0:00:02 > 0:00:04Douglas Goddard telephoned. Seems he's trying to chase you down.
0:00:04 > 0:00:07If you're not doing anything this evening, we might have dinner?
0:00:07 > 0:00:11Can you write? Why don't you show me what you can do?
0:00:11 > 0:00:12Write me a critique, a review.
0:00:12 > 0:00:14SHE SCREAMS
0:00:14 > 0:00:17I wanted to thank you for today.
0:00:17 > 0:00:19But I am a happily married woman.
0:00:23 > 0:00:25How often do they have to be watered?
0:00:25 > 0:00:28Every day for the first month.
0:00:28 > 0:00:29'Why were you working at Carlo's?'
0:00:31 > 0:00:32Lie down.
0:00:32 > 0:00:33I've changed my mind!
0:00:36 > 0:00:38Linda's very sick, Nancy.
0:00:38 > 0:00:39She needs to go to the hospital.
0:00:39 > 0:00:41Hysterectomy at 15.
0:00:41 > 0:00:43The uterine wall's perforated.
0:00:44 > 0:00:47The man was a butcher. He should be struck off.
0:00:47 > 0:00:49I don't know how I'm going to tell Rene about the baby.
0:00:49 > 0:00:50SHE SPEAKS IN FRENCH
0:02:35 > 0:02:38You can't avoid me forever, you know.
0:02:38 > 0:02:40If you had any decency, you'd leave.
0:02:40 > 0:02:43Is that what you want from me?
0:02:43 > 0:02:44Decency?
0:02:45 > 0:02:47I have a husband.
0:02:47 > 0:02:48You do.
0:03:13 > 0:03:14Darling, the portrait.
0:03:14 > 0:03:18Truth be told, I'm not convinced the artist is a good fit for us.
0:03:18 > 0:03:19BABY FUSSES
0:03:19 > 0:03:22His style... I'm worried it's too modern.
0:03:22 > 0:03:25Well, I think Lloyd's a decent chap, and I trust Aunt Carolyn's recommendation.
0:03:25 > 0:03:28He makes me feel uncomfortable.
0:03:28 > 0:03:30Darling, it's natural to be shy.
0:03:30 > 0:03:33Besides, I want a memento of this happy time...
0:03:33 > 0:03:35so I'm afraid I'm putting my foot down.
0:03:35 > 0:03:39Acceptances are flooding in for the little prince...
0:03:39 > 0:03:41whom I believe needs changing.
0:03:43 > 0:03:45Rose, would you mind?
0:03:45 > 0:03:47Come here, my handsome lad.
0:03:47 > 0:03:49- Hey!- Bye-bye, Georgie.
0:03:49 > 0:03:50Bye-bye!
0:03:50 > 0:03:51BABY FUSSES
0:03:54 > 0:03:56Ah, how's my bonny boy this morning huh?
0:03:56 > 0:03:58- Good morning, George. - Good morning.
0:03:58 > 0:03:59- Morning.- Morning.
0:03:59 > 0:04:01I trust you slept well?
0:04:04 > 0:04:06I won't take any this morning.
0:04:06 > 0:04:07But the doctor...
0:04:07 > 0:04:10Is not here and I'm sure would agree I'm in good health.
0:04:10 > 0:04:12Besides, I want to have my wits about me from now on.
0:04:12 > 0:04:15I've seen the flyers in town. Mrs Collins has been very thorough.
0:04:15 > 0:04:17No telegraph pole left untouched.
0:04:17 > 0:04:20It's not premature? You haven't received the official nod yet.
0:04:20 > 0:04:22The emphasis on "yet".
0:04:22 > 0:04:25It's a forum, not a political speech.
0:04:25 > 0:04:28If I'm to represent the district, I want to know their concerns.
0:04:28 > 0:04:30Spoken like a true statesman.
0:04:53 > 0:04:54I don't want a nurse.
0:04:56 > 0:04:58I want a wife.
0:04:58 > 0:04:59You have a wife.
0:05:07 > 0:05:08Rene, please.
0:05:11 > 0:05:12It's been days.
0:05:15 > 0:05:18I know this is a difficult situation,
0:05:18 > 0:05:20but I can't change what's happened.
0:05:22 > 0:05:23We're having a baby!
0:05:23 > 0:05:24No!
0:05:24 > 0:05:25No, YOU are having a baby!
0:05:28 > 0:05:29I thought you were dead.
0:05:30 > 0:05:33Jules Manet, he saw you shot in the head, trying to escape!
0:05:33 > 0:05:35- You did not wait for me!- I did!
0:05:35 > 0:05:38I went to the station every day, searching for you,
0:05:38 > 0:05:41for news of you, mon amour.
0:05:46 > 0:05:49Don't you dare question my love for you.
0:05:52 > 0:05:57You have no idea, the things I did to survive, to be with you again.
0:05:59 > 0:06:01I wish you had never found me.
0:06:08 > 0:06:09Thank you.
0:06:11 > 0:06:12A politician.
0:06:14 > 0:06:15You must be so proud.
0:06:15 > 0:06:18Well, there remain a number of hoops to be jumped through.
0:06:18 > 0:06:20Not according to Sir Richard.
