The Love Undeniable

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0:00:02 > 0:00:04- I said no! Aah! - No-one says no to me.

0:00:04 > 0:00:06SHE SOBS

0:00:06 > 0:00:09Don't you think you should slow down? This isn't like you.

0:00:09 > 0:00:12- There's obviously something you're not telling me...- Please.

0:00:12 > 0:00:14- Hysterectomy at 15. - The uterine wall's perforated.

0:00:14 > 0:00:16SHE SOBS LOUDLY

0:00:16 > 0:00:18The man was a butcher.

0:00:18 > 0:00:20Ruptured appendix?

0:00:20 > 0:00:23I thought miscarriage was the usual euphemism on the death certificate?

0:00:25 > 0:00:27Well, I just met the new owner of Stardust.

0:00:27 > 0:00:29Do you have any idea what that horse is worth?

0:00:29 > 0:00:31Stardust is MY horse!

0:00:31 > 0:00:36'What was once his pride now seemed plain stubbornness.'

0:00:36 > 0:00:38This is a princess, slumming it.

0:00:38 > 0:00:41- Gino, give it to me, that's my work! - Anna! Hey, Anna!

0:00:42 > 0:00:45- Sweetheart, what's...? - SHE SOBS

0:00:45 > 0:00:48- You came all this way just to give me a clipping?- No, no.

0:00:48 > 0:00:50To ask you to run away with me.

0:00:50 > 0:00:51Henry...

0:00:53 > 0:00:56I feel like I can talk to you like I can't talk to anyone else.

0:00:56 > 0:00:58That day Rene Nordmann shot you...

0:00:58 > 0:01:01He was intent. He wanted to kill you.

0:01:01 > 0:01:05- So is this a proposal or a business deal?- Both.

0:01:05 > 0:01:09You do realise that a marriage of this nature can be easily annulled?

0:01:09 > 0:01:11Rene Nordmann passed away.

0:01:11 > 0:01:16No matter how charitable you may feel towards me, or to the baby,

0:01:16 > 0:01:18we will be on our own.

0:01:18 > 0:01:19It won't be charity.

0:01:19 > 0:01:23'To Sarah Nordmann, I give, devise and bequeath

0:01:23 > 0:01:27'finances held in trust on the behalf of our unborn child.'

0:01:30 > 0:01:32That's his favourite.

0:01:37 > 0:01:39HE GROANS WEAKLY

0:02:07 > 0:02:09Regina.

0:02:17 > 0:02:18No...

0:02:23 > 0:02:24George...

0:02:25 > 0:02:26Darling...

0:03:02 > 0:03:05George.

0:03:05 > 0:03:06Good morning.

0:03:06 > 0:03:09Last night was such a lovely surprise.

0:03:09 > 0:03:12You were so...masterful.

0:03:12 > 0:03:15We make a great team, George, in every situation.

0:03:15 > 0:03:17It was inappropriate.

0:03:17 > 0:03:19Given the circumstances.

0:03:19 > 0:03:21It won't happen again.

0:03:21 > 0:03:24When you get back, we can go over your hospital speech, if you wish?

0:03:24 > 0:03:26Ah, there you are.

0:03:27 > 0:03:28Good morning, Mother.

0:03:28 > 0:03:30- George, if I may have a word? - I'm rather busy.

0:03:30 > 0:03:32I'm sure you are. Anna's here.

0:03:32 > 0:03:34Oh, how lovely.

0:03:34 > 0:03:36Well, she and Gino have had an argument.

0:03:36 > 0:03:38She's with Carolyn.

0:03:38 > 0:03:41- Is she all right?- She will be.

0:03:41 > 0:03:43What about you?

0:03:43 > 0:03:45I didn't sleep well, that's all.

0:03:48 > 0:03:49Come on, sleepyhead.

0:03:51 > 0:03:54No... This bed's too comfortable.

0:03:57 > 0:03:59Sweetheart...

0:04:00 > 0:04:02CAROLYN CLEARS HER THROAT

0:04:04 > 0:04:06You can't hide from this.

0:04:09 > 0:04:11You need to stand up for yourself.

0:04:12 > 0:04:15I thought that marriage would be like...

0:04:15 > 0:04:17Pride And Prejudice.

0:04:17 > 0:04:19Or A Room With A View.

0:04:19 > 0:04:22Everyone living happily ever after.

0:04:23 > 0:04:25You still love him.

0:04:25 > 0:04:28Well, you and papa love each other, but you're not even talking.

0:04:28 > 0:04:30Let's leave Jack out of this.

0:04:30 > 0:04:32It's the same with father and Sarah.

0:04:32 > 0:04:33Love, it's...

0:04:33 > 0:04:35It's no guarantee.

0:04:38 > 0:04:41So you're going to hide from the future in here, under the covers?

0:04:41 > 0:04:42ANNA LAUGHS

0:04:42 > 0:04:43No.

