0:00:02 > 0:00:05AMBER: # I really have to go La, la, la, la... #
0:00:05 > 0:00:06Amber?
0:00:06 > 0:00:09It's the final piece of my grand design.
0:00:09 > 0:00:11That is really something!
0:00:11 > 0:00:13If you give me a spare key to your apartment,
0:00:13 > 0:00:16I could be like your...elf.
0:00:17 > 0:00:19Amber, if you're watching...
0:00:21 > 0:00:22..please come home.
0:00:22 > 0:00:26This programme contains strong language
0:01:40 > 0:01:42THUNDER RUMBLES
0:01:59 > 0:02:01ENGINE STARTS
0:03:03 > 0:03:05DOOR BUZZER
0:03:07 > 0:03:09Hi, Sarah, come on up.
0:03:34 > 0:03:36Ooh!
0:03:36 > 0:03:39"Eamon has not only lost his big sister,
0:03:39 > 0:03:41"but a mother and a father who have thrown themselves
0:03:41 > 0:03:44"into their own individual searches for their daughter,
0:03:44 > 0:03:46"which may yet prove to be fruitless."
0:03:46 > 0:03:47That's quite an angle, Maeve.
0:03:47 > 0:03:50How could you write such a thing?
0:03:50 > 0:03:52Sarah, I'm sorry. I had no say in the headline.
0:03:52 > 0:03:54Are you trying to blame someone else now?
0:03:54 > 0:03:56It's your name right there!
0:03:57 > 0:04:00- I...I tried to be honest. - Honest!
0:04:01 > 0:04:04My search will not be fruitless.
0:04:05 > 0:04:07And I will not stop until I find my daughter.
0:04:09 > 0:04:11Sarah, I'm not trying to stop you.
0:04:16 > 0:04:19That bitch of an editor screwed me on this!
0:04:19 > 0:04:23The quotes they used are completely out of context.
0:04:23 > 0:04:26- Are you all right? - That fucking headline!
0:04:26 > 0:04:29Look, what did you expect? Sensitivity?
0:04:30 > 0:04:32Do you think she saw me?
0:04:32 > 0:04:35How can that make this any worse?
0:04:36 > 0:04:38All this sneaking around behind their backs.
0:04:38 > 0:04:42You know, we should have just told them about us from the get-go.
0:04:42 > 0:04:45Well...now is not the time, that's for sure.
0:04:48 > 0:04:50Well, O'Donoghue? What's happening?
0:04:52 > 0:04:54I don't know, Larry, you tell me.
0:05:07 > 0:05:09Were you listening to the radio this morning?
0:05:09 > 0:05:11People are talking about Amber again.
0:05:11 > 0:05:14- This is good for the Baileys. - Sarah doesn't see it that way.
0:05:14 > 0:05:16Well, you had her cooperation with the story, didn't you?
0:05:16 > 0:05:20- Only in so many words. And, er...you cut most of them.- No.
0:05:20 > 0:05:23You know what we do and how we do it.
0:05:23 > 0:05:25We can waste time arguing about the past
0:05:25 > 0:05:27or we can start talking about your future.
0:05:27 > 0:05:28I assume you still need work?
0:05:28 > 0:05:30What sort of work?
0:05:30 > 0:05:32I'm thinking of running a special supplement.
0:05:32 > 0:05:34Ireland's Missing Persons.
0:05:34 > 0:05:37Amber Bailey should be the main focus.
0:05:37 > 0:05:39Run through the possibilities of what happened to her.
0:05:39 > 0:05:42I don't know. Sarah's not going to speak to me again.
0:05:42 > 0:05:46You've been her closest friend all these months since this started.
0:05:46 > 0:05:48Surely you've made other contacts?
0:05:48 > 0:05:51Relatives, friends, the cops. Talk to some of them.
0:05:53 > 0:05:55I'll need an outline by the weekend.
0:05:57 > 0:05:59Oh! Sorry! Could you hold the door for me?
0:05:59 > 0:06:01Thank you.
0:06:01 > 0:06:02Thanks.
0:06:16 > 0:06:17Oh, hi! Gemma.
0:06:17 > 0:06:20I don't know if you remember me. My name is Maeve Flynn-Dunne.
0:06:20 > 0:06:22I know who you are.
0:06:23 > 0:06:25Er, can I come in?
0:06:25 > 0:06:27I don't think so.
0:06:27 > 0:06:30I just have a couple of questions. Is Charlie at home?
0:06:30 > 0:06:32Charlie doesn't live here any more.
0:06:32 > 0:06:34Oh.
0:06:34 > 0:06:36Do you know where I could find him?
0:06:37 > 0:06:38Are you for real?
0:06:38 > 0:06:42Look, I'm here because the Baileys need your help.