0:06:26 > 0:06:31A little birdy tells me that you've been giving private recitals
0:06:31 > 0:06:33at Douglas Goddard's soup kitchen.
0:06:33 > 0:06:35Refuge.
0:06:35 > 0:06:37- Ha!- And yes, music does have proven benefits,
0:06:37 > 0:06:40as you could witness for yourself if you paid a visit.
0:06:40 > 0:06:44My dear, I'm run off my feet selling tickets to the ball.
0:06:45 > 0:06:49But how Bolshevik of you to roll up your sleeves and muck in.
0:06:49 > 0:06:51I intend to propose to the committee
0:06:51 > 0:06:53that we raise funds for unwed mothers next.
0:06:53 > 0:06:57Well, aren't you the suffragette! Look at you, you're wearing purple!
0:06:57 > 0:07:00Next, you'll be throwing yourself under horses.
0:07:18 > 0:07:21Can't you smoke around the back with the rest of the staff?
0:07:21 > 0:07:23Well, you'd know all about the tradesman's entrance.
0:07:23 > 0:07:25Oh, aren't you chirpy? Let me guess,
0:07:25 > 0:07:28George managed to look at you without retching?
0:07:28 > 0:07:31How is your precious country doctor?
0:07:31 > 0:07:33A little unsettled?
0:07:33 > 0:07:35Poor creature did pale somewhat,
0:07:35 > 0:07:37digesting news of your sordid past.
0:07:38 > 0:07:40It's not surprising, really.
0:07:40 > 0:07:43Your cavalcade of ex-lovers would make a streetwalker blush.
0:07:43 > 0:07:46- If you cross me when it comes to Jack...- Indeed.
0:07:46 > 0:07:48That's how I feel about George.
0:07:53 > 0:07:55Sweet James.
0:07:55 > 0:07:56Such a sensitive boy.
0:07:58 > 0:07:59What are you saying?
0:07:59 > 0:08:03I think it's clear. He's so vulnerable to scandal and...
0:08:03 > 0:08:05innuendo.
0:08:10 > 0:08:12Carolyn...
0:08:12 > 0:08:14Carolyn! He's busy, Carolyn! Carolyn!
0:08:16 > 0:08:21- Good morning...- There is something you need to know... - He's still recovering!- Be quiet!
0:08:21 > 0:08:23Regina is using James's secret as a weapon
0:08:23 > 0:08:26to ensure her continued presence at Ash Park.
0:08:26 > 0:08:28- She is threatening to expose him. - No!
0:08:28 > 0:08:31It sickens me and I will not tolerate it.
0:08:31 > 0:08:32How could you say such a thing?
0:08:32 > 0:08:33Do you deny it?
0:08:35 > 0:08:37Is this true?
0:08:37 > 0:08:39George, you know I love James.
0:08:39 > 0:08:41I would never do anything to hurt him.
0:08:41 > 0:08:43Is it true?
0:08:46 > 0:08:48I don't...deny the charge.
0:08:50 > 0:08:52But you must hear the context.
0:08:52 > 0:08:54Without, the words are monstrous.
0:08:54 > 0:08:55What I said about James...
0:08:56 > 0:08:59..it was that terrible night I sought refuge here,
0:08:59 > 0:09:01after that...
0:09:01 > 0:09:02brute raised a hand to me.
0:09:02 > 0:09:06- What are you talking about? Don't believe her, George... - Let her speak.
0:09:06 > 0:09:08You saw me. I was petrified.
0:09:08 > 0:09:10I was not in my right mind.
0:09:10 > 0:09:12I regret saying it now, but I was sure you would turn me away.
0:09:12 > 0:09:14This never happened!
0:09:14 > 0:09:16You know how much I adore James.
0:09:18 > 0:09:21I am ashamed I said such a disgusting thing.
0:09:24 > 0:09:26It was a hollow threat,
0:09:26 > 0:09:27born of terror.
0:09:29 > 0:09:32I'm so very, very sorry.
0:09:32 > 0:09:35George, this is lies.
0:09:35 > 0:09:37She made the same threat to me only two minutes ago!
0:09:37 > 0:09:40- She has ALWAYS hated me!- Enough! - You know I'd never deceive you...
0:09:40 > 0:09:42That is enough!
0:09:43 > 0:09:44GEORGE SIGHS
0:09:48 > 0:09:51I will never presume to come between blood.
0:09:54 > 0:09:55Carolyn is your sister.
0:09:56 > 0:09:58You must stand with her.
0:10:00 > 0:10:03I'll return to the farmhouse.
0:10:04 > 0:10:05That would be your decision.
0:10:10 > 0:10:13I stopped by the Kirkpatricks'.
0:10:13 > 0:10:15And I want to pop in to the Aboriginal Mission.
0:10:15 > 0:10:18Tilly Harrison's having her fifth child.
0:10:18 > 0:10:21- I'm concerned she's hypertensive. - Do you remember that address?
0:10:23 > 0:10:25The one who butchered Linda.
0:10:27 > 0:10:28- Jack...- The thought that he's
0:10:28 > 0:10:31doing it again, right now, to some other poor girl...
0:10:31 > 0:10:34- You did everything you could. - HE SIGHS
0:10:34 > 0:10:37And you've lied on Linda's death certificate.
