Answer Me, My Love

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0:00:02 > 0:00:05- It won't be easy carrying your dead child to term.- My baby!

0:00:05 > 0:00:08Dr Jarvis finds a girl in trouble with an imminent delivery.

0:00:08 > 0:00:10As soon as she goes into labour, you're induced,

0:00:10 > 0:00:14and you emerge with a bonny bouncing babe in your arms.

0:00:14 > 0:00:18I understand now why it meant so much to you to learn about Anna.

0:00:18 > 0:00:19It's a miracle to me.

0:00:19 > 0:00:22They say your husband's alive.

0:00:22 > 0:00:23A photograph taken by my man.

0:00:23 > 0:00:25Yes, it is him.

0:00:25 > 0:00:27I must go to him.

0:00:27 > 0:00:30I'd fight if there was a point, but there's not.

0:00:30 > 0:00:32Gino and I have set the date of our wedding,

0:00:32 > 0:00:34and you are not invited.

0:00:34 > 0:00:37You're not welcome to stay again.

0:00:37 > 0:00:40If it seems right, you bring him home.

0:00:40 > 0:00:42- I couldn't do that. - If it's right,

0:00:42 > 0:00:43you have to.

0:01:25 > 0:01:28WOMEN ARGUE IN FRENCH

0:01:42 > 0:01:44WOMAN SCOLDS CHILD IN FRENCH

0:01:50 > 0:01:53BABY CRIES BEHIND DOOR

0:01:56 > 0:01:58VOICES SPEAKING FRENCH BEHIND DOOR

0:02:01 > 0:02:04SIREN APPROACHES

0:02:08 > 0:02:10SIREN RECEDES

0:02:12 > 0:02:14Sarah!

0:02:14 > 0:02:16Rene!

0:02:16 > 0:02:18No!

0:02:30 > 0:02:31SHE KNOCKS

0:02:40 > 0:02:43Forgive me.

0:02:49 > 0:02:51I wanted to spare you.

0:02:51 > 0:02:54I know.

0:02:56 > 0:02:58Who did find him?

0:02:58 > 0:03:00Dr Duvalier.

0:03:00 > 0:03:03- Etienne? - Two months ago.

0:03:03 > 0:03:05His first day on a new post

0:03:05 > 0:03:08he sees a man in a ward for the war damaged.

0:03:08 > 0:03:10He thinks, "It cannot be. He is dead."

0:03:10 > 0:03:13But it is Rene.

0:03:13 > 0:03:15He had been there for six years.

0:03:16 > 0:03:18Brain-damaged, not talking.

0:03:18 > 0:03:21Perhaps not wanting to. They do not know.

0:03:22 > 0:03:25Jean Manais saw him shot.

0:03:26 > 0:03:31Perhaps a tired guard, one with a conscience maybe.

0:03:33 > 0:03:36I don't care what state he's in.

0:03:37 > 0:03:39I need to see him.

0:03:39 > 0:03:41Which hospital?

0:03:43 > 0:03:46He is with me now.

0:03:46 > 0:03:48Here.

0:04:29 > 0:04:31Rene.

0:05:28 > 0:05:30George.

0:05:33 > 0:05:35George?

0:05:38 > 0:05:40SHE SNIFFS Wake up.

0:05:40 > 0:05:42Hmm?

0:05:42 > 0:05:44HE GRUNTS QUIETLY

0:05:46 > 0:05:49- This is the first time he hasn't managed to get to bed. - Where is he?- In the sitting room.

0:05:49 > 0:05:53- What's wrong? - Oh, nothing that concerns you. - Is it Father? I'll help.

0:05:53 > 0:05:56Anna, he doesn't need the added shame of your seeing him this way.

0:05:56 > 0:05:58Don't pretend you care about his feelings.

0:05:58 > 0:06:00It's all right. I'll see to it.

0:06:01 > 0:06:03Anna, stop.

0:06:03 > 0:06:06Stop! She's right. He'd hate for you to see him like this.

0:06:06 > 0:06:07I told you, I don't need protecting.

0:06:07 > 0:06:09I'm thinking about him, not you.

0:06:09 > 0:06:12And this war you've declared on Grandmother is not helping. Anna!

0:06:12 > 0:06:14Anna! An...