0:04:43 > 0:04:48No, one day, I'm going to earn my own living as a writer.

0:04:48 > 0:04:49Just like you.

0:04:52 > 0:04:55- Ah, so many writers in the family. - Mm!

0:04:56 > 0:04:59- Won't the Bronte sisters be jealous? - Mm!

0:05:09 > 0:05:15Mr Bligh, launching his campaign, here with us!

0:05:15 > 0:05:17We're so lucky, don't you think?

0:05:17 > 0:05:22Look at you. Never seen you look so pretty.

0:05:22 > 0:05:23Pretty as a picture.

0:05:25 > 0:05:27A very nice thing to say.

0:05:27 > 0:05:30Oh, credit where credit's due.

0:05:30 > 0:05:33Really scrub up all right for an old girl, don't you?

0:05:35 > 0:05:37Goodness, look at the time.

0:05:37 > 0:05:39I'll be needed indoors.

0:05:43 > 0:05:44Sister Carlin?

0:05:44 > 0:05:48Could you PLEASE take Mrs Clark's blood pressure more frequently?

0:05:48 > 0:05:51I'm concerned she's developing pre-eclampsia.

0:05:51 > 0:05:53May I speak frankly?

0:05:53 > 0:05:56Not all of the patients feel comfortable.

0:05:56 > 0:05:58With you in mourning, and so on.

0:05:58 > 0:06:00"And so on"?

0:06:00 > 0:06:02With you in the family way.

0:06:02 > 0:06:05Which patients? Give me their names, I'll have a quiet word.

0:06:05 > 0:06:06There's no need for that.

0:06:06 > 0:06:08Well, let's go and talk to them together, shall we?

0:06:08 > 0:06:11Because I can guarantee that most of them

0:06:11 > 0:06:13worked in their paddocks until they were ready to drop.

0:06:13 > 0:06:15So, ha, I'm a bit surprised.

0:06:15 > 0:06:19It's men who put these demeaning ideas into people's heads.

0:06:19 > 0:06:22We women know what we're capable of.

0:06:22 > 0:06:24If you focused on your job, Marjorie,

0:06:24 > 0:06:26you really would be a much better nurse.

0:06:40 > 0:06:41I know what you're going to say.

0:06:43 > 0:06:44Perhaps it's too soon?

0:06:44 > 0:06:47- To come back?- In my condition?

0:06:47 > 0:06:48You've joined the enemy.

0:06:49 > 0:06:51Not just about the pregnancy.

0:06:52 > 0:06:54I need to be here, Jack.

0:06:56 > 0:06:57All right.

0:06:59 > 0:07:01But just...take things slowly, hmm?

0:07:09 > 0:07:11You should've been there.

0:07:11 > 0:07:13The strings were sublime.

0:07:15 > 0:07:19Apparently, Eugene Goossens may well get his opera house built,

0:07:19 > 0:07:20according to the radio.

0:07:23 > 0:07:24Lizzie?

0:07:25 > 0:07:27Oh...

0:07:27 > 0:07:30Do forgive me. My mind was elsewhere.

0:07:30 > 0:07:31Well, if you want to unburden.

0:07:32 > 0:07:36It's good of you to come and tell me about the concert.

0:07:36 > 0:07:38I do value your friendship, you know.

0:07:39 > 0:07:42Actually, that's why I'm here.

0:07:42 > 0:07:44Because I've been thinking.

0:07:45 > 0:07:47I don't want to be your friend.

0:07:48 > 0:07:49Oh, I see.

0:07:49 > 0:07:52I want us to be more than just friends.

0:07:54 > 0:07:55Why not?

0:07:55 > 0:07:59Why don't we go away together? Mmm?

0:07:59 > 0:08:02You want to see this archaeology first-hand...

0:08:02 > 0:08:05Other people visit the Middle East, why don't we?

0:08:07 > 0:08:10Douglas, this is most improper, I...

0:08:11 > 0:08:14- What would people think?- Well...

0:08:15 > 0:08:18Well, we can go in disguise, as a camel.

0:08:18 > 0:08:20You can go as the front, I'll go as the back, hmm?

0:08:20 > 0:08:23Don't be ridiculous!

0:08:23 > 0:08:25Oh, I think people might catch on eventually.

0:08:27 > 0:08:29Lizzie, life is so short.

0:08:30 > 0:08:33Why don't we just suck the marrow out of it while we still can?

0:08:34 > 0:08:37- My family... - They don't need you like I do.

0:08:39 > 0:08:40Keep it.

0:08:42 > 0:08:44We have to be at the airport 7pm tomorrow night.

0:08:44 > 0:08:47I'll call by the Sydney apartment at 5pm tomorrow afternoon,

0:08:47 > 0:08:48and if you're not there...

0:08:49 > 0:08:52..I'll take it our chapter is concluded.

0:08:53 > 0:08:55If you are...