0:10:37 > 0:10:38To protect her honour.
0:10:39 > 0:10:41And by doing that, I'm protecting him.
0:10:41 > 0:10:42I know.
0:10:46 > 0:10:49I'll just sign paperwork, shall I, while another dozen girls
0:10:49 > 0:10:52are dumped outside Crown Street, bleeding to death?
0:11:00 > 0:11:05Oh, Gino! Look, it's our invitation to the christening!
0:11:05 > 0:11:07- How lovely. - We're not going, Anna.
0:11:09 > 0:11:13- If this is about James...- I told Carlo I'd help him with the harvest.
0:11:13 > 0:11:15Why is his farm more important than ours?
0:11:15 > 0:11:20Bella, trust me, what I'm doing here, it's for our future!
0:11:21 > 0:11:23You said it wouldn't be like this.
0:11:23 > 0:11:26- Like what? - Like your parents.
0:11:26 > 0:11:27Working all the time.
0:11:27 > 0:11:29I'm so tired, Gino.
0:11:30 > 0:11:32If you weren't up all night, writing your novel...
0:11:32 > 0:11:35- That's the only chance I get! - Why are you getting like this?
0:11:35 > 0:11:37Huh? You knew you were marrying a farmer.
0:11:48 > 0:11:51I am black and blue, thanks to your incompetence.
0:11:51 > 0:11:55You found every pothole between Ash Park and this godforsaken dump.
0:11:55 > 0:11:57And if you think you're getting a tip,
0:11:57 > 0:11:59then you're more stupid than you appear.
0:12:01 > 0:12:02Excuse me!
0:12:20 > 0:12:23A long distance call please, Mildred. M2248.
0:12:23 > 0:12:24Sir Richard Bennett.
0:12:28 > 0:12:30Mrs Poletti to see you.
0:12:31 > 0:12:35I was just thinking about you! Tea, please, Rose.
0:12:39 > 0:12:41I hardly see you now you're Mrs Poletti!
0:12:43 > 0:12:44Anna, what's wrong?
0:12:46 > 0:12:50Is it Gino? He's not unwell, is he?
0:12:50 > 0:12:53Oh, I wouldn't know. I never see him.
0:12:53 > 0:12:54Oh, come and sit.
0:12:54 > 0:12:58He would be so angry that I'm here, but I didn't know where else to go.
0:12:59 > 0:13:01Angry?
0:13:01 > 0:13:02Why?
0:13:03 > 0:13:06Livvie, it's just all such a mess!
0:13:06 > 0:13:09We fought tooth and nail to be together
0:13:09 > 0:13:12and now it's as though we've turned on each other.
0:13:12 > 0:13:14Surely it's not that bad?
0:13:14 > 0:13:15No, it's worse.
0:13:15 > 0:13:21Something always needs chopping or scrubbing or watering.
0:13:21 > 0:13:23Gino spends more time at Carlo's farm than ours
0:13:23 > 0:13:28and I have no idea why, and I just wonder if our marriage is cursed.
0:13:28 > 0:13:31Every since Andrew Swanson and that loathsome letter.
0:13:34 > 0:13:36Letter?
0:13:36 > 0:13:38- No, I didn't come to talk about that.- Anna.
0:13:40 > 0:13:41What letter?
0:13:41 > 0:13:43It was just Andrew being hateful.
0:13:55 > 0:13:56What did he say?
0:13:58 > 0:14:04He just made up the most horrible story about you and baby Georgie.
0:14:04 > 0:14:07That he isn't yours. That he was bought at the hospital.
0:14:09 > 0:14:11Oh, Livvie, I'm so sorry.
0:14:11 > 0:14:14Please, just...forget I said anything at all.
0:14:15 > 0:14:18I know that you were close to Andrew,
0:14:18 > 0:14:22and so this will come as a shock, but, please, Livvie.
0:14:22 > 0:14:23Oh, darling, look at me.
0:14:33 > 0:14:34Oh, God!
0:14:44 > 0:14:45Thank you, Rose, we can manage.
0:14:45 > 0:14:47Are you sure, ma'am? It's no bother.
0:14:47 > 0:14:49No, that will be all. Thank you, Rose.
0:15:01 > 0:15:02Does James know?
0:15:05 > 0:15:06Olivia!
0:15:08 > 0:15:10You don't know what it's been like.
0:15:10 > 0:15:13- Please don't judge me. - How could you do such a thing?!
0:15:15 > 0:15:17I did it FOR James.
0:15:20 > 0:15:21Our baby...
0:15:24 > 0:15:25Our baby didn't live.
0:15:25 > 0:15:29And...
0:15:29 > 0:15:30I couldn't tell him.
0:15:30 > 0:15:33The thought of being a father was the only thing that
0:15:33 > 0:15:36saved him in that dreadful clinic.
0:15:36 > 0:15:39It was the only thing that kept us together.
0:15:41 > 0:15:44Olivia, you must tell him.
0:15:44 > 0:15:46Anna, I can't.
0:15:46 > 0:15:51James adores Baby Georgie and you. He will forgive you.
0:15:51 > 0:15:54No, he won't. Nor will his father, nor will his grandmother.
0:15:54 > 0:15:56Olivia!