0:06:42 > 0:06:44They already had enough help from us.
0:06:44 > 0:06:46DOOR SLAMS SHUT
0:06:53 > 0:06:55PHONE RINGS
0:06:56 > 0:06:59- 'Hello?' - Hi, Darina, it's Maeve.
0:06:59 > 0:07:01PHONE CUTS OUT
0:07:33 > 0:07:35PHONE RINGS
0:07:42 > 0:07:43Hello?
0:07:43 > 0:07:46- 'Is this Maeve Flynn-Dunne?' - Who is this?
0:07:46 > 0:07:48'You don't know me. I can't talk for long.
0:07:48 > 0:07:50'Just listen.'
0:08:01 > 0:08:03CAR HORN HONKS
0:08:03 > 0:08:05Got to go.
0:08:10 > 0:08:11Hiya.
0:08:11 > 0:08:14- How was school?- Fine.
0:08:26 > 0:08:28What's that on your shirt?
0:08:28 > 0:08:30Is that blood?
0:08:31 > 0:08:34Darren Kelly was going on about my picture in the paper.
0:08:34 > 0:08:35Kept talking about Amber.
0:08:37 > 0:08:38Wouldn't shut up.
0:08:42 > 0:08:44So you hit him?
0:08:46 > 0:08:49- Mum will go mad. - Ah, don't worry about it.
0:08:49 > 0:08:52We'll get you a new shirt before you go back. OK?
0:08:54 > 0:08:56This happened before.
0:08:59 > 0:09:01- She didn't tell you?- No.
0:09:01 > 0:09:03When?
0:09:04 > 0:09:05Ages ago.
0:09:08 > 0:09:10Who won?
0:09:10 > 0:09:11What?
0:09:11 > 0:09:13You or the other fella?
0:09:15 > 0:09:16I kicked him in the nuts.
0:09:19 > 0:09:21Good man.
0:09:31 > 0:09:34Hi! Nana's upstairs. Go and say hello.
0:09:34 > 0:09:35Was he OK?
0:09:35 > 0:09:37Fine, yeah. He did his homework in my place.
0:09:37 > 0:09:39I helped him with it.
0:09:39 > 0:09:41- Can I have a word? - Yeah, come on up.
0:09:53 > 0:09:54Hi, Trish.
0:09:54 > 0:09:56Hi, Jenny.
0:10:01 > 0:10:03Have you thought about what we discussed?
0:10:03 > 0:10:06If it's about the apartment, I think we should just sit tight
0:10:06 > 0:10:08till we get the right offer.
0:10:08 > 0:10:10You wanted a house, Sarah!
0:10:10 > 0:10:13And you were right. Eamon needs to play on the streets with his mates.
0:10:17 > 0:10:19Well, what if Amber comes back?
0:10:19 > 0:10:23You know, I mean the place would be full of strangers.
0:10:23 > 0:10:26If Amber comes back, we'll both know about it,
0:10:26 > 0:10:28whether you're in this place or not.
0:10:28 > 0:10:31I don't like you isolated out here.
0:10:31 > 0:10:34I'm hardly isolated, Ben.
0:10:34 > 0:10:36They're not here all the time, are they?
0:10:36 > 0:10:38Please consider it...
0:10:38 > 0:10:40for Eamon.
0:10:42 > 0:10:44- OK.- Yeah?
0:10:44 > 0:10:45Mm-hm.
0:10:47 > 0:10:49OK.
0:10:53 > 0:10:54He didn't even offer to help.
0:10:54 > 0:10:57Mum, Ben needs to take a step back for a bit.
0:10:57 > 0:10:59I don't want him lashing out at any one again.
0:10:59 > 0:11:01Yes!
0:11:01 > 0:11:04A 1,000 euro donation from Dempsey's.
0:11:04 > 0:11:07I hate to say it, Sarah, but your friend's story has helped.
0:11:28 > 0:11:31He says he has info relating to Amber.
0:11:31 > 0:11:34This guy called you from inside Mountjoy?
0:11:34 > 0:11:36He wants me to pose as a girlfriend or relative
0:11:36 > 0:11:39- so I can get in and see him. - Oh! He's lonely, is he?
0:11:39 > 0:11:40Are you interested in this?
0:11:40 > 0:11:43If he's full of it, I suppose you could spin a story
0:11:43 > 0:11:45about prison security - what a joke it is.
0:11:46 > 0:11:48Could I get an advance on this?
0:11:48 > 0:11:50You know it's interesting but it has a more than
0:11:50 > 0:11:52a faint whiff of bullshit about it.
0:11:52 > 0:11:54Have you made contact with the family again?
0:11:54 > 0:11:56I think I prefer the personal angle.
0:11:56 > 0:11:58No, this is what you're looking for.
