0:00:02 > 0:00:09This programme contains prolonged violent scenes and some strong language.
0:00:33 > 0:00:35CHEERING AND SHOUTING
0:01:36 > 0:01:40GUNFIRE AND SCREAMING
0:01:40 > 0:01:41GUNSHOT
0:02:49 > 0:02:53JAUNTY EASY-LISTENING MUSIC PLAYS
0:03:21 > 0:03:25IN ITALIAN:
0:03:54 > 0:03:56OK? Si.
0:04:19 > 0:04:21SHE BREATHES RAPIDLY
0:04:24 > 0:04:26Please tell me, Reina.
0:04:28 > 0:04:30- SOBBING:- They're dead.
0:04:35 > 0:04:40- Who?- Anna, Vita, all of them.
0:04:43 > 0:04:46It's all my fault!
0:04:47 > 0:04:49Of course it's not your fault.
0:04:51 > 0:04:53Why should it be your fault?
0:07:18 > 0:07:19Welcome.
0:07:25 > 0:07:27IN ITALIAN:
0:07:53 > 0:07:58- Your Italian is good, but perhaps we should talk in English.- OK.
0:07:58 > 0:08:01Nikos Voultsos was a top man in Ghiottone,
0:08:01 > 0:08:03their operation chief in Europe,
0:08:03 > 0:08:05so they are not going to be happy about this murder.
0:08:05 > 0:08:10Yes, I was wondering, this old man in the picture
0:08:10 > 0:08:12with Nikos Voultsos, who is he?
0:08:12 > 0:08:17Marco di Spinelli, a 91-year-old banker, politically active
0:08:17 > 0:08:21and outwardly has a very respectable front.
0:08:21 > 0:08:23But behind the front?
0:08:23 > 0:08:25He runs Ghiottone.
0:08:26 > 0:08:31Unfortunately, we don't have enough on him to arrest him just yet.
0:08:31 > 0:08:33He has very powerful friends.
0:08:33 > 0:08:38What exactly does Ghiottone mean?
0:08:38 > 0:08:41Wolverine, the predator.
0:08:41 > 0:08:44Er...Nikos Voultsos's body
0:08:44 > 0:08:48was half eaten by wolverines in a zoo in Stockholm.
0:08:48 > 0:08:50Intriguing.
0:08:50 > 0:08:53Yes, but hardly a coincidence.
0:08:53 > 0:08:56- Hardly.- No.
0:08:56 > 0:08:59I...
0:08:59 > 0:09:05I would very much like to meet this Spinelli.
0:09:07 > 0:09:10I thought we were only supposed to go through our investigations.
0:09:10 > 0:09:13Yes, I'm a little bit curious.
0:09:13 > 0:09:15Please, can you arrange a meeting?
0:09:15 > 0:09:16I would rather not.
0:09:16 > 0:09:21- Why?- We try to disturb him as little as possible
0:09:21 > 0:09:23in the hope he will lower his guard.
0:09:23 > 0:09:28Yes, but a...a brief meeting?
0:09:30 > 0:09:31Please?
0:11:27 > 0:11:30NILSSON SIGHS
0:11:56 > 0:11:57Uh-huh?
0:12:42 > 0:12:44How the hell did Nilsson know about us?
0:12:44 > 0:12:46He knows everything that goes on.
0:12:46 > 0:12:51He peeks through keyholes and sneaks around.
0:12:51 > 0:12:53- How many degrees on this?- 40.
0:12:56 > 0:12:59- So what are you going to do? - I don't know.
0:12:59 > 0:13:03- Has he said anything about us to the police?- No.
0:13:03 > 0:13:05Why do they want to talk to you?
0:13:07 > 0:13:08Cos...
0:13:08 > 0:13:11Cos of something to do with the girls, with the murders.
0:13:11 > 0:13:15They must know that I live there too. I don't know. How many?
0:13:15 > 0:13:16One.
0:13:27 > 0:13:29Are you going to disappear?
0:13:38 > 0:13:39You come with me.
0:13:40 > 0:13:42No.
0:13:42 > 0:13:44Come on, we talked about this.
0:13:44 > 0:13:50- I don't want to leave Sweden. - And I don't want to leave you.
0:13:50 > 0:13:51So what do we do?
0:16:10 > 0:16:12IN ITALIAN:
0:16:12 > 0:16:13'Si.'
0:16:33 > 0:16:34Em, arms.
