37 > 0:32:41# You put your left arm in and you shake it all about
0:32:41 > 0:32:44# You do the hokey-pokey and you turn yourself around
0:32:44 > 0:32:47# That's what it's all about. #
0:33:11 > 0:33:12Livvy!
0:33:19 > 0:33:21Why didn't you tell me?
0:33:22 > 0:33:23About you and Gino?
0:33:24 > 0:33:27It all came out while you were in the city.
0:33:27 > 0:33:30You said you were just friends.
0:33:30 > 0:33:32I'm so sorry.
0:33:39 > 0:33:41I owe you an apology too.
0:33:43 > 0:33:47I knew what Andrew was planning.
0:33:47 > 0:33:49I encouraged it.
0:33:49 > 0:33:50Oh.
0:33:53 > 0:33:56Are you sure you've made the right choice?
0:33:56 > 0:33:57Not you too.
0:33:57 > 0:34:01I don't want your life to be difficult
0:34:01 > 0:34:03when it doesn't have to be.
0:34:03 > 0:34:06Because how on earth could I be happy with a farmer's son
0:34:06 > 0:34:08instead of with someone rich?
0:34:10 > 0:34:13Gino is lovely.
0:34:13 > 0:34:15But Andrew is from your own class,
0:34:15 > 0:34:19and things like that, they... they do matter.
0:34:19 > 0:34:23I don't care about all of that. What Gino and I have, it's special.
0:34:24 > 0:34:28Have you...been intimate?
0:34:32 > 0:34:34And it was wonderful.
0:34:34 > 0:34:37- Anna... - You must understand that feeling.
0:34:37 > 0:34:41What it's like to... to give yourself to someone.
0:34:41 > 0:34:43To lose yourself.
0:34:43 > 0:34:48To feel the touch of his skin and his kisses.
0:34:48 > 0:34:50To know that he is giving himself completely to you.
0:34:50 > 0:34:52Stop!
0:34:56 > 0:35:00Livvy, I love him. I really thought you'd understand.
0:35:02 > 0:35:06- I'm-I'm sorry, I... If it's what you truly want...- It is.
0:35:06 > 0:35:09Then I can only wish you well.
0:35:09 > 0:35:10I need to freshen up.
0:35:32 > 0:35:33APPLAUSE AND CHEERING
0:35:38 > 0:35:40Righto, she's speech time!
0:35:42 > 0:35:43Gather round, folks!
0:35:44 > 0:35:46I'm going to head off.
0:35:46 > 0:35:48I'll kick her off with a little bush ballad.
0:35:50 > 0:35:55There was a wild colonial girl, Miss Adams was her name.
0:35:55 > 0:35:59From humble home she did set sail and never was the same.
0:35:59 > 0:36:04She was away for many a year, a quest that took its toll.
0:36:04 > 0:36:10But 'twas aboard the homeward ship her true fate did unscroll.
0:36:10 > 0:36:15For on that ship she met her match, a gentleman to boot.
0:36:15 > 0:36:19One look at her and he was smit, like a wild-eyed bandicoot.
0:36:19 > 0:36:21LAUGHTER
0:36:21 > 0:36:28And now she'll be his blushing bride, and he her gallant buck,
0:36:28 > 0:36:31and so we wish the happy pair...
0:36:31 > 0:36:32A right royal...
0:36:32 > 0:36:35..the very best of luck!
0:36:46 > 0:36:47I think they're waiting for this.
0:37:01 > 0:37:03- We were at the back of the crowd. No-one saw us.- I know.
0:37:03 > 0:37:05And don't be mad at Gino.
0:37:05 > 0:37:06I put my head on his shoulder, so blame me!
0:37:06 > 0:37:08- It's got nothing to do with that. - Anna, let him speak!
0:37:08 > 0:37:10Thank you, Gino.
0:37:15 > 0:37:19I brought you in here to tell you that you were right.
0:37:19 > 0:37:22I agreed to the trial hoping it would fail, and I'm not proud of it.
0:37:24 > 0:37:28Today I stood in front of everyone celebrating my love,
0:37:28 > 0:37:31and yet I'm forcing you to hide yours.
0:37:31 > 0:37:32And I do apologise.
0:37:35 > 0:37:39You've made me believe in you and the choice you've made.
0:37:40 > 0:37:42You have my blessing.
0:37:42 > 0:37:44Really?
0:37:44 > 0:37:46And you don't need three months.