0:15:56 > 0:15:58You NEED to tell them.
0:15:59 > 0:16:01You don't understand!
0:16:01 > 0:16:04You couldn't wait to free yourself from the Bligh name,
0:16:04 > 0:16:08but for James it is the most important thing in the world
0:16:08 > 0:16:09and this would destroy it.
0:16:09 > 0:16:13I know I have committed a gross deception,
0:16:13 > 0:16:16- introducing a bastard child... - Don't!
0:16:19 > 0:16:22Oh. Oh, Anna, I-I'm sorry.
0:16:25 > 0:16:29If you have any regard for me...
0:16:31 > 0:16:34..for your brother...
0:16:34 > 0:16:37I implore you, say nothing.
0:16:37 > 0:16:40You've seen how happy Georgie makes him.
0:16:40 > 0:16:41Anna...
0:16:43 > 0:16:46..don't put his health at risk.
0:16:54 > 0:16:57I don't know what else to say.
0:16:59 > 0:17:03If you could just find it in your heart to forgive me.
0:17:09 > 0:17:10If you can't...
0:17:13 > 0:17:15..James is at the stables.
0:17:18 > 0:17:21# Ride a cockhorse to Banbury Cross
0:17:21 > 0:17:24# To see a fine lady upon a white horse
0:17:24 > 0:17:28# With rings on her fingers and bells on her toes
0:17:28 > 0:17:31# She shall have music wherever she goes. #
0:17:31 > 0:17:34What's that, Georgie? It's the horsey, the horsey.
0:17:34 > 0:17:38What does the horsey say? Horsey goes, "Neigh!"
0:17:39 > 0:17:44Look, it's Auntie Anna. Georgie says Dada now, don't you, little man?
0:17:44 > 0:17:46Livvie says he's blowing bubbles,
0:17:46 > 0:17:49but Daddy knows better, doesn't he, Georgie?
0:17:49 > 0:17:51Can you say Dada?
0:17:53 > 0:17:55Da-da-da-da-da.
0:17:55 > 0:17:57Da-da-da-da-da...
0:18:12 > 0:18:14I didn't tell him.
0:18:18 > 0:18:20Thank you.
0:18:20 > 0:18:23How do you do it? Keep such a secret?
0:18:26 > 0:18:28I honestly don't know.
0:18:28 > 0:18:31Do you even know who his mother is?
0:18:34 > 0:18:35I am.
0:18:37 > 0:18:38Anna!
0:18:38 > 0:18:40You won't...
0:18:40 > 0:18:42You won't tell Gino, will you?
0:19:07 > 0:19:09Did she leave alone? She didn't take any staff with her?
0:19:09 > 0:19:14She's always alone, isn't she? That woman has no friends whatsoever.
0:19:14 > 0:19:15Certainly no female ones.
0:19:18 > 0:19:20Have I put James at risk?
0:19:22 > 0:19:25While there's a chance of winning George's affection,
0:19:25 > 0:19:29however slim, I don't think she'll play that card.
0:19:29 > 0:19:32But tread carefully, Carolyn. You've stirred a rattlesnake.
0:19:32 > 0:19:35That ought to hold her.
0:19:35 > 0:19:37- You should have a spare, but... - Thanks, Roy.
0:19:37 > 0:19:41Mind you, a pair of the wife's best stockings tied together
0:19:41 > 0:19:43will do the trick in an emergency.
0:19:43 > 0:19:46I used to get Larry-Doo when I did that, though.
0:19:46 > 0:19:48- Your wife would yell at you? - Too right.
0:19:48 > 0:19:50But she knew who was head of the house, right?
0:19:50 > 0:19:52Oh, yeah, and it weren't me.
0:19:54 > 0:19:56Really?
0:19:56 > 0:19:57Mate, when you get to my age,
0:19:57 > 0:19:59you learn not to take things too seriously.
0:19:59 > 0:20:01Yeah.
0:20:01 > 0:20:05Anna...she doesn't understand.
0:20:05 > 0:20:08I want to make a good life for her and our family, God willing.
0:20:08 > 0:20:10- Speak of the devil. - Hi, Roy.
0:20:10 > 0:20:12- G'day, Miss Anna. - It's lovely to see you.
0:20:12 > 0:20:14Would you like to come in, have a cup of tea?
0:20:14 > 0:20:17No, I'd better get a wriggle on, thanks. I'll see yous directly.
0:20:17 > 0:20:18Thanks, Roy.
0:20:25 > 0:20:28- Where were you today?- You know where I was. I was at the vines.
0:20:28 > 0:20:29After that?
0:20:30 > 0:20:31Anna.
0:20:31 > 0:20:34I was at Ash Park.
0:20:34 > 0:20:37I went to see Olivia and to see Baby Georgie.
0:20:38 > 0:20:39What's wrong?
0:20:41 > 0:20:43Gino.
0:20:43 > 0:20:45Ah, bella.
0:20:46 > 0:20:50We'll have a baby of our own one day.
0:20:50 > 0:20:51Just like Olivia.
0:20:54 > 0:20:56Gino.
0:21:07 > 0:21:09You cannot be serious.
0:21:09 > 0:21:12- Thanks, Bunny. - You're welcome, sir.