0:08:55 > 0:08:57you'll make me a very happy man indeed.

0:09:20 > 0:09:24- They just need to sort things out for themselves.- Hmm.

0:09:24 > 0:09:28- Ah, Mr Goddard.- Back again? What a lovely surprise.

0:09:28 > 0:09:32I hope Mother isn't wearing you out with all this...driving.

0:09:32 > 0:09:34Mr Goddard was just leaving.

0:09:34 > 0:09:36Oh, why not stay for lunch?

0:09:36 > 0:09:39George is off campaigning, but we'd love to have you.

0:09:39 > 0:09:43- I... I couldn't impose. - It's no imposition, is it, Mother?

0:09:45 > 0:09:47Then again, cook can be an awful gorgon

0:09:47 > 0:09:48when these things are sprung on her.

0:09:48 > 0:09:50Another time?

0:09:50 > 0:09:51Let's hope so.

0:09:51 > 0:09:53I'll, er...

0:09:53 > 0:09:55take my leave then.

0:09:56 > 0:09:58- I'll see you out.- Oh, thank you.

0:10:01 > 0:10:03Did something happen?

0:10:04 > 0:10:07Oh, this notion that one's every thought needs expressing...

0:10:07 > 0:10:14Yes, heaven forbid anyone have a truthful, human reaction to anything, Mother.

0:10:22 > 0:10:25BABY GURGLES Anna, are you sure about this?

0:10:25 > 0:10:28Yes... Er, yeah, these'll be fine until I get the rest of my things out of the attic.

0:10:28 > 0:10:31- Is there a horse for me?- Of course.

0:10:32 > 0:10:35- I meant about staying on at Ash Park.- I hate seeing you like this.

0:10:35 > 0:10:39- I'm going to go and talk... - Please, DON'T, James. Just let things be.- Anna...

0:10:43 > 0:10:45BABY GURGLES

0:10:45 > 0:10:47I'm glad you're home.

0:10:48 > 0:10:50We miss you when you're in Sydney.

0:10:50 > 0:10:53Well, it's like Henry says, it's a hard job,

0:10:53 > 0:10:54but someone's got to do it.

0:10:59 > 0:11:01You've become such good friends, haven't you?

0:11:01 > 0:11:03Well, that's all we are.

0:11:03 > 0:11:04Friends.

0:11:08 > 0:11:13And it's high time regions like Inverness enjoyed the same

0:11:13 > 0:11:15benefits as the cities,

0:11:15 > 0:11:18such as modern ambulance care.

0:11:18 > 0:11:21Now, some country areas still lack this amenity.

0:11:21 > 0:11:24I had a need recently of the ambulance service, and fortunately,

0:11:24 > 0:11:28it happened to be available and it certainly helped save my life.

0:11:28 > 0:11:32This gave me cause to reflect on what matters.

0:11:34 > 0:11:36Now, in the lead-up to this election,

0:11:36 > 0:11:39you will hear a lot of talk about the state of our economy

0:11:39 > 0:11:41in relation to the nation,

0:11:41 > 0:11:47inflation and so forth, but when you look at your lives in two, five, ten years' time

0:11:47 > 0:11:52and you see where they might be, what is it that matters most?

0:11:59 > 0:12:04Well, surely, it has to be the people in our lives?

0:12:04 > 0:12:06Our families...

0:12:08 > 0:12:09Those we love.

0:12:11 > 0:12:16The confidence that we can give them to sustain and build

0:12:16 > 0:12:22our communities, communities that are the backbones of this region...

0:12:22 > 0:12:25It's not the platform we decided on. What's going on, Reggie?

0:12:25 > 0:12:27Nothing that cannot be fixed.

0:12:27 > 0:12:30Don't worry, you'll get your comrade.

0:12:30 > 0:12:33..to be your next Member of Parliament.

0:12:33 > 0:12:36APPLAUSE Thank you.

0:12:37 > 0:12:38Thank you.

0:12:43 > 0:12:47Mr Bligh, our patients would so love to meet you.

0:12:47 > 0:12:52- Apologies, hectic schedule. - It'd be my pleasure.- Oh!

0:12:52 > 0:12:56- Marty! This is Mr George Bligh. - Been in the wars, chap?

0:12:56 > 0:12:58A little closer, Sister.

0:13:04 > 0:13:06- Isn't Sister Nordmann a marvel? - Perfect, thank you.

0:13:06 > 0:13:10I think the only thing keeping her upright is my home-made tonic.

0:13:10 > 0:13:11Is that so?

0:13:18 > 0:13:21I cannot understand why you would take such a risk.

0:13:21 > 0:13:25I'll speak with Sir Richard about my priorities.

0:13:25 > 0:13:27The way you looked at her, it was obvious.

0:13:28 > 0:13:29Your feelings!

0:13:29 > 0:13:32You're still in love with her.

0:13:33 > 0:13:35My feelings are none of your concern.

