0:00:30 > 0:00:33I think he wanted to announce his arrival for you.
0:00:39 > 0:00:42I can't guarantee their safety for very much longer.
0:01:03 > 0:01:05MUFFLED SCREAMS
0:01:18 > 0:01:21This is why I wanted to come over here.
0:01:21 > 0:01:24What I'm about to tell you, you can't say this to anybody in your group.
0:01:52 > 0:01:59This programme contains some violent scenes, very strong language,
0:01:59 > 0:02:05and some scenes which some viewers may find upsetting.
0:02:35 > 0:02:37SHE SOBS
0:02:55 > 0:02:57SHE MUFFLES SCREAMS
0:04:49 > 0:04:52The holes seem to fit a pattern.
0:04:52 > 0:04:56Tell me, did he maim the genitals?
0:04:56 > 0:04:58No.
0:04:58 > 0:05:04Jenny. What puzzles me is the murder of the body in the blanket.
0:05:04 > 0:05:05Yes?
0:05:05 > 0:05:07If K did actually shoot him,
0:05:07 > 0:05:10that dramatically alters our profile of K.
0:05:10 > 0:05:13He's never used guns before.
0:05:13 > 0:05:16A witness saw a man put a large bundle in a green Mercedes.
0:05:16 > 0:05:19Which corresponds to our body in the blanket.
0:05:19 > 0:05:21We assume it was Lindberger he put in the car.
0:05:21 > 0:05:23But you're not 100% certain.
0:05:24 > 0:05:26Not 100%, no.
0:05:27 > 0:05:31So what we've got here
0:05:31 > 0:05:36is one large bundle that reminds us of another large bundle.
0:05:36 > 0:05:38Later that same evening,
0:05:38 > 0:05:40Lindberger's body was found in an entirely different place.
0:05:40 > 0:05:42I can't see an obvious connection here.
0:05:42 > 0:05:46No, but we found the Mercedes in a car park, not far from the body.
0:05:46 > 0:05:49Traces of blood, and wrapped in a similar blanket.
0:05:49 > 0:05:51Jenny.
0:05:51 > 0:05:54Every move K has made so far has been perfect.
0:05:54 > 0:05:56No traces, no witnesses, no nothing.
0:05:56 > 0:05:59Suddenly he uses a gun, which he has never used before.
0:05:59 > 0:06:03He doesn't maim the victim and he almost gets caught in the process.
0:06:03 > 0:06:06I don't know. It doesn't add up at all.
0:06:07 > 0:06:08Sorry.
0:08:18 > 0:08:20HE CHUCKLES
0:09:53 > 0:09:54LAPTOP STARTS UP
0:10:04 > 0:10:06DOORBELL RINGS
0:10:47 > 0:10:48OK.
0:11:10 > 0:11:12Uh...
0:11:16 > 0:11:17PHONE RINGS
0:13:04 > 0:13:06HE SNIFFS
0:13:28 > 0:13:30KNOCK ON DOOR
0:13:47 > 0:13:49We have to change hiding place.
0:13:49 > 0:13:51Why?
0:13:52 > 0:13:54Well...
0:13:54 > 0:13:56Something has happened.
0:13:56 > 0:13:58What happened?
0:13:59 > 0:14:02Erik...has been murdered.
0:14:10 > 0:14:12Are you sure?
0:14:12 > 0:14:16Positive. We have to move soon. It's getting dark.
0:14:16 > 0:14:18HE COUGHS
0:14:22 > 0:14:24'Lindberger didn't tell you anything?'
0:14:24 > 0:14:26He didn't say anything of value.
0:14:26 > 0:14:28What about the people on Gotland?
0:14:28 > 0:14:31'They're leaving in a couple of days, by boat.'
0:14:31 > 0:14:32You know the name of the boat?
0:14:32 > 0:14:35'We don't know that yet. But we're working on it.'
0:14:35 > 0:14:37The name of the port?
0:14:37 > 0:14:38'No. We don't know that either.'
0:14:40 > 0:14:41What do you know?
0:14:41 > 0:14:46'Not much at this point. But Orphline probably has another contact there.
0:14:46 > 0:14:48'We're coming to Sweden.'
0:14:48 > 0:14:49Good.
0:15:45 > 0:15:47Hmm.