0:21:12 > 0:21:13You're a girl about town.
0:21:13 > 0:21:15You know what I'm talking about.
0:21:15 > 0:21:18Sexy, young bohemians doing sexy, young things.
0:21:18 > 0:21:21But we discussed that I was to do art pieces.
0:21:21 > 0:21:23This is a bloody art piece!
0:21:23 > 0:21:26I want to know what happens in the bars and the alleyways after
0:21:26 > 0:21:30the exhibitions, not boring waffle about the damned paintings.
0:21:30 > 0:21:34And give me the dirt on those boozy openings of yours,
0:21:34 > 0:21:37without getting me sued, of course.
0:21:37 > 0:21:39And if I refuse?
0:21:40 > 0:21:43Our arrangement is terminated,
0:21:43 > 0:21:46which will make a certain member of your family very happy.
0:21:47 > 0:21:49Regina.
0:21:49 > 0:21:52HE CHUCKLES Ain't she something?
0:22:01 > 0:22:04Oh, hello. Is it Monday already?
0:22:04 > 0:22:07I'm not coming on Monday. Or any other day.
0:22:07 > 0:22:11And yet here you are. Come in.
0:22:11 > 0:22:15Your behaviour is utt...
0:22:15 > 0:22:18James, what are you doing here?
0:22:18 > 0:22:19I'm having my sitting.
0:22:19 > 0:22:21Now?
0:22:21 > 0:22:23Yes, now.
0:22:23 > 0:22:26- I must have my days muddled... - Oh, join us, if you like.
0:22:26 > 0:22:28I normally only do one of you at a time at this stage...
0:22:28 > 0:22:32No, no, I'll leave the two of you to...
0:22:32 > 0:22:34Sorry to interrupt.
0:22:41 > 0:22:43So, James, how about a drink, my good man?
0:22:48 > 0:22:50Oh, this will work fine.
0:22:52 > 0:22:53No.
0:22:53 > 0:22:57I can turn that out there into a sleep-out,
0:22:57 > 0:23:00so there's plenty of room, if that's what you're worried about.
0:23:01 > 0:23:05Thanks, Roy. It's still early days.
0:23:05 > 0:23:07Yeah, course.
0:23:14 > 0:23:17Right. That's enough of me rabbiting on. I'll leave yous to it.
0:23:17 > 0:23:21Just tell Jeeves to turn out the lights. Goodnight.
0:23:21 > 0:23:22Goodnight.
0:23:30 > 0:23:33There's a new hospital, the Prince of Wales.
0:23:33 > 0:23:35Word is they're looking for nurses.
0:23:40 > 0:23:41Why don't we move?
0:23:43 > 0:23:45Start again, just the two of us.
0:23:48 > 0:23:50It's not like you to run.
0:23:51 > 0:23:53I'm not running.
0:23:53 > 0:23:55I'm trying to do what's best for us.
0:23:57 > 0:24:00Why add to the strain, by living so close to...
0:24:04 > 0:24:06Say it.
0:24:06 > 0:24:08To George.
0:24:08 > 0:24:10It's no strain.
0:24:10 > 0:24:14We both know I'm not well. My head. I could die...
0:24:14 > 0:24:18- Don't.- Living here, when I'm gone, you'll be cared for.
0:24:20 > 0:24:22Don't talk like that.
0:24:22 > 0:24:24Don't talk of death.
0:24:24 > 0:24:26This...
0:24:26 > 0:24:28this baby is life.
0:24:32 > 0:24:34Remember how much we wanted a family?
0:24:49 > 0:24:51Rene, look at me.
0:24:55 > 0:24:56I'm having this child.
0:24:59 > 0:25:03But if you can't learn to love it, then we have no future.
0:25:23 > 0:25:28Darling, I know I mentioned this earlier, but...the portrait -
0:25:28 > 0:25:31I really do think we should inquire about another artist.
0:25:31 > 0:25:33Just admit it.
0:25:34 > 0:25:36Admit what?
0:25:38 > 0:25:40You don't trust me alone with him.
0:25:41 > 0:25:44That is not true!
0:25:45 > 0:25:47Isn't it?
0:25:47 > 0:25:48Of course not.
0:25:51 > 0:25:53Come on!
0:25:53 > 0:25:55Why were you there?
0:25:55 > 0:25:58Because I don't believe you forgot what day it was.
0:25:58 > 0:26:00A message for Lloyd from Carolyn.
0:26:00 > 0:26:03- Some party or other. It wasn't important...- Just stop lying.
0:26:04 > 0:26:06Fine, then.
0:26:06 > 0:26:10I WAS thrown to see you there.
0:26:10 > 0:26:11You hadn't mentioned it.
0:26:11 > 0:26:13Why should I mention it? It's a family portrait.
0:26:13 > 0:26:15Last time I checked, I'm a member of this family!
0:26:15 > 0:26:17You are deliberately goading me!
0:26:17 > 0:26:18It's better than being disingenuous!
0:26:18 > 0:26:20YOU would know all about THAT!
0:26:22 > 0:26:24- Are you accusing me of duplicity? - What am I supposed to think?
0:26:24 > 0:26:29- I have worked so hard, behaved above reproach...- You concealed things from me in the past.