0:14:07 > 0:14:11'To Sarah Nordmann I give, devise and bequeath

0:14:11 > 0:14:14'finances held in trust on behalf of our unborn child,

0:14:14 > 0:14:18'for maintenance, education, advancement and benefit,

0:14:18 > 0:14:20'reaching the age of 21.'

0:14:22 > 0:14:24SHATTERING GLASS Get out! Just...leave it!

0:14:27 > 0:14:30- What on earth is going on? - You'll have to ask Mrs Bligh.

0:14:30 > 0:14:32- Regina!- Patrolling the halls?

0:14:32 > 0:14:34How Dickensian, even for you.

0:14:34 > 0:14:37This pact of yours, Regina, is not going to be easy...

0:14:37 > 0:14:38You mean my marriage?

0:14:38 > 0:14:42To the man I love? And who loves me...in every way.

0:14:43 > 0:14:47Yes. Your hopes of annulment have been dashed.

0:14:48 > 0:14:50In a quite spectacular fashion.

0:14:51 > 0:14:53Then you have everything you want.

0:14:53 > 0:14:58- And you're still not satisfied. - According to whom?- Oh, I see you.

0:14:58 > 0:15:03Regina, I see who you are. You are a wanton woman.

0:15:03 > 0:15:05How sad you are.

0:15:05 > 0:15:09The way you cling to this life, this family.

0:15:09 > 0:15:11But only because you have nothing else.

0:15:11 > 0:15:13You're the one who doesn't belong here.

0:15:13 > 0:15:16You're the one who has no place.

0:15:31 > 0:15:32Your speech went well?

0:15:34 > 0:15:35It was a clarifying experience.

0:15:39 > 0:15:41Is there something on your mind?

0:15:42 > 0:15:45George, I want you to promise me to be careful with Regina.

0:15:45 > 0:15:50- She is so dangerously wilful...- I am not blind to Regina's ambitions.

0:15:50 > 0:15:52You needn't worry about that.

0:15:54 > 0:15:56It was nice to see Douglas back here so soon.

0:15:57 > 0:16:01- You're changing the subject. - Attentive, isn't he?

0:16:01 > 0:16:04He does tend towards the spontaneous.

0:16:04 > 0:16:06How awful for you, Mother(!)

0:16:08 > 0:16:10And he's rather too fond of Tchaikovsky.

0:16:12 > 0:16:13He makes you happy.

0:16:14 > 0:16:17Douglas is a wonderful man.

0:16:17 > 0:16:19And we all deserve a little happiness.

0:16:21 > 0:16:23That's what HE says.

0:16:23 > 0:16:25It's never too late.

0:16:42 > 0:16:43Working hard, Gino.

0:16:44 > 0:16:45Go home, James.

0:16:48 > 0:16:51Look, I know what Anna's like.

0:16:51 > 0:16:53She's hot-headed, impractical, she can't be told anything.

0:16:53 > 0:16:55Don't talk about her like that.

0:16:56 > 0:16:58That's fine, she's my sister, I know her.

0:17:00 > 0:17:03Please, Gino.

0:17:03 > 0:17:05Put things right with her. Be a good husband. GINO SCOFFS

0:17:05 > 0:17:08You're lecturing me on being a husband? That's rich.

0:17:08 > 0:17:11- What's that supposed to mean? - Forget about it.

0:17:12 > 0:17:15No, I... I'm trying to talk to you and you don't even have the decency

0:17:15 > 0:17:16to look me in the eye!

0:17:16 > 0:17:18- Look, just leave!- No.

0:17:18 > 0:17:20You used to be so easy going, we've always got along.

0:17:20 > 0:17:23- Tell me what's changed? - I married a Bligh.

0:17:23 > 0:17:24And that's such a hardship?

0:17:24 > 0:17:28- Being married to Anna? No. All that comes with it.- What?

0:17:29 > 0:17:32- What are you talking about? - The lies, the secrets...

0:17:32 > 0:17:36- I mean, no wonder people write such terrible things about your family.- What things?

0:17:39 > 0:17:41Swanson wrote a letter to Anna.

0:17:42 > 0:17:44About you, your wife and your son.

0:17:44 > 0:17:46My son?

0:17:48 > 0:17:49This is nonsense.

0:17:51 > 0:17:55- All right, what did that pig Swanson say about him?- That he's not yours.

0:17:55 > 0:17:57Well, that's not true.

0:18:05 > 0:18:08You make amends with my sister, or you'll answer to me.

0:18:23 > 0:18:25There you are.

0:18:29 > 0:18:31James?

0:18:36 > 0:18:37Whatever's the matter?

0:18:40 > 0:18:42James?

0:18:42 > 0:18:43I just saw Gino.

0:18:43 > 0:18:46Swanson's letter, is it true?

0:18:48 > 0:18:52They say men like me can't father a child. Is Georgie mine?