0:06:14 > 0:06:17Go upstairs.

0:06:17 > 0:06:19- She did this. - Listen to me.

0:06:19 > 0:06:23Look, every time you attack her it feeds his anger

0:06:23 > 0:06:25and every night he has to come down here and drown it.

0:06:25 > 0:06:29If you can't control yourself with Grandmother you need to leave...

0:06:30 > 0:06:32..for his sake.

0:06:38 > 0:06:41Come on. Time for bed.

0:06:41 > 0:06:43- Sarah... - Put your arm around me.

0:06:45 > 0:06:47Come on.

0:06:48 > 0:06:50- No...- You fell asleep.

0:06:50 > 0:06:52I'm all right.

0:06:53 > 0:06:56It's...it's my little girl.

0:06:56 > 0:06:57Don't you ever listen?

0:07:39 > 0:07:42And so to bed.

0:07:43 > 0:07:46Was there a point to sitting here?

0:07:46 > 0:07:49I like feeling close to him.

0:07:49 > 0:07:51Your brother-in-law?

0:07:51 > 0:07:54The worms had Elaine long ago. Why not?

0:07:55 > 0:07:58Don't let me forget to stay in your good books.

0:07:58 > 0:08:02Do what I'm paying you for and there'll be no cause for concern.

0:08:03 > 0:08:05Bed for us too, I think.

0:08:05 > 0:08:08How many beds are there at this farm of yours?

0:08:08 > 0:08:12Spare me your tawdry innuendo.

0:08:12 > 0:08:14Drive!

0:08:27 > 0:08:30- Duty calls. - Stay!

0:08:30 > 0:08:32It's tempting.

0:08:33 > 0:08:35Thank you for a wonderful night.

0:08:40 > 0:08:43There's an irony in your concern for Mother's heart,

0:08:43 > 0:08:45given this week suggests she doesn't have one.

0:08:45 > 0:08:48I'm biting my tongue with Anna. Don't you start too.

0:08:49 > 0:08:52- Tell George I'll drop by. - Come now.

0:08:52 > 0:08:55I'd rather not rub his nose in our happiness.

0:08:55 > 0:08:57Life goes on. He knows that.

0:08:57 > 0:09:00Right at this moment? Not so sure.

0:09:39 > 0:09:40- Good morning. - Good morning.

0:09:40 > 0:09:42Glad you're both here.

0:09:42 > 0:09:44I'm pleased you've decided to join us.

0:09:44 > 0:09:46I won't be staying.

0:09:46 > 0:09:48I wanted to apologise for my behaviour of late.

0:09:48 > 0:09:50- There's no need. - Please.

0:09:50 > 0:09:52There is. It won't happen again.

0:09:52 > 0:09:53I'm pleased to hear it.

0:09:53 > 0:09:56I'm sorry that you had to see me like that.

0:09:56 > 0:09:58You're not the one who should be apolog...

0:09:58 > 0:10:00- Anna! - It's true.

0:10:01 > 0:10:06Anna was thinking of moving in with Aunt Carolyn. Weren't you?

0:10:06 > 0:10:08I'm happy to stay if you need me,

0:10:08 > 0:10:10but things might be better if I'm not here.

0:10:10 > 0:10:12I don't want to drive you out.

0:10:12 > 0:10:14It's not you.

0:10:14 > 0:10:16Your aunt will be glad of the company, I'm sure.

0:10:23 > 0:10:26A wise choice.

0:10:26 > 0:10:28Don't.

0:10:29 > 0:10:31Excuse me.

0:10:36 > 0:10:40Your father's apology, Anna's departure, both to the good.

0:10:44 > 0:10:46She makes me sick.

0:10:46 > 0:10:48You two at it again?

0:10:48 > 0:10:50She breaks his heart and then she just sits there

0:10:50 > 0:10:52blaming everyone else for what's happening.

0:10:52 > 0:10:53You're upset. I understand. But you've got to...

0:10:53 > 0:10:56- I hate her! - No, no, you don't.

0:10:56 > 0:10:57- Yes, I do. - You're getting carried away.

0:10:57 > 0:10:59I'm not a child, Jack.