0:18:10 > 0:18:11DOOR SLAMS
0:18:14 > 0:18:16ENGINE REVS
0:18:23 > 0:18:25MUSIC PLAYS THROUGH HEADPHONES
0:20:15 > 0:20:17Hello, Ray. It's Jenny.
0:20:17 > 0:20:18'Hi, Jenny.'
0:20:18 > 0:20:20I have a colleague here who wants to ask you
0:20:20 > 0:20:22a couple of questions about Jennings.
0:20:22 > 0:20:24OK, go ahead. Shoot.
0:20:26 > 0:20:30Hello, Mr Larner. It's Paul Hjelm.
0:20:30 > 0:20:32'Hi, Hjelm.'
0:20:32 > 0:20:35Do you know what happened to Jennings' family after he died?
0:20:35 > 0:20:38They stayed on at the house for a while
0:20:38 > 0:20:39and then the wife committed suicide.
0:20:39 > 0:20:41What happened to the son, Lamar?
0:20:41 > 0:20:46'He was placed in an orphanage and sent to a foster home. Why?'
0:20:47 > 0:20:49'Perhaps he saw it.'
0:20:49 > 0:20:50Saw what?
0:20:50 > 0:20:53Saw his dad torturing and murdering.
0:20:53 > 0:20:56Now he's doing the same thing 20 years later.
0:20:56 > 0:20:59You know the saying, kids do what they see their parents do.
0:21:01 > 0:21:02Go ahead. I'm listening.
0:21:04 > 0:21:06That could explain the difference between
0:21:06 > 0:21:08the first series of killings and the second.
0:21:08 > 0:21:11The first series was the work of Wayne Jennings,
0:21:11 > 0:21:12just as you believed.
0:21:12 > 0:21:17'They were all executed. All highly educated, all across the US.
0:21:17 > 0:21:20'But the second series, they were all found in New York.
0:21:20 > 0:21:22'And were just ordinary people.'
0:21:23 > 0:21:26It's the same signature but different killers.
0:21:26 > 0:21:30Hmm. That's one hell of a wild theory you've got there, Hjelm.
0:21:30 > 0:21:32How old would Lamar be now?
0:21:32 > 0:21:34'I'd say...'
0:21:34 > 0:21:36he'd be about 31.
0:21:36 > 0:21:39'So that fits in with the passenger, Edwin Reynolds,
0:21:39 > 0:21:41'who went through passport control'
0:21:41 > 0:21:43here at Arlanda. He was 32.
0:21:43 > 0:21:45Do you know where they lived?
0:21:45 > 0:21:47He lived on a farm in Kentucky.
0:21:47 > 0:21:49Did you search the place thoroughly?
0:21:49 > 0:21:53'Yeah, we did the usual search when Jennings was a suspect.'
0:21:53 > 0:21:56And we shut the case down when he died.
0:21:59 > 0:22:02But I'm... I'm happy to give it another look.
0:22:02 > 0:22:04'OK, thank you.'
0:22:04 > 0:22:08I'll, um... I'll get back to you.
0:22:15 > 0:22:17OK.
0:22:49 > 0:22:51PHONE RINGS
0:22:51 > 0:22:53Hello, Ray, that was quick.
0:22:53 > 0:22:56Hey, Jenny, I'm going to go down there and have another look.
0:22:56 > 0:23:00The place has remained unoccupied ever since Lamar's mother died.
0:23:00 > 0:23:03We'll get back to you when we get there.
0:24:02 > 0:24:07NO AUDIO
0:24:27 > 0:24:31WOMAN'S SCREAMS ECHO
0:24:37 > 0:24:39SHE GASPS
0:24:41 > 0:24:43SHE SIGHS
0:24:46 > 0:24:50TV: '..Scandal at the heart of Albanian politics...'
0:24:53 > 0:24:56'..After the news on Al Jazeera.'
0:25:02 > 0:25:06INAUDIBLE
0:25:11 > 0:25:15TV CONTINUES IN BACKGROUND
0:25:17 > 0:25:21TV: 'The top story, a Frenchman has been killed and four others injured
0:25:21 > 0:25:25'in two separate attacks on the Yemeni capital, Sana'a...'
0:25:33 > 0:25:38CITY BUSTLE
0:26:20 > 0:26:22Morning.
0:27:57 > 0:27:59Hello, Ray, can you hear me?
0:27:59 > 0:28:03Yeah, I can hear you. We're inside the house right now.
0:28:05 > 0:28:08It's been unoccupied ever since the wife committed suicide.