0:18:52 > 0:18:54- TEARFULLY:- Why would you ever...? - Tell me!

0:18:57 > 0:18:59How can you even question that?

0:18:59 > 0:19:01You slept with Lloyd behind my back,

0:19:01 > 0:19:04perhaps you have a talent for deception?

0:19:04 > 0:19:07And so you would trust Andrew Swanson's word over mine?

0:19:08 > 0:19:10After everything we've been through.

0:19:14 > 0:19:15Is that how little you think of me?

0:19:17 > 0:19:19James, this is ludicrous!

0:19:19 > 0:19:23Of course Georgie is yours, he's our little boy! James!

0:19:32 > 0:19:33Truce.

0:19:40 > 0:19:42You're not joining me?

0:19:43 > 0:19:44Why not?

0:19:52 > 0:19:54In the car, we argued.

0:19:55 > 0:19:56I regret that.

0:19:57 > 0:19:59To teething problems.

0:20:08 > 0:20:10You do trust me, don't you?

0:20:10 > 0:20:13If you're having second thoughts about our arrangement...

0:20:13 > 0:20:16Sarah Nordmann was not part of our arrangement.

0:20:16 > 0:20:17I've made it clear.

0:20:21 > 0:20:22- PLEADING:- Don't see her again.

0:20:26 > 0:20:27Please.

0:20:33 > 0:20:35There can only be two of us in this marriage.

0:20:35 > 0:20:37If it were to come out...

0:20:37 > 0:20:39If what were to come out?

0:20:41 > 0:20:45Think of your career. The scandal. You'd be a laughing stock.

0:20:45 > 0:20:47People talk.

0:20:48 > 0:20:50Who would tell these people?

0:20:50 > 0:20:53- If you're suggesting...- I will not be blackmailed by my wife.

0:20:53 > 0:20:55That is not...

0:20:55 > 0:20:57Your mother has been in your ear, poisoning you against me.

0:20:57 > 0:21:00My mother's not the poisoning type.

0:21:01 > 0:21:05YOU will play the role that you have chosen.

0:21:06 > 0:21:09You will smile and wave and do what is asked.

0:21:09 > 0:21:12And in return, you'll enjoy the benefits of your position.

0:21:12 > 0:21:14But you will not question me.

0:21:16 > 0:21:19Nor will you plot and connive against Mrs Nordmann.

0:21:19 > 0:21:22Whatever your grievances.

0:21:22 > 0:21:25- Is that understood?- George... - Is that understood?

0:21:25 > 0:21:26Yes.

0:21:28 > 0:21:29Very well.

0:21:45 > 0:21:48I'm so glad you've resumed your work.

0:21:48 > 0:21:50I'm sure it's for the best.

0:21:51 > 0:21:53Mind you, it wouldn't have happened in my day,

0:21:53 > 0:21:55wouldn't have been allowed.

0:21:55 > 0:21:57Confinement meant exactly that.

0:21:58 > 0:22:00Women have more choices now.

0:22:00 > 0:22:03Not as many as we might like.

0:22:03 > 0:22:05And few supported, even by other women.

0:22:07 > 0:22:09But still, you do exactly as you see fit,

0:22:09 > 0:22:11regardless of what others think.

0:22:11 > 0:22:12As do you.

0:22:15 > 0:22:16Like this possible trip!

0:22:18 > 0:22:21And, yes, your immunisations are up to date.

0:22:21 > 0:22:23Including cholera and typhoid?

0:22:25 > 0:22:27Are you thinking of somewhere exotic?

0:22:27 > 0:22:29Perhaps.

0:22:30 > 0:22:32I do worry about leaving George.

0:22:33 > 0:22:35He needs so much support at the moment.

0:22:35 > 0:22:37He has his wife for that.

0:22:38 > 0:22:40From someone he can trust.

0:22:40 > 0:22:43George was raised by you, Elizabeth.

0:22:44 > 0:22:46He'll make the right decisions.

0:22:47 > 0:22:48Eventually.

0:22:50 > 0:22:52Perhaps.

0:22:54 > 0:22:55Gino!

0:22:57 > 0:22:58Anna.

0:22:58 > 0:23:01Olivia told me what you said to James.

0:23:01 > 0:23:03How could you do that?

0:23:03 > 0:23:07Do you know what you have done to them and how horrible it is?

0:23:07 > 0:23:09There is no excuse.

0:23:09 > 0:23:11I was angry.

0:23:13 > 0:23:15I don't expect you to forgive me.

0:23:16 > 0:23:18Anna, bella, wait...

0:23:24 > 0:23:26HORSE NICKERS

0:23:27 > 0:23:28Oh!

0:23:30 > 0:23:31Hey!

0:23:31 > 0:23:33Oh...

0:23:34 > 0:23:35I'm sorry.

0:23:37 > 0:23:40I'm so, so sorry.

0:23:41 > 0:23:44I've made so many mistakes, with us, with James...