0:11:58 > 0:12:00Maybe a new theory on what happened to Amber.
0:12:00 > 0:12:02Well, any number of people can come up with that!
0:12:02 > 0:12:05If you can't use your relationship with Sarah Bailey,
0:12:05 > 0:12:07what use are you to us? Two specials.
0:12:09 > 0:12:11Well, this guy could point things in a new direction
0:12:11 > 0:12:13and then maybe I could approach Sarah.
0:12:15 > 0:12:16All right, go and see him.
0:12:16 > 0:12:19If something comes of it, we'll talk money then.
0:12:32 > 0:12:34DOOR OPENS
0:12:43 > 0:12:45Hi, I'm Terrence.
0:12:45 > 0:12:47Glad you could make it.
0:12:50 > 0:12:53You don't look like your picture in the paper.
0:12:57 > 0:13:00It's not often I get calls from prison, Terrence.
0:13:02 > 0:13:06The papers say you are a good friend of the girl's parents.
0:13:06 > 0:13:08You've been in their home.
0:13:15 > 0:13:18Amber was very proud of her new room, wasn't she?
0:13:18 > 0:13:21The undersea garden.
0:13:24 > 0:13:26She decorated it herself, you know.
0:13:28 > 0:13:30Her own magical world.
0:13:31 > 0:13:33Very creative.
0:13:35 > 0:13:36Clever girl.
0:13:39 > 0:13:41Oh, by the way...
0:13:42 > 0:13:46(..not a word about this conversation to anyone else, OK?
0:13:47 > 0:13:50(Otherwise, it will be our last.)
0:13:51 > 0:13:53Why should I believe anything you say?
0:13:55 > 0:13:57Well...
0:13:57 > 0:13:59you're a journalist.
0:13:59 > 0:14:01Do some research, check my facts.
0:14:02 > 0:14:04How would I know about Amber's room?
0:14:06 > 0:14:08Where the little mermaid lives.
0:14:11 > 0:14:14Do they show you cartoons in here, Terrence?
0:14:14 > 0:14:18Daughters of the air.
0:14:20 > 0:14:23Daughters of the air? What does that mean?
0:14:23 > 0:14:26You can't expect me to do all the work now, can you?
0:14:26 > 0:14:28I know.
0:14:29 > 0:14:31Why don't you go and look?
0:14:32 > 0:14:36And then you'll find out if I know anything or not.
0:16:21 > 0:16:23- Jenny?- Maeve.
0:16:23 > 0:16:26- Hi. How are you?- Good.
0:16:26 > 0:16:29I just wanted to ask you something about Amber, if that's OK?
0:16:29 > 0:16:32- Well, I'm on my way to school. - It won't take long.
0:16:32 > 0:16:34Do you know anything about the collection of mermaids
0:16:34 > 0:16:37- Amber has in her bedroom? - Little Mermaids?- Mm-hm.
0:16:37 > 0:16:40She got them on some holiday in Copenhagen.
0:16:42 > 0:16:45Did you know she painted something about that on her bedroom wall?
0:16:46 > 0:16:48- It's great, isn't it?- Yeah.
0:16:48 > 0:16:51What's this - "daughters of the air"?
0:16:52 > 0:16:55- I helped Amber paint that.- Yeah?
0:16:55 > 0:16:56What does it mean?
0:16:56 > 0:16:59Just something Amber liked in a story.
0:16:59 > 0:17:01Mermaids are born without souls
0:17:01 > 0:17:04and they earn them by the good deeds they do,
0:17:04 > 0:17:07then come out of the water and become daughters of the air.
0:17:08 > 0:17:10What did you and Amber do to become daughters of the air?
0:17:10 > 0:17:13Nothing. It was just a theme for a mural.
0:17:15 > 0:17:17She's always coming up with mad things like that.
0:17:17 > 0:17:21- Did you tell anyone about this? The Guards or anyone?- No.
0:17:21 > 0:17:24Why? I didn't think it was important.
0:17:25 > 0:17:27Well, I'm going to be late.
0:17:27 > 0:17:30- Gotta go.- OK so, Jenny. Thanks.
0:17:34 > 0:17:36You think I took her, don't you?
0:17:36 > 0:17:39You think I took her and she told me about it.
0:17:40 > 0:17:42What am I supposed to think?
0:17:44 > 0:17:48Did you know Poland passed a law introducing chemical castration
0:17:48 > 0:17:50as a punishment for convicted paedophiles?
0:17:52 > 0:17:54Probably fair, I think.
0:17:58 > 0:18:00What's your connection to Amber?
0:18:02 > 0:18:05If you want to know more, I'm afraid it's going to cost you.
0:18:07 > 0:18:10And if you go to the Guards, or anyone else without my say-so,
0:18:10 > 0:18:14well, then, no-one will ever know what I know.