0:10:59 > 0:11:01Fine, but whatever you're feeling,

0:11:01 > 0:11:04just remember your grandmother hasn't been well.

0:11:04 > 0:11:05- Go easy on her. - I hope it kills her.

0:11:05 > 0:11:07- Anna! - We'd all be better off!

0:11:07 > 0:11:10Stop it! Stop acting like a spoilt bloody brat.

0:11:10 > 0:11:13- You can't talk to me like that. - Well, someone has to!

0:11:13 > 0:11:15- You've got no right to... - I have every right!

0:11:15 > 0:11:16You're not my father!

0:11:18 > 0:11:21I'm her doctor.

0:11:21 > 0:11:24And I'm your friend.

0:11:55 > 0:11:59If you're in there, my darling, I won't give up on you again.

0:12:41 > 0:12:44Dr Jarvis has found a suitable girl,

0:12:44 > 0:12:47the perfect candidate, he says.

0:12:47 > 0:12:48Did he say when it might be?

0:12:48 > 0:12:50Any time now.

0:12:52 > 0:12:56It all feels very real suddenly.

0:12:56 > 0:12:57It will be soon.

0:12:57 > 0:13:00What will happen to my baby?

0:13:00 > 0:13:05It will be taken away. It will be as if it never was.

0:13:05 > 0:13:06A proper burial surely?

0:13:06 > 0:13:09- What we're doing is illegal. - But I can't just...

0:13:09 > 0:13:13As hard as it is, you have to be strong on that.

0:13:18 > 0:13:21I should pack for the hospital.

0:13:22 > 0:13:24Be ready.

0:13:45 > 0:13:48Everything all right there, Mr Bligh?

0:13:48 > 0:13:50Checking the fences.

0:13:50 > 0:13:54- Have you heard from Missy? - I don't expect to.

0:13:54 > 0:13:57You know, if you have a mind to,

0:13:57 > 0:14:00there's always a cold beer with your name on it at my place.

0:14:00 > 0:14:03No need to mag.

0:14:03 > 0:14:05I think I've overdone the alcohol.

0:14:05 > 0:14:08I might take you up on a cuppa, though.

0:14:08 > 0:14:09Righto, then.

0:14:09 > 0:14:11I brew her up pretty strong.

0:14:13 > 0:14:15I'll see you.

0:14:22 > 0:14:25Well, it's up. How about some time away, huh?

0:14:25 > 0:14:28No, I have to face the consequences of my actions,

0:14:28 > 0:14:30and the only way to resolve matters with George

0:14:30 > 0:14:32is to bring things to a head.

0:14:32 > 0:14:33Even if it kills you?

0:14:33 > 0:14:36You're being Shakespearean.

0:14:36 > 0:14:39Any niggles at all, I want to know.

0:14:42 > 0:14:45Do you know the greatest irony in all of this?

0:14:45 > 0:14:50I returned from Sydney with a new admiration for Miss Adams.

0:14:51 > 0:14:52I was close to accepting her.

0:14:52 > 0:14:57If not for Regina's discovery, I would have.

0:14:57 > 0:14:59Well, have you told George?

0:14:59 > 0:15:03Oh, it would simply sound like a grovelling plea for forgiveness.

0:15:03 > 0:15:06Well, what if in the long run he doesn't forgive you?

0:15:08 > 0:15:12Then I shall have to consider doing the unthinkable. Hm!

0:15:25 > 0:15:27G'day!

0:15:27 > 0:15:29I heard it was sold.

0:15:29 > 0:15:31That's right.

0:15:31 > 0:15:34I'm Roy Briggs. I've been looking after the place.

0:15:34 > 0:15:37Now, no offence, old mate, but you look like a bit of a city slicker.

0:15:37 > 0:15:41So if you want to get rid of any of this stock, just give us a hoy.

0:15:41 > 0:15:43I'm not the owner.

0:15:43 > 0:15:46Mrs Standish is.

0:15:46 > 0:15:49Mr Briggs, I believe.

0:15:49 > 0:15:51No doubt Miss Adams mentioned me.

0:15:52 > 0:15:53Too right she did.

0:15:53 > 0:15:56He's interested in the cows.

0:15:56 > 0:15:59Not that one, I'm not.

0:16:06 > 0:16:08Warm country welcome.