0:23:46 > 0:23:47HORSE EXHALES

0:23:50 > 0:23:52But I love you, bella.

0:23:54 > 0:23:55More than anything.

0:23:56 > 0:23:58We were so happy once.

0:23:59 > 0:24:01Can't we be again?

0:24:03 > 0:24:05I don't know how.

0:24:34 > 0:24:36I thought we were meeting at the club.

0:24:36 > 0:24:37I was in the neighbourhood, so...

0:24:40 > 0:24:42Drink?

0:24:42 > 0:24:43Thank you. You read my mind.

0:24:45 > 0:24:47Well, we can talk about it.

0:24:49 > 0:24:51Or not talk about it, up to you.

0:24:53 > 0:24:54I wouldn't know where to start.

0:24:58 > 0:24:59How about at the bottom of this?

0:25:10 > 0:25:12I must seem quite mad.

0:25:12 > 0:25:13Stark raving.

0:25:14 > 0:25:16I had to get away.

0:25:18 > 0:25:20And here you are.

0:25:20 > 0:25:23It's all getting a bit on top of me, I'm afraid.

0:25:23 > 0:25:24What is?

0:25:28 > 0:25:30The world's not going to end, James.

0:25:30 > 0:25:32Just let it out.

0:25:32 > 0:25:33Just let it out.

0:26:45 > 0:26:48'It has been brought to the chamber's attention that

0:26:48 > 0:26:52'you may have been involved in unlawful conduct with intent

0:26:52 > 0:26:54'to administer an illegal abortion,

0:26:54 > 0:26:58'resulting in the untimely death of a patient.'

0:27:10 > 0:27:12Bella mia, bella ragazze.

0:27:13 > 0:27:14Toast, cafe.

0:27:16 > 0:27:18I can't believe I fell asleep.

0:27:19 > 0:27:22I missed waking up next to you.

0:27:23 > 0:27:25Let's never be apart like that.

0:27:26 > 0:27:28No, we can't go on fighting as we have.

0:27:28 > 0:27:30We won't.

0:27:30 > 0:27:33No more arguing about money or anything.

0:27:33 > 0:27:36I was thinking that we could sell Stardust to pay back Carlo.

0:27:36 > 0:27:40- No, I know what she means to you. - But it's time to be practical.

0:27:41 > 0:27:44I'll talk to Papa about mortgaging the farm.

0:27:44 > 0:27:47- I'll forget about the damn vineyard. - No, Gino!

0:27:47 > 0:27:49Don't, Poletti Wines - it's a good dream.

0:27:51 > 0:27:55- I'll talk to George about investing. Make him a partner.- Oh, really?

0:27:55 > 0:27:58You'd do that? Well, I think he'd love it.

0:27:58 > 0:28:02We'll do things properly. Maybe I'll even take advice.

0:28:06 > 0:28:10- I just want us to make each other happy.- Tell me what I've got to do.

0:28:10 > 0:28:11I'll do anything, bella.

0:28:11 > 0:28:15We have to keep talking, OK? Being honest, like we are now.

0:28:16 > 0:28:19As long as we're together, we'll be happy.

0:28:19 > 0:28:20Yes?

0:28:22 > 0:28:23Yes.

0:28:40 > 0:28:41Mm...

0:28:44 > 0:28:46Were you planning on leaving a note?

0:28:55 > 0:28:56I really should go.

0:29:06 > 0:29:07Here I am.

0:29:09 > 0:29:14Carolyn, what would you say if I...

0:29:14 > 0:29:16If I told you I might go away

0:29:16 > 0:29:18on a trip?

0:29:18 > 0:29:20Send me a postcard?

0:29:23 > 0:29:25Luxor?

0:29:25 > 0:29:27With Mr Goddard.

0:29:27 > 0:29:28Douglas.

0:29:29 > 0:29:31Tell me if you think I shouldn't go.

0:29:31 > 0:29:34What will happen if you don't go?

0:29:36 > 0:29:38Oh, it's such a bold decision.

0:29:38 > 0:29:40They're the best!

0:29:40 > 0:29:42They're the ones that make our lives sparkle.

0:29:45 > 0:29:50If I were to go, would you tell George? He'll disapprove, I know.

0:29:50 > 0:29:54Mother, no matter what anybody will think, you'll regret it

0:29:54 > 0:29:56so much if you don't go.

0:29:57 > 0:30:00- And you'd be all right?- Yes.

0:30:00 > 0:30:01I promise.

0:30:01 > 0:30:04KNOCK AT DOOR

0:30:05 > 0:30:07Mother? You wanted to see me?

0:30:07 > 0:30:11- I wanted to let you know I'm returning to Sydney.- As you wish.

0:30:11 > 0:30:13George...

0:30:13 > 0:30:14Be strong.

0:30:14 > 0:30:16Stay strong.

0:30:17 > 0:30:18Yes, Mother.