0:37:46 > 0:37:48You're engaged.
0:37:49 > 0:37:51Congratulations, Gino.
0:37:51 > 0:37:52Thank you, Mr Bligh.
0:38:05 > 0:38:06Ah.
0:38:08 > 0:38:11To the happy couple.
0:38:11 > 0:38:13Anna and the eyetie grape grower.
0:38:14 > 0:38:16You kept that close.
0:38:16 > 0:38:19Well, I had hoped that she would see the error of her ways
0:38:19 > 0:38:20and come to her senses.
0:38:20 > 0:38:23I was on the verge of proposing.
0:38:23 > 0:38:24Oh, Andrew, I'm sorry.
0:38:27 > 0:38:30If you could resist the urge to disseminate this.
0:38:30 > 0:38:34- You may have no further interest... - What makes you think that?
0:38:34 > 0:38:37- Well, I assumed that...- Incorrectly.
0:38:39 > 0:38:42Do you think I'm going to let some wop farm boy have her?
0:38:49 > 0:38:51First to arrive, last to leave.
0:38:51 > 0:38:54- Do you have your keys? - I'm not doing the driving.
0:38:54 > 0:38:55Here she is!
0:38:56 > 0:39:00- Have you got your new hat? - Yes, Mr Briggs.
0:39:00 > 0:39:02Now, in the truck with you.
0:39:02 > 0:39:04Can you drive, Doris?
0:39:04 > 0:39:07Ex-Land Army. '42 to '44. We all did our bit.
0:39:10 > 0:39:11Arrivederci.
0:39:15 > 0:39:17Quite a day.
0:39:17 > 0:39:18Quite a day.
0:39:25 > 0:39:30You gave me this to keep until you had your father's blessing.
0:39:30 > 0:39:32Now it is yours.
0:39:33 > 0:39:34Gino.
0:39:44 > 0:39:46Welcome to the family, Anna.
0:39:46 > 0:39:49- Alla vostra salute. - Mrs Gino Poletti!
0:39:49 > 0:39:51Soon!
0:39:51 > 0:39:53ALL: Salute!
0:40:12 > 0:40:13Oh.
0:40:13 > 0:40:17- Oh. Is it late? - Everyone's gone.
0:40:17 > 0:40:21Oh, I must have had one glass too many.
0:40:21 > 0:40:22You weren't the only one.
0:40:25 > 0:40:27Oh, you got your perfect day.
0:40:29 > 0:40:33You know, some people never find a great love.
0:40:34 > 0:40:36But you did.
0:40:37 > 0:40:38Twice.
0:40:40 > 0:40:42KNOCK ON DOOR
0:40:44 > 0:40:45Yes.
0:40:49 > 0:40:50Not hungry?
0:40:52 > 0:40:54It isn't the baby, is it?
0:40:54 > 0:40:56No.
0:40:59 > 0:41:01I noticed your spirits shift over the afternoon.
0:41:02 > 0:41:04Can I help?
0:41:06 > 0:41:07No.
0:41:08 > 0:41:11How did it go with Dr Stewart?
0:41:11 > 0:41:14James asked me for his number. Did you see him?
0:41:14 > 0:41:17I'm told he's the best for women with nervous disorders.
0:41:21 > 0:41:24The referral wasn't for me.
0:41:24 > 0:41:25Who?
0:41:28 > 0:41:30James?
0:41:32 > 0:41:33I'm very proud of you.
0:41:35 > 0:41:37- Anna loves him.- Mm.
0:41:39 > 0:41:42I love you.
0:41:42 > 0:41:44I'm not perfect.
0:41:44 > 0:41:48- Pardon? - I need you to know I'm not perfect.
0:41:48 > 0:41:49You are to me.
0:41:50 > 0:41:51Is that so terrible?
0:41:54 > 0:41:56No.
0:42:05 > 0:42:10George, I'm sorry, I think I've made a terrible mistake.
0:42:10 > 0:42:14The procedure is called a transorbital lobotomy
0:42:14 > 0:42:17and has proven 100% effective in cases such as yours.
0:42:18 > 0:42:21We insert an instrument up behind the eye
0:42:21 > 0:42:23through the thin layer of bone into the frontal lobe.
0:42:23 > 0:42:25There's no pain.
0:42:25 > 0:42:27By making adjustments to the lobe
0:42:27 > 0:42:32we can ensure a change of behaviour, and I stress ensure.
0:42:33 > 0:42:35A word to take comfort in.