0:16:11 > 0:16:15If you're worried about getting in the way, then don't.

0:16:15 > 0:16:17Jack and I love having you here.

0:16:19 > 0:16:23You and Jack, it all happened very suddenly.

0:16:23 > 0:16:24Love can be sudden.

0:16:24 > 0:16:27So intense so quickly.

0:16:27 > 0:16:29Yes.

0:16:29 > 0:16:33I've had the silliest thought.

0:16:33 > 0:16:35Yes?

0:16:36 > 0:16:42Nothing. It...it feels good to be away from Grandmother.

0:16:42 > 0:16:43I'm sure.

0:16:46 > 0:16:48I know what you're gonna ask. It's gonna have to wait.

0:16:48 > 0:16:50You said a week and it's been a week.

0:16:50 > 0:16:53- I know... - We need to fill Sarah's position.

0:16:53 > 0:16:55- We're understaffed. - We're managing.

0:16:55 > 0:16:56Just.

0:16:56 > 0:16:58We need to face facts.

0:16:58 > 0:17:00I'll put the word out.

0:17:00 > 0:17:02I will.

0:17:08 > 0:17:10Alma!

0:17:10 > 0:17:13- Dr Duncan, I saw you come... - Are you sick?

0:17:13 > 0:17:16Uh, no. I have had a touch of the collywobbles.

0:17:16 > 0:17:20But it's Miss Carolyn I'm worried about.

0:17:20 > 0:17:22It's probably none of my business,

0:17:22 > 0:17:26but as a friend of Mrs Bligh's her concerns are mine.

0:17:26 > 0:17:27The point, Doris?

0:17:27 > 0:17:30I presume she's ill - Miss Carolyn?

0:17:30 > 0:17:32Not that I know of.

0:17:32 > 0:17:35You see, I was delivering pamphlets for the CWA

0:17:35 > 0:17:38and I couldn't help but see your car

0:17:38 > 0:17:42pulling away from the cottage so early - naturally I thought she'd taken ill.

0:17:42 > 0:17:45I can't imagine another reason.

0:17:49 > 0:17:52I was leaving the cottage because I stayed the night.

0:17:52 > 0:17:55Carolyn and I are seeing each other.

0:17:55 > 0:17:59As for Sarah, I'm guessing she's not coming back.

0:17:59 > 0:18:01Anna and Gino are still getting married.

0:18:01 > 0:18:02George is a broken man

0:18:02 > 0:18:05and Elizabeth Bligh has more trouble than she knows what to do with.

0:18:05 > 0:18:08Miss anything?

0:18:08 > 0:18:12No, that was very thorough, not that I care to know.

0:18:12 > 0:18:15Good. Do us all a favour and stay out of it.

0:18:18 > 0:18:21The last thing that family needs is gossip.

0:18:21 > 0:18:23Indeed.

0:18:27 > 0:18:29What was that about?

0:18:29 > 0:18:33No-one likes a stickybeak, Alma, dear.

0:18:37 > 0:18:39Hello, George.

0:18:39 > 0:18:43I know I'm not welcome, but as we'll be neighbours...

0:18:43 > 0:18:45Neighbours?

0:18:45 > 0:18:47I signed the deed on that quaint little Walker farm.

0:18:47 > 0:18:49And there's someone I'd like you to meet.

0:18:49 > 0:18:52George Bligh, Adam Farrell.

0:18:52 > 0:18:54Adam's come to give his opinion on my purchase

0:18:54 > 0:18:56and I've come to value his opinion.

0:18:56 > 0:18:58- Mr Bligh. - Mr Farrell.

0:18:58 > 0:19:01We've had a rather whirlwind week, haven't we, darling?

0:19:01 > 0:19:03- We met on the flight home. - I see.

0:19:03 > 0:19:05I'd love your advice on the property

0:19:05 > 0:19:07if at all possible, the...practicalities.

0:19:07 > 0:19:09I'm no use on that count.

0:19:09 > 0:19:13I know you love fixing things and Lord knows it needs fixing.

0:19:13 > 0:19:15I'm surprised you thought it appropriate.

0:19:16 > 0:19:19I want to be close by, close to my only family.

0:19:19 > 0:19:22It can be made cosy, I'm sure.