0:28:08 > 0:28:12Man, it's, um, pretty dingy in here.
0:28:15 > 0:28:17Yeah.
0:28:17 > 0:28:20This is where Lamar found his mother that morning,
0:28:20 > 0:28:22shotgun had blown half her head away.
0:28:30 > 0:28:34I want to show you this, come with me, I want to show you.
0:28:34 > 0:28:39We found this large closet here...
0:28:40 > 0:28:42..and behind... HE KNOCKS
0:28:42 > 0:28:44..some kind of cavity wall there.
0:28:48 > 0:28:51I think I have to take a break here, get back to you, guys.
0:28:53 > 0:28:55Hey, Ron, let's break this wall down!
0:28:55 > 0:28:57STATIC
0:30:18 > 0:30:20RAY: Jenny?
0:30:20 > 0:30:21OK.
0:30:21 > 0:30:24We're going on the ground.
0:30:25 > 0:30:28As you can see, there's a...
0:30:28 > 0:30:32narrow flight of stairs here.
0:30:38 > 0:30:41FOOTSTEPS
0:30:52 > 0:30:55SOFT CREAKING
0:31:21 > 0:31:25God knows how many harrowing sights these walls have seen.
0:31:25 > 0:31:28RASPING BREATHS ECHO
0:31:34 > 0:31:37- Ray, where do we go from here? - I will go to the CSI immediately.
0:31:37 > 0:31:40We've got to find out where Lamar Jennings lives.
0:31:49 > 0:31:51Did you find anything?
0:31:51 > 0:31:54No. I don't have anything to go on.
0:31:54 > 0:31:56You'll get something now,
0:31:56 > 0:31:58or find us another contact here.
0:31:58 > 0:32:00Is that right? Who?
0:32:00 > 0:32:04Lindberger wasn't operating alone, she's also involved.
0:32:04 > 0:32:06Interesting.
0:32:18 > 0:32:19Oh?
0:34:05 > 0:34:07TYRES SQUEAL
0:34:31 > 0:34:32All clear?
0:34:51 > 0:34:53HE DRUMS HIS NAILS
0:34:57 > 0:34:58Hmm...
0:35:17 > 0:35:19What's going on?
0:35:21 > 0:35:23Are you a neighbour, m'am?
0:36:09 > 0:36:11COMPUTER BEEPS
0:36:30 > 0:36:33"I hope one day to be able to explain it all for you,
0:36:33 > 0:36:36"all that happened was vital and necessary."
0:37:20 > 0:37:22WIND HOWLS
0:37:38 > 0:37:40ALL CALL TO EACH OTHER
0:37:59 > 0:38:04ALL CALL TO EACH OTHER
0:38:20 > 0:38:22WHISTLE BLOWS
0:38:22 > 0:38:25CLAPPING
0:39:02 > 0:39:05QUIET CONVERSATION
0:39:43 > 0:39:44OK.
0:41:13 > 0:41:14TAPPING ON WINDOW
0:41:36 > 0:41:40Any minute now I'll be getting a robot portrait of Lamar.
0:41:40 > 0:41:42Let's see if it can help us.
0:41:42 > 0:41:45Also got an old lady who's helping us, she's a neighbour.
0:41:45 > 0:41:47But you never know with old ladies.
0:41:47 > 0:41:50- SHE CHUCKLES - Does that include me?
0:41:50 > 0:41:53Absolutely not.
0:41:53 > 0:41:57Do you mean that the FBI haven't managed to find a photo of him?
0:41:57 > 0:41:59- MOBILE RINGS - Excuse me, Ray.
0:42:16 > 0:42:19One of the guys has had a brainwave.
0:42:19 > 0:42:23He thinks the body in the blanket might be Lamar Jennings.
0:42:25 > 0:42:28OK, OK, here we go.
0:42:28 > 0:42:29Have a look.
0:42:31 > 0:42:33That's the man in the blanket.
0:42:33 > 0:42:35Lamar Jennings?
0:42:35 > 0:42:37That's incredible.
0:42:38 > 0:42:41Are you sure? Jenny, I'm coming over.