0:18:14 > 0:18:16So this is about money?
0:18:24 > 0:18:25Ten grand.
0:18:25 > 0:18:30You get nothing else until half that amount is in this account. OK?
0:18:31 > 0:18:33Ten grand?
0:18:33 > 0:18:34You must be joking.
0:18:34 > 0:18:36No joke.
0:18:38 > 0:18:40How do I know this isn't a con?
0:18:40 > 0:18:41Well, you don't.
0:18:43 > 0:18:46But I haven't let you down yet, have I, now, Maeve?
0:18:50 > 0:18:52How much does he want?
0:18:52 > 0:18:53Ten grand.
0:18:53 > 0:18:55Ho ho! You're being had, Maeve.
0:18:55 > 0:18:58Ben gets calls from conmen like this every other day.
0:18:58 > 0:19:00You should report him to the cops.
0:19:00 > 0:19:03Declan, you know at this point I need more of a carrot.
0:19:04 > 0:19:08- Not a stick! - If I did have money, and I don't,
0:19:08 > 0:19:11I wouldn't be blowing it on smoke. That's all this guy is offering.
0:19:11 > 0:19:14- No...he's...- If you really think that there's something in it,
0:19:14 > 0:19:16then you should come back to the office with me
0:19:16 > 0:19:18and tell Ben about all this.
0:19:18 > 0:19:20I will. Just not yet.
0:19:20 > 0:19:23Not until I know this is something real.
0:19:50 > 0:19:52You started remedial reading?
0:19:56 > 0:19:58The ol' mash. You want to watch that.
0:19:59 > 0:20:01I'd stick to the ol' bread and water, me.
0:20:01 > 0:20:03Why, what's wrong with the mash?
0:20:04 > 0:20:06Wardens putting something in it.
0:20:06 > 0:20:08Stops you getting a hard-on.
0:20:10 > 0:20:12Unusually upbeat today, aren't ya?
0:20:13 > 0:20:16Is there something I should know about?
0:20:16 > 0:20:18Ah, now!
0:20:18 > 0:20:19I thought we had no secrets.
0:20:19 > 0:20:21Come on, let's go.
0:20:21 > 0:20:24- Enough of the chit-chat. - You reckon it's funny, yeah?
0:20:24 > 0:20:27Scoff that up, then. See if you can get it up later.
0:20:41 > 0:20:43Would you not go back to doing some of this stuff?
0:20:46 > 0:20:47I'm almost 40, Declan.
0:20:47 > 0:20:50I don't want to be writing about some model's struggle with anorexia
0:20:50 > 0:20:54or the latest nightclub opening for the rest of my life.
0:20:58 > 0:21:02Have you established any link between this guy and Amber?
0:21:03 > 0:21:06Well, he used to work pretty near to where we think Amber went missing.
0:21:06 > 0:21:08So you think he's credible?
0:21:11 > 0:21:14- Then you need to bring it to Ben. - I need more.
0:21:14 > 0:21:16- I have his former address.- Maeve...
0:21:16 > 0:21:19Listen, you know Ben better than anyone - he'll barge in
0:21:19 > 0:21:22like a bull, O'Donoghue will clam up and that'll be that.
0:21:22 > 0:21:23I suppose.
0:21:23 > 0:21:25And what if it is all just bullshit?
0:21:25 > 0:21:28Then he'd rather deal with that than be kept in the dark.
0:21:31 > 0:21:33Is this how you want him to find out about us?
0:21:34 > 0:21:37How do you think he's going to react when he finds out
0:21:37 > 0:21:38that we got together
0:21:38 > 0:21:40a couple of weeks after his daughter went missing?
0:21:40 > 0:21:42He'll get over it.
0:21:44 > 0:21:47Just let me get a little bit further with this, OK?
0:21:56 > 0:21:58You should stay away from O'Donoghue.
0:21:59 > 0:22:02Do you know I haven't seen Amber since her christening?
0:22:02 > 0:22:05I'm her godmother.
0:22:05 > 0:22:06It's pathetic.
0:22:07 > 0:22:11So you want to pay some conman to feel better about yourself?
0:22:11 > 0:22:14If this guy knows something real about Amber's disappearance,
0:22:14 > 0:22:16it's worth any price.
0:22:22 > 0:22:25I can't argue with the service. It's the price that worries me.
0:22:25 > 0:22:29Bernard, we know who you had working this for you before.
0:22:30 > 0:22:33You pay that money, you get those results.
0:22:35 > 0:22:37I'm sorry, can you excuse me for a minute?
0:22:37 > 0:22:38- Ben!- I'll be back.
0:22:39 > 0:22:42- Is he all right?- Yeah, he's fine.