0:19:22 > 0:19:25Nice to meet you, Mr Farrell.

0:19:25 > 0:19:27George, wait.

0:19:28 > 0:19:30I accept you may never forgive me,

0:19:30 > 0:19:34but please don't prevent my seeing James and Anna,

0:19:34 > 0:19:36and the little one when it comes.

0:19:37 > 0:19:38We'll see.

0:19:38 > 0:19:41That gives me hope.

0:19:41 > 0:19:43Would you mind if I freshened up?

0:19:43 > 0:19:45Of course.

0:19:45 > 0:19:47Keep Adam company.

0:19:50 > 0:19:53She regrets deeply what happened.

0:19:54 > 0:19:58I'm glad she has someone concerned about her. Excuse me.

0:20:02 > 0:20:04You cannot seriously intend living there.

0:20:04 > 0:20:08It can be made habitable with George's help.

0:20:08 > 0:20:10It gives me reason to see him.

0:20:10 > 0:20:12And this new man is what?

0:20:12 > 0:20:14Some misguided attempt to make George jealous?

0:20:14 > 0:20:17I'll be appealing to a far more potent emotion than that.

0:20:19 > 0:20:22How are things with you two? Healing the rift?

0:20:22 > 0:20:26- Would you please leave? - Clearly not.

0:20:26 > 0:20:31Do you have any idea how completely tiresome this is?

0:20:31 > 0:20:34How completely tiresome you are?!

0:20:34 > 0:20:37I've softened him more in 10 minutes than you have in...

0:20:37 > 0:20:38Get out!

0:20:40 > 0:20:43Go on. Did you hear me?

0:20:43 > 0:20:46Leave! Enough!

0:20:50 > 0:20:51My pills...

0:20:54 > 0:20:56Oh...

0:21:18 > 0:21:21It's in your best interests to support me.

0:21:43 > 0:21:48This, uh, town you wrote of...

0:21:48 > 0:21:49Inverness.

0:21:49 > 0:21:53It seems very special to you.

0:21:53 > 0:21:55It healed my soul.

0:21:57 > 0:22:00What is his name?

0:22:04 > 0:22:07How would you...

0:22:09 > 0:22:11Would you permit me to take Rene there?

0:22:12 > 0:22:15- To Inverness? - To heal.

0:22:18 > 0:22:23Let us...hope you have reason to.

0:22:39 > 0:22:42Shh, you're safe now.

0:23:51 > 0:23:53Thank you, Colleen.

0:23:55 > 0:23:59- Livvy. - Good morning, darling.

0:23:59 > 0:24:00You're up early.

0:24:00 > 0:24:02I couldn't sleep.

0:24:02 > 0:24:05Is everything all right?

0:24:05 > 0:24:08I just wanted to hear your voice.

0:24:08 > 0:24:11I'm glad,

0:24:11 > 0:24:14as long as you're enjoying yourself and relaxing.

0:24:16 > 0:24:18Well, you are, aren't you?

0:24:18 > 0:24:21Yes, yes, of course.

0:24:21 > 0:24:24Prudence and I thought we might go to Call Me Madam.

0:24:24 > 0:24:25It's the newest musical.

0:24:25 > 0:24:28Oh, that sounds fun.

0:24:32 > 0:24:35- James...- There is something wrong. I'm coming to get you.

0:24:35 > 0:24:37No, don't.

0:24:37 > 0:24:39Really, I am fine. I just...

0:24:40 > 0:24:42I miss you.

0:24:42 > 0:24:44I miss you too.

0:24:45 > 0:24:47But it's grim here.

0:24:47 > 0:24:49Better you're somewhere happy.

0:24:51 > 0:24:54I love you.

0:24:55 > 0:24:57More than anything.

0:24:57 > 0:24:59I love you too.

0:25:06 > 0:25:08You've eaten already.

0:25:09 > 0:25:11I couldn't sleep.

0:25:11 > 0:25:13Livvy sends her regards.

0:25:13 > 0:25:16Prudence Swanson is spoiling her rotten.

0:25:16 > 0:25:18That's good.

0:25:19 > 0:25:21Thank you, Son.

0:25:24 > 0:25:29I'd like a word with your father, if I may. Uh, alone.