0:26:29 > 0:26:31I can't believe what I'm hearing.
0:26:33 > 0:26:36It always comes back to that, doesn't it?
0:26:36 > 0:26:39No matter how much you say it's behind us.
0:26:39 > 0:26:41You are the one who is being defensive, James!
0:26:41 > 0:26:43Because you're skulking around in the bushes, spying on me!
0:26:43 > 0:26:45Now you're being ridiculous!
0:26:45 > 0:26:48Do you know how embarrassed I was? How humiliated?
0:26:48 > 0:26:51Don't speak to me about humiliation!
0:26:51 > 0:26:56Humiliation is having a husband who can't stand to touch me!
0:26:58 > 0:27:01James, wait. Don't leave! James!
0:27:01 > 0:27:03James!
0:27:04 > 0:27:06Take him to the nursery!
0:27:11 > 0:27:12BABY WHIMPERS
0:27:20 > 0:27:22MOTORCYCLE REVVING
0:27:30 > 0:27:32MOTORCYCLE DRIVING AWAY
0:27:40 > 0:27:42KNOCK ON DOOR
0:27:47 > 0:27:49Yes?
0:27:50 > 0:27:54I thought you might like a cup. I let it steep for a good while.
0:27:54 > 0:27:56How's Georgie?
0:27:56 > 0:27:59Still asleep.
0:27:59 > 0:28:02He's been grizzling on and off.
0:28:02 > 0:28:04I think he might be teething.
0:28:04 > 0:28:06I'll keep an eye on him, Miss.
0:28:06 > 0:28:10I don't mind. He's such an angel, even when he's cheeky.
0:28:10 > 0:28:12You do so much already.
0:28:12 > 0:28:14It's no bother, really.
0:28:14 > 0:28:16I'll be downstairs if you need anything.
0:28:23 > 0:28:26- May I? - Darling, of course.
0:28:38 > 0:28:40I'm so sorry.
0:28:49 > 0:28:50So am I.
0:28:51 > 0:28:53James.
0:29:04 > 0:29:05It's not true...
0:29:07 > 0:29:09..that I can't stand to touch you.
0:29:20 > 0:29:22Not like this.
0:29:44 > 0:29:45KNOCK ON DOOR
0:29:45 > 0:29:47You wanted to see me?
0:29:50 > 0:29:53It's from Nancy Brent.
0:29:53 > 0:29:55She thanks us for all we did.
0:29:55 > 0:29:58It meant a lot to her that you were with Linda at the end.
0:30:02 > 0:30:04Give me his address.
0:30:06 > 0:30:09I've got nothing on today that can't be moved.
0:30:11 > 0:30:14- Promise me you'll let the police handle it.- I will.
0:30:14 > 0:30:16And don't use your name.
0:30:16 > 0:30:17I'm not stupid.
0:30:21 > 0:30:23I'll cancel both our appointments.
0:30:23 > 0:30:27- No, it's too dangerous. - Jack, I know the address...
0:30:28 > 0:30:31..and I'm the only one who can identify him.
0:30:34 > 0:30:38You were right. Lunch is a much better idea.
0:30:38 > 0:30:40I don't know what I was thinking, inviting you out to dinner.
0:30:47 > 0:30:50Oh, I see there are a number of new additions to the menu
0:30:50 > 0:30:53since I last dined here.
0:30:53 > 0:30:55One should always be up for new experiences.
0:30:59 > 0:31:02Too early for champagne, hm?
0:31:02 > 0:31:05- Oh, tea will suffice.- Hm.
0:31:05 > 0:31:08A few minutes more. Some tea, in the meantime.
0:31:10 > 0:31:14- And a bottle of your '36 Pommery. Two glasses.- Certainly, sir.
0:31:24 > 0:31:25Ah, excuse me, ma'am.
0:31:25 > 0:31:29Erm, you can't go in there... Sorry, sir, she...
0:31:32 > 0:31:33You're late.
0:31:33 > 0:31:36You needn't bother firing me. I know the outcome.
0:31:47 > 0:31:48Alice was her name.
0:31:51 > 0:31:53How long ago did she die?
0:31:55 > 0:31:59October the 28th, 1921.
0:31:59 > 0:32:02The same day my son Frank was born.
0:32:02 > 0:32:03Same time.
0:32:04 > 0:32:06Hm.
0:32:06 > 0:32:09Raising a child alone is no easy task.
0:32:11 > 0:32:15Shames me to say, I was never very close to the boy.
0:32:16 > 0:32:19I-I blamed him for his mother's death.
0:32:19 > 0:32:20Oh.
0:32:20 > 0:32:24To be honest... I all but abandoned him.
0:32:26 > 0:32:30Well, children can be very forgiving.
0:32:30 > 0:32:32It's never too late, surely.
0:32:36 > 0:32:39Frank died in Borneo.
0:32:39 > 0:32:41A week later, the Japs surrendered.
0:32:42 > 0:32:44HE CLEARS THROAT
0:32:47 > 0:32:50I never realised what he meant to me.
0:32:57 > 0:33:01Perhaps that's why you were moved to open the refuge.
0:33:01 > 0:33:03You see your late son in the men.
0:33:04 > 0:33:06I reckon there's something in that.