0:22:42 > 0:22:45Look, what we're proposing here is an entirely different scenario.
0:22:45 > 0:22:48We'll have our best men in there. Guys with years of experience...
0:22:50 > 0:22:54'Six months after Amber disappeared, it can't be getting any easier?
0:22:54 > 0:22:56'No, it doesn't get any easier.
0:22:56 > 0:22:59'But it just becomes part of normal life, I suppose.
0:22:59 > 0:23:03'I look back at the last few months and I see the different stages I went through.
0:23:03 > 0:23:07'You know - shock, denial, depression.'
0:23:07 > 0:23:10But you have to pull yourself out of that.
0:23:13 > 0:23:17'My daughter Amber is missing. Myself and Ben are doing everything that we can to find her.'
0:23:39 > 0:23:42Oh, hi, I'm from the Find Amber campaign
0:23:42 > 0:23:46and I'm just giving these leaflets around, just trying to jog people's memories.
0:23:47 > 0:23:50That's terrible that she's still missing.
0:23:50 > 0:23:52But all I know is from the news and the papers.
0:23:52 > 0:23:55Well, listen, thanks a million for having a look.
0:23:55 > 0:23:59Oh... I'm sorry to trouble you but I have been running around Wicklow all morning,
0:23:59 > 0:24:03haven't had a moment to stop. Is there any chance I could use your loo?
0:24:08 > 0:24:11- Now...- Ah, you're very good. You didn't have to.
0:24:11 > 0:24:15I was making it anyway, and it sounded like you needed a break.
0:24:20 > 0:24:21Who's the handsome lad?
0:24:21 > 0:24:23Handsome?
0:24:23 > 0:24:25My son was no looker.
0:24:27 > 0:24:28Was?
0:24:31 > 0:24:33He's...dead now.
0:24:33 > 0:24:34A fair while.
0:24:37 > 0:24:40But he lived with you here before he passed?
0:24:42 > 0:24:44I don't want to talk about him.
0:24:52 > 0:24:54Terrence told you something, didn't he?
0:24:55 > 0:24:58You know something about Amber.
0:24:58 > 0:25:00How do you know my son's name?
0:25:01 > 0:25:03What did he tell you?
0:25:03 > 0:25:05Drunk-driving is the least of his crimes, isn't it?
0:25:07 > 0:25:09I want you to leave.
0:25:15 > 0:25:16OK.
0:25:20 > 0:25:23But do you know where he was when Amber vanished?
0:25:23 > 0:25:26My son had nothing to do with that girl.
0:25:28 > 0:25:30How could he?
0:25:30 > 0:25:32Now get out of my house!
0:25:38 > 0:25:41DOOR OPENS
0:25:42 > 0:25:43DOOR CLOSES
0:26:07 > 0:26:08June 20th.
0:26:08 > 0:26:10O'Donoghue in custody.
0:26:25 > 0:26:28Six days later Amber disappears.
0:26:32 > 0:26:36So I'm thinking, why not pitch them as a company we can outsource to
0:26:36 > 0:26:37if we can reduce their costs?
0:26:37 > 0:26:39They want someone to train bodyguards?
0:26:39 > 0:26:41No, they want somebody to train their executives
0:26:41 > 0:26:44so they don't behave like complete idiots overseas.
0:26:44 > 0:26:47Crash courses in how not to get kidnapped.
0:26:48 > 0:26:50Do we know anyone in there?
0:26:50 > 0:26:52- PHONE RINGS - Oh, sorry. Just give me a sec.
0:26:52 > 0:26:54Hey.
0:26:54 > 0:26:55'You're not going to believe this.
0:26:55 > 0:26:59'My guy was in custody the day Amber disappeared.
0:26:59 > 0:27:01'I'm a complete idiot.'
0:27:02 > 0:27:05- Do you want me to come over? - 'Yes, please.'
0:27:05 > 0:27:06(Right.)
0:27:06 > 0:27:10- Who was that?- Oh just...someone I've been seeing.
0:27:10 > 0:27:12Oh, yeah? What's his name?
0:27:12 > 0:27:15I'll tell you about her over a pint some day.
0:27:15 > 0:27:16Oh, this sounds serious.
0:27:16 > 0:27:18No, it's...
0:27:18 > 0:27:21- Listen, I'd better be going. Can we continue this in the morning? - Yeah.
0:27:21 > 0:27:24- So how long's it been going on? - What?
0:27:24 > 0:27:26Well, when am I going to get to meet this someone?
0:27:26 > 0:27:29Er...soon.
0:27:29 > 0:27:31Are you afraid I might steal her away from you?
0:27:31 > 0:27:33Not this one.
0:27:38 > 0:27:41Don't go back to him again. Let the Guards know what he told you,
0:27:41 > 0:27:43then learn your lesson and move on.