0:25:29 > 0:25:31- I'm expected at the sheds. - Please!

0:25:41 > 0:25:44Oh, George, if you have something to say, say it.

0:25:44 > 0:25:48This petulant avoidance is simply prolonging the inevitable.

0:25:48 > 0:25:50If I said what I really wanted to

0:25:50 > 0:25:54it would be the last conversation we ever had.

0:26:02 > 0:26:05Your papa will forget in time.

0:26:05 > 0:26:07- Pardon? - Your father.

0:26:07 > 0:26:09What about him?

0:26:09 > 0:26:11Well, that is who you're thinking about?

0:26:11 > 0:26:14In a way.

0:26:14 > 0:26:17I don't know. I've had a strange thought.

0:26:17 > 0:26:19What is it?

0:26:19 > 0:26:21It just makes sense of so many things,

0:26:21 > 0:26:26but if I say it and I'm wrong they'll feel so stupid.

0:26:26 > 0:26:29I'm off into town! Need anything?

0:26:29 > 0:26:31No, thank you!

0:26:31 > 0:26:33I'll see you soon.

0:26:34 > 0:26:37Wait. Wait.

0:26:38 > 0:26:40Tell me I'm not crazy.

0:26:40 > 0:26:43I'm not, am I?

0:26:43 > 0:26:47Don't make me ask, please.

0:26:48 > 0:26:49Jack?

0:26:49 > 0:26:52Yes.

0:26:54 > 0:26:56He is.

0:27:04 > 0:27:07Well, this is more than I'd hoped for.

0:27:09 > 0:27:11George.

0:27:12 > 0:27:14I'm glad I caught you.

0:27:15 > 0:27:17I've been thinking about what you said

0:27:17 > 0:27:19and, uh, you're right.

0:27:19 > 0:27:21The blame does lie with Mother.

0:27:21 > 0:27:23That means more than you'll ever know.

0:27:23 > 0:27:27And I...I would never keep the children from you.

0:27:27 > 0:27:29Thank you.

0:27:29 > 0:27:32If not friends, at least not enemies?

0:27:34 > 0:27:37- Tea? - That's all I came to say.

0:27:37 > 0:27:39Nice to see you.

0:27:39 > 0:27:43That's a weight off my mind. Thank you.

0:27:43 > 0:27:48It's so isolated here. I worry about her staying alone.

0:27:48 > 0:27:50It's a safe community.

0:27:50 > 0:27:55Even so, I feel better knowing that you're there. If required.

0:28:04 > 0:28:07You really are earning your salary.

0:28:08 > 0:28:11I do not envy you, my dear. Really, I don't.

0:28:11 > 0:28:13All that endless kicking and wriggling!

0:28:13 > 0:28:16It's like a Mexican pinata being struck from within.

0:28:16 > 0:28:18I couldn't wait to be rid of Andrew. Oh-ho!

0:28:18 > 0:28:21Mmm, does that sound ghastly?

0:28:21 > 0:28:23You understand, of course.

0:28:23 > 0:28:25I'm sure.

0:28:25 > 0:28:27Oh.

0:28:27 > 0:28:29I've got it!

0:28:30 > 0:28:33Swanson residence. Andrew speaking.

0:28:34 > 0:28:36The men never understand, of course.

0:28:36 > 0:28:38Oh, Andrew's father was quite cavalier.

0:28:38 > 0:28:40I'm sorry?

0:28:40 > 0:28:42He was quite cavalier.

0:28:42 > 0:28:45I can't imagine why I expected him to be otherwise.

0:28:45 > 0:28:49Oh, I mustn't be such a dreary cynic.

0:28:49 > 0:28:54Oh, your James is so adorable and so attentive.

0:28:55 > 0:28:57You know, it's quite charming, the way he looks at you.

0:28:57 > 0:29:00- Ohh! - Oh, my dear.

0:29:00 > 0:29:02- Ohh!- Oh!

0:29:06 > 0:29:08I'm sure it's nothing.

0:29:08 > 0:29:09I'll send for an ambulance.

0:29:09 > 0:29:12- Quicker if I drive. - Oh, darling.

0:29:12 > 0:29:15It may be a false alarm and I don't want to worry anyone.