0:17:02 > 0:17:08Enjoy this fantastic view. Look how beautiful it is. Sit down.
0:17:08 > 0:17:12There was an Italian writer, Cesare Pavese,
0:17:12 > 0:17:14who was at this very same place
0:17:14 > 0:17:19when he wrote his famous book - La Luna E I Falo.
0:17:19 > 0:17:22- Grappa?- Yes.
0:17:22 > 0:17:28This grappa is made from the skins of the Amarone grapes.
0:17:30 > 0:17:33Rondinella, Corvina and Molinara.
0:17:33 > 0:17:36Yes! You're a connoisseur! I like that!
0:17:36 > 0:17:40Very good. You know...
0:17:40 > 0:17:44I must admit I was a little bit surprised when you first came in.
0:17:44 > 0:17:47You were? Why is that?
0:17:47 > 0:17:51Because you remind me very much of a man I met a long time ago,
0:17:51 > 0:17:58- during the war.- Did you know many men with blond hair during the war?
0:17:58 > 0:18:02One or two. You know, I was living in Switzerland.
0:18:02 > 0:18:07I fled from the fascists. But enough about that.
0:18:08 > 0:18:11Now, what can I do for the Swedish police?
0:18:11 > 0:18:17Well, erm, there was a Greek named Nikos Voultsos.
0:18:18 > 0:18:24He was murdered in Stockholm. His body was half eaten by wolverines.
0:18:25 > 0:18:29You mean in Stockholm you have wolverines? How exotic!
0:18:29 > 0:18:33No, er, his body was found in their cage at the zoo.
0:18:34 > 0:18:38- What a strange fate.- Hmm, yes.
0:18:38 > 0:18:39I have a... Oh!
0:18:51 > 0:18:55- Here, help yourself. - Thank you, I'm sorry.
0:18:55 > 0:19:02I have here a...a photo of you sitting with this murdered Voultsos.
0:19:05 > 0:19:06SPINELLI SIGHS
0:19:10 > 0:19:14- Who took this picture? - I take it that you know each other?
0:19:17 > 0:19:20You mean that this is, what's his name, this Greek name?
0:19:20 > 0:19:22- What's the name?- Voultsos, yes.
0:19:22 > 0:19:28- He was a pimp to some prostitutes outside Stockholm.- Oh.
0:19:31 > 0:19:35- They are also dead now. Murdered.- That's very sad.
0:19:35 > 0:19:41Listen, I am very sorry to disappoint you, but I didn't know him, sorry.
0:19:41 > 0:19:45I understand, but what do you think about his peculiar death,
0:19:45 > 0:19:48eaten by wolverines, "ghiottone" in Italian?
0:19:48 > 0:19:50Any thoughts on that?
0:19:50 > 0:19:54You've been speaking to Signor Marconi, I hear, right?
0:19:54 > 0:19:59- Yes.- You know...he's very fond of grappa too.
0:20:06 > 0:20:12Tell me, are you perhaps familiar with this man?
0:20:21 > 0:20:26- Is it the same man?- Yes. His name was Leonard Sheinkman.
0:20:26 > 0:20:33- He was a famous brain researcher. - Was?- Yes, he was murdered too.
0:20:33 > 0:20:37In fact, he was tortured to death, a metal needle was driven
0:20:37 > 0:20:41through his brain while he was hanging upside down from a tree.
0:20:41 > 0:20:44Oh, my God. How terrible.
0:20:44 > 0:20:48I mean, I always thought that Sweden was such a safe country to live in.
0:20:50 > 0:20:53- Everything changes.- I'm sorry.
0:20:53 > 0:20:59- Well, farewell, Mr Soderstedt. Please.- Farewell.
0:21:09 > 0:21:11HE SIGHS
0:21:17 > 0:21:19HE CLICKS HIS FINGERS
0:23:36 > 0:23:38I'm glad to see you're alive in one piece.
0:23:38 > 0:23:42- I don't think I'm any kind of threat to Spinelli.- You never know.
0:23:45 > 0:23:47I recommend baccala alla vicentina if you like fish.
0:23:48 > 0:23:52A dish from Vicenza, very special, made from dried cod from Norway.
0:23:52 > 0:23:54Norway?
0:23:55 > 0:23:59- OK, I'll... I'll try that.- Gigi!
0:24:09 > 0:24:15- So how did the meeting go?- Er, well, he refused to recognise Voultsos,
0:24:15 > 0:24:19- but I guess that was only to be expected.- Yes.