0:33:09 > 0:33:11KNOCKING Police! Open up!
0:33:16 > 0:33:17There's no-one there!
0:33:17 > 0:33:20Been empty for years!
0:33:20 > 0:33:23- Thanks, love. - Must have the wrong place.
0:33:23 > 0:33:25This is the house.
0:33:25 > 0:33:27Why don't you break the door down?
0:33:27 > 0:33:29Why don't you stop wasting our time?
0:33:31 > 0:33:35This is the right address, I'm sure of it.
0:33:35 > 0:33:36They're in his pocket.
0:33:47 > 0:33:49GATE BANGING
0:33:58 > 0:34:01- Hey, come here! You're not going anywhere.- Let me go!
0:34:03 > 0:34:05- Is this the guy? - That's him.
0:34:06 > 0:34:07MAN GROANS
0:34:07 > 0:34:08He's down here!
0:34:08 > 0:34:10That's assault!
0:34:11 > 0:34:13- Arrest him!- Let me go!
0:34:16 > 0:34:20The police are refusing to arrest this man!
0:34:20 > 0:34:23He's been performing abortions and women have died!
0:34:23 > 0:34:27- I know you. - All right, clear off!
0:34:28 > 0:34:30- I haven't done anything! - I have to cuff you.
0:34:30 > 0:34:34- Let me go!- Calm down. Settle down. I said calm down.
0:34:34 > 0:34:35I haven't done anything!
0:34:40 > 0:34:42See you in court!
0:34:46 > 0:34:50I spent most of my life trying to control my children.
0:34:51 > 0:34:53I didn't want them to grow up.
0:34:54 > 0:34:57But I put order and discipline first.
0:34:59 > 0:35:04Carolyn essentially severed all contact with me for years.
0:35:04 > 0:35:10George has displayed a surprising capacity for tolerance.
0:35:12 > 0:35:15I've, um... I've hurt him terribly.
0:35:15 > 0:35:19Yes. That why you're at the refuge?
0:35:19 > 0:35:22Doing penance?
0:35:22 > 0:35:23Perhaps.
0:35:25 > 0:35:27Oh, dear. Aren't I a cheery companion?
0:35:34 > 0:35:37You're a fascinating woman, Elizabeth.
0:35:39 > 0:35:42Please don't presume to know me.
0:35:44 > 0:35:47Will you consider the piano a donation?
0:35:49 > 0:35:51I must go.
0:35:51 > 0:35:53Thank you for lunch, Mr Goddard.
0:36:07 > 0:36:11Goodness me. A house call.
0:36:11 > 0:36:13Spontaneous appointments.
0:36:13 > 0:36:15The latest in modern medicine.
0:36:15 > 0:36:17How terribly unconventional of you.
0:36:19 > 0:36:21How is my Lois Lane?
0:36:21 > 0:36:24Oh, you'll be pleased to know that I've just handed in my first
0:36:24 > 0:36:26and last piece to Sir Richard.
0:36:26 > 0:36:28It won't see the light of day,
0:36:28 > 0:36:30but was immensely satisfying nonetheless.
0:36:31 > 0:36:34Best explained over a cocktail.
0:36:34 > 0:36:37So does this mean I'll be seeing more of you?
0:36:37 > 0:36:40You'll be sick to death of me before the week is out.
0:36:40 > 0:36:41Never.
0:36:42 > 0:36:44I'll, er...
0:36:44 > 0:36:47make sure you're too busy to miss the city.
0:36:49 > 0:36:51She's gone out for lunch.
0:37:03 > 0:37:07KEYS TURN IN LOCK
0:37:07 > 0:37:09You're back!
0:37:09 > 0:37:10So it would appear.
0:37:10 > 0:37:12Hello, Elizabeth.
0:37:12 > 0:37:15Hello. What brings you to the city?
0:37:15 > 0:37:19- Er...a seminar. - Everything all right?
0:37:19 > 0:37:22Oh, just a slight headache. If you'll excuse me.
0:37:22 > 0:37:23Of course.
0:37:30 > 0:37:33- Cup of tea?- Mm.
0:38:07 > 0:38:09Forgive me, Papa.
0:38:21 > 0:38:25- Good day, George. - Ah, it's just fine. Thank you, Gino.
0:38:25 > 0:38:28I, er... I appreciate this.
0:38:28 > 0:38:29Good to see you, Gino.
0:38:33 > 0:38:35James.
0:38:35 > 0:38:37- Darling.- Reggie.
0:38:40 > 0:38:46- Regina.- I... I won't intrude, but...if I may make a suggestion?
0:38:47 > 0:38:48Remove the tie.
0:38:52 > 0:38:53Hate to say it...
0:38:59 > 0:39:02Yeah, she's quite a turnout.
0:39:02 > 0:39:04Old Doris.
0:39:04 > 0:39:07When she does something, she does it right.
0:39:07 > 0:39:10You can wait in the truck, if you like. More comfortable.
0:39:24 > 0:39:25Hello?
0:39:59 > 0:40:01See?
0:40:03 > 0:40:04You are beautiful.
0:40:10 > 0:40:12There's so many.
0:40:13 > 0:40:17Yes, I, er...
0:40:17 > 0:40:19I got a little carried away.