0:42:54 > 0:42:56SIGHING
0:42:59 > 0:43:01HJELM EXHALES
0:44:08 > 0:44:10GENERATORS WHIR
0:44:52 > 0:44:55RASPING BREATHS
0:45:06 > 0:45:09RAGGED BREATHS
0:45:09 > 0:45:11RAGGED BREATHING
0:45:20 > 0:45:22SHE GASPS
0:45:29 > 0:45:31GUNFIRE
0:45:31 > 0:45:33GUN COCKS
0:45:53 > 0:45:55SHE GASPS
0:46:26 > 0:46:29RAGGED BREATHING
0:47:54 > 0:47:56FOOTSTEPS APPROACHING
0:49:33 > 0:49:37ALL CHUCKLE
0:50:10 > 0:50:13SHUTTERS CLICK, HUSHED CONVERSATION
0:51:04 > 0:51:06MUSIC PLAYS ON EARPHONES
0:51:13 > 0:51:15DOOR CLOSES
0:51:15 > 0:51:17SHE SIGHS
0:51:29 > 0:51:31OK.
0:52:34 > 0:52:36CLATTERING
0:52:42 > 0:52:43OK.
0:53:38 > 0:53:41This is Special Agent Ray Larner from the FBI.
0:53:43 > 0:53:45This is the A Group.
0:53:45 > 0:53:48Mr Larner came over to take part in the investigation.
0:53:48 > 0:53:50Which one of you is Hjelm?
0:53:52 > 0:53:54- I am. - Excellent investigative work.
0:53:54 > 0:53:56Thank you, Mr Larner.
0:53:56 > 0:53:59You did a fantastic job, all of you, the FBI is most impressed.
0:53:59 > 0:54:01I know who the guy is.
0:54:08 > 0:54:10You know who he is?
0:54:10 > 0:54:11Yeah.
0:54:11 > 0:54:13His identity?
0:54:13 > 0:54:14Yeah.
0:54:14 > 0:54:16You know where he is?
0:54:19 > 0:54:20Yeah.
0:55:37 > 0:55:39HUSHED CONVERSATION
0:56:47 > 0:56:50IMPATIENT TAPPING
0:56:54 > 0:56:58ELECTRONIC BEEPING
0:57:02 > 0:57:03Nobody goes in alone.
0:57:03 > 0:57:06I'm going with him, I've been chasing this guy for 30 years.
0:57:06 > 0:57:09- That's not a good idea, Ray. - This is crazy.
0:57:09 > 0:57:12This guy is like 65 psychopaths all wrapped up in one body.
0:57:12 > 0:57:17- The FBI has been...- Yeah, yeah, yeah, whatever. But this is Sweden.
0:57:21 > 0:57:24GUNS COCK
0:57:32 > 0:57:36HE PANTS
0:57:43 > 0:57:46INDISTINCT TWOWAY RADIO CONVERSATION
0:57:49 > 0:57:50They've got Jennings.
0:57:54 > 0:57:55So, he's executing plan B?
0:57:57 > 0:57:59Yeah.
0:59:28 > 0:59:30- I'll translate for you. - Thanks.
0:59:44 > 0:59:45DOOR CLOSES
1:01:47 > 1:01:49I'm the good guy.
1:02:19 > 1:02:21What the fuck is he talking about?
1:02:21 > 1:02:24This is exactly what you feared back in New York.
1:02:24 > 1:02:26Unfortunately.
1:02:26 > 1:02:29Is he telling the truth?
1:02:30 > 1:02:33If he's an agent, and I believe that he is...
1:02:34 > 1:02:36..I want to talk to him.
1:02:50 > 1:02:51OK.
1:05:22 > 1:05:24SHE PANTS
1:06:20 > 1:06:22DOOR OPENS
1:06:24 > 1:06:26DOOR CLOSES
1:06:53 > 1:06:55Hello, Ray.
1:06:57 > 1:06:58Nice to see you.
1:06:58 > 1:07:00Nice plastic surgery.
1:07:02 > 1:07:04I'm glad you like it.
1:08:35 > 1:08:37Tell me...
1:08:39 > 1:08:42What kind of man specialises in the things that you do?
1:08:43 > 1:08:45A patriot.
1:08:45 > 1:08:47I love my country.
1:08:47 > 1:08:51I love my country too, but it doesn't give me licence to torture people.
1:08:53 > 1:08:54These aren't people, Ray.
1:08:56 > 1:08:59These are traitors, spies, terrorists,
1:08:59 > 1:09:02those who sell state secrets.
1:09:02 > 1:09:06Those who jeopardise US interests and our national security.
1:09:06 > 1:09:08They are NOT people.