0:24:19 > 0:24:23But, you know, I think he might have known another
0:24:23 > 0:24:28victim of a murder case we are investigating - Leonard Sheinkman.
0:24:28 > 0:24:29And what makes you think that?
0:24:29 > 0:24:34The way he reacted when I mentioned how this Sheinkman was murdered.
0:24:34 > 0:24:40- And how was he murdered?- With a metal needle through the head.
0:24:40 > 0:24:42Very unpleasant.
0:24:42 > 0:24:45And how would this Spinelli have known this man, Sheinkman?
0:24:47 > 0:24:50I don't know. Er, maybe, em...
0:24:51 > 0:24:53Sheinkman was a brain researcher.
0:24:53 > 0:24:57Maybe he did some research on Spinelli's brain, I don't know.
0:24:57 > 0:25:00HE LAUGHS Quite possible.
0:25:00 > 0:25:05Marco di Spinelli has a very vivid mind for a 91-year-old.
0:25:05 > 0:25:10- Yes. What's your relationship, exactly?- With Spinelli?- Yes.
0:25:10 > 0:25:12- Buon appetito.- Grazie.
0:25:20 > 0:25:22Cin cin.
0:25:22 > 0:25:26Yes, mail me everything. Email me. Yes, OK, bye.
0:26:15 > 0:26:16SHE EXHALES
0:26:29 > 0:26:33- Vresta Motel? - Yeah, is it far?- 45 minutes.
0:28:06 > 0:28:08PHONE RINGS
0:28:15 > 0:28:17Hello?
0:28:17 > 0:28:20- 'Go home.' - LINE GOES DEAD
0:28:20 > 0:28:24MOBILE PHONE RINGS
0:29:31 > 0:29:33SHE SIGHS
0:30:40 > 0:30:43DOOR OPENS AND CLOSES
0:31:08 > 0:31:11IN ENGLISH: Can I help you with anything?
0:31:11 > 0:31:13Yes.
0:31:31 > 0:31:35Please. Just give me her address.
0:31:38 > 0:31:39Fuck you.
0:31:48 > 0:31:49Please.
0:31:51 > 0:31:54NILSSON SOBS AND PANTS
0:32:07 > 0:32:10REINA CHUCKLES
0:32:10 > 0:32:13- Blackberries.- Mm.
0:32:24 > 0:32:25- Don't you like them?- I love them.
0:32:27 > 0:32:29What then?
0:32:30 > 0:32:35- We used to pick them every summer.- At home?
0:32:37 > 0:32:43- Me and my sister. Yhazhenika we call it.- Yhazhenika?
0:32:43 > 0:32:45REINA LAUGHS
0:32:45 > 0:32:47Yhazhenika.
0:32:47 > 0:32:49They grew behind the house.
0:32:53 > 0:32:55You never talk about your family.
0:32:55 > 0:32:57I don't have any family.
0:32:57 > 0:33:01My mum died of cancer when we were young. My dad was an alcoholic.
0:33:01 > 0:33:03We grew up in foster homes.
0:33:06 > 0:33:07What happened to your sister?
0:33:07 > 0:33:11She was strong, a survivor.
0:33:14 > 0:33:19She started to study and became a researcher.
0:33:19 > 0:33:21I started to take drugs.
0:33:21 > 0:33:22I became a whore.
0:33:25 > 0:33:27Come on, Reina.
0:33:30 > 0:33:33You didn't become a whore.
0:33:33 > 0:33:37You were abused by men who used you to make money.
0:33:37 > 0:33:40You were on drugs, right?
0:33:43 > 0:33:45Do you have any contact with your sister?
0:33:45 > 0:33:51- We call each other sometimes. - What happened to your dad?
0:33:51 > 0:33:56I don't know. He disappeared when I was nine.
0:33:56 > 0:33:58And you haven't talked to him since then?
0:33:58 > 0:34:01- No.- Haven't you tried?
0:34:03 > 0:34:05Shouldn't you go to work?
0:34:06 > 0:34:08Oh, shit!
0:34:08 > 0:34:12THEY LAUGH
0:34:28 > 0:34:32Spinelli claims that he was in Switzerland during World War II,
0:34:32 > 0:34:35in exile. Is that right?
0:34:35 > 0:34:38Why do you ask?
0:34:38 > 0:34:43I'm just wondering where he could have met Sheinkman.