0:27:43 > 0:27:46Five grand of savings? Feckin' expensive lesson.
0:27:46 > 0:27:49You made a mistake, lost a bit of cash. You'll earn it back on something else.
0:27:49 > 0:27:53You know, Terrence is making money out of Amber and I'm doing the same thing.
0:27:53 > 0:27:56I know you're trying to do something good for Ben and Sarah
0:27:56 > 0:27:58but it's just not happening this way, I'm sorry.
0:27:58 > 0:28:00Come on, we're already late.
0:28:14 > 0:28:15Been a while.
0:28:17 > 0:28:19I was starting to think that you'd forgotten about me.
0:28:19 > 0:28:24You were in custody on other charges when Amber disappeared.
0:28:24 > 0:28:26You see, I told you.
0:28:26 > 0:28:29I'm not Amber's bogeyman.
0:28:29 > 0:28:31Then what's your connection to her?
0:28:31 > 0:28:32Is there even one?
0:28:32 > 0:28:36Or are you just some fantasist who's conned me out of five grand?
0:28:36 > 0:28:39We agreed ten, actually. We're only halfway there.
0:28:39 > 0:28:42This isn't even your first time in prison, is it?
0:28:42 > 0:28:44You've done worse than driving offences at some point, right?
0:28:44 > 0:28:47Enough for your own mother to act like you're dead!
0:28:47 > 0:28:48Oh, dear me.
0:28:49 > 0:28:52You met my mother.
0:29:03 > 0:29:05I've got something better for you.
0:29:06 > 0:29:08Front page guaranteed.
0:29:09 > 0:29:12Worth the extra few grand, I think you'll agree.
0:29:13 > 0:29:15Oh, yeah?
0:29:15 > 0:29:17I know where Amber is.
0:29:18 > 0:29:20I can give you the exact location.
0:29:23 > 0:29:25What's that to you guys and your organisation?
0:29:25 > 0:29:29- I mean, he can pinpoint the exact location. That's what he said. The exact location...- No.
0:29:29 > 0:29:31No, Maeve. Absolutely not!
0:29:31 > 0:29:35My budget is tight enough. I'm not sinking any more money into this.
0:29:35 > 0:29:39I do have something for you. Tara's away and I need someone to cover one of her stories.
0:29:39 > 0:29:41What? The fluffy, girlie beat?
0:29:43 > 0:29:45You want me to give it to someone else?
0:29:46 > 0:29:48- No problem.- Nope. Give it to me.
0:29:48 > 0:29:50Good girl.
0:29:50 > 0:29:52Hi. Is he here?
0:29:54 > 0:29:57So what do you think this collection says about the modern Irish woman?
0:29:57 > 0:30:01Well, this collection's going to bring the modern Irish woman
0:30:01 > 0:30:03from day to night with easy transformations.
0:30:03 > 0:30:07So we've got nice earthy tones that can be jazzed up
0:30:07 > 0:30:08with heavy embellishment.
0:30:08 > 0:30:12We've got big button details working with leggings and lace.
0:30:12 > 0:30:15It's going to transform amazingly.
0:30:15 > 0:30:17That's great. Thanks a million.
0:30:51 > 0:30:55- You got a busy week this week? - Yeah. Playing golf.- Ah! Very nice.
0:30:58 > 0:30:59What are you doing here?
0:30:59 > 0:31:01I'm here to see Ben.
0:31:01 > 0:31:03- You're doing this now?- Yeah.
0:31:05 > 0:31:07Ben. Two minutes? Please.
0:31:07 > 0:31:09You need to hear this.
0:31:11 > 0:31:15I'm doing my own investigations and I've got a few ideas.
0:31:15 > 0:31:18Great. The cavalry have arrived.
0:31:18 > 0:31:20But there are some things I need to ask you.
0:31:20 > 0:31:23I suppose Sarah knows you're here?
0:31:24 > 0:31:27I'm going to find Amber.
0:31:27 > 0:31:29Go back to the gossip pages, Maeve.
0:31:29 > 0:31:30You haven't really given up.
0:31:30 > 0:31:32You still need to know, don't you?
0:31:32 > 0:31:34And if you have something to tell me, say it.
0:31:36 > 0:31:38The week she disappeared...
0:31:40 > 0:31:42..Amber decorated her room.
0:31:46 > 0:31:47Daughters of the air?
0:31:47 > 0:31:51I was contacted by someone who claims to know what happened to Amber.
0:31:51 > 0:31:54He was able to tell me these details about her room.
0:31:54 > 0:31:57And he says he knows where she is.
0:31:59 > 0:32:00He wants money.
0:32:01 > 0:32:03Finally, she says it. Money!
0:32:03 > 0:32:06Ben, I wouldn't come to you if I wasn't sure about this.