0:29:15 > 0:29:16Oh, if you're certain.

0:29:16 > 0:29:19I'll telephone from the hospital if there's anything to report.

0:29:20 > 0:29:22- Well done. - There's somewhere I need to go.

0:29:22 > 0:29:24But we're expected.

0:29:24 > 0:29:27It's on the way.

0:29:48 > 0:29:51Dear Heavenly Father,

0:29:51 > 0:29:55I don't know if you're still listening.

0:29:56 > 0:30:02But if you are, please bless the soul of our child.

0:30:02 > 0:30:06Take our poor baby into your arms.

0:30:06 > 0:30:11Forgive me for what I am about to do.

0:30:12 > 0:30:15I know it's wrong,

0:30:15 > 0:30:20but it's for James, for our marriage.

0:30:21 > 0:30:24Please understand.

0:30:30 > 0:30:32Amen.

0:30:44 > 0:30:46What is it? What's so urgent?

0:30:47 > 0:30:50Two and two's finally made four, my darling.

0:31:16 > 0:31:20FRANTIC SHOUTS

0:31:51 > 0:31:53Rene.

0:32:12 > 0:32:15The young woman has gone into labour so we're going to induce you now.

0:32:15 > 0:32:17What's going to happen?

0:32:17 > 0:32:20You're going to give birth exactly as you would to a healthy baby.

0:32:20 > 0:32:23And the girl, does she know where her child is going?

0:32:23 > 0:32:26Only that the infant will find a good home.

0:32:26 > 0:32:27She'll be looked after financially.

0:32:27 > 0:32:30It is imperative this remains a secret.

0:32:30 > 0:32:33Discretion is as important for us as it is for you.

0:32:33 > 0:32:35Now let's get you to the labour ward.

0:32:35 > 0:32:38I'll telephone James at the appropriate time.

0:32:38 > 0:32:39Thank you.

0:32:41 > 0:32:43Thank you for everything.

0:32:43 > 0:32:46Now you must be strong, Mrs Bligh.

0:32:46 > 0:32:49There's rough water before we make the harbour.

0:32:49 > 0:32:51Good luck.

0:32:51 > 0:32:54Don't look when they take the little one away.

0:32:58 > 0:33:00I would have told you straightaway if it had been just about us.

0:33:00 > 0:33:03I know.

0:33:03 > 0:33:07Sometimes you have to put other people's feelings ahead of your own.

0:33:07 > 0:33:09Yes.

0:33:11 > 0:33:13Go on.

0:33:14 > 0:33:17No matter what you feel right now towards your grandmother,

0:33:17 > 0:33:18don't forget you love her

0:33:18 > 0:33:21and you always will.

0:33:21 > 0:33:25I think I just gave you my first piece of fatherly advice.

0:33:25 > 0:33:26I think you did.

0:33:30 > 0:33:32She needed this...

0:33:34 > 0:33:37..to help stop her hating.

0:33:39 > 0:33:41What?

0:33:42 > 0:33:44When we first met, I thought,

0:33:44 > 0:33:47"I know exactly what she sees in him."

0:33:47 > 0:33:49You're very handsome.

0:33:50 > 0:33:52But you're so much more than that.

0:33:52 > 0:33:56I sold you short. You're a fine man.

0:34:00 > 0:34:02I'm returning to Sydney.

0:34:03 > 0:34:07George came to see me. He offered an olive leaf.

0:34:07 > 0:34:09I'm sure the branch will come,

0:34:09 > 0:34:13which, sadly, he seems disinclined to extend to you.

0:34:15 > 0:34:19I'm your only hope, Elizabeth. You'll see that soon enough.

0:34:19 > 0:34:22I'll see you at Anna's wedding.

0:34:22 > 0:34:26Oh, that's right - you're not invited.

0:34:34 > 0:34:39Regina informs me you have softened somewhat towards her.

0:34:40 > 0:34:42George?

0:34:42 > 0:34:44Oh, for goodness' sake, will you talk to me?

0:34:44 > 0:34:46No.

0:34:46 > 0:34:48Oh, so you're just going to drown

0:34:48 > 0:34:49whatever it is you're feeling with that?

0:34:49 > 0:34:52That will not help you to forget her.