0:30:20 > 0:30:23Well, I must be going. Thank you, both.

0:30:34 > 0:30:36Is she all right?

0:30:37 > 0:30:38I think she's on top of the world.

0:30:54 > 0:30:55Come here.

0:31:01 > 0:31:03BELL RINGS

0:31:03 > 0:31:05Let me get rid of whoever that is.

0:31:09 > 0:31:11Yes?

0:31:14 > 0:31:16I'd like to speak to my husband.

0:31:19 > 0:31:21- I...- Excuse me.

0:31:21 > 0:31:23Mrs Bligh...

0:31:24 > 0:31:25Mrs Bligh...

0:31:33 > 0:31:36Livvie! Livvie!

0:31:36 > 0:31:38Livvie, wait! Wait! Let me explain!

0:31:38 > 0:31:42- Explain what? - I never meant for this to happen.

0:31:42 > 0:31:44Tell me what it is that you're doing here.

0:31:57 > 0:31:58No...

0:32:00 > 0:32:01No...

0:32:05 > 0:32:06Wait.

0:32:06 > 0:32:08Wait. Wait!

0:32:08 > 0:32:10Livvie...

0:32:10 > 0:32:12You can't leave like this.

0:32:12 > 0:32:16- I need to think about what I want. - What you want?

0:32:18 > 0:32:20This is my marriage too.

0:32:39 > 0:32:41What is it, bella?

0:32:43 > 0:32:44Don't be angry.

0:32:45 > 0:32:47I won't, I promise.

0:32:49 > 0:32:52- Tell me. - I heard back from the publisher.

0:32:52 > 0:32:54I didn't think I'd hear anything, but...

0:32:56 > 0:32:59- Someone wants your book? - Angus & Robertson.

0:32:59 > 0:33:03They think I could be the voice of young women. Imagine that! They...

0:33:03 > 0:33:06They want me to go down to Sydney to meet with them.

0:33:07 > 0:33:09Such an opportunity.

0:33:10 > 0:33:13It's going to take a lot more work.

0:33:13 > 0:33:17And after what I wrote about us...

0:33:17 > 0:33:18Bella...

0:33:20 > 0:33:22You do what makes your heart sing.

0:33:23 > 0:33:25Really?

0:33:25 > 0:33:27- SHE LAUGHS - Thank you, darling!

0:33:27 > 0:33:29Thank you, thank you!

0:33:36 > 0:33:38Carolyn.

0:33:39 > 0:33:41I hoped we might talk.

0:33:43 > 0:33:44I tried to telephone.

0:33:47 > 0:33:49I needed...

0:33:56 > 0:33:59I've come to talk to you about Sir Richard.

0:34:00 > 0:34:02Well, I see.

0:34:05 > 0:34:08Well, you've certainly taken your time to tell me.

0:34:08 > 0:34:11- Tell you what? - His interest was clear.

0:34:13 > 0:34:14Now yours is as well.

0:34:15 > 0:34:18No. You don't understand.

0:34:23 > 0:34:26That night you left my place, something happened.

0:34:28 > 0:34:30He...

0:34:32 > 0:34:36He...forced himself on me.

0:34:37 > 0:34:40SHE SOBS

0:34:40 > 0:34:42You were right about him.

0:34:42 > 0:34:46- I've been such a fool. - This is not your fault.- It is!

0:34:46 > 0:34:50I had him in my apartment! We were drinking.

0:34:52 > 0:34:56It's like he's inside my head and I can't get him out.

0:34:56 > 0:34:59I don't know how to make these...

0:34:59 > 0:35:01thoughts go away.

0:35:04 > 0:35:07A piece of me...has gone, Jack.

0:35:07 > 0:35:10The best piece, and I don't know how to get it back.

0:35:10 > 0:35:12Don't touch me, please.

0:35:16 > 0:35:18He won't get away with this. KNOCK ON DOOR

0:35:18 > 0:35:21Dr Duncan? Some men are here to see you.

0:35:21 > 0:35:24- Yeah, not now, all right? - They're detectives.

0:35:29 > 0:35:32Jack. What's going on?

0:35:41 > 0:35:43The police want a formal interview by the end of the week.

0:35:43 > 0:35:47The important thing is, we've got Jack Chand on board. The best criminal lawyer in Sydney.

0:35:47 > 0:35:50Even if there isn't a criminal case to answer, my licence is still at risk.

0:35:50 > 0:35:53I had a word with Sir Richard before you arrived. I'm calling in a favour.

0:35:53 > 0:35:57- I don't want him involved.- He has valuable connections.- I said no.

0:35:59 > 0:36:03- You're asking me to help, Jack. - We didn't do anything illegal.- WE?

0:36:04 > 0:36:08- You didn't mention someone else. - I didn't think it was important.

0:36:08 > 0:36:11- If there are other witnesses...- No, it is too compromising to name them.

0:36:11 > 0:36:14- This is your future.- Jack.