0:34:43 > 0:34:46- You think he did?- Well, I got the impression that he did, yes.
0:34:48 > 0:34:53- Sheinkman was Jewish?- Yes. And he was in Buchenwald.
0:34:53 > 0:34:58- It sounds really likely they met there.- No.
0:34:58 > 0:35:00Unless Spinelli was a Nazi.
0:35:00 > 0:35:05Are there any official papers or documents that he was
0:35:05 > 0:35:07actually in Switzerland?
0:35:07 > 0:35:12- No, so it's just his version of the story?- Hmm, yes.
0:35:14 > 0:35:17- Do you think he's lying about it? - I don't know.
0:35:17 > 0:35:22- It might be worth looking into. - What are you planning to do now?
0:35:22 > 0:35:25I mean, we could make a photocopy of the entire investigation
0:35:25 > 0:35:26if you want to return home.
0:35:28 > 0:35:32- What do you think? - I think it would be wise.
0:35:33 > 0:35:39- To go home?- Yes. I think you've irritated this Spinelli enough.
0:35:39 > 0:35:41Next time he won't be content with
0:35:41 > 0:35:44just turning your hotel room upside down.
0:36:04 > 0:36:07- What is it?- Nilsson has been attacked and is beaten up.
0:36:07 > 0:36:10It must be them.
0:36:10 > 0:36:13- What? The guys who murdered the girls?- Nikos worked for them.
0:36:13 > 0:36:18- They're looking for me.- You?!- Yes, I've got to go. I'll call you later.
0:36:18 > 0:36:20SIRENS WAIL
0:38:27 > 0:38:29DOOR CLOSES IN DISTANCE
0:39:31 > 0:39:35WATER LAPS GENTLY
0:40:15 > 0:40:17OK.
0:41:17 > 0:41:20- I'll tell you everything as soon as...- 'But where are you?'
0:41:20 > 0:41:23- In town. I must hide for a while.- Why?
0:41:23 > 0:41:27Because... Dyta, I can't explain anything right now.
0:41:27 > 0:41:30Has it something to do with the murder of your pimp?
0:41:31 > 0:41:34- Yes. - And you were mixed up in that?- No!
0:41:34 > 0:41:37- Yes, come on, Reina, I'm not stupid!- Dyta!
0:41:51 > 0:41:55PHONE RINGS
0:42:16 > 0:42:19PHONE RINGS
0:42:32 > 0:42:35PHONE CONTINUES TO RING
0:42:39 > 0:42:40Where is Reina?
0:42:56 > 0:42:57Where is Reina?
0:42:58 > 0:43:00Who is Reina?
0:43:29 > 0:43:31OK.
0:43:31 > 0:43:34Yes, my name is Kerstin Holm and I'm calling from the Swedish police.
0:43:52 > 0:43:55RECORDING OF BELLS CHIMING PLAYS
0:44:04 > 0:44:06OK. Thank you. Bye.
0:44:29 > 0:44:31OK.
0:45:42 > 0:45:43MOBILE PHONE RINGS
0:45:47 > 0:45:48OK.
0:47:45 > 0:47:47TYRES SCREECH
0:47:48 > 0:47:53MUSIC PLAYS QUIETLY ON RADIO
0:48:18 > 0:48:20FLOORBOARD CREAKS
0:48:49 > 0:48:51REINA GASPS
0:49:09 > 0:49:11SIRENS WAIL
0:49:36 > 0:49:38SIRENS WAIL
0:49:41 > 0:49:43DOOR OPENS
0:50:25 > 0:50:27REINA BREATHES SHAKILY
0:50:58 > 0:51:01REINA SOBS
0:54:49 > 0:54:51Mr Soderstedt?
0:54:53 > 0:54:54- Yes.- Yes? Welcome.
0:54:59 > 0:55:04- So, what's a Swedish policeman doing here?- I don't know, actually.
0:55:04 > 0:55:06Possibly getting some information on a murder
0:55:06 > 0:55:08we're investigating in Stockholm.
0:55:08 > 0:55:11- Which has connections all the way here?- Possibly.
0:55:26 > 0:55:28BELLS PEAL TUNEFULLY
0:55:28 > 0:55:30It's Jakobskirche.
0:55:30 > 0:55:32Beautiful.
0:55:39 > 0:55:44Mr Soderstedt? Very welcome. My name is Peter Herschel.
0:55:44 > 0:55:45Nice to meet you.