0:40:25 > 0:40:27- What is this?- Oh, it's you.
0:40:29 > 0:40:33I would never pose like that.
0:40:37 > 0:40:38Wouldn't you?
0:41:21 > 0:41:23You have bewitched me.
0:41:36 > 0:41:38As some of you may be aware,
0:41:38 > 0:41:42I hope to represent the Country Party in the upcoming election.
0:41:42 > 0:41:43APPLAUSE
0:41:43 > 0:41:49Now, my family has lived on this land for generations
0:41:49 > 0:41:53and the soil is familiar to me as my own sweat.
0:41:53 > 0:41:56- Not very familiar then, eh? - LAUGHTER
0:41:56 > 0:41:58You are right to be sceptical.
0:41:58 > 0:42:01I... I was fortunate to be born into wealth.
0:42:01 > 0:42:02Tutto bene?
0:42:02 > 0:42:03Why not share it round?
0:42:03 > 0:42:05I intend to.
0:42:05 > 0:42:08But let's start with improving the infrastructure in this district.
0:42:08 > 0:42:11Those roads - they're impassable after the rain.
0:42:11 > 0:42:15It makes it impossible for any of us to get our stock to the market.
0:42:15 > 0:42:16TRANSLATION:
0:42:20 > 0:42:22I'll bring Inverness into the modern era
0:42:22 > 0:42:24with the introduction of the latest farming methods...
0:42:27 > 0:42:30I want to facilitate a farm bank,
0:42:30 > 0:42:32where we combine our resources
0:42:32 > 0:42:35to purchase the latest farming equipment
0:42:35 > 0:42:39and we share in their upkeep and use.
0:42:39 > 0:42:40Well done.
0:42:42 > 0:42:45And the loss of our young men to the city in search of work,
0:42:45 > 0:42:47this has to be stemmed,
0:42:47 > 0:42:49and it can be stemmed
0:42:49 > 0:42:53with the creation of local factories.
0:42:53 > 0:42:57Now, some of you may have heard of the Fletcher Jones model,
0:42:57 > 0:43:00where workers own shares in the company.
0:43:00 > 0:43:04Therefore, they directly benefit from the company's success.
0:43:04 > 0:43:08Now, why can't we have one of those here for the future of our own
0:43:08 > 0:43:12sons and daughters? APPLAUSE
0:43:36 > 0:43:37Wait, this is...
0:43:40 > 0:43:41What have I done?
0:43:45 > 0:43:49- Where is my damned shoe?!- They're probably where you threw 'em.
0:44:02 > 0:44:06Admit it, Carolyn. You're disappointed your journalistic career's at an end.
0:44:06 > 0:44:10It would've been nice to see the views of a woman validated in print for once.
0:44:11 > 0:44:15I really don't want to talk about it. How was lunch?
0:44:16 > 0:44:19I really don't want to talk about that, either.
0:44:29 > 0:44:32Well, I might go for a walk.
0:44:32 > 0:44:33Need anything?
0:44:33 > 0:44:36Ah, The Chronicle, if you're passing one.
0:44:48 > 0:44:50You're upset.
0:44:59 > 0:45:01You like him, don't you?
0:45:01 > 0:45:04It's neither here nor there, since our acquaintance is at an end.
0:45:06 > 0:45:10You don't have to repeat history, you know.
0:45:10 > 0:45:12You do have choices. We all do.
0:45:14 > 0:45:17Carolyn, please don't patronise me.
0:45:20 > 0:45:21Whisky?
0:45:23 > 0:45:24Mm.
0:45:39 > 0:45:41MUSIC PLAYS FROM INSIDE
0:46:07 > 0:46:10I try to be him again.
0:46:12 > 0:46:14The man I was.
0:46:16 > 0:46:18I see you, my love.
0:46:22 > 0:46:23I do.
0:46:35 > 0:46:37TRANSLATION:
0:47:41 > 0:47:42I don't believe it!
0:47:43 > 0:47:47- SHE LAUGHS - He's published it!
0:47:47 > 0:47:49SHE SQUEALS
0:48:29 > 0:48:34- CAROLYN:- 'Beware The Friendless Female by Carolyn Bligh.
0:48:34 > 0:48:38'We've all met them, those carefully painted women who seem to care.
0:48:38 > 0:48:41'But, ladies, look closely.
0:48:41 > 0:48:43'Does she have any female friends?
0:48:43 > 0:48:45'I mean, real girlfriends, the ones who take you out
0:48:45 > 0:48:48'for a night on the tiles when he breaks your heart?
0:48:48 > 0:48:52'Dig a little and you'll find she's completely alone.
0:48:52 > 0:48:54'Not a female friend in sight.
0:48:54 > 0:48:58'Because behind that eye-shadow lies a calculating mind,
0:48:58 > 0:49:04'obsessed with only one thing - getting that chap at any cost.
0:49:04 > 0:49:07'And don't think she'll stop at just the man.
0:49:07 > 0:49:12'There's the family estate, his cars, his horses, his staff.
0:49:12 > 0:49:14'She's insatiable, ladies.'
0:49:14 > 0:49:15SHE SCREAMS
0:49:54 > 0:49:55SHE GASPS
0:49:59 > 0:50:01SHE GROANS