0:32:06 > 0:32:09- You're the same as the rest of those vultures! - For God's sake, Ben, let her go!
0:32:09 > 0:32:11Ben, this is real!
0:32:11 > 0:32:14I promise you. I put my own money into this!
0:32:14 > 0:32:17You're not getting anything out of me!
0:32:17 > 0:32:18Just let me talk to him, OK?
0:32:38 > 0:32:40So, how much do you think?
0:32:43 > 0:32:45- Declan.- 'You OK?'
0:32:45 > 0:32:47Well, you're a real rock of support(!)
0:32:47 > 0:32:50I'm sorry. If you told me you were coming in, I could've...
0:32:50 > 0:32:54Look, I...I'm after selling my dead mother's ring to make up the cash
0:32:54 > 0:32:57for this guy. Do you think that'll prove to Ben I'm not full of shit?
0:32:57 > 0:33:01Maeve, I told Ben about us.
0:33:01 > 0:33:03OK. Interesting timing.
0:33:03 > 0:33:06I told him...I think he should believe you.
0:33:06 > 0:33:07And did he?
0:33:08 > 0:33:12I'm on the shit list now, too.
0:33:12 > 0:33:13Great(!)
0:33:14 > 0:33:15Great(!)
0:33:32 > 0:33:34MUFFLED BUZZING
0:33:54 > 0:33:56It's Amber.
0:33:56 > 0:33:58I need you to come with me, I'll explain on the way.
0:33:58 > 0:34:01Ben was right. I know you hated the piece, but it worked.
0:34:01 > 0:34:05You keep the story alive, you never know who'll come forward.
0:34:12 > 0:34:14I want to talk to you.
0:34:14 > 0:34:17- Hi, Sarah. Come with me.- Take a seat, I'll come back down to you.
0:34:19 > 0:34:22We should've known about this as soon as O'Donoghue made contact with you.
0:34:22 > 0:34:26If I did that, he would've closed up immediately. Wouldn't have got nearly this far along.
0:34:26 > 0:34:30More like you needed to be this involved in the drama, amp it up for your story.
0:34:30 > 0:34:34- That's not true. I was thinking only of Sarah and Amber. - Of course you were(!)
0:34:34 > 0:34:36Thank you.
0:34:47 > 0:34:49The next few weeks we're going to cover attack recognition,
0:34:49 > 0:34:52surveillance detection, defensive driving...
0:34:52 > 0:34:55- PHONE RINGS - Some personal protective measures. - Sorry.
0:34:56 > 0:34:58Sarah?
0:35:01 > 0:35:03What is it?
0:35:05 > 0:35:07What's up, Ben? Where are you going?
0:35:10 > 0:35:12PHONE RINGS
0:35:15 > 0:35:19'We're not available at the moment but leave a message and we'll get back to you.'
0:35:19 > 0:35:21VOICEMAIL TONE
0:35:22 > 0:35:24Hello.
0:35:26 > 0:35:28My name is Terrence O'Donoghue.
0:35:30 > 0:35:32You don't know me.
0:35:34 > 0:35:35I'm the pers...
0:35:38 > 0:35:41I know I can never make up for what I did.
0:35:44 > 0:35:47What happened was an accident.
0:35:52 > 0:35:55I've set up a bank transfer for you and your husband.
0:35:55 > 0:35:57Some money...
0:36:00 > 0:36:02(I'm sorry...)
0:36:04 > 0:36:05Fuck.
0:36:06 > 0:36:08Oh, come on!
0:36:08 > 0:36:10CAR HORN BLARES
0:36:17 > 0:36:20There was nothing in the news reports about Amber's room,
0:36:20 > 0:36:23so people who knew about the decoration must've been
0:36:23 > 0:36:25in the home or have spoken to Amber.
0:36:25 > 0:36:28And the line from the story, not even the parents knew about that.
0:36:28 > 0:36:30How could O'Donoghue get this detail?
0:36:31 > 0:36:35My take on the situation is that you've been deliberately withholding information.
0:36:37 > 0:36:39Now, if this convoluted mess bears any fruit,
0:36:39 > 0:36:41you could be arrested.
0:36:41 > 0:36:42You could wind up in prison.
0:36:43 > 0:36:47O'Donoghue is going to text me Amber's exact location at 7pm.
0:36:47 > 0:36:52If he has any inkling that I've told you about him he won't ever tell.
0:36:53 > 0:36:55That's less than half an hour.
0:37:32 > 0:37:34TEXT MESSAGE ALERT
0:37:46 > 0:37:47Sarah. Sorry for the delay...
0:37:47 > 0:37:49Is it her? Oh, God! Is it her?
0:37:49 > 0:37:52- We have no further information. - Tell me what's going on!