0:34:54 > 0:34:56I'm not drinking to forget HER.

0:34:56 > 0:34:58Please just leave.

0:34:58 > 0:35:00No, not until we've had this out.

0:35:00 > 0:35:02- Leave! - I'm not going anywhere.

0:35:02 > 0:35:05- Please! - No!

0:35:05 > 0:35:07Do you want to know why I'm drinking?

0:35:07 > 0:35:12I'm drinking because I finally see who you are and it repulses me.

0:35:13 > 0:35:16I'm drinking, Mother, to drown my hatred for you.

0:35:16 > 0:35:19What made you like this?

0:35:19 > 0:35:23Did Father not want you? Did you repulse him as well?

0:35:23 > 0:35:25So you poured all of your misery into us.

0:35:25 > 0:35:29- A mother sacrifices for... - A mother loves!

0:35:29 > 0:35:31She wants joy for her children.

0:35:31 > 0:35:33You? You can't bear to see us make our own choices...

0:35:33 > 0:35:35That's not true.

0:35:35 > 0:35:36..because if they do make us happy

0:35:36 > 0:35:39it simply highlights what a desperately unhappy life

0:35:39 > 0:35:41you've made for yourself.

0:35:51 > 0:35:53KNOCK AT DOOR

0:35:57 > 0:35:59Pardon.

0:36:02 > 0:36:05Oui, merci.

0:36:12 > 0:36:14He will improve.

0:36:14 > 0:36:17My tears are for you, not him.

0:36:17 > 0:36:19This is what I had feared.

0:36:19 > 0:36:22You are tied to him now. There is no hope.

0:36:27 > 0:36:32A week ago I thought he was dead. There's always hope.

0:36:34 > 0:36:37You must face the truth.

0:36:37 > 0:36:41He will never be the man you loved. Never.

0:36:41 > 0:36:44I won't let you sacrifice everything out of duty.

0:36:44 > 0:36:47- It's not duty. It's love. - Is it?

0:36:48 > 0:36:50Or the memory of love?

0:36:50 > 0:36:56That life, that precious time with him is gone.

0:36:57 > 0:37:00Please, Sarah, I beg you, go home.

0:37:00 > 0:37:05Go back to your new love, to your happiness, to your hope.

0:37:05 > 0:37:07Oh...

0:37:07 > 0:37:09Oh, my dear friend.

0:37:14 > 0:37:18You asked my permission to return with him.

0:37:20 > 0:37:24I give you my permission to return without.

0:37:28 > 0:37:31SHE SCREAMS That's it! Good girl!

0:37:35 > 0:37:37DOOR OPENS

0:37:39 > 0:37:41DOOR CLOSES

0:38:19 > 0:38:22It's Sarah.

0:38:25 > 0:38:28Can you hear me?

0:38:29 > 0:38:32Please, Rene. Please.

0:38:35 > 0:38:38Hello. James Bligh.

0:38:39 > 0:38:43Father! Father!

0:38:43 > 0:38:45The baby, it's coming.

0:39:01 > 0:39:03I'm sorry. I would ask you to come, but...

0:39:03 > 0:39:05Darling, I understand.

0:39:08 > 0:39:10You go with my blessing.

0:39:25 > 0:39:27DOOR OPENS

0:39:29 > 0:39:32No, no.

0:39:34 > 0:39:37I don't know if I can.

0:39:40 > 0:39:42It's all right.

0:40:06 > 0:40:08It's a boy.

0:40:08 > 0:40:11Is...is he...

0:40:11 > 0:40:14He's perfect.

0:40:25 > 0:40:28Whoa!

0:40:28 > 0:40:30To the new Bligh!

0:40:30 > 0:40:32Now you're an aunty.

0:40:40 > 0:40:42Congratulations, old man.

0:40:42 > 0:40:44Oh, my darling.

0:41:02 > 0:41:05Your son.

0:41:37 > 0:41:39SHE SOBS

0:41:40 > 0:41:43HOOFBEATS ON STREET

0:41:49 > 0:41:52Good morning, my love.

0:42:07 > 0:42:08Sarah?

0:42:39 > 0:42:40Subtitles by Red Bee Media Ltd

0:42:40 > 0:42:42E-mail subtitling@bbc.co.uk