0:55:45 > 0:55:48I must say I was very disturbed when I heard about the murder
0:55:48 > 0:55:51of Leonard Sheinkman and the method that was used.
0:55:51 > 0:55:54It feels extremely unpleasant.
0:55:54 > 0:55:57We've been keeping a very low profile with our research here
0:55:57 > 0:56:01and I don't understand how anyone could know about it.
0:56:03 > 0:56:06You probably don't know what this building is.
0:56:08 > 0:56:10An old Nazi administrative building?
0:56:10 > 0:56:14Yes, a so-called Gauforum, the only that was ever built.
0:56:14 > 0:56:18The Nazis also had their pain research centre in this building.
0:56:18 > 0:56:23- Pain research?- That was their name for it, and not without reason.
0:56:23 > 0:56:24This way.
0:56:24 > 0:56:26During the renovation of this place,
0:56:26 > 0:56:30we suddenly realised that the prisoners who were kept here
0:56:30 > 0:56:35must have been tortured inside this building, so we knocked
0:56:35 > 0:56:41down a bit of a stone wall and found the actual torture chamber.
0:56:43 > 0:56:46Everything in there is completely intact since the war.
0:56:46 > 0:56:48I advise you not to touch anything.
0:56:49 > 0:56:52This is where the actual experiments took place,
0:56:52 > 0:56:55if one can call torture an experiment.
0:56:59 > 0:57:03And here is where they hung the victims upside down,
0:57:03 > 0:57:05just like your victim in Stockholm.
0:57:12 > 0:57:16- Why did they do that?- So the blood would flow to the brain.
0:57:16 > 0:57:19The Nazis conducted experiments on the brain's pain centre,
0:57:19 > 0:57:25the cerebral cortex, hence the name of this place.
0:57:25 > 0:57:28The idea was to create the maximum effect of pain
0:57:28 > 0:57:31in the human...Versuchskaninchen.
0:57:35 > 0:57:39This was pierced through the victims' brains.
0:57:40 > 0:57:43That is the exact same kind of needle
0:57:43 > 0:57:45that was used on Leonard Sheinkman.
0:57:47 > 0:57:50He must have suffered terribly before he died.
0:57:50 > 0:57:55But, er, if Leonard Sheinkman was a human guinea pig here,
0:57:55 > 0:57:59how come he didn't die if they conducted experiments on him?
0:57:59 > 0:58:01I don't know.
0:58:01 > 0:58:06Maybe he managed to escape when the Third Reich collapsed.
0:58:06 > 0:58:11- Perhaps he was lucky. - Who ran the experiments here?
0:58:11 > 0:58:14Three men, three butchers if you like.
0:58:17 > 0:58:19Horrid people.
0:58:19 > 0:58:21Part of their salary came from dental gold fillings
0:58:21 > 0:58:23taken from Jews.
0:58:23 > 0:58:26- That's terrible.- Very much so.
0:58:27 > 0:58:31- Do you know who they were?- Two of them. One is still unidentified.
0:58:31 > 0:58:34One was called Hans von Heilberg.
0:58:34 > 0:58:38He was of German-Italian origin.
0:58:38 > 0:58:43- The third was a Swedish SS doctor, Anton Eriksson.- Swedish?- Yes.
0:58:43 > 0:58:45I'm sorry.
0:58:47 > 0:58:49- Do you have proof that he was Swedish?- Yes.
0:58:49 > 0:58:53Two of them tried to destroy all the records about themselves
0:58:53 > 0:58:54and made quite a good job of it too -
0:58:54 > 0:58:56the unknown man and Hans von Heilberg.
0:58:56 > 0:59:01We discovered his identity by chance in a medical record.
0:59:01 > 0:59:06- We had noticed a purple birthmark on his neck.- Wait, wait.
0:59:06 > 0:59:08Hans von Heilberg had a birthmark?
0:59:08 > 0:59:11What did it look like, the birthmark, do you know?
0:59:11 > 0:59:14It was in the shape of a small heart. Why do you ask?
0:59:19 > 0:59:22- Do you have a picture of him? - No, I'm sorry.
0:59:25 > 0:59:29- If he would still be alive today, how old would he be?- 91.
0:59:31 > 0:59:37- And nobody knows what happened with him after the war?- No. What is it?
0:59:37 > 0:59:39No, no, it's... It's nothing.
0:59:39 > 0:59:46Could you please tell me more about this Swedish person, Anton Eriksson?