0:37:52 > 0:37:55- Please, Karen!- Sarah, the best thing for you to do is take Eamon home.
0:37:55 > 0:37:59No, I am not, I am not going home! I've been sitting here for hours. I want to know...
0:37:59 > 0:38:01- Ben!- What's going on?- Ben, we've been trying to contact you.
0:38:01 > 0:38:05They've got a location on where Amber might be and they won't let us go with them.
0:38:05 > 0:38:08Ben, please. Take Sarah and Eamon home. I promise you, we will be
0:38:08 > 0:38:11- in contact as soon as we have any further information. - What's the location?
0:38:11 > 0:38:13I can't tell you that for now.
0:38:34 > 0:38:38THUNDER RUMBLES
0:38:52 > 0:38:54ENGINE STARTS
0:39:15 > 0:39:16Shit.
0:39:16 > 0:39:19This is ridiculous!
0:39:30 > 0:39:33Excuse me, is this the way back to the main road?
0:39:33 > 0:39:35I'm not sure. I hope so.
0:39:39 > 0:39:41Have you there in no time.
0:39:41 > 0:39:44Ah, it's OK. I'm in no rush. Thanks a mill.
0:39:45 > 0:39:49The sooner you get home, the sooner you can get out of those wet clothes, the better, I'd say.
0:39:49 > 0:39:51Get yourself a nice cup of tea.
0:39:56 > 0:39:59- Windy roads, eh?- Look, it's not far. I can literally just get out here.
0:39:59 > 0:40:01Watch. Watch it!
0:40:34 > 0:40:36Ah, bollocks!
0:40:55 > 0:40:56- Keep your hands off me!- Ben?
0:40:58 > 0:41:01Ben, please. Let us do our job.
0:41:01 > 0:41:04As soon as we can confirm anything, you'll know.
0:41:42 > 0:41:44How old was the Bailey girl?
0:41:44 > 0:41:4514.
0:41:47 > 0:41:49She's been in the ground about two years
0:41:49 > 0:41:52and the skeleton would indicate a young woman in her early 20s.
0:41:54 > 0:41:56So it's definitely not Amber Bailey.
0:42:00 > 0:42:02You better tell her.
0:43:15 > 0:43:17(Sarah...)
0:43:33 > 0:43:34Do you know Amber Bailey?
0:43:34 > 0:43:36Nope.
0:43:36 > 0:43:39Have you ever seen this face before?
0:43:39 > 0:43:40No, I haven't.
0:43:40 > 0:43:43Have you ever heard anybody mention Amber Bailey's name?
0:43:43 > 0:43:44No.
0:43:44 > 0:43:47Erm, no, never seen her before.
0:43:47 > 0:43:50Someone in here was boasting about their connection to this girl.
0:43:50 > 0:43:51Not fucking me.
0:43:51 > 0:43:54I think the Polish had it right when they brought in that law.
0:43:54 > 0:43:56Chemical castrations for nonces.
0:43:56 > 0:43:58It's what's good enough for them.
0:44:00 > 0:44:04- TV:- 'Did you think Terrence O'Donoghue had anything to do with Amber Bailey's disappearance?
0:44:04 > 0:44:05'He left a letter.
0:44:05 > 0:44:11'In it he claims to have overheard a prisoner speaking about Amber.
0:44:11 > 0:44:15- 'O'Donoghue never gave you any indication as to who this prisoner was?- No.
0:44:15 > 0:44:19'The Gardai have begun to interview prisoners and ex-prisoners
0:44:19 > 0:44:22'but there have been no new leads.'
0:44:32 > 0:44:34Are you OK, Mum?
0:44:37 > 0:44:39I think it's time you took Amber's room.
0:44:40 > 0:44:41Why?
0:44:43 > 0:44:45We can do it up the way you want to.
0:44:46 > 0:44:49What will Amber say if she comes back?
0:44:52 > 0:44:53Come here.
0:45:02 > 0:45:04Amber's been gone a very long time.
0:45:07 > 0:45:10There's a chance she's not coming back.
0:45:12 > 0:45:15You realise that, don't you?
0:45:17 > 0:45:20What will we do with all her things?
0:45:22 > 0:45:23Erm...
0:45:23 > 0:45:25We'll pack them up...
0:45:27 > 0:45:28..put them somewhere safe.
0:45:30 > 0:45:33Good. Because if she does come back...
0:45:35 > 0:45:37..she'd be really mad if we didn't keep her stuff.
0:45:40 > 0:45:41(Yeah.
0:45:43 > 0:45:45(Yeah, she would.)
0:46:02 > 0:46:04MESSAGE ALERT
0:48:09 > 0:48:11- Hey.- Hey.
0:48:11 > 0:48:13- It's over here if you want to take a look.- OK...