1:09:08 > 1:09:11What about the maiming of the genitals?
1:09:11 > 1:09:13That idea was commissioned by someone at the top.
1:09:13 > 1:09:16- To make you look like a madman. - Right.
1:09:20 > 1:09:23And it worked very well, but you got too close.
1:09:26 > 1:09:27The car crash.
1:09:27 > 1:09:29We staged that,
1:09:29 > 1:09:32for your benefit.
1:09:32 > 1:09:33We?
1:09:33 > 1:09:36Yeah, "we"...
1:09:41 > 1:09:44The big "we".
1:11:54 > 1:11:55MOBILE RINGS
1:12:39 > 1:12:43TWO-WAY RADIO: 'We're tracking some movement, possible subject.
1:12:43 > 1:12:45'Stand by for confirmation.'
1:12:45 > 1:12:47OK, we're standing by.
1:12:49 > 1:12:51'Co-ordinates are coming in.'
1:13:03 > 1:13:05PROPELLERS WHIR
1:13:08 > 1:13:11ENGINE REVS
1:13:28 > 1:13:29MOBILE RINGS
1:13:41 > 1:13:45OVERLAPPING RADIO CONVERSATION
1:13:46 > 1:13:48'..He's making a right-hand turn...
1:13:48 > 1:13:50'..42-5-31.'
1:13:50 > 1:13:53- All right, get moving, go. - 'They are heading towards the port,
1:13:53 > 1:13:56'I repeat, they're heading towards the port.'
1:14:44 > 1:14:47ENGINE IDLES
1:14:47 > 1:14:49INDISTINCT TWOWAY RADIO CONVERSATION
1:14:53 > 1:14:57'It looks like they've stopped again. Can you get confirmation on that?
1:14:57 > 1:15:00- 'Is the subject moving? Do you have visual?- Stand by.
1:15:00 > 1:15:02'Making a right-hand turn.'
1:15:04 > 1:15:05'Hold your position.'
1:15:28 > 1:15:30Target in sight.
1:16:04 > 1:16:07SQUEAKING
1:16:07 > 1:16:09CLATTERING, CREAKING
1:16:12 > 1:16:14Swedish police.
1:16:16 > 1:16:18Welcome aboard.
1:16:41 > 1:16:43HE COCKS GUN
1:16:44 > 1:16:45MUFFLED GROANS
1:16:45 > 1:16:47Shit!
1:18:31 > 1:18:33Fatima, can you show them?
1:19:53 > 1:19:54MOBILE RINGS
1:20:11 > 1:20:13FOOTSTEPS APPROACHING
1:20:31 > 1:20:34This is an excerpt from Lamar's diary.
1:20:36 > 1:20:37The CSI found it in hidden
1:20:37 > 1:20:40behind a refrigerator in his apartment in New York.
1:20:40 > 1:20:41Have you read it?
1:20:41 > 1:20:45Well, it just says that the cottage in reality
1:20:45 > 1:20:48is owned by Gallano's stepfather who lives in New York.
1:20:49 > 1:20:52He met and befriended Lamar at a gala benefit
1:20:52 > 1:20:54for the opera singer, Birgit Nilsson.
1:20:54 > 1:20:55OK.
1:20:55 > 1:20:57He promised him the use of his cottage
1:20:57 > 1:20:59if and when he wanted a vacation in Sweden.
1:20:59 > 1:21:02And then he murdered his stepson, Gallano.
1:21:04 > 1:21:05That's life.
1:21:06 > 1:21:11Jenny, I'm very hurt that I'm not able to take this scalp home with me.
1:21:13 > 1:21:16I've been chasing this guy for over half my life.
1:21:17 > 1:21:22After one week, you arrest him and look him up. It's not fair.
1:21:22 > 1:21:25But you got to see me. For a while at least.
1:21:25 > 1:21:27I know. I know.
1:21:31 > 1:21:33Tell the team that...
1:21:33 > 1:21:36they're one of the best I've ever worked with.
1:22:59 > 1:23:01BOTH CHUCKLE
1:26:01 > 1:26:03CHICKENS CLUCK
1:26:06 > 1:26:08BIRDSONG
1:27:42 > 1:27:45MUSIC DROWNS AUDIO THROUGHOUT SCENE
1:28:07 > 1:28:13Subtitles for the deaf and hard-of-hearing by Red Bee Media Ltd