0:36:19 > 0:36:23When Sarah Nordmann was in Sydney, she met the girl.

0:36:24 > 0:36:26Met someone having a back-yard abortion?

0:36:28 > 0:36:29Why would Sarah...?

0:36:32 > 0:36:33Um...

0:36:34 > 0:36:36- If you'll excuse me.- George!

0:36:58 > 0:37:00DOG BARKS

0:37:02 > 0:37:04CAR DOOR SHUTS

0:37:04 > 0:37:07I have something rather difficult I have to ask you.

0:37:11 > 0:37:15Did you ever consider having... an abortion?

0:37:20 > 0:37:22I don't...I don't know how to explain this to you.

0:37:22 > 0:37:25How could you even think of putting yourself in that situation?

0:37:25 > 0:37:29- To risk your health, your life. - Rene was sick. I was alone.

0:37:29 > 0:37:33And I didn't need to be consulted. Even told there WAS a baby.

0:37:33 > 0:37:38I wasn't thinking about you. I had no idea where I would end up.

0:37:38 > 0:37:41- Please, don't... - For God's sake, this is our child!

0:37:43 > 0:37:45And it always will be.

0:37:48 > 0:37:52George Bligh and his bastard Jew. Be realistic.

0:37:52 > 0:37:54- Don't say that.- Why not?

0:37:54 > 0:37:56Everyone else will.

0:37:58 > 0:38:00You see?

0:38:02 > 0:38:04You know it, too.

0:38:06 > 0:38:08There's no future.

0:38:10 > 0:38:11How can there be?

0:38:33 > 0:38:34Hello there.

0:38:35 > 0:38:37Mrs Collins.

0:38:38 > 0:38:42- Mrs Bligh. - My dear, you must call me Regina.

0:38:42 > 0:38:45I was passing by and I thought how nice it would be to have

0:38:45 > 0:38:49a cup of tea with one of our most valuable campaign volunteers.

0:38:49 > 0:38:55- I need your assistance. - Well, I'll pop the kettle on.

0:38:55 > 0:38:56Hmm.

0:39:34 > 0:39:35Oh.

0:39:41 > 0:39:42SHE COUGHS

0:39:45 > 0:39:46Oh!

0:39:50 > 0:39:52Oh! Oh!

0:39:53 > 0:39:54Oh!

0:41:03 > 0:41:04Thank you.

0:41:09 > 0:41:11We are going on an adventure, aren't we?

0:41:29 > 0:41:30Lizzie?

0:41:36 > 0:41:37Oh!

0:41:39 > 0:41:41KNOCK ON DOOR

0:41:45 > 0:41:46Are you there?

0:41:50 > 0:41:52SHE STRAINS

0:41:55 > 0:41:57FAINT WHIMPER

0:42:05 > 0:42:06HE SIGHS

0:42:10 > 0:42:14- Do you fancy a cuppa? - I must get on to Ash Park.

0:42:14 > 0:42:18Apparently, I've become integral to the campaign.

0:42:18 > 0:42:22The new Mrs Bligh came to see me. She even helped me with this.

0:42:22 > 0:42:24Well, she's a lot of things, but she's not silly.

0:42:24 > 0:42:26She knows a good helper when she sees one.

0:42:26 > 0:42:28DOOR CREAKS

0:42:28 > 0:42:31Oh. This is for you.

0:42:31 > 0:42:34- My tonic. Thank you, Doris. - My pleasure.

0:42:34 > 0:42:37- You've got a bit of...- Oh.

0:42:38 > 0:42:41Goodness me. It's the man himself.

0:42:46 > 0:42:48Mr Bligh.

0:42:51 > 0:42:53Well, if you'll excuse us, Mrs Collins and I

0:42:53 > 0:42:56have got some very important election business to take care of.

0:42:56 > 0:42:57Come on, I'm driving.

0:43:13 > 0:43:15Who cares what people think? What they say.

0:43:17 > 0:43:19I just want to be with you.

0:43:21 > 0:43:24Whatever was between us, George, you're a married...

0:43:24 > 0:43:27- Nothing else matters. - ..man and equally unavailable.

0:43:27 > 0:43:31We will be together, Sarah. I promise you.

0:43:36 > 0:43:39- I was harsh before, I apologise. - Whatever it takes.

0:43:43 > 0:43:46However long you need.

0:43:49 > 0:43:52You'll always be a part of this child's life.

0:44:00 > 0:44:02However long you need.

0:44:04 > 0:44:05I love you.

0:44:28 > 0:44:29Where's my son?

0:44:30 > 0:44:32I don't know.

0:44:34 > 0:44:37I will have to go to the publishers every fortnight.

0:44:37 > 0:44:39I wonder if it is professional enough.

0:44:39 > 0:44:42Imagine, the publisher wants to see ME.

0:44:42 > 0:44:45And he mentioned a book launch and book signings...