0:59:46 > 0:59:50He's hardly removed any traces about himself.
0:59:50 > 0:59:54I have an entire file on him from his days here.
0:59:56 > 0:59:59But how come he didn't cover up his tracks?
0:59:59 > 1:00:03Probably because he planned a safe escape,
1:00:03 > 1:00:06certain that no-one ever would find him.
1:00:06 > 1:00:12- But if it's possible, could you please send me his file to me in Stockholm?- Of course.
1:00:12 > 1:00:14IN GERMAN:
1:00:18 > 1:00:20So, please follow me.
1:00:22 > 1:00:29This is where the prisoners they experimented on were kept
1:00:29 > 1:00:34and this is where Leonard Sheinkman was kept.
1:00:34 > 1:00:35DOOR CREAKS LOUDLY
1:00:54 > 1:00:58So, er, when are you going to publish all this?
1:00:58 > 1:01:02- When we are ready, but it might take a couple of years.- I see.
1:01:02 > 1:01:08- The third butcher, you have nothing on him?- No, all we found is...
1:01:10 > 1:01:13Here, an old photo of him.
1:01:44 > 1:01:45We go.
1:02:01 > 1:02:05- Did you get the help that you wanted?- Yes.
1:02:10 > 1:02:15- You don't seem very happy about it. - Well, yes and no.
1:02:16 > 1:02:21- I believe that one of the three butchers is still alive.- Is it true?
1:02:22 > 1:02:28Yes, Hans von Heilberg, except now he calls himself Marco di Spinelli.
1:02:28 > 1:02:30He lives in Italy, outside of Torino.
1:02:30 > 1:02:36He's the leader of a crime syndicate called Ghiottone.
1:02:36 > 1:02:39- But how do you know that? - Because I've met him.
1:02:39 > 1:02:44- And you're sure it's him? - I believe so, yes.
1:03:29 > 1:03:30MAGDA WHISPERS
1:05:03 > 1:05:05I just checked on Spinelli and you were right.
1:05:05 > 1:05:08He never was in Switzerland during the war.
1:05:08 > 1:05:11No, he was in Germany, in Weimar, as an SS officer.
1:05:11 > 1:05:15- He ran a torture chamber. - Are you certain?- Almost.
1:05:15 > 1:05:18There's a birthmark that ties him to the place, among other things.
1:05:18 > 1:05:20If what you say is right,
1:05:20 > 1:05:23this could end up in the International Court in The Hague!
1:05:23 > 1:05:27Well, at least we have enough to warrant a preliminary investigation.
1:05:27 > 1:05:29Excellent. Call me when you reach Turin.
1:05:29 > 1:05:32I will pick you up. OK, bye, Arto.
1:05:33 > 1:05:36MOBILE PHONE RINGS
1:06:23 > 1:06:24Come on.
1:07:21 > 1:07:22DOOR OPENS
1:08:20 > 1:08:22OK.
1:10:15 > 1:10:16Exactly.
1:10:31 > 1:10:36- Fine. Yes. How long will it take? - I'll be there in ten minutes. Bye.
1:11:47 > 1:11:49MOBILE PHONE RINGS
1:11:59 > 1:12:04- I was wondering if Arto Soderstedt had contacted you?- No, why?
1:12:04 > 1:12:08I was supposed to pick him up at the train station, but he's not here.
1:12:08 > 1:12:12- But he's in Weimar. - No, no, he came here.- Why?
1:12:12 > 1:12:16- We are thinking of arresting Marco di Spinelli.- You what?!
1:12:16 > 1:12:18IN SWEDISH:
1:12:18 > 1:12:20We'll keep in touch, OK?
1:13:20 > 1:13:22Come on.
1:13:52 > 1:13:54SODERSTEDT BREATHES HEAVILY
1:14:02 > 1:14:10- You have been to Weimar?- Yes. To a pain research centre.- I see.
1:14:10 > 1:14:14So does Marconi. He was very happy with my information about you.
1:14:14 > 1:14:18The birthmark on your throat is noted in the records at Weimar.
1:14:18 > 1:14:23- Marconi mentioned International Court in Hague.- Did he?!
1:14:26 > 1:14:31You know, sooner or later, our past catches up with us.
1:14:41 > 1:14:45Did Bertie Lindrott work at the pain research centre?
1:14:47 > 1:14:55- Is it a relation?- Yes.- Oh, that explains the resemblance. Yes, yes.
1:14:55 > 1:15:00- The eyes, the cheekbones, yes. - Did he work there?!
1:15:00 > 1:15:02Yes, he worked there. He was a very efficient doctor,
1:15:02 > 1:15:07a fantastic doctor with an enormous capacity for work.
1:15:07 > 1:15:11But kind of a weak character though, you know what I mean,
1:15:11 > 1:15:12but very, very efficient.
1:15:13 > 1:15:17You know that he made a fortune during the short time he was there?
1:15:17 > 1:15:20Was he paid in Jewish dental gold?
1:15:20 > 1:15:23Well, of course, like all the other doctors. What do you think?
1:15:29 > 1:15:35Mr Soderstedt, now... how are we going to solve this?
1:16:33 > 1:16:36Actually, you ought to be hanging upside down in the trees, you know.
1:16:37 > 1:16:40The pain is more efficient that way.
1:16:40 > 1:16:43But I think this will be more than sufficient.
1:17:49 > 1:17:51SIRENS WAIL
1:17:55 > 1:17:58HEARTBEAT
1:18:03 > 1:18:06HEARTBEAT SLOWS
1:18:10 > 1:18:12SCREAMING
1:18:18 > 1:18:20DISTANT SIRENS WAIL
1:20:48 > 1:20:49Yes?
1:21:05 > 1:21:06Thank you.
1:21:31 > 1:21:36How did it... How did it all start?
1:21:40 > 1:21:42My sister came to visit me.
1:21:42 > 1:21:43In Stockholm.
1:21:43 > 1:21:47She was working on some research project in Weimar to find out
1:21:47 > 1:21:49what happened to our father.
1:21:51 > 1:21:55There, she discovered what happened.
1:21:57 > 1:21:59What they'd done to him there.
1:21:59 > 1:22:03She found out that one of the men had stolen his identity.
1:22:03 > 1:22:05One of those who had tortured and killed him.
1:22:05 > 1:22:09And that he was still alive and living in Stockholm now.
1:22:15 > 1:22:20She wanted revenge for all the hell that...
1:22:20 > 1:22:22I can understand that.
1:22:30 > 1:22:32Why did your father come to Sweden?
1:22:34 > 1:22:37I think that he found out that there was
1:22:37 > 1:22:40a Leonard Sheinkman in Stockholm the same age as grandfather.
1:22:42 > 1:22:45And that he thought that he was our grandfather,
1:22:45 > 1:22:48that somehow had survived the war and had gone there.
1:22:48 > 1:22:50So he went to meet with his father,
1:22:50 > 1:22:53but instead he met his father's murderer.
1:22:53 > 1:22:54Yes.
1:22:56 > 1:22:57What about Spinelli?
1:22:57 > 1:23:02- Was that also revenge for your father and grandfather?- Yes.
1:23:03 > 1:23:06But there were other reasons too.
1:23:11 > 1:23:13You know I'm a police officer?
1:23:13 > 1:23:16Yes.
1:23:19 > 1:23:21And you've committed murder.
1:23:22 > 1:23:24Something like that.
1:23:30 > 1:23:32OK.
1:23:33 > 1:23:36- I wanted to ask you something. - What's that?
1:23:38 > 1:23:40That my father would have a proper grave,
1:23:40 > 1:23:43a stone with "Franz Sheinkman" on it.
1:23:48 > 1:23:52- Instead of Shtayf?- Yes.
1:23:58 > 1:23:59Take care.
1:24:02 > 1:24:03Reina?
1:24:08 > 1:24:10You take care too.
1:25:36 > 1:25:38# It's 3am
1:25:40 > 1:25:42# In the morning
1:25:47 > 1:25:51# I fall asleep
1:25:51 > 1:25:53# With the dawning
1:26:00 > 1:26:03# Sunlight finds
1:26:05 > 1:26:09# The crack in the curtains
1:26:12 > 1:26:15# I lie awake
1:26:15 > 1:26:20# For how long, I'm uncertain
1:26:24 > 1:26:26# Get out of bed
1:26:31 > 1:26:32# Clear my head
1:26:36 > 1:26:42# Try and make sense of the whirlings
1:27:45 > 1:27:47# It's deep inside
1:27:51 > 1:27:54# The knots they tied
1:27:57 > 1:28:02# I try and make sense of the pain. #
1:28:11 > 1:28:14Subtitles for the deaf and hard of hearing by Red Bee Media Ltd